Authors Posts by Julianne Mosher

Julianne Mosher

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By Julianne Mosher

How can a modern-day Thanksgiving play not ruffle any feathers, especially in a politically correct society?

Suffolk County Community College’s latest production of The Thanksgiving Play is not what one might expect. In fact, it is pure chaos, but hysterical chaos at its best. 

Directed by Steven Lantz-Gefroh and written by Larissa FastHorse, the show consists of just four actors — Scott Dowd (Jaxton), Jerry Ewald (Caden), Michaela Fitzsimmons (Alicia or A-lee-see-ya), and Taylor D’Agostino (Logan). Set in an adorably relatable elementary school classroom, the four come in to start working on a culturally appropriate and politically correct play about the first Thanksgiving meal for kids. 

One slight problem — all the actors are white, and very woke, and they feel that they cannot ethically perform a historically correct production as they grew up with white privilege. They hire a “real” actress from L.A., Alicia, who they believe is Native American… only to find out in show business looks can be deceiving. 

FastHorse, who is the first female Native American playwright to have a show produced on Broadway, writes this clever satirical comedy with poise by serving up the hypocrisies of woke America, especially with topics like Thanksgiving, Native Americans and, dare I say his name? Christopher Columbus. 

Originally making its Broadway debut in 2023, it comes to the smaller stage at SCCC’s Ammerman Campus in Selden and showcases the raw, amazing talent of these four theater students. Each one has a very bright future set up for them. 

Dowd plays Jaxton, the yogi/part-time actor, who tries to always right his wrongs of being a straight, white male brings humor to the uncomfortable topic of race, especially when he’s tasked to be a part of something that needs to appeal to all people and cultures. Dowd plays the typical hippie who jumps on the bandwagon of whatever trend is going on, and he does it convincingly well.

Ewald plays Caden, a history teacher who has very serious feelings about Christopher Columbus, but also wants his side play writing performed by real humans. As in other SCCC performances, he makes the audience laugh with his slapstick shenanigans. That being said, we should highlight the choreographers for their realistic fight scene that will have you wince, but not look away.

D’Agostino plays Logan, the glue of the story, and the main protagonist who has to navigate these other personalities while trying to keep her job as a teacher in a new school district. But she’s also incredibly woke, and restricted by her overthinking and over producing. D’Agostino’s performance shines, definitely showing the leader that she is on and off the stage. 

And we can’t forget Fitzsimmons, who plays Alicia, the L.A. actress brought in by Logan as the team’s cultural compass navigating Native American culture (Logan saw headshots of her on her website wearing braids and turquois). Your standard L.A. actress, she plays the snotty, and kind of stupid, actress who relies mostly on sex appeal for parts amazingly well. Her facial expressions even when she’s in the background tell a story in itself.

Through satire and humor, this one-act show addresses the misrepresentation of Native Americans, the lack of indigenous casting and the challenges of accurately representing indigenous people in American society — all of which FastHorse experienced herself as a Native American playwright.

And you’re honestly just going to laugh from the moment the four performers step on stage. Throughout the show, we bounce back and forth between the scene in the classroom to small musical numbers relating to Thanksgiving. 

You’ll laugh at the humor, but also with how uncomfortable these conversations can be. So, even though it’s not Thanksgiving time at all, get in the spirit of cultural appropriation and white storytelling, and head over to SCCC to see this unique, hysterical and impressive show. You’re going to gobble it up.

The Theatres at Suffolk County Community College present The Thanksgiving Play in Theatre 119, Islip Arts Building Suffolk County Community College, 533 College Road, Selden on March 15, and 16 at 7:30 p.m., and March 17 at 2 p.m. General admission is $15, veterans and students 16 years of age or younger $10. SCCC students with current ID are offered one free ticket. To order, please call the box office at 631-451-4163.

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By Julianne Mosher

For what is now a quarter of a century, Theatre Three’s Annual Festival of One-Act Plays is a favorite tradition that should not be missed out on. 

Now in its 25th year, more than 12,000 submissions from playwrights across the country have been sent to the Port Jefferson-based theater over the years in hopes that their short, under 30-minute shows have a shot of being performed on stage. This season, Director Jeffrey Sanzel said there were over 2,000 submissions and just eight made the cut. Of those eight, none disappointed. 

For an-hour-and-a-half, during Sunday, Feb. 25th’s performance, the nearly sold-out audience sat quietly, engaged, watching, listening to what is about to appear on stage. The festival brings these little vignettes that are full of story — some that are hysterically funny, while others leave the room quiet because of how serious and emotional the act ends. 

The festival opens with Brian C. Petti’s Bovine Existential, with Linda May and Phyllis March playing two cows who are waiting in a slaughterhouse holding pen discussing fate, mortality and morality. Both May and March play the animals well, and while a serious topic of philosophy, they still had the audience in stitches. 

The second act features Deirdre Girard’s A Year to Grieve and at first the audience doesn’t expect what will eventually happen. We see Thomas (Evan Teich) and Heather (Brittany Lacey), two mystery crime writers working on Heather’s latest novel. The friendship between the two is sweet, until one decides to make fiction real. Both Teich and Lacey shine — as usual, since both are returning Festival performers. 

To lighten the mood, we’re sent to a tomb in Verona, Italy to see Juliet (Cassidy Rose O’Brien) who woke up from her slumber and didn’t kill herself with her fiancé’s dagger in Juliet Wakes Up by Laura Neill. Compared to the original Shakespearean tragedy, this is anything but. Quite frankly, this should be a whole show on Broadway, rather than the & Juliet musical that is currently out. I like this version better. Juliet is met by Rosaline (Julia Albino), her cousin, and Willow (Gina Lardi), the apothecary worker who sold the poison to begin with. The three ladies hatch a plan to hide Romeo’s (Jae Hughes) body after Juliet stabbed him to death, instead.

The first half ends with Rescue by Kevin Podgorski, and this one is not for the weak at heart. We’re introduced to Dot (Ginger Dalton), who has a large bruise on her face. She’s talking on the phone with her two friends, Maeve (March) and Allen (Andrew Markowitz), who are desperately trying to help her out of a toxic and dangerous home situation at the hands of her grandson, Charlie (Steven Uihlein) that Dot has been taking care of since his mother died. Powerful and sad, when the act ended there was a silence, with several audience members saying, “wow.”

After a brief intermission, we’re set in a car on a highway leading to the Colorado border for Aleks Merilo’s The Nearest Far Away Place. A young woman (Courtney Gilmore) hitch hiked a ride from Wisconsin by a man who eventually we learn is a corrections officer played by Rob Schindlar. Uncomfortable and nervous about what is waiting for her across state lines, the young girl tries to chat the man up, but quietly spoken, he has no interest until he begins talking about his own family and how he hasn’t spoken to his own daughter in years. With a serious undertone, it has its highlights that will make you laugh because of the two opposite personalities; Gilmore’s annoying teenage girl self (which we can all relate to somehow) and Schindlar’s stoic manly façade. 

A complete left turn into Lisa Dellagiarino Feriend’s The Curse, we’re taken into an alternate version of The Little Mermaid featuring a mer-man, Jeremy (Sean Amato) who was washed up on land and realizes he has feet. Turns out, an evil enchantress named Donna (his co-worker of all things) turned him human as punishment for his man-splaning over her during staff meetings. He only comes to this realization by Beth (O’Brien), a passerby who sides with Donna. After some serious plays beforehand, this one was funny and lighthearted, which is just what we needed.

In Grave Matters by Michele Markarian, Paula (Lardi) is at the grave of her father asking for a sign from him to get over the family drama since her parents had passed. Well, the dad didn’t show, but her mom, Beth (Dalton) came by instead. This one, again, has those serious undertones, but Dalton’s annoying motherly comments (that again, we can all relate to somehow) make it funny and surprisingly realistic — despite her being a ghost, of course.

And we end with the beautifully crafted The Hike to Hart Lake by Johanna Beale Keller which features Albino, Amato, Hughes, O’Brien and Uihlein as five friends who hike up a mountain in their 20s to a beautiful scenic view they never forget. Always saying they should all go back, life happens, there are deaths and slowly the group becomes one over the course of 80 years. While all five actors are standouts, Hughes had the audience in tears with their powerful monologue at the end of the performance. 

With a minimal set with just a few props moved around for each play, the costumes designed by Jason Allyn match each performance perfectly — and remember, we’re sent from present day, to the 14th Century and then into the future. So, buckle up, grab some tissues and make sure you sit in for The 25th Annual Festival of One-Act Plays. It isn’t just a show… it’s an experience you won’t want to miss.

Theatre Three, 412 Main St., Port Jefferson presents the 25th annual Festival of One-Act Plays through March 23 at The Ronald F. Peierls Theatre, on the Second Stage. All seats are $25. Please note: Adult content and language. Parental discretion is advised. To order, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

Before there was Rent, playwright Jonathan Larson had a one-man show drafted on several pieces of paper. A semi-autobiographical account of what it is like to be turning 30 and not having it all figured out, Theatre Three’s latest production is a story of friendship, growth and love in the years leading up to a mid-life crisis.

Beautifully directed by Jeffrey Sanzel, tick, tick… BOOM! features just three actors, but all of whom have a combined talent of a full theatrical ensemble. 

Larson, who is famed for creating Rent, tragically died just before the rock opera show’s opening night at age 35. tick, tick… BOOM! is the show Larson created before Rent was even a thought in the young artists’ mind. 

Originally penned in 1990, the initial production for tick, tick… BOOM! was performed by Larson as a solo show, but after his death in 1996, it was revamped by playwright David Auburn as a three-piece ensemble and premiered off-Broadway in 2001. A film adaptation directed by Lin-Manuel Miranda and starring Andrew Garfield as Jon was released by Netflix in 2021. Garfield won an Academy Award for his performance.

Based on Larson’s own life, the show starts off with Jon (Robbie Torres), an aspiring composer, who lives in New York City in 1990. Similar to Larson, he had been trying to make a name for himself in theater since the early 80s and he voices worry that he is turning 30 with no solid future in sight. He lives with his childhood friend, Michael (Jason Furnari), who is a marketing executive — and former actor before he “sold out” — in an apartment in SoHo. Susan (Veronica Fox) is Jon’s girlfriend who is a dancer who “teaches ballet to wealthy and untalented children.”

For years, Jon has been workshopping a musical he wrote called Superbia (which was a real unpublished play written by Larson discovered after his death) and he is nervous about how critics might take it. Susan starts to ask Jon if he’s willing to leave the city as she begins to dream of marriage, kids and Cape Cod. Meanwhile Michael knows Jon needs more stability and helps him snag an interview at his marketing firm. We see Jon’s day-to-day working at the Moondance Diner, catering to annoying tourists and customers as he just tries to finish his shift so he can go back home and continue writing.

Throughout the show, we begin to see the changes in his friends lives while Jon continues to feel stagnant as his 30th birthday nears closer and closer. The anxiety he feels penetrates in his chest and mind going “tick, tick… BOOM!.”

In typical Larson fashion, the set, designed by Randall Parsons, is minimal, but shows the grungy aesthetic that these starving artists were living in during the early 1990s. The cast is able to add furniture in certain scenes to give the appearance of different settings, and as a special treat, the band, which at Theatre Three is typically set off to the side, sits on stage with the cast and is part of the show. 

But what stands out the most are the performances of Torres, Furnari and Fox who work together in such harmony that you’d think the parts they are playing are real life. 

A music-heavy show with no intermission, Torres, Furnari and Fox do an excellent job of memorizing the words of Larson whose lyrics tend to be fast-paced and thought-provoking. A hit number of the night that had the audience applauding was “Therapy,” which features Fox and Torres “arguing” as a couple with two separate choruses intertwined together in a fast-paced rhythm. 

During the show’s opening night, the entire audience gave the cast a standing ovation which will undoubtedly happen again and again for all the upcoming shows. Don’t miss this one.

Theatre Three, 412 Main St., Port Jefferson presents tick, tick… BOOM! through March 16. Tickets are $40 adults, $32 seniors and students, $25 children (ages 5 to 12) and Wednesday matinees. The Mainstage season continues with Murder on the Orient Express from April 6 to May 4, and The Producers from May 18 to June 22. To order, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

The second annual Vogue in the Village Fashion Show is heading to Theatre Three in Port Jefferson this month so locals can strut their stuff in the latest styles from the village’s boutiques all for a good cause.

Scheduled for Thursday, Feb. 29 at 7 p.m., (on Leap Day), this year’s theme is appropriately titled “Leap Into Fashion.”

Hosted by the Greater Port Jefferson Chamber of Commerce and Theatre Three, the event follows a successful show last year. Barbara Ransome, director of operations at the chamber, said that last year’s ticket sales went back to supporting the chamber and their events. And while this is partly true this year, Ransome added that donations from the 2024 show will also go to the Town of Brookhaven’s Dress for Success program.

According to the Town of Brookhaven website, “Dress for Success Brookhaven is part of an international nonprofit organization that empowers women to achieve economic independence by providing a network of support, professional attire and the developmental tools to help them thrive in work and life.”

Since 1999, Dress for Success has helped over 6,000 women work towards self-sufficiency in the Town of Brookhaven.

Ransome said this a great way to get the word out about local stores like Fame & Rebel, Kate & Hale, The Smokin’ Gentleman, Ivory & Main, Sue La La Couture, Timber & Ties and Dr. G Sustainability Lifestyle. 

In addition, before the show and during intermission, a vendor’s marketplace with tables set up for different organizations, businesses and services will be held throughout the theater’s lower level. 

Douglas Quattrock, third vice president of the chamber and artistic associate and director of development at Theatre Three, said this year they have about 50 models coming out to get done up and sashay across the stage. “It has built up a lot since last year,” he said. “What I love is the community coming together.”

Along with local shops donating their services, local beauty salons like Fedora Lounge Boutique Hair Salon, The Hair Bar and Karasmatic Day Spa are planning to help out with hair and makeup before the show. 

The models are getting the full glam experience — men, women and even dogs.

Ransome noted that, like last year, dogs for adoption with Yorkie 911 Rescue will prance on stage wearing accessories from Fetch Doggy Boutique and Bakery on East Main Street. The 2023/2024 Ms. New York Senior America, Mae Caime, is also going to be a highlighted model.

“It’s one-stop-shopping the see the best of the village in one night,” Quattrock said. 

The 2nd Annual Vogue in the Village Fashion Show will be held at Theatre Three, 412 Main St., Port Jefferson on Thursday, Feb. 29 from 7 to 9 p.m. Doors open at 6:30 p.m. The vendor marketplace opens at 5 p.m. 

The first 100 ticket holders to arrive will receive a fabulous gift: a swag bag, filled with goods from the local merchants. Tickets are $20 cash and check, $25 for credit card and online. Donations for Dress for Success will be accepted at the event or online when purchasing tickets.

For more information, call 631-473-1414 or visit portjeffchamber.com/events-calendar/vogue-in-the-village-2024/

Rich Daly doing a live carving on day one at the Port Jefferson Ice Festival. Photo by Julianne Mosher

By Julianne Mosher

The 5th annual Port Jefferson Ice Festival didn’t disappoint, yet again, with hundreds of people coming near and far to enjoy this winter wonderland. 

Spearheaded by the Port Jefferson Business Improvement District and partnering with the, the festival gives visitors and residents a bunch of fun activities great for all ages. 

The common denominator each year is the fantastic ice sculptures created by Rich Daly — owner and ice sculptor with Ice Memories, based in Mastic Beach. Daly said he spends three weeks preparing for the two-day-long festival, creating 30 ice statues to distribute around Port Jefferson. From dogs outside Skinmed Spa to a cheeseburger outside Tommy’s, there is quite the variety. For this festival alone, Daly said he carved 225 blocks of ice (that’s 70,000 pounds) slated for the weekend.

The festival began Saturday, Jan. 27, and was supposed to go into the Sunday. However, a rainy forecast postponed the second day until this coming Sunday, Feb. 4. While disappointing for some, people who missed the first day can now have another chance to enjoy the festivities. Some of those festivities include admiring Daly’s sculptures around town, character appearances — Spider-Man and Barbie were spotted — and horse and buggy rides. 

But the biggest crowd draw is the three live ice sculpture experiences by Daly occurring throughout the day. 

Daly became the world’s fastest ice carver, according to Guinness World Records, back in 2013. 

“I carved 18,000 pounds of ice into 61 different carvings in two hours and 52 minutes surpassing the old record by over an hour and a half,” he said. “So now we’re 11 years in, and it’s still my record, thankfully.”

Last Saturday, Daly stood with a 300-pound block of ice in the Meadow Parking Lot behind PJ Lobster House with nearly 100 people and children cheering him on. He took his ice pick, carved out a rough design of a dove and then started up his chainsaw to carve out the bird. In under 30 minutes, the bird was ready and admirers could be photographed with the new creation.

This year’s Port Jefferson Ice Festival will have its grand finale on Sunday, Feb. 4, featuring all-new ice designs throughout the village along with Daly’s live carvings. Parking is free.

By Julianne Mosher

The John W. Engeman Theater’s latest production of Frozen Jr. will give you chills.

Directed and choreographed by Keith Jones, costumes and wigs by Laura McGauley, and production/set design by Orion Forte, you’ll be taken into a winter wonderland as soon as you step into the Northport-based theater. With a solid cast of children doing Broadway-level work, the production showcases an extremely talented cast who clearly love what they do and are having a blast. 

The story follows two inseparable sisters who are princesses in the kingdom of Arendelle. The eldest, Elsa (Mia Ponticelli), was born with magical powers that allow her to create ice and snow. But as a young child, she doesn’t know how to control her powers and while playing and building a snowman with her sister, Anna (Gabby Blum), she accidentally hurts her. 

While Anna is healed by the mysterious Hidden Folk (spiritual forest people), their parents decide it would be best to protect Anna by keeping the two apart.

Anna has no memory of the accident and does not understand why her sister avoids her, locked away in her room wearing her silk gloves. A few years later, while the parents are lost at sea, Elsa continues to stay away, keeping her secret hidden from her sister and the outside world, afraid to harm another person again.

Ten years have passed and it is time for Elsa to become Queen, but on coronation day her magic unintentionally brings an eternal winter to the kingdom. Accused of sorcery by Anna’s fiancé, Hans (Liam Polani), she flees into the mountains to hide. Anna enlists the help of Kristoff (Quinn Oliver Lessing) the icemaker to help her find her sister and free Arendelle from the spell. This is a true story of love and acceptance that will thaw the coldest of hearts.

Blum and Ponticelli’s parts are not easy. Originally played in the movie by Kristen Bell and Broadway legend Idina Menzel, the songs require a lot of training and breathwork — both of which these young starlets have. 

But we can’t forget two supporting characters who bring a lot of laughs — Sven, (Brady Goldman and Liam Von Schmidt, interchangeably), and the lovable Olaf (Michael Deaner and Luca Silva) who loves warm hugs. 

In the sold-out audience during the Sunday, Jan. 28 performance, young ticket holders dressed head to toe in their favorite Frozen attire — many Elsa’s, Anna’s and even an Olaf. That being said, when Elsa does a quick change at the end of “Let It Go” into her signature sparkling blue gown, the audience gasped and applauded. 

The set is minimal, but is welcomed by animated projections on a screen towards the back of the stage depicting different locations in the Kingdom of Arendelle including the inside and outside of the castle, the snowy mountains and Elsa’s ice castle. You might even see some real-life snow fall. 

When the show is over, a great photo opportunity is available in the lobby with the entire cast of the show. The cast will even sign autographs.

Overall, this family-friendly production tells the tale of love, loss, friendship and family, with plenty of laughs in between. Don’t miss out. 

Frozen Jr. will run until March 3. Tickets are $20 and can be purchased by calling 631-261-2900, going online at www.engemantheater.com, or by visiting the Engeman Theater Box Office at 250 Main Street in Northport.

The most relatable comedy you will ever see

By Julianne Mosher

The John W. Engeman Theater’s latest produce is perfect… and it should definitely not change.

During Saturday, Jan. 20’s performance of I Love You, You’re Perfect, Now Change, the Northport-based theater was full of nonstop laughs thanks to the four-piece ensemble on stage. 

Starring Gina Naomi Baez and Lauren Weinberg as the two main women and Danny Bernardy and Jason SweetTooth Williams as the two men, this witty musical tackles modern love in all forms in separate vignettes per scene. 

Originally premiering off-Broadway in 1996, the show ran for 12 years, making it off-Broadway’s second longest running show. It has since premiered in a dozen countries and has been translated all over the world. 

Directed and choreographed by John Simpkins, the show starts off with the four playing your general everyday people looking for love. The unnamed people sing about the hopes and dreams of their upcoming date that they each get dressed and ready for, “Cantana For a First Date.” Immediately after, we see Baez and Bernardy chat it up after meeting in person for the first time after an online dating match.

The relatability of these songs and scenes is painful — in a good way. For those in long-term relationships, you’ll cringe being reminded what it was like on the dating scene. For those still single, you’ll nod along in agreement to everything they complain about. 

Matt DaSilva, who was Williams’ understudy during Saturday night’s performance, was stellar in his scenes, notably the third song about two awkward people on their first date. The fact that each actor was able to change characters per scene with ease was impressive — each having their own story to tell.

Other standout songs and performances came from “Men Who Talk and the Women Who Pretend They’re Listening,” “The Lasagna Incident,” (with a beautiful ballad sung by Weinberg that shows off her phenomenal range), and “And Now the Parents.” You can guess what each of those songs are about and how they relate to dating. 

But the musical isn’t only about looking for love. They capture the wedding day, a typical night for a married couple, childbearing and even death, too. 

One number, that was sweet and funny, was “Funerals Are For Dating,” featuring Baez and Bernardy who hysterically played two old timers meeting at an acquaintance’s funeral. Bernardy tries to pick the mourning woman up and laughter ensues. However, it will leave you smiling because for such a funny moment mixed with sadness (talking about their deceased partners), you’ll smile at the sweet sentiment the end of the number provides. 

However, it’s not entirely sweet. This show is definitely not recommended for someone who might be a prude. Other topics tackled are unhappy sex lives and why men send women pictures of their penis. Adult language and content are prevalent. 

With a beautifully designed set, you will surely be impressed the moment you sit down. A setting described as “a city near you,” the backdrop includes impressive buildings with windows to apartments, and throughout the stage, different living rooms and bedrooms are set up for the appropriate skits.

From the looks of the rooms to the costumes and experiences, this show is going to make you say, “too true” in relation to your life. I can guarantee at least one of the scenes will relate to you and your partner in any stage of your relationship.

Tip? Bring someone on a first date! Remind them what they’re in for…

The John W. Engeman Theater, 250 Main St., Northport will present I Love You, You’re Perfect, Now Change through March 3. Tickets are $80 for Wednesday and Sunday evenings; $85 for Thursdays; $90 for Friday evenings, Saturday and Sunday matinees; and $95 for Saturday evenings. Tickets may be purchased by calling 631-261-2900, going online at www.engemantheater.com, or visiting the Engeman Theater Box Office at 250 Main Street, Northport.

Update: Because of the rain on Sunday, January 28, the second part of the Port Jefferson Ice Festival will be held on Sunday, February 4 from noon to 5 p.m.

By Julianne Mosher

Back by popular demand, the fifth Annual Ice Festival is heading back to the Village of Port Jefferson on January 27 and 28 from noon to 5 p.m.

Hosted by the Port Jefferson Business Improvement District (BID) in partnership with the Greater Port Jefferson Chamber of Commerce, the festival is a fan favorite that bring hundreds in to admire and pose alongside handcrafted ice sculptures created by Guinness Book World Record holder ice carver Rich Daly.

But that’s not all. According to Barbara Ransome, director of operations at the Port Jefferson Chamber, there will also be a new horse-drawn wagon available for rides (fee) and the now-sold-out Mac and Cheese Crawl.

Visitors can enjoy live music, performances by local Shine Dance Company, ice skating demos at the Rinx as well as character photo opportunities and interactive games (cornhole, bowling and tic tac toe) — made out of ice, of course.

Daly, who has been the star of the festival throughout its entire run, said that this year will be “bigger and better than ever.”

“We have about 200 blocks of ice ready for both days,” he said. “And while the ice is awesome, there are a lot of activities for families to do in Port Jeff, so it’s a great event.”

Daly said that on Saturday alone, there will be about 30 sculptures around town outside different Port Jeff shops. Sunday there will be another set ready to photograph with. 

And these are not small statues. The famed interactive graffiti ice wall set up in the Frigate parking lot stands large enough for a whole family to pose with, but what’s most fun to watch are the live ice carvings done by Daly in the flesh.

On both days, there will be three live ice carvings starting at 12 p.m. at Mill Creek Road, 2 p.m. at the Meadow Parking Lot and 4 p.m. at Pocket Park. Each carving lasts at minimum an hour. 

As founder of Ice Memories Inc. based out of Mastic, Daly is one of only eight certified master carvers in the U.S. Since starting Ice Memories in 2000, Daly has won over 200 ice carving competition titles and received the Guinness World Record for carving 60 ice sculptures in under three hours. 

Compared to previous festivals which included Olaf from Frozen, a turtle and a lighthouse, “There will be new characters this year like Spider-Man and Barbie,” Daly said. However, this won’t be your typical doll-sized blonde fashionista.

“She’s going to be a big girl,” Daly laughed. “She’ll be about 6-feet-tall and start off at 2,400 lbs of ice.”

A rain date is set for Feb. 3 and 4. The event and parking are free for both days. For a full schedule and map of events, visit www.portjeffchamber.com. For further information, please call 631-473-1414.

Marc Perez

By Julianne Mosher

Not only is Marc Perez an executive for Bank of America Long Island, but he has been recognized for being an active local leader and community servant striving to help others.

After initially joining the Bank of America team in 2000, Perez was named president of Bank of America Long Island – based out of Melville – in September 2021. As president, he leads initiatives to positivitly impact Long Island communities while aligning volunteer efforts for the more than 1,200 employees across the island. 

Marc Perez volunteers at Long Island Cares.
Photo courtesy Long Island Cares

In addition, he is responsible for delivering access to the capabilities of Bank of America’s eight lines of business to help enhance the well-being of the people, businesses and institutions that call Long Island home. Perez also serves as a market executive for Bank of America Private Bank, delivering responsible growth and client satisfaction. 

“Over his 20-year career at Bank of America, Marc has established deep relationships with teammates, clients and the Long Island community,” Brian Moynihan, chief executive officer of Bank of America, previously said in a statement.

As a 20-year resident of Northport, Perez has also dedicated himself to his community – a passion he shares with his family, and that he often combines with his role at Bank of America.

“I have always admired the passion of people who volunteer and who dedicate their career to serve,” Perez said. “Volunteering of your time, effort or expertise is critically important – helping people in need helps empower our communities.”

Perez has served as a board member of Long Island Cares for seven years, but his involvement with this nonprofit dates back more than a decade. 

“Along with my wife and two daughters, we have participated in several Long Island Cares volunteer initiatives, including food drives and collections to assist families in need,” he said. “Additionally, in my role as [Bank of America] Long Island president, I have the great opportunity to partner with local nonprofits to advance initiatives like the Power Up! program with the United Way of Long Island and Bold Future Leaders with Girls Inc.”

Perez said that this year, the Bank of America team on Long Island volunteered approximately 9,000 hours and Bank of America was able to provide funding, as well.

“Together, it’s the impact of both that makes me most proud,” he said. 

Under Perez’s leadership and connections, his team has consistently supported initiatives in partnership with Long Island Cares, Island Harvest, Girls Inc., Habitat for Humanity and more. 

This past year, Perez said he has two special memories of his volunteerism. 

“It was an honor to be able to meet and speak to graduates of Island Harvest’s Workforce Skills Development Institute, a program that Bank of America helped to launch,” he said. “Engaging with the graduates, their families and the people involved in the program was inspirational and uplifting knowing that these graduates will go on to prosper in a new career.”

His second favorite memory? When he and his wife, Maryann, helped prepare Thanksgiving meals for Long Islanders in need. 

“Not only do these moments keep me coming back to volunteer often but participating in these events helps fulfill a duty we all have to make our communities better for us all,” he said. 

But just because 2023 is nearing the end, that doesn’t mean his community service stops, too. This coming spring, under his leadership, Bank of America will be hosting a Clean Up Day in cooperation with Habitat for Humanity in the Riverside community. 

“There is no doubt in my mind that volunteering is motivating,” he said. “If you can get involved in volunteer work, I recommend that you find an organization whose mission you support and join their efforts.” 

While running a company, managing a team and being a dad to two kids, Perez said that any spare minute of volunteering is 100 percent worth it. 

“I realize that time is precious, since people have responsibilities at home and at work. However, every time I volunteer and give back, I am grateful to have contributed to building up our community,” he said. “There’s nothing like the feeling you get after positively impacting the lives of others. To quote Maya Angelou, ‘I have found that among its other benefits, giving liberates the soul of the giver.’”

For his considerable volunteer work, Marc Perez is honored as a TBR News Media 2023 Person of the Year.

The popular holiday show has been extended to Jan. 7.

By Julianne Mosher

Frosty the snowman is a fairytale, they say. He was made of snow but the children know how he came to life one day. This long-time holiday favorite is now playing at the Engeman Theater in Northport and it’s certainly one you need to bring the kids to.

This modern take on the classic tale brings the holiday musical to life with catchy sing-a-longs and plenty of audience participation. Directed by Andrew McCluskey with stage manager and choreographer Jillian Sharpe, Frosty is not only wholesome, but shares important messages of friendship.

The show starts off with narrator Candy Kane Carolyn (Caroline Meyers) who gives the lay of the land in Chillsville — a little town with a population of about 500 that’s always covered in snow. It’s the townspeople’s favorite thing. She introduces us to Jenny (Natalie Seus), the mayor’s daughter, who loves to play outside, but usually by herself. She doesn’t have many friends. 

With the help of her father (Terrence Bryce Sheldon), they build a snowman in the park and name him Frosty. The mayor gives Jenny his scarf that she eventually puts onto the snowman, and because there was so much love in that piece of fabric, Frosty (played by Patrick McCowen) comes to life. 

We’re introduced to Ebenezer Pierpot (played last weekend by swing actor Christina Cotignola, but typically Jae Hughes), the president of Pierpot Enterprises — a manufacturer of snow shovels, snowblowers, and ice scrapers — who want to build a bigger factory in the park but can’t do that with all the snow. During a meeting at town hall, Pierpot tricks the mayor into signing a contract to build a machine that will melt all the snow in the town, putting Frosty’s life in jeopardy. They describe it as a giant outdoor dehumidifier. 

As the weather gets warmer, Jenny must come up with a plan to save the town and make sure her new friend Frosty doesn’t melt away.

Frosty is full of fun surprises, but the best part of all is seeing the enthusiasm on the children in the audience’s faces. What is so special is that as soon as you sit down, the actors on stage start to interact with the kids, asking them questions, making them sing along and even asking for advice. They call on them to tell the rest of the audience what ideas they have throughout the show which could help Frosty and his friend.

Being included in the conversations on stage definitely make the children sitting in the seats below feel validated and important, like they are part of the show as well.

Meet the cast in the lobby after the show for pictures and autographs. An autograph page is conveniently located at the back of the program. 

The John W. Engeman Theater, 250 Main St., Northport presents Frosty, which has been extended through Jan. 7. Running time is 90 minutes with a 15-minute intermission. 

Children’s theater continues with Disney’s Frozen Jr. from Jan. 27 to March 3, and Alice in Wonderland will follow on March 26 to April 28. All seats are $20. For more information or to order, call 631-261-2900 or visit www.engemantheater.com.