Arts & Entertainment

By Heidi Sutton

When Catherine and Anthony Hoang’s young son A.J. lost a family heirloom during a visit to the Suffolk County Vanderbilt Museum in the winter of 2017, the security staff, including Ed Clampitt, helped the Huntington family retrace their steps through the sprawling grounds and estate. The two-day search finally produced the precious object and became the inspiration for a new children’s book, Patches and Stripes: A ‘Vanderbilt Magic’ Story. Written by Clampitt and his fellow Vanderbilt Museum colleague and friend Ellen Mason, the beautiful 20-page book, told entirely in rhyme, features gorgeous illustrations by Olga Levitskiy. A book launch held at the museum in mid-October sold over 300 copies. I recently had an opportunity to speak to the two authors about their latest venture.

Ed, tell us when you first met the Hoang family and what did they lose?

It was a very cold Sunday, around midday. I greeted the car as I do all our visitors. They explained to me that they had visited the day before and lost a hat. They inquired if one had been turned in to the lost and found. When I told them no hat had been turned in, they asked if it was OK if they searched the property themselves, revisiting all the areas where they had gone. Of course, I said yes and offered them a ride to the mansion where they would begin their search.

On the initial trip down, they explained to me the significance of the hat and how desperate they were to find it. I encountered them a few more times during the day and each time their despair became more evident. All I could do was offer them hope and reassure them that, if the hat was indeed on the property, we would find it. The hat was indeed found. I won’t give away the ending. To briefly sum it up, I will say that I was overcome with joy knowing we helped the family and their joy in getting back the hat was immeasurable.

Why was this hat so special to them?

EC: The hat was a precious heirloom passed down from previous family members, eventually coming to little A.J. The hat itself can best be described as a small engineer’s cap, a style from days past. It had blue and white stripes  and was adorned with vintage patches depicting various railroad lines.

What inspired you to turn this true story into a children’s book?

EC: When I started to tell people the story and saw their reactions I knew it was a story that needed to be shared. When I shared the story with Ellen she immediately agreed and it fueled an inspiration in her that led to the book.

EM: After Ed told me the story of the hat, I wrote 10 stanzas of the poem fairly quickly. I just felt the story had the makings of a children’s book.

What parts of the museum are explored in the book?

EM: The security guards search for the hat in different areas of the museum. They start at the two eagles near the entrance, which originally stood at Grand Central Station in New York City. They proceed to the 6 ancient columns from Carthage that are 1000 years old. The mansion’s courtyard and iconic bell tower are beautifully illustrated as are the Habitat with the whaleshark. This lower museum was built in 1929 as a private museum for the entertainment of the Vanderbilt’s guests. The animal dioramas will remind visitors of those in the American Museum of Natural History in New York City.

How did the Hoang family react when they heard you were writing a book based on their experiences?

EC: My first contact with Catherine about our plans for the book were via email. From the very beginning she was extremely honored and excited.

When did the family get to see the book for the first time?

EC: I believe they saw the book for the very first time at the book launch (see page B26). Ellen and I did our best to keep it under wraps as long as possible!

Tell us about the illustrator, Olga Levitskiy. How did you three connect?

EC: Olga is an immensely talented young woman that currently resides in New Jersey. I’ve had the pleasure of working with her in the past on previous projects. When Ellen and I decided to go forward with the book my only stipulation was that we use Olga as our illustrator. Having never met Olga, Ellen put her trust in me and I’m sure she would agree it was the right decision.

Her illustrations perfectly capture what the museum looks like. What was her process like?

EC: After we contracted with her, Olga visited the museum grounds and took photographs of just about everything imaginable. While I can’t speak to the exact process I can say that she first did a preliminary story board based on the text. She then does each illustration in pencil and eventually colorizes them in watercolor and colored pencil. Each page becomes an original piece of artwork, much larger than the pages of the book. Suffice to say that once you see the illustrations in the book you can really appreciate the painstaking process it involved.

EM: When Olga visited the museum she came on my mansion tour. Unbeknownst to me, she photographed me in the courtyard and later included me in one of her illustrations.

How did you go about getting published?

EC: Having previous experience self publishing children’s books, I was familiar with process. We used a printer that I have worked with in the past as well. They are based in Ohio. Another part of the blessing working with Olga is that she handled all of the technical aspects of the job for us.

From left, illustrator Olga Levitskiy, authors Ellen Mason and Ed Clampitt, and the Hoang family: Catherine, Anthony, son A.J., daughter Clara and grandfather John Gembinski, pose for a photo in the Vanderbilt Museum’s Carriage House during a book launch on Oct. 17. The family was presented with a family membership to the museum by Elizabeth Wayland-Morgan, Executive Director of the museum, a portrait of A.J. wearing his precious hat and copies of the book. The Hoang family gave the authors and illustrator each a railroad hat of their own. Photo by Heidi Sutton

This is also a great way to introduce children to the Vanderbilt Museum, yes?

EC: Absolutely! From the beginning our hope was to have the book become an extension of the museum, a way of being able to take the property home with you. The intent was to have the story take you on a tour of the museum and the grounds.

EM: Yes, the book may elicit interest in visiting to see the actual sites and exhibits highlighted in the book and can also reinforce a previous visit as well.

EM: Many school groups and summer day camps visit yearly. There are plans to perhaps offer the book in birthday party packages booked at the museum.

What type of response has the book been getting?

EC: The response has been amazing! Everyone has been so impressed and supportive. We are so proud of the finished product. It represents the Vanderbilt well and has allowed us to realize our dream.

EM: The Vanderbilt staff is so appreciative of how the illustrations capture the smallest details of the architecture and exhibits. Ed and I feel especially proud that this is the only children’s book ever written about Eagle’s Nest and it includes Max the cat, who now basks in his fame at the gatehouse.

What message do you want children  to take away from reading your book?

EC: On the forefront, the message is that the Vanderbilt is a true treasure, a place that we hope we inspire all to visit and continue to support. Additionally, it is a story of teamwork, hope and magic!

EM: The message is that there is value in studying history and the natural world; that one man’s life and generosity can enrich many other lives as well; and that goodness spreads; and the realization that all families have traditions that are important to them, sometimes symbolized by a treasured object.

Why do you think the Vanderbilt Museum is such a ‘magical’ place?

EC: Stories such as this one, the story that inspired the book, do not happen elsewhere. The place has an energy to it. It’s hard to explain. For those of us who are blessed to be able to work and spend time there, there is a love we share for the place … it makes you love it.

EM: I think it’s magical because of its romanticism — William K. Vanderbilt II built the estate out of love for his wife, Rosamond. The architecture and breathtaking setting that have been chosen by so many couples for their weddings.

Where can we pick up a copy of this book?

EC: Right now the books are sold exclusively in the Vanderbilt Museum’s gift shop. There will be the ability to purchase them online from the museum website soon. This entire project was intended as a donation to the Vanderbilt and proceeds go directly to benefit the museum.

Is there a recommended age group?

EC: I would say early readers but personally I am a big advocate of reading with a parent or as a family. I think this book is the perfect vehicle for that.

EM: Because the book is written as a 44 stanza poem, the musicality is suitable for younger children to be read to. Independent readers (grades 3 and 4) will pick up on the rhythm and rhyming pattern. I would love “Patches and Stripes” to inspire young readers to write their own poems showcasing a treasured possession.

Any more books on the horizon?

EM: One is already in the works, featuring Max the museum’s resident cat and his friend, security guard Ed. This one is also a narrative poem, like “Patches and Stripes.”

Catherine and A.J. Hoang

What advice would you give to someone who is thinking of writing a book?

EC: Write! Write! Write! If you have a story to tell, tell it! To write and create something that you can share with others is one of the most rewarding things you will ever do!

EM: My advice is to be patient. The process can move slowly, especially if illustrations are involved, but is well worth it. It never occurred to me to write any book, least of all one that rhymes. Yet here it is and I am so proud of it and grateful to Ed for suggesting that we collaborate on it. We present it as our gift to the Vanderbilt Museum for the many wonderful times it has given to us.

Anything else you would like to add?

EC: From the very beginning of all of this I have felt so strongly that this entire story, from the back story of the day the family visited, to the day we launched the book, is a story that needs to be told, from our point of view as well as the family’s. It is a story of how fate stepped in and changed lives … all for the better … how a simple visit to a local museum brought despair, then joy, validation, inspiration, pride and do much more … for the family, for Ellen and me and yes, even for the Vanderbilt … just a place, a piece of property devoid of feelings and emotions … unless you believe in magic.

Out of every 100 American men, about 13 will get prostate cancer during their lifetime. METRO photo
What you consume may have a dramatic effect on your risk

By David Dunaief, M.D.

Dr. David Dunaief

Happy “Movember!” The Movember Foundation is in its 17th year of raising awareness and research money for men’s health issues (1). What better time to discuss prostate cancer prevention?

The best way to avoid prostate cancer is through lifestyle modifications. There are a host of things that may increase your risk and others that may decrease your likelihood of prostate cancer, regardless of family history.

What may increase the risk of prostate cancer? Contributing factors include obesity, animal fat and supplements, such as vitamin E and selenium. Equally as important, factors that may reduce risk include vegetables, especially cruciferous, and tomato sauce or cooked tomatoes.

Vitamin E and selenium

In the SELECT trial, a randomized clinical trial (RCT), a dose of 400 mg of vitamin E actually increased the risk of prostate cancer by 17 percent (2). Though significant, this is not a tremendous clinical effect. It does show that vitamin E should not be used for prevention of prostate cancer. Interestingly, in this study, selenium may have helped to reduce the mortality risk in the selenium plus vitamin E arm, but selenium trended toward a slight increased risk when taken alone. I would not recommend that men take selenium or vitamin E for prevention.

Obesity and aggressive disease risk

Obesity showed conflicting results, prompting the study authors to analyze the results further. According to a review of the literature, obesity may slightly decrease the risk of nonaggressive prostate cancer, however increase risk of aggressive disease (3). The authors attribute the lower incidence of nonaggressive prostate cancer to the possibility that it is more difficult to detect the dis-ease in obese men, since larger prostates make biopsies less effective. What the results tell us is that those who are obese have a greater risk of dying from prostate cancer when it is diagnosed.

Animal fat and meat intake

It seems there is a direct effect between the amount of animal fat we consume and incidence of prostate cancer. In the Health Professionals Follow-up Study, a large observational study, those who consumed the highest amount of animal fat had a 63 percent increased risk, compared to those who consumed the least (4).

Here is the kicker: It was not just the percent increase that was important, but the fact that it was an increase in advanced or metastatic prostate cancer. Also, in this study, red meat had an even greater, approximately 2.5-fold, increased risk of advanced disease. If you are going to eat red meat, I recommend decreased frequency, like lean meat once every two weeks or once a month.

In another large, prospective observational study, the authors concluded that red and processed meats increase the risk of advanced prostate cancer through heme iron, barbecuing/grilling and nitrate/nitrite content (5).

Unexpected Omega-3 findings

When we think of omega-3 fatty acids or fish oil, we often think “protective” or “beneficial.” However, these may increase the risk of prostate cancer, according to one epidemiological study (6). This study, called the Prostate Cancer Prevention Trial, involving a seven-year follow-up period, showed that docosahexaenoic acid (DHA), a form of omega-3 fatty acid, increased the risk of high-grade disease 2.5-fold. This finding was unexpected.

If you choose to eat fish, salmon or sardines in water with no salt are among the best choices.

Lycopene from tomato sauce

Tomato sauce has been shown to potentially reduce the risk of prostate cancer. However, uncooked tomatoes have not shown the same beneficial effects. It is believed that lycopene, which is a type of carotenoid found in tomatoes, is central to this benefit. Tomatoes need to be cooked to release lycopene (7).

In a prospective study involving 47,365 men who were followed for 12 years, the risk of prostate cancer was reduced by 16 percent with higher lycopene intake from a variety of sources (8). When the authors looked at tomato sauce alone, they saw a reduction in risk of 23 percent when comparing those who consumed at least two servings a week to those who consumed less than one serving a month. The reduction in severe, or metastatic, prostate cancer risk was even greater, at 35 per-cent. There was a statistically significant reduction in risk with a very modest amount of tomato sauce.

In the Health Professionals Follow-Up Study, the results were similar, with a 21 percent reduction in the risk of prostate cancer (9). Again, tomato sauce was the predominant food responsible for this effect.

Although tomato sauce may be beneficial, many brands are loaded with salt. I recommend to patients that they either make their own sauce or purchase a sauce made without salt.

Cruciferous vegetables

Vegetables, especially cruciferous vegetables, reduce the risk of prostate cancer significantly. In a case-control study, participants who consumed at least three servings of cruciferous vegetables per week, versus those who consumed less than one per week, saw a 41 percent reduction in prostate cancer risk (10). What’s even more impressive is the effect was twice that of tomato sauce, yet the intake was similarly modest. Cruciferous vegetables include broccoli, cauliflower, bok choy, kale and arugula, to name a few.

When it comes to preventing prostate cancer, lifestyle modification, including making dietary changes, can reduce your risk significantly.

References:

(1) www.movember.com. (2) JAMA. 2011; 306: 1549-1556. (3) Epidemiol Rev. 2007;29:88. (4) J Natl Cancer Inst. 1993;85(19):1571. (5) Am J Epidemiol. 2009;170(9):1165. (6) Am J Epidemiol. 2011 Jun 15;173(12):1429-1439. (7) Exp Biol Med (Maywood). 2002; 227:914-919. (8) J Natl Cancer Inst. 2002;94(5):391. (9) Exp Biol Med (Maywood). 2002; 227:852-859; Int. J. Cancer. 2007;121: 1571–1578. (10) J Natl Cancer Inst. 2000;92(1):61.

Dr. David Dunaief is a speaker, author and local lifestyle medicine physician focusing on the integration of medicine, nutrition, fitness and stress management. For further information, visit www.medicalcompassmd.com.

Brookhaven Town Councilman Kevin LaValle attended a ribbon cutting ceremony for the new 7-Eleven at 1545 Middle Country Road in Centereach on Oct. 30. The new location showcases the latest national interior decor, design and equipment including Bean to Brew coffee and espresso machines, flavored frozen lemonade, baked-in-store danish and cookies and more.

Hosted by the Greater Middle Country Chamber of Commerce, the event was also attended by Robert Martinez, Chief of Staff, 4th Legislative District, New York State Assemblyman Doug Smith, Thomas Lupo on behalf of Suffolk County Comptroller John Kennedy and members of the chamber and community. Due to COVID-19 restrictions, the store’s grand opening community festivities have been postponed to a later date.

“It was my honor to attend the ribbon cutting ceremony [last Friday]. This property had been a deteriorating eyesore until 7-Eleven came in to redevelop it. I am happy to see so many new businesses opening up across the Middle Country corridor. Congratulations to the 7-Eleven team and best of luck with your new location!” said Councilman LaValle.

 

Ijeoma Opara. Photo by Emmanuel Igbokwe of Emman Photography

By Daniel Dunaief

The daughter of Nigerian immigrants, Ijeoma Opara was born in Jersey City, New Jersey. Her first name means “safe journey” in Igbo, the language of Nigeria, and is something people say when they wish each other a good trip.

For Opara, her first name has proven prophetic, as this social worker is determined to help youth in Paterson make a safe journey through the challenges of substance abuse and mental health issues.

Recently, Opara became the first social worker to receive a $1.84 million Early Independence Award from the National Institutes of Health.

Apart from her unusual scientific background in a field dominated by award recipients who work in the natural sciences, like biochemistry and physics, Opara also stands out for her background.

Ijeoma Opara. Photo by Emmanuel Igbokwe of Emman Photography

“At the National Institutes of Health, there’s been a lot of discussion about how black scientists don’t get as much funding as [their] white counterparts,” Opara said. Black scientists don’t often receive early competitive grants.

Michelle Ballan, Associate Dean for Research in the School of Social Welfare at Stony Brook University, recruited Opara. She appreciated Opara’s “grit and tenacity.”

Ballan encouraged Opara to apply for the Early Intervention Award. With Ballan in her corner, Opara put that determination to work.

Ballan described how readily Opara responded to guidance.

“She not only accepted constructive feedback, she built upon it,” Ballan said.

When Opara applied for the award, she suspected she had little chance of receiving it. “Someone like me, who went to a state school in Montclair, New Jersey” writing about urban, black and hispanic youth has never receiving this kind of funding support, she said.

Opara received a score in March that she didn’t understand. She sent her score to her two mentors, Ballan and director of the REIDS program at Yale Dr. Trace Kershaw, and asked what it meant. Dr. Kershaw said it was almost a perfect score and told her she would likely receive the grant.

In July, she received an email congratulating her on her selection.

“I started screaming,” Opara said. She told her close friends and colleagues, but she couldn’t share the news on social media until the NIH press release came out in October.

She was so excited about the opportunity that she celebrated with a large order of food and ate herself into oblivion that first weekend. Her indulgent feast included Oreo cheesecake from The Cheesecake Factory and chicken and waffles from her favorite brunch place.

“I got so sick,” Opara laughed.

While Opara was thrilled that the award came, she felt another emotion mixed in with her elation. She said part of her felt guilty because she and other black researchers would like to see more representation in these awards and grant mechanisms.

Opara has appreciated the support she has received from other scientists.

“So many black colleagues, even people I didn’t know, saw this as a win not just for me but for all of us,” Opara said. Other graduate students and postdocs have reached out to her since the press release came out, asking for advice on applying for high reward and high risk awards and other NIH grants.

Opara is grateful for the confidence and support from Ballan.

Indeed, Ballan believes Opara is a “role model for all women, especially women of color in research intensive fields.”

When Opara interviewed at Stony Brook, Ballan told her that she “wanted to make sure you are very successful.”

Even early in her tenure at Stony Brook, which will start with extensive work in Paterson, New Jersey, Opara feels Ballan has “lived up to that promise.”

At an Oct. 19 press conference announcing a new study to help youth in Paterson, New Jersey, from left, Paterson Mayor André Sayegh; Antoine Lovell; Director of Paterson Youth Services Bureau Christina Barnes Lee; Ijeoma Opara; Program Coordinator at Municipal Alliance Prevention Program Tenee Joyner; Councilman Luis Velez and Chief Operating Officer of OASIS Paterson Jim Walsh. Photo from Ijeoma Opara

By Daniel Dunaief

Stony Brook University’s Ijeoma Opara, a new Assistant Professor in the School of Social Welfare, is starting her promising early scientific career by making history, becoming the first social worker to receive an Early Independence Award from the National Institutes of Health.

Opara, who hopes the award opens doors to other social workers and to other scientists of color, plans to use the funds to create a research study and intervention program that will make a difference.

Opara will study the link between mental heath and substance abuse in Paterson, New Jersey, where she conducted her PhD training while attending Montclair State University and where she hopes to help youth who may not attend school often enough to benefit from programs in academic settings. She also hopes to understand issues that youth may be facing that lead to substance abuse and poor mental health.

Opara plans to use the $1.84 million, five-year grant to conduct venue-based sampling, where she will search for at-risk youth and where she can tailor mental health and substance abuse questions that are relevant to the experience of the children she hopes to help.

“A lot of youth that needed these services, who had substance abuse and serious issues with mental health, weren’t going to school,” said Opara. “They weren’t in locations [where] a lot of researchers collect data.”

It didn’t make sense to collect the survey information from students in school when the people who need these services are not present in the system. “Meeting them where they are to figure out how to get them engaged” became a critical element to conceptualizing this study, said Opara. “There is no such thing as hard-to-reach populations.”

The NIH award Opara received encourages young researchers who recently completed their graduate work to engage in high-risk, high-return studies.

The risk in Opara’s work is that she won’t be able to recruit enough youth. She is, however, is convinced that her past experience in Paterson, a city filled with communities she’s grown to love, will enable her to find and reach out to targeted youth.

She’s currently in the first phase of her two-part effort; finding staff, figuring out ways to find people for her studies and designing questions relevant to them and their lives. In the second part of her research, she plans to provide mental health and substance abuse services.

Michelle Ballan, Associate Dean for Research in the School of Social Welfare, applauded Opara’s approach to her research.

“Venue-based sampling takes considerable work,” Ballan said. “It’s much easier to send a survey to schools.”

Indeed, this kind of effort “takes time, manpower and a tremendous understanding of how [Opara’s] inter-disciplinary focus is intertwined,” Ballan said. “She’s a family studies researcher, a social worker, and a public health researcher. Having those three areas of expertise, it’s not surprising that venue-based sampling was the one she chose.”

Opara is turning to some of the leaders in Paterson to advise her during this effort. She has created a community advisory board that represents youth and includes community leaders.

One of the challenges this year is that some of the sites where these youth might typically congregate may have fewer people during the pandemic. “It’s something we’re really focusing on in our first couple of meetings: where are the youth going?” Opara asked. She suggested sites could include basketball courts and parks. She is also exploring ways to recruit youth (between ages 13 and 21) online.

Opara is hoping to understand how the environment may impact people in the community as either a protective or a risk factor for substance abuse and mental health.

“What are some structures that could be serving as a protective buffer for kids who aren’t engaging in substance abuse and who don’t have negative mental health symptoms?” she asked.

On the other hand, she would like to identify those buildings or features that increase the trauma or risk and that might cause youth to mask their symptoms.

Once she finds these at-risk youths, Opara will ask about drug and alcohol use, lifetime drug use, their feelings about mental health and their levels of anxiety and depression. She also expects to ask about suicidal ideation.

When she understands the challenges and stressors, she hopes to create a culturally relevant, community based and neighborhood focused intervention. For this to work, she plans to recruit some of the people involved in the study to inform these solutions.

Opara is determined to make a difference for the city of Paterson.

“I don’t want to leave the community with nothing,” she said. “I don’t want to come in, collect data and leave. It’s important to create a sustainable change” that will “empower the community and empower youth.”

In Paterson, Opara recognizes the diversity of different neighborhoods, with people from different backgrounds, experiences and languages living in different blocks.

As a research assistant at Montclair, Opara said she encountered resistance at efforts to change neighborhoods, particularly when she was involved in programs to reduce the hours when liquor stores were open. She said youth mobilization, which included speaking about their experiences witnessing alcoholism in their neighborhoods, helped encourage the city council to pass the ordinance.

People came from other neighborhoods, bought alcohol, drank until they passed out and created a “really dangerous environment” as youth and teenagers were afraid to walk home past people who were drunk in the streets.

Opara appreciates the support of educators in the Paterson School District and the mayor, André Sayegh. She said her efforts may be particularly important in this environment, as New Jersey has cut funding from school-based youth services amid a declining budget caused by a slowing economy triggered by the pandemic.

If the program Opara creates works, she hopes other researchers can extend it to other communities.

 

Forensic expert delves into disappearance of Stony Brook heiress

Reviewed by Rita J. Egan

The only thing more intriguing than a mystery is a true story that happened practically in the reader’s back yard. That’s the case with author Steven C. Drielak’s book Long Island’s Vanished Heiress: The Unsolved Alice Parsons Kidnapping recently released by Arcadia Publishing and The History Press.

Drielak tells the tale of the real-life kidnapping case of 38-year-old Alice McDonell Parsons, the heir to a vast fortune, who disappeared from Long Meadow Farm in Stony Brook on  June 9, 1937. The accounts of three witnesses — her husband, the housekeeper and the housekeeper’s son — were reported in newspapers across the United States. It was a case where the Federal Bureau of Investigation stepped in to help solve, but despite countless interviews, crews combing and revisiting beaches along the north and south shores of Long Island, and the careful excavation of the farm, a body was never discovered.

For Long Islanders, the story will have added appeal with the familiar backdrop of Stony Brook and other local areas mentioned such as Huntington, Bay Shore, Glen Cove and more. While many may be familiar with the case of Alice Parsons, who reportedly was last seen getting into a large black sedan with a couple to show them a family estate in Huntington, there is so much more to learn as Drielak takes the reader on a trip into the past using articles from the Brooklyn Daily Eagle, The New York Daily News, The New York Times, and the Chicago Tribune as well as FBI case files.

Right from the beginning, the author shows immense attention to detail as he takes us step by step through the infamous day starting at  6:30 a.m. as Alice Parsons’ husband, William, starts the morning feeding the livestock. He also describes what the Parsons’ Russian housekeeper Anna Kupryanova was doing that morning as well as Anna’s 10-year-old son Roy. We also get to meet Alice before her disappearance.

Early chapters give some background on the main players in this unsolved case. The reader learns of Alice’s privileged past, how William Parsons became involved in agriculture and events that led to Anna’s arrival to the United States. Delving into everyone’s pasts and characters, as well as how they interacted, helps the reader in understanding the possible motives of all the suspects in this case.

What many will find interesting is a case such as this one in the 1930s relied more on interviews and interrogations than forensic science as it wasn’t as developed as it is today. As the story unfolds, so do the clues, confessions and lies.

Making the story even more compelling is a disappearing chloroform bottle, paper found in the house that matches the kidnapper’s ransom note, a near confession and, to add even more to the intrigue, an affair that cannot be ignored.

What will leave the reader even more suspicious of Alice’s husband and housekeeper is the marriage of William and Anna in 1940 before the heiress is declared legally dead. The new couple never waited for a body to be found before starting a life together in California as husband and wife. Their relationship definitely raised eyebrows, especially since Anna was the last to see Alice alive.

There are also transcripts of recorded interviews between William and Anna that were part of the investigation. The conversations are interesting in that it seems as if Anna was dominant in the relationship, telling William he didn’t know what he was talking about when it came to a chloroform bottle being found. She also mentions that Alice is still alive. The conversations are an example of how difficult it was to solve how the heiress disappeared or if she was kidnapped or murdered.

Last but not least, the photos used in the book, many from the author’s personal collection and the Three Village Historical Society, are interesting to see. Local history buffs especially will enjoy them as some of the photos depict Stony Brook in the 1930s with William addressing reporters outside of his home, and volunteers ready to search the area standing outside The Stony Brook School. The photos drive home that this unsolved mystery happened right here in our own back yard.


Author Steven C. Drielak is an internationally recognized expert in the area of Hot Zone Forensic Attribution. He received his master’s degrees from John Jay College of Criminal Justic and has more than 30 years of law enforcement experience. He has authored six textbooks in the areas of environmental crimes, weapons of mass destruction and forensic attribution, as well as two historical fiction novels. Long Island’s Vanished Heiress is available at ArcadiaPublishing.com, Book Revue in Huntington, Amazon.com and BarnesandNoble.com.

The Smithtown Township Arts Council will present its latest exhibit, Celebrating Creativity: Creative Responses to Challenging Times, from Nov. 7 to Dec. 19 at the Mills Pond Gallery in St. James. The fine art exhibition features 86 works by 51 artists

Artists were asked to show what they have been creating during the pandemic and to share with their thoughts and feelings about creating during these challenging times. Some works in the exhibit express the fear and anxiety while others find beauty in nature, or celebrate simple pleasures of everyday life. Some artists created to share memories of past joyful times … some created work specifically about the pandemic. Many shared that the creation of their art helped process their feelings. The common thread … joy in the simple act of creating.

“We encourage [everyone] to visit the gallery … it is a safe space with social distancing and the use of masks required and limited numbers of visitors (20 allowed in the gallery at one time — 4 per gallery room).  Enjoy the exhibit and experience Art’s capacity to bring joy and hope in challenging times,” said Allison Cruz, Executive Director of the Mills Pond Gallery.

Exhibiting artists include Marsha Abrams (Stony Brook), Lucia Alberti (Smithtown), Tina Anthony (Northport), Ryanne Barber (West Babylon), Bonnie Bennett Barbera (Ronkonkoma), Shain Bard (Huntington Station), Ron Becker (Deer Park), Victoria Beckert (Holbrook), Sheri Berman (Dix Hills), Joyce Bressler (Commack), Nan Cao (New York), Carol Ceraso (Hauppauge), Lou Charnon-Deutsch (Stony Brook), Donna Corvi (Montauk), Bernadette De Nyse (Sound Beach), Lou Deutsch (Stony Brook), Doris Diamond (East Setauket), JoAnne Dumas (Wading River), Paul Edelson (Poquott), Ellen Ferrigno (Port Jefferson), Modern Fossils (Frenchtown, NJ), Kathleen Gerlach (Greenlawn), Maureen Ginipro (Smithtown), Jan Guarino (East Northport), Margaret  Henning (Sayville), David Jaycox Jr (Northport), and Anne Katz (Stony Brook)

Also, Lynn Kinsella (Brookhaven), Julianna Kirk (Brookhaven), John Yannis Koch (Port Jefferson Sta.), Myungia Anna Koh (Stony Brook), Liz Kolligs (Glen Cove), Frank J Loehr (Bethpage), Mary Lor (New York), Martha Mcaleer (Hampton Bays), Kristyn Mehl (Mount Sinai), Diane Oliva (Middle Island), Robin  Roberts (Sayville), Lori Scarlatos (Saint James), Gia Schifano (New Hyde Park), Anita Schnirman (Kings Park), Joan Sicignano (Central Islip), Susan Kozodoy  Silkowitz (Lynbrook), Gisela Skoglund (Kings Park), Mike Stanko (Valley Stream), Madeline Stare (Smithtown), Tracy Tekverk (Kings Park), Victoria Twomey (Northport), Nicholas Valentino (N. Babylon), Mary Ann Vetter (St James), Patricia Yantz (Setauket), and Theodora Zavala (East Meadow)

The Mills Pond Gallery, 660 Route 25A, St. James is open Wednesday to Friday from 10 a.m. to 4 p.m., Saturday and Sunday from noon to 4 p.m. The gallery will be closed from Nov. 25 to 29. Visit millspondgallery.org or call 631-862-6575 for directions or information.

Pictured from left, RPSB Chamber of Commerce member Charles Todaro, restaurant owner Barbara Stephenson, RPSB Chamber of Commerce President Gary Pollakusky, RPSB Chamber of Commerce member Larry Hall, restaurant owner Robert Mastanduno (with scissors), Councilwoman Bonner, Leg. Anker, and RPSB Chamber Events Director Jeanine Pollakusky. Photo from RPSB Chamber of Commerce

Brookhaven Councilwoman Jane Bonner and Suffolk County Legislator Sarah Anker joined members of the Rocky Point Sound Beach (RPSB) Chamber of Commerce, Angela Noncarrow from Rep. Anthony Palumbo’s office and the local community in celebrating the ribbon cutting and one year anniversary of Robert Anthony’s “Domenica alle Due” Italian Bistro Pizzeria & Cocktail Bar in Sound Beach on Oct. 29.

From left, Councilwoman Jane Bonner, chamber president Gary Pollakusky, chamber members Nichaldeep Parhar and Larry Hall, owners Robert Mastanduno and Barbara Stephenson, chamber members Charles Todaro and Cyndi Zaweski, Leg. Sarah Anker and
Angela Noncarrow from Rep. Anthony Palumbo’s office
Jeanine Pollakusky

Located at 257 Echo Avenue, the newly renovated restaurant owned by Barbara Stephenson and Robert Mastanduno (formerly CaraMia Restaurant and Pizzeria) features a large selection of popular Italian dishes, as well a variety of pizza, salads and more.

“I welcome ‘Domenica alle Due’ to Sound Beach. Brookhaven Town is open for business and it’s important that we support the people who invest in the community and create jobs for our residents, especially during this pandemic,” said Councilwoman Bonner. “I wish Robert, Barbara and the entire staff the best of luck and encourage everyone to stop. The food is ‘spettacalore!’”

“Thank you to owners Robert and Barbara for the delicious pizza and for welcoming us into your beautiful restaurant! Be sure to go visit them soon for some tasty food,” added Leg. Anker.

Restaurant operating hours are Monday, Wednesday, Thursday, Friday and Saturday from 11 a.m. to 9 p.m., and Sunday from noon to 9 p.m. Closed Tuesdays. For more information, please call 631-849-4809.

The Reboli Center for Art and History in Stony Brook presents its holiday inspired exhibit, “Celebrate the Season” from Nov. 5 to Jan. 24, 2021. The show will feature the artwork of 22 local artists along with works by the late Joseph Reboli, the Long Island based artist for whom the Center is named.

Participating artists include Al Candia; Casey Chalem Anderson; Donna Crinnian; Linda Davidson Mathues; Grainne de Buitlear; Julie Doczi; Molly Dougenis; Pam Herbst; Liz Kolligs; Joanne Liff; John Mansueto; Lynn Mara; Jim Molloy; Karen Osti; Joseph Reboli; Doug Reina; Irene Ruddock; Gia Schifano; Mike Stanko; Ty Stroudsberg; Hal Usher; Mary Jane Van Zeijts; Laura Westlake and Patty Yantz.

In addition, the Design Shop is the envy of Santa’s workshop as it is decorated for the holidays and stocked with beautiful, unique and handcrafted gifts for all of your family and friends. There is truly something for everyone of all ages in the festive shop, including jewelry, ornaments, crafts, books, scarves and art. Free gift wrapping is available while you enjoy the holiday spirit at the Center.

“The Center is adhering to New York State and Suffolk County coronavirus guidelines, which limits the number of attendees at one time and requires all visitors to wear a mask and socially distance. Please be assured that staff and volunteers will wear masks, and do continuous cleaning and sanitizing,” said Lois Reboli, president of the Reboli Center.

The Reboli Center for Art and History is located at 64 Main Street in Stony Brook Village. Hours are Tuesday to Saturday from 11 a.m. to 5 p.m. and Sunday from 1 to 5 p.m. Between November 27 and December 24 the Center will have extended hours and select pop up shops so be sure to visit the gallery’s website at www.ReboliCenter.org. For more information, call 631-751-7707.