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TBR Staff

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TBR News Media covers everything happening on the North Shore of Suffolk County from Cold Spring Harbor to Wading River.

For the first time, people could choose to complete the U.S. Census online, by phone, or by mail. Stock photo

By Iryna Shkurhan

The 2020 Census couldn’t have come at a more inconvenient time. 

I was one of the half million people employed by the U.S. Census Bureau this year enlisted in the follow-up operation for non-respondents. When I applied to be an enumerator in Suffolk county in January, I couldn’t imagine that I would be going door to door in the midst of a pandemic. 

Iryna Shkurhan

When Census Day came April 1, enumerators were set to start visiting the homes of millions of non-respondents, but in person operations were postponed indefinitely as many states entered lockdowns. Around the same, the bureau formed an outreach and ad campaign to encourage Americans to respond online for the first time, or by phone or mail.

When drafting the Constitution, the nation’s founders mandated a count of the populace to be held every decade, starting in the 1790s, with the main goal of getting a count of every single person living in the United States. Included was questions on age, sex, race, relationship in the household and home ownership form data that paints a picture of who makes up the country. 

This information is crucial to determine congressional representation and allocating hundreds of billions in federal funding, for education, hospitals, roads and healthcare. The data that will directly affect the resources that communities across the country will receive for the next decade. For a government to represent people and fairly fund its programs, it has to know how many people there are and where they live, making the census initiative crucial for democracy. 

Enumerators typically work in their communities because their familiarity with the area helps in locating homes and also establishes trust and mutual understanding with respondents. Still, the questions are personal, and not everyone wants to share that information with a stranger. 

I always let people know that they had the option to refuse a question, if they were not comfortable answering. The question that mattered most was how many people lived in a household, which was used for the population count. The other questions had their own importance, but less so. 

I was issued a badge, a preprogrammed iPhone 8 and a messenger bag filled with various information sheets and a clipboard. In past decades the clipboard would’ve gotten more use. 

But this is the first year that the Census Bureau was collecting data digitally, allowing people to respond online, and enumerators to use mobile apps to record data. Enumerators no longer had to just record information with a pen and paper on their clipboards.

With the unpredictability of the pandemic, no one knew when and if in-person operations would continue, but in August I received a phone call asking if I would be willing to work for 4-8 weeks depending on when the count would be completed. I began working in the Stony Brook area less than ten minutes from my home. The number of cases I was assigned ranged from 20 to 70, depending on how many hours of availability I entered. Some days when I would work eight hours, I was assigned up to 80 nonresponse follow up cases. 

While on duty I imagined how different it must have been to be an enumerator ten years ago, before technology made the role much simpler. Now all I had to do was click on an assigned case and the GPS would direct me there. If a resident was home and willing to respond, the questions and answer options would pop up in the correct order on my screen. I never had to write anything more than a case number on paper. The apps on the issued iPhone were used to report for work, view assignments, track hours and mileage, and navigate to households.

The biggest challenge I ran into was a reluctance to answer. In the 20 hours of virtual training, I was taught the appropriate response for almost every type of reason a person is hesitant to share information, whether it’s privacy concerns, or distrust of the government. But many people were set in their decision and refused to cooperate, with many disputing my attempts at easing their fears and persuading them to cooperate. 

Enumerators also had a list of addresses to stay away from, which were marked as dangerous. These cases were marked with a caution sign on the map and signified that the resident was hostile, or violent in some way to an enumerator. In some cases, people were physically threatened and yelled at, and we were discouraged from attempting these homes alone. 

I witnessed a polar difference between the people who were happy to answer any questions and viewed it as a civic duty and those who avoided us at all costs and slammed the door in my face. I understood that people’s attitudes to their personal data was shifting, but living in a polarized county where the census became politicized didn’t help. With disinformation about the census floating around, explaining the purpose of the census, and the importance of each question, became a main part of my job. 

Another challenge was the technical difficulties that came with digital collection being implemented for the first time. Issues were bound to come up during the transition, but there were times where mid interview, the phone would crash, and I would have to restart all over. Other times my cases wouldn’t load, or I was sent to homes that were already visited by a dozen enumerators, with residents not hiding their annoyance. 

The sense of urgency was made apparent by higher ups as they offered incentives to work overtime and on weekends, when people were more likely to be home. Several bonuses were offered for working more than forty hours a week, and working Sundays and nights came with a higher pay rate. Initially, we had to request permission for overtime, but within a week that was scrapped. We were encouraged to work as much as possible to ensure everyone was counted. 

Once Setauket and neighboring regions were fully completed, I was sent out farther east to Riverhead, then farther to Orient and Mattituck. After the entirety of Suffolk County was counted, enumerators were offered to drive to other states, as far as Alabama to help complete the counting efforts there. 

One overnight shift was set aside to count the homeless population, which the pandemic made harder to account for. The Census was also forced to come up with new ways to count college students, who many towns depend on to get the adequate funding. 

In the few weeks I worked as an enumerator, there were difficult days but also rewarding ones. A certain satisfaction came with finally getting to interview a household that kept reappearing on my case list. With each case I closed, we came closer to reaching the goal. Little acts of kindness like some people offering to put their masks on, or a chair to sit on and a drink on a hot day, went a long way. 

Iryna Shkurhan is a junior at Stony Brook University majoring in political science, with a minor in journalism. She is an incoming editorial intern for TBR News Media.

On the morning of Wednesday, December 16, Supervisor Chad A. Lupinacci joined Macy’s Manager Leon McDonald at Macy’s in Huntington Station with Staff Sergeant Jerry Caballero and the U.S. Marine Corps Reserve as they picked up Toys for Tots donations collected in their annual drive coordinated by Town Veterans Affairs Coordinator Carol Rocco.

“Before all the snow started on Wednesday, U.S. Marine Corps Staff Sergeant Jerry Caballero picked up the Toys for Tots donations at Huntington Town Hall and Macy’s at Walt Whitman Shops. Thank you to  Macy’s Manager Leon McDonald, Town Veterans Affairs Coordinator Carol Rocco, Staff Sergeant Caballero and all who donated to make Christmas merrier for many of our less fortunate children!” said Supervisor Chad A. Lupinacci.

Since 1947, the Marine Corps Reserve has been making Christmas wishes come true for needy children with their Toys for Tots campaign. Toys for Tots on Long Island makes a difference in the lives of less fortunate children in our communities. The Town of Huntington is partnering again this year with the Marine Corps Reserve hosting Toys for Tots donation boxes at Town Hall and other Town facilities.

In the photos: At Macy’s (Walt Whitman Shops), Supervisor Chad A. Lupinacci joins Macy’s Manager Leon McDonald, Town Veterans Affairs Coordinator Carol Rocco and U.S. Marine Corps Reserve led by Staff Sergeant Jerry Caballero; At Huntington Town Hall, Town Veterans Affairs Coordinator Carol Rocco with U.S. Marine Corps Reserve led by Staff Sergeant Jerry Caballero.

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By Beverly C. Tyler

Today it is the custom to send letters or attractive cards to relatives and friends at Christmas. This was not always the case as cards, especially colored cards, were a 19th-century innovation. Colorful Christmas cards were becoming popular in the United States by the 1870s, and by the 1880s they were being printed in the millions and were no longer being hand-colored. Christmas cards during the late 1800s came in all shapes and sizes and were made with silk, satin, brocade and plush, as well as with lace and embroidery surrounding the printed card. These cards were just as varied as those we have today and included religious themes, landscapes from every season, animals, the traditional Father Christmas, children and humor. The colorful cards usually included some verse in addition to the greeting.

This explosion in the availability of commercial cards, along with a change in postal regulations that permitted the penny postcard, started a quickly growing trend to send brief messages to friends and relatives, especially during the Christmas and holiday season.

Combing through old postcards, especially the large number sent over the Christmas holidays, has opened for my wife, Barbara, and me a window into our families’ histories. Our parents, grandparents, aunts and uncles sent and received cards from both local and distant friends and relatives. My wife’s aunt Muriel West was no exception. As a young girl Muriel, born in 1901, received Christmas cards and kept them in a postcard album. Many of the cards are postmarked between 1907 and 1914 when the postcard craze was still at its height. Looking at the cards we could see the postmarks included both the date it was sent and where the card was mailed. In some cases the postcard was postmarked at both the departure and arrival post offices, giving us an appreciation of the rapid speed of early 20th-century mail.

Many of the names of the people who sent the cards were unfamiliar to us, especially the ones that were from cousin Katie, cousin Emmie and cousin Millie postmarked from Brooklyn.

Barbara’s aunt Muriel and her father Forrest were the children of Clinton and Carolyn West. Carolyn was one of six children of John Henry Hudson and Emeline Hicks Raynor. For reasons we can only surmise, Carolyn was raised in Brooklyn by her mother’s cousin Nancy Mills Raynor, known as Millie, and her husband Benjamin Lyman Cowles. Carolyn lived with the Cowles in Brooklyn from the age of four to 17.

We wanted to find out as much as we about the family who raised Barbara’s grandmother and probably sent these cards. Going to search engines such as Ancestry.com and Findagrave, looking at census reports for 1880 and 1900, as well as family photos, Barbara was able to find that Nancy Raynor was the daughter of Edward Raynor and his first wife Eliza. It appears that Katie and Emma were the daughters of Edward’s second wife Hannah Reeves. So Katie and Emma were step-cousins to Muriel, and Millie would be an actual first cousin twice removed to young Muriel West. In 1920 Muriel married Charles Wesley Hawkins and continued to live in East Setauket until her death in 1995. The search goes on.

Beverly C. Tyler is the Three Village Historical Society historian and author of books available from the society at 93 North Country Road, Setauket. For more information, call 631-751-3730 or visit www.tvhs.org.

'Isolation' by Doug Reina

The Long Island Museum (LIM) in Stony Brook has announced that they will be holding their annual LIMarts Art exhibition virtually. 

Every Day: Transforming Crisis into Art will be online from Dec. 18 until Feb. 14, 2021. The 7th annual exhibition by members of the Museum’s collaborative arts group, LIMarts will be presented on the Museum’s website and across LIM’s social media. 

“2020 has been a year like no other,” said Neil Watson, Executive Director of the Long Island Museum. “The LIMarts exhibition has always been a year-end highlight of the LIM. While we will miss the excitement of gathering in the gallery this year with local artists, the LIM is committed to continuing to bring the community together through the arts by offering this virtual experience.” 

‘Isolation’ by Doug Reina

Over 70 LIMarts members have used their creativity and talent and submitted their artwork that answers the questions “What has your every day looked like? How has it changed? How have you been spending your time? Has every day been the same or are you finding ways to make your days feel different? What have you been doing to cope or perhaps you’re not just coping but thriving?”  

The LIMarts collaborative arts group embraces the goal to enhance and support the rich artistic talent on Long Island. Designed for artists dedicated to creating a new forum within our cultural community, LIMarts offers space for the exhibition and sale of artwork, varied programming events, lectures and opportunities for social gathering with other artists and the public.  

Doug Reina, an LIMarts member and frequent participant of the Museum’s previous exhibitions will be presenting his artwork, Isolation. Reina, a local artist from Setauket who recently received his second Pollock-Krasner grant, is enthused about the online exhibition. “Bravo to the LIM for putting this virtual show together! Using art as a way to connect us is needed now more than ever,” he said. 

Presented artwork that is listed for sale will be handled by the individual artist and not by the Museum. The LIM is sensitive to the current circumstances faced by artists during these challenging times and is committed to supporting them and the arts community, therefore all proceeds will support the individual artists and the Museum will not retain a commission.  

For more information on LIMarts membership or if interested in purchasing any of the artwork that is listed for sale, please contact Alexandria D’Auria at [email protected]. To view the gallery of art go to the homepage of www.longislandmuseum.org and follow the links to the exhibition.

COVID-19 made it impossible for the traditional Run to the Port Jeff Brewing Company happen in 2020, but the Brewery and the Greater Long Island Running Club [GLIRC] banded together to stage a “virtual” 15K, 10K, and 5K that raised $1000 for the 2020 charitable beneficiary Theatre Three in downtown Port Jefferson.

A check for $1000 was presented to Theatre Three at the Brewing Company on Dec. 18.

Theatre Three is a not-for-profit dedicated to developing an appreciation for the art of live theater among the residents of Long Island. The theater presents a diverse program of fresh and imaginative revivals of classics and modern plays and is an arena for previously unproduced plays, and works towards their future development. Theatre Three provides an environment in which talent can be nurtured, encouraged, and trained in the pursuit of a professional career. 

During the pandemic, there have been no live performances at Theatre Three, so the Brewery and GLIRC were happy to be able to help the theatre stay afloat in these troubled times.

Pictured at the presentation, from left, is GLIRC Race Director Ric DiVeglio; Theatre Three Board of Directors member Brian Hoerger; Theatre Three Managing Director Vivian Koutrakos; Theatre Three Executive Artistic Director Jeffrey Sanzel; Port Jeff Brewing Company owner Mike Philbrick; and GLIRC Executive Director Sue Fitzpatrick.

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Beatrice Jayne

Beatrice Jayne, 93, died Dec. 12.

She was a member of the Three Village community and a cornerstone of Stony Brook history.

Bea became involved with the Three Village Historical Society with the writing of the Arcadia publication “Images of America: Stony Brook” (2003). While gathering information and stories for the book, one of the committee members said there was a woman at the Three Village Garden Club Exchange that the society needed to get involved, because she knew everything.

Bea was a founding member of the Stony Brook Historical Society which existed at the time she joined the Three Village Historical Society’s local history meetings. She shared a wealth of knowledge and stories about the history of Stony Brook and its residents past and present. Bea was the family historian and had a collection of documents, photographs and stories handed down from relatives over the years. Having served as the clerk for the Stony Brook School District and the Three Village Central School District, after consolidation of the Stony Brook and Setauket School districts, Bea knew generations of students, their families and community members. The Jayne family was also active in the Stony Brook Fire Department, Brookhaven Bathing Association and other community organizations.

Bea was a great salesman at promoting local history. With membership in the Stony Brook Historical Society numbering just a few members, the organization disbanded joining with the Three Village Historical Society and funding the Stony Brook book. When the Stony Brook book was printed, she drove around town with a carton of books promoting and selling them out of the trunk of her car to any and all for the TVHS.

There was always a story or tale to tell. She was the person to call with any Stony Brook history questions no matter how obscure and if she didn’t know the answer she always followed up with phone calls to her other sources. She pushed that Stony Brook history be equally represented and that the complete history of Stony Brook should not be lost.

Born in the Village of the Branch in 1927, Bea’s family came to Stony Brook to live in 1939. Bea graduated from Port Jefferson High School. In 1946 she married Leslie Jayne. She leaves behind children Susan, Patricia, Deborah and Michael, her grandson Philip, and her brother Bruce and their families.

A memorial service is being planned for a future date.

Photo by Tom Caruso

THE LITTLE CAROLER

Tom Caruso of Smithtown snapped this photo while in Port Jefferson on Nov. 27. He writes, ‘It was nighttime and my wife and son were strolling down the streets in the village taking in the holiday sights. I spotted this doll in a shop window and the lighting perfectly painted the doll’s face against the darkened store’s interior. I couldn’t resist it.

Send your Photo of the Week to [email protected]

 

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Jennifer Sinz (middle) with two volunteers at her rescue before it closed. Photo from Sinz

By Chris Cumella

While pet services have managed to thrive during times of needed companionship, others have seen heavier tribulation due to the coronavirus crisis.

Reflecting on their beginning back in 2017, Jennifer Sinz, owner of AllAboutPets, a nonprofit animal rescue organization, and Kitten Kadoodle Coffee Café, prepares to close a chapter of her legacy.

“We had to close our affiliated cat café a few months ago at the beginning of November,” Sinz said. “I thought we could continue with the rescue, but my landlord changed his mind about lease prices and kept raising them.”

She and the organizations had to decide whether to stay or not before their landlord’s deadline in November — Sinz chose the latter.

Kitten Kadoodle and AllAboutPets subsist on volunteers only — there is no staff working for pay, but rather only for the animals’ affection and the reassurance of finding safety and homes for their furry friends.

The café offers an ambiance of several different cats roaming around the premises. The customers are encouraged to interact with them, as they enjoy lunches, coffee and other other flavored shakes such as cookies n’ cream, peanut butter, coffee, caramel, mint chocolate chip and classics, chocolate, vanilla and strawberry.

COVID-19’s expansive reach has dwindled the number of volunteers attending both services from dozens to only one or two a day, according to Sinz.

In preparation for closing, Sinz said AllAboutPets has managed to find homes for most of their animals. The bunnies, ducks and chickens have been adopted out, in addition to all the dogs in the fall. All that remains are a few of the kittens that Sinz said she plans to take if they cannot get them adopted.

Until next year, Sinz will return to foster-home-based sheltering and past and current volunteers of the organization.

She reflected a sense of resilience and hope in knowing that many rescues had to close their doors due to COVID. Still, they would not add themselves to the statistic yet.

Aside from finding chickens and roosters that were abandoned along the sides of roads during May and June, Sinz’s proudest moment was taking in five mother cats that were dumped in the same block. She brought all five cats and their litter back to the shelter at the same time.

“We never gave up with rescuing,” she said. “When so many other people struggled, we took them in.”

Customer Natalie Fronatic said it’s hard to pick a single fond memory of the rescue and of the café.

“Every moment I have spent at the cafe getting to know all the cats and the owners of the cafe have been wonderful and amazing,” she said. “Jennifer loves all the animals in her care, and she tries so hard to get them all their forever homes. She has done so much for them.”

April Zabinsky, a customer and volunteer, said so many animals were able to find incredible homes in the short time the cafe was open.

“Its closing will certainly leave a void in the community and in my life,” she said.

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Malan Breton and Consuelo Vanderbilt Costin at the Vanderbilt Mansion in Centerport. Photo by Bryan Griffen

Singer Consuelo Vanderbilt Costin, the great-great granddaughter of William K. Vanderbilt II, has just collaborated with fashion designer Malan Breton on a new duet version of the classic I’ll Be Home for Christmas. The pair performed the song in a music video shot recently at her ancestor’s Centerport estate, Eagle’s Nest, home of the Suffolk County Vanderbilt Museum.

The video was released on November 30. Proceeds will benefit Broadway Cares/Equity Fights AIDS and the Vanderbilt Museum.

Malan Breton and Consuelo Vanderbilt Costin in the Vanderbilt Mansion library in Centerport. Photo by Bryan Griffen

Costin is also a composer, songwriter, designer, actress, philanthropist, and entrepreneur. She has recorded five Top 10 singles on the Billboard Dance Club Songs charts and her music has skyrocketed on numerous international charts. 

British Vogue has called Breton “the most influential designer you’ve never heard of.” He is also a film and music video director, columnist, costume designer, pop-music performer, and a television and film producer and actor. 

For the backdrop of her new video, Costin selected the Vanderbilt Mansion and Estate, a place with personal resonance. “Coming to the Vanderbilt Museum always makes me feel so connected to my family legacy,” Costin said. “Willie K., my great-great grandfather, was such an incredible voyager.  

“It always astounds me how he had the foresight to preserve all the extraordinary artifacts in the museum. He lived such an adventurous life, and I only wish I had had the chance to meet him.

“The Vanderbilt Museum has stretched way beyond my family to become a place of love and discovery for generations of other families, which is the most amazing gift imaginable.Costin has recorded five Top 10 singles on the Billboard Dance Club Songscharts and her music has skyrocketed on numerous international charts. Costin recently became a tech entrepreneur when she successfully launched her digital platform SoHo Muse. She describes her venture as a place “where creatives can help creatives find jobs, find support and stay connected, network and sell their wares on the site’s newly created Marketplace.”

Listed on the National Register of Historic Places, Eagle’s Nest was built on 43 waterfront acres on Northport Bay. Designed by the architects Warren & Wetmore, who created Grand Central Terminal in Manhattan for Cornelius Vanderbilt’s New York Central Railroad, the Estate was built in stages from 1910 to 1936. William K. Vanderbilt II (1878-1944) bequeathed his Estate, Mansion, and Museum to Suffolk County. The Museum was opened to the public in 1950.

 

Stock photo

​On Dec. 11, officers from Harbor Country Day School’s Student Council visited Long Island Elite Limousines in St. James to drop off toys donated to the Suffolk County Toys for Tots program. The toys were donated by Harbor Country Day School students as part of their annual toy drive.

Given the economic impact of the COVID-19 pandemic this year, more than ever, there was a tremendous need for donations.

Because visitors are not permitted to Harbor Country at this time, and due to social distancing requirements, both the result of COVID-19, this year’s toy drive looked different than in years past. Historically, Harbor Country Day School was a local drop off point in the community and donated toys were picked up by the Marine Corps. This year, Harbor students and faculty loaded toys onto the Harbor Country Day School bus to bring to Long Island Elite Limousines where they were subsequently delivered to Suffolk County Toys for Tots.

Harbor has contributed to the Toys for Tots drive since 1998, when former Harbor employee and former Marine Mike Guido instituted the program. Now retired from the school, the St. James school continues this tradition begun by Mr. Guido.

“We’re honored to have the opportunity to contribute to the Toys for Tots drive and to work … on such a wonderful program,” said John Cissel, Head of School for Harbor Country Day School.