Museum

Lou Reed and Paul Simon will be honored on March 9. Photos courtesy of Wikimedia Commons

By Rita J. Egan

Music lovers will experience two distinctive sounds during the Sunday Street Concert on March 9 at The Long Island Museum.

Local singers Gene Casey; Caroline Doctorow; Andrew, Andie Juliette and Cole Fortier; Bryan Gallo; Ray Lambiase; Russ Seeger; and Hank Stone will come together to commemorate the music of two legends — Lou Reed and Paul Simon. Both are inductees in the Long Island Music and Entertainment Hall of Fame.

Andrew Fortier said he finds Simon and Reed to be polar opposites.

“I also think they’re both geniuses and brilliant and really that’s the fun discovery of it all,” he said.

Producer Charlie Backfish said during the concert, titled Lou Reed & Paul Simon: Two Songwriters from Long Island, the artists will each perform one song from Simon’s catalog and one of Reed’s songs. Simon, 83, and Reed, who passed away in 2013 at the age of 71, both have ties to Long Island.

Born in Brooklyn, Reed graduated from Freeport High School in 1959 while Simon graduated from Forest Hills High School in Queens in 1958. 

Reed played guitar and was a member of a doo-wop group in his younger days, while Simon, along with classmate Art Garfunkel, joined forces first as the group Tom and Jerry. The duo would go on to record simply as Simon and Garfunkel and recorded hits such as “I Am a Rock” and “Scarborough Fair” before Simon pursued a solo career. Reed also embarked on a solo path after being a member of the rock group Velvet Underground for five years.

The artistic paths of both accomplished singers and songwriters would cross in 1980 when Simon wrote and starred in One Trick Pony. Reed played a record executive in the same film.

Backfish said he chose the two artists for this show because of their ties to Long Island as well as their musical genres, which are “rather different, although they share some common roots.”

He added that the two, in addition to graduating from Long Island high schools and appearing in a movie together, both had an interest in Doo Wop. According to Backfish, their interests in the genre continued throughout their careers.

“Obviously not every recording, but there are elements of it in their music, and especially in their early years that kind of intrigued me,” he said.

Ray Lambiase, who chose Reed’s “Pale Blue Eyes” to perform, said as he was deciding on a song from the singer’s catalog, especially from Velvet Underground, “I was struck by how — as quirky as his recordings were — you can still pick up an acoustic guitar, and they still have the fundamental elements of a well-written song.”

Lambiase said finding a Simon song is as challenging as picking a Reed song. He added that many of Simon’s songs can be musically challenging.

“Paul Simon is such a terrific guitar player that a lot of his songs are difficult to play,” he said.

“There are some songs that are simpler than others, but he was a very sophisticated guitar player, and also his chord patterns were much more sophisticated than what we would think of as traditional folk singers.”

Lambiase will perform “Paranoia Blues” from Simon’s first solo album, which he feels will be a fun song compared to some of his more serious pieces.

“It might be a good idea to break things up and show that he had a humorous side, too,” the performer said.

Caroline Doctorow, who will sing Simon’s “The Dangling Conversation,” which she recorded on her “Dreaming in Vinyl” album, and Reed’s “Sunday Morning,” said it’s important for performers to try to sound different than the original artists.

“You want to add something to your interpretation,” Doctorow said, adding it can be “challenging in a really wonderful way.”

“I’m so happy that Charlie does these shows,” she said. “It’s a nice opportunity to just spread your wings a little bit in a way that you might not otherwise.

Andrew Fortier agreed that the concert series and Backfish’s WUSB-FM radio program “Sunday Street” take performers and listeners on a journey, introducing them to singers they may have never considered.

He added he feels the audience will enjoy hearing both artists’ music and that fans of one will find the other songwriter’s work fresh and new. Fortier and his children, Cole and Andie Juliette, were on a road trip listening to some of Simon’s and Reed’s work to look for songs that resonated with them.

“The truth of it is that it is really fun when you dive into an artist that you really aren’t that familiar with, because you really can dig deep, and you really get an appreciation for what they do,” Fortier said.

Andie Juliette Fortier added, “It’s always interesting. It gives you a chance to get to know each artist a little bit more and really explore parts of their catalog you maybe wouldn’t normally listen to.”

Singer/songwriters Lou Reed and Paul Simon, pictured here in their high school yearbooks, will be honored during the March 9 concert. Photos courtesy of Charlie Backfish

After listening to Simon’s and Reed’s work, Andrew Fortier decided to sing Simon’s “Still Crazy After All These Years” and Reed’s “Satellite of Love.” Andie Juliette Fortier will perform “Kathy’s Song” by Simon and “I’ll Be Your Mirror” by Reed. Cole Fortier has chosen Simon’s “Hearts and Bones” and “Going Down” by Reed.

The Fortiers are looking forward to hearing the other performers’ interpretations, too.

“There’s always surprises,” Andie Juliette Fortier said. “It’s always nice to hear how people interpret different songs and put their own style on it.

Lambiase said he enjoys the “insights from the different steps of the journey of their personal growth and journeys” when he performs an artist’s work at a Sunday Street concert.

“I think that’s a really big part of the show to humanize the artists by taking their songs and reducing them to their core essentials, and keeping some insight into their journey, because every musician, especially people with careers as long as Paul Simon and Lou Reed, there’s a beginning, a middle and the later part.”

Doctorow said older songs usually stir up a sense of nostalgia, and she hopes audience members will remember the music, and the songs will bring back memories while they connect with them in a new way.

“It’s like that Hugh Prestwood song — called ‘The Song Remembers When,’” she said. “You hear these songs from your youth, and you remember things that you might not normally remember. It just sort of washes over you, and in difficult times like we’re in now, the songs comfort people.”

Sunday Street Concert Lou Reed & Paul Simon: Two Songwriters from Long Island is produced by Charlie Backfish and is a not-for-profit collaboration with WUSB-FM, The Greater Port Jefferson Arts Council and The Long Island Museum. 

The show takes place on Sunday, March 9 at 5 p.m. in The Gillespie Room at The Long Island Museum, 1200 Route 25A, Stony Brook. Advance sale tickets are $25, plus a service fee, through March 7. Tickets at the door are $30, cash only. For more information, visit www.sundaystreet.org. 

 

'Geraldine Ferraro: Paving the Way'

Kicking off a new free film series, Film@LIM, the Long Isand Museum, 1200 Route 25A, Stony Brook in partnership with the Greater Port Jefferson Northern Brookhaven Arts Council will screen Geraldine Ferraro: Paving the Way in the Carriage Museum’s Gillespie Room on Tuesday, March 4 at 7 p.m.

Enjoy an inspiring film about Geraldine Ferraro’s historic Vice-Presidential nomination, and the first full profile of the trailblazing woman who helped change the face of American politics forever.

Geraldine Ferraro: Paving the Way is a feature-length documentary about the life of the trailblazing woman who made history in 1984 as the first female Vice Presidential nominee on a major national party Presidential ticket.

The film profiles Ferraro’s journey from an impoverished childhood, the struggles she endured while growing up, and the hurdles she faced and overcame both professionally and personally in order to achieve what no woman had done before.

A primary focus of the film is Ferraro’s public service and political career, from District Attorney in Queens, NY, and later member of Congress, to the emotional night of her Vice Presidential nomination and the tough campaign that followed.  Though the Mondale-Ferraro ticket was ultimately not elected, the film explores how Ferraro’s nomination and her conduct during that campaign changed the national perception of what was possible for women.

The film features never-before-seen archival footage and stills, intimate interviews with Ferraro, and commentary by many leading political figures, both Democrat and Republican, as well as journalists who covered her campaign.

The screening will be followed by a talk from Donna Zaccaro, Geraldine Ferraro’s daughter and the film’s director and producer.

Admission is free but registration is preferred by visiting www.longislandmuseum.org/events or click here.

'Parallax (Candles)' by Berenice Abbott, 1951, Gelatin silver print. Gift of Mr. Morton Brozinsky.

Currently on view at the Heckscher Museum of Art in Huntington is Embracing the Parallax: Berenice Abbott and Elizabeth McCausland. The exhibition, which runs through March 30, features twenty-two gelatin silver prints from the collection with a focus on photographs from the important Changing New York series of the 1930s.

The celebrated photobook Changing New York (1939) was a collaboration between photographer Berenice Abbott (1898–1991) and her lifelong romantic partner, art critic and writer Elizabeth McCausland (1899–1965). Although recognized by art historians as a pivotal text of documentary photography, the published product was radically different from what the two women had envisioned.

‘Newsstand (32nd and Third Avenue)’ by Berenice Abbot, 1935. Gelatin silver print

“Abbott and McCausland wanted to redefine documentary photography’s function by examining transformation through the lens of a rapidly modernizing New York City. Instead, their publisher diluted their message, producing a tourist guidebook for visitors to the 1939 New York World’s Fair,” explained Jessica Rosen, Curatorial Assistant, who organized the exhibition.

Embracing the Parallax offers a new understanding of the women’s partnership by reuniting several of Abbott’s photographs with portions of McCausland’s original text.

The word parallax refers to an optical phenomenon where the position of an object appears to shift when observed from different viewpoints—whether it be a shift between the camera’s viewfinder and lens, or a shift in one’s perspective.

Rather than simply documenting modernization from the perspective of aesthetic shifts, Abbott and McCausland intended to capture the invisible social, economic, and political factors that catalyzed these changes in the built environment. They believed that documentary photography was a tool to initiate dialogue and foster civic responsibility.

“We cannot go on just looking at things on the surface,” Abbott said. “Real things today are conflict, contradictions, warfare, unbalance, lack of order, lack of reason—contrasts in a rapidly changing civilization.” Abbott and McCausland’s philosophy of photography demands that we relearn how to see.

As part of the Heckscher’s 2025 Pride initiative, this exhibition raises questions about the politics of visibility and invisibility by examining Abbott’s and McCausland’s intellectual partnership and romantic relationship. Abbott and McCausland’s collaborative projects demonstrate how documentary photography can be used as a tool to foster civic responsibility by exposing the invisible factors that shape our world.

Sponsored by Susan Van Scoy, Ph.D., Brian Katz & Olshan Frome Wolosky LLP. This project was made possible in part by the Institute of Museum and Library Services.

About The Heckscher Museum of Art

Located at 2 Prime Avenue in Huntington, The Heckscher Museum of Art is in its second century as a source of art and inspiration on Long Island. Founded by philanthropists Anna and August Heckscher in 1920, the Museum’s collection comprises 2,300 artworks spanning the nineteenth century to the present. The Museum is committed to growing the collection to develop public awareness for the artists whose careers and life experiences can broaden our understanding of the past, foster community connections to the present, and create diverse possibilities for the future.

Located in scenic Heckscher Park in Huntington, the building is listed on the National Register of Historic Places. Continuing the legacy of the founders, free admission to the Museum for 2025 is supported through a generous grant from Bank of America. For more information, visit Heckscher.org.

 

The Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook hosted LIMHOF inductee Albert Bouchard on Feb. 22. The former Blue Öyster Cult member who played the cowbell on the recording “(Don’t Fear) The Reaper” reflected on the impact this Long Island band had on pop culture. 

Bouchard spoke about the writing of the song, the famous Saturday Night Live skit “More Cowbell” which aired on April 8th, 2000 starring Christopher Walken and Will Ferrell, and how the expression “I’ve got a fever, and the only prescription is more cowbell” remains iconic!

“I love being a part of this organization (LIMEHOF),” Bouchard said. “Everyone’s like “How come you’re not in the Rock and Roll Hall of Fame? I don’t really care about that. To me, you look at what’s going on there it’s not all Rock and Roll and that’s a subjective classification anyway. This, you’re talking about music and entertainment. It’s exactly what it is. It’s properly named, and you have the real people. It’s not just a popularity cult contest. It’s people who really made a difference from Long Island so I think this is a fantastic organization to belong to and I’m really delighted to be part of it.”

Norm Prusslin, co-founder LIMEHOF and current board member organized and hosted the event. He said it’s an important part of the organization’s mission to host inductees and local artists to share insights and stories most people might not know about historical events they lived through and the ups, downs and pressures of the music industry.

“Albert has been a good partner of LIMEHOF since we started,” said Prusslin. “Clearly all the hoopla about the Saturday Night Live 50th anniversary year and the fact that the ‘More Cowbell’ skit has been one of the top skits ever in their 50-year history I thought it might be fun to see if Albert was available to come out and talk about the recording of the song and about the skit and the impact that the skit has had to the band and to him and to pop culture itself. I knew that since Albert was a former member of Blue Öyster Cult, and that band was formed in Stony Brook, there’d be a lot of interest for people to come out and to share some stories that people may not know.”

Bouchard said he didn’t know SNL was planning on running a skit about the recording of the song at the time it aired, so it came as a surprise to him when he heard about it. He originally thought it was going to be terrible but after seeing it his reaction was one of delight.

“Oh my God this is so funny!” Bouchard recounted. “This is like just what happened… then I thought, how did he even hear the cowbell? To this day I cannot watch it without smiling. There’s always some little bit that makes me go ‘oh my God’ that was it.”

One major error that the skit made that Bouchard corrected was the producer. The SNL skit had Christopher Walken playing the famous music producer Bruce Dickinson. The original credits list three producers of the song — David Lucas, Murray Krugman and LIMEHOF inductee Sandy Pearlman. Of the three it was David Lucas who had the idea to add in the cowbell.

The back story about the producer mix up is that the writers of the skit saw a credit for Bruce Dickinson from a compilation album, not the original record of the song, which lead to the confusion.

Bouchard went on to explain how it happened in real life and that there were similar debates about including the cowbell at the time. At one point Bouchard wanted to play a triangle instead, but that was changed to a cowbell.

“David wanted to hear the cowbell in it,” Bouchard explained. “I never quite understood why he wanted it and then a couple of years ago he said … ‘I wanted some pulse, some quarter note pulse like a metronome but not a metronome to balance off all those eighth notes. Everything was eighth notes the whole song if you listen to it’… The cowbell balances that with a quarter note pulse. A brilliant idea when you think about it.”

“If it was up to me, it wouldn’t be on the song,” Bouchard continued. “I never would have thought to put a cowbell on it. It was David Lucas’s idea, and I just happened to be his tool to make that happen since I happened to be in the studio at the time…. It worked, that’s the bottom line. The cowbell riff worked, the cowbell skit worked, the song worked. It’s all about making people feel good.”

About LIMEHOF

Founded in 2004, the Long Island Music and Entertainment Hall of Fame is a 501(c)(3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022, LIMEHOF opened its first Hall of Fame building location in Stony Brook. To date, the organization has inducted more than 130 musicians and music industry executives, and offers education programs, scholarships, and awards to Long Island students and educators.

To find out more about upcoming LIMEHOF events, check out https://www.limusichalloffame.org/events/

 

'Autumn Landscape' by Leah Lopez Hernandez

The Long Island Museum (LIM), 1200 Route 25A, Stony Brook presents  the 26th Annual Colors of Long Island Student Art Exhibition, opening on February 20. This highly anticipated exhibition provides a platform for hundreds of young artists from across Long Island to display their work in a professional museum setting.

‘Peanut Butter Jelly Time’ by Kelly Cabasso

Art teachers from public and private schools, spanning grades pre-K through 12, were invited to submit up to two pieces of student artwork. The exhibition’s theme, “Colors of Long Island,” encourages a broad spectrum of interpretations—some students reflect on Long Island’s scenic landscapes, while others highlight the cultural diversity that makes the region so vibrant. This year’s exhibition features a dynamic mix of media, including watercolor, sculpture, pencil, ink, oil pastel, photography, and digital art.

“With over 278 students participating, this exhibition is a testament to the remarkable talent and creativity of the young artists on Long Island,” said Samantha O’Rourke, Senior Educator at the LIM. “Each piece reflects not only the students’ artistic talent but also the dedication of art educators who inspire and guide them. It’s always incredible to see how young artists use their work to tell stories, share perspectives, and express their individuality.”

The Colors of Long Island Student Art Exhibition will be on view in the Art Museum from February 20 through May 8, 2025. For more information on programs and exhibitions, visit longislandmuseum.org

'Voices and Votes' will be on view at the Long Island Museum through April 6. Photo from LIM

Special Exhibition Opening February 20 in Advance of Women’s History Month

The Long Island Museum (LIM), 1200 Route 25A, Stony Brook has announced the arrival of “A New Agora for New York: Museums as Spaces for Democracy,” a humanities discussion series that includes the Smithsonian’s Museum on Main Street traveling exhibition, Voices and Votes: Democracy in America and LIM’s response exhibition Building the Ballot Box: Long Island’s Democratic History opening on February 20, in advance of Women’s History Month. These engaging and thought-provoking exhibitions and programs will examine nearly 250 years of history, exploring the ongoing pursuit to form “a more perfect union.”

The only Smithsonian Affiliate Institution in the Nassau-Suffolk region, LIM collects, preserves, interprets, and celebrates Long Island’s richly diverse past and its storied role in our nation’s history.

“The Long Island Museum is honored to be involved in this statewide conversation about democracy,” said Co-Executive Director Joshua Ruff. “In our response exhibition and planned programs, we will especially explore how political participation throughout our region has expanded and been a shifting, challenging, and inspirational terrain over time.”

‘Building the Ballot Box’ will be on view at the Long Island Museum through May 18. Photo from LIM

Building the Ballot Box, on view through May 18, will examine the role this region played in history from the Women’s suffrage movement, Civil Rights, and other movements in political history. This exhibition will include key artifacts like the Suffrage Wagon that was across New York State in public events to advocate for women’s suffrage in 1917. Other objects highlight regional trailblazers such as Shirley Chisholm, the first Black US Congresswoman, and Geraldine Ferraro, the first female candidate nominated for Vice President by a major political party.

Voices and Votes, on view through April 6, is based on a major exhibition currently on display at the Smithsonian’s National Museum of American History, American Democracy: A Great Leap of Faith, and includes many of the same dynamic features: historical and contemporary photographs; educational and archival video; engaging multimedia interactives, and historical objects like campaign souvenirs, voter memorabilia, and protest material.

The Museum Association of New York (MANY) is the statewide organizer for the Smithsonian Institution Traveling Exhibition Service’s Museum on Main Street program bringing Voices and Votes: Democracy in America to twelve museums across New York State. The Long Island Museum is the seventh institution in the state to participate in “A New Agora for New York” and host the Voices and Votes exhibition.

“Long Island is full of inspiring stories of civic engagement and significant ‘firsts’ in America’s 250 years of democratic history,” said MANY Agora Project Fellow Ren Lee. “We are thrilled to work with the Long Island Museum as they use Voices and Votes as a launching point to engage with their community through these exhibitions and a truly fantastic lineup of programs.”

The Voices and Votes exhibition will be on view in the Cowles Gallery of LIM’s History Museum. Building the Ballot Box will be on view directly adjacent to Voices and Votes, in the History Museum’s Main Gallery. These exhibitions will be accompanied by a series of programs including a drop-in day for Girl Scouts on Friday February 21 and an American Experiments Game Night on Feb. 27.

For a full description of the exhibitions and all programs, visit the Long Island Museum’s website longislandmuseum.org

Judi Lach Veeck

The Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook has announced that Judi Lach Veeck, from Hampton Bays, has joined the organization as Executive Director.

“It’s an honor to lead an organization that celebrates Long Island’s rich musical heritage,” said Lach Veeck. “I’m thrilled to contribute to the growth and outreach of our mission, alongside our dedicated board and volunteers! My goals are to diversify funding and to increase awareness of our mission and outreach programs.”

Lach Veeck is a highly accomplished nonprofit executive with proven expertise in fundraising, marketing, image enhancement, and government relations. Her responsibilities for LIMEHOF will include overseeing operations and fundraising activities, organizing and applying for grants, and working with the board of directors to identify prospects.

“We are thrilled to have Judi on our team” said Ernie Canadeo, Chairman of LIMEHOF. “Her experience and expertise will create tremendous opportunities as we continue to grow and fulfill our mission of supporting education and preserving Long Island’s music heritage for future generations.”

A long-time board member of the Association of Fundraising Professionals of LI (AFPLI), Lach Veeck has over thirty years of experience in working with nonprofits and fundraising. She also has a strong track record of identifying organizational needs and developing specific campaigns and initiatives.

Prior to joining LIMEHOF, she served as Administrator for the Education Foundation for Suffolk County Extension, Inc., and as Director, Development & Public Affairs for Cornell Cooperative Extension of Suffolk County.

For more information about the leadership at LIMEHOF, please visit: https://www.limusichalloffame.org/board-of-directors/

Awardees from Setauket, Mattituck, Sag Harbor, Fort Salonga, and Garden City recognized

Preservation Long Island hosted an awards ceremony and reception on January 25 to honor individuals and organizations who have exemplified excellence in their efforts to preserve their community’s valuable historic resources. 

Held at Preservation Long Island’s headquarters gallery in the Old Methodist Church in Cold Spring Harbor, the evening brought together honorees and guests for a celebration of preservation excellence. Attendees enjoyed live jazz music, cocktails, and hors d’oeuvres while viewing historic paintings, artifacts, and antique furniture from Preservation Long Island’s permanent collection.

Preservation LI Board President Michelle Elliott Gokey welcomed guests and provided an overview of the biennial Preservation Awards that recognize extraordinary achievement in historic preservation across Long Island. 

Executive Director Jackie Powers, emphasized the significance of the awards and acknowledged the public officials in attendance, including Suffolk County Legislators Steven Englebright and Robert Trotta (both 2024 awardees), Huntington Councilman Dr. Dave Bennardo, Michelle McCarthy, Chief of Staff to Huntington Town Supervisor Edmund Smyth and Kevin Stuessi, Mayor of Greenport.

Guest presenters awarded certificates to the recipients of Preservation LI’s 2024 Preservation Awards and the 2024 Howard C. Sherwood Award:

1. Project Excellence Award: The Hawkins-Elzon House Restoration: Presented by Zachary Studenroth, Architecture and Preservation Consultant

The Safina Center received recognition for restoring the Hawkins-Elzon House, which now serves as the nonprofit’s headquarters. The award was presented to Carl Safina, founder of the Safina Center, and New York State Legislator Steven Englebright, both in attendance.

2. Organizational Excellence Award: Suffolk County for the Preservation of Owl Hill: Presented by Tara Cubie, Preservation Director, Preservation LI

Suffolk County was recognized for preserving Owl Hill, a 1907 mansion and 27 acres of open space in Fort Salonga, protecting it from redevelopment. Legislator Robert Trotta accepted the award on behalf of the county and County Executive Romaine. Also in attendance was Richard Martin, Suffolk County Parks Department Director of Historic Services. Independent historian Corey Geske was acknowledged for identifying the home’s renowned architect.

3. Project Excellence Award: The Church, Sag Harbor: Presented by Jeremy Dennis, Lead Artist & President, Ma’s House & BIPOC Art Studio

Artists April Gornick & Eric Fischl, along with Lee Skolnick & Jo Ann Secor of Skolnick Architecture, were honored for their leadership in transforming a 19th-century Methodist church into a vibrant arts and cultural hub. The award also recognized the site’s landscape design and amphitheater by renowned landscape designer Ed Hollander, accepted on his behalf by Jackie Powers.

4. Project Excellence Award: Mattituck Creek Tide Mill: Presented by Tara Cubie

The restoration of the historic Mattituck Creek Tide Mill was celebrated, with the award presented to Anthony Martignetti, a restauranteur, author, and designer. The careful restoration, undertaken with contractor Glenn Heidtmann of Heidtmann and Sons, was conducted under guidance from the New York State Historic Preservation Office. The Old Mill is set to open as a restaurant in Spring 2025.

5. Howard Sherwood Award for Preservation Advocacy: Brian Pinnola (Posthumous): Presented by Architect Paul Bentel

The evening concluded with a special tribute to Brian Pinnola, a devoted advocate for historic preservation, former board member of Preservation Long Island, and past president of The Garden City Historical Society. Brian’s lifelong dedication left a lasting impact on the community. The award was accepted in his honor by his partner, Maureen Soltren.

Photos by Len Marks Photography

Alumni and current students perform and pack the house to celebrate popular Rocky Point Music Teacher

Students, former students, colleagues, friends and family of Rocky Point Elementary Music Teacher and Department Chairperson Craig Knapp packed the Long Island Music and Entertainment Hall of Fame (LIMEOHF) recently to honor the 2024 ‘Educator of Note’ winner. The ceremony was held at LIMEHOF’s museum location in Stony Brook at 97 Main Street. The event featured three musical performances by current and former students, live and video recorded speeches from colleagues and students, a video presentation about Knapp’s career and a special citation presentation by New York State Assemblywoman Jodi Giglio. 

“The Long Island Music & Entertainment Hall of Fame is thrilled to honor Craig Knapp with the ‘Educator of Note’ Award and to recognize his extraordinary dedication, innovation, and profound impact on countless students and on music education in our community,” said LIMEHOF Vice Chairman Tom Needham, who manages LIMEHOF’s education programs. 

“I am absolutely honored to be inducted into the Long Island Music & Entertainment Hall of Fame as the 2024 recipient of their ‘Educator of Note,’ said Knapp. “To be included on the list of past honorees—many of whom I have worked with collaboratively in a variety of music education organizations, committees, conferences, and initiatives—is both gratifying and humbling. I am very proud that I carved out a successful career in a rather unconventional and unique way.” 

The event was emceed by LIMEHOF Educational Committee Member Mike Rodgers who is also director of music and performing arts in the Plainview-Old Bethpage School District. Live speakers included Music Department Chair from Rocky Point School District Amy Schecher, 5th Grade Student Emma Wurm, Executive Director of the Metropolitan Youth Orchestra of New York (MYO) Dr. Anthea Jackson, New York State Assemblywomen Jodi Giglio. There were also recorded messages from colleagues including MYO Concert Choir Director Dr. Doreen Fryling.  

“I thought today’s event was absolutely beautiful particularly the students were the highlight of it,” said Rodgers. “Not only to see the work that was done but the reflection from the students themselves.” 

Current and former students honored Knapp with special musical performances. Rocky Point Students Serena Carley and Olna Carley, MYO Treble Choir students Nate Drinkwater and Andrew Nagle. Former student now Deer Park Music Teacher Grace Donofrio sang Georges Bizet’s Carmen accompanied by pianist Sara Ruggerio. 

“Mr. Knapp is one of the most inspiring people and most deserving people of this kind of award,” said Donofrio. “He inspires me to be a music teacher, and I hope that I can be half of him one day as I learn and grow and continue in my career.” 

Former student Julia Brandow traveled in from out of town, driving for over five hours to honor Knapp. 

“Once he told me this was happening, I had to come… it was like no question, Brandow said. “He has done so much for us. The least I could do was be here today for him. Music is the biggest thing in my life and he 100% is the foundation for that.”

Music Teacher Desiree DeMelfi (herself a 2019 LIMEHOF Scholarship recipient) also spoke. She had nominated Craig and was mentored by him when she started her music teaching career. 

“Craig has always wanted me to be the best music teacher and course director I could be,” said DeMelfi. “The impact of a true educator and mentor is evident from my story alone. Craig saw an opportunity to guide a young student from the same town he grew up in. He acted as a leader and decided to give me the best student teaching experience possible.” 

 With an impressive career that spans 27 years on Long Island, Craig Knapp is the 18th music teacher to be recognized by LIMEHOF since the ‘Educator of Note’ Award was established in 2007. This award recognizes exceptional teachers who demonstrate a commitment to music education, play an active role in the community, and have a significant influence on the lives of music students of all backgrounds and abilities. 

Craig Knapp is the director of the Nassau and Suffolk Treble Choirs of the Metropolitan Youth Orchestra of New York, Elementary Classroom Music Specialist and Choral Director in the Rocky Point Public School District, former Adjunct Assistant Professor at Hofstra University, former Director of the Early Childhood Community Music Program at Stony Brook University, music educator, guest conductor, clinician, folk dance leader and author. He says of all his accomplishments, the most significant honor to him is the lasting influence he has had on his students. 

“I have the luckiest job in the world as I get to wake up every Monday morning and make music with incredible children,” Knapp said. “Of all that I have achieved—more important than any accolades I could receive, books I could publish, guest conducting opportunities I could receive, invitations to present at professional development conferences, or performances I direct—my greatest accomplishment, and what I’m most proud of, is that students still come to visit me decades later to tell me that I was their favorite teacher and to thank me for the positive impact I had on their life. What could be better than that?”

For more information about the LIMEHOF ‘Educator of Note’ Award, visit https://www.limusichalloffame.org/educator-of-note/

'Social Center/Barbershop' by Robert Graham Carter will be on view at The Heckscher Museum through May 25. Image courtesy of Heckscher Museum

By Tara Mae

Heritage, humanity, and hope are explored through works of legacy and lineage in Robert Graham Carter: The Art of Reflection. The exhibit at the Heckscher Museum of Art, from February 2 to May 25, 2025, encapsulates as it illuminates the past six decades of the artist’s career. 

“It’s a retrospective—a little glimpse into virtually all the stages and turning points within my art career. It’s interesting for me to see it put together like this—it gives you a perspective that you don’t get working day to day,” said Carter, who is also a long-time art professor at Nassau Community College.

Robert Graham Carter, Proud Queen, Tribute To My Wife, 1995 Wood and acrylic, Robert Graham Carter Family Collection

Featuring 22 artworks and several archival pieces, the show explores three themes central to Graham’s work: charm of childhood; importance of spirituality in his life; and, social inequities, with a concentration on topics that connect to Black experiences. 

“Mr. Carter came up with the three messages, or themes, he wanted to have the exhibit explore.  We selected the works with that focus,” Heckscher guest curator Sarah Battle said. Battle is affiliated with the Speed Art Museum in Louisville, Kentucky, where Carter is set to have an exhibition in 2027. 

Influenced by his youth in Louisville, Kentucky, during Jim Crow, and his adulthood and career on Long Island, the exhibit is an exchange between past and present as well as Carter and the audience. 

“It is really special to be able to see some early works in conversation with larger pieces,” Battle said. 

Art is the language Carter uses to discuss his individual narrative and how it is a chapter of a larger story. It evokes memories, moments, and imagination. 

“All of us wear many masks. For example, I am a father, a husband (before my wife passed), an educator, an artist, a neighbor, a friend, and on and on,” he said. “I found myself responding to the things that were interesting and important to me within these roles. I would end up making a series of works based on one of these masks.”

Robert Graham Carter
If Der Be Angels Then Some Must Look Like Me, c. 2000s,
Wood and acrylic, Robert Graham Carter Family Collection

His examination and meditation on these concepts are expressed through mixed media works from the 1970s-2010s, including pencil or pastels on paper; sketches; multi-scale paintings; and  sculptural components. One of Carter’s high-relief sculptural paintings, “Mama Taught Me Piano and Much More,” is part of the Heckscher’s permanent collection. 

The versatility of his form underscores the sometimes subtle vibrancy of his scenes, like striking portraits or snippets of everyday life.

“What draws me to them and his art in general is that it works on a couple of different levels; they usually reveal something personal, like a memory or experience of the artist and makes you reflect on your own memories or experiences,” Battle said. “Or, his art acts as commentary for the artist.”

These elements offer insight into both process and progress. Both the singular perspective and the collective understanding are presented as Carter’s art evokes emotional introspection and community celebration through subject and substance. 

“This has been a positive experience for me, and I hope that the people who see this exhibit are positively affected also. Basically, I feel that art is a communication process and for me I am hoping visitors have a good response,” Carter said. 

Admission to The Heckscher Museum of Art is free. Located at 2 Prime Avenue in Huntington, the museum is open Thursday through Sunday, from noon to 5 p.m. For more information, call 631-380-3230 or visit www.heckscher.org.