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Theatre Three

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Documentary screening of 'Gotta Dance' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
Documentary screening of 'Gotta Dance' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
Documentary screening of 'Gotta Dance' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.

On April 27, Theatre Three, in collaboration with the Greater Port Jefferson Arts Council, held a screening of Gotta Dance, the documentary which is the basis of their upcoming production Half Time The Musical, in its New York premiere. The evening opened with the cast of Half Time  presenting “A Number,” the opening of the show. Following the documentary, Artistic Director Jeffrey Sanzel led a talkback with the documentary’s producer/director Dori Berinstein.

From the creators of The Wedding Singer, The Drowsy Chaperone, The Prom and Legally Blonde, Half Time is based on the incredible true story of ten determined dreamers who audition to dance at halftime for a major basketball team. They have three things in common: they love to dance, they have something to prove, and they are all over 60 years old! Only after making the cut, do they learn they won’t be dancing tap, salsa or swing – instead they will bring down the house with hip-hop!

Theatre Three, 412 Main St., Port Jefferson presents Half Time on the Mainstage from May 24 to June 22. Tickets are $40 adults, $32 seniors and students, $25 Wednesday matinees and children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

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A scene from 'The Adventures of Peter Rabbit' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'The Adventures of Peter Rabbit' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
The cast of 'The Adventures of Peter Rabbit' Photo by Steven Uihlein/Theatre Three Productions, Inc.

By Julianne Mosher

SomeBUNNY should go see the most perfect springtime show now playing at Port Jefferson’s Theatre Three right away. The Adventures of Peter Rabbit might be geared for kids, but audiences of all ages will smile from ear to ear by the end of the hour-long show. 

Written by Jeffrey Sanzel and Brent Erlanson, the musical opened last week during Spring Break and will run through May 10. With original music by Kevin F. Story, the musical is based loosely on the beloved characters from The Tale of Peter Rabbit by Beatrix Potter.

The show starts off in the cute and cozy cottage home of Mrs. Rabbit (Elizabeth Ladd) and her three adorable bunnies — Flopsy, Mopsy and Cotton-Tail (Cassidy Rose O’Brien, Julia Rose Albino and Katy Snair). There is, however, a fourth bunny, Peter (Ryan Worrell), who is a bit of a troublemaker, especially if he gets together with his cousin Benjamin Bunny (Ryan Van Nostrand). 

The two boys can’t stay away from the next door farm of Mr. and Mrs. McGregor’s garden (Louisa Bikowski and Liam Marsigliano), which is full of all of their favorite veggies to eat (or steal). Soon enough, Mr. McGregor, who’s “a meanie with a temper like a bear,” spies Peter and Benjamin sneaking tastes of lettuce, cucumbers and carrots and begins to plot his revenge. 

Interactive and exciting for the little ones in the crowd, there is always something to look at. For example, you may see Peter, his three sisters and their cousin run through the aisles, take a seat in the audience and even chat with you throughout the show. 

Colleen Britt directs a small cast of eight, but with a large level of talent. Worrell and Van Nostrand shine in the comedic roles of Peter and Benjamin. O’Brien, Albino and Snair are great additions with their timely, goody-two-shoes one liners and, of course, Mrs. Rabbit is equally as lovable. And even though they’re the antagonists as the farmers, you’ll still have a soft spot for Bikowski and Marsigliano, too. 

Plus, all of the songs and dances, with special mention to “Run Peter Run” and “Peter’s Socks,” are charming with Douglas J. Quattrock and Jeffrey Hoffman on the keyboards. The final number incorporates all of the songs in a super mega-mix extravaganza.

Costumes by Jason Allyn, from the bunnies’ spring dresses in pink, purple, green and red to their bunny ears and tails, are the carrots on the cake. And wait until you see the lighting and special effects!

Souvenir bunnies in various colors will be sold before the show and during intermission and the entire cast will be in the lobby after the show for a meet-and-greet and photos.

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Theatre Three, 412 Main St. Port Jefferson presents The Adventures of Peter Rabbit at 11 a.m. on April 26, April 27 (sensory-friendly performance), May 3 and May 10. Children’s theater continues with Snow White and the 7 Dwarfs from May 13 to June 21. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

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A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.
A scene from 'Wait Until Dark' at Theatre Three. Photo by Steven Uihlein/Theatre Three Productions, Inc.

Reviewed by Rita J. Egan

Theatre Three’s Wait Until Dark cast has theatergoers sitting at the edge of their seats — sometimes even jumping out of them.

Directed by Christine Boehm, the suspense thriller, which was written by Frederick Knott and adapted by Jeffrey Hatcher, takes place in the Greenwich Village basement apartment of Susan Hendrix and her husband Sam in 1944. 

The show, which opened on April 18, follows Susan, who recently lost her vision and three con artists searching for a mysterious doll. Audience members soon discover how resourceful she is and learn why sometimes it’s best to wait until dark. 

The play, which originally debuted on Broadway at the Ethel Barrymore Theatre in 1966, was released as a movie in 1967 starring Audrey Hepburn of Breakfast at Tiffany’s fame.

Set designer Randall Parsons has skillfully recreated a small apartment on Theatre Three’s mainstage. The smartly designed set, which includes pieces integral to the plot line, and the theater’s size are perfect for a play such as this, as audience members are easily drawn into the scenes, feeling like they are right there in the room as the story unfolds.

Jessica Mae Murphy, as Susan, is quite convincing as the blind homemaker. She evokes sympathy as she reveals her frustrations and strategically bumps into furniture in earlier scenes. Later in the production, as the character’s senses become keener and she realizes her blindness may be an asset in her current circumstances, Murphy seamlessly conveys the confidence growing in Susan.

Scott Butler plays up the swarminess of the conniving conman Harry Roat Jr. to the point that one can’t help but feel uncomfortable whenever he is on stage. Unsurprisingly, the character turns out to be the most dangerous of the three con artists.

Richard O’Sullivan delivers just how uncomfortable his character Sgt. Carlino is with the situation he has been dragged into. David DiMarzo, as Mike Talman, is so convincing as a sweet and friendly former Marine and friend of Susan’s husband that audience members may feel sorry for him when they discover his ultimate fate despite a story twist that reveals his true identity.

Adriana Mia Como is perfect as the bratty girl Gloria, who lives in the same apartment building as Susan and her husband and, at the same time, she gets across that the character truly cares for Susan. While Eric J. Hughes’ time on stage as Sam was short, he portrayed the character with sweetness and charm.

Theatre Three has proven once again that regional theater is an asset to the community and offering productions such as Wait Until Dark is vital. Plays such as this one and last year’s The Gin Game are a treat since most modern theater lovers have most likely never had the opportunity to see them live on stage.

Theatre Three, 412 Main St., Port Jefferson presents Wait Until Dark until May 11. Runtime is approximately two hours with a 15-minute intermission. Please note the production contains some adult situations. The season continues with Half Time from May 24 to June 22. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12 and Wednesday matinees. To order, call 631-928-9100 or visit theatrethree.com.

Theatre Three announced the line-up for its 55th season on April 19:

Annie from Sept. 13 to Oct. 19, 2025; A Christmas Carol from Nov. 8 to Dec. 27, 2025; Brighton Beach Memoirs from Jan. 17 to Feb. 8, 2026; Godspell from Feb. 21 to March 22, 2026; The 39 Steps from April 11 to May 3, 2026 and Mel Brook’s Young Frankenstein from May 16 to June 21, 2026. Tickets are on sale now.

 

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You are are cordially invited to Dorothy's wedding! Photo courtesy of Keith Dougherty

By Tara Mae

Theatre Three gives the public an opportunity to say “Thank you for being a friend,” with The Golden Girls Gone Wild: A Murder Mystery at Dorothy’s Wedding & Brunch on Sunday, April 13, at 11 a.m.

A benefit for Theatre Three, this interactive experience on its Second Stage is based on characters from The Golden Girls (1985-1992), a television comedy series about four previously married women: Dorothy, Rose, Blanche, and Dorothy’s mother, Sophia, who share a Miami home, hardships, and happiness as they navigate life and love together.

In this installation, Dorothy is about to get remarried, but seeing the bride before the ceremony proves to be fatally bad luck for the groom.

Rather than spectators of this unfolding performance, attendees are cast as wedding guests. While patrons partake of a menu provided by Theatre Three that includes mimosas, Bloody Marys, cinnamon French toast casserole, sausage-egg-and-cheese casserole, yogurt, fruit parfaits, cakes and cookies, festivities take a fun, funereal turn when the groom meets a suspicious end.

Now tasked with finding the murderer, participants get clue packets to help Dorothy, Rose, Blanche, and Sophia solve the crime. Ballots are also supplied so people can write down who they think the murderer is and why. Hilarity and hijinks ensue as they work together on the whodunit.

“I’m excited to have our audience members—many of whom are longtime subscribers and friends of the theater—actively involved in the theatrical experience. It’s also a great opportunity to break the fourth wall in a way that’s usually not possible,” Theatre Three’s Artistic Associate/Director of Development Douglas Quattrock said. 

Instead of actors and audience, cast and congregants are collaborators in amateur sleuthing.

The show is the brainchild of writer/director/producer Keith Dougherty. Proprietor of Murder Mystery Manhattan, he specializes in writing unauthorized parodies that spoof popular TV shows and film, as well as spoofs of cult classic films and TV shows. This is his first time working with Theatre Three. 

“Personally, I like writing all the Golden Girls scripts because not only are the main characters iconic, but the show was so ahead of its time with many of the topics they tackled that are still relevant today,” Doughtery said. 

The Golden Girls Gone Wild features Dougherty as Dorothy Soreback; Laurel Riley Brown as Rose Nylon; Teri Monahan as Blanche Devilho; Amanda Baumler as Sophia Barilla; and Timothy Scott Harris in a dual role as Phil and Pat McCrotch.

“One of our longtime patrons had seen them perform before, and when she attended our previous murder mystery event, she recommended them to me,” Quattrock said. 

This partnership is part of Theatre Three’s ongoing creative effort to raise money for the arts and simultaneously regale its supporters. Unlike many previous fundraisers, which have been project oriented, this production is designed to support the theater as a whole.

“While we typically allocate fundraisers to specific causes, this one will support all of Theatre Three’s ongoing programs. We wanted to ‘spread the wealth,’ so to speak,” Quattrock said. “There are many worthwhile causes, and we felt that supporting all of them would be particularly helpful at this time.” 

Showcasing The Golden Girls Gone Wild for such an endeavor is a worthy undertaking to Dougherty, melding entertainment with outreach. “Murder Mystery Manhattan always likes to give back to the community and is happy to perform for a good cause,” he said. “We love what we do and appreciate the audiences and venues whose support allows us to continue to do what we love.”

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Tickets are $125 each and includes brunch. The show runs approximately three hours. All proceeds benefit Theatre Three, located at 412 Main Street, Port Jefferson. To order, call 631-928-9100 or visit www.theatrethree.com. 

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The cast of the 26th annual Festival of One-Act Plays. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'A Happy Child' by Melinda Gros. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Monster Love' by D.L. Siegel. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Too Much Fondant' by Melanie Acampora. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Final Dress' by Matthew Green. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Where Illusions End' by Mark Mulkerin. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Sinergy' by James McLindon. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cliff' by Teri Foltz. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Julianne Mosher

Seven small plays packed into a two-hour festival will leave you with plenty of emotions; you’ll laugh, cry, gasp and smile. 

Now in its 26th year, the Festival of One-Act Plays at Port Jefferson’s Theatre Three has been the place where world premieres have been shown. Throughout it’s almost three decades, they have received 14,000 submissions worldwide. This year, 1,000 plays were sent in and seven made the cut. 

Directed by Jeffrey Sanzel, the festival starts out with the somber “A Happy Child” featuring the incredible Jae Hughes and Linda May. Written by Melinda Gros, Hughes plays Rory, the child of the woman (May), who is a drifter. They won’t go home to a stable shelter where their child lives and grows, and it hurts both them and their mom. The mom expresses how much she misses them when they’re away and the end of the show will leave your heart hurting for the family that seems to be holding on by a thread. 

“Monster Love,” written by D.L. Siegel, is next featuring Steve Ayle as Victor and Julia Albino as Bonnie. Bonnie is getting married, and she must plan the festivities with her scientist father, Victor Frankenstein. He really wants his late wife, Bonnie’s mother, there, so he shows off his new creation (Samantha Fierro) … And it happens to have his wife’s head. You’ll laugh at this one, it’s silly, but a clever take on modernizing the classic tale and making it more… relatable? While Fierro doesn’t have much speaking parts, she plays a great monster with her hilarious body language and facial expressions. Albino is a successful working woman and Ayle’s mad scientist is absolutely hysterical. 

Port Jefferson local Melanie Acampora’s third show in the festival premiered with “Too Much Fondant” which starts off with funny banter between a husband (Evan Teich) and wife (Brittany Lacey). Teich, a workaholic, is unimpressed by a piece of cake Lacey brought home after the neighbor’s birthday party. Too much fondant can ruin a cake. But in a quick turn of events, we see their relationship completely unravel. What went wrong? Teich and Lacey’s chemistry on stage is beautiful and tragic, especially when we watch the relationship fall apart. 

The tension in the room could be cut with a knife. 

Before intermission, Larry (Jason Furnari), Jess (Hughes), Luke (Will Brennan), Amy (Fierro), Bobbi (Phyllis March) and Desi (Steven Uihlein) are putting on a community theater production of Shakespeare’s “Romeo and Juliet” in “Final Dress, or Places for the End of the World” by Matthew Green. The five are rehearsing the famous end scene, and Bobbi is tired and wants to leave the theater … which is actually a shelter from the end of the world outside. When Bobbi leaves, Jess, who has become stage manager and director, needs to figure out how to produce “Romeo and Juliet” with just four actors. This one feels all too real in a post-pandemic world. 

Mark Mulkerin’s “Where Illusions End” is a sad one, but also relatable to people who have felt the effects of cancer firsthand. Cam (Furnari) and his brother Alex (Teich) are navigating how to better care for their sick mother. Alex is a magician by trade, and he is completely against their mom trying a new type of treatment that he is convinced is a scam. An illusionist, himself, he says he can do a better job at pretending to cure her than an expensive doctor can. 

On a lighter note, we’re then brought to a business pitch in James McLindon’s “Sinergy.” Aubrey (Lacey) plays a businesswoman whose specialty is combining medieval prayer with modern cleansing … of your sins. She’s pitching this wellness practice to Taylor (Ayle), and to prove it works, Tistram (Uihlein), a poor man dressed in pauper’s clothing, who reluctantly will take on the sins of the consumer, clearing their conscious and making them feel great. This one is funny. It’ll be a sin to not to laugh at it. 

The festival ends with “Cliff” by Teri Foltz. Cliff (Douglas Quattrock) is sitting in a waiting room anticipating a cancer diagnosis. His hurricane of a wife, Carrie (May), is there with him along with four other patients; (Albino, Brennan, Fierro and March). Cliff, a quiet, delicate man tells us the story of his life. He’s always been known as shy, kind of a doormat, and relatively awkward in social settings, but he’s kind, and deep down he wants more. This diagnosis, whether it’s negative or positive, could be the start of a new chapter for Cliff. 

Quattrock’s performance received a standing ovation and should continue on throughout the remainder of the shows. 

Overall, the festival was an amazing production of short and sweet plays that will appeal to everyone. There’s a reason The Festival of One-Act Plays has been selling out shows for 26 years.

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Theatre Three, 412 Main St., Port Jefferson presents the 26th annual Festival of One-Act Plays at the Ronald F. Peierls Theatre on the Second Stage through April 5. Tickets are $25. To order, call 631-928-9100 or visit www.theatrethree.com.

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A scene from 'Ring of Fire: The Johnny Cash Musical Show' at Theatre Three. Photo by Steven Uihlein/Theatre Three
A scene from 'Ring of Fire: The Johnny Cash Musical Show' at Theatre Three. Photo by Steven Uihlein/Theatre Three
A scene from 'Ring of Fire: The Johnny Cash Musical Show' at Theatre Three. Photo by Steven Uihlein/Theatre Three
A scene from 'Ring of Fire: The Johnny Cash Musical Show' at Theatre Three. Photo by Steven Uihlein/Theatre Three
A scene from 'Ring of Fire: The Johnny Cash Musical Show' at Theatre Three. Photo by Steven Uihlein/Theatre Three

By Heidi Sutton

“Hello, I’m Johnny Cash.” So begins Theatre Three’s latest offering, Ring of Fire: The Johnny Cash Musical Show, a fitting tribute to the life and music of the Man in Black. The show opened to a full house last  Saturday night and did not disappoint. 

Created by Richard Maltby, Jr. and conceived by William Meade, with orchestrations by Steven Bishop and Jeff Lisenby, the musical opened on Broadway at the Ethel Barrymore Theatre in 2006 for a limited run before heading to community theaters. 

Expertly directed by Christine Boehm, the show at Theatre Three features over 30 of Cash’s most popular songs including Jackson, Ring of Fire, If I Were a Carpenter, Get Rhythm, and I Walk the Line, sung in quick succession over two hours by an incredibly talented cast — Tina Ann Aurora, Kyle M. Breitenbach, Jeffrey Hoffman, Michael Mandato, Cassidy Rose O’Brien, Dan Schindlar and Ryan Van Nostrand — as the singer’s story is told.

One of the best-selling music artists of all time, having sold more than 90 million records worldwide, Cash drew inspiration from his life experiences and embraced country, rock and roll, rockabilly, blues, folk, and gospel, earning him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame.

Born in Kingsland, Arkansas in 1932, Johnny Cash was the fourth child of Carrie and Ray Cash. As the show progresses, we learn that he and his six siblings worked alongside their parents picking cotton on their farm. Tragedy strikes when his older brother Jack dies after been injured at work, an event that deeply affected Cash for the rest of his life.

We witness the first time the singer meets June Carter at the Grand Ole Opry and is instantly smitten. Several stints in jail inspire a series of “prison” songs including Folsom Prison Blues and Orleans Parish Prison and his struggles with drugs spur him to write Cocaine Blues.

Every song is executed beautifully and with gusto and each actor has a chance to shine, taking turns to sing the lead. Highlights include Breitenbach’s version of Delia’s Gone, Van Nostrand’s hilarious rendition of Flushed from the Bathroom of Your Heart and Man in Black by Mandato.

Special mention must be made of Schindlar’s A Boy Named Sue which tells the story of a young man’s quest for revenge on his father for naming him Sue before abandoning him. During the performance, Schindlar comes down from the stage to look for his “father” in the audience. A nice touch. 

As with any production, it takes a village to make it all come together perfectly.

While each cast member plays multiple instruments including guitar, violin, ukulele, piano, tambourine and flute, they are accompanied on stage by a backup band featuring Marni Harris on fiddle, John Dericco on guitar and mandolin, Dave Grudzinski and Ethan Mascarenas on bass and Don Larsen on drums.

The costumes, designed by Boehm, feature modest and demure country dresses, jeans and overalls in Act I but switch to sparkly and shiny new digs in Act II to reflect the progression of Cash’s career. Even the boots glitter! 

The impressive set, designed by Randall Parsons, resembles the inside of a barn with hints of the Grand Ole Opry. Each side of the stage features a lighted porch for seating and stained glass windows illuminate the background.

Don’t miss this wonderful show. You’ll be clapping along and tapping your feet and going home with a deeper appreciation of the legendary singer/songwriter and his impact on the world of music. The standing ovation at the end of the opening performance was most deserved. 

See trailer here.

Theatre Three, 412 Main St. Port Jefferson presents Ring of Fire: The Johnny Cash Musical Show through March 30. Come early for a cocktail and snacks at Griswold’s Cafe. Proceeds benefit the refurbishment of the historic theater.

Mainstage performances continue with Wait Until Dark from April 18 to May 11 and the Long Island premiere of Half Time from May 24 to June. 22. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12. 

Coming up at The Ronald F. Peierls Theatre, on the Second Stage is the 26th annual Festival of One-Act Plays featuring the world premieres of seven  plays up close and personal from March 8 through April 5. Tickets are $25. 

To order, call 631-928-9100 or visit www.theatrethree.com.

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'Dorothy's Adventures in Oz' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc
'Dorothy's Adventures in Oz' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc
'Dorothy's Adventures in Oz' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc
'Dorothy's Adventures in Oz' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Join Dorothy and Toto for Theatre Three's 'Dorothy's Adventures in Oz' this weekend! Photo courtesy of Theatre Three Photo by Peter Lanscombe/Theatre Three Productions, Inc
'Dorothy's Adventures in Oz' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc
'Dorothy's Adventures in Oz' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc
The cast of 'Dorothy's Adventures in Oz.' Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Julianne Mosher 

Theatre Three’s latest children’s show has a lot of brains, heart and courage, but you certainly won’t want to go home. 

An original musical adapted from the stories of L. Frank Baum by Jeffrey Sanzel and Douglas J. Quattrock, Dorothy’s Adventures in Oz is a fun-filled tale of the timeless classic that will have families in the audience smiling from ear to ear. 

As the show opens, we meet Dorothy Gale (Cassidy Rose O’Brien), chief editor of her high school newspaper, the Baum Bugle. She brings her dog Toto (Tasha Poyfair) around, much to her teachers’ dismay, and unintentionally hurts her best friend, Judy Gumm’s (Sophia Del Carmen) feelings when she cuts her story from the latest edition. 

We meet her teachers, Mr. Green (Jason Furnari), the nasty Miss Ravine (Louisa Bikowski) and the sweet Miss Morgan (Julia Albino), along with her principal, Mr. Henry (Liam Marsigliano), who all warn Dorothy to get inside before a big storm comes by.

A tornado hits and when Dorothy awakes, her newspaper stand has fallen upon a witch wearing ruby red slippers. She’s greeted by Glinda (Albino), the Good Witch of the North, along with the people of Munchkinland (Del Carmen, Marsigliano and Furnari) who declare her a hero for killing the Wicked Witch of the East. Glinda tells Dorothy to take the ruby slippers because they hold magical powers and the evil Wicked Witch of the West (Bikowski) wants them for herself.

Dorothy just wants to go home and in order to do that she must see the great and powerful Wizard of Oz in Emerald City. All she has to do is follow the yellow brick road which leads her down a trailway of surprises and adventure. 

On the first stop she meets the loveable Scarecrow (Katy Snair) who wants to ask the Wizard for a brain. The duo head further down the road and run into the stiff, yet emotional, Tinman (Steven Uihlein) who is looking for a heart. After some trials and tribulations, thanks to the evil witch watching their every move from her lair, they meet the soft Lion (Sean Amato) who wants courage (and to stop being such a scaredy cat!).

Do the four new friends make it to the Emerald City and does the Wizard make all their wishes come true? That’s for you to find out. 

Directed by Sanzel with musical direction from Quattrock, Dorothy’s Adventures in Oz features wonderful original songs and fantastic choreography from Sari Feldman. While the set is small, the theater does a great job of letting your imagination run free, along with the help of a trap door on stage where someone may or may not melt into.

But what truly stands out, alongside the professionalism, talent and commitment to character from the amazing cast, are the costumes designed by Jason Allyn. From Dorothy’s signature blue and white gingham dress; the scarecrow, tinman and lion’s costumes; all the way to the gowns of the elite Emerald City citizens, the outfits are stunning. 

So, buy your tickets now or the Wicked Witch will get you, my pretty, and your little dog, too! And don’t forget to stop by the lobby on your way out for a group photo with the cast.

Theatre Three, 412 Main St., Port Jefferson presents Dorothy’s Adventures in Oz through March 29 with a sensory friendly performance on March 2 at 11 a.m. Children’s theater continues with The Adventures of Peter Rabbit from April 16 to May 10; and Snow White and the The Seven Dwarfs from May 29 to June 21. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

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Theatre Three, 412 Main St., Port Jefferson continues its Mainstage season with Ring of Fire: The Johnny Cash Musical Show from March 1 to March 30.

From the heart of the songs of singer-songwriter Johnny Cash comes a unique musical show about love and faith, struggle and success, rowdiness and redemption, home and family. RING OF FIRE captures America’s legendary Man in Black in an exhilarating, tuneful, foot-stomping celebration. His life story is told through the songs he composed, recorded, and shared with the world, including “Country Boy,” “A Thing Called Love,” “Daddy Sang Bass,” “Ring of Fire,” “I Walk the Line,” “I’ve Been Everywhere,” “The Man in Black,” and his final hit, “Hurt.

Come early and enjoy a cocktail or snack, downstairs at Griswold’s Cafe. Opening night, Saturday, March 1, will feature Me, Like Many performing your favorite country hits on the second stage from 7 p.m. to 8 p.m.

The MainStage season continues with Wait Until Dark from April 18 to May 11 and Half Time from May 24 to June 22.

Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12. To order, call 631-928-9100, visit www.theatrethree.com or click here.

 

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From left, Julia Albino, Will Logan and Cassidy Rose O'Brien in a scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Hansel and Gretel' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Hansel and Gretel' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Hansel and Gretel' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Hansel and Gretel' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
From left, Julia Albino, Will Logan and Cassidy Rose O'Brien in a scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc..
The cast of 'Hansel and Gretel' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Will Logan and Cassidy Rose O'Brien in a scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Hansel and Gretel' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
The cast of 'Hansel and Gretel' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Julianne Mosher

You don’t need to head deep into the forest to witness the timeless story of Hansel and Gretel, or A Question of Crumbs. In fact, just head down to Port Jefferson to witness Theatre Three’s latest magical production.

Written by Jeffrey Sanzel and Douglas Quattrock, the show starts off inside a bookstore (featuring the same set from the theater’s mainstage show, Crossing Delancey.) A sister and brother are flipping through the story of Hansel and Gretel, but cannot afford to purchase it. They ask the clerks if they can borrow it to read at home. Out of the goodness of their hearts, the kids skip away, excited to read the story amongst themselves.

We’re then brought into the home of the mischievous Gretel (Julia Albino) and the aloof Hansel (Will Logan). Their father (Jason Furnari), a woodcutter, works a lot and is completely under the control of his new wife, the kids’ stepmother (Cassidy Rose O’Brien). They play pranks on her and she is very, very unhappy. She hates the children and tells her husband that he must dump them in the woods so they can live a happy, childfree life. Although he really doesn’t want to, he agrees and coerces the kids to the woods and tries to leave them there. 

Luckily, young Gretel is smart, and she knows better. She and her brother can outsmart their dad, instead causing him to get lost in the woods. When the stepmother tries to get them lost the next day, the siblings leave breadcrumbs to help them find their way back home. However, thanks to Hansel not paying too much attention to what he was doing, the plan backfires and the kids end up not being able to find their way back.

In the woods, they’re met by Scrimshaw (Steven Uihlein) and Harvis (Liam Marsigliano), contract kidnappers hired by an evil, child-eating witch. They spot Hansel sitting on a log and convinced him to follow them to the witches’ candy-coated home, where he is put on the menu. Gretel finds her brother and helps him escape, but before that happens, several surprises ensue. 

Directed and choreographed by Colleen Britt, the show is filled with catchy musical numbers, fun dancing and colorful costumes designed by Jason Allyn. Hansel and Gretel is a joy to the stage that kids of all ages will love and will have their parents laughing along.

With a small cast, all five actors bring something great to the table. Albino and Logan do a great job as their versions of the fable’s characters, bringing wit and joy to the stage, while Uihlein and Marsigliano are fun supporting antagonists. Furnari’s spacey father figure is a great addition to the show while O’Brien’s stepmother (and, spoiler alert, the witch) is star quality.

So, grab your favorite candy and head down to Theatre Three for this sweet show.

Theatre Three, 412 Main St., Port Jefferson presents Hansel and Gretel through Feb. 8. Children’s theater continues with Dorothy’s Adventures in Oz from Feb. 19 to March 29 and The Adventures of Peter Rabbit from April 16 to May 10. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

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New York State Assemblywoman Rebecca Kassay. Photo by Julianne Mosher
Rebecca Kassay is sworn into office by NYS Attorney General Letitia James. Photo by Juliane Mosher
Suffolk County Legislator Steve Englebright presents Rebecca Kassay with a flower bouquet. Photo by Julianne Mosher
Suffolk County Legislator Steve Englebright speaks at the inauguration ceremony. Photo by Julianne Mosher
New York State Assemblywoman Rebecca Kassay. Photo by Julianne Mosher
New York State Attorney General Letitia James at inauguration ceremony for Rebecca Kassay. Photo by Julianne Mosher
Town of Brookhaven Councilmember Jonathan Kornreich spoke at the inauguration ceremony. Photo by Julianne Mosher
New York State Assemblywoman Rebecca Kassay with Lillie Crowder. Photo by Julianne Mosher

By Julianne Mosher

The seats of Theatre Three in Port Jefferson were completely filled on Sunday, Jan. 26 to witness the swearing in and inauguration of Rebecca Kassay to the New York State Assembly for District 4.

A local business owner and former deputy mayor of the Village of Port Jefferson, Kassay beat incumbent Ed Flood (R) last year in a tight race for the seat. District 4 covers several communities including Stony Brook, Setauket, Port Jefferson, Port Jefferson Station, Mount Sinai and Coram. 

The event featured guest speakers including Babylon Town Supervisor Rich Schaffer, Brookhaven Town Councilmember Jonathan Kornreich (D-Stony Brook) and Suffolk County Legislator Steven Englebright (D-Setauket). Administration of Oath of Office was provided by New York State Attorney General Letitia James and a special poem was read by civil rights activist and community organizer Lillie Crowder.

During her final remarks, Kassay thanked her supporters and all of the public servants before her. 

“I know that I carry on work that has been done so long before I was born and I’m working for the people who’ve not yet been born,” she told the crowd. “I’m working for the people who will never hear my name, but hopefully will feel the impact that I had along with these incredible leaders in our community and be better off from it.”

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