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John Broven

By John Broven

John Broven with the ARSC Lifetime Achievement Award.

During my 30 years living on Long Island, I have been fortunate to travel to places south, west and north in the United States, but never to the heartland. 

So, with a curious mind, it was an easy decision to attend the Association of Recorded Sound Collections annual conference in Tulsa, Oklahoma, May 14-17.

One of the panels revolved around my favorite subject, the independent record industry from the post-World War II years onward. This is where rock ‘n’ roll music was born. 

My presentation was accepted on “The Pioneering Black NYC Record Men, with a Nod to New Orleans.” This was based on my taped interviews with Bobby Robinson of Harlem in 1986 and New Orleanian Harold Battiste, then living in Los Angeles in 1975, also including Juggy Murray of New York. Interview excerpts were embedded in an accompanying video professionally prepared by Debbi Scott Price of Stony Brook. 

Robinson captured the street beat sound of Harlem from the 1950s blues and vocal group era to hip hop in the late 1970s. In 1959, he had a national No. 1 record on the pop charts with “Kansas City” by Wilbert Harrison. Murray was responsible for breaking Ike and Tina Turner’s very first hits on the Sue label and his recordings were a bedrock of the British 1960s Mod era. While on the West Coast, Battiste established the careers of Sonny & Cher (“I Got You Babe”) and Dr. John. How lucky was I to meet and get to know these great record men.

To the heartland

And so on a chilly May 14, I set out for Tulsa. The Long Island Rail Road train from Stony Brook was on time and I disembarked at Woodside station for LaGuardia Airport. There, with suitcase and bag in hand, I was confronted by an impossibly steep staircase, probably unchanged since Victorian times. Happily, a kind gentleman grabbed my case and we found our way through the bustling streets to the free bus to LaGuardia. He turned out to be a Kenyan citizen now living in Texas, and our British Commonwealth backgrounds created an immediate bond. 

The Delta Air Lines direct flight to Tulsa was slightly delayed but we arrived on time at the “oil capital of the world.” A courtesy shuttle bus was arranged by the Hyatt Regency Hotel. Here, in early evening, was my first taste of Oklahoma. The vegetation was surprisingly green, yet I was mindful of the hurt of the Dust Bowl era, also the American Indian heritage. 

During the conference, we visited Leon Russell’s Church recording studio, which is still active. In its time, George Harrison, Eric Clapton and Stevie Wonder have all recorded there. Oklahoma itself has deep music history ranging from the western swing of Bob Wills, Black bandleaders Ernie Fields and Roy Milton to the folk music of Woody Guthrie and the mesmeric rock of J.J. Cale. A film screening of “Johnny Cash at Folsom Prison” was also arranged. 

I couldn’t resist the invitation of distinguished German record collector, Dr. Rainer Lotz, to a gourmet meal at the best restaurant in Tulsa, the FarmBar. We had a “traditional” five-course meal from local produce with the menu showing wine pairings from Oregon, Austria and France. Lotz, in his inimitable way, insisted that as we were in America, we must have all-American wine pairings. And the charming sommelier and her staff duly obliged. A splendid evening culminated in two couples at the adjoining table inviting us Europeans to join them for a final drink. When I said I didn’t realize that Oklahoma was so near to Texas, one of them quipped, “Yes, Texas is south of heaven.”

I managed to call in quickly into the Woody Guthrie and Bob Dylan centers. Sadly, I ran out of time to visit the Greenwood Rising Black Wall St. History Center, covering the appalling destruction of the Black part of town in 1921.

So what was it like for an East Coast “elitist” to be in the heartland? It was an eye opener. Not once did I see a lawn sign or banner promoting the current president, nor was he mentioned by any of the friendly locals. The only time I heard his name was when I caught up with the news on CNN and MSNBC. The Democratic strategists have work to do.

ARSC awards ceremony

The conference Closing Banquet and ARSC Awards Program was held on Saturday, May 17. It was an Oscar-like OMG moment when the Lifetime Achievement Award was announced to … John Broven. The citation included my books, writing for Blues Unlimited and Juke Blues magazines and my stint with Ace Records of London. 

In an impromptu speech, I thanked my fellow pioneering Brit writers and researchers — we were no more than keen amateurs with day jobs — who from the 1960s onward documented America’s great musical heritage. This award, essentially on their behalf, came from an organization whose membership includes representatives from the Library of Congress, the Smithsonian, major universities and public libraries. In my later years, I am indebted to the staunch support of my late wife Shelley, the daughter of a record man. 

Riding on cloud nine, I made the journey back home Sunday to East Setauket. It took three hours to fly from Tulsa to New York. It took another three hours to get from Jamaica station to Stony Brook, courtesy of LIRR. 

Still, I was greeted by a garden with irises, lupines, foxgloves and dogwood tree in full bloom. And my kitchen had been beautifully repainted in Shelley’s favorite color. Life could not be grander for a lad who had grown up in austerity postwar Britain with a passion for American rock ‘n’ roll music. 

One of the first records I played on my return? It had to be Bob Wills and His Texas Playboys’ “Take Me Back To Tulsa.”

Author John Broven was copy editor at TBR News Media from 2006-24.

— All photos courtesy John Broven

Awardees from Setauket, Mattituck, Sag Harbor, Fort Salonga, and Garden City recognized

Preservation Long Island hosted an awards ceremony and reception on January 25 to honor individuals and organizations who have exemplified excellence in their efforts to preserve their community’s valuable historic resources. 

Held at Preservation Long Island’s headquarters gallery in the Old Methodist Church in Cold Spring Harbor, the evening brought together honorees and guests for a celebration of preservation excellence. Attendees enjoyed live jazz music, cocktails, and hors d’oeuvres while viewing historic paintings, artifacts, and antique furniture from Preservation Long Island’s permanent collection.

Preservation LI Board President Michelle Elliott Gokey welcomed guests and provided an overview of the biennial Preservation Awards that recognize extraordinary achievement in historic preservation across Long Island. 

Executive Director Jackie Powers, emphasized the significance of the awards and acknowledged the public officials in attendance, including Suffolk County Legislators Steven Englebright and Robert Trotta (both 2024 awardees), Huntington Councilman Dr. Dave Bennardo, Michelle McCarthy, Chief of Staff to Huntington Town Supervisor Edmund Smyth and Kevin Stuessi, Mayor of Greenport.

Guest presenters awarded certificates to the recipients of Preservation LI’s 2024 Preservation Awards and the 2024 Howard C. Sherwood Award:

1. Project Excellence Award: The Hawkins-Elzon House Restoration: Presented by Zachary Studenroth, Architecture and Preservation Consultant

The Safina Center received recognition for restoring the Hawkins-Elzon House, which now serves as the nonprofit’s headquarters. The award was presented to Carl Safina, founder of the Safina Center, and New York State Legislator Steven Englebright, both in attendance.

2. Organizational Excellence Award: Suffolk County for the Preservation of Owl Hill: Presented by Tara Cubie, Preservation Director, Preservation LI

Suffolk County was recognized for preserving Owl Hill, a 1907 mansion and 27 acres of open space in Fort Salonga, protecting it from redevelopment. Legislator Robert Trotta accepted the award on behalf of the county and County Executive Romaine. Also in attendance was Richard Martin, Suffolk County Parks Department Director of Historic Services. Independent historian Corey Geske was acknowledged for identifying the home’s renowned architect.

3. Project Excellence Award: The Church, Sag Harbor: Presented by Jeremy Dennis, Lead Artist & President, Ma’s House & BIPOC Art Studio

Artists April Gornick & Eric Fischl, along with Lee Skolnick & Jo Ann Secor of Skolnick Architecture, were honored for their leadership in transforming a 19th-century Methodist church into a vibrant arts and cultural hub. The award also recognized the site’s landscape design and amphitheater by renowned landscape designer Ed Hollander, accepted on his behalf by Jackie Powers.

4. Project Excellence Award: Mattituck Creek Tide Mill: Presented by Tara Cubie

The restoration of the historic Mattituck Creek Tide Mill was celebrated, with the award presented to Anthony Martignetti, a restauranteur, author, and designer. The careful restoration, undertaken with contractor Glenn Heidtmann of Heidtmann and Sons, was conducted under guidance from the New York State Historic Preservation Office. The Old Mill is set to open as a restaurant in Spring 2025.

5. Howard Sherwood Award for Preservation Advocacy: Brian Pinnola (Posthumous): Presented by Architect Paul Bentel

The evening concluded with a special tribute to Brian Pinnola, a devoted advocate for historic preservation, former board member of Preservation Long Island, and past president of The Garden City Historical Society. Brian’s lifelong dedication left a lasting impact on the community. The award was accepted in his honor by his partner, Maureen Soltren.

Photos by Len Marks Photography

Louis Jordan

By John Broven 

The Jazz Loft at Stony Brook will be presenting an illuminating doubleheader on Friday, Nov. 15.

The main event will be the “Louis Jordan Tribute” starting at 7 p.m. Danny Bacher, also a soprano saxophonist, will be singing many of Jordan’s hits of the 1940s including “Caledonia,” “Choo Choo Ch’Boogie,” “G.I. Jive” and “Let The Good Times Roll,” accompanied by an all-star group of musicians.

In effect, Jordan introduced the small swing combos which took over from the big bands, popularized the saxophone as a lead instrument and made music fun.

Initially, at 6 p.m., music author John Broven of East Setauket will give a presentation entitled “Who Is Louis Jordan?” Included will be a video outlining Jordan’s impactful history, featuring film clips and excerpts from the artist’s key recordings, prepared by Debbi Scott of Stony Brook.

The evening will bring into focus the influential music of Louis Jordan, an all-time American great and Rock and Roll Hall of Famer.

Tickets to the 6 p.m. event are $10 per person. Tickets to the 7 p.m. event are $30 adults, $25 seniors, $20 students, and $15 children ages 6 and up at www.thejazzloft.org.

The Jazz Loft, which features a Louis Jordan exhibit in its museum, is located at 275 Christian Ave., Stony Brook. For more information, call 631-751-1895.

Photo from The Jazz Loft

The Jazz Loft, 275 Christian Avenue, in Stony Brook, is offering a November line-up of concerts that should “fall” onto your autumn calendar! 

 

Friday, November 1 at 7 p.m.

Ray Anderson & Tom Manuel Present Chatter Jazz!

Quintet featuring Tom Manuel, cornet, Ray Anderson, trombone, Dario Chiazzolino, guitar, Andrea Veneziani, bass and drums soon TBD

Tickets: $30 Adult, $25 Senior, $20 Student, $15 Child, FREE Child (5 and under)

 

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Radam Schwartz

Saturday, Nov. 2 at 7 p.m.

Radam Schwartz on organ; David F. Gibson, drums; Bryan Carrot, vibraphone; Mike Lee, tenor sax. Hammond B3 Organist and Jazz pianist, has built his reputation over the last 35 years playing with such great musicians as Arthur and Red Prysock, Eddie Lockjaw Davis, Al Hibler, David Fathead Newman, Russell Malone, Cecil Brooks III and Jimmy Ford. He continues to make music history today playing with renowned artists, Bill Saxton, Iron City, The Spirit of Life Ensemble and many others.

Tickets: $30 Adult, $25 Senior, $20 Student, $15 Child, FREE Child (5 and under)

 

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Jerry Costanzo

Thursday, Nov. 14

Jerry Costanzo & The Gotham Swingers

Costanzo performs music from the Swing Era, to the Rat Pack Stylings of the 1950’s and 60’s, with a smattering of tunes from classic TV and film, to create a unique, fun experience for our dedicated fans.

Tickets: $30 Adult, $25 Senior, $20 Student, $15 Child, FREE Child (5 and under)

 

Friday, November 15 at 6-6:45 p.m.

Jazz 101: Who Is Louis Jordan? $10 ALL, no discounts. Tix limit 20. Noted author John Broven will be the speaker. 

 

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Danny Bacher

Friday, November 15 at 7 p.m.

Louis Jordan Tribute

Danny Bacher, Vocal & Alto Sax; Tom Manuel, Trumpet; Rich Iacona, Piano; Eric Kay, Tenor Sax; Jon Mele, Drums; Steve Salerno, Guitar

Tickets: $30, $25, $20

 

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Champian Fulton

Saturday, Nov. 16 at 7 p.m.

Champian Fulton Trio

A Jazz pianist and vocalist for more than 20 years, she has released 18 albums as a leader and has performed in more than 25 countries, both in concert and on TV. She has been recognized with numerous awards, including Album of the Year in the NYC Jazz Record (2018, 2020, 2023) and Pianist and Vocalist of the Year (2019) by Hot House Magazine. She regularly appears in both the Jazz Journalist Awards and Downbeats Rising Star Critics Poll.

Tickets: $30, $25, $20

 

For tickets and more information visit https://www.thejazzloft.org or call 631-751-1895.

Image by Ray Miller from Pixabay
John Broven. File photo by Diane Wattecamps
By John Broven

How should I travel to the recent Association for Recorded Sound Conference in Pittsburgh? Although the air flight from New York is short, I was shocked when I found the round trip would cost up to $500. A 430-mile car journey didn’t come into consideration.

Following a quick call to Amtrak and after negotiating the inevitable automated messages, I was quoted a return fare of $133.20 on the daily Pennsylvanian train.

After checking the Long Island Rail Road app, I found the connections between Stony Brook and Penn Station were workable, even if it meant all-day journeys to and from Pittsburgh on a Wednesday and a Sunday. I had the time.

With the booking made, I wondered how much extra a business-class seat would cost. When I was quoted $116.40 for the privilege, I accepted with alacrity. Why not travel in comfort? The total outlay was still half the price of an air flight without the hassle of going through LaGuardia Airport and the rest.

The 7:43 a.m. train from Stony Brook arrived on or close at Penn Station. After a short hike through the building site that is one of the premier U.S. rail stations, I arrived at bustling, brand-new Moynihan Train Hall in plenty of time for the 10.58 a.m. Amtrak train to Pittsburgh. We headed south on a perfect sunny day through New Jersey to Philadelphia before we veered west via Lancaster and Harrisburg. “This beautiful farming countryside is Trump country,” I mused to myself.

With a compelling book to hand, Mack McCormick’s “Biography of a Phantom: A Robert Johnson Blues Odyssey,” detailing the author’s travails through 1960s Mississippi in search of family and friends of the country blues legend, the hours flew by.

The business-class carriage was located next to the café car. The meals were hardly haute cuisine, rather adequate comfort food that was washed down with acceptable Pinot Grigio wine.

At one point, the conductor excitedly announced that we were approaching the World Famous Horseshoe Curve where Irish immigrant workers in the 1850s had constructed rail tracks from the side of the Allegheny Mountains. It was a sight I would never have savored from 35,000 feet in the air.

On past Amtrak trips, my trains had been held up for longish periods by freight convoys, including the Tropicana orange (blossom?) special from Florida. Passenger trains, it appeared, were playing second fiddle to the more profitable freights. For certain, Amtrak has suffered for years from underinvestment, lack of political will and poor reputation. 

Still, our train, due in Pittsburgh at 7:58 p.m., was only 10-minutes late on a mellow sunlit evening. “Are there any taxi cabs at the station?” I asked the ever-polite conductors on my first visit to the reinvigorated Steel City. “Never seen any,” they said in unison. 

With my Uber app on the blink, I tried the iPhone map and was delighted to find it was just a 10-minute walk up Grant Street to the conference hotel.

The closeness should have been no surprise. Amtrak rail and Greyhound bus stations were invariably built in or near city centers, not miles away on the outskirts. I found out later that taxi fares from the airport cost $60.

The music conference, after the pandemic hiatus, was good. Aside from seeing record-collecting and archivist friends old and new, there were excellent presentations on Harlem’s Apollo Theatre, pioneering blues pianist Leroy Carr and Pittsburgh disk jockey Porky Chedwick. A personal highlight was seeing the film, “How They Got Over: Gospel Quartets and the Road to Rock & Roll,” including a stunning black-and-white clip of the Consolers husband-and-wife duet from some 60 years ago. 

And so the return journey to New York, starting out at 7:30 a.m., was more of the pleasant same, although on this occasion the Horseshoe Curve view was obliterated by, you guessed it, a freight train coming in the opposite direction.

Downhill with LIRR

The scheduled 4:50 p.m. Amtrak train arrived some 10 minutes early at Penn. There was a 5:10 LIRR train which meant a modest wait at Huntington for a Port Jeff connection but it avoided another change of train — and track — at Jamaica.

From here on, the journey went rapidly downhill. My trolley bag, indeed any suitcase, would not fit into the overhead rack. There was one pull-down seat but the space was taken up by a bicycle zealously guarded by its owner. I knew I would not be permitted to block the carriage walkway with my case. What to do? Luckily, a kind lady from Hudson Valley, on her way to JFK airport and London, made room for my bag — and me.

Consider this: LIRR is serving one of the world’s major airports yet is almost totally commuter focused. There is little or no thought given to travelers and their luggage. “Oh, for Amtrak’s business coach class,” I thought.

We arrived at Huntington on the opposite platform to the scheduled Port Jeff departure. “Use the elevator,“ the conductor helpfully announced. Not so fast. The contraption had broken down, not for the first time in my experience. And so I had to haul the trolley bag and myself up and down one of the long footbridges.

The train eventually limped into Stony Brook “on time” at 7:34 p.m. My journey from New York, allowing for the 36-minute stopover at Huntington, had taken 2 hours, 24 minutes — in the year of 2023. High-speed rail, anyone?

Is there any better argument for the electrification of the Port Jefferson Branch line – which services prestigious and populous Stony Brook University — along with a complete review of the LIRR system? How long are North Shore residents going to put up with a third-world rail service? Will the proposed Lawrence Aviation rail yard at Port Jeff Station happen? Yet there is no sign of any positive movement in the Metropolitan Transit Authority capital budgets, as the aging diesel trains continue to pollute the environment and potential riders take to the road in this age of climate change. I cannot forget I was spoiled by superefficient European trains in my younger life. America is a wonderful country, as I saw on my trip to Pittsburgh, but it deserves a better rail system everywhere. Meanwhile, our local elected officials — state, county, town, village — of every stripe should continue to lobby LIRR, MTA and Gov. Kathy Hochul (D) for a 21st-century railroad for the future benefit of us all.

John Broven, originally from England, is a copy editor with TBR News Media, and author of three award-winning American music history books.

Her Majesty Queen Elizabeth II at the South of England Show in Ardingly in 1984 which our writer attended. Photo courtesy Mid Sussex Times/SussexWorld.co.uk

By John Broven

It was like a “JFK” or “9/11” remember-where-you-were moment when the news broke Thursday, just after 1:30 p.m. EST: “Queen Elizabeth II has died.” For this Brit expat, it was a big shock even though she was 96 years old. Only two days before, she had held the “kissing the hands” ceremony with new prime minister, Liz Truss (C). 

John Broven Photo by Diane Wattecamps

It became clear the queen’s loss was being felt far beyond the United Kingdom as tributes poured in from every corner of the globe, signaling the enormous impact of a 70-year reign during which she performed her often centuries-old duties with wisdom, dignity, gentle good humor and an essential mystique.

The new King Charles III, her son aged 73, caught the moment when he said in a statement, “I know her loss will be deeply felt throughout the country, the Realms and the Commonwealth, and by countless people around the world.”

I am a member of the knighted Mick Jagger-Elton John-Paul McCartney generation (where did I go wrong?). It was Jagger who summarized our thoughts when he tweeted, “For my whole life Her Majesty, Queen Elizabeth II, has always been there.” And now she isn’t. The second Elizabethan era is over.

The queen’s death Sept. 8 in Balmoral, Scotland, has been covered extensively by the media. Briefly, she was born in Mayfair, London, on April 21, 1926; married Philip, Duke of Edinburgh her pillar of strength on Nov. 20, 1947; became queen of the U.K. and other Commonwealth realms on Feb. 6, 1952, also head of the Church of England; was a working mother with four children including Charles; and owned a string of corgi dogs and racehorses through the years.

Such basic facts obscure the sweeping social and economic changes she saw in her reign, without revolution or revolt, from postwar austerity and the Swingin’ ’60s through to post-modern Britain, even as the sun set on the old British Empire. Soon the currency notes, coins and postage stamps bearing her likeness will be phased out and replaced. 

Personal reflections? My first big memory was in relation to the death of Elizabeth’s father, King George VI, in 1952 while she was on a trip to Kenya, East Africa. I was in Mrs. Vidler’s class at Polegate Primary School, East Sussex, and you could hear the proverbial pin drop when we were told “the king is dead.” A dark February Wednesday morning became even darker. In our childhood grief, we had no idea nor cared that the queen’s first prime minister was Winston Churchill. She was only 25 when ascending the throne. 

The coronation did not take place until June 2, 1953, but what a glorious affair it was with celebrations in every city, town and village. Some 20 million viewers were able to watch the glittering, expensive ceremony from Westminster Abbey live on television, with many households including ours buying their first TVs, in black and white.

As Jagger indicated, the queen was a constant, whether for the annual Christmas televised message that highlighted her strong Christian faith, the State Opening of Parliament, Trooping the Colour, the Royal Ascot and Epsom Derby horserace meetings, or various other occasions. 

I saw her in person twice, both during my management spells at Midland Bank, Haywards Heath, West Sussex, in the 1970s and ‘80s. The first occasion was when she visited the neighboring headquarters of the Royal Commonwealth Society for the Blind. Imagine my surprise when I was walking to my car after work and, with nobody else around, she passed by me in the royal vehicle with no motorcade or security guards in sight. I swear she gave a little regal wave. The next time was when she presented prizes at the South of England Show in Ardingly, where the bank’s meet-and-greet pavilion gave us a ringside view. There was a majestic aura that seeped from her as she beguiled everybody at the agricultural showground — as she did elsewhere in a long lifetime of public service.  

King Charles III 

What of King Charles III, who represents continuity and has made a promising start to his reign. An often unfairly misunderstood man, he has been ahead of his time on environmental matters, wildlife preservation and climate change. His views on architecture were more controversial if personal. On a different level, his image was severely dented by the disastrous marriage to Diana, with whom he had William now heir to the throne as Prince of Wales and current-U.S. resident Harry. Charles married longtime flame Camilla Parker Bowles in 2005 and she is now queen consort. Time has gradually healed the British public’s disdain toward them both.

It is not widely appreciated that Charles founded the Prince’s Trust. For a while I was a trust business counselor in Ashford, Kent, and can attest to the value of the scheme for young entrepreneurs. Another factoid is that he has been patron of The Goon Show Preservation Society. The website noted, in the spirit of the groundbreaking 1950s comedy show, that “we would like to thank Prince Charles for agreeing to be our patron and look forward to the coming years with trembling socks.”

Britain now has a novice king and a novice prime minister, both unelected by the people at large. There are difficult days ahead for a country badly hit by the coronavirus pandemic, the self-induced Brexit debacle, inflation currently running at 10% with soaring energy costs due to the Russia-Ukraine war, rumblings on the Scottish independence front, possible Irish trade confrontation, threatened departures from the Commonwealth and, indeed, concern for the future direction of the monarchy itself. 

Still, as President Joe Biden (D) and First Lady Jill Biden said in a statement, “Her Majesty Queen Elizabeth II was more than a monarch. She defined an era.” 

Thank you Queen Elizabeth II and God save the king. The state funeral, combining solemnity with pageantry, will be held Monday, Sept. 19, at Westminster Abbey, London, at 11 a.m. (6 a.m. EST).

East Setauket resident John Broven is subeditor and proofreader in the TBR editorial department and has written three award-winning music history books. He recently edited and contributed to “New York City Blues” by Larry Simon. His three Brexit articles can be found online at tbrnewsmedia.comWith thanks to Mark Dunford, editor of National World, and the website www.sussexexpress.co.uk/heritage-and-retro/retro/nostalgia-3691487

 

Members of the Brookhaven Redistricting Committee hear comments from the public at Comsewogue Public Library on Tuesday, Aug. 16.

The Brookhaven Redistricting Committee held a public meeting at Comsewogue Public Library on Tuesday, Aug. 16, to hear comments from residents across the township.

For the third straight week, citizens of Port Jefferson Station/Terryville presented a united front, urging the committee to keep the hamlet intact on the Brookhaven Town Council.

Logan Mazer, a Coram resident whose “map of least change” has received generally favorable reception in recent weeks among the public, addressed why he believes the proposed maps on the redistricting committee’s website would harm communities of interest.

“The two proposed maps make a few edits to the current boundaries that are clearly not acceptable,” he said. “The first, of course, is splitting up Port Jeff Station from the rest of CD1 and including [part of] Mount Sinai. This cannot stand and any new map that this commission considers and any map that the Town Council considers must reunite Council District 1.” He added, “Our priorities need to be keeping communities together.”

Charlie McAteer, corresponding secretary of the Port Jefferson Station/Terryville Civic Association, informs the committee of the historic ties between Port Jeff Station and Terryville. Photo by Raymond Janis

‘We have worked hard over the past 15 years … and all of this has been brought forth to get us to this point where we’re redeveloping our area as one vision, one hamlet.’

—Charlie McAteer

Among those in attendance who advocated for preserving Port Jefferson Station/Terryville within CD1 was Charlie McAteer, the corresponding secretary of the Port Jefferson Station/Terryville Civic Association.

“We are one hamlet,” he told the committee. “We have worked hard over the past 15 years — 2008 was the hamlet study for the Comsewogue district — and all of this has been brought forth to get us to this point where we’re redeveloping our area as one vision, one hamlet.”

Joining this cause was John Broven, an East Setauket resident, who compared the current redistricting process to that of 10 years ago. After investigating the 2012 process, Broven found that the committee then had worked collectively as an apolitical, independent unit.

Unlike 2012, Broven suggested that this year’s hearings have been marked by controversy and that he is “genuinely worried at the prospect of gerrymandering … along with the illogical splits between Port Jeff Station/Terryville and also Mount Sinai.”

Nancy Marr, president of the League of Women Voters of Brookhaven, outlined her own displeasure with how the hearings have been advertised to the public.

“In this case, the publicity to inform and involve people has been inadequate,” she said. “I hope next time it’s better. Despite many hearings that were scheduled, most people in Brookhaven Town did not know about them in time to come and participate.”

Shoshana Hershkowitz, a South Setauket resident and a statewide organizer for Citizen Action of New York, discussed the findings of the 2020 U.S. Census, which indicate the changing demographics of Suffolk County residents.

“It is clear that the population of New York state and the population of Suffolk County shifted dramatically,” she said. “We were at 19% minority communities in 2010. We are now at 33% in 2020. That is a 76% increase.”

Despite these demographic changes, Hershkowitz said the two proposed maps on the committee’s website target the two most diverse council districts in Brookhaven: Districts 1 and 4.

“Neither of these districts requires much change,” Hershkowitz said. “They’re both within that 5% deviation,” mandated under town code. She advocated for the transfer of territory from District 6 into District 2: “The logical thing is to move from 6 into 2. Do not disrupt these diverse communities.”

Gordon Heights Civic Association president E. James Freeman spoke on behalf of the residents of Gordon Heights, who presently reside in Council District 4. He reiterated that Districts 2 and 6 are the only ones requiring change, and that any proposal to expand Council District 4 into other areas of the town would dilute the voting power and disenfranchise the people of his community.

“We are always coming in here to be able to fight, to be able to be heard, to be able to be seen, to be able to be represented,” he said. “The weight of the many is often carried by the few. You don’t have a lot of faces in here that look like me but, believe me, things will still get done as long as we have a collective voice across all people.”

John Broven, left, celebrating the book’s launch with Larry Simon in Brooklyn. Image courtesy of John Broven

By John Broven

New York has been at the heart of international musical activity ever since the far-off days of Tin Pan Alley, from Broadway show songs through Brill Building pop to jazz, folk, mambo, doo wop, rock, disco, punk, rap/hip hop and other styles in between.

There was also a neighborhood blues scene. It has remained little known and scantily documented until now, with the publication of New York City Blues: Postwar Portraits From Harlem to the Village and Beyond by Larry Simon (University Press of Mississippi) which I have had the pleasure of editing. The period covered is from the 1940s through the 1990s.

The book’s cover (with guitarist Jimmy Spruill). Image courtesy of John Broven

For too long, New York has been under the shadow of major blues conurbations such as Chicago, Memphis and the West Coast. Many of the local artists made a familiar trek up the Eastern Seaboard, particularly from the Carolinas, as they escaped the segregated South looking for the bright lights of the big city.  

Simon, a Brooklyn-born guitarist, became interested in New York blues musicians in the 1980s after reading articles in Juke Blues, a highly respected British magazine. In search of new material, Paul Harris and Richard Tapp made trips with myself from England to the Big Apple in the mid-1980s through early ‘90s. The people we interviewed were hardly household names, certainly not to the public at large: Bob Gaddy, Larry Dale, Jimmy Spruill, Harlem record man Bobby Robinson, even songwriters Rose Marie McCoy and Doc Pomus — both of whom wrote hits for Elvis Presley.

Yet the Juke Blues stories struck a chord with Simon, so much so that he initiated a New York blues revival movement with Gaddy, Dale and Spruill, also Rosco Gordon (a famous Memphis R&B artist) and Dr. Horse (Al Pittman, who had been singing with the Ink Spots). Besides playing clubs in Manhattan and the Bronx, they even traveled to Europe to ecstatic reaction.

Realizing the importance of these artists and the stories they had to tell, Simon had the idea to write this first-ever book on the subject. “I had the foresight to interview the guys and have my photographer friend, Robert Schaffer, take pictures,” he said. “Thus began a 35-year odyssey that resulted in our just-published book, not to mention all our wonderful years of performing and touring.”

After I agreed to edit the book, which includes my scene-setting introduction, Harris and Tapp were brought on board. Harris contributed many photos mainly taken in the Harlem of the 1980s, while Tapp interviewed Bob Malenky, a guitarist with a fascinating story of New York’s underground blues activity. 

Larry Dale outside the Apollo Theatre, Harlem, 1986. Photo by Paul Harris.

At the last minute, we felt we needed a chapter on Tarheel Slim — another talented but overlooked East Coast blues guitarist. Step forward Val Wilmer, a noted U.K. jazz photographer and writer, who contributed her 1973 interview with Slim and his wife Little Ann, plus photographs. Then Wilmer came up with features on classic blues singer Victoria Spivey and country blues guitarist Larry Johnson.

Simon conducted last-minute interviews with important bluesmen Paul Oscher and John Hammond Jr., and with a location map designed by Debbi Scott Price, of Stony Brook, the book was ready to go.

While much of the New York blues activity was centered on Harlem, flowing out to Greenwich Village, the Bronx and Brooklyn, there was a respectable Long Island contingent. Local interviewees included record men Hy Weiss from Woodbury and Jerry Wexler from East Hampton, ballad heartthrob Arthur Prysock from Searington and Doc Pomus from Lynbrook. 

As a matter of interest, there is a Prysock exhibit on permanent display at The Jazz Loft in Stony Brook. Also featured in the book are no less than three photographs of the Celebrity Club in Freeport, a somewhat forgotten harbor of Black entertainment in the 1950s and ’60s. 

Said Tapp of his Malenky interview, “In the early ‘70s, Bob was a member of blues singer Charles Walker’s band. It was a hand-to-mouth existence with gigs being played in small Black neighborhood clubs in areas like the South Bronx and out onto Long Island where Malenky recalled clubs in Roslyn, Wyandanch and Huntington Station. They were tough times but, looking back, Malenky said he was proud of his association with Walker and I’m pleased that the story has now been told.”

Other people covered include saxophonist Noble “Thin Man” Watts and his wife June Bateman (a supremely soulful singer), the Rev. Gary Davis (the guitar maestro), Billy Bland (hit recorder of “Let The Little Girl Dance”) and Billy Butler (a master guitarist of “Honky Tonk” fame, an instrumental known to almost every working band). 

Sadly, time has caught up with almost every interviewee in the book, except Hammond and Malenky, so New York City Blues champions their memory rather than attempts to revive a long-gone scene. Moreover, Oscher, who once played harmonica with the famed Muddy Waters blues band, and photographer Harris both sadly died in April just prior to the book’s publication.

It is hoped that musicians of all ages will find suitable inspiration from the trendsetting artists who operated in the different and difficult social circumstances that bred the blues. Others can immerse themselves in YouTube to discover yet another stylistic element of the many timeless sounds of New York as they devour the words of pioneering blues people, record men and songwriters.  

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New York City Blues by Larry Simon, edited by John Broven, is available from usual book sources including Amazon.com. Broven is a member of the TBR News Media editorial staff and lives in East Setauket.

A Brit Reviews the UK’s Eventual Withdrawal from Europe

Stock photo

Part 3 of 3

By John Broven

When I started this series in March 2019, I wanted to give U.S. readers a Brit’s inside view on Brexit. The term has now become such common currency over here, rather like the Latin phrase “quid pro quo,” that all I need explain is that Brexit refers to Britain exiting the European Union, which it duly did Jan. 31 of this year. On the same date the U.S. Senate rejected further witnesses in the impeachment trial of President Donald Trump (R). It was hardly a red-letter day for western politics.

John Broven Photo by Diane Wattecamps

After publication of the first two articles, I was approached by residents of all age groups at the Stony Brook railroad station, in a deli, at a mall, in a coffee shop, at a party, even at an outdoor art show. Everyone expressed an intrigued interest in Brexit and, it’s fair to say, concern for my English home country. What on earth was going on? Why indulge in such potential self-harm?

When I left you with my June article, the United Kingdom and EU had agreed on another revised exit date, Oct. 31, but with no parliamentary majority the way forward was still far from clear. “Will there be a general election, second referendum, another EU extension or a hard no deal?” I asked.

It came to pass there was a general election Dec. 12 and a further EU extension to Jan. 31, with no second referendum or precipitous hard deal (to date). With the U.K.’s withdrawal from the EU, what happened in the interim?

A third prime minister in three years

For a start, on July 24, Boris Johnson achieved the prize he had wanted from his days as a privileged aristocratic youth at Eton College and Oxford University: the prime ministership of the U.K. After being elected as leader of the Conservative Party (also known as the Tories), he took over from the hapless Theresa May (C) who was unable to deliver on her promise to leave the EU after three years in the hot seat.

Brexit had thus claimed another victim, making Johnson the third prime minster since David Cameron (C) fell on his sword after a dismal and inept Vote Remain campaign during the June 2016 referendum.

Without a working majority, Johnson was confronted by a parliament determined to ensure that if Brexit happened there would be no hard deal. The new prime minister even tried, unsuccessfully, to suspend parliament for five weeks in an effort to stifle debate and ram through the withdrawal agreement by Oct. 31. Queen Elizabeth II was inadvertently embroiled when she dutifully signed the prorogation request of Johnson, who made the flimsy pretense of needing time to prepare for the Queen’s Speech, but the U.K. Supreme Court ruled otherwise. I suspect Her Majesty was not amused. 

There was clearly a power battle being fought between parliament and the prime minister, reminiscent of the current war of attrition between Congress and Trump. 

The generally pro-Brexit Tory Party, with its band of rabid hardliners, was armed with the 52-48 percent Voter Leave victory of the 2016 referendum. Amid calls from the Brexiters for “democracy” to be respected and with a definite all-round war weariness in the nation, it was clearly going to be difficult for the main opposition parties — Labour, Liberal Democrats, Scottish National Party and the Greens — to overturn “the will of the people.” 

At one time, the charismatic speaker of the House of Commons, John Burcow, even invoked an arcane 1604 parliamentary principle to stifle a government motion. (Think about it, that’s 16 years before the Mayflower landed on our shores.) However, the opposition could not find agreement among themselves for a unified approach, even with voting support from 21 Tory rebels. This rump included former Chancellor of Exchequer Philip Hammond, Father of the House Ken Clarke and Sir Winston Churchill’s grandson, Nicholas Soames. Incredibly these respected establishment figures were thrown out of the Tory Party in petulant retribution. You see what I mean about parliamentary drama.  

With time running out, the EU begrudgingly extended the Oct. 31 deadline to Jan. 31 after a last-minute fudged agreement with Johnson over the vexatious Irish border backstop question.

December general election

Parliament was still in deadlock, but eventually a general election was called for Dec. 12. Campaigning on a resonating “Get Brexit done” ticket, Johnson won a huge working majority of 80 seats to break the parliamentary impasse. His Conservative Party brushed aside the Labour Party and Liberal Democrats, also Nigel Farage’s Brexit Party. Labour, in its worst general election result since 1935, ignominiously saw the demolition of its “red wall” in the industrial north of England, the traditional home of socialism. The Lib-Dems, under Jo Swinson, went all out with a remain message. Yet this bright young leader couldn’t articulate on the stump the benefits of staying in Europe and she even lost her own parliamentary seat. 

The main opposition winners were the Scottish Nationalist Party, under Nicola Sturgeon, which swept Scotland. Watch out for a possible future referendum for Scotland to leave the U.K. and become a member of the EU. 

Richard Tapp, of Burgess Hill, West Sussex, added in an email, “Besides the Scottish Nationalists, the pro-EU parties in Northern Ireland also did well, at the expense of the pro-Brexit Democratic Unionist Party whose leader in Westminster lost his seat to the nationalists of Sinn Fein who campaign for a united Ireland — and so remain in the EU.” 

Johnson had targeted the disaffected, forgotten part of the nation — the provincial middle class as well as the working class — with a Trump-like populist message, just as the new prime minister had done beforehand with the referendum. The general election was a damning indictment of Jeremy Corbyn’s leadership of the Labour Party, both for his far-left policies and his “sit on the fence” approach to Brexit. 

Interestingly, there are concerns in the U.S. about the Democratic Party following the Labour/Corbyn route to self-destruction in the next election with a progressive socialist agenda. James Carville, President Bill Clinton’s (D) 1992 election-winning strategist, was particularly animated on the subject in the Financial Times and on “Morning Joe,” referring to the unelectable Corbyn by name.

Brexit is done

And so, with no obstacles in his way, Johnson “got it done” by signing a withdrawal agreement with the EU, meaning Britain officially left the union at the end of January after almost a half-century of membership. Brexit is now fully owned and controlled by the prime minister and his Conservative Party, with the background help of Dominic Cummings, the architect of the Vote Leave campaign’s victory in 2016. 

The coverage on BBC World News in Brussels revealed genuine European regret at the loss of Britain as a vital contributing member to the EU, including politicians from Poland and Sweden. Yet the expected party atmosphere in the U.K. didn’t materialize because the country was still split right down the middle — and it was raining on Farage’s celebration parade outside the Houses of Parliament. Financial Times columnist Simon Kuper had a perverse explanation for the low-keyed reaction: “On Jan. 31, many Brexiters spent their ultimate moment of triumph attacking elitist traitors instead of celebrating.” This revenge, he said, “is so much of the point of populism.” 

Those Brexit voters expecting a brand-new dawn, with a return to the glory days of the British Empire free of the EU yoke, will have to wait until at least Dec. 31 this year for all kinds of trade, security and legal negotiations to be agreed before the cord is cut. 

During this transition period the U.K. will continue in the EU’s custom union and single market, while still complying with EU rules (but without any more say in the lawmaking process in the European Parliament). Johnson has indicated there will be no extension, leading to the nightmare scenario of a possible no deal commencing Jan. 1, 2021. It will not be an easy negotiating ride.

I’m still of the view that a people’s referendum should never have been considered by Cameron on such a critical and complex matter, which will affect generations to come. His irresponsible bet was compounded by the Brexiters never explaining the downsides — and dangers — of leaving Europe, including diminished influence on the world stage. Already China is waiting in the wings.

Michael Hanna, of Hassocks, West Sussex, echoed my thoughts in an email on the night of Jan. 31: “In about two hours time Boris and his Gang will tear us out of the European Union on the say so of just 17.4 million, a mere 37 percent of the electorate. This is politically the saddest day of my life. For the last 47 years we have been members of the great European family of nations to which we should naturally belong. This has given us huge benefits which the Tory government is knowingly throwing away.”

With thanks for their on-the-spot observations to my British friends Roger Armstrong, Chris Bentley, Mike Hanna, Martin Hawkins, John Ridley and Richard Tapp. 

John Broven, a member of the TBR News Media editorial team, is an English-born resident of East Setauket, who immigrated to the United States in 1995. He has written three award-winning (American) music history books and is currently editing the first book on New York blues.