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Fischetti site excavations during the summer of 1981. Three Village Historical Society photo

By Beverly C. Tyler

For over 8,000 years, indigenous people, Long Island’s original settlers, have lived here. Today Native Americans still live in Brookhaven, where their ancestors settled in coastal villages.

Setalcott Indigenous People village, Vance Locke mural at the Setauket School.
Courtesy of TVHS

According to what we know today, the first settlers reached North America at least 13,200 years ago, possibly coming across the land bridge from Asia to Alaska; these Asiatic people were the first humans on the continent. However, there are now a few other sites in North and South America, including one near Pittsburgh, PA that indicate that humans were here earlier. 

Some of the earliest North Americans are called Clovis people. Clovis refers to the Clovis Point that was used as a spear point to hunt and kill the elephant-like Mammoths and Mastodons that populated North America at that time. The Clovis point is unique to North America. It, apparently, was not developed until humans crossed into North America. During a 300 year period Clovis people spread all over North America, including Long Island, and hunted the Mastodon and Mammoth to extinction. The Clovis culture existed from about 13,200 to 12,900 BP (Before Present), coming to an end at the same time that the last Mammoth disappeared from North America. A number of Clovis points have been found on Long Island.

There are three recognized periods of Native American culture. The earliest is Paleo-lndian culture. Paleo means “of ancient origin” (Webster’s New International Dictionary). This period extends from about 12,500 to 8,000 BP. The second period is called  Archaic culture. This is the hunting & gathering period which extends from about 8,000 to 3,000 BP. The third period is called Woodland Culture, the period when Native Americans first practiced agriculture and provided the first indication of the use of clay pottery.This period extends from about 3,000 to 1,000 BP.

The period that ended the isolation of Long Island Indians is called Late Woodland culture. This second part of the Woodland period extends from about 1,000 to the calendar year 1600. Native Americans reached their highest level of art and culture during this period, which also includes the first contact with European explorers, hunters, trappers and settlers.

First residents

We don’t know all the details about life on Long Island before the Europeans came because the people living here did not leave us a written or photographic record of their lives.

Fischetti site artifact – clay pot sherd. Three Village Historical Society collection/photo

Archaeological excavations have given us most of the details of how people lived in this area as early as 5,000 years ago. One of the most famous sites in New York State was a shell midden, along Aunt Amy’s Creek, named The Stony Brook Site, excavated by State Archaeologist William Richie, in 1955. From archaeological digs by Richie and others, we know that between 5,000 to 3,000 years ago, the native people were hunters and gatherers, dependent upon hunting local animals and gathering plants, stones and clay for food, shelter, tools, clothes and medicines.

The Fischetti Site is a prehistoric Native American site that was discovered during a cultural resource investigation (evaluating the building sites to see what, if anything, is there that might be of cultural/historical significance) of a proposed residential development in November of 1980. Salvage excavations (a more intensive archaeological dig because of the press of time) continued through October of 1981.

Artifacts from the Fischetti site in Setauket, along West Meadow Creek, are from what appears to have been a site for manufacturing stone tools and spear points. 

Fischetti site artifact – stone tool. Three Village Historical Society collection/photo

The site was probably selected by the Native Americans due to the availability of drinking water and food and shelter from the elements. It was occupied by Algonquin Indians about (circa) 3300-1000 B.P. We know the Algonquian used this location then because of the type of arrow and spear points and blades recovered. The major activity here, on the edge of Stony Brook creek, was making stone tools. We know this by the large quantities of stone flakes and roughed-out stones. Although native Long Island quartz was utilized, some flints (darker, almost black in color) from upper New York State and Connecticut were recovered, indicating some trading with other native groups.

The almost total absence of food remains at the site shows that this was not the location of a village. However, a village site–The Stony Brook site–existed approximately 700 meters (765 yards) to the south, along what is now known as Aunt Amy’s Creek, during the same time period.

This stone tool manufacturing site (Fischetti Site) was an area separated from the village, since the making of stone implements involved the hazardous work of chipping stone, resulting in flakes of sharp stone pieces flying all over the area. This area was still in use by Woodland Native Americans (circa 3000 B.P . To 1600) as pieces of clay pottery appear in the upper layers of the site. (From a report by Edward J. Johannemann and Laurie S. Billadello-Long Island Archaeological Project)

The artifacts taken from the Fischetti Site are part of the collection of the Three Village Historical Society. Artifacts from the Richie Site are a part of the collection of the New York State Museum.

Fischetti site artifacts – projectile point. Three Village Historical Society collection/photo

For thousands of years the Indians used natural resources, wood, stone and animals, to make their housing, tools and clothing. About 3,000 years ago, their way of life changed with the introduction of three things: pottery, the bow and arrow and horticulture. Like the earlier American Indians, the Woodland Indians continued to rely on natural resources.

Vance Locke pictures a Setalcott village along the shoreline of Setauket in what archaeologists call the Late Woodland Period from about 1,000 years ago to about the year 1600. 

There is a hunter, a woman making wampum and women grinding corn. Men are smoking fish and spearing fish from a trap. There are many other details in this scene that can be observed. The Setalcotts relied on the use of local trees and plants in their daily lives. Many of the native trees and plants can be found along the nature trails in the Frank Melville Memorial Park and Sanctuary in Setauket. Many are listed in the book Native and Near Native by Albert Hostek.

It is important for me (personally) to say, “I wish to acknowledge that I am sitting on the land of the Setalcott Indigenous people in Setauket and I pay respect to the Setalcott people whose land is where I live.” 

Beverly C. Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. WWW.TVHS.org 

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The Reverend and Mrs. H. W. Floyd Allen, minister of the Allen A.M.E. Church, Church Street circa 1950. Photo courtesy of NHSM

By Tara Mae 

More than merely a necessity or form of self-expression, throughout history fashion has been a means of storytelling, a type of communication. The Northport Historical Society (NHSM) and Museum’s newest exhibit, In Fashion, which opens on April 5, examines local sartorial dialect and how it is part of a communal language. 

A photograph of female impersonator Julian Eltinge. Photo courtesy of NHSM

“In Fashion explores identity through historic fashion and fashion movements, and what it means culturally for those groups,” said NHSM curator Elizabeth Abrahams Riordan. 

The exhibit showcases multimedia items: textiles, archival pieces, digital and print photographs, recorded oral histories, etc. A focal point of the collection is church hats on loan from local residents, many of whom have ties to the Northport African Methodist Episcopal (AME) Church, which closed in 1955. 

In Fashion is part of an ongoing discussion about the different communities and cultures that comprise the larger Northport enclave: part of the exhibit’s run will correspond with Pride month in June and complement it.

“[This] is a way for individuals to access history about how people share their identity and life through fashion: what they are wearing can be a sort of spiritual connection, an extension of community and cultural groups as well as an indication of what was [socially] permitted,” Abrahams Riordan said. “The exhibit is hopefully opening dialogue in the community for people to have a better understanding of communities within the Northport community.”

Style is a statement without speech, but a purpose of In Fashion is to inspire conversation. Personal objects and archival items weave together a narrative of truths less told. 

In an effort to highlight Northport voices, Abrahams Riordan sought the contribution of Thelma Abidally, author of African American in Northport, an Untold Story (Maple Hill Press 2000) for insight into how articles of clothing are emblems of different identities.

“Fashion can teach us several lessons about our ancestors. In particular African American women culturally were known to wear their Sunday best to church. My ancestors believed that this is how a woman should dress in going to church,” Abidally explained. 

Magazine from 1904 promoting the work and life of female impersonator Julian Eltinge. Photo courtesy of NHSM

Such cues were, and remain, both a celebration and a means of connection, solidifying heritage while affirming clothing’s ever evolving contextual message. Fashion is another entry into assessing the past and how it affects the present. 

“I really want to tell histories, but I also really want to bring people together in a way that they have their own personal perspective and also humanize other experiences. It is all about making personal connections and wanting to come back and learn more,” Abrahams Riordan said. 

The Northport Historical Society and Museum, 215 Main St., Northport presents In Fashion through June 30 on Wednesdays to Sundays from 1:30 p.m. to 4 p.m. Admission is $15 per person, $12 for members. 

The exhibit is one of several events planned at the NHSM for the month of April. Other programs include a Doll Tea Party on April 5 from 11 a.m. to 1 p.m.; Volunteer Open House on April 12 from 11 a.m. to 1 p.m.; and a Historical Main Street Walking Tour on April 27 at 1:30 p.m. For more information, call 631-757-9859 or visit www.northporthistorical.org.

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F. Scott Fitzgerald’s novel 'The Great Gatsby' is published on April 10.

The month of April has been home to many historical events over the years. Here’s a look at some that helped to shape the world in April 1925.

• King Yeta III of Barotseland and the Lozi people in what is now Zambia abolishes the corvée on April 1 in the British colony of Northern Rhodesia. The corvée is a system of forced labor that is considered the last vestige of slavery in the colony.

• On April 2, Harry Pierpont is arrested in Detroit for a string of bank robberies across Indiana and Michigan. Pierpont escapes from prison eight years later and ultimately joins John Dillinger in committing numerous additional bank robberies.

• Henry Ford begins running a private air freight service between Detroit and Chicago on April 2.

• On April 4, Field Marshal Paul von Hindenburg agrees to run in the second round of the German presidential election in place of Karl Jarres, who had won the first round. Jarres withdrew his name prior to the second round, paving the way for Hindenburg’s candidacy and ultimate victory.

• Several men working for criminal Al Capone severely assault investigative reporter Robert St. John on April 6. St. John had previously authored several pieces exposing Capone’s criminal empire in Cicero, Illinois.

• Adolf Hitler formally renounces his Austrian citizenship on April 7. Hitler would remain stateless and ineligible for public office until being granted German citizenship in early 1932.

• In conjunction with the British Colonial Office, the Australian government announces a plan on April 8 to encourage nearly half a million British citizens to relocate to Australia. The government offers low-interest loans and skills training to entice people to move.

• A demonstration against Lord Balfour in Damascus ends with two people dead and 11 wounded on April 9. The protests were a response to Balfour’s promotion of Jewish interests in Palestine. Balfour would depart Damascus in haste a day after the demonstration.

• F. Scott Fitzgerald’s novel The Great Gatsby is published on April 10.

• Police in Denver, Colorado, carry out a raid on Good Friday on April 10. More than 200 people, including bootleggers and gamblers, are arrested. The raid was ordered by Denver Mayor Benjamin F. Stapleton, a member of the Ku Klux Klan. The KKK had benefitted from many of the institutions targeted during the raid, which prompted the organization to strip Stapleton of his membership months later.

• The James Simpson-Roosevelt Asiatic Expedition departs New York City on April 11. The expedition aimed to collect wildlife species from mountainous regions in Asia, and would ultimately return with thousands of specimens.

• Women are granted the right to vote in the Dominion of Newfoundland on April 13.

• Anarchists open fire on the vehicle of Tsar Boris III of Bulgaria on April 14. Though King Boris is grazed by a bullet and two of his companions are killed, the assassination attempt fails.

• The Caterpillar Tractor Company is founded upon the merger of Holt Manufacturing Company and the C.L. Best Tractor Company on April 15.

• After consuming an excessive amount of hot dogs and soda, Babe Ruth undergoes surgery on April 17. Ruth had collapsed on a team train 10 days earlier and is treated for what doctors characterized as an intestinal abscess.

• The Communist Party of Korea is founded in Japanese-ruled Korea on April 17.

• The use of a sign shaped like a shield is standardized as the way to identify federally funded highways in the United States on April 20.

• The entire crew of the Japanese cargo ship S.S. Raifuku Maru perishes when the ship sinks in a storm on April 21. The ship was transporting wheat from the U.S. to Germany but rescue efforts failed due to stormy conditions.

• Franz Kafka’s novel, Der Prozess (later translated in English as The Trial), is published posthumously on April 26. Kafka, a relative unknown at the time of the book’s publication, died of tuberculosis roughly nine months earlier.

• France begins air raids on Morocco as part of the Rif War on April 27. The raids would continue intermittently for the next nine years.

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From left, Thomas Ronayne, Ray Meyer, Robert Misseri Paws of War Co-Founder, Councilman Sal Ferro, Town of Huntington Historian Robert Hughes and Robert Renna at the check presentation on March 21. Photo from Paws of War

Paws of War held a formal check presentation at the Burr Family Cemetery, Home Depot Shopping Center, 5025 Jericho Turnpike, Commack on Friday, March 21 at 11:30 p.m.

Huntington Town Councilman Sal Ferro and The Ferro Foundation made a generous donation in the amount of $5,000 to Paws of War, a 501(c) nonprofit organization, in support of the Burr Family Cemetery restoration project. This initiative will help preserve an important piece of our community’s history while honoring those laid to rest at this historic site.

Burr Family Cemetery – Two of the family members were
veterans in the War of 1812.

This important project honors the memory of two War of 1812 veterans laid to rest there while preserving a significant piece of local history.

The restoration effort, spearheaded by Paws of War, will include the installation of a new fence, landscaping enhancements, the resetting and replacement of headstones, a new flagpole, a picnic area, and an informational plaque to educate visitors about the cemetery’s historical significance.

“The Burr Family Cemetery is a part of Huntington’s history, and I am honored to support Paws of War in their incredible work to restore and preserve this site,” said Councilman Sal Ferro. “This project ensures that the sacrifices of those who served our country are never forgotten while also creating a space for the community to reflect on our past.”

Paws of War, widely recognized for their work in rescuing and training service dogs for veterans and first responders, has expanded their mission to include projects that honor and support those who have served. Their dedication to the Burr Family Cemetery restoration underscores their commitment to preserving the legacy of American veterans.

“This restoration is about respect, remembrance, and ensuring that history is not lost to time,” said [Paws of War Representative, Tom Ronayne. “We are incredibly grateful to Councilman Ferro and The Ferro Foundation for their generous support in making this possible.”

The restoration project is expected to be completed in the coming months, providing a renewed space where the community can honor and learn about the local heroes who played a role in shaping our nation’s history. A ribbon cutting ceremony is slated to take place this summer.

For more information on Paws of War and their initiatives, visit pawsofwar.org

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Students at Comsewogue High School in the Comsewogue School District have joined a cross-cultural humanitarian effort to bring closure to Japanese families whose loved ones were killed during World War II.

Before going to battle, Japanese soldiers were given yosegaki hinomaru—good luck flags—to keep with them on the battlefield. There are currently an estimated 50,000 yosegaki hinomaru throughout America, brought back as souvenirs by World War II veterans who didn’t understand that the flags are considered by Japanese families to be the non-biological human remains of their family members.

Students with Good Luck Flags. Photo from Comsewogue School District

Roughly a dozen Comsewogue students have been working with their teachers and community partners to collect these flags and reunite them with grieving families who never had a proper burial for loved ones who didn’t return home from the war.

“It’s so important for our students to learn about history through the lens of different cultures, and to understand that there is more that unifies us than divides us,” said Comsewogue High School Principal Michael Mosca. “Our students volunteered to take part in this project and their dedication and passion is palpable.”

Comsewogue High School teacher David Hughes and Comsewogue parent and community partner William Donohue are avid historians who collected about 35 these meaningful flags and brought the initiative to the high school. Along with teachers Alex Wessel and Kyle Schauss, they will be assigning a flag to each student who will then study the flag and learn about the soldier to whom it belonged.

Students recently held a Zoom meeting with Rex and Keiko Ziak, the founders of the nonprofit the Obon Society, whose mission is to reunite families with the good luck flags of their loved ones. The Obon Society is the largest grassroots effort dedicated to the cause and has returned over 600 flags to families in Japan.

Rex and Keiko answered questions from students and shared powerful stories both about receiving and returning flags. They explained the process of tracking down these families and how the reunion is more of a funeral than a celebration. The couple started the Obon Society after Keiko and her family were reunited with her grandfather’s good luck flag. She described being a child when he went missing in action while serving in Burma.

Students will be learning the stories behind each good luck flag as they continue to work with the Obon Society to track down the families, a process that could take roughly two years.

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Circa 1900, East Setauket Main Street looking east. The home of Charity Jones is set back behind the last store on the right. Three Village Historical Society Photo collection

By Beverly C. Tyler

Just before the turn of the 20th century, the Three Village area presented a vastly different appearance than it does now. The shipbuilding era ended three decades before and the industries that manufactured pianos and rubber goods had come and gone. The community had only the tourist trade and some coastwise shipping and fishing to supplement the farming that had been its backbone since 1655. 

The roads through the villages were unpaved and in the late winter the narrow streets would be rutted and muddy. When it rained it was sometimes difficult, often impossible, for a horse and carriage to travel the  loam and clay roads. Where the roadway passed near an underground spring it was also often flooded. Traveling by foot was more common than today and a necessity when the roads were impassable.

The local area had fewer homes and they were often unpainted. The older shingle-covered houses presented a light gray, somewhat drab appearance as they stood alongside the uneven winding roadways.

Farms dominated the landscape through the early years of the 20th century and the fields were occasionally broken by small areas of woodland or meadow and by orchards of apple trees. 

Throughout the 19th century trees were cut to be used as firewood. Most of this wood was cut into cords and shipped to New York City to heat the many homes there. The areas where the trees were cut down were cleared of stumps, plowed and planted. Some fields were left as meadow for grazing or to recover from too many years of farming. In most places you could look from wherever you stood to where the field disappeared over a hill. The view would be broken only by a house or a small stand of trees.

The hamlet of East Setauket consisted of a group of small stores and a few homes. Surrounding the small village were fields and meadows sloping gently down to the harbor. The creek that still runs under the road divided the little commercial area almost in half and was crossed by a narrow wooden bridge that provided an unobstructed view of the stream below.

Old Shinglesides by Howard Chandler Christy July 16, 1926. Original postcard, collection of Beverly Tyler

At the east end of the village, on the south side of the road, were three homes belonging to members of the Jones family. Two of the homes, still standing in their original locations just east of the Three Village Church, belonged to Captain Benjamin Jones and his brother, Walter Jones, Jr., sons of Walter Jones, Sr. and Charity Smith Jones.

Benjamin had been master of many ships including the “Mary and Louisa” which was built in Setauket and which sailed on a three-year voyage to China and Japan while he was her captain. Walter and Charity’s home, known as Old Shinglesides, was built in 1754 and was bought in 1760 by Ebenezer Jones, Walter’s father. Walter lived there from the time he was married on Jan. 28, 1824 until he died on March 23, 1877.  As detailed in the Three Village Guidebook, “the house was called the Mansion House by members of the Jones family because it was the home of Walter, Sr., the then patriarch of the clan.”

In 1895, Charity Smith Jones, then in her 90th year, was still living in the home where she raised her family. The Mansion House was still an impressive structure both inside and out. The kitchen included a brick oven and a black settle. The dining room and sitting room were both lined with wainscoting. The sitting room included deep window seats, a number of cozy chairs and a big fireplace. The parlor, across the entry hall from the sitting room, was elegantly paneled on the ceiling and three walls with a large fireplace on the west wall. Sitting in this parlor, Charity Jones was described in an article in Popular Monthly as, “a sweet-faced old lady who is the pink of antique perfection from her spotless black cloth slippers to the white handkerchief over her head.” In the article she talked about her life. “I was born in 1806, and Captain Jones brought me to this house when I was a bride of eighteen. That was in 1824, and the house was just as old then as it is now. Yes,” she adds, with a snap of pride in the faded eyes, “I have lived in this house bride, wife and widow for seventy years, and when Captain Jones died he left it all to me.” 

The Mansion House stood on its original site until 1962 when it was moved to make room for the construction of the post office (now Elaines restaurant). Restored by Ward Melville, the house now sits comfortably along Gnarled Hollow Road overlooking a small pond. Charity Jones died on Aug. 11, 1897 in the 92nd year of her life. She is buried in the Setauket Presbyterian Church graveyard in company with many other, even older, local residents.

Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. www.TVHS.org 

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The Aluminaire House

Frances Campani and Michael Schwarting of Campani and Schwarting Architects in Port Jefferson were recently awarded a coveted Advocacy Citation of Merit from Docomomo, an international organization involved with preserving modern architecture around the world, for their work to save and rebuild the 1931 Aluminaire House in Palm Springs, California. 

The Aluminaire House was conceived and constructed by Lawrence Kocher and Albert Frey as an exhibition house for the Allied Arts and Industry and Architectural League Exhibition of 1931 at the Grand Central Palace in New York City. The house is constructed of mostly aluminum and glass, and was intended to be mass produced and affordable, using inexpensive, off-the-shelf materials. The three-story house was constructed for the exhibit in just ten days, and during its first week on display attracted more than 100,000 visitors.

The husband and wife architect team have worked on this project since 1987 when they rescued it from demolition in Huntington, deconstructed and reconstructed it with their architecture students at the New York Institute of Technology campus in Central Islip. Campani is presently an Associate Professor and Schwarting a Professor Emeritus of NYIT. The campus closed in 2005 and Campani and Schwarting formed the Aluminaire House Foundation and gifted it to the Palm Springs Museum of Art in 2020. It opened on the grounds of the Museum as part of their collection in March 2024. 

The Aluminaire House was selected as one of 16 best American modern preservation projects at the 2024 Docomomo Modernism in America Awards ceremony in West Hollywood. The jurors noted, “This is an almost 100-year-old house that was not meant to last, but it has.” “People have gone to herculean lengths to preserve it, and there is a value in recognizing the individuals who have spent decades in service to preserving this object. The new location in Palm springs makes prefect sense.” “Sometimes the best preservation tool is patience.”

“We are very proud of the results of 35 years of work to save this significant structure,” said Schwarting and Campini in a press release. “There have many people involved to help but it is worth noting the 120 NYIT architecture students that worked and were educated by it.” 

Campani and Schwarting have also published a book, The Aluminaire House by Gibbs-Smith publisher. To learn more, visit the current exhibition about the Aluminaire House at the Reboli Center for Art and History, 64 Main Street, Stony Brook. The exhibit runs through April 13.

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'Eel Spearing at Setauket (Fishing Along Shore)' by William Sidney Mount, 1845. Courtesy of the Fenimore Art Museum, Cooperstown, NY
Glenda Dickerson introduced the members of the Christian Avenue community seated in pews on the theater stage and set the tone for the play. Courtesy of Three Village Historical Society.
Lynda Gravatt portraying Rachel Holland Hart. Courtesy of Three Village Historical Society.
Lucy Hart Keyes, (88) interviewed by oral historian Fai Walker. Mrs. Keyes said, “My mind is so clear - bout as clear about back then as it is about now.” Courtesy of Three Village Historical Society.
A scene from the play. Photo from Three Village Historical Society
A scene from the play. Courtesy of Three Village Historical Society.

By Beverly C. Tyler

In 1986, Glenda Dickerson, a theater arts professor at the State University of New York at Stony Brook, began an oral history project with her students, interviewing members of the African American Christian Avenue community. This resulted two years later in a four-day theater program which she described as a “living exhibit…a portrait of a community past and present.” 

“When William Sidney Mount painted ‘Eel Spearing at Setauket (Fishing along Shore)’ in 1845 on contract for George Washington Strong he made, as far as we can tell, an exact representation of the landscape, but the people – painted later in his studio- are the past. The boy is thought to be William Sidney Mount himself and the woman, by tradition and folklore, is Rachel Holland Hart. They are perhaps a look back at an even earlier time when the 19th century was only in its infancy.” according to the exhibit and play “Eel Catching in Setauket” by Glenda Dickerson. It was Mount’s painting that inspired Dickerson to title her project “Eel Catching in Setauket.”

Before the theater experience, theater-goers were treated to a bus ride from the university to the African American Christian Avenue community, with a tour of the Bethel AME Church, graveyards and Legion Hall and then a meal shared with members of the community. 

In the play, the actors portraying the members of the Christian Avenue community, the members themselves who contributed their oral histories, and the theater-goers, described by Dickerson as “eel catchers,” were together on the stage as joint parts of the play. Dickerson wrote in the souvenir journal and theater program, “An eel catcher is a person who loves people and old pictures and history and characters and folklore and drama and textures and art and fun and laughter and doesn’t mind experiencing them all at one time.” 

Theodore Green, a descendant of Rachel Hart, was Glenda Dickerson’s guide and advisor, for the eel catching oral history project. In his story “The Hart-Sells Connection” in the Three Village Historical Society book “William Sidney Mount: Family, Friends, and Ideas”, Green wrote, “The woman is recognized to be Rachel Holland Hart, a housekeeper for Judge Selah Brewster Strong 3d…At the time the picture was painted, she was fifteen years of age…In planning the picture, Mount may have recalled scenes from his own childhood, when he was taught fish-spearing by an old Negro by the name of Hector.”

In the opening of the theater experience, Lynda Gravatt, portraying Rachel Holland Hart said the words Mount credits to Hector, “Slow now, we are coming on the ground. On sandy and gravelly bottoms are found the best fish. Look out for the eyes, there! Ha! Ha! He will grease my pan tonight.”

Seated behind Gravatt were the members of the Christian Avenue community. For the play, they took premier places on benches and pews in the Stony Brook University Art Center’s theatre as a dramatic feature of the presented living history.

As described by Dickerson, “The purpose of this living exhibit is to paint a portrait of a community, past and present. When you walk into the exhibit, it will be like walking into [the] souvenir journal. You will hear some of the same words. You will see the same photographs. You will see the stories leap to life as though from your own imagination.

“The photographs, the artifacts and the actors will tell stories that are sepia-toned, ebony, butterscotch and tea-rose, just like the women and men who shared their memories and their personal belongings with the project.

“The personal artifacts in the exhibit are not only displayed under glass to be contemplated in solitude and silence; they are living testaments to the warmth and generosity of Christian Avenuers. The prayer caps and church hats worn in the drama are not costumes, but actual items worn by the community. The pages of the souvenir journal, which document Bethel AME Church’s long and rich history will come to life as you read them. The eel spear Rachel Holland Hart carries is an authentic one.

“The magic circle of Christian Avenue – past and present – will stay with you. The trees have dappled the Avenue in the same way for a hundred years; the houses have held their secrets that long. Bethel’s bell has toiled seemingly forever. And the people have walked the Avenue from Setauket’s beginnings. Some of the folks lay in Laurel Hill, others in Bethel Cemetery; some have moved to far-flung places, others are still there. In my vision, they are one with the eelers and other workers who first came to Setauket, not voluntarily, and stayed to make history. In my vision, the autumnal elders will live forever, safe in the magic circle, shining like springtime. On Christian Avenue, it is forever Indian summer.” 

Beverly C. Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. WWW.TVHS.org 

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Participants on a Holi cruise that sailed out of Pier 36 in New York City last year. Photo courtesy Indu Kaur

By Sabrina Artusa

As spring brings blue skies, blooming flowers of violets and yellows and flourishing green vegetation, Indian Americans look forward to Holi — the festival of colors — which falls on the first full moon in the Hindu month of Phalguna. 

Indu Kaur on a Holi cruise that sailed out of Pier 36 in New York City last year. Photo courtesy Indu Kaur

The holiday celebrates the coming of spring and the overall triumph of good, love and light over darkness and evil. On the day of the full moon, March 14 of this year, people in India play in the street, coloring each other’s faces with powder and water; children throw water balloons, sometimes at strangers, all in the good fun and light-hearted troublemaking of the holiday. 

“Holi Hai” is the predominant saying, meaning It’s Holi. In India, neighborhoods celebrate the holiday, drinking, eating fried pastries and throwing colored powder. Here, on Long Island, celebrations are more intimate. 

“Over in India, everybody in every neighborhood is celebrating,“ said Arvind Vora, who moved to Long Island 55 years ago at the age of 24. “There was no need to travel or make all sorts of arrangements/planning.” 

When he arrived, he wrote in an email, there were hardly 10 families that celebrated in the area. By the mid-1970s, he said, he started celebrating again to bring the cheer of the holiday to the children of the family.  

Indu Kaur, owner of the Curry Club at SaGhar in Port Jefferson and the Meadow Club in Port Jefferson Station, has hosted these gatherings in the past, treating friends and family to “gujiya,” a deep-fried pastry and plenty of color. 

“Holi in India is an all-encompassing celebration — it’s loud, vibrant and spills onto the streets with massive crowds throwing colors, dancing to dhol beats and sharing sweets with neighbors, friends, and even strangers,” Kaur said. “While the essence of joy and color remains the same [on Long Island], the scale is usually smaller, and people are mindful of space, weather and local regulations.”

Baldeep Singh, a friend of Kaur’s, was invited to one of Kaur’s “all-out” Holi celebrations. He also lived in India for 10 years. While whole neighborhoods get involved in the celebration like a “huge party,” Singh said that he enjoyed celebrating with friends and family. 

“Everyone’s in a great mood, everyone’s happy,” he said. “It is a representation of spring when flowers are in bloom. Everything is starting afresh and everyone is together having a great time. It is a lot of people really just living it up and being grateful.” 

Generally, people use organic, biodegradable materials for the colors, but some people use permanent colors that won’t come off easily. Singh remembers going to work after Holi, and some people showed up with purple faces and skin sore from scrubbing, although “no one really judges you.”

Indu Kaur on a Holi cruise that sailed out of Pier 36 in New York City last year. Photo courtesy Indu Kaur

“Holi reminds us to embrace playfulness, throw colors at each other, laugh out loud, indulge in sweets, dance freely and bond with family. It’s a time to heal our souls, connect with loved ones and share pure happiness,” Kaur said. 

Holi has two different mythological origins. According to one legend that is central to the celebration of Holi in Barsana and Mathura, the mischievous Krishna fell in love with Radha, a fair-skinned milk maid. Self-conscious about his darker skin, he applied colors to Radha’s face. Today, their love story is re-created in some areas of India and honored through Holi. 

For larger celebrations comparable to those in India, some people travel either to New York City or even down south to Georgia. 

“It would be fun if the U.S. starts recognizing Holi,” Singh said. “I could really see a lot of people just having fun.”

Non-Hindus in India celebrate the holiday as well, including Vora, who said he celebrates in the same way non-Christians celebrate Christmas. 

This Holi, Kaur will dress in a white Indian outfit with a colorful scarf, known as a dupatta, Punjabi jutti shoes and silver earrings. Together with her friends and family, she will usher in the new season “dancing freely, throwing colors and indulging in sweets, bringing a rare sense of carefree happiness.”

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Thomas Jesaitis proudly standing with his field of corn. Photo courtesy Bev Tyler’s collection

By Beverly C. Tyler

“I hereby declare, on oath, that I absolutely and entirely renounce and abjure all allegiance and fidelity to any foreign prince, potentate, state or sovereignty, and particularly to the present government of Russia of whom I have heretofore been a subject; that I will support and defend the Constitution and laws of the United States of America against all enemies, foreign and domestic; and that I will bear true faith and allegiance to the same.”  Naturalization oath taken by Thomas Jesaitis on May 24, 1919.

Al and his wife Doris Jesaitis in front of their East Setauket home.
1986 photo by Bev Tyler

Alphonse (Al) Jesaitis remembered fondly his parent’s story of their immigration to America in 1904. “He (Thomas Jesaitis) married my mother (Olga)…a Finn.  She was at Helsinki and she was a dressmaker. He started to travel to the United States. They went to Germany, then from Germany to Scotland and that’s where Ann (Al’s sister) was born. Then from there they went to Brooklyn.They had to go on a boat and they come on steerage.They didn’t have much money.”

After Thomas arrived in New York in 1904, he went to work as a stevedore on the docks. Ann Hilliard, Thomas’ daughter recalled. “Father came over first.  He got a room and when we came here we slept on the floor.” Thomas and Olga Jesaitis’ next three children, Alfonse, Thomas and Olga, were born in Brooklyn between 1905 and 1908.  The last two, Val and Anthony, were born in Setauket.

Al Jesaitis remembered those years. “They decided to come to Setauket. Of course, they were talking to some people—to a lot of Lithuanians and Polish and, of course, then they thought they could come out here. He got a job as a groundsman with Tinker (Poquott)… So he worked there for a while and then when Tinker died…he went to the shipyard (in Port Jefferson) because that was the time that they were paying a pretty good salary…That was during World War I. So he worked there for quite a while and he used to get a part-time job at noon time to oil the booms – the top of the booms – the thing that swings around. After he did it for a while he said ‘Gee, I got too big a family, I might fall out and get killed.’  So he quit. But he didn’t quit his regular job.

“We bought a place up at Barker’s farm on the end of Old Post Road [now Old Post and Canterbury Blvd.]. When we were there for a while, the main thing he was interested in was becoming a citizen of the United States. So Mrs. Bartow took him to Riverhead in a Model T Ford to get his first papers. Of course to get the second papers and finally become a citizen you had to wait three years…That automatically made my mother a citizen…When he came home he was happy ‘cause he made the first step. So he went out in the woods and he cut a big hickory tree – nice slim tree – trimmed it all up and he said, ‘this is gonna be our flag pole when we become a citizen.’

 Al Jesaitis in his fireman’s rig. Photo courtesy Bev Tyler’s collection

“So three years later [on May 24, 1919], Mrs. Bartow took him back, he got his papers and he came back and he was happy, and up went the flag. And when the flag went up, course all the kids went out. And then my sister Ann, she took an enamel dish pan and a big wood spoon – you oughta see that dish pan after she got through – banging, banging, banging, you know. Then we were singing and I forget just what the song was, whether it was ‘My Country T’is of Thee’ or whatever it was, but we all sang it. That was the happy day. That’s why it’s so important about having the flag up there cause it means something to me to have a flag – we always have a flag up.” 

Al Jesaitis joined the Setauket Fire Department at the age of 18, eventually serving as chief from 1952-54. During those years Jesaitis started firefighter training. He served in the Navy during WWII and learned how the Navy fought ship fires. He also served as a Setauket school board member. During that time Ward Melville asked him to review properties for new schools. “In only one case did I disagree with Mr. Melville,” he said. “There was this moonshiner set up where the Nassakaeg school was to be built. We didn’t know who they were and I was afraid they would stay in the woods around the school. Of course we went ahead with the school. Charlie [Bickford] and I took the empty moonshine barrels to Randall’s, cut them in half and made planters out of them.” After Setauket’s merger with the Stony Brook School District, Jesaitis left the board to become Three Village School District Superintendent of Buildings and Grounds.

Jesaitis had a soft, wry sense of humor, and together with his best friend, Charlie Bickford, he could tell amusing and believable stories about the people in Setauket. Jesaitis was asked once about what was done with the chamber pot that was kept under the bed to use on cold nights when going to the outhouse was the last thing on people’s minds. “Well”, he said, “we’d just leave it until morning, it froze, of course. Then we’d take it down to the kitchen and put it on the stove to thaw.”  He made it sound so logical that the story was never questioned. Jesaitis and Bickford got a good chuckle out of that.  

Al Jesaitis  died on Oct. 1, 1992.  He was the proud son of immigrant parents who, along with hundreds of thousands of others, came to America to find a better life and in turn made life better for all of us. 

Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730, www.TVHS.org

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