Dr. Alfred J. Cossari of Village Eye Care, 311 Barnum Ave., Port Jefferson will host a Holiday Art Show & Fundraiser on Saturday, Dec. 3 and Sunday, Dec. 4 from noon to 4 p.m. Drop in during the 26th annual Port Jefferson Charles Dickens Festival to view an exhibitby award winning artist Angela Stratton (www.strattongallery.com) with over 45 pieces of artwork including landscapes and florals for sale. A portion of the proceeds will benefit The Children’s Eye Care Foundation. For more information, call 631-928-6400.
Up next for Gallery North in Setauket is Home · Land · Nature, a selection of recent works by artist Han Qin, on view from Sept. 29 to Nov. 13. An opening reception will be held on Thursday, Sept. 29, from 6to 8 p.m.
Artist Han Qin
The solo exhibition features small, medium, and large cyanotypes, woodblock prints, and drawings that explore concepts of home and the process of relocation.
Drawing from her own experience of migration, Qin renders moments of passing through, of conflict, of getting together, and of migrating into form and image. Her artwork incorporates poignant, structural elements of Confucian philosophy, conveying the fluidity of identity and its evolution.
There is a sense of displacement, chaos, triumph, and eventual replanting in Home · Land · Nature. Qin translates social phenomena and movement — among groups and individuals — into works which incorporate traditional cyanotype, woodblock printing, 3D scanning, and digital printing methods.
‘The Triumph of Wanderers’ by Han Qin
“One of the elements that excites me about the exhibition is that while Han’s work draws on the emotions of her own lived experience of migration, they are universal in their ability to connect with viewers. … The works silently call viewers to explore them and ask where they themselves are or have been among these images,” said curator Kate Schwarting.
In collaboration with the Three Village Community Trust (TVCT), Gallery North will also present an outdoor projection event featuring Han Qin’s multimedia work at the TVCT’s Immigrant Worker Houses, located behind the Bruce House at 148 Main Street in Setauket, on Saturday, Oct. 22 at 7 p.m. This projection event will highlight the important experiences of all immigrant groups throughout the history of the Three Village community.
Gallery North will also host an ArTalk with Han Qin on Saturday, Nov. 5 at 6 pm.
Generously sponsored by Jefferson’s Ferry, bld Architecture, and Suffolk County’s Department of Economic Development and Planning, the exhibition, reception and affiliated events are free and open to the public.
Gallery North, 90 North Country Road, Setauket, is open Wednesdays to Saturdays from 11 a.m. to 5 p.m., and Sundays from 1 to 5 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.
Smithtown Township Arts Council has announced in a press release that the works of East Setauket artist Robert Roehrig will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown from September 19 to November 17. The exhibition, part of the Arts Council’s Outreach Gallery Program, can be viewed during regular banking hours Monday – Thursday 9 am – 4 pm; Friday 9 am – 6 pm; Saturday 9 am – 1 pm.
“From the time I was growing up in Queens and then Hicksville, I always loved to draw. I would sketch airplanes, cars, people – pretty much anything that caught my fancy. An important early influence was an artist named John Nagy, who had a TV show in the 1950’s that provided lessons on how to draw. I really enjoyed the program so my parents bought me his instruction booklet and kit. In it, the artist showed you step by step how to complete a picture. I still remember the pictures; a railroad train with smoke billowing, a young boy wearing a sombrero, and others. I completed every one,” said Roehrig.
“I took some art courses in high school and at Hofstra University, but I decided on social studies education as a career path. After college, I married my lovely wife Joan, and we raised our two children. Throughout those busy years, I did some sketching and watercolor painting for fun and relaxation. When I retired from teaching and counseling at Commack High School, I decided to try oil painting, something I had not done since high school. I soon found the versatility and rich colors of the oil medium to my liking. I have been oil painting ever since,” he added.
Many of Rob’s paintings try to capture the beauty of the natural world. “I feel fortunate to live on Long Island with its scenic beaches, coves, wetlands and farms. It is a challenge – and fun – to paint a spectacular cloud formation or a pretty reflection in a lake or pond. I tend toward realism and I often choose subjects that highlight the contrast between sun and shadow. Buildings or structures attract me as well and often make for an interesting scene. When traveling in the US or abroad, I am always on the lookout for a potential painting. The completed paintings help to rekindle wonderful memories,” he said.
“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!” said the press release.
Above, the Vanderbilt Marine Museum. Vanderbilt Museum Archives photo
Why should we care about historic houses that have been turned into museums? How can these inert structures speak to us and how, a century or two later, might their histories and the lives of their famous inhabitants be relevant to contemporary life, and to museum visitors?
These are a few of the questions raised by Preserving Eagle’s Nest: Labor and the Aesthetics of Stasis, the newest exhibition at the Suffolk County Vanderbilt Museum, which opens to the public on Sunday, September 18, in the Lancaster Gallery. The presentation explores the preservation of Eagle’s Nest, the summer estate of William K. Vanderbilt II (1878-1944) one of the heirs to a powerful railroad and shipping empire.
Paul Rubery, the Vanderbilt Museum’s Director of Curatorial Affairs, created the exhibition after considering the purpose and future of historic house museums and examining hundreds of artifacts and documents, as well as the century-old buildings under his care.
Vanderbilt curator Santo Vitale, circa 1980. Vanderbilt Museum Archives photo
Preserving Eagle’s Nest explores the architectural significance of the estate and considers the skill, labor, expertise, and care invested in maintaining the appearance of the property and emphasizes the processes and outcomes of preservation initiatives.
“If historic house museums hope to communicate their value to contemporary society,” Rubery said, “they must develop a new language to describe their activities.
“Specifically, these institutions must articulate how, in remaining static, the buildings under their stewardship convey something essential about the historical process. To do so, they must direct their attention to the basic unit of historical experience and understanding: time.”
Questions about temporality present conceptual issues for the interpretation of house museums. In the mid-twentieth century, many private estates were converted into museums when social historians popularized a historiographic method centered on the role places played in forming the biographies of “great individuals,” Rubery said.
These scholars believed that, if the public was presented with the life of a person at a specific moment in time, they would form an intimate connection with the past in a way that supports the development of character and virtue. Today, our fondness for explaining historic events through biography has largely waned — and with that, the school of social history — leaving behind countless mummified homes, farmsteads, and other structures that no longer serve their intended purpose.
Preserving Eagle’s Nest explores this theme through artifacts and documents. It examines the historic house museum’s language of time by concentrating on the broken, damaged, and decayed aspects of the Vanderbilt Museum’s collections and grounds. The exhibit also examines the time and labor invested in preserving the historic appearance of the Museum and finds value in the multigenerational care and expertise given to the project.
By focusing on the tension that develops between degradation and preservation, Preserving Eagle’s Nest directs our collective interest toward questions of temporality, effort, and historical stasis, Rubery said.
This exhibition is made possible by the generosity of Eric and Laura Gerde, Milcon Construction Corporation, Farrell Fritz, P.C.; People’s United Bank; PFM Asset Management; and H2M Architects + Engineers.
The Suffolk Cound Vanderbilt Museum, 180 Little Neck Road, Centerport presents Preserving Eagle’s Nestthrough Dec. 4.
Viewing hours for the fall are Thursday, Friday, Saturday, and Sunday from 11 a.m. to 5 p.m. For more information, call 631-854-5579 or visit www.vanderbiltmuseum.org.
Bold colors, rich compositions, lush imagery. Gallery North invites individuals to immerse themselves in the resplendent renderings and impactful art by late contemporary artist Stan Brodsky with Recastings: Stan Brodsky, a memorial retrospective on view from Aug. 11 to Sept. 18. An opening reception will be held on Aug. 11 from 6 to 8 p.m.
“Stan is a very influential artist to many artists practicing right now in our area. We felt it was important to show his work, keep it being viewed by the public and continuing to influence other artists. He has a great collection of work that is still available. The work itself is timeless and it’s important for it to be out there,” said Curator Kate Schwarting.
‘Edge of Summer’ by Stan Brodsky
Brodsky, who died in 2019 at the age of 94, was an artist and educator based out of Huntington. Recastings, the third solo exhibit at Gallery North of the artist’s work, is a cultivated exploration of Brodsky’s more abstract art.
Through his 75 year career, Brodsky created both representational and abstract art. The 1960s and 1970s were mainly periods of representational art, but by the 1980s, Brodsky was incorporating different texture, tones, and styles — developing the abstract techniques he would continue to cultivate for the next 40 years.
Recastings primarily highlights the pieces he created during this era. The exhibit includes approximately 15 oil on canvas paintings of various sizes as well as large framed works on paper, unframed works on paper, oil on paper, and mixed media pieces, reflecting three hallmarks of his career: a powerful command of color, a profound connection to nature, and the support he provided to other artists.
Color is a dynamic and defining character in Brodsky’s art, recognized by each individual interviewed for this article, while nature is a recurrent catalyst and muse.
“Stan Brodsky was renowned for his use of color. One critic called his colors ‘unnameable.’ The paintings change with the light, and so provide endless fascination,” Jeanne Hewitt, Brodsky’s widow and Trustee of the Stan Brodsky Trust, said.
‘Sun and Soil’ by Stan Brodsky
The artist’s distinct use of color showcases the power of his brushstrokes and indicates the impression of the natural world on his work. According to Schwarting, these traits allow a larger audience to relate to Brodsky’s art and are part of what drew her and Gallery North’s Executive Director Ned Puchner to the art that they chose to display.
“There are all different ways to connect with [Brodsky’s] work His use of color is really incredible —the color just vibrates, it is so vibrant and electric; his inspiration from nature; and his mark making is exquisite. There are so many details in his pieces, the push and pull, the layering, each one is very complex,” Schwarting said.
The exhibit is the continuation of a nearly 50 year relationship between Brodsky/his estate and Gallery North. Brodsky exhibited his work nationally and internationally but always maintained and nurtured his ties to the local artistic community of Long Island, including acting as teacher and mentor to many working artists in the area.
“He encouraged and taught other artists up until a few months before his death…Stan was beloved for the encouragement he offered to other artists, and for the help he offered,” Hewitt said.
Delving into Brodsky’s imprint on artists, “Stan Clan: Discussion on Brodsky’s Influence,” a panel talk with six of Brodsky’s former students reflecting on how he affected their creative development, will be held on Aug. 31 at 6 p.m.
When asked about this event, Puchner said he was most looking forward to the stories about Brodsky and his philosophy.
“It seems like he was such a charismatic, emotional person. When watching some of the videos of his previous talks, you see he was not afraid to talk about things like love and the more heightened emotional aspects of the creative process. What elements of his creative process have been picked up by the next generation of his students? How that was imparted to his students and how they and whether they continue to do that themselves will be really interesting,” he added.
Artist Doug Reina, who recently had a solo exhibit at Gallery North and will be one of the guests at the panel discussion, views Brodsky’s roles as artist and educator to be lasting gifts. “For those who know and appreciate his work, Stan Brodsky will always be remembered as a great painter who combined gorgeous colors, shapes, and compositions in a truly unique way,” he said. “For those lucky to have been his students, he will be remembered for his deep knowledge of painting that he always shared so generously. Perhaps the most important part of his legacy is how he helped so many artists grow, to take chances, to push beyond their limits.”
Reina will be joined at the discussion by fellow artists Susan Rostan, Peter Galasso, Marceil Kazickas, Ellen Hallie Schiff, and Alicia R. Peterson, each of whom studied and/or worked with Brodsky.
As a complement to the exhibit, on August 24 at 6 p.m., Art of NYC and Long Island, in conjunction with Brodsky’s estate, will provide a presentation at the gallery about art conservation techniques: identifying and treating condition issues in paintings, works on paper, and also sculptures. The exhibit, panel discussion, reception, and presentation are free and open to the public. A photo catalogue with a short essay about Brodsky and his art will be available to visitors.
Gallery North, 90 North Country Road, Setauket, is open Wednesdays to Saturdays, 11 a.m. to 5 p.m., and Sundays, 1 to 5 p.m. Recastings: Stan Brodsky is sponsored by Nancy Goroff, Jefferson’s Ferry, bid Architecture, and Suffolk County’s Department of Economic Development and Planning. For more information, call 631-751-2676 or visit www.gallerynorth.org.
'Red Flower Rain' by Hung Liu, mixed media on panel, from the collection of Jordan D. Schnitzer will be on view at the Heckscher Museum through Sept. 18. Image courtesy of The Heckscher Museum
The Heckscher Museum of Art’s latest offering features a vibrant and timely exhibition on contemporary Asian and Asian American art. Drawn from the multifaceted collections of Jordan D. Schnitzer and His Family Foundation, the exhibit, titled Global Asias,examines the cosmopolitan, exuberant, and subtly subversive works of 15 artists of Asian heritage who are adept at crossing borders — not only physical ones, but also those in media, styles, genre, and materials. The show opened June 4 and runs through Sept. 18.
Global Asias invites viewers to think about Asia not in singular but plural terms — encouraging audiences to understand Asia as a site of meaning across the globe. The artists in Global Asias were born in Japan, China, Korea, Vietnam, Argentina, and the United States. The exhibition provides an opportunity to move away from considering Asia as a geographical location and instead invites viewers to think broadly about how “Asia” has long served as an imaginative construct.
Featured artists include Kwang Young Chun, Hung Liu, Do Ho Suh, Jacob Hashimoto, Mariko Mori, Akio Takamor, Manabu Ikeda, Hiroki Morinoue, Barbara Takenaga, Jun Keneko, Takashi Murakami, Rirkrit Tirayanija, Dinh Q. Lê, Roger Shimomra and Patti Warashina.
The exhibition was curated by Chang Tan, Assistant Professor of Art History and Asian Studies, Penn State.
“The artists included in this exhibition open our eyes to what it is like to cross boundaries both real and cultural,” said collector Jordan Schnitzer, whose family has a longstanding history of championing Asian art and culture. “I hope each viewer is as moved as I am by this exhibition and is challenged and inspired by the art. The power of this exhibition will influence all of us for years to come.”
“Global Asias is brimming with fascinating work by internationally renowned artists. As the only East Coast venue for the exhibition, The Heckscher Museum has a unique opportunity to share this timely art with communities across Long Island and beyond,” added curator Karli Wurzelbacher.
Organized by the Palmer Museum of Art, the 45 works in Global Asias are presented through three themes: Exuberant Forms, Moving Stories, and Asias Reinvented. The artists include New York based artists Jacob Hashimoto and Barbara Takenaga.
Exuberant Forms features works that reshape and challenge conventional views of abstract art by exploring new materials, techniques, and metaphors. Kwang Young Chun (b. 1944) exploits the texture of handmade papers in his somber monochromes, while Jacob Hashimoto (b. 1973) mimics the effect of collage in his tour-de-force prints. Jun Kaneko (b. 1942) “flattens” traditional raku ware into explosive two-dimensionality. Hiroki Morinoue (b. 1947) and Barbara Takenaga (b. 1949) create intricate geometric patterns to evoke natural formations.
Moving Stories brings together powerful works that reflect on the experiences of migration, both within Asia and beyond.Dinh Q. Lê (b.1968) appropriates and masks iconic images of the Vietnam War. Hung Liu (1948-2021) finds inspiration in historical photographs, reinterpreting the genre of portraiture through the lens of displaced and voluntary immigrants. Roger Shimomura (b. 1939) borrows the visual language of Japanese woodblock prints and Pop art to render the lives of Japanese Americans incarcerated in internment camps during World War II.Do Ho Suh (b. 1962) and Rirkrit Tiravanjia (b. 1961) map their own diasporic trajectories, literally and metaphorically.
Asias Reinvented highlights two- and three-dimensional works that transform styles and motifs of traditional Asian art to engage, probe, and critique contemporary popular culture and politics. The Pop- and manga-inflected fantasies of Takashi Murakami (b. 1962) and Mariko Mori (b. 1967) are rooted in both the artisanal heritages and the consumerist trends of Japan. Akio Takamori (1950–2017) and Patti Warashina (b. 1940) turn seemingly innocent motifs into uncanny portrayals of life, love, and death. Manabu Ikeda (b. 1973) evokes Hokusai’s famous waves to create a surreal scene of planetary apocalypse.
Following The Heckscher Museum of Art, this national touring show will travel to Yellowstone Art Museum, Billings, Montana, Oct. 13, 2022 through Jan. 15, 2023; and USC Pacific Asia Art Museum, Pasadena, California, March 10 through June 25, 2023. A catalog accompanies the exhibition and includes 73 color images, and a collector’s statement published by the Jordan Schnitzer Family Foundation.
The Heckscher Museum of Art, 2 Prime Avenue, Huntington presents Global Asias: Contemporary Asian and Asian American Art from the Collection of Jordan D. Schnitzer and His Family Foundation through Sept. 18. Viewing hours are Thursday to Sunday from noon to 5 p.m. For more information, call 631-380-3230 or visit wwww.heckscher.org.
RELATED PROGRAMS
Art in Bloom
June 11 and 12 from noon to 5 p.m.
The Heckscher Museum announces the third annual Art in Bloom program. Twelve floral arrangements will be featured that draw inspiration from artworks on view in Moonstruck: Lunar Art from the Collection and Global Asias: Contemporary Asian & Asian American Art from the Collections of Jordan D. Schnitzer and His Family Foundation. These exhibitions provide a diverse array of artworks to inspire designers from the Museum’s four garden club partners: North Country Garden Club (Oyster Bay), North Suffolk Garden Club (Stony Brook), South Side Garden Club (Bay Shore), and Three Harbors Garden Club (Cold Spring Harbor).
Woodblock Printing with BIG INK
Free Community Event
July 9 and 10 from 11 a.m. to 4 p.m.
BIG INK, Inc. and The Heckscher Museum team up to host two days of large-scale woodblock printing at the Museum. In addition to their oversized printing press Big Tuna, there will be fun print activities for kids and families throughout the weekend.
Saturday participants include Paul Farinacci, Sueey Gutierrez, Eve Hammer, Joan Kim Suzuki, Janet Lust Ganes, Maureen Palmieri, Han Qin and Constance Sloggatt Wolf. Sunday participants include Leila Atkinson, Mei Fung Elizabeth Chan, Nicholas Frizalone, Michael Krasowitz, Crisoula Lazaridis, Cara Lynch, Jessica Struzinski, Amanda Vollers. The program has been organized in coordination with the exhibition Global Asias: Contemporary Asian & Asian American Art from the Collection of Jordan D. Schnitzer and His Family Foundation.
Suffolk County Vanderbilt Museum, 180 Little Neck Road, Centerport recently debuted Related Searches, the first solo museum exhibition by New York artist Christopher Tennant.
Tennant’s artwork—a mix of avian and aquatic dioramas and vitrines, handmade lamps, and collected specimens—reimagines natural history as an extension of commodity culture and the decorative arts. His brilliantly illuminated cases combine antique taxidermy with discarded consumer products to provide a stark visual representation of the beauty and terror of an ecology altered by human industry and the algorithmic marketplace.
Related Searches is on view in the Lancaster Room, a newly renovated gallery space in the mansion, through June 30.
For more information, call 631-854-5579 or visit www.vanderbiltmuseum.org.
Smithtown Township Arts Council has announced that the works of East Northport artist M. Ellen Winter will be on view April 26 to June 27 at Apple Bank of Smithtown, 91 Route 111, Smithtown. The exhibition, part of STAC’s Outreach Gallery Program, can be viewed during regular banking hours Monday to Friday from 9 a.m. to 4 p.m. and Saturday from 9 a.m. to 1 p.m.
Winter has been painting and drawing for as long as she can remember and teaching for 30 plus years. She had a studio in Northport for two years, moving to a home studio in 2002. She taught Adult Education art classes for 28 years at Huntington High and now teaching Adult Education at Northport.
Instructing in oils, watercolor, acrylic, and pastel, she focuses on portraits, landscapes and still life. She has exhibited in many shows over the years, receiving awards for her art. Ms. Winter holds the Grumbacher Gold award and award of excellence in portraiture from Nassau County among many others. She is retiring from teaching in her home studio to allow her to focus on her own art. She plans to continue to teach Northport Adult Education.
“The Arts Council is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!” read the press release.
As spring blooms on the North Shore, creativity blooms five-fold at the Smithtown Township Arts Council’s Mills Pond Gallery in St. James with a new exhibit titled Five Creative Visions. The show opens April 16. The exhibit will feature five artists — David P. Doran, Terence McManus, Jim Minet, Rob Roehrig and Melissa Vultaggio — each sharing their creative voice through a different medium including acrylic, oil, pastel, watercolor and photography.
‘Green Flower Girl’ by Jim Minet will be on view at the Mills Pond Gallery through May 13. Photo from STAC
Bellmore artist David P. Doran is a light film photographer using both 35mm and roll film cameras. A former member of the Camera Club of New York, his exhibit focuses on street photography influenced by Gary Winogrand (1928-1984). Most were taken in New York City, the capital of this genre. In recent years, street photography has been looked upon in some corners as somewhat shopworn. Doran adamantly disagrees stating, “The street is a river of life and such photos are to be considered as part of the tradition of social documentary photography.”
Mt. Sinai artist Terence McManus has always been fascinated by the human face. Primarily a self-taught artist, McManus’s art has been exhibited in hundreds of exhibitions in the New York metropolitan area, winning more than sixty awards in prestigious shows including The Butler Institute of American Art and The Pastel Society of America, among many others. “No two people are alike and what a person experienced in life is often written on the face. When I do a portrait I strive to capture the past, the present and to use a cliché, the soul of the person.”
Nesconset artist Jim Minet works mostly in oil, watercolor, and acrylic. He has exhibited his work across Long Island and in NYC and teaches at numerous spaces across Long Island. “My work is representational in nature but still very eclectic, I like to experiment with different mediums and styles. As people, we are fluid, dynamic, ever changing. My art will change because I will change. Ultimately I believe that whatever creative expression you give to the world — it is, and can only be, a reflection of yourself.”
Primarily a realist painter, Rob Roehrig of East Setauket focuses his creations mainly on landscapes and seascapes. He is especially attracted to scenes that highlight the contrast between sun and shadow. After raising a family and retiring from teaching, Roehrig took up oil painting and his new “career” as an artist took over. “Many of my paintings try to capture the beauty of the natural world. I feel fortunate to live in an area with scenic beaches, coves, wetlands and farms.”
Melissa Vultaggio of Massapequa art reflects her interest in theology, symbolism and synchronicity. She juxtaposes elements of reality with abstraction and surrealism using acrylic paint and mixed media. Her rhythmic compositions convey feelings of whimsy with elements of surprise inspired by visions she acquires in her dreams. Vultaggio’s enthusiasm for art education comes from her belief that young children’s creativity is at its peak, when young minds are free to imagine and explore, given the right motivation, artistic mediums and skills to experiment.
The Mills Pond Gallery, 660 Route 25A, St. James presents Five Creative Visions through May 13. The public is invited to an opening reception on April 16 from 2 to 4 p.m. to meet these talented artists and view their work. For more information, call 631-862-6575 or visit www.millspondgallery.org.
To show solidarity with the citizens of Ukraine, the Town of Brookhaven will present the “Sunflowers for Ukraine” art exhibit at Brookhaven Town Hall starting on Monday, March 21. The exhibit is presented by the Town of Brookhaven’s Department of Parks, Recreation and Sports, and Cultural Resources and will be curated by Maureen Pouder, who runs art classes for the Town.
Ms. Pouder reached out to Councilwoman Jane Bonner with the idea to hold an art exhibit in response to the plight of the Ukrainian people. The Councilwoman embraced the idea and got the ball rolling.
“Maureen’s idea to have an art exhibit struck me as something that we needed to do. The resolve of the Ukrainians in the face of such a relentless attack from Russia is an inspiration to freedom-loving people all over the world. I encourage everyone to stop by to see the exhibit at Town Hall and show your support for the people of Ukraine,” said Councilwoman Bonner.
All the artwork on display is created by Brookhaven artists and features sunflowers, the national flower of Ukraine and a symbol of solidarity and peace amid the Russian invasion of Ukraine. Many of the artists are from the Town’s art classes, which are held at the Town’s recreation centers. As part of the “Sunflowers for Ukraine” project, the participating artists will combine their talents to create a 50” X 40” watercolor painting featuring sunflowers by “Sunflowers for Ukraine” participating artists.
The exhibit will be located on the second-floor mezzanine at Brookhaven Town Hall, One Independence Hill in Farmingville. Exhibit hours are Monday through Friday from 9 a.m. to 4:30 pm. For more information about the exhibit or the Town of Brookhaven’s art classes program, call 631-451-8696.
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