Theater

Photo from John W. Engeman Theater

The John W. Engeman Theater in Nothport has announced its 2025–2026 Main Stage season. The exciting line-up brings together a Tony Award-winning hit musical, a heartwarming holiday tradition, iconic musical legends, epic love stories, and a blast of ’80s fun. Season tickets are available now. Single show tickets go on sale on May 20.

“We are so proud to present such a powerful and entertaining lineup,” said Richard Dolce, Executive Producer of The John W. Engeman Theater. “This season celebrates unforgettable storytelling and iconic music, and I can’t think of a better way to mark our 100th Main Stage production. Audiences are in for a season full of joy, heart, and spectacular performances!”

COME FROM AWAY
September 11 – October 26, 2025
Our milestone 100th Main Stage production opens the season with the critically acclaimed, award-winning musical COME FROM AWAY. On 9/11, the world stopped. On 9/12, their stories moved us all. Set in the small town of Gander, Newfoundland, this moving true story follows the 7,000 stranded passengers who were welcomed with open arms in the wake of tragedy. Full of hope, humanity, and soaring music, COME FROM AWAY is a testament to the power of community and compassion.

A CHRISTMAS CAROL: THE MUSICAL
November 13 – December 28, 2025
Celebrate the holiday season with this lively musical adaptation of Charles Dickens’ timeless tale. A CHRISTMAS CAROL: THE MUSICAL follows Ebenezer Scrooge on a magical journey guided by the spirits of Christmas Past, Present, and Future. Featuring a delightful score by Alan Menken (Beauty & The Beast, The Little Mermaid) and lyrics by Lynn Ahrens (Seussical, Once On This Island), this festive production is the perfect holiday treat for the whole family.

RING OF FIRE
January 15 – March 1, 2026
Feel the rhythm of the legendary Johnny Cash in this musical tribute that tells the story of his life through his iconic songs. RING OF FIRE features a toe-tapping collection of country, rock ‘n’ roll, gospel, and heartfelt ballads, brought to life by a cast of extraordinary actor-musicians. From “I Walk the Line” to “Folsom Prison Blues,” this show celebrates the man in black like never before.

THE BODYGUARD
March 12 – April 26, 2026
The smash-hit film comes to life on stage in this breathtaking musical adaptation. When a former Secret Service agent is hired to protect a superstar singer, they find more than danger—they find love. Featuring the chart-topping Whitney Houston soundtrack, THE BODYGUARD includes show-stopping hits such as “I Will Always Love You,” “I Wanna Dance with Somebody,” “So Emotional,” and more.

CAMELOT
May 14 – June 28, 2026
Rediscover the legendary tale of King Arthur, Queen Guenevere, and Sir Lancelot in the sweeping and romantic musical CAMELOT. With its soaring score and timeless story of honor, love, and betrayal, this classic from Lerner & Loewe features beloved songs including, “If Ever I Would Leave You,” “The Lusty Month of May,” and the title song “Camelot.”

THE WEDDING SINGER
July 9 – August 23, 2026
Close out the season with a high-energy celebration of the ’80s! Based on the hit Adam Sandler film, THE WEDDING SINGER brings big hair, big dreams, and big laughs to the stage. Follow Robbie, a charming wedding singer with a broken heart, as he finds new love in this hilarious and feel-good musical packed with catchy tunes, retro vibes, and romance.

Tickets & Information:
Tickets can be purchased by calling (631) 261-2900, visiting www.engemantheater.com, or in person at the Box Office located at 250 Main Street, Northport.

For a complete show schedule and more, visit www.engemantheater.com or call (631) 261-2900.

Image courtesy of LIM

The Long Island Museum, 1200 Route 25A, Stony Brook presents Shirley Chisholm, Unbossed & Unbowed on Friday, May 9 in the LIM’s Carriage Museum’s Gillespie Room at 7 p.m.

Don’t miss this award-winning solo show created and performed by Ingrid Griffith, telling the largely unheard story of Shirley St. Hill Chisholm, a Brooklyn-born politician of immigrant parents, who, in the 20th century, was the first African-American woman to win a seat in Congress and run for President.

The story follows 10-year-old Shirley as she returns to the U.S. after being separated from her parents during the Great Depression. Her years with her grandmother in Barbados deeply shaped her Caribbean heritage, influencing her bearing, speech, and self-expectations. Shirley Chisholm’s childhood reveals how race and gender were meant to limit her, yet she chose to fight for the disenfranchised, overcoming immense barriers to rise in politics.

Unbossed and Unbowed dramatizes the Civil Rights era, the unrest of the 1960s, and the patriarchal system she challenged—struggles that still resonate today. Through visuals and music, the play captures the economic, political, and social upheavals from the 1930s to the early 1970s. While all characters bring strong voices, it is Shirley Chisholm’s narrative that delivers the story’s powerful message.

Tickets are $30, $25 members. To register, visit www.longislandmuseum.org or click here. For more information, call 631-751-0066.

This program is part of “A New Agora for New York.”

 

On April 27, Theatre Three, in collaboration with the Greater Port Jefferson Arts Council, held a screening of Gotta Dance, the documentary which is the basis of their upcoming production Half Time The Musical, in its New York premiere. The evening opened with the cast of Half Time  presenting “A Number,” the opening of the show. Following the documentary, Artistic Director Jeffrey Sanzel led a talkback with the documentary’s producer/director Dori Berinstein.

From the creators of The Wedding Singer, The Drowsy Chaperone, The Prom and Legally Blonde, Half Time is based on the incredible true story of ten determined dreamers who audition to dance at halftime for a major basketball team. They have three things in common: they love to dance, they have something to prove, and they are all over 60 years old! Only after making the cut, do they learn they won’t be dancing tap, salsa or swing – instead they will bring down the house with hip-hop!

Theatre Three, 412 Main St., Port Jefferson presents Half Time on the Mainstage from May 24 to June 22. Tickets are $40 adults, $32 seniors and students, $25 Wednesday matinees and children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

SomeBUNNY should go see the most perfect springtime show now playing at Port Jefferson’s Theatre Three right away. The Adventures of Peter Rabbit might be geared for kids, but audiences of all ages will smile from ear to ear by the end of the hour-long show. 

Written by Jeffrey Sanzel and Brent Erlanson, the musical opened last week during Spring Break and will run through May 10. With original music by Kevin F. Story, the musical is based loosely on the beloved characters from The Tale of Peter Rabbit by Beatrix Potter.

The show starts off in the cute and cozy cottage home of Mrs. Rabbit (Elizabeth Ladd) and her three adorable bunnies — Flopsy, Mopsy and Cotton-Tail (Cassidy Rose O’Brien, Julia Rose Albino and Katy Snair). There is, however, a fourth bunny, Peter (Ryan Worrell), who is a bit of a troublemaker, especially if he gets together with his cousin Benjamin Bunny (Ryan Van Nostrand). 

The two boys can’t stay away from the next door farm of Mr. and Mrs. McGregor’s garden (Louisa Bikowski and Liam Marsigliano), which is full of all of their favorite veggies to eat (or steal). Soon enough, Mr. McGregor, who’s “a meanie with a temper like a bear,” spies Peter and Benjamin sneaking tastes of lettuce, cucumbers and carrots and begins to plot his revenge. 

Interactive and exciting for the little ones in the crowd, there is always something to look at. For example, you may see Peter, his three sisters and their cousin run through the aisles, take a seat in the audience and even chat with you throughout the show. 

Colleen Britt directs a small cast of eight, but with a large level of talent. Worrell and Van Nostrand shine in the comedic roles of Peter and Benjamin. O’Brien, Albino and Snair are great additions with their timely, goody-two-shoes one liners and, of course, Mrs. Rabbit is equally as lovable. And even though they’re the antagonists as the farmers, you’ll still have a soft spot for Bikowski and Marsigliano, too. 

Plus, all of the songs and dances, with special mention to “Run Peter Run” and “Peter’s Socks,” are charming with Douglas J. Quattrock and Jeffrey Hoffman on the keyboards. The final number incorporates all of the songs in a super mega-mix extravaganza.

Costumes by Jason Allyn, from the bunnies’ spring dresses in pink, purple, green and red to their bunny ears and tails, are the carrots on the cake. And wait until you see the lighting and special effects!

Souvenir bunnies in various colors will be sold before the show and during intermission and the entire cast will be in the lobby after the show for a meet-and-greet and photos.

—————————————–

Theatre Three, 412 Main St. Port Jefferson presents The Adventures of Peter Rabbit at 11 a.m. on April 26, April 27 (sensory-friendly performance), May 3 and May 10. Children’s theater continues with Snow White and the 7 Dwarfs from May 13 to June 21. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

The cast of 'Priscilla, Queen of the Desert' Photo by Julianne Mosher

Reviewed by Julianne Mosher

The Shea Theatre at Suffolk County Community College’s Ammerman Campus in Selden becomes the Australian desert for Priscilla, Queen of the Desert, but features a colorful rainbow of a story.

Directed by Mary Seymour, the jukebox musical written by Australian film director Stephan Elliott and Allan Scott  uses well-known pop songs as its score. Based on Elliott’s 1994 cult-followed film, The Adventures of Priscilla, Queen of the Desert, the show tells the story of two drag queens and a transgender woman who travel across the Australian desert in a camper they coined Priscilla to perform at a resort in Alice Springs. 

Priscilla the camper. Photo by Julianne Mosher

The play starts out at the Cockatoo Club where the three divas (Michaela Fitzsimmons, Alani Etheridge and Angie Barrientos) start off by belting “It’s Raining Men.” We meet Miss Understanding, (Eleb Jr. Henrius), the MC of the club who plays his rendition of “What’s Love Got to Do With It?” and we meet Tick, (Will Begley), a down-on-her-luck drag queen. 

Tick receives a phone call from his wife, Marion (Jadah Dixon), who after not seeing each other for several years as he makes a life for himself in the big city of Sydney, offers him a spot to perform his drag number at her casino in Alice Springs. Not only is she offering him a job, but she’s allowing him to finally meet his young son.

Excited for the opportunity for a fresh start, and to meet his child, Tick calls his old friend, Bernadette, (Thomas McGuire) a transgender woman and retired performer, and a young, semi-cocky drag queen named Felicia (Joseph Salerno). Felicia and Bernadette don’t get along, but reluctantly agree to board a beaten-up old camper they christen “Priscilla.”

The trio head west across the Australia on a weeks-long trip to reach their destination. Aboard the bus, they experience it all, from visiting hole-in-the-wall bars (performing disco anthems like “I Love the Nightlife” to unenthused country folk) to eventually breaking down in the middle of the desert. A lot of laughs, and even some tears, the trip for the three is quite the doozy as they meet an array of strange characters along the way.

When they finally make it to Alice Springs, the three perform together as a group in an epic lip sync that has the audience dancing in their seats. 

While watching the show, one might not even realize they are being entertained by students who are surely on their way to stardom. While the talent of the three divas and the three queens is exceptional, the show becomes even more excellent with the addition of the ensemble cast who float between roles and different scenes effortlessly (Nicholas Maggipinto, Thomas Everson, Izzy Mangiaracina, Sarah Lange, Mia Lombardi, Krystian Karwowski, Max Venezia, Katelyn Carlo, Alberto Negron, Isabella Romero, Jennifer Sandusky, Kian Ventura).

During the two-hour show, the stage design changes rapidly. From dive bars to opulent gay clubs, one fun spectacle of the show is Priscilla, herself, which has its own set in itself and is a major focal point of the show. The costumes, too, are as colorful as you’d imagine considering the show surrounds three fabulous drag queens.

So, don’t miss this show. With other fun tunes like, “Thank God I’m a Country Boy,” “Material Girl,” “Don’t Leave Me This Way,” “True Colors,” “Hot Stuff,” and “Boogie Wonderland,” you’ll be singing and dancing along as if you were at the club, too.

The Theatres at Suffolk County Community College present Priscilla, Queen of the Desert in the Shea Theatre, Islip Arts Building, SCCC Ammerman campus, 533 College Road, Selden on April 24, 25 and 26 at 7:30 p.m. and April 27 at 2 p.m. General admission is $15, veterans and students 16 years of age or younger $10. SCCC students receive two free tickets. To order, call 631-451-4163.

Reviewed by Rita J. Egan

Theatre Three’s Wait Until Dark cast has theatergoers sitting at the edge of their seats — sometimes even jumping out of them.

Directed by Christine Boehm, the suspense thriller, which was written by Frederick Knott and adapted by Jeffrey Hatcher, takes place in the Greenwich Village basement apartment of Susan Hendrix and her husband Sam in 1944. 

The show, which opened on April 18, follows Susan, who recently lost her vision and three con artists searching for a mysterious doll. Audience members soon discover how resourceful she is and learn why sometimes it’s best to wait until dark. 

The play, which originally debuted on Broadway at the Ethel Barrymore Theatre in 1966, was released as a movie in 1967 starring Audrey Hepburn of Breakfast at Tiffany’s fame.

Set designer Randall Parsons has skillfully recreated a small apartment on Theatre Three’s mainstage. The smartly designed set, which includes pieces integral to the plot line, and the theater’s size are perfect for a play such as this, as audience members are easily drawn into the scenes, feeling like they are right there in the room as the story unfolds.

Jessica Mae Murphy, as Susan, is quite convincing as the blind homemaker. She evokes sympathy as she reveals her frustrations and strategically bumps into furniture in earlier scenes. Later in the production, as the character’s senses become keener and she realizes her blindness may be an asset in her current circumstances, Murphy seamlessly conveys the confidence growing in Susan.

Scott Butler plays up the swarminess of the conniving conman Harry Roat Jr. to the point that one can’t help but feel uncomfortable whenever he is on stage. Unsurprisingly, the character turns out to be the most dangerous of the three con artists.

Richard O’Sullivan delivers just how uncomfortable his character Sgt. Carlino is with the situation he has been dragged into. David DiMarzo, as Mike Talman, is so convincing as a sweet and friendly former Marine and friend of Susan’s husband that audience members may feel sorry for him when they discover his ultimate fate despite a story twist that reveals his true identity.

Adriana Mia Como is perfect as the bratty girl Gloria, who lives in the same apartment building as Susan and her husband and, at the same time, she gets across that the character truly cares for Susan. While Eric J. Hughes’ time on stage as Sam was short, he portrayed the character with sweetness and charm.

Theatre Three has proven once again that regional theater is an asset to the community and offering productions such as Wait Until Dark is vital. Plays such as this one and last year’s The Gin Game are a treat since most modern theater lovers have most likely never had the opportunity to see them live on stage.

Theatre Three, 412 Main St., Port Jefferson presents Wait Until Dark until May 11. Runtime is approximately two hours with a 15-minute intermission. Please note the production contains some adult situations. The season continues with Half Time from May 24 to June 22. Tickets are $40 adults, $32 seniors and students, $25 children ages 5 to 12 and Wednesday matinees. To order, call 631-928-9100 or visit theatrethree.com.

Theatre Three announced the line-up for its 55th season on April 19:

Annie from Sept. 13 to Oct. 19, 2025; A Christmas Carol from Nov. 8 to Dec. 27, 2025; Brighton Beach Memoirs from Jan. 17 to Feb. 8, 2026; Godspell from Feb. 21 to March 22, 2026; The 39 Steps from April 11 to May 3, 2026 and Mel Brook’s Young Frankenstein from May 16 to June 21, 2026. Tickets are on sale now.

 

Lloyd Harbor Elementary School’s recent production of “The Addams Family Musical” in the Cold Spring Harbor School District proved to be a resounding success, captivating audiences with its charm, wit and theatrical flair. Featuring a cast and crew of fifth and sixth grade students, the show brought the iconic Addams family to life in a spirited performance that showcased the incredible talent, creativity and dedication of the young performers.

With a perfect blend of spooky charm and heartwarming humor, the fifth and sixth grade cast and crew welcomed brave souls and curious mortals to a world where the creepy is endearing, the kooky is captivating and being different is something to celebrate. From the opening number to the final bow, the talented young performers delivered an incredible show filled with impressive singing, polished choreography and impeccable comedic timing.

The fan-favorite number, “Full Disclosure,” captured the spirit of the musical’s message – that even the strangest families can bond over dinner. And while the characters may have emerged from the cobwebs of Broadway, it was hard to believe these stars-in-the-making were only in elementary school.

Under the inspired direction of Jennifer Cové, the production shined with professional- level quality. The costumes, makeup and set design were extraordinary, while the backstage crew executed seamless scene changes with quiet precision and tireless dedication.

Bravo to the entire cast, crew and production team for embracing the eccentric, celebrating the macabre and reminding us all that there’s magic in the mysterious.

 

Earl L. Vandermeulen High School in the Port Jefferson School District recently presented a production of Into The Woods from March 28 through March 30.

A Stephen Sondheim musical, Into The Woods debuted on Broadway in 1987 and intertwined the plots of several Brothers Grimm fairy tales, reimagining them as if they all took place at the same time. Vandermeulen High School presented the show through special arrangement with Music Theatre International.

The Port Jefferson production, which was directed by Anthony Butera and narrated by Marlo Pepe, starred Gianna Vivano as Cinderella, Patrick Hutchinson as Jack, Albert Jack Peterson as the Baker, Rose Meliker-Hammock as the Baker’s Wife, Eve Cruz as Little Red Ridinghood, Victoria Snaden as the Witch, and Isabela Thornsen as Rapunzel.

Into The Woods is a show that I am incredibly proud of, and I know the cast and crew are too,” said Anthony Butera. “It was extremely special to share all of our hard work with the Port Jefferson community.”

For more information regarding the Port Jefferson School District and its students’ many achievements, please visit the District’s website at https://www.portjeffschools.org and follow its Facebook page: https://www.facebook.com/PortJeffSchools.

A scene from 'Diary of a Wimpy Kid The Musical.' Photo courtesy of John W. Engeman Theater
Engeman Theater brings beloved book series to life on stage

By Julianne Mosher

“Zoo-Wee Mama!” The Long Island premiere of Diary of a Wimpy Kid The Musical at The John W. Engeman Theater  in Northport sure does have an animal heart. Full of laughter, love and just a hint of silliness, this one is perfect to bring the kids to. 

Michael Deaner as Greg Heffley in ‘Diary of a Wimpy Kid’. Photo from John W. Engeman Theater

Directed by Marquez, and based on the popular book series by Jeff Kinney and the 2010 movie of the same name, Diary of a Wimpy Kid follows Greg Heffley (Michael Deaner, Matthew Eby), an awkward middle child who’s just starting junior high. 

His popularity level is low and the entire show is him trying to rise in the ranks. This is something he writes about in his journal … not a diary. His parents (Daniel Meglio and Jessica Mae Murphy) are preoccupied by Greg’s older punk brother, Rodrick (Kieran Brown) and their baby brother (depicted on stage as a puppet).

Navigating school with his overly sensitive BFF Rowley Jefferson (Amare Tavarez, Oliver Cirelli), his weird neighbor Fregley (Brady Goldman, Elliot Torbenson), and schoolmate Chirag Gupta (Nathan Benites, Pranav Ramkumar), Greg tries his hand in all things popular. He runs for school government against his arch nemesis, Patty Farrell (London Delvecchio, Claire Daly), which fails epically, and becomes a cartoonist for the school paper, which ultimately doesn’t work out either. 

Oh, did I mention poor Greg is doing all this while constantly being picked on by the eighth graders (Lexi Cid and Will Logan)?

With other twists and turns, the ensemble cast — Finn Brown, Liam Von Schmidt, John Moger, Scott Maciorowski, Camryn LaFemina, Zachary Kanakaris, Sophie Achee, Caraline Quackenbush, Erin Risolo and Sofia Jarmel — makes this show so relatable to anyone who has every attended middle school. Without them, the show would be incomplete. 

A scene from ‘Diary of a Wimpy Kid The Musical.’ Photo courtesy of John W. Engeman Theater

And while the student population at this school has a bunch of differences and varying popularity ratings (which are shown on stage), the kids have one thing in common: Joshie (Jae Hughes) — a European popstar who has a standout solo song right after intermission. Everyone loves Joshie, but their biggest fan is definitely Rowley who has the “Animal Heart” singer’s poster on his wall. 

On stage, the scene is set with your typical school lockers, cafeteria and kids’ bedrooms. Always on stage, however, is Greg’s journal, which updates the audience with his drawings and notes throughout the show. His life literally becomes an open book. 

Overall, this show is catchy, fun and a great afternoon out for children of all ages. Parents will be completely impressed by the professionalism and talent of these young actors, while kids will laugh at the relatable song and dance. So, grab your “Mom Bucks” and purchase a ticket to the Engeman’s Diary of a Wimpy Kid. You won’t regret it.

The John W. Engeman Theater, 250 Main St., Northport presents Diary of a Wimpy Kid: The Musical through April 27. Children’s theater continues with Madagascar A Musical Adventure from July 19 to Aug. 24. Tickets are $20 per person. To order, call 631-261-2900 or visit www.engemantheater.com.

You are are cordially invited to Dorothy's wedding! Photo courtesy of Keith Dougherty

By Tara Mae

Theatre Three gives the public an opportunity to say “Thank you for being a friend,” with The Golden Girls Gone Wild: A Murder Mystery at Dorothy’s Wedding & Brunch on Sunday, April 13, at 11 a.m.

A benefit for Theatre Three, this interactive experience on its Second Stage is based on characters from The Golden Girls (1985-1992), a television comedy series about four previously married women: Dorothy, Rose, Blanche, and Dorothy’s mother, Sophia, who share a Miami home, hardships, and happiness as they navigate life and love together.

In this installation, Dorothy is about to get remarried, but seeing the bride before the ceremony proves to be fatally bad luck for the groom.

Rather than spectators of this unfolding performance, attendees are cast as wedding guests. While patrons partake of a menu provided by Theatre Three that includes mimosas, Bloody Marys, cinnamon French toast casserole, sausage-egg-and-cheese casserole, yogurt, fruit parfaits, cakes and cookies, festivities take a fun, funereal turn when the groom meets a suspicious end.

Now tasked with finding the murderer, participants get clue packets to help Dorothy, Rose, Blanche, and Sophia solve the crime. Ballots are also supplied so people can write down who they think the murderer is and why. Hilarity and hijinks ensue as they work together on the whodunit.

“I’m excited to have our audience members—many of whom are longtime subscribers and friends of the theater—actively involved in the theatrical experience. It’s also a great opportunity to break the fourth wall in a way that’s usually not possible,” Theatre Three’s Artistic Associate/Director of Development Douglas Quattrock said. 

Instead of actors and audience, cast and congregants are collaborators in amateur sleuthing.

The show is the brainchild of writer/director/producer Keith Dougherty. Proprietor of Murder Mystery Manhattan, he specializes in writing unauthorized parodies that spoof popular TV shows and film, as well as spoofs of cult classic films and TV shows. This is his first time working with Theatre Three. 

“Personally, I like writing all the Golden Girls scripts because not only are the main characters iconic, but the show was so ahead of its time with many of the topics they tackled that are still relevant today,” Doughtery said. 

The Golden Girls Gone Wild features Dougherty as Dorothy Soreback; Laurel Riley Brown as Rose Nylon; Teri Monahan as Blanche Devilho; Amanda Baumler as Sophia Barilla; and Timothy Scott Harris in a dual role as Phil and Pat McCrotch.

“One of our longtime patrons had seen them perform before, and when she attended our previous murder mystery event, she recommended them to me,” Quattrock said. 

This partnership is part of Theatre Three’s ongoing creative effort to raise money for the arts and simultaneously regale its supporters. Unlike many previous fundraisers, which have been project oriented, this production is designed to support the theater as a whole.

“While we typically allocate fundraisers to specific causes, this one will support all of Theatre Three’s ongoing programs. We wanted to ‘spread the wealth,’ so to speak,” Quattrock said. “There are many worthwhile causes, and we felt that supporting all of them would be particularly helpful at this time.” 

Showcasing The Golden Girls Gone Wild for such an endeavor is a worthy undertaking to Dougherty, melding entertainment with outreach. “Murder Mystery Manhattan always likes to give back to the community and is happy to perform for a good cause,” he said. “We love what we do and appreciate the audiences and venues whose support allows us to continue to do what we love.”

—————————————–

Tickets are $125 each and includes brunch. The show runs approximately three hours. All proceeds benefit Theatre Three, located at 412 Main Street, Port Jefferson. To order, call 631-928-9100 or visit www.theatrethree.com.