Art exhibit

'Our Flag Was Still There' by Jack Ader

In commemoration of the 20th anniversary of 9/11, Celebrate St. James will present an art exhibit at the historic Calderone Theater, 176 Second St., (second floor), St. James with an opening reception on Sunday, Sept. 12 at 11 a.m. Raffle prizes & 50/50 raffle. Refreshments will be served. Funds raised will go to the St. James 9/11 Memorial Fund and Save the St. James Theater Fund. For more information, call 631-984-0201 or visit

Emma Clark Library Facebook page

To commemorate the 20th anniversary of that unthinkable and tragic day, Emma  Clark  Library, 120 Main St., Setauket will host an educational poster exhibition, September 11, 2001: The Day That Changed the World presented by the National September 11 Memorial and Museum, in the Vincent R. O’Leary Community Room for the month of September.

“This educational exhibition recounts the events of September 11, 2001, through the personal stories of those who witnessed and survived the attacks. Told across 14 posters, this exhibition includes archival photographs and images of artifacts from the Museum’s permanent collection.” – 9/11 Memorial and Museum website.

In addition to the poster exhibition, the September 11 Museum also has online resources about the World Trade Center and the Twin Towers, the 9/11 attacks and their aftermath, and the rebuilding of the World Trade Center site at

The poster exhibition has been made possible in part by the National Endowment for the Humanities: Democracy demands wisdom. 

 The Emma S. Clark Memorial Library, located at 120 Main Street in Setauket and online at, provides public library service to all residents of the Three Village Central School District.

“The Heart of the Three Village Community” 

A view of the grounds of the Long Island Museum from the Art Museum on the hill.

By Tara Mae

The Long Island Museum (LIM) in Stony Brook unveils three exciting new exhibitions — Tiffany Glass: Painting with Color and Light, Fire & Form: New Directions in Glass and the 8th annual LIMarts Members’ Exhibition, Fragile — this Friday, Aug. 20. All three will be on view through Dec. 19.

Art exhibit, Fragile, showcases work of LIMarts members
Long Island Museum’s Visitor Center and History Museum

Peace may be found in both the practice and presence of art. Fragile explores how art enriches our lives, particularly during times of stress and strife. On display in the recently renovated Cowles Gallery in the History Museum and Visitors Center (pictured on the right), the show features works by 92 members of LIMarts, both amateur and professional, working in different formats and mediums including sculpture, printmaking, oil painting, watercolor, etc. 

“LIMarts is a collaborative arts group designed for artists dedicated to creating a new forum within our cultural community,” said Neil Watson, Executive Director of the LIM. “The group offers space for the exhibition and sale of artwork, varied programming events, lectures and opportunities for social gathering with other artists and the public.”

All LIMarts members were invited to submit one piece for the exhibit, which enables the museum to introduce or amplify the art of local artists to its audience. Although a few of the artists have works already in the museum’s permanent collection, the art included in Fragile is being exhibited for the first time. 

Thanks to a sponsorship by Maryellen and Michael Lubinsky, the museum was able to waive its normal commission; all proceeds from art sales will go directly to the artists. 

There were no confines put on the artists’ interpretations of the theme, but they were constrained by space; each participant’s work had to fit on 12″ x 12″  canvas boards. This restriction enabled creative solutions and unique results. 

“When everybody’s work is the same size, it distills a different type of beauty…they are all on the same panel and figuring it out,” said Joshua Ruff, Deputy Director of the LIM and the show’s curator. “The diversity of approaches and how the exhibit was interpreted are amazing: fragile, as an idea, departure point, and concept.”

During the past 19 months, emotional and physical fragility have been ideas arguably at the forefront of the collective conscience. Most of the submissions were created during this time frame, and these ideas are recurring subjects, especially as they relate to the delicate nature of both the environment and human condition. Yet fragile does not equal weak, and the exhibit is also a testament to how fragility can be infused with fortitude.

“This is not an exhibition of 92 different ways of suffering; rather it shows there is an inner reserve of strength in all of us. You can be vulnerable but have other positive qualities of strength. I think some of the artists were trying to say that you can be fragile but be strong or have a fragile environment that produces great beauty and great strength,” said Ruff.  

Certain artists chose to explore the intersection of fragility and vulnerability by experimenting with new painting styles or artistic techniques. “Some artists were trying new things and you can be vulnerable when you are trying new things,” Ruff explained. “It’s really impressive to see how many ways people approached the subject and how many different points of view and perspectives you see.”

Tiffany Glass: Painting with Color and Light
Wisteria Library Lamp, ca. 1901, Tiffany Studios, NYC

Organized by the Neustadt Collection of Tiffany Glass in Queens, Tiffany Glass: Painting with Color and Light will be the first exhibition of its kind at the LIM. This compelling exhibition will include five windows, twenty lamps, and several displays showing how Louis C. Tiffany’s lamps were assembled, and how collectors today can distinguish between authentic lamps and forgeries.

The exhibition features some of the most celebrated of Tiffany’s works. Chosen for their masterful rendering of nature in flowers or landscape scenes, they exemplify the rich and varied glass palette, sensitive color selection, and intricacy of design that was characteristic of Tiffany’s leaded-glass objects. This exhibition also highlights some of the key figures at Tiffany Studios who made essential contributions to the artistry of the windows and lamps— chemist Arthur J. Nash and designers Agnes Northrop and Clara Driscoll.



Fire & Form: New Directions in Glass
Acesa (Ascend), 2019; by Toots
Gallery, NYC

Fire & Form: New Directions in Glass , organized by the Long Island Museum, will feature nearly 50 works from nine contemporary artists, all reinforcing that glass is a sculptural material of near-infinite artistic and narrative possibilities. The artists included in this exhibition represent some of the most renowned names in American contemporary glass: Joseph Cavalieri, Deborah Czeresko, Trefny Dix, Bengt Hokanson, Beth Lipman, Judith Schaechter, Andy Stenerson, Marianne Weil, and Toots Zynsky. These exceptional artists all demonstrate a variety of approaches, methods, and inspirational starting points. Fire & Form will inhabit more than 2,500 square feet in LIM’s History Museum and Visitor’s Center and will  be accompanied by a richly illustrated 30-page catalogue that will be printed as a takeaway for visitors.

Fire & Form and Tiffany Glass are two of the biggest and most beautiful exhibitions we have ever mounted here,” says Joshua Ruff, Deputy Director the LIM and one of the curators of Fire & Form. “The comparison between Tiffany’s approach with some of the striking other work people will see  — modern stained glass, blown glass, and cast glass — will really give people some perspective on how versatile a medium it really is.


The Long Island Museum is located at 1200 Route 25A in Stony Brook. It is open Thursday to Sunday from noon to 5 p.m. Admission is $10 for adults, $7 for seniors (62 and older), $5 for students (including college students with IDs), $3.50 for people with disabilities (personal care assistants admitted for free), and free for children under the age of six. For more information about the above exhibits or orther programs at the LIM, call 631-751-0066 or visit


By Tara Mae

After a 3 year absence, Local Color returns to Gallery North, a proclamation of the connection between art, artist, and community. On view from Aug. 19 to Sept. 26, the exhibit is presented in conjunction with the North Shore Artists Coalition and includes a reception and Open Studio Tour. 

The beautiful show features artists whose work is both universal and local in impact, meaning, and appeal. 

“[Executive Director] Ned Puchner and I decided to bring Local Color back this year and re-envision it to show through these artists what local culture is about. The exhibit is defining the role artists play in shaping identity of community and showing diversity of how artists define community: creating culture, creating beautiful and impactful work, adding to the identity through their outreach, etc,” said curator Kate Schwarting. 

The show’s art is as varied as its interpretation of theme, featuring oil and acrylic paintings, photography, sculptures, and digital renderings. Thirty artists, from St. James to Mount Sinai, will be featured including Kelynn Alder, (Margaret Schedel and Melissa Clarke), Fred Badalamenti, Joan Branca, Sheila Breck, Pam Brown, Nancy Bueti-Randall, Sue Contessa, Micheal Drakopoulos, Paul Edelson, Peter Galasso, Han Qin, LoVid, Flo Kemp, Karen Kemp, Jim Lecky, Jim Molloy, Carlos Morales, Patricia Morrison, Patricia Paladines, Mel Pekarsky, Alicia R. Peterson, Doug Reina, Joseph Rotella, Angela Stratton, Mary Jane van Zeijts, Lorraine Walsh, Annmarie Waugh, Marlene Weinstein, and Christian White.

“What is so special about this exhibition is that each artist brings a different thing to the exhibition,” explained Schwarting. “A plein air painter captures the essence of a familiar location and allows us to see it in different light; someone else [deals] with a scientific topic that is so difficult to comprehend, but creates art that enables us to know through physical form and visual cues.”   

Several of the participants are also activists who champion social, technological, and environmental awareness and change through their art. 

According to Schwarting, a number of the artists were recruited through the gallery’s association with the North Shore Artists Coalition, while others were invited by her and Puchner. 

Pam Brown, a sculptor who lives in Stony Brook and co-founder of the coalition, helped facilitate the partnership between the group and the gallery. Her piece, Armour, is a sculpture fabricated out of sheet metal, wire, boar bristles, and vinyl. Brown’s efforts in facilitating the relationship between Gallery North and the North Shore Artists Coalition reflect the connection she sees between art and community outreach. 

“Community engagement creates an opportunity for the arts and artists to be seen by their communities — it initiates new ways for the public and artists to build connections between different groups. It brings together communities so they can articulate their own history and culture and to acknowledge that art is taking place in a larger context,” she said. 

For artist Doug Reina of Stony Brook, who has exhibited at Gallery North in the past, showing his work in Local Color is reconnecting with a “fun, summertime tradition.” 

“My work is about sharing the interesting, touching, emotional, funny, beautiful, sad human things that mean something to me with the viewer,” said Reina. His oil painting, titled Boys Night Out, depicts 4 teenage boys sneaking out of the house on a summer night. “The painting is based on real life experiences we had when our son was that age,” he explained.

Interpersonal connection is a recurring subject of the show’s art. This focus extends outward into explorations of our interactions with and responsibility to the world-at-large.

Han Qin of St. James will be entering her cyanotype on paper, White Goddess, which incorporates digital photo editing, drawing, and papermaking. It was inspired by two poems: “The White Goddess” by Robert Graves and “Quiet Night Thoughts” by Li Bai. 

“I started the White Goddess series during my pregnancy and have been developing it until now. Poetry and life experience are the main inspirations. The idea behind the artwork becomes a shared experience that brings people together,” she said.

“We as a people have a long continuous personal storyline. Artwork is the moment on the storyline. My moment connects with others’ moments in their individual storylines; thus, a web of emotional connections builds up. That is a community, too,” said Qin.

Such cultural connections are enhanced through community involvement. In this spirit, exhibiting artists of Local Color will also be featured in an Open Studio Tour hosted by the North Shore Artists Coalition and Gallery North on Sept. 25 and 26, from 11 a.m. to 6 p.m. each day. 

“With one piece from each of the selected artists in the exhibit itself, the Open Studio Tour allows for an expanded view of the individual artists,” said Schwarting. 

Gallery North, 90 North Coutry Road, Setauket presents Local Color from Aug. 19 to Sept. 26. Join the artists for an opening reception tonight, August 19, from 6 to 8 p.m. The gallery is open Wednesday to Saturday from 11 a.m. to 5 p.m. and Sunday from 1 to 5 p.m. For more information, call 631-751-2676 or visit

'Tater Hill' by Adam Kane Macchia

“To the body and mind which have been cramped by noxious work or company, nature is medicinal and restores their tone. The tradesman, the attor­ney comes out of the din and craft of the street and sees the sky and the woods, and is a man again. In their eternal calm, he finds himself.” – Ralph Waldo Emerson

Huntington Arts Council, 213 Main St., Huntington invites artists to partic­ipate in “A Time For Reflection.”  Entries should focus on landscape works revolving around the theme of reflection and identity.

DEADLINE: October 11, 2021

EXHIBITION DATES: November 19 – December 18, 2021


• Entries must be original to entrant. Framed entries require hanging wire. Submission materials cannot be returned.

• Selected works are chosen by the juror. No more than two works per artist are selected.


• All artists and media 


• No work should exceed 48 inches in any direction.

• Standing work cannot be higher than 72 inches. 


• First three entries

  • JOURNEY* school students $15
  • Full-time students $25
  • Artist Circle members $30
  • Non-members $40
  • Additional entries $5 each

Please note: Fees are nonrefundable. 

For all of guidelines for this call to artists click here.

Digital Submissions only – to submit application digitally click here.

To download the prospectus click here. 

About the Juror: Barbara Applegate loves art and, like Ralph Waldo Emerson, knows that many artists respond to a special call to create works about the landscape. Ms. Applegate has taught Art History to college students over the last eighteen years and served LIU’s Steinberg Museum of Art, as Coordinator and later Director, for more than twenty years. She seeks opportunities to engage viewers with works of art across all media. 

Questions? Please email [email protected]

'Phoenix' by Jae JQ Breslow

The Huntington Arts Council (HAC) in partnership with Sea of Visibility is currently presenting SEA of Visibility: The Voyage Exhibition: Curated by Anu Annam at their Main Street Gallery in Huntington and on their website at  The show runs through Sept. 4.

Artists were invited to “add your vision, your voice, and your voyage, making the invisible, visible, so the story of our collective struggle can be found, and the very specific connection for healing and integration can be made.”

Participating artists include Anu Annam, Tiffany Asadourian, Leila Atkinson, Robyn Bellospirito, Angelo Blanda, Jae ‘JQ’ Breslow, John Cino, Patty Eljaiek, Sueey Gutierrez, Regina Halliday, Andrew Hornberger, Roya Jenner, Maya Kawachi, Christophe Lima, Gina Mars, Margaret Minardi, Loretta Oberheim, Mark Propper, Dr. Nichelle Rivers, Devlin Starr, Robert Stenzel and Chloe Wheeler.

“The artwork for SEA of Visibility: The Voyage was selected based on visual craftsmanship, language, and resonance, and the stories that drove their creation. The work represents the deeply personal and varied experiences of the artists included. Topics range from a life-altering accident, perseverance through various disabilities, strained family relationships, acknowledgment of vulnerabilities and shadow sides, dreams, death, living with grief, facing absurdity, coping with a harrowing pandemic to the inexplicable, even irrational, hope that is the wind in the sails of our own “hero’s journey”. The final artwork selections embrace the sunlit space of the Huntington Arts Council’s Main Street Gallery—chosen based on how they interact with one another and the venue. They create a community voice through this larger work of art that is the exhibition, together, on a singular voyage to be heard and understood” said Curator Anu Annam.

“The Huntington Arts Council is very happy to have the opportunity to partner with Anu Annam and Sea of Visibility. The pieces in The Voyage reflect a beautiful diversity of work and variety of mediums. The exhibition tells individual stories filled with emotion and powerful intent. I encourage everyone to come to our Main Street Gallery and experience this show in person” said HAC Executive Director, Marc Courtade.

The Huntington Arts Council’s Main Street Gallery, 213 Main St., Huntington is open Tuesday to Friday from 11 a.m. to 4 p.m. For weekend hours, call 631-271-8423.


SEA of Visibility is an organization based in Long Island, NY that embraces our multicultural, queer, and disabled artists and our allies, focusing on neurodiversity and mental health. It “Supports Expression through the Arts” (SEA) and promotes destigmatization and integration through multidisciplinary art exhibitions, performances, and art-making programs-broadening the public’s vision on what mental illness is.

By Heidi Sutton

It is said that the past is always an important part of the present. It is also said that a picture is worth a thousand words. The Smithtown Township Arts Council’s Mills Pond Gallery in St. James has taken those two adages and melded them into an exciting new summer exhibit, Visualizing the Past. The juried show opens Aug. 7 and runs through Sept. 5.

Juror Carol Strickland, who selected 52 works for the exhibit, was intrigued by Emily Dickinson’s lines — Memory is a strange bell, both jubilee and knell. She asked artists to respond to that in visual terms—both the celebratory memories and sad ones. The call was very open-ended, leaving a lot of room for varying interpretations. 

“Selecting artworks to include in the exhibition was very difficult because we received so many entries that were both technically proficient and evocative. I was especially moved in deciding what to accept by those artists who took risks and showed me new perspectives,” said Strickland. “Art conveys what can’t be communicated in words, and my response to so many entries was non-verbal, like an inner vibration that brought a shock of recognition.”

Allison Cruz, Executive Director of the Mills Pond Gallery, is pleased with the beautiful show which incorporates many types of mediums including acrylic, charcoal, colored pencil, collage, fused glass, ink, mixed media, oil, pastel, watercolor and welding. 

“The artists have shared memories or recalled stories and events and assembled them in a variety of media to be seen and experienced by others. Their works offer narratives open to a wide range of interpretation and expression. For me, that is the strength in this exhibit. I hope it encourages the viewers to reflect on their own memories and hopefully learn that art is a wonderful tool to explore different points of view, gain understanding and experience the world in different ways,” she said.

Participating artists include Amal, Tina Anthony, Victoria Beckert, Sheri Berman, Jean Marie Bucich, Frank Casucci, Eric Chimon, Donna Corvi, Caryn Coville, Brigham Dimick, Paul Edelson, Elizabeth Fusco, Kathleen Gerlach, Ashley Rose Gillin, Maureen Ginipro, Jan Guarino, Heidi Hogden, Elizabeth Kelly, Julianna Kirk, Sueim Koo, Cara London, Dorothy Lorenze, Margaret Marzullo, Briana McGinley-Downey, Georgia Rittenhouse McKenna, Avrel Susan Menkes, Cliff Miller, Gail Neuman, Lily Newland, Catherine Rezin, Alan Richards, Roberta Rogers, Oscar Santiago, Alaina Scheffer, Stacey Schuman, Alisa Shea, Faith Skelos, Erica Perjatel Stolba, Angela Stratton, Hui Su-Kennedy, Daniel Van Benthuysen, and Taylor West.

The Mills Pond Gallery, 660 Route 25A, St. James will present Visualizing the Past from Aug. 7 to Sept. 5. The public is invited to an opening reception on Aug. 7 from 12:30 to 3:30 p.m. For more information, call 631-862-6575 or visit

'Rolling Wave Atlantic' by Casey Chalem Anderson

We all know that Long Island is a special place to live. Over at the Reboli Center for Art & History in Stony Brook, a beautiful new summer exhibit, Coming Home, showcases our island in all its glory.

“This past year has given us all an opportunity to reflect upon what is most important in our lives. For most, this includes family, friends and nature. The Reboli Center is honored to present the work of three artists whose works epitomize the wonder and beauty of Long Island: Casey Chalem Anderson, Lynn Mara and Joseph Reboli,” said Lois Reboli, a founder of the Reboli Center and wife of the late Joseph Reboli. The new exhibit opened July 20 and runs through Sept. 26.

‘Wave Rider’ by Lynn Mara

According to the prolific painter, Lynn Mara, a Long Island native, “I like to capture the American spirit through my work. My impressionist style turned abstract expressionist was influenced by my friend and fellow Southampton artist, the late Jack Reggio, as well as Andy Warhol, Fairfield Porter and Bansky.” Her media includes acrylic paint, oil pastels, hand cut stencils, spray paint and photographic images. Mara’s work has been featured on the Hampton Jitney, at Met Life Stadium, and she was the 2017 Hampton Classic poster design winner. Her flag painting was a gift to each member of the LPGA Solheim Cup in 2019 in Scotland. She is currently working on a 10th anniversary piece for the NY Giants, which will be given away at Giants Stadium this season.

Casey Chalem Anderson divides her time between Greenwich Village and Sag Harbor, where she immerses herself in both natural and urban artistic worlds. “I am a landscape painter who is secretly an abstract painter. After years of living by the beach and observing the daily color variations provided by the tides, sunlight and weather, I’m making paintings that are boiled down to the essential elements that I care about,” said Anderson. Her newest works are a series using the colors of her Hampton’s palette in novel abstract forms that connect her realist works.

‘Lookout’ by Joseph Reboli

Joseph Reboli grew up and lived in the Three Village area. Many of his works were painted on Long Island, Greenwich Village, Block Island and Tuscany. “Joe was noted for his luminous rendering of everyday scenes and subjects, infusing the mundane with an aura of wonder. No object was too familiar or humble for his transforming touch. His canvases glowed with an unmistakable light,” said Lois Reboli.

The History Room features a new exhibit as well. Titled Legacy of Leslie Marchant, the exhibit showcases the noted Stony Brook and Long Island builder and is curated by designer and author Tricia Foley. 

“There is a certain look about Leslie Marchant’s work – classic and symmetrical in style, usually brick or stone in material, and usually American Colonial Revival. This timeless style is seen in churches and schools, post offices and community centers throughout the Town of Brookhaven and the East End. Marchant was the ‘go-to’ builder of his time – from Bellport High School to the Stony Brook Crescent, Marchant built structures to last in this enduring and familiar vernacular,” said Foley. 

Join the Reboli Center on Sept. 25 from 3 to 5 p.m. for a “Birthday Celebration for Joseph Reboli,” who would have turned 76 on that date. 

The Reboli Center, 64 Main St., Stony Brook is open Tuesday to Saturday from 11 a.m. to 5 p.m., and Sunday from 1 to 5 p.m. Admission to the gallery is free. For more information visit their website at or call 631-757-7707.

As the world slowly reopens from the COVID-19 pandemic and restrictions are lifted, the art world celebrates as well. Over at the Art League of Long Island in Dix Hills, a new exhibit is ready to be unveiled this weekend. Titled “Awakening,” the show is described as “an exploration of the world of the past 16 months as seen through the eyes of artists.” Juried by Kathleen Gurchie of Gurchie Designs, the exhibit opens on July 17 in a virtual gallery format and runs through Sept. 6. 

Artists were challenged to submit their best works “representing their expressions of our world as we re-awaken and acclimate to a new post-pandemic normal.” 

“The title, ‘Awakening’, reflects our joy at finally awakening from the long pandemic “sleep” and stepping slowly and carefully into public life again. But that is not all! We are awakening in many other ways, including social, political and environmental,” said  Susan Peragallo, Gallery Coordinator and Curator at the Art League. “Juror Kathleen Gurchie approached her task with thoughtful care and did a wonderful job selecting some of the most powerful and beautiful interpretations of that theme.”

Of the 221 works submitted by artists from across the United States, Ms. Gurchie selected 59 to show in the virtual gallery in a range of mediums including; oil, acrylic, watercolor, ink, collage, sculpture, digital, fiber, encaustic and monotype. Of those 59, six were singled out for awards. 

Awards of Excellence were give to Gerry Hirschstein of Old Bethpage for “Standing Twice as Tall,” pastel on canson paper; Margaret Minardi of Northport for “First Awake,” colored pencil drawing; and Beth Wessel of Huntington for her plaster sculpture titled “Joy.”

Honorable Mentions were handed out to Sooltan Madsen of Savannah Georgia for “Can You Spare a Fag,” oil on canvas; Regina Quinn of Gilboa, New York for “Salmon and Blue,” encaustic, oils and beeswax; and Philip Read of Long Island City for “On the Wings of a Dream”, drawing with watercolor.

“This skillful, wide ranging visual banquet can put a face to the complex mix of emotions from 2020’s extremes,” said Ms. Gurchie. “Sculptor Lloyd Lilly once told me ‘It’s in the tightest parameters of a system (ie: Awakening Theme) that our truest uniqueness shines forth.’ Additionally, it’s in viewing this, and experiencing that bond of commonality, that can help us to heal.”

“The timeliness and diversity of this show can do much more than entertain. It can lend you a perspective that you may not have considered. It can inform and help deepen your conversation,” she said. “It can show you that the indomitable human spirit, the timeless beauty and joy are very much present.”

The Art League of Long Island, 107 Deer Park Road, Dix Hills will present “Awakening,” a virtual gallery exhibition, from July 17 to Sept. 6 at For further information, call 631-462-5400.

Images courtesy of Art League of LI


When channeling their creativity, artists sometimes venture beyond the canvas and turn their attention to art that can adorn the human body. Such is the case with the Huntington Arts Council’s latest juried exhibit, Wearable Art 2.0. The show opened at the HAC’s Main Street Gallery on July 2. 

Back by popular demand, the exhibit features artwork that meets at the intersection of fashion and fine art through design, costume, or culture. Submissions are representative of the creative inspiration found in garments, accessories (art jewelry, masks, bags, etc.), and representational work (design boards, performance images, etc.). 

The show was juried by Dominique Maciejka, owner of Paper Doll Vintage Boutique in Sayville and Paper Doll Curiosity Shoppe in Patchogue.

“The work submitted showcased a beautiful range of what wearable art can mean to artists and how it can be interpreted. The works chosen exemplified a strong vision conceptually, technically or a combination of both. Some pieces were more traditional, while others had a modern and contemporary spin for a wonderful variety of works,” said Maciejka.

Participating artists include Lisa Cangemi, Oksana Danziger, Ciamara Donawa, Diane Godlewski, Steven Goldleaf, Nathaly Gomez, Jan Guarino, Veronica Haley, Drew Kane, Julianna Kirk, Allison Mack, Lorraine Manzo Angeletti, Meagan J. Meehan, John Micheals, Gail Neuman, Luda Pahl, Eileen Palmer, Athena Protonentis, Amanda Reilly, Cindy Russell, Jasmine Scarlatos, Meryl Shapiro, Danangelowe Spencer, Steven Tze, Ana Urbach and JoAnn Zambito.

Wearable Art 2.0 is a direct extension of the first version of this theme that took place in our Main Street Gallery three years ago. The creativity, technique, and artistry represented in this revival of Wearable Art has exceeded our expectations,” said Marc Courtade, Executive Director of the Huntington Arts Council.

The following participating artists received special acknowledgement from Maciejka at a private reception on July 9.

Best in Show: 
Covid Warrior by Ana Urbach
Honorable Mentions:
Bejeweled & Bedazzled Collection by Meghan J. Meehan
Unfinished by Luda Pahl
Hypnotic Bee Scarf  by Amanda Reilly
It’s a Trend DON’T SHOOT by Danangelowe Spencer
Fawl by Steven Tze

“The interpretation of the call is a true testament to how art can be designed and expressed in so many impactful and beautiful ways. Whether it be jewelry, quilted jackets, existing items that have been customized or hand painted silk, the exhibit is a show stopper. All are invited to stop by our gallery and experience the work in person,” said Courtade. 

The Huntington Arts Council’s Main Street Gallery, 213 Main St., Huntington will present Wearable Art 2.0 through July 31. The exhibit is also on view online. Hours for the gallery are Tuesday to Friday from 11 a.m. to 4 p.m. For weekend hours, visit or call 631-271-8423.

**This article was updated on July 13 to announce Best in Show and Honorable Mentions.