By Jeffrey Sanzel

No holiday season goes by without a new take on that perennial favorite, Charles Dickens’ A Christmas Carol. Whether traditional or modern, serious or spoof, the story survives and thrives. 

Reviews are expected to contain some sense of objectivity. However, having had a long and personal connection to this story, I would be disingenuous, pretending I do not have strong, protective feelings. Over the years, I have viewed every version possible. 

Adaptations of A Christmas Carol are most often referenced by their principals. Among the finest of the traditional versions are, of course, Alistair Sim and George C. Scott. The stronger musicals include Albert Finney, Mr. Magoo (voiced by Jim Backus), and the Muppets (with Michael Caine as the miser). Henry Winkler, Cicely Tyson, Vanessa Williams, Robert Guillaume, and Susan Lucci barely scratch the surface of the updated undertakings. Many are fans of Bill Murray’s Scrooged, but I confess to have never been on board with its strident humor and ambivalent ending. I have endured Kelsey Grammar, Tom Arnold, Tori Spelling, and even Barbie. 

This leads us to the newest addition, Spirited. Director Sean Anders has co-written the screenplay with John Morris. Composers Benj Pasek and Justin Paul (The Greatest Showman, La La Land, Dear Evan Hansen) provide the score. Will Ferrell and Ryan Reynolds star. And the film is pure, outrageous joy from beginning to end.

The plot is an absurdist mix of sentimentality and insanity, offering a fresh new vision that surprises and charms for the brisk two hours and ten-minute running time. Jacob Marley (phenomenal Patrick Page, looking and playing like a spritely Christopher Plummer) has managed the afterlife trio of Christmases Past (Sunita Mani, nailing both the earnest and the deadpan), Present (Ferrell at his best), and Future (voiced hilariously by Tracy Morgan), along with an enormous staff in what looks like a Victorian office meets twenty-first-century bureau. 

Each year, one reprehensible human is selected to be studied and redeemed. Research is done; sets are built; plans are made. The world is Alice in Wonderland crossed with M.C. Escher—sort of The Good Place: Holiday Edition.

In a chance encounter, Present sets his heart on rescuing the seemingly unredeemable Clint Briggs (perfectly wry Ryan Reynolds), a media consultant lacking any conscience. Against Marley’s wishes, Present embarks on the mission to save the unsavable. Spoiler Alert (sort of): Present is Ebenezer Scrooge. The story then follows the intersection of these two who share a commonality. In essence, the question becomes, “Who redeems the redeemer?”

Ferrell is both genuine and hilarious, showing incredible restraint and real connection. He even succeeds as the traditional Scrooge in a few momentary flashbacks. Reynolds is the perfect foil, edgy and honest, and very funny. 

The great Octavia Spencer is Briggs’ quasi-Bob Cratchit but also becomes the object of Present/Scrooge’s affections. Glimpses of Brigg’s family, including his late sister, Carrie (poignant Andrea Anders), and her daughter, Wren (unassuming and genuine Marlow Barkley), build background. 

All these pieces are standard Christmas Carol tropes. But the zany, hyper-meta view matched by a fantastic score, jubilant dancing (outrageously choreographed by Chloe Arnold), and two lead performances that land every moment make Spirited something special. 

From the opening (“That Christmas Morning Feelin’”) to Reynold’s psychotic call to commerce (“Bringin’ Back Christmas”) to the greatest send-up of “Consider Yourself” since Monty Python’s “Every Sperm Is Sacred” (“Good Afternoon”), the film’s musical sequences simultaneously celebrate and satirize. Spencer finds the right blend of humor and heartache in “The View from Here.” While none of the leads are powerhouse singers, the uniformly pleasant voices hit the right vocal and emotional notes.

Anders succeeds on every level as director and adaptor, supported by a production team that delivers strong visuals and whimsical designs. He makes the central message—our choices make us who we are—feel earned rather than saccharine. In addition to a range of Dickens Easter Eggs, the film contains one of the greatest cameos seen in years.

Two more Christmas Carols will be arriving this season. A Christmas Karen takes a comedic look, with a demanding woman coming to terms with her sense of entitlement. Netflix offers the animated Scrooge: A Christmas Carol, adapted from the 1970 film. With a star-studded cast, Luke Evans voices Scrooge. Whether they become valued additions to the canon remains to be seen. In the meantime, we have Spirited to keep us warm and happy. 

I suspect many will disagree with this glowing assessment and see Spirited as one big “Bah, humbug.” As a good friend always said, “That’s why refrigerators come in different colors.” I went into this movie skeptical, dubious, and with my quill sharpened. But, like Scrooge, I left in a giddy state of Christmas euphoria.

Rated PG-13, Spirited is currently playing in local theatres as well as on Apple TV+.