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Theatre Three will host a food and personal care items drive on Sunday, July 31 from 9 a.m. to noon. Please help those in need during these difficult times. Items will be collected at the Infant Jesus Church food pantry, 110 Hawkins St. (off Myrtle Ave.) in Port Jefferson Village.

At this time, the pantry has an extreme need of the following items: juice, white rice (1 lb and 2 lb bags), coffee, pancake mix (complete), mayonnaise, mustard, ketchup, sugar, Maseca corn flour, cooking oil, cereal, oatmeal, canned fruit, black beans and healthy snacks as well as shampoo, conditioner, deodorant, baby wipes and diapers (size 5 & 6). Grocery store gift cards and cash also accepted. 

For more information, please call 631-938-6464.

Jeffrey Sanzel in a scene from 'Every Brilliant Thing.' Photo by Steve Ayle/Showbizshots.com

By Heidi Sutton

You’re seven years old. Your mother is in the hospital. Your father said she’s “done something stupid.”

Thus begins the remarkable one-man play, Every Brilliant Thing. Written by Duncan MacMillan with Jonny Donahoe, the story starts in 1973 as a young boy finds out his mother has attempted suicide. In response, he begins to make a list of everything brilliant about the world, everything worth living for — 1. Ice cream, 2. Water fights, 3. Staying up past your bedtime and being allowed to watch TV, 4. The color yellow, 5. Things with stripes. When his mother returns from the hospital, he leaves the list on her pillow in hopes it will help her heal. She corrects his spelling and gives it back to him. 

Jeffrey Sanzel in a scene from ‘Every Brilliant Thing.’ Photo by Steve Ayle/Showbizshots.com

After his mother’s second suicide attempt ten years later, he brings the list out again and continues to add to it until it takes a life of its own. He leaves post-its all over the house in another attempt to reach out to her, to show her that life is truly worth living. When he falls in love with his future wife Sam, the list becomes a gift for her. When he struggles with his own depression, he rediscovers the list one final time until it reaches one million and helps him heal.

Now, in association with Response Crisis Center, the show heads to Theatre Three’s Ronald F. Peierls Theatre on the Second Stage for its Long Island premiere. Under the direction of Linda May, the show stars Theatre Three’s Executive Artistic Director Jeffrey Sanzel in an incredible performance.

The cabaret-style show recruits members of the audience to join Sanzel on stage to tell the story — the veterinarian who put his childhood dog Bark Twain to sleep — the character’s first experience with death; the father who prefers music over talking; and girlfriend Sam, who he meets in college.

Others participate from their seats  — his guidance counselor Mrs. Patterson, his favorite college professor — people who have made a profound difference in his life. Still others, when prompted, call out brilliant things from his growing list — 23. Mighty Mouse, 24. Spaghetti with meatballs, 25. Wearing a cape, 317. Stars Wars, 319. Laughing so hard you shoot milk out of your nose, 731. hammocks, 993. Having dessert as your main course.

Jeffrey Sanzel in a scene from ‘Every Brilliant Thing.’ Photo by Steve Ayle/Showbizshots.com

Sanzel’s performance is, for lack of a more fitting word, brilliant. His ability to improvise is impressive and his presentation is flawless. The audience, which he draws into the story, hangs on his every word from start to finish. The result is an intimate, funny, sad, emotional, heart-warming and cathartic experience that ends much too soon. 

While he works the room, Sanzel pauses often to addresses the audience about suicide prevention and depression:

“It’s important to talk about things — particulary things that are hardest to talk about.”

“It is common for children of suicides to blame themselves. It’s natural.”

“In order to live in the present we have to imagine a future that’s better than our past — because that’s what hope is.” 

And the final — “I have some advice for anyone contemplating suicide. It’s really simple advice. Don’t do it — things get better. They might not always get brilliant, but they get better.”

1092. Conversation, 2000. Coffee, 2005. Vinyl records, 9995. Falling in love, One Million. Listening to a record for the first time, turning it over in your hands, placing the needle down … and then sitting and listening while reading through the sleeve notes.

The list (and show) will change the way you see the world. Don’t miss this one.

Photo from Response Crisis Center

Theatre Three, 412 Main St., Port Jefferson presents Every Brilliant Thing every Sunday at 3 p.m. through Aug. 28. Running time is one hour with no intermission. All seats are $20 with 50% of the proceeds benefitting the Response Crisis Center. Staff members from the Center will be at each performance to answer questions and provide information. Audiences are encouraged to fill out their own “brilliant things” on provided Post-It notes in the lobby, which will be on display throughout the show’s run. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

CONTENT WARNING: Although the play balances the struggles of life while celebrating all that is “truly brilliant” in living each day, Every Brilliant Thing contains descriptions of depression, self-harm, and suicide. It is recommended that only audience members 14 and older attend. If you or somebody you know is struggling, call Response 24/7 at 631-751-7500 or the National Lifeline at 1-800-273-8255.

'Stand Up! Stand Out! The Bullying Project'

Theatre Three, 412 Main St., Port Jefferson is currently holding auditions for three non-equity actors-singers  for full time positions for the 2022-23 season.

The Company contract is a ten-month (September – June) agreement in which the actors work exclusively for Theatre Three. Company members may have non-theatre related work that does not interfere with rehearsals and performances.

Actors will be featured in Theatre Three’s six in-house Children’s Theatre productions, the 38th annual production of A Christmas Carol, and select roles in Theatre Three’s Educational Touring productions (the musicals Stand Up! Stand Out! The Bullying Project and Class Dismissed: The Bullying Project; as well as the play From the Fires: Voices of the Holocaust). Additionally, there will be participation in the workshopping of a new touring production, How Does That Make You Feel?

Children’s Theatre roles in the original musicals A Kooky Spooky Halloween, Barnaby Saves Christmas, The House That Jack Built, Dorothy’s Adventures in Oz, The Adventures of Peter Rabbit, and Cinderella will be assigned throughout the season.

Most roles require performers who appear late teens to late 20’s.

Salary is $340/week, with a completion bonus of $1,000. There are opportunities for Mainstage roles for additional compensation. These are non-Union positions. Performers must provide their own housing and transportation.

Theatre Three encourages performers of all ethnicities, gender identities, and ages to submit.

Please Note: THEATRE THREE requires all staff—including performers—to be fully vaccinated.
Auditions. Prepare a song of your choice (bring sheet music in the proper key; accompanist provided). Reading will be from sides.  Positions will be auditioned until filled.
Please contact Executive Artistic Director Jeffrey Sanzel at (631) 928-9202 or email [email protected] for further information or to schedule an audition. Video will be accepted for preliminary auditions.
Role Breakdown for Educational Touring Programs and A Christmas Carol:
Stand Up! Stand Out! The Bullying Project
Using famous children’s stories (Cinderella, Alice in Wonderland, The Three Little Pigs, and The Wizard of Oz), the musical teaches lessons in identifying and dealing with bullying.
Olivia (any gender) – the most popular student in school
Peg (any gender) – well-liked and finding her own voice
Nellie (any gender) – new student trying to get along
Tyler & Jayden (any gender) – class members
 
Class Dismissed: The Bullying Project
The musical follows a year at Harrison Central School, with a focus on social interactions and a range of bullying, including physical, isolation, and cyber bullying.
Logan (female-identifying) – queen bee of Harrison Central School
Kaitlin (female-identifying) – Logan’s sometimes best friend
Julie (female-identifying) – new student at Harrison Central School, trying to find a place
Victor (male-identifying) – popular bully with a rough home life
Tommy (male-identifying) – an outsider trying to survive
From the Fires: Voices of the Holocaust
Spanning 1937 to 1945, this is the story of Rachel Gold, a Berlin teenager, and her experiences as a Jewish person during one of the darkest episodes in world history.
Rachel (female-identifying) – a Jewish teenager in Berlin and the center of the story
Evy (female-identifying) – a Jewish teenager and Rachel’s best friend
The American Soldier (male-identifying) & various roles – the play is seen through the eyes of the American Soldier; other roles include a non-Jewish shopworker, various guards, etc.
A Christmas Carol
THEATRE THREE’s award-winning production is an original adaptation of Charles Dickens’ classic story.
Belle and others (female-identifying) – Young Scrooge’s fiancé as well as a range of supporting roles
The Ghost of Christmas Past/Fred’s wife (female-identifying) – the first spirit to visit Scrooge; Scrooge’s nephew’s wife, as well as a range of supporting roles

Jeffrey Sanzel in 'Every Brilliant Thing'

By Melissa Arnold

On any given day here in America, roughly 130 people die by suicide. Countless more are actively struggling with poor self-esteem, depression or self-harm. If it’s not you, then it’s likely someone you know and love. No one is immune. One bright spot: It’s also becoming more common to talk openly about mental health. More people are going to therapy or reaching out for help in other ways.

This summer, Theatre Three in Port Jefferson will present eight performances of an intimate, moving and funny one-man play called Every Brilliant Thing. The protagonist, a middle-aged man played by Jeffrey Sanzel, takes the audience along as he recalls his mother’s mental illness and multiple attempts at suicide, along with their impact on his own wellbeing.

Audience participation is a large part of ‘Every Brilliant Thing.’

What’s funny about that? Well, after his mother’s first attempt when he was seven years old, the young narrator sets out to make a list of everything in life that’s brilliant – like eating ice cream, or peeing in the ocean without getting caught. Some items on the list come with silly memories that put the honest, pure heart of a little kid on full display. And as he grows, so does the list. The hour-long show is equal parts heartbreaking and uplifting.

Sanzel, the theater’s executive artistic director, said he first discovered the show thanks to lighting director Robert Henderson.

“Robert attended the Utah Shakespeare Festival several years ago and bought the script [for this show] for me to read, just because he thought I’d enjoy it,” Sanzel recalled. “I thought it was a beautiful piece of writing, though I didn’t intend to do a production of it.”

Some time later, he bought a second copy of the script as a gift to his friend, director and actor Linda May.

“When I read the show, I said to Jeffrey, ‘Not only do I love this, but I think we need to do it, and we should do it together.’ Everything came together very quickly from there, and I feel like it was meant to be,” May said.

Every Brilliant Thing was originally set to open in July 2020, only to be tabled by the pandemic. May said the extra time has allowed them to delve much deeper into the show and its character.

Jeffrey Sanzel stars in the one-man show, ‘Every Brilliant Thing,’ on Theatre Three’s Second Stage through Aug. 28. Photo by Steven Uihlein/Theatre Three Productions, Inc.

“Jeffrey is very decisive and businesslike as a director, but I’ve had the opportunity to see a more vulnerable side of him as an actor,” she said. “This unnamed narrator really divulges personal parts of his life, and I knew that Jeffrey could bring that sensitivity and communicate how important it is to bring the issue of suicide into the open, without shame.” 

The show relies on some audience participation, with showgoers making brief appearances as significant people in the narrator’s memories — his father, a counselor, a young woman — and reading items from “the list” from Post-It notes they’re given on arrival. The resulting dynamic is personal and emotional, and each performance will have its own unique variations.

“I have to admit that audience participation isn’t my favorite thing, but it’s brilliantly woven into the fabric of the piece,” Sanzel said. “It’s very funny and balances out the darker elements, while remaining sensitive and respectful of the topic … In fact, this is probably the best play I’ve ever read on the subject of depression. It’s a common topic of discussion in theater, but this was captured in such a unique way.”

Theatre Three has partnered with Response Crisis Center of Long Island for this production. Founded in 1971 by volunteers after a suicide attempt at Stony Brook University, the center is now a 24/7 local hotline and chat service for people in crisis. They also function as a backup center for the National Suicide Prevention Lifeline, taking more than 5,000 additional calls, chats and texts from them each month.

“We want to give people the support they need and help them to stay safe. It’s hard to problem solve during a crisis situation — you can get a sort of tunnel vision and feel helpless. Talking to someone can help create distance from those feelings,” said Meryl Cassidy, the center’s executive director. “There’s tremendous relief that comes in sharing your story, having someone take the time to listen and help come up with a plan for safety.”

Sanzel approached Cassidy about using the performance to lessen stigma and shine a light on local resources.

Cassidy said that it was important to vet the play first to ensure its message was appropriate and accurate. While she had never heard of the play before, it was well-known to colleagues at the American Association of Suicidology, who were thrilled to endorse the production.

“People are afraid to say the word suicide or disclose thoughts of suicide, both because of stigma and fear of repercussions. But open and honest conversation about suicide saves lives — it’s so important to be able to speak frankly about what you’re feeling and know there are people you can talk to,” Cassidy said. 

Half of all gross ticket sales will directly benefit Response Crisis Center. Staff members from the center will be at each performance to answer questions, provide information and offer a listening ear. 

Audiences are encouraged to fill out their own “brilliant things” on provided Post-It notes, which will be on display throughout the show’s run — a constantly growing collection of reasons why life is worth living.

“It’s not only a lovely hour of theater — funny, sweet and poignant — but there’s something to take away from this show, and that’s being able to see people in crisis in a different way, without judgment,” May said. “If people walk away feeling more compassionate or less judgmental, or if someone finds the courage to reach out for help, then it’s a success.”

Every Brilliant Thing will run at 3 p.m. on Sundays from July 10 through Aug. 28 at Theatre Three, 412 Main Street, Port Jefferson. Performances are held downstairs on the second stage. Tickets are $20. For more information, call 631-928-9100 or visit www.theatrethree.com. Learn more about Response Crisis Center by visiting www.responsecrisiscenter.org. 

Note: Although the play balances the struggles of life while celebrating all that is “truly brilliant” in living each day, Every Brilliant Thing contains descriptions of depression, self-harm, and suicide. The show briefly describes attempted suicides and death by suicide. The show is recommended for ages 14 and up, with your own comfort level in mind. 

If you or someone you know is struggling, help is available 24/7 at 631-751-7500 or the National Lifeline at 1-800-273-8255.

Save the date! Theatre Three, 412 Main St., Port Jefferson will hold open auditions for its upcoming production of “Guys and Dolls” on Tuesday,  July 12 and Thursday,  July 21 at 7 p.m. Seeking strong singer/actor/dancers ages 16 and older. Bring headshot/resume if available. Callbacks TBD.  Performances will be held from Sept. 27 to Oct. 22. Please note: all actors must be fully vaccinated. For more information, visit www.theatrethree.com/auditions.html

 

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Theatre Three will host a food and personal care items drive in honor of Fr. Patrick Riegger for his 12 years of service and dedication to the community on Sunday, June 12 from 9 a.m. to noon. Items will  be collected at the Infant Jesus Church food pantry, 110 Hawkins St. (off Myrtle Ave.) in Port Jefferson Village.

Donations needed include juice, boxed milk, mustard, mayonnaise, ketchup, flour, sugar, Maseca corn flour, cooking oil, coffee, pancake mix (complete), pancake syrup, canned fruit, healthy snacks as well as shampoo, conditioner, soap, deodorant, toothbrushes, toothpaste, razors, toilet paper, baby shampoo, baby wash, baby wipes, diapers (size 4 & 6), baby powder, Desitin and lotion. Grocery store gift cards and cash also accepted. 

For more information, please call 631-938-6464.

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Volunteers wanted

Theatre Three, 412 Main St., Port Jefferson seeks volunteers to serve as ushers for its upcoming shows. As an usher, you will help seat guests, sell raffle tickets and see a show for free! Openings are available for all of the theater’s Main Stage productions and Children’s Theatre performances. You can volunteer as often as you like. All Theatre Three staff and volunteers are required to be fully vaccinated and at least 16 years of age or older. Call 631-928-9100.

By Heidi Sutton

Magic mirror on the wall,

Who is the fairest of them all?

It’s Snow White of course and now children of all ages can come see a hilarious retelling of Snow White and the Seven Dwarfs at Theatre Three in Port Jefferson through June 18. 

Based on the story by the Brothers Grimm with a nod towards Disney, the production — written by Jeffrey Sanzel and Kevin F. Story —  is a delight to watch.

All the elements of the classic fairy tale are here: the evil queen, the magic mirror, the seven dwarfs, the handsome prince, the poisoned apple and, of course, the beautiful Snow White. Even though Walt Disney’s original 1937 version had several scary moments, this show, directed by Sanzel and featuring an all adult cast, infuses humor and silliness into every scene, keeping the mood light and upbeat.

Aria Saltini is wonderful as the sweet Snow White who infuriates the wickedly vain evil queen, played by Elizabeth Ladd, because she “is sooooo nice!” Saltini’s rendition of “I Love It All” and Ladd’s follow-up “I Hate It All” are terrific.

As the Mirror, Steven Uihlein plays his role with just the right amount of sarcasm as he answers the burning question, “Who is the fairest of them all?” over and over. His rendition of “I’ve Got Those ‘I’m-Just-a-Mirror-on-the-Wall’ Blues” is reflective.

Although the names are different, the dwarfs have the personalities of the original Doc, Grumpy, Happy, Sleepy, Bashful, Sneezy and Dopey, and keep the audience in stitches. Special mention must be made of Dana Bush as the very funny Iggy (aka Dopey) who can’t remember what happened a minute ago, and Jason Furnari as Froggy (aka Doc) who has a hard time corraling his fellow dwarfs.

Kyle Breitenbach is perfectly cast as the handsome Prince who is on a quest to save a damsel in distress when he meets Snow White. The chemistry between Breitenbach and Saltini is fun to watch as they try to hide their identity from each other, and their duet, “I Think I’m in Like with You,” is very sweet.

Special mention must also be made of the exquisite costumes. Designed by Jason Allyn, they look like they’ve jumped right off the pages of a children’s book.

With the overall message to be true to oneself, this fairy tale production will keep audiences entertained from beginning to end. Meet the entire cast in the lobby after the show for a group photo. 

Theatre Three, 412 Main St. Port Jefferson presents Snow White and the Seven Dwarfs on June 4, 11 and 18 with a special sensory sensitive performance on June 12. All performances begin at 11 a.m. and costumes are encouraged. Children’s theater continues with Puss-In-Boots from July 8 to 30. All seats are $10. To order, call 928-9100 or visit www.theatrethree.com.

By Barbara Anne Kirshner

You are cordially invited 

To the destination wedding

Of Sophie and Sky

At a Greek Island inn.

BUT before Sophie can walk down the aisle, there is a mystery that must be solved.

Theatre Three has done it again and in grand style with the lighthearted musical comedy, Mamma Mia! The Musical featuring the songs of Swedish pop sensation, ABBA.

The band, under the direction of accomplished Jeffrey Hoffman, starts the joyful festivities with an overture of ABBA catchy hits. Even if you weren’t alive when this 70’s rock group was big, the songs are infectious and sure to delight all age groups.

Producer Judy Craymer is credited with introducing the idea for this show to ABBA Swedish songwriters and members of the original band, Björn Ulvaeus and Benny Andersson, in 1983. British playwright Catherine Johnson was brought onboard to weave a story around these much-loved hit tunes and Mamma Mia! was born. 

The show was an international sensation including productions at London’s West End and Broadway. It holds the distinction of being the eighth longest-running musical in West End history and 18th longest running musical on Broadway where it opened at the Winter Garden Theatre on October 18, 2001, and ran through September 12, 2015.

The story revolves around Sophie who discovers her mother Donna’s old diary only to find entries describing that twenty-one years ago she was intimate with three men, — Sam Carmichael, Bill Austin and Harry Bright — at this island paradise that she now owns. One of these three men is Sophie’s father, but which? 

Sophie, who is about to get married, has visions of her father walking her down the aisle, so she sends invitations addressing them from her mother, but not letting Donna know what she has done. She feels certain that the moment she sets eyes on the men, she will know her father. The men accept and the plot is filled with comedic and emotional twists and turns when they show up at Donna’s Greek Island inn.

Director Jeffrey Sanzel has done a masterful job casting this show and the results are sheer perfection.

Cassidy Rose O’Brien’s Sophie is adorable with a rich vibrato that wraps around songs like I Have a Dream. O’Brien and Eric J. Hughes, as her fiancé Sky, have great chemistry. One cute bit has Sky and his pals maneuvering scuba flippers as they team up with O’Brien on Lay All Your Love on Me showing how silly, playful and sexy these two are together.

Steve Corbellini as Donna’s special love Sam delivers a heartfelt performance that crescendos in his duet with Christina Muens (Donna) on S.O.S. Dennis Setteducati is hysterical as the never married adventurer and writer, Bill. His duet with Rosie on Take a Chance on Me is a madcap whirlwind as choreographed by Sari Feldman who can always be counted on to tell stories through dance. Andrew Boza’s Harry is reminiscent of a Monty Python character with his humorous British affects.

To add a fine dose of humor to the plot, Donna has invited her best friends with whom she was once in a girl group called Donna and the Dynamos. When these women arrive, the three have a grand reunion as they reminisce over former exploits. 

There is the rich Tanya (Stephanie Moreau), who has been married three times, and the breezy Rosie (Lori Beth Belkin) who has never married. These three women are the centerpiece of the show adding much hilarity through their impeccable comedic timing and exuberant renditions of songs like Dancing Queen, Chiquita, and Super Trouper. Muens is fabulous as Donna with her powerhouse voice that sends chills especially in the standout The Winner Takes It All.

The cast is accompanied by a lively ensemble that infuses the stage with song and dance.

Costumes by Ronald Green III help illustrate the personalities of the characters from Bill’s Indiana Jones style hunting hat to Tanya’s elegantly flowing outfits to the flashy silver disco dresses of Donna and the Dynamos to all that glitter.

Randall Parsons’ scenic design cleverly glides from the main inn to a bedroom and back again while lighting design by Robert Henderson, Jr. accentuates the moods with well-placed neon columns illuminating assorted colors.

The finale is exhilarating with Donna, Tanya and Rosie joined by Sam, Bill and Harry appearing in colorful ABBA inspired costumes and accompanied by the entire company draped in sequins. They invite the audience to a dance party featuring the songs Mamma Mia, Dancing Queen and Waterloo.

For an effervescent evening of theatre, get swept into the world of ABBA music at Donna’s fun Greek island resort in Mamma Mia!, playing now through June 25 at Theatre Three, 412 Main Street in Port Jefferson. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 and up. Please note this show contains adult themes and situations. For more information or to order, call 631-928-9100 or visit www.theatrethree.com

POSTSCRIPT:

I first saw Mamma Mia! in 2003 at Mandalay Bay Hotel when I was visiting my uncle who lived in Las Vegas. It was such a magical production brimming with energy and spirit that I couldn’t wait to take my niece and nephew to see the Broadway production, but to my surprise, I left the Winter Garden Theatre disappointed. I am happy to say that Theatre Three’s production has the spirit and energy that so enchanted me in Vegas. If you love musical theatre, you must catch this show. You will leave the theatre smiling, dancing to the beat and singing.

On April 17, Easter Sunday, the Greater Port Jefferson Chamber of Commerce hosted its 27th annual Easter parade.

Led by the Easter Bunny, dozens of children, parents and community members marched through the village streets. Starting from Theatre Three on Main Street, the parade route cut through East Main, and finally ended at the Port Jefferson Village Center. 

The event was concluded by a massive egg hunt in Harborfront Park, where participants scaled fences and sprinted long distances in pursuit of the precious hidden eggs.