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Theatre Three

Leapin’ lizards! Theatre Three, 412 Main St., Port Jefferson will hold open auditions for strong singer/actor/dancers ages 8 to 12 for Annie on Sunday, June 22 at 10 a.m. and Monday, June 30 at 7 p.m. Adults auditons for ages 16 and older will be held on Tuesday, July 1 at 7 p.m. and Sunday, July 6 at 7 p.m. All roles are open. Rehearsals begin in mid-July and performances will be held on the Mainstage from Sept. 14 to Oct. 19.  For full details, visit theatrethree.com/auditions. 

Photo courtesy Theatre Three

PLEASE NOTE THE DATE AND TIME FOR THE PRINCESS TEA PARTY HAS CHANGED:

Calling all little Princes and Princesses! Join Theatre Three, 412 Main St., Port Jefferson for a magical morning of fun at a Princess Tea Party with Snow White on Saturday, June 21 at Griswolds Cafe from 1 p.m. to 2 p.m. This royal event includes craft time, tea time with cookies from Curtain Call Confections, and a meet and greet with Snow White.

Tickets for the Princess Tea Party are $12. For more information or to order, call 631-928-9100, visit www.theatrethree.com or click here. 

Reviewed by Julianne Mosher

“Who wants to see that?” is the second song performed in Theatre Three’s latest mainstage production of Half Time. Well, after you read this review, you’ll definitely want to see it, too. Celebrating its New York premiere, the show tells the story of a group of nine senior citizens who audition, and get into, a hip-hop dance troupe for a New Jersey basketball team. 

Based on a true story documented in the 2008 film, Gotta Dance written, directed and produced by Dori Berinstein, the 2015 stage adaptation premiered at Chicago’s Bank of America Theatre and retitled itself in 2018 for its East Coast premiere at the Paper Mill Playhouse in New Jersey. With a book by Chad Beguelin and Bob Martin, music by Matthew Sklar and Marvin Hamlisch and lyrics by Nell Benjamin, audiences of all ages will fall in love with the story and its characters.

Directed by Jeffrey Sanzel, the show starts off with the ensemble as the New Jersey Cougars (Julia Albino, Will Logan, Melina Piervencenti, Isabella Scarpa, Michelle Shapiro, Katy Snair and Ryan van Nostrand) — which was loosely based on the NJ Nets basketball team. They’re young, they’re hip and they can dance. But then, the group opens up to feature nine sassy seniors who tried out for the team’s latest publicity stunt — a dance troupe called “Nifty Shades of Grey.”

Marci Bing (Muriel), Lisa Greene (Joanne), Mary Ellin Kurtz (Estelle), Denise Lardi (Fran), Phyllis March (Mae), Linda May (Bea), Candace McCready (Dorothy), Nikki Sislian (Camilla) and Jack Seabury (Ron), each bring humor and immense talent to the stage.

The senior troupe is coached by another aged out dancer, Tara (Tina Ann Aurora), who was fired by her boss, Alison (Colleen Britt) for being too old. Alison is also behind this PR stunt. She thinks it’s a joke and wants to humiliate the group because who would want to see a bunch of old folks dance to hip-hop? Tara believes in them, though, and with the help of Jenny (Cassidy Rose O’Brien) and Kendra (Anna Moceri) of the young Cougarettes, they transform the group into sizzling seniors who can pop, lock and drop it. 

What’s also fun about the show is we learn the backstories of each dancer. May does a great job playing Bea, who’s also Kendra’s grandmother. She’s spunky and opinionated, especially when it comes to Kendra’s relationship with one of the star players, Anthony (Yashaun Harris). They talk about this power dynamic during their car rides and in the song, “Princess.”

The seniors become friends with the younger troupe, too, especially when they are all invited to Hell, the local nightclub. There, we learn that Dorothy has an alter ego, Dottie, who is a confident hip-hop star and idolizes legends like Tupac and Biggie Smalls. McCready does a fantastic job playing the shy kindergarten teacher who ends up being one of the best break dancers on the team. 

But to counteract Hell, the old folks invite the youngins to a sock hop the following week to show them how they used to dance. Ron, who’s the only male member of the team, shows off his skills in “The Prince of Swing” and how he used to attract all the ladies in his youth. This fun number shows off Seabury’s great dancing as he partners with everyone on stage to show off his moves. 

We also learn about Mae’s personal life. One of the older members of the team, her husband is terminally ill and in an emotionally beautiful song, “The Water’s Rise,” she leaves the audience with tears in their eyes by the end.

Adding to the list of swing, tap and hip-hop dancing, Camilla’s “Como No?” brings salsa to the stage. In this number, Sislian lights up the room in her tight red dress singing about her half-her-age lover in an anthem that reminds everyone that age is only a number.

Other highlights include the costume design from Jason Allyn who strategically kept the color scheme of red and black prominent throughout the whole show and the bare set by Randall Parsons that allowed the actors to get their groove on with nothing in the way.

The show impressively closes the theatre’s 54th mainstage season with jokes that will have you laughing from start to finish. For a half-time show, there is a whole lot of talent, so don’t miss this one.

Theatre Three, 412 Main St., Port Jefferson presents Half Time through June 22. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12, $25 Wednesday matinees. 

After a brief hiatus, Theatre Three kicks off their 55th season with the family favorite musical Annie from Sept. 13 to Oct. 19. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Legislator Steve Englebright, right, presents a check to Port Jefferson Historical Society Board members, from left to right, Joan Townley, Laura Warren and Nick Acampora. Photo from Legislator Englebright’s office

Suffolk County Legislator Steve Englebright (D-Setauket) recently presented checks to representatives from various cultural organizations in his district to help them fund future projects.

“A genuine love for community has always been a driving factor in my work,” Englebright said. “Recently, I showcased my appreciation and support for several of our district’s most beloved cultural and arts organizations through Suffolk County Omnibus Grants.”

Legislator Englebright, center, presents a check to Three Village Community Trust board members, from left to right, Robert Reuter, Greg de Bruin, Peter Legakis and Herb Mones. Photo from Legislator Englebright’s office

During Legislator Englebright’s tenure as a New York State Assemblyman, he was the Prime Sponsor of legislation that led to what is commonly referred to as the hotel-motel room fee. The intention behind this initiative that is essentially a tax on people who live outside of our county, including many from other countries was to help generate funds that would enable Suffolk County Legislators to support the Long Island tourism industry through grants for programs for the arts, music, and history. The Suffolk County Department of Economic Development and Planning administers the awards.

“This year, I experienced numerous full-circle moments as I was pleased to be able to award numerous community cultural organizations with funding that will help support important programs that our part of the county has become known for, such as the Gallery North Wet Paint Festival, the Port Jefferson Station-Terryville Chamber of Commerce’s and Ward Melville Heritage Organization’s summer concert series, and the Greater Port Jefferson Arts Council’s annual Dickens Festival,” the legislator said.

Several local galleries, music venues and museums were also granted awards, such as The Reboli Center for Art and History, The Jazz Loft, and the Long Island Museum.

“In total, I was able to provide room fee-derived funds amounting to more than $150,000 to 15 local organizations which, in turn, will help nurture a vibrant scene for lovers of art, music, and history while stimulating our local economy through tourism and leisure travel,” Englebright said.

The Fifth Legislative District’s grant recipients are The Greater Port Jefferson Arts Council, Gallery North, Theatre Three, The Reboli Center, The Jazz Loft, The Port Jefferson Station-Terryville Chamber of Commerce, The Frank Melville Memorial Foundation, The Long Island Music and Entertainment Hall of Fame, The Three Village Historical Society, The Long Island Museum, The Port Jefferson Historical Society, The Children’s Maritime Museum (Long Island Explorium), The Three Village Community Trust, The Ward Melville Heritage Organization and The Village of Port Jefferson.

On April 27, Theatre Three, in collaboration with the Greater Port Jefferson Arts Council, held a screening of Gotta Dance, the documentary which is the basis of their upcoming production Half Time The Musical, in its New York premiere. The evening opened with the cast of Half Time  presenting “A Number,” the opening of the show. Following the documentary, Artistic Director Jeffrey Sanzel led a talkback with the documentary’s producer/director Dori Berinstein.

From the creators of The Wedding Singer, The Drowsy Chaperone, The Prom and Legally Blonde, Half Time is based on the incredible true story of ten determined dreamers who audition to dance at halftime for a major basketball team. They have three things in common: they love to dance, they have something to prove, and they are all over 60 years old! Only after making the cut, do they learn they won’t be dancing tap, salsa or swing – instead they will bring down the house with hip-hop!

Theatre Three, 412 Main St., Port Jefferson presents Half Time on the Mainstage from May 24 to June 22. Tickets are $40 adults, $32 seniors and students, $25 Wednesday matinees and children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

SomeBUNNY should go see the most perfect springtime show now playing at Port Jefferson’s Theatre Three right away. The Adventures of Peter Rabbit might be geared for kids, but audiences of all ages will smile from ear to ear by the end of the hour-long show. 

Written by Jeffrey Sanzel and Brent Erlanson, the musical opened last week during Spring Break and will run through May 10. With original music by Kevin F. Story, the musical is based loosely on the beloved characters from The Tale of Peter Rabbit by Beatrix Potter.

The show starts off in the cute and cozy cottage home of Mrs. Rabbit (Elizabeth Ladd) and her three adorable bunnies — Flopsy, Mopsy and Cotton-Tail (Cassidy Rose O’Brien, Julia Rose Albino and Katy Snair). There is, however, a fourth bunny, Peter (Ryan Worrell), who is a bit of a troublemaker, especially if he gets together with his cousin Benjamin Bunny (Ryan Van Nostrand). 

The two boys can’t stay away from the next door farm of Mr. and Mrs. McGregor’s garden (Louisa Bikowski and Liam Marsigliano), which is full of all of their favorite veggies to eat (or steal). Soon enough, Mr. McGregor, who’s “a meanie with a temper like a bear,” spies Peter and Benjamin sneaking tastes of lettuce, cucumbers and carrots and begins to plot his revenge. 

Interactive and exciting for the little ones in the crowd, there is always something to look at. For example, you may see Peter, his three sisters and their cousin run through the aisles, take a seat in the audience and even chat with you throughout the show. 

Colleen Britt directs a small cast of eight, but with a large level of talent. Worrell and Van Nostrand shine in the comedic roles of Peter and Benjamin. O’Brien, Albino and Snair are great additions with their timely, goody-two-shoes one liners and, of course, Mrs. Rabbit is equally as lovable. And even though they’re the antagonists as the farmers, you’ll still have a soft spot for Bikowski and Marsigliano, too. 

Plus, all of the songs and dances, with special mention to “Run Peter Run” and “Peter’s Socks,” are charming with Douglas J. Quattrock and Jeffrey Hoffman on the keyboards. The final number incorporates all of the songs in a super mega-mix extravaganza.

Costumes by Jason Allyn, from the bunnies’ spring dresses in pink, purple, green and red to their bunny ears and tails, are the carrots on the cake. And wait until you see the lighting and special effects!

Souvenir bunnies in various colors will be sold before the show and during intermission and the entire cast will be in the lobby after the show for a meet-and-greet and photos.

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Theatre Three, 412 Main St. Port Jefferson presents The Adventures of Peter Rabbit at 11 a.m. on April 26, April 27 (sensory-friendly performance), May 3 and May 10. Children’s theater continues with Snow White and the 7 Dwarfs from May 13 to June 21. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

Reviewed by Rita J. Egan

Theatre Three’s Wait Until Dark cast has theatergoers sitting at the edge of their seats — sometimes even jumping out of them.

Directed by Christine Boehm, the suspense thriller, which was written by Frederick Knott and adapted by Jeffrey Hatcher, takes place in the Greenwich Village basement apartment of Susan Hendrix and her husband Sam in 1944. 

The show, which opened on April 18, follows Susan, who recently lost her vision and three con artists searching for a mysterious doll. Audience members soon discover how resourceful she is and learn why sometimes it’s best to wait until dark. 

The play, which originally debuted on Broadway at the Ethel Barrymore Theatre in 1966, was released as a movie in 1967 starring Audrey Hepburn of Breakfast at Tiffany’s fame.

Set designer Randall Parsons has skillfully recreated a small apartment on Theatre Three’s mainstage. The smartly designed set, which includes pieces integral to the plot line, and the theater’s size are perfect for a play such as this, as audience members are easily drawn into the scenes, feeling like they are right there in the room as the story unfolds.

Jessica Mae Murphy, as Susan, is quite convincing as the blind homemaker. She evokes sympathy as she reveals her frustrations and strategically bumps into furniture in earlier scenes. Later in the production, as the character’s senses become keener and she realizes her blindness may be an asset in her current circumstances, Murphy seamlessly conveys the confidence growing in Susan.

Scott Butler plays up the swarminess of the conniving conman Harry Roat Jr. to the point that one can’t help but feel uncomfortable whenever he is on stage. Unsurprisingly, the character turns out to be the most dangerous of the three con artists.

Richard O’Sullivan delivers just how uncomfortable his character Sgt. Carlino is with the situation he has been dragged into. David DiMarzo, as Mike Talman, is so convincing as a sweet and friendly former Marine and friend of Susan’s husband that audience members may feel sorry for him when they discover his ultimate fate despite a story twist that reveals his true identity.

Adriana Mia Como is perfect as the bratty girl Gloria, who lives in the same apartment building as Susan and her husband and, at the same time, she gets across that the character truly cares for Susan. While Eric J. Hughes’ time on stage as Sam was short, he portrayed the character with sweetness and charm.

Theatre Three has proven once again that regional theater is an asset to the community and offering productions such as Wait Until Dark is vital. Plays such as this one and last year’s The Gin Game are a treat since most modern theater lovers have most likely never had the opportunity to see them live on stage.

Theatre Three, 412 Main St., Port Jefferson presents Wait Until Dark until May 11. Runtime is approximately two hours with a 15-minute intermission. Please note the production contains some adult situations. The season continues with Half Time from May 24 to June 22. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12 and Wednesday matinees. To order, call 631-928-9100 or visit theatrethree.com.

Theatre Three announced the line-up for its 55th season on April 19:

Annie from Sept. 13 to Oct. 19, 2025; A Christmas Carol from Nov. 8 to Dec. 27, 2025; Brighton Beach Memoirs from Jan. 17 to Feb. 8, 2026; Godspell from Feb. 21 to March 22, 2026; The 39 Steps from April 11 to May 3, 2026 and Mel Brook’s Young Frankenstein from May 16 to June 21, 2026. Tickets are on sale now.

 

You are are cordially invited to Dorothy's wedding! Photo courtesy of Keith Dougherty

By Tara Mae

Theatre Three gives the public an opportunity to say “Thank you for being a friend,” with The Golden Girls Gone Wild: A Murder Mystery at Dorothy’s Wedding & Brunch on Sunday, April 13, at 11 a.m.

A benefit for Theatre Three, this interactive experience on its Second Stage is based on characters from The Golden Girls (1985-1992), a television comedy series about four previously married women: Dorothy, Rose, Blanche, and Dorothy’s mother, Sophia, who share a Miami home, hardships, and happiness as they navigate life and love together.

In this installation, Dorothy is about to get remarried, but seeing the bride before the ceremony proves to be fatally bad luck for the groom.

Rather than spectators of this unfolding performance, attendees are cast as wedding guests. While patrons partake of a menu provided by Theatre Three that includes mimosas, Bloody Marys, cinnamon French toast casserole, sausage-egg-and-cheese casserole, yogurt, fruit parfaits, cakes and cookies, festivities take a fun, funereal turn when the groom meets a suspicious end.

Now tasked with finding the murderer, participants get clue packets to help Dorothy, Rose, Blanche, and Sophia solve the crime. Ballots are also supplied so people can write down who they think the murderer is and why. Hilarity and hijinks ensue as they work together on the whodunit.

“I’m excited to have our audience members—many of whom are longtime subscribers and friends of the theater—actively involved in the theatrical experience. It’s also a great opportunity to break the fourth wall in a way that’s usually not possible,” Theatre Three’s Artistic Associate/Director of Development Douglas Quattrock said. 

Instead of actors and audience, cast and congregants are collaborators in amateur sleuthing.

The show is the brainchild of writer/director/producer Keith Dougherty. Proprietor of Murder Mystery Manhattan, he specializes in writing unauthorized parodies that spoof popular TV shows and film, as well as spoofs of cult classic films and TV shows. This is his first time working with Theatre Three. 

“Personally, I like writing all the Golden Girls scripts because not only are the main characters iconic, but the show was so ahead of its time with many of the topics they tackled that are still relevant today,” Doughtery said. 

The Golden Girls Gone Wild features Dougherty as Dorothy Soreback; Laurel Riley Brown as Rose Nylon; Teri Monahan as Blanche Devilho; Amanda Baumler as Sophia Barilla; and Timothy Scott Harris in a dual role as Phil and Pat McCrotch.

“One of our longtime patrons had seen them perform before, and when she attended our previous murder mystery event, she recommended them to me,” Quattrock said. 

This partnership is part of Theatre Three’s ongoing creative effort to raise money for the arts and simultaneously regale its supporters. Unlike many previous fundraisers, which have been project oriented, this production is designed to support the theater as a whole.

“While we typically allocate fundraisers to specific causes, this one will support all of Theatre Three’s ongoing programs. We wanted to ‘spread the wealth,’ so to speak,” Quattrock said. “There are many worthwhile causes, and we felt that supporting all of them would be particularly helpful at this time.” 

Showcasing The Golden Girls Gone Wild for such an endeavor is a worthy undertaking to Dougherty, melding entertainment with outreach. “Murder Mystery Manhattan always likes to give back to the community and is happy to perform for a good cause,” he said. “We love what we do and appreciate the audiences and venues whose support allows us to continue to do what we love.”

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Tickets are $125 each and includes brunch. The show runs approximately three hours. All proceeds benefit Theatre Three, located at 412 Main Street, Port Jefferson. To order, call 631-928-9100 or visit www.theatrethree.com. 

By Julianne Mosher

Seven small plays packed into a two-hour festival will leave you with plenty of emotions; you’ll laugh, cry, gasp and smile. 

Now in its 26th year, the Festival of One-Act Plays at Port Jefferson’s Theatre Three has been the place where world premieres have been shown. Throughout it’s almost three decades, they have received 14,000 submissions worldwide. This year, 1,000 plays were sent in and seven made the cut. 

Directed by Jeffrey Sanzel, the festival starts out with the somber “A Happy Child” featuring the incredible Jae Hughes and Linda May. Written by Melinda Gros, Hughes plays Rory, the child of the woman (May), who is a drifter. They won’t go home to a stable shelter where their child lives and grows, and it hurts both them and their mom. The mom expresses how much she misses them when they’re away and the end of the show will leave your heart hurting for the family that seems to be holding on by a thread. 

“Monster Love,” written by D.L. Siegel, is next featuring Steve Ayle as Victor and Julia Albino as Bonnie. Bonnie is getting married, and she must plan the festivities with her scientist father, Victor Frankenstein. He really wants his late wife, Bonnie’s mother, there, so he shows off his new creation (Samantha Fierro) … And it happens to have his wife’s head. You’ll laugh at this one, it’s silly, but a clever take on modernizing the classic tale and making it more… relatable? While Fierro doesn’t have much speaking parts, she plays a great monster with her hilarious body language and facial expressions. Albino is a successful working woman and Ayle’s mad scientist is absolutely hysterical. 

Port Jefferson local Melanie Acampora’s third show in the festival premiered with “Too Much Fondant” which starts off with funny banter between a husband (Evan Teich) and wife (Brittany Lacey). Teich, a workaholic, is unimpressed by a piece of cake Lacey brought home after the neighbor’s birthday party. Too much fondant can ruin a cake. But in a quick turn of events, we see their relationship completely unravel. What went wrong? Teich and Lacey’s chemistry on stage is beautiful and tragic, especially when we watch the relationship fall apart. 

The tension in the room could be cut with a knife. 

Before intermission, Larry (Jason Furnari), Jess (Hughes), Luke (Will Brennan), Amy (Fierro), Bobbi (Phyllis March) and Desi (Steven Uihlein) are putting on a community theater production of Shakespeare’s “Romeo and Juliet” in “Final Dress, or Places for the End of the World” by Matthew Green. The five are rehearsing the famous end scene, and Bobbi is tired and wants to leave the theater … which is actually a shelter from the end of the world outside. When Bobbi leaves, Jess, who has become stage manager and director, needs to figure out how to produce “Romeo and Juliet” with just four actors. This one feels all too real in a post-pandemic world. 

Mark Mulkerin’s “Where Illusions End” is a sad one, but also relatable to people who have felt the effects of cancer firsthand. Cam (Furnari) and his brother Alex (Teich) are navigating how to better care for their sick mother. Alex is a magician by trade, and he is completely against their mom trying a new type of treatment that he is convinced is a scam. An illusionist, himself, he says he can do a better job at pretending to cure her than an expensive doctor can. 

On a lighter note, we’re then brought to a business pitch in James McLindon’s “Sinergy.” Aubrey (Lacey) plays a businesswoman whose specialty is combining medieval prayer with modern cleansing … of your sins. She’s pitching this wellness practice to Taylor (Ayle), and to prove it works, Tistram (Uihlein), a poor man dressed in pauper’s clothing, who reluctantly will take on the sins of the consumer, clearing their conscious and making them feel great. This one is funny. It’ll be a sin to not to laugh at it. 

The festival ends with “Cliff” by Teri Foltz. Cliff (Douglas Quattrock) is sitting in a waiting room anticipating a cancer diagnosis. His hurricane of a wife, Carrie (May), is there with him along with four other patients; (Albino, Brennan, Fierro and March). Cliff, a quiet, delicate man tells us the story of his life. He’s always been known as shy, kind of a doormat, and relatively awkward in social settings, but he’s kind, and deep down he wants more. This diagnosis, whether it’s negative or positive, could be the start of a new chapter for Cliff. 

Quattrock’s performance received a standing ovation and should continue on throughout the remainder of the shows. 

Overall, the festival was an amazing production of short and sweet plays that will appeal to everyone. There’s a reason The Festival of One-Act Plays has been selling out shows for 26 years.

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Theatre Three, 412 Main St., Port Jefferson presents the 26th annual Festival of One-Act Plays at the Ronald F. Peierls Theatre on the Second Stage through April 5. Tickets are $25. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

“Hello, I’m Johnny Cash.” So begins Theatre Three’s latest offering, Ring of Fire: The Johnny Cash Musical Show, a fitting tribute to the life and music of the Man in Black. The show opened to a full house last  Saturday night and did not disappoint. 

Created by Richard Maltby, Jr. and conceived by William Meade, with orchestrations by Steven Bishop and Jeff Lisenby, the musical opened on Broadway at the Ethel Barrymore Theatre in 2006 for a limited run before heading to community theaters. 

Expertly directed by Christine Boehm, the show at Theatre Three features over 30 of Cash’s most popular songs including Jackson, Ring of Fire, If I Were a Carpenter, Get Rhythm, and I Walk the Line, sung in quick succession over two hours by an incredibly talented cast — Tina Ann Aurora, Kyle M. Breitenbach, Jeffrey Hoffman, Michael Mandato, Cassidy Rose O’Brien, Dan Schindlar and Ryan Van Nostrand — as the singer’s story is told.

One of the best-selling music artists of all time, having sold more than 90 million records worldwide, Cash drew inspiration from his life experiences and embraced country, rock and roll, rockabilly, blues, folk, and gospel, earning him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame.

Born in Kingsland, Arkansas in 1932, Johnny Cash was the fourth child of Carrie and Ray Cash. As the show progresses, we learn that he and his six siblings worked alongside their parents picking cotton on their farm. Tragedy strikes when his older brother Jack dies after been injured at work, an event that deeply affected Cash for the rest of his life.

We witness the first time the singer meets June Carter at the Grand Ole Opry and is instantly smitten. Several stints in jail inspire a series of “prison” songs including Folsom Prison Blues and Orleans Parish Prison and his struggles with drugs spur him to write Cocaine Blues.

Every song is executed beautifully and with gusto and each actor has a chance to shine, taking turns to sing the lead. Highlights include Breitenbach’s version of Delia’s Gone, Van Nostrand’s hilarious rendition of Flushed from the Bathroom of Your Heart and Man in Black by Mandato.

Special mention must be made of Schindlar’s A Boy Named Sue which tells the story of a young man’s quest for revenge on his father for naming him Sue before abandoning him. During the performance, Schindlar comes down from the stage to look for his “father” in the audience. A nice touch. 

As with any production, it takes a village to make it all come together perfectly.

While each cast member plays multiple instruments including guitar, violin, ukulele, piano, tambourine and flute, they are accompanied on stage by a backup band featuring Marni Harris on fiddle, John Dericco on guitar and mandolin, Dave Grudzinski and Ethan Mascarenas on bass and Don Larsen on drums.

The costumes, designed by Boehm, feature modest and demure country dresses, jeans and overalls in Act I but switch to sparkly and shiny new digs in Act II to reflect the progression of Cash’s career. Even the boots glitter! 

The impressive set, designed by Randall Parsons, resembles the inside of a barn with hints of the Grand Ole Opry. Each side of the stage features a lighted porch for seating and stained glass windows illuminate the background.

Don’t miss this wonderful show. You’ll be clapping along and tapping your feet and going home with a deeper appreciation of the legendary singer/songwriter and his impact on the world of music. The standing ovation at the end of the opening performance was most deserved. 

See trailer here.

Theatre Three, 412 Main St. Port Jefferson presents Ring of Fire: The Johnny Cash Musical Show through March 30. Come early for a cocktail and snacks at Griswold’s Cafe. Proceeds benefit the refurbishment of the historic theater.

Mainstage performances continue with Wait Until Dark from April 18 to May 11 and the Long Island premiere of Half Time from May 24 to June. 22. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12. 

Coming up at The Ronald F. Peierls Theatre, on the Second Stage is the 26th annual Festival of One-Act Plays featuring the world premieres of seven  plays up close and personal from March 8 through April 5. Tickets are $25. 

To order, call 631-928-9100 or visit www.theatrethree.com.