Authors Posts by Heidi Sutton

Heidi Sutton

Heidi Sutton
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Honeydew melons are a versatile treat and can be used as an ingredient in salads, side dishes, entrees and even drinks. Stock photo

By Barbara Beltrami

I have found that honeydew melons can often be a rather dicey proposition. I frequently think I’ve picked out a promising one only to get it home where it languishes and never ripens. Or it does ripen but the result is a flavorless disappointment. 

Well, that’s no way to start a food column, is it? Let me start over on a more positive note.  

When a honeydew is good, it’s very good. When it’s perfectly ripened, it is an explosion of mouth-watering fruit worthy of its name. On its own, it sings of summer. With other ingredients it’s a perfect foil for salty or slightly bitter flavors. And it’s such a pretty color; just looking at it is enough to cool one off. 

So, if you’re good at picking out melons, or if you’re lucky enough to find a winner, try some of these honeydew recipes.

Honeydew Salad with Honey-Citrus Dressing

YIELD: Makes 4 servings

INGREDIENTS:

1 avocado, diced

Freshly squeezed juice of half a lemon

½ ripe honeydew melon, diced

2 cups baby arugula

4 red radishes, scrubbed and sliced thin

2 tablespoons extra virgin olive oil

1 tablespoon honey

1½ tablespoons lime or orange juice

Salt and freshly ground pepper to taste

4 slices prosciutto, torn into small pieces

DIRECTIONS:

In a large bowl toss the avocado with the freshly squeezed lemon juice to thoroughly coat.  Add honeydew, arugula and radishes; toss again and set aside. In a small bowl whisk together olive oil, honey, lime or orange juice, salt and pepper. When ready to serve, toss with melon mixture; sprinkle prosciutto on top and serve immediately with prosecco and breadsticks.

Honeydew Sorbet with Candied Ginger

Honeydew Sorbet

YIELD: Makes about 3½ cups

INGREDIENTS:

½ cup sugar

½ cup water

4 cups diced ripe honeydew melon

¼ to 1/3 cup candied ginger, finely chopped

DIRECTIONS:

In a small saucepan over medium heat, cook sugar and water until sugar is completely dissolved, about 5 minutes. Set aside to cool. Measure out ¾ cup; reserve and refrigerate any extra for later use. Puree melon in a blender or food processor until very smooth. Measure out 2½ cups. Cover and refrigerate any extra puree for another use. Combine sugar syrup, melon puree and chopped ginger in bowl of ice cream maker and process according to manufacturer’s directions. Transfer to freezer container, cover and freeze for at least two hours. Serve with ginger snaps.

Shrimp and Lobster Salad in Honeydew Bowls

YIELD: Serves 2

INGREDIENTS:

1 cup chopped cooked shrimp

1 cup chopped cooked lobster meat

¼ cup minced celery

¼ cup minced green bell pepper

 1/3 cup mayonnaise

1 tablespoon freshly squeezed lemon juice

1 tablespoon chopped fresh dill or tarragon

¼ teaspoon celery seed

Salt and freshly ground pepper to taste

1 small ripe honeydew, halved and seeded

DIRECTIONS:

In a medium bowl, combine the shrimp, lobster, celery, green pepper, mayonnaise, lemon juice, dill or tarragon, celery seed, salt and pepper; mix thoroughly and scoop into hollowed out honeydew halves. Cover with plastic wrap and chill for one hour before serving.

The marathon kicks off with ‘Killer Clowns from Outer Space.’

The Cinema Arts Centre, 423 Park Ave., Huntington will host Retro Picture Show’s “Pay to Get Out” Horror Movie Marathon on Saturday, Aug. 3. Doors open at 8 p.m. and the marathon begins at at 8:20 p.m. Enjoy a night of 35mm horror screenings featuring eight terror-ific and sci-fi classics. The Sky Room Cafe will be open all night serving beer, wine, snacks and food. Pillows and blankets are welcome (no backpacks please) and dressing up is encouraged. 

Lineup:

‘Killer Klowns from Outer Space’

1988, Director Stephen Chiodo 

‘The Texas Chainsaw Massacre’ 

1974, Director Tobe Hooper |

‘They Live’

1988, Director John Carpenter

‘The Devil’s Rejects’

2005, Director Rob Zombie

‘XTRO’

1982, Director Harry Bromley Davenport

‘Deranged’ 

1974, Directors Jeff Gillen and Alan Ormsby

‘The Incredible Melting Man’

1977, Director William Sachs

PLUS A BONUS MYSTERY MOVIE!

Tickets are $45 in advance at www.retropictureshow.com and $50 at the box office on the day of the event. If you last from beginning to end, you get $10 back and a free breakfast!

For more information, call 631-423-7610.

Kedar Kirane Photo from SBU

By Daniel Dunaief

Some day, a collection of soldiers in the Army may be sleeping in a bunker near an explosion. Their lives may depend on the ability of their bunker to crack, rather than fracture and collapse.

Kedar Kirane, an assistant professor in the Department of Mechanical Engineering at Stony Brook University, recently received a $359,000 grant from the Army Research Office’s Young Investigator Program to develop a computational model to predict the fracturing behavior of woven textile composites under dynamic loading, such as blasts and other impact loads.

In his work, Kirane hopes to develop a model for how composite materials fracture.

Kedar Kirane. Photo courtesy of Mechanical Engineering/Stony Brook University

Ralph Anthenien, the division chief for mechanical sciences in the U.S. Army Research Office, described the process of granting these awards as “very selective.”

The program supports “innovative breakthroughs,” he said. Part of the charter is to fund “high risk research, which won’t have a 100 percent chance of success,” but could provide a way forward for research.

Ultimately, the hope in the work the Army funds is to “protect soldier’s lives and protect Army systems,” Anthenien continued. The research should “make everything for the Army better.”

Kirane suggested that this research could also have implications in civilian life, such as to predict automotive crashworthiness. While it’s possible to consider fractures and cracks at the atomic scale, he said he is focusing on the macro level because the structures he is studying are so large.

“If you start looking at the atomic scale, it would be impossible because we don’t have the kind of computing power we would need” to convert that into buildings, bridges or other structures, Kirane said.

He is exploring the rates of loading for these fiber composite materials and would like to understand how these objects hold up in response to a blast or a projectile hitting it, as opposed to a more gradual progression of stressors.

Kirane will not conduct any of the laboratory work that explores the fracturing and reaction of the materials. Instead, he will use public data to calibrate and verify his model. The grant supports only the development of the model, not the performance of any physical experiments.

While materials are manufactured with different procedures, he is focused on how the materials fracture, crack and branch. The work is “more of a fundamental study rather than an applied study for a particular material,” he said.

One of the areas of focus in Kirane’s research involves analyzing the branching of cracks during fracture. As the cracks branch, they multiply, causing the material to break into multiple pieces.

The speed at which load builds on an object determines its reaction. A slow buildup typically causes one crack to form, while a more rapid load can cause a single crack that can branch and rebranch to produce multiple cracks.

“Being able to model this is complicated,” Kirane said. “The more it fractures, the more energy it can dissipate.” Ultimately, he would like his model to provide the Army with an idea of how much load a structure can withstand before the developing defects compromises its integrity.

In other projects, Kirane’s work will try to extrapolate from studies of smaller objects up to much larger manufactured structures. Ideally, he’d gain a better understanding of how to extend the information up to the scale at which people live.

He starts with objects that are of various dimensions, at 10 by 10 millimeters and then doubles and quadruples the size to determine the effect on their resilience and strength. There are mechanics-based scaling laws to extrapolate the structure strength to larger sizes, Kirane explained. It depends on the material and its fracturing behavior.

“That is the use of having a model: you can do some experiments in the lab, develop the model, calibrate it, use the model to predict the response and the scaling correctly,” he said.

Kirane explained that he usually tries to get data from a published journal, especially from sources where he knows the principal investigators produce reliable research. 

Indeed, sometimes the models can suggest problems with the data.“There is some back and forth” between the bench researchers and the scientific modelers, he said.

Kirane, who joined Stony Brook two years ago, has two doctoral students in his lab, one master’s student and several undergraduates. 

A resident of Westbury, he commutes about an hour back and forth. He enjoys visiting Jones Beach and appreciates the proximity to New York City. 

Raised in Pune, India, Kirane speaks English, Hindi and Marathi, which is his native language. During his schooling, which was in English, he not only pursued his interest in science but also played a percussion instrument called the tabla and was a gymnast. He says he can’t do any of the gymnastics routines from his youth today, although he does practice yoga and his gymnastics training helps. 

As for his future work, he hopes to start collaborating with scientists at Brookhaven National Laboratory, where he’d like to conduct some research at the National Synchrotron Light Source II. He’d like to understand how rocks fracture at the atomic scales.

In his own life, Kirane said he doesn’t recognize failures but sees any result that falls short of his hopes or expectations as a learning opportunity. “If something doesn’t go as planned, it’s an opportunity to retry,” he explained.

Indeed, in Kirane’s research, scientists call the process of fracturing “failure,” but that judgment depends on the context. When structures are “supposed to be sacrificial and dissipate energy by fracturing,” he said, then that “fracturing is good and not equal to failure.”

 

The cast of ‘Rapunzel: A Tangled Fairytale’. Photo by Jessie Eppelheimer/ Engeman Theater

By Heidi Sutton

Question: What do you get when you combine the classic Grimm Brothers fairytale “Rapunzel” and Disney’s animated feature “Tangled”? 

Answer: “Rapunzel: A Tangled Fairytale,” a wickedly funny musical adaptation written by David Crane and Marta Kaufman, the creators of the hit TV show “Friends.” The children’s show opened at the John W. Engeman Theater in Northport this past weekend and runs through Aug. 25.

Simon, trusted valet to the Prince, serves as storyteller and gives the audience the backstory on how Rapunzel ended up in the tower. We meet up with the young girl on the morning of her 16th birthday where her only wish is to be able to leave her imprisonment for one day and see the world.

Her “mother,” Gretta the witch, at first promises to grant her wish but then changes her mind. “I just want to know what’s at the end of the road!” begs Rapunzel. “The DMV – nobody wants to go there,” quips the witch. 

Meanwhile, Prince Brian has run away from the castle and vows only to return once he has slain a dragon or rescued a maiden. “As a hero, I’m a zero,” he laments. When the prince comes upon Rapunzel in the tower, he seizes this rare opportunity and hatches a plan to rescue her. What follows is a fun, exciting and hilarious adventure the entire family will enjoy.

Director Jennifer Collester knows her target audience well and has assembled the perfect group of actors to tell this hairy tale to young theatergoers. 

Making her Engeman debut, Joanna Sanges is terrific as the naive but strong-willed Rapunzel who will stand up to the witch, the king and anything else that comes her way — a wonderful role model for the many little princesses in the audience.

While not in a disco on the Engeman’s stage in the evenings (“Saturday Night Fever”) Christopher Hanford spends his morning weekends rescuing fair maidens as Prince Brian and does a fine job. Hanford spends the second half of the show wearing sunglasses (the witch cast a spell to make him blind) and is a good sport when Rapunzel forgets to help him navigate the stage. 

The indefatigable Bobby Montaniz plays multiple roles throughout the show (Simon, a cow, innkeeper, the king) and draws the most laughs. He quickly becomes the audience favorite.

But it is Suzanne Mason, as Gretta the witch, who gives the strongest performance and “with a twist of her wrist and a turn of her ring” takes this juicy role and runs with it. Like a sour patch kid, her character is both sweet and sour but not scary — just diabolical!

Perhaps the best part of the show is when Rapunzel and the Prince make their way into the audience on their way to the village and interact with the children, asking them questions such as what they like to eat.

The costumes, special sound effects and lighting pull it all together nicely to produce a marvelous morning of live theater.

Stay after the show and meet the cast in the lobby for pictures and autographs. An autograph page is conveniently located toward the back of the program.

The John W. Engeman Theater, 250 Main St., Northport, will present “Rapunzel: A Tangled Fairytale” on Saturdays at 11 a.m. and Sundays at 10:30 a.m. through Aug. 25. Costumes are encouraged. Children’s theater continues with an audience favorite, “The Wizard Of Oz” from Sept. 28 to Oct. 27, followed by the theater’s annual production of “Frosty” from Nov. 23 to Dec. 29 and Disney’s “Frozen Jr.” from Jan. 25 to March 1. All seats are $15. To order, call 631-261-2900 or visit www.engemantheater.com.

Barbara Zinna. Photo courtesy of Mather Hospital

Mount Sinai resident Barbara Zinna, a Mather Hospital, Northwell Health volunteer, was elected to a one-year term as president of the Nassau-Suffolk Council of Hospital Auxiliaries. Her term expires June 2020.

Zinna, an auxilian for 30 years, says one of her major roles as an auxilian is to raise awareness about the community services her hospital offers. Evidence of that commitment occurred when the Mather Auxiliary received the Healthcare Association of New York State’s Best Auxiliary Award in 2017. Also current president of Suffolk County Homemakers, an organization with 26 chapters throughout Long Island, Zinna previously served Mather Hospital’s Auxiliary as its president for four years. 

In her role as president of the Nassau-Suffolk Council of Hospital Auxiliaries, Zinna will continue to lead this organization of hospital volunteers that is aligned with the Nassau-Suffolk Hospital Council, the organization that represents Long Island’s not-for-profit and public hospitals.

Hospital auxilians play a vital role in the delivery of compassionate care at each of their facilities and are major fundraisers for their respective institutions. 

Collectively, Long Island’s volunteer auxilians raise millions through gift shop and thrift shop sales, fashion shows, boutiques and other events. In addition, they are actively involved in advocating on federal, state and local levels on behalf of their hospitals and the thousands of patients that these institutions serve each day.

Candace Bushnell at home in Roxbury, Conn. June 2010

CAC to host Candace Bushnell 

Author and journalist Candace Bushnell heads to the Cinema Arts Centre, 423 Park Ave., Huntington on Monday, Aug. 12 at 7:30 p.m. for Long Island LitFest. In conversation with author Ellen Meister, Bushnell will discuss her life, the impact of “Sex and the City” and her new novel, “Is There Still Sex in the City?”Tickets are $50 and include a copy of Bushnell’s new book, audience Q&A and book signing reception. Visit www.cinemaartscentre.org to register.

For more information, call 631-423-7610.

The Three Village Historical Society hosted a Volunteer Appreciation Wine and Cheese event on July 17. Over 40 volunteers and board members attended the celebration under a cloudy thunderous sky and enjoyed wine and cheese, live music by County Line RD and a fudge and wine pairing with Linda Johnson of Chocology, right. The event ended on time at 7 p.m. when torrential rain sent the crowd running inside for cover.

For more information on how to become a volunteer at the TVHS, please call 631-751-3730 or fill out a volunteer application at www.tvhs.org.

Photos by Anthony White

Abner

MEET ABNER!

This week’s shelter pet is Abner, a 1-year-old Basenji mix rescued from the meat trade in Thailand and now safe at Kent Animal Shelter. 

Abner is a mellow guy. He absolutely loves people, is housebroken and looks forward to going on his walks with the volunteers. Why not come on down and take Abner for a walk?

This sweet boy comes neutered, microchipped and is up to date on all his vaccines.

Kent Animal Shelter is located at 2259 River Road in Calverton. The adoption center is open seven days a week from 10 a.m. to 4 p.m. For more information on Abner and other adoptable pets at Kent, call 631-727-5731 or visit www.kentanimalshelter.com.

Photo from Kent Animal Shelter

Above, Maria Palmar cuts the ribbon to her new venture. Photo from PJCC

The Greater Port Jefferson Chamber of Commerce hosted a ribbon cutting for Maria Palmar Properties at 202 East Main St. in the village on July 11. Chamber members, partners, colleagues and friends including chamber president Joy Pipe and Port Jefferson village trustee Bruce D’Abramo, joined in with the celebration.  

A licensed broker in New York for 19 years and in the state of Florida for 30, Maria Palmar represents residential, mixed-use office, retail, professional-use apartment rentals and land property management. In the past years she has successfully placed over 50 retailers in the Port Jefferson area and other local communities.  

For more information, call 631-774-2264 or visit www.palmarproperties.com.

Back row, from left, Anthony M. Panarello, Angelina Mercurio (understudy for Veronica Fox) and Brody Hampson; front row, from left, Luke Hampson and Ryan Cavanagh. Photo by Tommy Ranieri

By Heidi Sutton

Fresh off the massive children’s theater production of Hans Christian Andersen’s “The Little Mermaid Jr.,” the Smithtown Center for the Performing Arts scales things down with a musical retelling of Andersen’s “The Emperor’s New Clothes.” The show opened last weekend and runs through Aug. 18.

Written and composed by the award-winning duo of Lynn Ahrens and Stephen Flaherty (“Seussical”), the “fractured fairytale” takes the 19th-century Danish author’s best known story and adds song and dance to create a delightfully charming treat.

At only 14 years old, Emperor Marcus the Third is nervous to take the throne. After all, he’s only finished Chapter 1 of “How to Be an Effective Emperor”! To make matters worse, the kingdom’s river is starting to overflow and a hole in the road is getting wider. The villagers come to Marcus for help, but the newbie has difficulty making decisions. When the palace’s mop boy Arno suggests he dress the part, Marcus becomes obsessed with his royal attire.

Outfit after outfit produced by Deena the Royal Clothesmaker is rejected. Seizing an opportunity, a swindler named Maurice weasels his way inside the palace and offers to make magic clothes that are “invisible to fools and liars.” Ignoring the counsel of his Royal Advisor William, the emperor gives Maurice the green light and begins plans to hold a parade to show off his new wardrobe. Will someone get Marcus out of this royal mess, or will he reveal more than he bargains for?

Tommy Ranieri directs and choreographs a talented quintet of actors that grab this comedic masterpiece by its royal coattails and run with it, effectively producing something very special.

Luke Hampson is exceptional as the clueless new ruler; Veronica Fox and Anthony M. Panarello do an excellent job portraying worrywarts Deena and William who fear they will lose their jobs because they can’t see the magic clothing; and Brody Hampson plays the role of con artist perfectly.

But it is Ryan Cavanagh in the role of Arno who steals every scene he is in and quickly becomes an audience favorite. In the end, it is he who teaches Marcus the important lesson of “it’s not what’s on the outside but what’s on the inside that counts.”

The wonderful songs tie the show together, with special mention to “The Ancestor Song,” “Only a Guy Like You,” “How Am I Ever Gonna Get To Sleep?” and “Invisible.”

The show offers no special effects or fancy sets, just good old-fashioned live theater the way it was meant to be. The actors are funny and entertaining and are as devoted to making the audience reflect as to making them laugh. Hans Christian Andersen would be proud.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents “The Emperor’s New Clothes” through Aug. 18. Children’s theater continues with “Madagascar: A Musical Adventure Jr.” from Sept. 14 to Oct. 27 and “Shrek the Musical Jr.” from Feb. 1 to March 1. All seats are $18. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

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