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art exhibit

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'Innerbloom' by Melissa Vultaggio
'River Walk' by Jim Minet
'Spero' by Melissa Vultaggio
'Young Men with Snakes' by David P. Doran
'Low Tide' by Rob Roehrig
'Bahama Man' by Terence McManus

As spring blooms on the North Shore, creativity blooms five-fold at the Smithtown Township Arts Council’s Mills Pond Gallery in St. James with a new exhibit titled Five Creative Visions. The show opens April 16. The exhibit will feature five artists — David P. Doran, Terence McManus, Jim Minet, Rob Roehrig and Melissa Vultaggio — each sharing their creative voice through a different medium including acrylic, oil, pastel, watercolor and photography.

‘Green Flower Girl’ by Jim Minet will be on view at the Mills Pond Gallery through May 13. Photo from STAC

Bellmore artist David P. Doran is a light film photographer using both 35mm and roll film cameras. A former member of the Camera Club of New York, his exhibit focuses on street photography influenced by Gary Winogrand (1928-1984). Most were taken in New York City, the capital of this genre. In recent years, street photography has been looked upon in some corners as somewhat shopworn. Doran adamantly disagrees stating, “The street is a river of life and such photos are to be considered as part of the tradition of social documentary photography.”

Mt. Sinai artist Terence McManus has always been fascinated by the human face. Primarily a self-taught artist, McManus’s art has been exhibited in hundreds of exhibitions in the New York metropolitan area, winning more than sixty awards in prestigious shows including The Butler Institute of American Art and The Pastel Society of America, among many others. “No two people are alike and what a person experienced in life is often written on the face. When I do a portrait I strive to capture the past, the present and to use a cliché, the soul of the person.”

Nesconset artist Jim Minet works mostly in oil, watercolor, and acrylic. He has exhibited his work across Long Island and in NYC and teaches at numerous spaces across Long Island. “My work is representational in nature but still very eclectic, I like to experiment with different mediums and styles. As people, we are fluid, dynamic, ever changing. My art will change because I will change. Ultimately I believe that whatever creative expression you give to the world — it is, and can only be, a reflection of yourself.”

Primarily a realist painter, Rob Roehrig of East Setauket focuses his creations mainly on landscapes and seascapes. He is especially attracted to scenes that highlight the contrast between sun and shadow. After raising a family and retiring from teaching, Roehrig took up oil painting and his new “career” as an artist took over. “Many of my paintings try to capture the beauty of the natural world. I feel fortunate to live in an area with scenic beaches, coves, wetlands and farms.”

Melissa Vultaggio of Massapequa art reflects her interest in theology, symbolism and synchronicity. She juxtaposes elements of reality with abstraction and surrealism using acrylic paint and mixed media. Her rhythmic compositions convey feelings of whimsy with elements of surprise inspired by visions she acquires in her dreams. Vultaggio’s enthusiasm for art education comes from her belief that young children’s creativity is at its peak, when young minds are free to imagine and explore, given the right motivation, artistic mediums and skills to experiment.

The Mills Pond Gallery, 660 Route 25A, St. James presents Five Creative Visions through May 13. The public is invited to an opening reception on April 16 from 2 to 4 p.m. to meet these talented artists and view their work. For more information, call 631-862-6575 or visit www.millspondgallery.org.

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Pixabay photo

To show solidarity with the citizens of Ukraine, the Town of Brookhaven will present the “Sunflowers for Ukraine” art exhibit at Brookhaven Town Hall starting on Monday, March 21. The exhibit is presented by the Town of Brookhaven’s Department of Parks, Recreation and Sports, and Cultural Resources and will be curated by Maureen Pouder, who runs art classes for the Town.

Ms. Pouder reached out to Councilwoman Jane Bonner with the idea to hold an art exhibit in response to the plight of the Ukrainian people. The Councilwoman embraced the idea and got the ball rolling.

“Maureen’s idea to have an art exhibit struck me as something that we needed to do. The resolve of the Ukrainians in the face of such a relentless attack from Russia is an inspiration to freedom-loving people all over the world. I encourage everyone to stop by to see the exhibit at Town Hall and show your support for the people of Ukraine,” said Councilwoman Bonner.

All the artwork on display is created by Brookhaven artists and features sunflowers, the national flower of Ukraine and a symbol of solidarity and peace amid the Russian invasion of Ukraine. Many of the artists are from the Town’s art classes, which are held at the Town’s recreation centers. As part of the “Sunflowers for Ukraine” project, the participating artists will combine their talents to create a 50” X 40” watercolor painting featuring sunflowers by “Sunflowers for Ukraine” participating artists.

The exhibit will be located on the second-floor mezzanine at Brookhaven Town Hall, One Independence Hill in Farmingville. Exhibit hours are Monday through Friday from 9 a.m. to 4:30 pm. For more information about the exhibit or the Town of Brookhaven’s art classes program, call 631-451-8696.

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'Afternoon Light' by Lynn Staiano
'Cattails at Sunset' by Lynn Staiano
'View from a Bridge' by Lynn Staiano

The Smithtown Township Arts Council has announced in a press release that the works of Smithtown artist Lynn Staiano will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown grin Feb. 21 to April 21. The exhibition, part of the Arts Council’s Outreach Gallery Program, can be viewed during regular banking hours — Monday to o Thursday from 9 a.m. to 4 p.m., Friday from 9 a.m. to 6 p.m. and Saturday from 9 a.m. to 1 p.m.

Smithtown artist Lynn Staiano is a licensed psychotherapist and clinical social worker by day, and a landscape artist in the evenings and weekends.  She is a self-taught artist who has always been involved with creative arts, having had a mother who was an artist in her youth. However, in recent years, Lynn has developed a new passion and talent for painting.

“The isolation of the pandemic opened up my ability to really observe and appreciate little details in nature; reflections in water, how the sunlight diffuses through the trees, or how shadows cover the grass,” she said.  “I try to capture these elements and hope that my paintings evoke emotion or give the viewer an experience. I especially love it when it feels as though you can walk right into one of my paintings. That’s always the best compliment I could ever receive about my art.”

Staiano is now further developing her technique and style through tutorials and classes. Some of her favorite things to paint include rustic old farmhouses or uninhabited buildings, barns, quaint restaurants, and colorful landscapes. She paints in studio or plein air, primarily in acrylic, and has tried pencil sketches, pastels, and hopes to someday master oils.

“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!,” said the press release.

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At Barons Lane, 2005, by Gerald Monroe
'Untitled Foliage', 2007, by Gerald Monroe
'On Narrows Lane', 2004, by Gerald Monroe

Gallery North in Setauket has announced it’s latest exhibit,  Emergence: Gerald Monroe, a memorial retrospective of the late abstract artist Gerald Monroe, on view from Feb. 24 to April 3. An opening reception will be held on Feb. 24 from 6 pm to 8 pm. 

The exhibition and opening reception will be free and open to the public.

This exhibition of small, medium and large oil paintings — Monroe’s first at Gallery North — embodies every possible meaning of the title, Emergence. These are paintings formed from pure intensity of feeling. Each painting arises from in-the-moment narratives, personal speculation, and a long-held fascination with nature. 

Monroe’s abstractions derive from a decades-long dedication to Modernist abstraction, and uniformly emerge from natural sources — bodies, plant forms, passing clouds, thin rays of light, or the slow melt of a sunset seen from his studio. 

“Every mark is a speculative act; uncertainty spurs possibilities, only to have them become mired in incoherence. I must bring method to the madness: the creation of a well-constructed picture that relies on the tendency of color, shape, texture, etc. to strike metaphorical connections to the real world of palpable space and energy,” said Monroe, who passed away in June, 2021.

Emergence explores the natural world and reveals how our physical experience of the world shapes and sometimes distorts our inner lives in mysterious ways.

Gerald Monroe was born in New York City in 1926. He attended classes at the Art Students League in Manhattan and graduated from the Cooper Union for Art. He then earned his doctorate in education from New York University and spent the early years of his career as a scholar and published author, known for his seminal research on the activities of the Artists Union during the Great Depression. 

Based in Water Mill, he exhibited widely, including solo shows at Manhattan galleries, the New Jersey State Museum and the Loeb Center at NYU, as well as group exhibitions at the Parrish Museum in Southampton, the Heckscher Museum in Huntington and Guild Hall in East Hampton. His work can be found in many public and private collections, including the Newark Museum. 

This exhibition is generously sponsored by Jefferson’s Ferry, and Suffolk County’s Department of Economic Development and Planning.

Gallery North is located at 90 North Country Road in Setauket. For more information, call 631-751-2676 or visit www.gallerynorth.org.

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'Jazz Solo II,' 1988, oil on linen canvas by Richard Mayhew. Courtesy of the Petrucci Family Foundation Collection of African-American Art. (c) 2021 Richard Mayhew; Courtesy ACA Galleries, New York)
Nationally renowned, Long Island-born artist celebrated close to home

From Jan. 20 to April 24, the Heckscher Museum of Art in Huntington will feature the work of artist Richard Mayhew (b. 1924) in a solo exhibition, the first ever organized so close to Amityville, where the renowned artist grew up. 

Titled Richard Mayhew: Reinventing Landscape, the exhibit will highlight more than two dozen vibrant paintings and works on paper created by the artist over the past six decades and will explore how Mayhew reimagined nineteenth and twentieth-century American landscape painting through a uniquely personal style that expresses his perspectives about African American and Native American history and culture. 

‘Pescadero,’ 2014, oil on canvas by Richard Mayhew; (Courtesy ACA Galleries, New York)

The show is drawn from private collections and institutions such as Hudson River Museum, National Academy of Design, and the Petrucci Family Foundation Collection of African-American Art. 

Coinciding with the exhibition, The Heckscher Museum announces the acquisition of one of Mayhew’s vivid paintings, Pescadero, 2014. The Museum already holds a number of Mayhew’s lithographs. 

“The purchase of Richard Mayhew’s Pescadero is an important springboard into the Museum’s second century,” said curator Karli Wurzelbacher. “We are honored to have the opportunity to share the stunning and thoughtful work of this major artist with our audiences, both now and in the decades to come. Mayhew’s work will allow us to tell a more complete and compelling story about the histories of abstraction and landscape painting in America.”

Richard Mayhew’s paintings express his African American and Native American heritage. “It’s a dual commitment to nature. The land is very important to both cultures, in terms of stimulation and spiritual sensitivity, and it’s very important to me,” he said. The Heckscher Museum, located less than 15 miles from the artist’s birthplace, will introduce people from Long Island and the greater New York metropolitan region to Mayhew’s art within the context of Long Island’s diverse cultural history.

Wurzelbacher notes that the artist’s subjects may suggest the appearance of natural forms, but they are symbolic only of his emotional interpretation. He conceives his painting as “mindscapes.” Mayhew intuitively uses evocative color and diffused form to explore, in his words, “desire, ambition, love, hate, fear—that’s my painting.”

Although Mayhew has resided in other parts of the country (currently in Santa Cruz, CA), his place of birth remains at the center of his work. Here, his love of nature and artistic talents were first stimulated. He took from the Long Island landscape a life-long response to the spiritual essences of nature and delved into complex emotions that permeate his canvases. 

Richard Mayhew grew up in Amityville, on Long Island’s South Shore. It is among the oldest Black-Indigenous communities on Long Island.

During the 1930s and 40s, artists visited the area in the summertime to paint en plein air along the ocean coastline, and the young Mayhew would watch them: “I was fascinated by the artists dipping their brushes into the paint like a magic wand; the beautiful images that came out on the end of it were amazing.”

Following military service in the South Pacific, Mayhew spent time as an illustrator, ceramic painter, and a jazz singer. In 1951, he began courses at the Brooklyn Museum School of Art. A degree in art history from Columbia University added to his framework of artistic reference. Studies in Europe fostered deeper appreciation of the old masters and for the Impressionists’ mastery of light. 

Mayhew’s first solo exhibition was organized by the Brooklyn Museum. During the Civil Rights movement, he joined Spiral, formed in 1963 by a group of Black artists who met to discuss the relationships between Black identity, American culture, and politics. These debates solidified his commitment to working in an abstract style while also engaging with concepts of race and social justice.

Related program:

Panel on Environmental Justice on Long Island, April 5, at 5:30 p.m.

A virtual panel discussion with Jeremy Dennis, a contemporary fine art photographer, tribal member of the Shinnecock Indian Nation, and founder of Ma’s House, and Dr. Mark Chambers, Professor of Africana Studies at Stony Brook University. The panel will discuss Mayhew’s work and the intersections of environmentalism and racial justice on Long Island. Organized by Justyce Bennett, M.A., Curatorial Assistant, The Heckscher Museum of Art.

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The Heckscher Museum of Art is located at 2 Prime Ave., Huntington. In addition to Richard Mayhew: Reinventing Landscape, the museum presents Moonstruck: Lunar Art from the Collection from Jan. 20 to Sept.  18. For more information, call 631-380-3230 or visit www.Heckscher.org.

 

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'The Queen's Burial Chamber 2' by Ellen Hallie Schiff
'Ritual Blue' by Gina Mars
“Driving at Night to Meet Fran for Noodles” by Ellen Hallie Schiff
Ellen Hallie Schiff in her studio
Two person show explores color and chance through sculpture and abstract painting

By Tara Mae

Kicking off 2022, Gallery North explores the beauty born of controlled chaos and how that informs the power, impact, and usage of color through the raku sculptures of Gina Mars of Huntington and the abstract oil paintings of Ellen Hallie Schiff of Glen Cove in an exciting exhibit titled Chroma-Tenacity. The show opens Jan. 13.

Although Mars has a long-standing relationship with Gallery North, it is Schiff’s first exhibition at the gallery, and the pairing provides a unique opportunity for the artists to showcase their work in a way rarely seen, according to Executive Director Ned Puchner. The mixed media display, featuring approximately 53 pieces, was a calculated departure from the gallery’s standard procedure. 

“I am excited to see 3-dimensional work shown at the same time as 2-dimensional work. Often, we segment those things: the former in the gift shop, the latter in the gallery. I love the interplay between 3-D and 2-D; it’s important to me,” he said. 

Despite their different modes of expression, Mars and Schiff’s work shares certain commonalities that are interwoven into overall continuity and themes of Chroma-Tenacity.

“It really has to do with them trying to experiment and stay driven towards the goal of creating something beautiful that contains chaos. The exhaustion that comes with uncertainty runs through how we live right now and also this work,” said Puchner. 

This notion of tranquility in turbulence and meaning in mayhem are continuous themes of Mars and Schiff’s art, from concept to creation, reflected in the process and the final product.

“Control and chance are elements in both of their work. Both artists focus on the importance of color, attention to detail, and creating refined pieces. Gina’s sculptures focus on understanding the chemistry that exists within the glazes and surface texture, yet allowing them to have this spontaneous reaction. Ellen’s work involves destroying things to build them back up,” said curator Kate Schwarting.

Mars primarily works in raku, a sculptural style that involves rapidly firing pottery or sculpture. Her decorative and functional pottery is removed from the kiln at 2000 degrees and put in a covered container with combustibles (Mars likes to use pine needles and newspaper). The smoke interacts with the glaze and creates all different colors. 

Mars makes her own glazes, either color or crackle, which is a white glaze that, upon being taken out of kiln, shrinks in the air causing cracks. When the sculpture is put into the bin, the smoke gets into the cracks and makes incredible hues. 

Her pottery features iridescent glazed bodies and crackle glazed lids.  

“I love to go bold with my work and with color, push the limits of creativity, mixing different mediums. I may use different kinds of glaze firings, or different kinds of materials,” said Mars. “I like to take a lot of risks and [create] the vision that I see in my head; I don’t let anything influence me but my own ideas.”

Schiff is also open to the experience of creation informing her art, rather than adhering to a preconceived plan. Her work captures not only what is there but what is left behind as she applies layers of paint and then scrapes them away to form her works. 

While experimenting with different markings, Schiff has sought to expand her color palette in the past year. 

“I am interested in exploring. I try to really be open to what is happening on the canvas, what may occur, what I may explore with. I am intentional but I am also open to what may happen. I’m starting with the paint, I’m not starting with a narrative. Narrative may develop from putting the paint on the canvas. My work is about color and intention,” she explained. 

This shared willingness to play around with colors, tones, and forms is what first drew Schwarting to assembling this joint exhibition. 

“Gina started branching out in the past year [with] new motifs, materials, and experimenting with her process. I was really drawn to the sculptural elements and the dark surfaces that become luminous. Ellen’s art also evolved — it got brighter. The attention to texture and color is what really stood out to me: earthy, weathered, worn, but with incandescent color. Gina’s art has a very similar feeling to what Ellen has in her paintings. The breadth, range, and simultaneous cohesion of this exhibition make it a truly unique experience and one we are excited to share.”

Exhibition-related programming will include an ArTalk on Location, featuring both artists, to be published on YouTube on Feb. 3 and a one-day pottery workshop with Gina Mars in the Studio on Feb. 4 from 5:30 to 8:30 p.m.

Gallery North, 90 North Country Road, Setauket is open Tuesday to Saturday, from 11 a.m. to 5 p.m. and Sunday from 1 to 5 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.

 

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'Blossoming Trees' by Joseph Rotella
'Forsyentia' by Joseph Rotella
'Lilies' by Joseph Rotella
'Vertical II' by Joseph Rotella

The Port Jefferson Free Library, 100 Thompson St., Port Jefferson invites the community to view its latest art exhibit in the Meeting Room titled Celebration of Art/Coming Out of the Pandemic by artist Joseph Rotella through the month of December. The exhibit will feature landscape and floral narratives which were all created during the pandemic. For more information, call 631-473-0022.

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'Evergreens' by Joseph Reboli
'Cottage' by Corinne Tousey
'Frozen in Time' by John Mansueto
'Dinghy' by Joseph Reboli
'Brendan' by Mike Stanko
'Stony Brook Cottage' by Gia Schifano
'Blue Kayak' by Ty Stroudsburg
'Oscar' by Vicki Sawyer

The Reboli Center for Art and History in Stony Brook presents its winter holiday exhibit, “Celebrate the Season,” from Nov. 4 through Jan. 23, 2022. 

The show will feature the artwork of a variety of artists, including paintings by the late artist, Joseph Reboli, the Setauket-based artist for whom the Center is named. 

Participating artists include Mireille Bellajonas, Lucille Betti-Nash, Grainne de Buitlear, Al Candia, Donna Crinnian, Julie Doczi, David Ebner, Pamela Herbst, Tyler Hughes, Melissa Imossi, Joanne Liff, John Mansueto, Esther Marie, Jim Molloy, Dan O’Sullivan, Vicki Sawyer, Gia Schifano, Carl Siege, Jodi Stills, Angela Stratton, Mike Stanko, Ty Stroudsberg, Joseph Reboli, Doug Reina, Corinne Tousey, Hal Usher, Mary Jane van Zeijts, Marlene Weinstein, Charles Wildbank, and Patricia Yantz. 

“We are thrilled to have so many Long Island artists in the show,” said Lois Reboli, a founder of the Reboli Center.

In addition, the Reboli Center’s Design Shop will once again be the envy of Santa’s workshop as it is decorated for the holidays and filled with beautiful and handcrafted gifts for people of all ages. In the seasonally-festive shop, you will find jewelry, felted ornaments, artisan crafts, art books, children’s toys, scarves, mittens, hats, prints and more. Reboli gift certificates are also available in any denomination. Free gift wrapping is available while you enjoy the holiday spirit at the Center.

The Reboli Center is located at 64 Main Street in Stony Brook, and is open Tuesday  to Saturday from 11 a.m. to 5 p.m. and on Sunday from 1 to 5pm. Admission is free. For more information, please call 631-751-7707. 

Be sure to visit the Center’s website at www.ReboliCenter.org for holiday hours, pop-up shops and special events.

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'Prospect Park Red Oak After Sandy' by Kathy Levine
'Homaridae' by Pam Brown
'Rift' by Kathy Levine
'There's No Place Like Home' by Pam Brown
'Willow Weep for Me' by Kathy Levine

By Melissa Arnold

As global temperatures continue to climb, we are unfortunately subject to more natural disasters, lack of resources, and personal discomfort. It’s a harsh reality, but it can be hard for some people to grasp.

The Smithtown Township Arts Council (STAC) is tackling the issue of climate change with a dynamic and colorful exhibit called “On the Edge” at the Mills Pond Gallery in Saint James.

Beginning Nov. 6 and running through Dec. 19, “On the Edge” will feature more than 50 works from environmental artists Pam Brown and Kathy Levine. The exhibit is part of a deeper exploration of environmental concerns through the lens of art. 

“For a while now I’ve been wanting to dedicate a year to the issue of climate change and what can be done about it. We read about it and are touched by it every day, but I thought we could explore this issue through art and the beauty of our natural world,” said Allison Cruz, executive director of STAC.

Cruz met Stony Brook-based artist Pam Brown years ago through the local art community, and since then, Brown has served as a juror for several STAC exhibits. Prior to the pandemic, Brown suggested she could put together an environmental-themed exhibit with Levine, her longtime friend and colleague from New York City. 

“Pam’s environmental work makes me think, and it touches my heart. I love the choices she makes,” Cruz said. “I was so excited to see this idea take shape and to meet Kathy. When I saw [Kathy’s] passion for connecting people to the environment and the way she salvages material to create beautiful art, I was hooked.” 

Brown, who focuses on sculpture, said that she spent much of her childhood exploring the woods around her home.

“The environment has always been a topic of interest for me, and art is a barometer for what is happening in the world,” she said. “It’s hard not to be connected to the environment, and it’s a tragedy to see the loss of beauty.”

Brown works with salvaged material that she says has its own story to tell. Everything is made of sheet metal or sheet copper, then hand cut with scissors or shears, stitched, soldered and welded together.

One of her works included in the exhibit is “A Place Called Home,” which depicts a bird inside of a hanging basket on a branch. 

“The bird is calling out, looking for a new place to call home. In the same way, populations around the world are being forced to relocate because of climate changes and disasters in their places of origin,” Brown explained.

Levine is originally from Queens, but had the unique opportunity to grow up in Spain and England, where she was constantly immersed in natural beauty.

At the same time, she was impacted by the energy crisis of the 1970s. Her electricity was cut in the evenings, leaving her to do homework by candlelight.

“I saw the way humans were able to work in harmony with the natural world and have the potential to make it even better,” she recalled, “But I also began to learn just how fragile our connection to the natural world can be, and that our impact can be positive or negative.”

Levine is a mixed media artist, including painting, photography and recycled materials in her work, to name a few. She also makes recycled paper casts of natural objects including leaves and bark, and uses a water-based method of photo transfer. 

One of Levine’s pieces, “Rift,” is a cast paper cross-section of a tree that’s split in half. One half depicts the urban sights of New York, while the other side shows a woodsy and natural scene.

“This kind of work fascinates me. It’s the one thing I feel like I could never get tired of,” Levine said. “It’s inexpensive and tactile, flexible and light, as opposed to other methods of sculpture.” 

While the exhibit will showcase the beauty of our world, Cruz, Brown and Levine all hope that it will inspire viewers to become more active in preventing climate change.

“It can be overwhelming to consider just how large the issue of climate change is, but it’s small changes in your own family that make a big difference, like recycling, composting and using reusable materials as much as possible,” Brown said. 

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The Mills Pond Gallery, 660 Route 25A, Saint James will present “On the Edge” from Nov. 6 through Dec. 19. The public is invited to an opening reception on Nov. 6 from 2 to 5 p.m. Meet the artists and enjoy an Art Talk presented by the Artists and Environmental Art Activists at 3 pm. Masks are required for unvaccinated individuals and optional for those who are vaccinated. 

Gallery hours are 10 a.m. to 4 p.m. Wednesday through Friday, and noon to 4 p.m. Saturday and Sunday. Admission is free. Please use the rear parking lot off of Mills Pond Road. For more information, call 631-862-6575 or visit www.millspondgallery.org.

See more images at www.tbrnewsmedia.com

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Smithtown Township Arts Council has announced in a press release that the works of Commack artist John Taylor will be on view from October 25 to December 16, 2021 at Apple Bank of Smithtown, 91 Route 111, Smithtown. The exhibition, part of STAC’s Outreach Gallery Program, can be viewed during regular banking hours Monday – Friday 9 am – 4 pm; Saturday 9 am – 1 pm.

John Taylor earned his associate’s degree, in commercial art from S.U.N.Y Farmingdale. There he met and studied with world-renowned painter/ illustrator Raphael DeSoto who introduced him to pastel painting. John feels fortunate to be able to pursue his passion for art full time now that he is retired. He works hard to improve his art skills by studying with many art groups on Long Island.

“It is the challenge of every artist to try and catch the beauty of a flower and succeed in doing so,” said Taylor.

“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!” read the press release.

Smithtown Township Arts Council is a 501 (c) (3) not-for-profit organization.

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