Music

Two bastions of commerce and culture joined forces on Saturday, Oct. 22, for a night of fright and fun at Port Jefferson Station’s Train Car Park.

The Spooktacular Music Festival was a three-hour production co-hosted by the Port Jefferson Station/Terryville Chamber of Commerce and the local affiliate of the School of Rock, the largest music school franchise nationwide. The event showcased the talents of local student musicians while bringing community members together for a night out.

Tracie and Jaime Smith have owned the Port Jefferson-based franchise of the School of Rock for 12 years. They described the music school as a place connecting like-minded youth with a shared passion for music.

“A lot of the kids that come to the School of Rock don’t quite fit in in public school,” Jaime Smith said. “When they come to our school, they are exactly who they are, and they’re accepted for that, regardless of age, race, it doesn’t matter.” He added, “They all share that common goal of art, and they do a heck of a job expressing that on stage.”

This sentiment held on Saturday night as the student performers entertained hundreds of spectators on the Train Car Park’s main lawn, playing songs across various genres, such as classic rock and punk rock. 

Tracie Smith offered her perspective on the evening, saying that the event closely aligned with the music school’s organizational principles.

“We pride ourselves on getting the kids on stage,” she said. “It’s not just taking a guitar lesson in your basement and never doing anything with it. We get the kids on stage multiple times per year, and they get to rock out,” adding, “It helps them build their confidence and meet other like-minded kids.”

While the School of Rock has held the event in years past, this marked the first year the performance was held at the Train Car Park. Jennifer Dzvonar, president of PJSTCC, was also present during the event and discussed how it all came together. 

“We’re trying to get some more community events over here at the Train Car Park, so together we said, ‘Bring it here, and we’ll do it in collaboration with the chamber,’” she said. “We have some chamber members here setting up some tables. It’s open to the community, free admission, and with live music and fun.”

For Dzvonar, this event marks just the next chapter in a string of recent positive developments for the Greater Comsewogue area. According to her, boosting recreational use at the Train Car Park has been the chamber’s priority for years. 

Now, with the availability of public funds and political will, those plans are bearing fruit. “We have always been trying to get this up and running,” she said. “Phase one is trying to get the park usable for the community, so they’re going to be making a walking path in here, we’re getting a parking lot and we’re going to get a playground.” She added, “Hopefully, that should be completed by the end of this year. If not, then the beginning of next year.”

After these improvements are executed, the chamber plans to use the historic train car on-site for community tourism. In addition, plans are in place to repurpose some of it as office space, providing chamber members with new headquarters.

“Our vision is coming to fruition finally,” Dzvonar said. “This is exactly what we wanted for the community — a place to come, a place for kids and adults, a place for anybody. Basically, the motto of the chamber is to bring local businesses and the community together. This is a hub for that.”

Jaime and Tracie Smith have observed a gradual shift in the area throughout their time running the music school. For them, the arts will continue to play a central role in the area’s burgeoning cultural renaissance.

“What we’ve seen in the over a decade that we’ve been here is a movement toward families and the arts and a dedication to the community,” Jaime Smith said. “There has been a real movement forward toward creating something different here … and music always brings people together.”

Tracie Smith added to this perspective, touching upon how the COVID-19 pandemic has brought more families from New York City onto Long Island. Given these trends, she sees reason for optimism.

“We’ve seen such a nice bump in our enrollment post-COVID,” she said. “We’ve seen a lot of new families, a lot of resurgences, a lot of people moving from the city to come here, so we’re looking forward to the future for sure.”

— Photos by Raymond Janis

Townes Van Zandt and Nanci Griffith

WUSB’s Sunday Street series returns to the Long Island Museum’s Gillespie Room in the Carriage Museum, 1200 Route 25A, Stony Brook on Sunday, Oct. 23 with a concert titled Nanci & Townes: Remembering Two Texas Troubadours at 5 p.m.

WUSB’S Sunday Series returns to live performances  by continuing its tradition of honoring seminal singer-songwriters with an evening devoted to the songs of Nanci Griffith and Townes Van Zandt, two Texas-based artists.

Participating are Gene Casey, Delaney Hafener (of the Belle Curves), Caroline Doctorow, Bryan Gallo, Ray Lambiase, Mary Lamont w/ Jim Marchese, Pete Mancini, Gerry McKeveny, and Quarter Horse.

Pete Mancini will emcee the evening which will benefit the Sunday Street Series and WUSB.

The event is co-produced by Pete and Charlie Backfish and a collaboration of WUSB’s Sunday Street Series, The Long Island Museum, and The Greater Port Jefferson Art’s Council.

Nanci Griffith’s passing on August 13, 2021 was universally mourned in the music world. This Austin native received critical acclaim for a career that included sixteen original studio albums as well as two ‘covers’ collections, paying homage to songwriters who influenced her own writing. On the first of those two collections, ‘Other Voices, Other Rooms, she included her version of Townes Van Zandt’s ‘Tecumseh Valley.’ Her song, ‘Up Against the Rain’ is about Van Zandt.

Townes Van Zandt, from Fort Worth, has been considered influential not only by Nanci Griffith but by countless artists cutting across several musical genres. Many of his songs are regarded as masterpieces of songwriting with Steve Earle recently recording an entire album of them. Van Zandt passed away on New Year’s Day, 1997, at age 52. In the 2000’s, extensive interest in him resulted in two books and a documentary film.

                                            Tickets are $ 20.00 at www.sundaystreet.org

Artoberfest

Save the date! Join Preservation Long Island and the Long Island Museum for an Artoberfest, an afternoon of food, beer, music by Buddy Merriam & Backroads, arts and crafts, and games at the Sherwood-Jayne Farm, 55 Old Post Road, East Setauket on Saturday, Oct. 22 from noon to 5 p.m. The event is a celebration of the art of Edward Lange (1846-1912), whose works are currently on view at the Long Island Museum through Dec. 18.  Rain date is Oct. 23. Tickets are $20/over 21, $10/under 21, free for ages 5 and under. To order tickets, visit www.preservationlongisland.org. For more information, call 631-692-4664.

By Heidi Sutton

Written almost 300 years ago, Beauty and the Beast is a tale as old as time. 

A classic story of love and sacrifice, a girl by the name of Belle searches to find her place among the townspeople in her village, all while dodging the advances of a self-loving brute named Gaston. When her father is taken prisoner by a monstrous beast in an enchanted castle, Belle chooses to take his place. 

The Beast is really a young prince who is trapped under the spell of an enchantress. If he can learn to love and in return find someone who will love him before all the petals on an enchanted rose wither, the curse will end. But time is running out. If the Beast does not learn his lesson soon, he and his castle staff will be doomed for all eternity. Will Belle be the one to break the spell? 

Now the  enchanting fairy tale heads to the John W. Engeman Theater in Northport to bring joy to yet another young generation in the form of Disney’s Beauty and the Beast Jr. with book by Linda Woolverton. Although an abbreviated version of the original with a running time of one and a half hours, it features all of the wonderful songs we’ve come to love by Alan Menken, Howard Ashman and Tim Rice including “Belle,” “Gaston,” “Be Our Guest,” “The Mob Song,” and everyone’s favorite, “Beauty and the Beast” sung by Mrs. Potts.

Directed by Danny Meglio with musical direction by Gina Salvia, the 15-member cast transports the audience to a French provincial town full of action, adventure, singing and dancing and does a wonderful job with special mention to Nancy Rose Fallon as the beautiful Belle and Adam Brett as the Beast who can’t control his temper. Brett really gets into character all the way down to the snarl, but is never scary. The musical touches often on Belle’s love of books and, in one of the sweetest moments in the show, she reads the story of King Arthur to her captor during their duet “Something There.” 

Terrence Bryce Sheldon as the creep Gaston and Daniel Saulle as his sidekick Lefou have the most fun roles and pull them off with ease. Michael Fasciano gives a passionate performance as Belle’s father, Maurice. 

An audience favorite, the enchanted castle staff — Jae Hughes as the candelabra Lumiere in a perfect French accent; Daniel Bishop as Cogsworth the talking clock; Suzanne Mason as Mrs. Potts the teapot; Jillian Sharpe as Babette the feather duster; Lacey Cornell as Madame de la Grande Bouche the wardrobe; and the adorable teacup Chip (a dual role played by Sophie Achee and London Delvecchio) — are visually stunning thanks to costume designer Laura McGauley who also produces the iconic yellow gown for Belle.

As choreographer, Danielle Alliotta also deserves kudos for the big dance numbers including “Gaston” and “Be Our Guest.”

A screen in the back of the stage is used to depict the different scenes of the show including the different rooms in the Beast’s castle — a nice touch — and the actors walk through the aisles often, keeping the children at the edge of their seats.

The Engeman has gone all out on this production and it shows. Catch a performance before the last petal falls.

The John W. Engeman Theater, 250 Main St., Northport presents Disney’s Beauty and the Beast Jr. through Oct. 30. Light-up roses may be purchased before the show and during intermission and costumes are encouraged. All seats are $20. For more information or to order, call 631-261-2900 or visit www.engeman theater.com.

 

Photo by Aidan Johnson
By Aidan Johnson

Sea shanty singers from around the globe were called from the briny deep to perform at the 2nd annual Port Jefferson Sea Shanty & Maritime Music Festival on Saturday, Oct. 1. 

Performer Monti Babson of “Pirates at Large”

While the event was due to be held outside at Harborfront Park, it was moved to inside the Village Center due to inclement weather. Yet this was no issue for the singers, as they still gave delightful and entertaining performances.

Amy Tuttle, program director for the Greater Port Jefferson-Northern Brookhaven Arts Council and creator of the festival, wanted to give sea shanty singers a place to share their talent. 

“Last year, there were some sea shanty singers from Mystic Seaport [Connecticut], and Mystic had discontinued their sea shanty [festival], so those shanty singers were distressed and sad that they had no place to play,” Tuttle shared. “And I said Port Jefferson has a very rich and interesting shipbuilding history — come here.”

Over a matter of a couple of months, GPJAC was able to put together the inaugural Port Jeff sea shanty festival. After seeing that the event was successful, the arts council decided to hold it annually.

Performers Bob Conroy and Bill Grau of “Stout”

Shanty singers came from afar to participate in the festival, including Connecticut, New Jersey and England. “They’ve come from all over to perform in this festival,” Tuttle said.

The performers aren’t the only ones excited about sea shanties. TikTok has thrown the genre into the spotlight amongst the youth, especially with the song “The Wellerman.” 

“I know during the pandemic it was a thing on TikTok, and a lot of the kids were experimenting with different things and writing their own music, which was fabulous,” Tuttle said. “We thought, how fun would it be to get some of the [original] singers to come and do sea shanties here.”

Many of the performers have had several decades of experience with sea shanties under their belt. Maria Fairchild started off playing the piano as a child before moving on to the guitar and eventually the banjo. She also has performed in multiple bands for more than 30 years. Adam Becherer, with whom Fairchild performed, grew up with the bluegrass scene in South Street Seaport in Manhattan thanks to his father being in a bluegrass band. 

Performers Adam Becherer and Maria Fairchild

Both Fairchild and Becherer feel an attraction toward folk music. “I like the history of it,” Fairchild said. “I also like that the melodies are … different from modern music, and there’s something really ancient that I’m attracted to.” Becherer added, “I love the collaborative nature of it. I love getting together with people who you don’t necessarily know, but there’s like a common language of tunes that people can get together and play.”

Despite the weather, the music festival went off without a hitch. Tuttle, along with GPJAC, is planning on having a tavern setting next year, in which people can learn how to sing and play the songs. 

Currently, the arts council is presenting its Port Jefferson Documentary Series, with screenings taking place throughout the fall. For more information, visit www.gpjac.org.

— Photos by Aidan Johnson

Open Mic Night. Metro photo

The Cinema Arts Centre, 423 Park Avenue, Huntington, joins with the Folk Music Society of Huntington in presenting the NorthShore Original Open Mic (NOOM) three Wednesday nights each month, beginning October 12.  The open mic series, to be held in the Cinema’s Sky Room, is set for 7 p.m. with open mic sign-up beginning at 6:30 p.m. Although it is free to attend, donations will be sought and gratefully accepted.

“It’s our pleasure to continue the ever-deepening partnership between the Cinema Arts Centre and two pillars of Long Island music scene – the Folk Music Society of Huntington and NorthShore Original Open Mic (NOOM),” said Dylan Skolnick, co-director of the Cinema Arts Centre.

“The Folk Music Society of Huntington’s monthly Hard Luck Café series has been a mainstay of our programming for many years, bringing some of the country’s best folk music performers to dedicated folk fans here in Huntington. With the introduction of a weekly open mic night we are delighted to offer even more opportunities for music lovers and artists to come together, as well as a space where seasoned performers can try out their newest original pieces and where up-and-coming musicians can get used to performing for a crowd,” Skolnick added.

“NOOM is thrilled to partner with the Folk Music Society of Huntington and the Cinema Arts Centre and lay the groundwork for a weekly opportunity for original songwriters and performers to present their original songs in a welcoming and relaxed atmosphere,” said Toby Tobias, a Huntington-based singer-songwriter who launched the open mic series at a small coffee shop in Northport in the fall of 2013.

One of the longest running weekly original open mics on Long Island, NOOM has reincarnated itself at quite a few North Shore locations through the years — most recently at Finley’s in Huntington.  Although the COVID-19 pandemic precluded NOOM from taking place in-person since March 2020, songwriter Richard Parr has been livestreaming the open mic every week since then and will also be playing a major role when it resumes in-person.

“We invite singer-songwriters of varying skill levels and those who love live music, to gather at the Cinema Arts Centre to listen to songwriters, dedicated to the craft of writing and singing their songs, play and talk about their original music in an environment of goodwill and open-mindedness,” said Tobias. He noted that each NOOM will also include a featured 20-minute performance by a known/emerging local or touring songwriter starting at around 8 p.m. “I am very excited to be a part of this,” he said.

Michael Kornfeld, longtime president of the Folk Music Society of Huntington, shares their excitement. “FMSH is delighted to extend its partnerships with both NOOM and the Cinema Arts Centre and to help provide opportunities for local singer-songwriters to share their music with our community,” he said. “NOOM has been an Acoustic Ally of FMSH for a number of years. We’ve cross-promoted each other’s events and presented a couple of joint livestreams over the past two years.”

Affording local artists opportunities to share their talents with appreciative audiences in an intimate listening room atmosphere was the initial impetus behind the nonprofit presenting organization’s Hard Luck Café concert series many years ago, Kornfeld noted.  That series now features a mix of local, regional and national touring artists. The Cinema Arts Centre has partnered with the Folk Music Society of Huntington and hosted the monthly Hard Luck Café concerts in its Sky Room for more than a decade. That series resumes on October 19 with featured act No Fuss and Feathers and will take place on the third Wednesday of each month, from 7-9:30/10 p.m. An open mic also precedes most Hard Luck Café concerts.

Upcoming dates include:

October 12, 26

November 2, 9, 30

December 7, 14, 28

Sign up here.

For more information, visit www.cinemaartscentre.org.

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The Beo String Quartet at Sept. 24 concert. Photo from The Atelier at Flowerfield

On September 24  the Atelier at Flowerfield hosted a “Pop Up” concert featuring the Beo String Quartet. The quartet was presented by the Three Village Chamber Players.

By crafting original music and projects, engaging listeners through entertainment and thoughtful demonstration, collaborating with living composers, performing quartet masterpieces in a wide array of settings, and exploring technology’s capacity as a musical and social tool, Beo is expanding the role of chamber musicians in today’s global culture. Now in its seventh season, Beo has performed over 100 concert works in the US and Europe–including over 45 world premieres.

Music education outreach is essential to the quartet’s vision. Beo has earned a reputation for its thoughtfully-crafted educational shows. Although disguised as entertainment, each show is designed to teach real chamber music skills and a love for classical music to students ranging from complete beginners to pre-professionals. Through its educational tours of elementary, middle, and high schools, short-term residencies at colleges and universities, and its annual residency at Dakota Chamber Music, Beo has shared these unique, engaging experiences with more than 3,500 students to date.

The mission of The Atelier at Flowerfield is to stimulate and enhance appreciation of the arts on Long Island and the greater NY metro area. To learn more about The Atelier at Flowerfield, go to https://theatelieratflowerfield.org or call 631-250-9009.

By Barbara Anne Kirshner

It’s curtains up on another scintillating season of shows at the Engeman! How can they top last year’s caliber productions that offered one magnificent show after the other? Well, they have done it again with an effervescent Mystic Pizza.

The musical was adapted from the 1988 film classic starring Julia Roberts about three young coming of age waitresses working at a small-town pizzeria in Mystic, Connecticut, a town that is quiet all winter but bustling with tourists in the summer. The real pizza parlor was a popular place in Mystic since 1973 and became the inspiration for the film after being visited by screenwriter, Amy Jones.

The world premiere was at the Ogunquit Playhouse in Maine in 2021. Interesting to note that the concept for a Mystic Pizza musical was first visited in 2007 as part of the plot in season 2 of the NBC sitcom 30 Rock.

This juke box musical rocks with some of the best tunes from the 80’s and 90’s including those of Melissa Ethridge, John Mellencamp, Van Morrison, Phil Collins, Pat Benatar and Debbie Gibson. The songs compliment a substantial script that centers around the lives of three teenage Portuguese waitresses at this pizzeria who are on the threshold of making major decisions concerning lives, careers and romance. The plot highlights the contrast between the working class living in Mystic year-round and the affluent tourists who summer there. 

Igor Goldin in his Director’s Notes commented on how intriguing it was to work on a musical that had only one prior production. That allowed him to open the door for creating without any preconceived ideas. The result is a true feast of sight and sound starting with an ingenious set designed by Kyle Dixon that gives the feeling of a New England fishing village with a rustic backdrop and featuring a large A-frame structure, center stage on a turntable that revolves into various settings. Jose Santiago’s lighting design enhances each set change and establishes mood.

The show is energetic right from the start with John Mellencamp’s spirited Small Town that instantly immerses us in the lives of these townies. The songs are well chosen and placed in just the right spots to help drive the story line. Under the direction of Sarah Wussow, the band wraps itself around each of these pop tunes and is a driving force in delivering emotions. Ashley Marinelli’s choreography compliments the energy of the show with joyous, bouncy movement that embraces the rock tone. Costumes by Dustin Cross appropriately contrast the classes with tight fitting miniskirts for townies as opposed to collegiate styles for upper class.

The three waitresses are engaging as they navigate into adulthood. There is Jojo (Michelle Beth Herman), who faints at her wedding to Bill (Stephen Cerf) but is conflicted since she doesn’t want their relationship to end. She aspires to make something of herself and dreams of owning her own restaurant. Cerf, a consummate vocalist and dancer, punches out Addicted to Love with revved up passion telling us just how committed he is to Jojo. Their duet Take My Breath Away highlights their exquisite vocals and undeniable chemistry.

Sisters Kat (Brooke Sterling) and Daisy (Emily Rose Lyons) are complete opposites. Daisy longs to get out of this Connecticut town and thinks her only option is to attract a well-healed summer tourist. She meets Charles Gordon Windsor, Jr. (Jake Bentley Young), who comes from a wealthy family but is equally disenchanted with his life. His secret desire to be an artist is overshadowed by his father’s insistence that he become a lawyer. Charlie encourages Daisy to have faith in herself and go for what she really wants which is to become a lawyer. Lyons and Young turn in a sensual performance with I Think We’re Alone Now. But conflict erupts when Daisy realizes he invited her to a family dinner as a show of rebellion against his parents’ plans for his future. Young and Lyons’ Hit Me With Your Best Shot is electrifying.

Kat is the smart one, accepted into Yale and is an aspiring astronomer, but naïve in matters of the heart having fallen for Tim (Corbin Payne), an architect who is new in town working on restoration of an old historic residence. As Kat, Sterling embraces the emotion of first love with a poignant Lost in Your Eyes. Sterling and Payne share a sweet moment in When I See You Smile, but their characters’ relationship crumbles when Tim confesses to being in a loveless marriage. 

Leona (Kathryn Markey) is charming as the owner of the pizza shop who exudes concern for her teenage waitresses and mischievous in not revealing the secret ingredient to her specialty sauce until just the right moment.

Kent M. Lewis (The Fireside Gourmet) keeps us in suspense as the aloof critic who will either make or break the pizza shop with his review.

The company adds so much fun and animation to this polished production. and an enthusiastic standing ovation punctuated the sterling performance during last Saturday’s show. The Engeman has done it again with this delightful romp into its 15th season. Catch Mystic Pizza through Oct. 30.

The John W. Engeman Theater is located at 250 Main St., Northport. For tickets, call 631-261-2900 or visit www.engemantheater.com.

By Barbara Anne Kirshner

“Luck Be a Lady”

“If I Were a Bell”

“I’ve Never Been in Love Before”

“Take Back Your Mink”

These familiar songs are part of the rich tapestry that makes up American musical theatre history and all are in the classic, Guys and Dolls, the perfect choice to launch Theatre Three into its 52nd season of bringing fine entertainment to Long Island  audiences.

Frank Loesser’s stunning music combined with his compelling lyrics accompanied by Jo Swerling and Abe Burrows’ whimsical book resulted in a one-of-a-kind show that truly represents Broadway’s Golden Age.

Inspiration for this 1950’s musical came from early 20th Century short stories penned by Damon Runyan most notably “The Idyll of Miss Sarah Brown,” “Blood Pressure” and “Pick the Winner.” Runyan’s penchant toward gambling, especially craps and horse racing, played out in his short stories and in this musical. Likewise, Runyan’s connection to the underworld and best friend, mobster accountant, Otto Berman, is reflected in his works with Berman given the alias “Regret the horse player.” Runyan and his humorous works about gamblers, hustlers, and gangsters from Brooklyn or Midtown Manhattan with unusual names such as “Nathan Detroit,” “Big Julie” and “Harry the Horse” proved a perfect springboard for creating this delightfully entertaining musical. 

Guys and Dolls premiered on Broadway in 1950 winning the Tony Award for Best Musical. It was adapted for the movies in 1955 with a star-studded cast including Marlon Brando, Frank Sinatra, Jean Simmons and Vivian Blaine. Since then, this fan favorite has enjoyed numerous Broadway and London revivals before venturing into Port Jefferson.

This captivating Theatre Three production takes hold of the audience right from the start with a spirited overture under the musical direction of Jeffrey Hoffman that instantly immerses the audience in the light-hearted tone of the show. Then lights go up on the company of actors in mid-twentieth century period piece colorful dresses and dashing suits thanks to costume designers Jason Allyn and Ronald Green III.

Randall Parsons’ scenic design is abstract yet functional with a backdrop of towering city skyscrapers inside a frame outlined with tiny white lights then transforms into the Hot Box Club, this time with a backdrop of shimmering silver streamers before morphing into industrial pipes and smog representing the gambling garage. Stacey Boggs’ lighting design accentuates each scene from brilliant whites to smoldering greens and reds.

Director Jeffrey Sanzel has assembled a dynamic cast that dazzles and owns the flavor of 1950’s New York City. 

There are essentially four leads in this show. Rachel Greenblatt is engaging as puritanical missionary Sarah Brown, dedicated to saving sinners and surprised by her own vulnerability at falling for smooth talking gambler, Sky Masterson (Kevin Shaw). Greenblatt hits the stratosphere with her trilling soprano in such songs as “I’ll Know, If I Were a Bell” and “I’ve Never Been in Love Before.” Shaw’s Sky Masterson is suave, charismatic and oh so cool as a big-time gambler, but becomes equally surprised to realize he has fallen for this prudish do-gooder. There are two showstoppers in this musical and Shaw owns one of them with his rousing “Luck Be a Lady.”

The other two leads in the show are Nathan Detroit (Steven Uihlein), who is obsessed with gambling and not his fiancée, Adelaide (Sari Feldman), with whom he has been engaged for the past 14 years. Uihlein and Feldman are adorable together and their duet in “Sue Me” is humorous as Nathan tries to deflect Adelaide’s insistence that they marry. Feldman equally shines when belting out “Adelaide’s Lament” bemoaning that her one continuous cold is due to waiting so long for that band of gold. Feldman luxuriates in Adelaide’s affectations including her high-pitched New York City accent, rhythmic gait and innocence mixed with determination to finally marry that man.

Nathan is not only dealing with Adelaide’s pressures, but he is being pressured to rent the Biltmore garage for the big crap game. The only problem is he doesn’t have the money for the rent, hence he makes a bet on what he perceives is a sure thing. Nathan bets Sky $1,000 that he will not be able to get Sarah to go to dinner with him in Havana the following evening. 

But the smooth-talking Masterson convinces the sweet missionary to fly off to Havana for dinner. That leaves Nathan in a double mess. He doesn’t have the money for the garage and now he owes Sky $1,000 for losing their bet.

The adroit Company in this show takes on Ryan Nolin’s impressive choreography with gusto. In the Latin flavored Havana interlude the dancers — Rob Ferzola, Melissa Norman, Cassidy Rose O’Brien and Alex Yagud-Wolek — exude sensuality as they ease into Nolin’s gorgeous tableaus. Nolin keeps the party going with Adelaide’s animated Hot Box chorus girls and their effervescent dance routines. 

The second showstopper belongs to Finn MacDevitt’s animated Nicely-Nicely Johnson whose bouncy aerobic routines in “Sit Down, You’re Rockin the Boat,” received rousing applause on opening night.

Theatre Three’s Guys and Dolls is a jubilant celebration of Broadway’s Golden Age. Don’t miss this one. 

Theatre Three, 412 Main St., Port Jefferson presents ‘Guys and Dolls’ through Oct. 22. Tickets are $35, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Brian Hoerger/Theatre Three Productions, Inc.

Event to feature elite line-up of jazz artists

The Jazz Loft, located along the charming Stony Brook waterfront and nearby historic village, presents the 7th annual Harbor Jazz Festival, four celebratory days of jazz featuring  internationally-known acts, including the Harry Allen Quartet, Rubens De La Corte Brazilian Ensemble, Ray Anderson Pocket Brass Band, Nicole Zuraitis and her All Star Band and more, from Sept. 21 to 24.

Much of the festival will take place outdoors overlooking Stony Brook Harbor, as well inside the Jazz Loft at 275 Christian Avenue in Stony Brook. The Loft, which operates as a non-profit organization, was established in 2016 by Dr. Thomas Manuel, its founder, curator, jazz historian and artistic director. Dr. Manuel is also the director of the Loft School of Jazz.

“The year’s Harbor Jazz Festival line-up promises to deliver an extraordinary experience and unique opportunity to hear performances from some of the finest jazz artists in the world,” said Manuel. “Many of the acts booked for this year’s festival perform at some of New York’s top venues and clubs. It’s amazing for our Long Island community that this years’ festival brings them all right here in our own backyard.”

The full schedule for the Harbor Jazz Festival:

Sept. 21 (Wednesday) 7 p.m.

Opening Reception & Jam Session with the Keenan Zach Trio

All tickets $10

Sept. 22 (Thursday) 7-9:30 p.m.

Interplay Jazz Orchestra, with special guest artist Glenn Drewes

The Interplay Jazz Orchestra has the distinction of being the only Long Island Big Band performing original compositions and arrangements written by members of the band.

Tickets $30, $25, $20

Sept. 23 (Friday)

Harry Allen Quartet, John DiMartino piano, Neal Miner, Bass, Aaron Kimmel, Drums.

7-9:30 p.m.

Tickets $30, $25, $20

Sept. 24 (Saturday) – All Saturday shows are OUTDOORS and FREE! In the event of inclement weather, the concerts will take place inside The Jazz Loft.

1 p.m. Rubens De La Corte Brazilian Ensemble, Corina Sabbas, voice; Rubens de La Corte, guitar; Mike LaValle, bass; Arcoiris Sandoval, piano; Dennis Bulhoes, drums; Elsa Nilsson, flute; Tom Manuel, cornet/flugelhorn.

4 p.m. Ray Anderson Pocket Brass Band, Ray Anderson Trombone, Tommy Campbell Drums, Steven Bernstein, slide trumpet and Jose Davila, sousaphone

7 p.m. Nicole Zuraitis and her All Star Band, Matt Wilson, Maya Kronfeld, Steve Cardenas, Tom Manuel, Sam Dillon, Caili Odoherty, organ.

Sponsors for the Harbor Jazz Festival include: Douglas Elliman; Huntington Arts Council; Realty Connect USA; Jovia Financial Credit Union; Team Ardolino; Branch Financial Services, Inc.; The Ward Melville Heritage Organization; Dan Oliveri and Suffolk County Economic Development and Planning; Olivia and Harlan Fischer; and Ivana Stolnik-Lourie and Robert Lourie.

All Saturday Events on the Stony Brook Village Green and are FREE to the general public.

For more information, call 631-751-1895 or visit www.thejazzloft.org.