'Shortwing on Acacia' by Diane Motroni. Image courtesy of STAC
'The Last Unicorn' by Joseph Weinreb. Image from STAC
'The Alchemist' by Julia Jenkins. Image from STAC
'Fisherman' by Teresa Cromwell. Image from STAC
'Haberdasher of Old Bethpage'. Image from STAC
'The Messenger' by Tyler Hughes. Image from STAC
Up next at the Smithtown Township Arts Council’s Mills Pond Gallery isFigurative/Narrative, a juried fine art exhibition featuring 58 works from 36 artists from 10 states including CA, FL, MA, MI, NJ, NY, PA, SD, TX, VA and 14 Long Island communities. The show opens June 3.
Through figurative or narrative paintings, artists give shape and character to the stories and people of our lives. Whether real or imagined, their art invites us to connect and engage with their characters and stories. We invite viewers to enjoy the expressions of the portraits or the illustrated scenes and imagine the untold stories of the lives of the subjects.
Exhibition juror Zimou Tan’s exhibit called for entries that celebrate contemporary realism and figurative and narrative paintings. Zimou is an Art Renewal Center Living Master (true masters in the visual arts…training and inspiring the next generation of artists, scholars, and teachers, to protect, preserve and perpetuate traditional painting techniques). Zimou noted that selected artists captured the essence of the human form and communicated compelling stories through their art.
Exhibiting artists include Diana Aliberti, James Xavier Barbour, Joanna Burch, Mónica Carmona, Yen-Ching Chang, Teresa Cromwell, Collin Douma, Christine Dupuis, Andrew Elsten, Ryan Flannery, Connie Gisi, Hank Grebe, Jennifer Hartzler, Gia Horton, Tyler Hughes, Julia Jenkins, Natreka Kelly, Frank Loehr, Avrel Menkes, Drigo Morin, Diane Motroni, Susan Perrish, Kai Lun Qu, William Dunham Reed, Anita Schnirman, Barret Schumacher, Eileen Shaloum, Angela Stratton, Mark Sweeney, Tracy Tekverk, Robert Tuska, Zoë Walker, Joseph Weinreb, Ashley Williams, Ni Zhu and Doug Zider.
Mills Pond Gallery, 660 Route 25A, St. James presents Figurative/Narrative from June 3 to July 1. Gallery hours are Wednesday through Friday from 10 a.m. to 4 p.m. and Saturday and Sunday from noon to 4 p.m.
The community is invited to an opening reception on June 3 from 1 to 4 p.m. to meet the artists and view their work. For more information, call 631-862-6575, or visit www.millspondgallery.org.
Art is a form of communication beyond words. It transcends language barriers and is accessible to those who seek to experience it. Cynthia Pascal’s creations speak through muted patterns, rich hues, softness imbued with strength. Her work tells stories of women, sometimes at rest or in repose, but always vibrantly alive.
As a celebration of art and life, Pascal’s posthumous exhibit, Cynthia Pascal: A Retrospective, at the Art League of Long Island, honors the artist who passed away in 2022 at the age of 92. On view at the Jeanie Tengelsen Gallery from April 15 to 28, this showcase features 46 acrylic paintings and six clay sculptures from the late artist. It is an act of love; a tribute from a daughter to her mother in collaboration with the Art League.
‘Abstract of Women in Pink and Blue’ by Cynthia Pascal
“My son brought Cynthia to the Art League and showed her work to the curator, which resulted in booking the show — one last highlight of her life. After she passed, it was in my head to still do the exhibit. I also thought, that for my mom, there was no other way to honor her than to talk about her surrounded by her work,” said her daughter Jeanne Gambardella.
Pascal’s palette and art projects a subtle warmth, even innate safety, whether the female subjects stare assuredly and directly from the canvas, gaze at something only they see, or relax with eyes closed. The lines of the women may be soft but their presence is strong.
“I believe that this exhibit covers all styles, but Pascal particularly leans towards abstract impressionism: figures are flattened with colorful brushstrokes and bright colors. She celebrates the world that she knew: her art focuses on women, friendships, relationships, their roles in society. It is full of life and energy,” said Susan Peragallo, coordinator and curator of the Jeanie Tengelsen Gallery.
A prodigious painter up until the very last months of her life, Pascal, who was a resident of Plainview, pursued both a personal and practical interest in interpersonal dynamics and emotions. She studied painting at Old Westbury College as well as the New School for Social Research in New York City, but was a licensed psychotherapist by profession and maintained a practice out of her home for more than 4 decades.
“I think she innately had a very emotional IQ and got the degree so she could use it. She was really socially, emotionally smart…[and] provided a safe place for everyone who talked to her,” Gambardella said.
This sense of security is evident in the self-assuredness of her subjects and the apparent ease with which they occupy space. That innate serenity can transcend to the audience and perhaps emanated from Pascal herself. She never lost her appreciation of beauty nor ability to create art, even as dementia dominated other aspects of her life during her last years.
‘Two Girls Sitting’ by Cynthia Pascal
“We would talk about [her art]. Cynthia could still talk about the work and the process. We had that language until the end. My mother was painting at the highest level,” Gambardella said. “I thought her work would show deterioration, but her painting was still there. It was the one thing that she still had, in addition to her family. She could access painting, and it was a means by which to express herself.”
As her characters commune in the paintings, Pascal was able to communicate through and about art, although words might otherwise fail her. Her art, which includes pastels in addition to different paints and clay sculptures, is an ongoing dialogue that allows connections to continue to develop.
“I was not familiar with her work before she approached us, and I was really thrilled to become acquainted with it. Her work is exciting, it is vivacious. She was around for a long time and I am delighted to have her work up on our walls,” Peragallo said.
Gambardella estimates that Pascal had about 10 shows in her life but was in a constant state of creation. She painted 20 pieces between 2018 and 2022, and most of the 46 works included in Retrospective were made in the past 10 years.
“I really truly feel joy when I look at her work. It is interesting — over the years, her work reflected her growth as an artist and where she was in life. When she was going through a divorce, I can see it reflected. I derive more pleasure in the joy, color, and strength of the women my mother depicted,” Gambardella said, adding that organizing the exhibit and arranging the remembrance were cathartic exercises as she grieved and adjusted to her new normal, having been her mother’s primary caregiver.
“Organizing this has absolutely been a labor of love for the last 5 months and beneficial to me in handling her passing, working on something to show who she was, her life’s work,” Gambardella said. “I kind of immersed myself in this project. It was a lot going through her decline and death with her, so this was healing. I am her supreme fan; my house has always been filled with her work.”
‘Dance Siesta’ by Cynthia Pascal
Now others will be able to surround themselves with Pascal’s art, and during the opening reception, envelop themselves in an environment resplendent with Pascal’s greatest joys including a soundtrack of her favorite classical music by Antonio Vivaldi, jazz interludes provided by a pianist hired for the evening, the easel she used for more than 60 years, and her favorite hat in her favorite color — pink.
“I am creating an atmosphere that I know she would love. After she died, people were calling about service details, and we instead decided to have a memorial at the gallery. Everyone in my family was in on it,” Gambardella said. “My mom and I were very close, this was the right thing to do…art and painting were her passions in life.”
The Art League of Long Island, 107 E. Deer Park Rd, Dix Hills presents the retrospective exhibit of Cynthia Pascal in the Jeanie Tengelsen Gallery from April 15 to 28 with an opening reception on April 15 from 6 to 8 p.m. A celebratory remembrance introduction will be held from 6 to 6:30 p.m., followed by light refreshments. For more information, visit www.artleagueli.org or call 631-462-5400.
'Shadow's Delight' by Ron Becker will be on view at the Mills Pond Gallery through April 1.
Image courtesy of STAC
'Little Bay; by Robert Walkam. Image courtesy of STAC
'Egret' by Robert Tuska. Image courtesy of STAC
'Sunburst Peeking Out From Corners' by Kyle Blumenthal
'Nature' by Joyce Greenbaum. Image courtesy of STAC
Join the artists for a reception on March 4 from 1 to 4 p.m.
Smithtown Township Arts Council’s Mills Pond Gallery highlights the talents of 72 of its artists with its annual Member Artist Showcase exhibit of original fine art for sale from March 4 to April 1.
Exhibiting artists, who hail from 41 communities across Long Island as well as New York City, New Jersey, North Carolinaand Maryland, were able to select the work that they wish to display, affording them the opportunity to show public audiences a work that may be new, or something they created experimenting with a new medium or a work they love but have never had an opportunity to exhibit anywhere.
Works were created using a wide variety of mediums including acrylic, bronze, charcoal, etching, graphite, mixed media sculpture,oil, origami, pastel, photography and watercolor.
Participating artists include Marsha Abrams, Ross Barbera, Shain Bard, Ron Becker, Karen Bennett, Kyle Blumenthal, Daniel C. Boyer, Joyce Bressler, Renee Caine, Linda Ann Catucci, Karen Celella, Carol Ceraso, Lou Charnon-Deutsch, RoccoCiteno, Donna Corvi, Teresa Cromwell, Julie Doczi, Jacqueline DuBarry, JoAnne Dumas, Karin Dutra, Paul Edelson, Deidre Elzer-Lento, Ellen Ferrigno, Modern Fossils, Vivian Gattuso, Joyce Greenbaum, Francesca Guddemi, Michael Hennessey, David Herman, Gia Horton, George Junker, James Kelson, Lynn Kinsella, Myungja Anna Koh, Susan Kozodoy Silkowitz, Paul Mele, Fred Mendelsohn, Patricia Morrison, Karen George Mortimore, Roni Murillo, Annette Napolitano, Gail Neuman, Diane Oliva, Eileen WPalmer, Sean Pollock, Catherine Rezin, Robert Roehrig, Oscar Santiago, Lori Scarlatos, Anita Schnirman, Joan Schwartzman, Kenneth Schwartzman, Hillary Serota Needle, Kathee Shaff Kelson, Stephen Shannon, Gisela Skoglund, Sílvia Soares Boyer, Lynn Staiano, Mike Stanko, Madeline Stare, Angela Stratton, Mark Strodl, Robert Tuska, Nicholas Valentino, Mary Ann Vetter, Pamela Waldroup, Steve Walker, Robert Wallkam, Don Weber, M. Ellen Winter, Patricia Yantz and Theodora Zavala.
The public is invited to an opening reception Saturday, March 4 from 1 to 4 p.m. to meet the exhibiting artists and view their work.
Mills Pond Gallery is located at 660 Route 25A in Saint James. Hours of operation are Wednesdays to Fridays from 10 a.m. to 4 p.m. and weekends from noon to 4 p.m. Admission is free. For more information, call 631-862-6575 or visit www.millspondgallery.org.
One of the most generous gifts of an artist is the ability to translate private inspiration into communal offering so that viewers experience, rather than simply assess, art.
The latest exhibit at the Mills Pond Gallery in St. James, Winners Showcase, features six local artists associated with the Smithtown Township Arts Council (STAC) who employ their craft as a means of communication with the world around them, enabling patrons to appreciate the simple intricacies of both everyday existence and the natural world.
On display from Jan. 28 to Feb. 24, the exhibition presents approximately 55 pieces in multiple styles by Rhoda Gordon of Port Jefferson Station, Paul Mele of Island Park, Renee Caine of Holtsville, Karin Dutra of Port Jefferson, Catherine Rezin of Nesconset, and Angela Stratton of Selden, all of whom have shown at the gallery before.
Gordon, Dutra, and Mele were winning artists from the 2022 Winners Showcase while Caine, Rezin, and Stratton were winning artists from the 2022 exhibit Long Island Landscape: From Awe to Action.
“I love the Winners Showcase, as it is an opportunity to see a larger body of work from each artist. It is so interesting to sometimes discover that even in works of different mediums or color palettes, a common thread connects all their work either in technique or their creative voice and what they are trying to say in their work,” said Allison J. Cruz, Executive Director at the Mills Pond Gallery.
More than entertainment and aesthetics, art is an intimate conversation between creator and consumer. Featuring works in oil, acrylic, and pastel as well as photography and mixed media works in pastel and watercolor, pastel and ink, and watercolor and gouache, this exhibit is a dialogue in which the artists speak through their work.
What they choose to say is at their discretion. WinnersShowcase has no particular theme and, once invited to participate, artists submit any pieces they choose, demonstrating a range of perspectives and portfolios.
“Even artists who I am familiar with will sometimes surprise me in a Winners show with a style or subject that I had no idea they pursued,” Cruz added.
Divergent in style and substance, these works include abstract townscapes, reflective portraits, contemplative still life, tranquil nature scenes, and evocative photography. Not bound by an overarching topic, the art is uniquely personal and unflinchingly universal. It encompasses the whimsical and wondrous, the pastoral and pensive.
Paul Mele’s photography series Confinement,chronicling his grueling years’ long recovery from a car accident, explores dark, seemingly abandoned spaces that nonetheless offer a hint of relief, from a door ajar or a window that permits stubbornly optimistic sunlight to stream inside.
“I kind of feel my work balances between a positive and negative, light and dark. I tend to be drawn to images that are more dark, but there is a lighter overtone in my work,” said photographer Paul Mele. “This is the most personal thing I have ever done.”
Hope is perhaps the component that appears in each print and on every canvas throughout the show: hope for a brighter future, hope to be understood. In subdued tones and vivacious palettes, realistic renderings and abstract observations, this ambition transcends from artists to audiences.
Sharing art is an inherently brave act, making one vulnerable to public consumption while seeking understanding from those who observe and perhaps, admire. “It is nice when people see your work, relate to it, and appreciate it for it is,” Mele said.
Catherine Rezin, a multi-genre artist, shares this sentiment, and views art as a means to forge a benevolent connection.
“In general, I want to portray the positive feeling I have of the subject to my viewer,” she said.
Through strokes of watercolor and gouache paints, this attitude is revealed in her vibrant vistas, lush landscape, and affectionate portraits alike. She began exhibiting her art three years ago, after retiring from her career as a commercial artist.
“I am now enjoying creating art for the love of it,” she added.
Such passion is evident throughout Winners Showcase, a celebration of the courage of creation and ecstasy of expression.
The public is invited to an opening reception on Saturday, Jan. 28 from 1 to 4 p.m. to meet the exhibiting artists and view their work.
Mills Pond Gallery is located at 660 Route 25A, Saint James. Hours of operation are Wednesdays to Fridays from 10 a.m. to 4 p.m. and weekends from noon to 4 p.m.
For more information, call 631-862-6575 or visit www.millspondgallery.org.
'Thirteen Moons: Nature Adapts and Transforms' by Anne Seelbach. Image courtesy of Gallery North
By Tara Mae
Nature’s beauty is at once defiantly delicate and stubbornly resilient. Elements Adrift, on view at Gallery North from Jan. 12 to Feb. 19, considers the alchemy and artistry of the natural world as expressed through Long Island artist Anne Seelbach’s oil, acrylic, and watercolor paintings as well as mixed media pieces.
Seelbach’s first solo show at Gallery North, it consists of approximately 35 works from three different series that organically ripple outward, encompassing the serenity of the sea and the perniciously predatory impact of pollution. Elements Adrift explores the inspiration found in the environment and the toxicity inherent in careless encounters with it.
‘Thirteen Moons: Nature Adapts and Transforms’ by Anne Seelbach. Image courtesy of Gallery North
“Seelbach’s figural abstraction reflects her fascination and love of nature and interest in pointing to those elements that are polluting and deprecating it. In the past, she has tried to bring attention to that through her work,” said Gallery North’s Executive Director Ned Puchner.
Put together, each individual series transforms from island unto itself to an archipelago of artistic expression, chronicling Seelbach’s relationship with the world around her and transitioning the audience from one sequence into another.
“Some pieces are really fascinating in that they show [Seelbach] moving on…you see her moving from one series into another, and I think that is really where the excitement in her work lies. She goes from series to series and in each series, she will sort of dwell on a topic and then move on, finding new avenues to build off of,” Puchner said.
The first collection, “Troubled Waters,” follows the ebbing of natural resources as pollution flows into and interferes with sensitive ecosystems. Drawn to the seascapes of Peconic Bay off Long Beach in Sag Harbor and the Napeague Harbor at Lazy Point Beach in Amagansett, Seelbach’s work evolves to encapsulate the devolution of marine life as the disruption and detritus of humankind menaces it.
“Instead of painting traditional landscapes, I always ask the question, ‘What is happening?’ in nature, rather than painting a beautiful view,” Seelbach said. “The landscape and seascape are created by forces of nature, the change of seasons, with the rotation of the earth. This is what I try to get at.”
Dance into the Unknown, 2014, oil on canvas, 30″ x 30″ by Anne Seelbach. Image courtesy of Gallery North
The vague abstraction of her fish renderings in this series came from fact, as the pollutants were actually getting into aquatic animal reproductive systems and causing deformities.
“When I started the series the fish were more realistic. I had to find a way to represent the effects of the chemicals. So, I stylized the fish form and duplicated it to create stencils of schools of fish,” she explained.
Seelbach’s fish and other animal stencils are frequently made from repurposed and up-cycled washed up or left behind bits of metal, plastic, and netting from which she rescues the shoreline.
While nature may have been shifting and changing around her, with rightful residents being harmed by invasive interlopers, Seelbach’s relationship with it remains steadfast and symbiotic, as reflected in her “Moon Paintings” series.
These works, conjured from summer trips to Monhegan Island, Maine, illuminate the serenity she found walking along the sea cliffs, gazing at the lunar lit waters below.
“I am still interested in the edge, where land, water, and sky meet…The moon shining on the sea and in tidal pools inspired these paintings,” Seelbach said. “As the sun nurtures the growth of everything by day, I suggest that the moon nurtures creative thought, ideas and possibility at night. I get most of my ideas at night when my mind is drifting, without a particular thought.”
Primarily painted on paper rather than on canvas, the “Moon Paintings” are imbued with deep blues and other hues that convey the depth of the setting’s nighttime repose. Yet, in these works, the moon is both a light and power source, rejuvenating sea, sky, and artist.
In fact “Earth: The Elements,” the third series to be highlighted in the exhibit, was a concept that came to Seelbach as she sat on the cliffside rocks and boulders.
Earth: mercury (Vermillion), 2020, acrylic and reflective paint on linen, 30″x36″, relates to the planet Mercury by Anne Seelbach. Image courtesy of Gallery North
“They made me ask ‘What is the Earth?’ And immediately I thought of the elements. Thinking about each individual element, what it was and a bit of its history, I realized that many were acknowledged thousands of years ago, by the scientists of that time, the alchemists and philosophers,” Seelbach said.
Breaking down these otherwise immovable objects into their most basic essence, Seelbach sought to honor the individuals of the past who had understood better than to take them at face value. So, within some of these paintings, she includes the alchemical symbol of the historical elements and the periodic table designation.
Each element Seelbach selects is thoroughly, albeit abstractly, examined and expressed. Similar to the other two series, “Elements” inner complexity and vitality is amplified by Seelbach’s color palette and painting style. Rich, earthy tones and texture add dimension and definition to the paintings.
“I was really drawn to the raw energy of them, dark and muddy in certain places,” Puchner said. “In all of her art, there is a kind of an endless search for beauty in nature. Even in the study of the earth’s elements, at root is her trying to explore the minerals and elements that exist within the nature that she brings into her artwork.”
Seelbach’s art is an outlet for her observations, an investigation of the inquiries raised by striving to be attuned to the world around her. At its core, her art seeks to explore and observe rather than obfuscate.
“I paint what is. I see landscape as formed by the forces of nature, the seasons, the rotation of the planet. The question I ask sitting on the beach or a rock is ‘What is happening?’ What are the forces of nature that underly what I am looking at?” she said.
Patrons are invited to make their own discoveries about nature through Elements Adrift. An opening reception will be held tonight, Jan. 12, from 6 to 8 p.m. As a complement to the exhibition, Gallery North will present a lecture on the marine ecology of New York’s waterways by Patricia Woodruff from the School of Marine and Atmospheric Sciences at Stony Brook University on Jan. 20 at 6 pm. Gallery North will also host an ArTalk with Anne Seelbach on Feb. 4 at 3 p.m.
Located at 90 North Country Road, Setauket, Gallery North is open Wednesdays to Saturdays from 11 a.m. to 5 p.m. and Sundays from 1 to 5 p.m. For more information, call 631-751-2676 or visit www. gallerynorth.org.
Smithtown Township Arts Council has announced that the works of artist Muriel Musarra will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown from Dec. 9 to Feb. 2, 2023. The art exhibit, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday to Thursday 9 a.m. to 4 p.m.; Friday 9 a.m. to 6 p.m; and Saturday 9 a.m. to 1 p.m., said the press release.
Muriel Musarra always enjoyed art and museums. Once she moved to the Three Village area over 50 years ago, she fell in love with the local landscape. “Being surrounded by this beautiful, picturesque area inspired me to learn to paint.” Muriel’s artist journey began in an adult art class at Ward Melville High School. She continued to study art, taking classes at Suffolk County Community College and Stony Brook University and art workshops at many local Art Museums and galleries across Long Island.
“I enjoy painting outdoors to capture the light and shadows of the scene. I especially enjoy painting water views for the wonderful reflections!”
Muriel paints in watercolor, oil, acrylic and gouache. Her award-winning works have been exhibited widely in exhibitions across Long Island including Wet Paints Studio Group, Setauket Artists Exhibitions, Gallery North, and South Bay Art Association, among many others.
“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!” said the press release.
Dr. Alfred J. Cossari of Village Eye Care, 311 Barnum Ave., Port Jefferson will host a Holiday Art Show & Fundraiser on Saturday, Dec. 3 and Sunday, Dec. 4 from noon to 4 p.m. Drop in during the 26th annual Port Jefferson Charles Dickens Festival to view an exhibitby award winning artist Angela Stratton (www.strattongallery.com) with over 45 pieces of artwork including landscapes and florals for sale. A portion of the proceeds will benefit The Children’s Eye Care Foundation. For more information, call 631-928-6400.
Up next for Gallery North in Setauket is Home · Land · Nature, a selection of recent works by artist Han Qin, on view from Sept. 29 to Nov. 13. An opening reception will be held on Thursday, Sept. 29, from 6to 8 p.m.
Artist Han Qin
The solo exhibition features small, medium, and large cyanotypes, woodblock prints, and drawings that explore concepts of home and the process of relocation.
Drawing from her own experience of migration, Qin renders moments of passing through, of conflict, of getting together, and of migrating into form and image. Her artwork incorporates poignant, structural elements of Confucian philosophy, conveying the fluidity of identity and its evolution.
There is a sense of displacement, chaos, triumph, and eventual replanting in Home · Land · Nature. Qin translates social phenomena and movement — among groups and individuals — into works which incorporate traditional cyanotype, woodblock printing, 3D scanning, and digital printing methods.
‘The Triumph of Wanderers’ by Han Qin
“One of the elements that excites me about the exhibition is that while Han’s work draws on the emotions of her own lived experience of migration, they are universal in their ability to connect with viewers. … The works silently call viewers to explore them and ask where they themselves are or have been among these images,” said curator Kate Schwarting.
In collaboration with the Three Village Community Trust (TVCT), Gallery North will also present an outdoor projection event featuring Han Qin’s multimedia work at the TVCT’s Immigrant Worker Houses, located behind the Bruce House at 148 Main Street in Setauket, on Saturday, Oct. 22 at 7 p.m. This projection event will highlight the important experiences of all immigrant groups throughout the history of the Three Village community.
Gallery North will also host an ArTalk with Han Qin on Saturday, Nov. 5 at 6 pm.
Generously sponsored by Jefferson’s Ferry, bld Architecture, and Suffolk County’s Department of Economic Development and Planning, the exhibition, reception and affiliated events are free and open to the public.
Gallery North, 90 North Country Road, Setauket, is open Wednesdays to Saturdays from 11 a.m. to 5 p.m., and Sundays from 1 to 5 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.
Smithtown Township Arts Council has announced in a press release that the works of East Setauket artist Robert Roehrig will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown from September 19 to November 17. The exhibition, part of the Arts Council’s Outreach Gallery Program, can be viewed during regular banking hours Monday – Thursday 9 am – 4 pm; Friday 9 am – 6 pm; Saturday 9 am – 1 pm.
“From the time I was growing up in Queens and then Hicksville, I always loved to draw. I would sketch airplanes, cars, people – pretty much anything that caught my fancy. An important early influence was an artist named John Nagy, who had a TV show in the 1950’s that provided lessons on how to draw. I really enjoyed the program so my parents bought me his instruction booklet and kit. In it, the artist showed you step by step how to complete a picture. I still remember the pictures; a railroad train with smoke billowing, a young boy wearing a sombrero, and others. I completed every one,” said Roehrig.
“I took some art courses in high school and at Hofstra University, but I decided on social studies education as a career path. After college, I married my lovely wife Joan, and we raised our two children. Throughout those busy years, I did some sketching and watercolor painting for fun and relaxation. When I retired from teaching and counseling at Commack High School, I decided to try oil painting, something I had not done since high school. I soon found the versatility and rich colors of the oil medium to my liking. I have been oil painting ever since,” he added.
Many of Rob’s paintings try to capture the beauty of the natural world. “I feel fortunate to live on Long Island with its scenic beaches, coves, wetlands and farms. It is a challenge – and fun – to paint a spectacular cloud formation or a pretty reflection in a lake or pond. I tend toward realism and I often choose subjects that highlight the contrast between sun and shadow. Buildings or structures attract me as well and often make for an interesting scene. When traveling in the US or abroad, I am always on the lookout for a potential painting. The completed paintings help to rekindle wonderful memories,” he said.
“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!” said the press release.
Above, the Vanderbilt Marine Museum. Vanderbilt Museum Archives photo
Why should we care about historic houses that have been turned into museums? How can these inert structures speak to us and how, a century or two later, might their histories and the lives of their famous inhabitants be relevant to contemporary life, and to museum visitors?
These are a few of the questions raised by Preserving Eagle’s Nest: Labor and the Aesthetics of Stasis, the newest exhibition at the Suffolk County Vanderbilt Museum, which opens to the public on Sunday, September 18, in the Lancaster Gallery. The presentation explores the preservation of Eagle’s Nest, the summer estate of William K. Vanderbilt II (1878-1944) one of the heirs to a powerful railroad and shipping empire.
Paul Rubery, the Vanderbilt Museum’s Director of Curatorial Affairs, created the exhibition after considering the purpose and future of historic house museums and examining hundreds of artifacts and documents, as well as the century-old buildings under his care.
Vanderbilt curator Santo Vitale, circa 1980. Vanderbilt Museum Archives photo
Preserving Eagle’s Nest explores the architectural significance of the estate and considers the skill, labor, expertise, and care invested in maintaining the appearance of the property and emphasizes the processes and outcomes of preservation initiatives.
“If historic house museums hope to communicate their value to contemporary society,” Rubery said, “they must develop a new language to describe their activities.
“Specifically, these institutions must articulate how, in remaining static, the buildings under their stewardship convey something essential about the historical process. To do so, they must direct their attention to the basic unit of historical experience and understanding: time.”
Questions about temporality present conceptual issues for the interpretation of house museums. In the mid-twentieth century, many private estates were converted into museums when social historians popularized a historiographic method centered on the role places played in forming the biographies of “great individuals,” Rubery said.
These scholars believed that, if the public was presented with the life of a person at a specific moment in time, they would form an intimate connection with the past in a way that supports the development of character and virtue. Today, our fondness for explaining historic events through biography has largely waned — and with that, the school of social history — leaving behind countless mummified homes, farmsteads, and other structures that no longer serve their intended purpose.
Preserving Eagle’s Nest explores this theme through artifacts and documents. It examines the historic house museum’s language of time by concentrating on the broken, damaged, and decayed aspects of the Vanderbilt Museum’s collections and grounds. The exhibit also examines the time and labor invested in preserving the historic appearance of the Museum and finds value in the multigenerational care and expertise given to the project.
By focusing on the tension that develops between degradation and preservation, Preserving Eagle’s Nest directs our collective interest toward questions of temporality, effort, and historical stasis, Rubery said.
This exhibition is made possible by the generosity of Eric and Laura Gerde, Milcon Construction Corporation, Farrell Fritz, P.C.; People’s United Bank; PFM Asset Management; and H2M Architects + Engineers.
The Suffolk Cound Vanderbilt Museum, 180 Little Neck Road, Centerport presents Preserving Eagle’s Nestthrough Dec. 4.
Viewing hours for the fall are Thursday, Friday, Saturday, and Sunday from 11 a.m. to 5 p.m. For more information, call 631-854-5579 or visit www.vanderbiltmuseum.org.
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