Arts & Entertainment

By Daniel Dunaief

A problematic atmospheric greenhouse gases, methane comes from natural gas, agriculture, and swamps. 

John Mak

Recently, John E. Mak, a Professor in the School of Marine and Atmospheric Sciences at Stony Brook University worked with an international group of scientists to demonstrate a process that removes methane from the atmosphere.

A mixture of dust from the Sahara and sea spray reacts with methane to form carbon monoxide and a small amount of hydrochloric acid.

In a recent paper published in the prestigious journal Proceedings of the National Academy of Sciences, Mak, corresponding author Matthew Johnson, who is a Professor in the Department of Chemistry at the University of Copenhagen, and others showed how a novel process removes 5 percent, plus or minus 2 or 3 percent, of the methane from the atmosphere in specific areas.

“What we are showing is that some methane in the middle of the tropical Atlantic Ocean region may be removed” through this process, Mak said from the Gordon Research Conference on Atmospheric Chemistry in Sunday River, Maine.

The research validates a mechanism Mak had proposed in the late 1990’s, when he conducted studies funded by the National Science Foundation in Barbados. “When I first made the observations, I proposed that what we were seeing was a chlorine mediated removal of methane,” Mak explained.

At that time, he didn’t have the ability to make those measurements. The technology, however, has evolved over the years and researchers can now measure chlorine radical precursors such as Cl2 and other chlorine compounds.

Indeed, Maarten van Herpen, first author on the study and a member of Acacia Impact Innovation, approached Mak with a new theory and a new mechanism that he thought could explain Mak’s results from decades earlier.

“They were excited to hear that no one had solved the problem,” said Mak.

By working together through this international team, the group was able to take new measurements and utilize advances in their understanding of atmospheric processes.

‘New, but old’

Mak had conducted his studies towards the beginning of his time at Stony Brook University in the late 1990’s as a part of one of his first federally funded projects. 

“It’s a little unusual for people to make use of observations so far in the past,” said Mak. “It opens up a new, but old avenue of research.”

Mak, who is conducting studies in other areas including a recent project in New York to investigate air quality and air chemistry mechanisms specific to the greater New York City region, believes the research on this PNAS paper takes him almost full circle back to this earlier work.

“There’s a feeling of satisfaction that good measurements are useful for a longer period of time,” he said. 

In this study, Mak helped interpret some of the data his collaborators generated.

The reactions

The process of removing methane starts with sea spray, which is aerosolized by bubbles bursting at the contact point between the ocean and the air. The chlorine comes from that sea spray, while iron comes from the continental crust.

Saharan dust can traverse the globe, but scientists are not sure of the spatial extent of this process. They believe it could be throughout the tropical Atlantic, but it could be in other dust laden ocean regions in the Indian and Pacific Oceans as well.

That process creates what is described as a reactive chlorine species, which is on the hunt for a positively charged particle, such as one of the four hydrogen atoms attached to carbon in methane.

Once the chlorine removes a hydrogen, it creates a methyl group, or CH3, and an incredibly small amount of hydrochloric acid, or HCl, at about one part per quadrillion.

The acid, in fact, is so low that it doesn’t cause any acidification of the oceans. Ocean acidification primarily comes from the absorption of carbon dioxide gas, which reacts with seawater and eventually increases the amount of positively charged hydrogen atoms, decreasing the ocean’s pH.

Meanwhile in the atmosphere, the remaining methyl group is oxidized to carbon monoxide, which eventually becomes carbon dioxide. That is also a greenhouse gas, but is not as potent at trapping heat in the atmosphere as methane.

Now that the group has explored this process, Mak explained that the next step will involve proposing a field campaign in the tropical Atlantic with state of the art instruments.

Mak believes the journal PNAS likely found the subject matter compelling on a broader scale, particularly because this process affects weather and climate.

Outside work

When he’s not working, Mak enjoys boating and fishing. A native of Southern California, Mak is a commercial pilot, who also does some flying as a part of his research studies.

As for climate change, Mak suggested that the weather extremes from this year, which include record high temperatures in the ocean near the Florida Keys and high temperatures in areas in Arizona, are a part of a pattern that will continue.

“What we have been and will continue to observe are changes to the broad equilibrium of energy balance of the Earth ocean atmosphere system,” he explained. “There’s a lot of inertia in the system. But when you change the input by changing the forcing, you upset that equilibrium.” That, he explained, could alter the weather, which is generated as a response to differences in energy from one place to another.

Parmesan Dip

By Heidi Sutton

Summer is the perfect time to entertain. If you’re a home chef, you know how fun and fulfilling it is to host friends and family. 

Check out this addicting parmesan dip recipe courtesy of Signature Kitchen Suite’s executive chef Nick Ritchie that is sure to be a crowd-pleaser. You can serve it as a topping for fresh bread, crostini (see recipe on left) or bruschetta, toss it with pasta, spoon it over fresh sliced tomatoes, add to a salad, dollop it on steak or chicken breast, or use it as a pizza base. The possibilities are endless!

Chef Nick’s Parmesan Dip

Parmesan Dip

YIELD: Makes 2 1/2 cups

INGREDIENTS:

8 ounces Parmesan cheese, broken into 1-inch chunks

8 ounces Asiago cheese, broken into 1-inch chunks

1 tablespoon chopped garlic

1 tablespoon freshly ground black pepper

2 tablespoons chopped parsley

 2 tablespoons chopped basil

2 tablespoons thinly sliced scallions

 1 tablespoon pepper flakes

1-1/2 cups extra-virgin olive oil

DIRECTIONS: 

Place the cheese chunks in the bowl of a food processor. Pulse for about 10 seconds to break the cheese into small granules. (Use a rubber spatula to scrape down and recombine between every couple of pulses.) Add the remaining ingredients except olive oil and pulse briefly.

Using a spatula, remove all to a mixing bowl. Fold the olive oil into the blended ingredients and mix well by hand. Transfer the dip to a sealed container and refrigerate for up to two weeks. Bring to room temperature before serving.

*To make the dip more spicy, add 1 tablespoon of Calabrian chili paste.

Basic Crostini

Crostini

YIELD: Makes about 20 pieces

INGREDIENTS:

2 medium baguettes,

2 to 3 tablespoons extra virgin olive oil

Pinch of salt and pepper

2 tablespoons grated parmesan cheese

DIRECTIONS: 

Preheat oven to 375 degrees F. Using a sharp bread knife slice the bread into neat, even, thin slices. If the baguette being used is on the narrow side you can slice on a diagonal so the crostini aren’t too small.

In a mixing bowl drizzle the olive oil over the bread slices while gently tossing to coat evenly. Sprinkle lightly with salt and pepper and the grated parmesan and quickly toss again.

Arrange the seasoned and oiled crostini on a baking sheet and bake until crisp and golden brown on the outside, approx. 12 minutes. Make sure no moisture is left in the crostini or they will soften while in storage. Use immediately or allow to fully cool and store in an airtght container.

A Column Promoting a More Earth-Friendly Lifestyle

By John L. Turner

John Turner

If you’re one of the many thousands of Long Islanders who bring clothes to your local dry cleaning establishment, you know you get back those freshly-pressed and cleaned clothes on a wire hanger. 

That’s good news in that there’s no need to throw away or attempt to recycle by tossing the hangers in your curbside recycling bin. Just bring them back to your dry cleaners to be used again…..and again…and again!    

But many people don’t as approximately (and mind bogglingly) 3.5 billion wire hangers  are thrown away every year in the United States! That amounts to 312,000 pounds of wire hangers or 156 tons.  

Wire hangers can be used many times before they become sufficiently twisted or bent and can no longer be used and the dry cleaning establishment appreciates you returning them for reuse since you’ll be helping out their financial bottom line as they have to purchase fewer new hangers.

A resident of Setauket, author John Turner is conservation chair of the Four Harbors Audubon Society, author of “Exploring the Other Island: A Seasonal Nature Guide to Long Island” and president of Alula Birding & Natural History Tours.

 

Photo by Rajesh Rajput/Unsplash

By John L. Turner

John Turner

Travis and I got our chairs positioned to be comfortable waiting for the show to begin. Facing west about a half hour after sunset on this July 4th evening, Venus dominated the sky shining brightly over a dark grey bank of clouds. 

And then the show began, first a bright flash above us and to our left and then to our right and a third in the middle, higher still. And then several scattered across the sky in a triangle shape. A fireworks display to celebrate the holiday at a public park? Nope, a firefly display in our backyard!  

Each night in early summer brings this show — free of charge — to a location near you, perhaps too in your backyard. It’s the annual mating flash of the firefly or as one prominent firefly expert calls it: “Silent love songs flashing their hearts out.” This yearly show is one of the joys of summer with so many childhoods having been enriched by children dashing to and fro temporarily capturing a few in a glass jar with some grass blades to watch the flashing fireflies up close. For us it’s fun to watch but for fireflies it involves the serious business of reproducing.  

Firefly. Pixabay photo

I remember a firefly display I witnessed about a decade ago at the NYSDEC’s Oak Brush Plains Preserve at Edgewood (located in Deer Park). I was there in the dark to listen for whip-poor-wills, the population of which might represent the westernmost breeding group remaining on Long Island. I headed into the property and broke north along a trail bordering an open meadow.  

In the meadow were many fireflies and I do want to stress many — what had to number in the hundreds winking and flashing in and along the edges of the meadows. Some flashed while perched on the top of tall grass. There were so many fireflies I was mesmerized and after a few minutes of watching thousands of flashes and blinks I found it almost disorienting.      

Fireflies are also known as lightning bugs but to be accurate they are neither flies nor bugs. Rather, they are beetles belonging to the family Lampyridae. (This is one of the few insect family names I’ve remembered by playing a little trick: these insects produce their own light just as lamps do.) Currently 173 species have been documented in North America with the majority occurring in the eastern half of the continent.  

Staff from the New York Natural Heritage Program (NYNHP) have been assessing the diversity and abundance of fireflies in New York. According to Katie Hietala-Henschell, a zoologist with the state program, “27 species occur in NY” but believes the number  will very likely increase, as she notes “there could potentially be 37 species.”  

She further states: “For Long Island in particular, there are at least 10 species (probably more!) that have been documented. However, this is a very conservative estimate and likely an underestimate of the number of Long Island species.” 

The most common species both in the eastern United States and here is Photinus pyralis commonly known as Common Eastern Firefly or the Big Dipper Firefly, probably due to its flash pattern appearing reminiscent of the well-known star pattern. 

As for rare firefly species that may occur on Long Island, Katie indicates “The only documented IUCN Red List species that has occurred on Long Island is Photuris pensylvanica (Dot-dash Firefly) ranked as Vulnerable. … I suspect at least two other IUCN species that may occur on Long Island. It could be a long shot, but there is potential for Pyractomena ecostata (Keel-necked Firefly) ranked as Endangered and possibly Photuris bethaniensis (Bethany Beach Firefly) ranked as Critically Endangered by IUCN and petitioned to be federally listed as Endangered.”  

As I soon learned the dot-dash firefly is aptly named as its flash pattern consists of a short greenish colored flash (the dot) followed by a longer flash that lasts several seconds (the dash).   

We have a pretty clear understanding of the underlying but complicated chemistry producing the magical flash in fireflies. Using organs in their abdomens, oxygen mixes with calcium, a chemical named luciferin, an enzyme — luciferase, and ATP (adenosine phosphate; remember this from the cellular biology you learned in high school?). Oxygen, the release of which fireflies can control, appears to be the “switch” that sets off the process. Nitric oxide gas also plays a role. This illumination is extremely efficient with the firefly giving off very little heat while emitting lots of bright light. 

Their flash is an excellent example of bioluminescence — light made by living things. Bioluminescence is known across the living world — besides fireflies, a number of jellyfish, worms, squid (to be precise it’s the luminescent ink they shoot out to avoid predation), many fish species including deep-sea fish, algae, and fungi produce and emit light.  There are approximately 1,500 species of fish alone that are bioluminescent!   

In the category “the world is always more complicated than we think,” most female fireflies can’t fly since they lack wings or possess only vestigial wings, rendering them earthbound from where they flash (we know them as glowworms); the males of a few firefly species also cannot fly; and not all fireflies use flashing light to attract, with some employing scent attractants known as pheromones — species-specific chemicals that attract the opposite sex. And not all flashing is designed to entice mating. In some cases female fireflies mimic the male flash of other species to entice them so the females can dine on their bodies and incorporate the poisons contained within.  A firefly femme fatale, if you will.   

Fireflies, like so many insect species, are declining. Habitat loss and pesticide use are culprits. But perhaps the number one problem facing this iconic group of insects is excessive night lighting.  As more homes are built and more of us leave front and back  porch lights on, more ambient light is created, creating confusion for and competition to the flashing fireflies.  This brightening glow of night lighting disorients migrating birds, dims the stars and the Milky Way, and, now, is having an adverse effect upon fireflies.  

If you want to know what you can do to protect fireflies: Turn off outdoor lights as the lighting competes with the flashes of fireflies. Additionally, avoid using pesticides or chemical fertilizers and leave the leaves for the benefit of female fireflies and some firefly larvae which are found on the ground. 

Here’s to hoping that fireflies make summertime memories for jar-carrying kids and their parents for countless summers to come. 

A resident of Setauket, author John Turner is conservation chair of the Four Harbors Audubon Society, author of “Exploring the Other Island: A Seasonal Nature Guide to Long Island” and president of Alula Birding & Natural History Tours.

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The main cast of 'Haunted Mansion.' Photo courtesy of Disney

Reviewed by Jeffrey Sanzel

There’s an old joke (incorrectly credited to W.C. Fields):

“… And I spent a week in Philadelphia.”

“When?”

“Day before yesterday.”

Which brings us to Haunted Mansion.

The Haunted Mansion is one of Disney’s most famous and beloved dark rides. The Disneyland premiere (1969) was followed two years later by the Disney World/Magic Kingdom location. 

Before its current resurrection, Disney produced the (mostly) critically drubbed Eddie Murphy vehicle The Haunted Mansion (2003). However, the film grossed over $100 million worldwide. Muppets Haunted Mansion (2021) appeared on Disney+. The Muppets’ first Halloween special ran a brisk fifty minutes and was warmly received. 

Unlike the park ride, which lasts an entertaining eight minutes, the current film’s interminable two hours offers little but some strong performances trapped like the spirits in the Haunted Mansion. Katie Dippold (Parks and Recreation, The Heat, and the 2016 Ghostbusters) cobbled a mess of sitcom, slapstick, and reflection on grief. Justin Simien (director of the brilliant Dear White People) fails to elevate the movie, which arrives as dead as the house’s occupants. (When Disney first announced a reboot, Guillermo del Toro was attached to the project but exited in 2013. One wonders what the gifted del Toro would have done with this mainstream project.)

Haunted Mansion is set in New Orleans, “the Most Haunted City in America.” In a short prologue, astrophysicist Ben Matthias (a truly grounded and likable LaKeith Stanfield) meets Alyssa (brief but likable Charity Jordan), a ghost tour guide. While he questions her belief in the supernatural, he falls in love with and marries her. After she dies in a car accident, he gives up his scientific work and takes over her ghost tour. 

The ghosts of Gracey Manor. Photo courtesy of Disney

Fast forward to New York doctor Gabbie (strong but underserved Rosario Dawson) and her nine-year-old son, Travis (a sensitive and mature Chase W. Dillon), moving into Gracey Manor to turn it into a bed and breakfast. As they enter the house, they realize they are not alone.

A goofy priest, Father Kent (Owen Wilson doing a nice job as Owen Wilson), recruits Ben to photograph the ghosts with the camera he had developed to shoot dark matter. The skeptical Ben agrees to the proffered ten thousand dollars. When he leaves the mansion, he realizes the ghost of a mariner has followed him. And this is the crux of the story: anyone who enters the house takes the spirits with them. “Ghosts are like bedbugs: they latch on.” A charming image.

Psychic Harriet (always enjoyable Tiffany Haddish) and college historian Professor Bruce Davis (Danny DeVito, both benign and manic) join the quartet. The “dream team,” as Kent labels them, discovers the house’s history and that the inhabitants want their help to be free (though this gets a bit muddled in the end … and the middle … and part of the beginning).

They learn from the crystal ball-trapped Madame Leota (Jamie Lee Curtis—remember her?—she just won an Academy Award) that William Gracey bought the mansion and engaged Leota to contact his dead wife. However, an evil entity tricked Gracey into taking his own life. The malignant force is Alistair Crumb, also known as the Hatbox Ghost (voiced for some reason by Jared Leto). There is talk of the 999 spirits and the need for a willing victim to make one thousand allowing Crump to escape the mansion. (Something like that.) The “climax” is the two worlds—the spectral and the real—colliding.

The movie suggests ghost movies of earlier eras: Bob Hope’s 1932 comedy The Ghost Breakers and William Castle’s creepy 13 Ghosts (1960) come to mind. But Haunted Mansion manages to be simultaneously fluff and leaden. (This calls to mind the old brain teaser: Which is heavier—a ton of feathers or a ton of cement? Answer: One hundred and nineteen minutes of Haunted Mansion.)

The effects replicate the Disney attraction. The low-tech feel serves the commercial advertisement but just makes the movie look cheap. The requisite cobwebs drape the dwelling, and the well-known Haunted Mansion denizens appear (the Bride, the Hitchhikers, etc.). Occasionally, the film nods towards introspection: Harriet speaks of “ghost winks”—messages of hope and comfort from people who have passed on. This heartening concept wandered in from another film.

But too often, the film relies on forced, clumsy humor. Punchlines include a joke about a Yankee Candle and an uncancelled Amazon subscription, a pen and pad purchased at CVS, and sage bought at Costco. Characters snore, and chairs fly down steps, dumping the occupants in mud. Hilarity reigns.

The cast does its best, with Stanfield and Dillon as standouts. A sprinkling of cameos—Marilu Henner as a tourist, Winona Ryder (uncredited, but very funny) as a tour guide, and Daniel Levy as her husband—are fun but do little more than distract for a moment.

Ultimately, Haunted Mansion is a ride not worth taking. Rated PG-13, the film is now playing in local theaters.

 

Madison's Niche in Stony Brook

Stony Brook Village and Madison’s Niche have announced an addition to the lifestyle center — D.K. Brothers by Madison’s Niche. Expected to open this Fall, the boutique will offer a curated collection of men’s apparel, lifestyle gifts, and luxury pet accessories.

Customers can expect to shop denim, t-shirts, dress shirts, casual wear, small leather goods, travel accessories, home accents, fragrances, books, and many more gift categories. D.K. Brothers will also feature an elevated pet collection to shop for special outfits, accessories, toys, bowls, beds, treats, and more.

Karen McAvoy founded Madison’s Niche in 2012 with her daughter, Madison, as the brand’s inspiration and namesake. Like Madison’s Niche, D.K. Brothers is a concept inspired by and named for Karen’s sons, Daniel and Kenneth. Today, over a decade later, Madison’s Niche remains a celebrated retail staple that has since expanded to eight brick-and-mortar locations (Stony Brook Village, Huntington, Garden City, Sayville, Plainview, Rye Brook, and Woodbury) along with an e-commerce platform.

To stay updated, visit madisonsniche.com, stonybrookvillage.com, and on social media @madisonsnicheboutique and @stonybrookvillage.

Photo courtesy of PSEG Long Island

Thursday, Aug. 11 (8/11), is National 811 Day, and PSEG Long Island reminds anyone starting any improvement project that involves digging to call 811 first to get a free mark-out of underground lines. Hitting a buried electric, gas, water or cable line while digging can disrupt utility service, cost money to repair, and even cause severe injury or death. One free call to 811 will ensure customers “know what’s below.”

Every digging project, even a small project like planting a tree or building a deck, requires a call to 811. It’s the law. The call is free and the mark-out service is free. The call must be made whether the job is being performed by a professional or a do-it-yourselfer. Striking an underground electrical line can cause serious injury and outages, and result in repair costs and fines.

“No matter how small the project may be, calling 811 ahead of time helps protect underground utility lines and, more importantly, the safety of anyone digging,” said Richard Henderson, senior director of Electric Operations at PSEG Long Island. “Customers have been getting the message. Last year there were more than 215,000 mark-out requests in our service area, and so far this year, there have been more than 119,000 requests to 811.”

According to Common Ground Alliance, a member-driven association of nearly 1,800 individuals and 250 member companies in every facet of the underground utility industry, 40% of active diggers in North America do not call 811 because they think their project is too shallow to require it. All digging projects require a call to 811.

A free call to 811 in the service area automatically connects the caller to the local New York one-call center, which collects information about digging projects. The one-call center then provides the information to the utility companies, which send representatives to mark the locations of nearby underground lines with flags, paint or both. Once lines have been properly marked and confirmation from all of the utility owners is received, projects may proceed as long as caution is used around the marked areas.

Here’s important information to consider:

  • Underground gas and electric lines are everywhere, even on private properties. These facilities can be easily damaged if dug into, with the potential to cause serious injuries. Digging into these lines can also disrupt vital utility services, resulting in costly delays, expensive repairs and environmental or property damage.

  • Whether the job is a major home improvement project or something as simple as a fence or mailbox post, a call to 811 must be placed beforehand to determine where it’s safe to dig.

  • Call 811 at least two business days before the commencement of each job to have underground pipes, wires and equipment located. Each facility owner must respond by providing the excavator with a positive confirmation indicating that marks are in place where utility lines are buried or that there are no existing facilities in the area of the proposed work. This service is free of charge.

  • Be sure to wait until all of the utilities have responded. Don’t dig until lines have been marked or you have received confirmation that the area is clear of facilities.

  • Property owners must maintain and respect the marks. Always hand dig within 2 feet of marked lines to find the existing facilities before using mechanized equipment.

  • If gas lines are damaged or there is a gas smell when excavating, call 911 immediately from a safe area.

Calling before you dig is more than a good idea − it’s the law. Additional information, including a booklet on safe excavating practices and the protection of underground facilities, can be found on the PSEG Long Island website.

Photo by Chris Bauer

FLY ME TO THE MOON

Chris Bauer of Crab Meadow (Northport) walked down to the Crab Meadow Beach parking lot on Aug 1 to capture the “Sturgeon Moon” as it rose but because of the angle it came up, the parking lot lights, and the trees, was not able to get any usable shots. 

He writes, “I walked back down on the following night but stopped short of the beach parking lot to avoid the lights and set up along Waterside Avenue shooting over the Jerome Ambro Wetland Preserve. Once the moon started rising above the trees I was able to get my camera settings correct for a great shot when I noticed the blinking red lights of an approaching jet airliner. With my remote shutter I waited hoping it was going to cross in front of the moon, as it did. I took about 12 shots in quick order but selected this one where I caught the red lights on. I will be out there again for the Blue Moon on August 30.”

Heidi

Welcome to the 20th edition of Paw Prints, a monthly column for animal lovers dedicated to helping shelter pets find their furever home! 

Meet Starling

Starling

 

This sweet and stunning three-year-old dilute torti was adopted from the Smithtown Animal Shelter as a kitten and was recently returned due to allergies. Starling is as affectionate, vocal and sweet as they come. She was overindulged in her last home and was permitted to get extremely overweight. Other than a strict diet, her only needs are love and home that will never let her down. 631-360-7575

Meet Leah

Leah

The matriarch of the small dog kennel at Little Shelter, this thirteen-year-old Shih-tzu mix is Leah. Organizing games of mahjong and other fun activities for the rest of the gang, she likes to keep active and productive, knowing that staying involved is the key to longevity. Friendly with others (as long as she gets her own way!), she enjoys a nice gathering that includes appetizers and spirited conversation. Not letting anything slow her down, Leah is a little powerhouse looking forward to spending her golden years in a forever home with her favorite person by her side … and, if you play your cards just right, it could be you! 631-368-8770, ext. 21

Meet Heidi

Heidi

Heidi is a beautiful 2 1/2 year old Greman Shepherd mix who was rescued from a high kill shelter in Texas with her buddy Max and brought to the safety of Kent Animal Shelter. Max was recently adopted but Heidi is still waiting for her furever home. Will that be with you? 631-727-5731, ext. 1

Meet June

June

Look at those eyes! June has really come around since arriving at Little Shelter. She enjoys pets and cheek rubs and gets along with other cats. Now she is just waiting for her furever home. Come meet her today! 631-368-8770

Meet Shaggy

Shaggy

A dashing little girl at Little Shelter, Shaggy loves to be around her playmates and be cuddled in your arms. This senior Shih Tzu mix is a calm and chill girl; she just likes to hang out, whether that’s with you or another four-legged friend. *Shaggy is not housebroken. Call 631-368-8770, ext. 21 to meet her today!

Meet Leo & Milo

Leo & Milo

What’s better than a kitten? Two kittens! Leo and his brother Milo are an adorable bonded pair of kittens currently up for adoption at Kent Animal Shelter. They are looking for a forever home with a special family they can call their own! 631-727-5731, ext. 1

Check out the next Paw Prints in the issue of September 14.

Paw Prints is generously sponsored by Mark T. Freeley, Esq.

 

A scene from 'Notorious.'
The six-film retrospective will coincide with the legendary director’s birthday and will feature many of his most iconic films
Alfred Hitchcock on the set of Psycho. Photo credit Eve Arnold. 1959-1960.

Beginning on Friday, Aug. 11 at 7 p.m. and running through Wednesday, Aug. 16, the Cinema Arts Centre, 423 Park Ave., Huntington will present a retrospective of the films of master director Alfred Hitchcock. For six consecutive days, the Cinema will present a daily screening of one of Hitchcock’s greatest films. Each of the six film screenings will feature an introduction by local film historians who will discuss the history of the film, provide, and explore the impact of some of Alfred Hitchcock’s most influential and acclaimed works.

Considered the father of the thriller genre, and dubbed the “Master of Suspense”, Hitchcock directed over fifty feature films throughout a career that spanned from the silent era in the 1920s into the late 1970s. Today, he is regarded as one of the most influential figures in the history of cinema, having pioneered many editing and camera techniques that have since become staples of modern cinema. Known for his signature blend of macabre, suspense, sex, and offbeat humor, Hitchcock is still among the most admired of film directors.

The films included in the retrospective are Psycho, Strangers on a Train, Rear Window, Notorious, Vertigo, and Shadow of a Doubt.

The Cinema Arts Centre hopes to offer both Hitchcock fanatics, and those looking to see the films for the first time, the rare opportunity to see these groundbreaking and exhilarating films on the big screen.

Film info:

Janet Leigh in Psycho. Alfred Hitchcock. 1960. Paramount Pictures. Image courtesy of Universal Film Exchange.

Psycho
Friday, August 11 at 7 p.m.
Introduction by Film Historian Glenn Andreiev
Alfred Hitchcock’s landmark masterpiece of the macabre stars Anthony Perkins as the troubled Norman Bates, a man with an interest in taxidermy and a difficult relationship with his mother, whose old house and motel are not the place to spend a quiet evening. Nobody knows that better than Marion Crane (Janet Leigh), the ill-fated traveler whose journey ends in the notorious shower-scene. First an investigator, then Marion’s sister (Vera Miles) search for her, the suspense mounting to a terrifying climax where the mysterious killer is finally revealed. (USA, 1960, 109 mins, English | Dir. Alfred Hitchcock)

Strangers on a Train
Saturday, August 12 at 7 p.m.
Introduction by Film Historian Philip Harwood
“Your wife. My father. Criss cross.” In Alfred Hitchcock’s standout thriller, adapted from the 1950 novel by Patricia Highsmith, the cheerful yet malevolent Bruno Anthony (Robert Walker), recognizes his fellow train passenger, tennis pro Guy Haines (Farley Granger). After an introduction and a round of drinks, they continue their conversation over lunch. Revealing his knowledge of Guy’s marital problems, Bruno offers an interesting proposition: quid pro quo murders. Appalled, Guy declines, but the chance encounter will set in motion a bizarre and deadly chain of events. (USA, 1951, 101 mins, English | Dir. Alfred Hitchcock)

 

James Stewart in Rear Window. Alfred Hitchcock. 1954. Paramount Pictures. Image courtesy of Universal Film Exchange

Rear Window
Sunday, August 13 at 7 p.m.
Introduction by Film Historian Glenn Andreiev
In this intriguing, macabre visual study of obsessive human curiosity and voyeurism, renowned New York magazine photographer L. B. “Jeff” Jeffries (James Stewart) enters his last week of home confinement, bored and anxious, and stuck inside with a broken leg. Jeff has been spending his days sitting in a wheelchair, watching his neighbors through the rear window of his Greenwich Village apartment. Despite the skepticism of his fashion-model girlfriend (Grace Kelly), Jeffries becomes convinced he has witnessed a murder and is set on solving the mystery. (USA, 1954, 112 mins, English | Dir. Alfred Hitchcock)

 

Ingrid Bergman and Cary Grant in Notorious. 1946. RKO Radio Pictures. Image courtesy of Walt Disney Studios Motion Pictures

Notorious
Monday, August 14 at 7 p.m.
Introduction by Film Historian Philip Harwood
A thriller of rare perfection, Alfred Hitchcock’s Notorious represents a pinnacle of both its director’s legendary career and classic Hollywood cinema. In this anguished romance shot through with deception and moral ambiguity, Ingrid Bergman plays Alicia, a woman with a checkered past recruited by Devlin (Cary Grant), a suave intelligence agent. Only after she has fallen for Devlin does she learn that her mission is to seduce a Nazi industrialist (Claude Rains) hiding out in South America. (USA, 1946, 102 mins, English | Dir. Alfred Hitchcock)

Vertigo
Tuesday, August 15 at 7 p.m.
Introduction by Film Historian Philip Harwood
Alfred Hitchcock’s intensely personal, self-revealing picture, is widely considered to be one of the greatest films ever made. Starring James Stewart as a former detective with a crippling fear of heights, Vertigo, is the story of a man who is possessed by the image of a lost love who becomes increasingly consumed with trying to recreate that image. Co-starring Kim Novak in dual roles, this timeless thriller about obsession is among Hitchcock’s most influential works. (USA, 1958, 128 mins, English | Dir. Alfred Hitchcock)

Shadow of a Doubt
Wednesday, August 16 at 7 p.m.
Introduction by Film Historian Glenn Andreiev
What starts out as a charming portrait of idyllic small-town life gradually darkens into one of director Alfred Hitchcock’s most devastating thrillers. Teenage Charlie’s (Teresa Wright) illusions about her beloved Uncle (Joseph Cotten) are shattered by the suspicion that he may be the diabolical Merry Widow serial killer. As secrets are revealed, she will need to make hard choices that could end up destroying her family. Thought to be Hitchcock’s personal favorite, Shadow of a Doubt is perhaps his ultimate evocation of evil nesting among the ordinary. (USA, 1943, 108 mins, English | Dir. Alfred Hitchcock)

Fees per screening:

Public $15 | Cinema Arts Centre Members $10

You can also purchase tickets or find more information about this and other events on the Cinema Arts Centre website:www.cinemaartscentre.org