Art exhibit

'Sicilian Blue' by Stan Brodsky

By Tara Mae

Bold colors, rich compositions, lush imagery. Gallery North invites individuals to immerse themselves in the resplendent renderings and impactful art by late contemporary artist Stan Brodsky with Recastings: Stan Brodsky, a memorial retrospective on view from Aug. 11 to Sept. 18. An opening reception will be held on Aug. 11 from 6 to 8 p.m. 

“Stan is a very influential artist to many artists practicing right now in our area. We felt it was important to show his work, keep it being viewed by the public and continuing to influence other artists. He has a great collection of work that is still available. The work itself is timeless and it’s important for it to be out there,” said Curator Kate Schwarting. 

‘Edge of Summer’ by Stan Brodsky

Brodsky, who died in 2019 at the age of 94, was an artist and educator based out of Huntington. Recastings, the third solo exhibit at Gallery North of the artist’s work, is a cultivated exploration of Brodsky’s more abstract art. 

Through his 75 year career, Brodsky created both representational and abstract art. The 1960s and 1970s were mainly periods of representational art, but by the 1980s, Brodsky was incorporating different texture, tones, and styles — developing the abstract techniques he would continue to cultivate for the next 40 years. 

Recastings primarily highlights the pieces he created during this era. The exhibit includes approximately 15 oil on canvas paintings of various sizes as well as large framed works on paper, unframed works on paper, oil on paper, and mixed media pieces, reflecting three hallmarks of his career: a powerful command of color, a profound connection to nature, and the support he provided to other artists. 

Color is a dynamic and defining character in Brodsky’s art, recognized by each individual interviewed for this article, while nature is a recurrent catalyst and muse.

“Stan Brodsky was renowned for his use of color. One critic called his colors ‘unnameable.’ The paintings change with the light, and so provide endless fascination,” Jeanne Hewitt, Brodsky’s widow and Trustee of the Stan Brodsky Trust, said.  

‘Sun and Soil’ by Stan Brodsky

The artist’s distinct use of color showcases the power of his brushstrokes and indicates the impression of the natural world on his work. According to Schwarting, these traits allow a larger audience to relate to Brodsky’s art and are part of what drew her and Gallery North’s Executive Director Ned Puchner to the art that they chose to display. 

“There are all different ways to connect with [Brodsky’s] work His use of color is really incredible —  the color just vibrates, it is so vibrant and electric; his inspiration from nature; and his mark making is exquisite. There are so many details in his pieces, the push and pull, the layering, each one is very complex,” Schwarting said. 

The exhibit is the continuation of a nearly 50 year relationship between Brodsky/his estate and Gallery North. Brodsky exhibited his work nationally and internationally but always maintained and nurtured his ties to the local artistic community of Long Island, including acting as teacher and mentor to many working artists in the area. 

“He encouraged and taught other artists up until a few months before his death…Stan was beloved for the encouragement he offered to other artists, and for the help he offered,” Hewitt said.   

Delving into Brodsky’s imprint on artists, “Stan Clan: Discussion on Brodsky’s Influence,” a panel talk with six of Brodsky’s former students reflecting on how he affected their creative development, will be held on Aug. 31 at 6 p.m. 

When asked about this event, Puchner said he was most looking forward to the stories about Brodsky and his philosophy.  

“It seems like he was such a charismatic, emotional person. When watching some of the videos of his previous talks, you see he was not afraid to talk about things like love and the more heightened emotional aspects of the creative process. What elements of his creative process have been picked up by the next generation of his students? How that was imparted to his students and how they and whether they continue to do that themselves will be really interesting,” he added. 

Artist Doug Reina, who recently had a solo exhibit at Gallery North and will be one of the guests at the panel discussion, views Brodsky’s roles as artist and educator to be lasting gifts. “For those who know and appreciate his work, Stan Brodsky will always be remembered as a great painter who combined gorgeous colors, shapes, and compositions in a truly unique way,” he said. “For those lucky to have been his students, he will be remembered for his deep knowledge of painting that he always shared so generously. Perhaps the most important part of his legacy is how he helped so many artists grow, to take chances, to push beyond their limits.”

Reina will be joined at the discussion by fellow artists Susan Rostan, Peter Galasso, Marceil Kazickas, Ellen Hallie Schiff, and Alicia R. Peterson, each of whom studied and/or worked with Brodsky. 

As a complement to the exhibit, on August 24 at 6 p.m., Art of NYC and Long Island, in conjunction with Brodsky’s estate, will provide a presentation at the gallery about art conservation techniques: identifying and treating condition issues in paintings, works on paper, and also sculptures. The exhibit, panel discussion, reception, and presentation are free and open to the public. A photo catalogue with a short essay about Brodsky and his art will be available to visitors. 

Gallery North, 90 North Country Road, Setauket, is open Wednesdays to Saturdays, 11 a.m. to 5 p.m., and Sundays, 1 to 5 p.m. Recastings: Stan Brodsky is sponsored by Nancy Goroff, Jefferson’s Ferry, bid Architecture, and Suffolk County’s Department of Economic Development and Planning. For more information, call 631-751-2676 or visit www.gallerynorth.org.

"Horseshoe Crab Rising" 48" w x 34" h, by Hank Grebe

An artist’s little black book is often a secret stash of intimate expressions, innermost thoughts, and experimental techniques that lay the groundwork for their final piece. Now some of those secrets will be revealed at the next art exhibit at the Smithtown Township Arts Council’s Mills Pond Gallery in St. James. The juried show,  titled Little Black Book, opens July 23.

‘Eva and the Socks’ by Kyle Blumenthal. Images courtesy of STAC

Juror Carol Fabricatore invited artists to enter works that captured the spirit, movement and emotions of their subject. When selecting the pieces for the show she looked for “works inspired by life…works that conjured narratives…that took us to places we had never seen… or introduced us to people and places.”

Artists build their work through inspiration, references, sketches, models, underpaintings and other modes of planning. Entrants were required to submit writeups digital images, sketches, etc. that showed the evolution of each piece they entered into the show.  

The result is 60 works of art by 40 artists created using a variety of mediums including acrylic, charcoal, collage, colored pencil, gouache, graphite, ink, oil, pastel and watercolor.

Exhibiting artists include Amal, Ross Barbera, Shain Bard, Nancy Bass, Hema Bharadwaj, Kyle Blumenthal, Renee Caine, Nan Cao, Benjamin Cisek, Caryn Coville, Yunyi Dai, Kirsten DiGiovanni, James Dill, Jacob Docksey, Amanda Dolly, John Edwe, Ella Emsheimer, Nicholas Frizalone, Ayakoh Furukawa-Leonart, Hank Grebe, Susan Guihan Guasp, Stefani Jarrett, Roshanak Keyghobadi, Myungja Anna Koh, Mark Levine, Yuke Li, Edward Mills, Adam Mitchell, Amuri Morris, Patricia Morrison, Eddie Nino, Moriah Ray-Britt, William Reed, Melanie Reim, Marie Roberts, Dominick Santise, Fang Sullivan, Tracy Tekverk and Nina Wood. 

Little Black Book will be on view at the Mills Pond Gallery, 660 Route 25A, St. James through Aug. 27. Gallery hours are Wednesdays to Fridays from 10 a.m. to 4 p.m. and weekends from noon to 4 p.m. Admission is free. The public is invited to an opening reception on Saturday, July 23 from 1 to 4 p.m. For more information or directions, visit www.millspondgallery.org or call 631-862-6575. 

'Sunflowers' by the Night Heron Artists

Who doesn’t love sunflowers? The Night Heron Artists are offering their large group painting “Sunflowers” for sale. Currently on view on the second floor of the Port Jefferson Village Center, the  beautiful unframed watercolor  painting was created by over 22 artists and measures 22″ by 30.” Fifty percent of the proceeds on the sale of the painting will be donated toward the Ukranian cause. All offers will be considered. For more information, call Leslie at 631-744-3794.

 

'June' by Emily Martin is on view at the HAC's Main Street Gallery. Photo courtesy of Huntington Arts Council

Currently on view at the Huntington Arts Council’s Main Street Gallery is a fiber show titled Uncommon Threads.  The juried exhibition opened on July 15 and runs through August 27.

The exhibition focuses on fiber arts in all its forms. Juror Patty Eljaiek invited artists to provide entries that included either fiber-based materials or unconventional materials used in typical fiber art techniques such as crochet, weaving, sewing, felting, embroidery, etc.

‘Sattva’ by Luda Pah is on view at the HAC’s Main Street Gallery. Photo courtesy of Huntington Arts Council

As a mixed media artist, Eljaiek exhibits nationwide, in galleries from New York to California. Her work reflects her experience as a first generation American immigrant focusing on themes of belonging and identity. She continues to explore traditional fiber arts to create new and evolving work incorporating repurposed materials. 

“I am so very excited about this exhibit,” said Eljaiek. “The original concept was to highlight contemporary works that celebrate fiber, in all its forms. The selected works show a wide variety of techniques, subjects and materials. It is thrilling to see artists creating work specifically for this show and also inspiring to know that there are artists who are working with fiber arts today in so many different ways. The Uncommon Threads exhibit is a perfect example of why fiber arts is fine art.”

Exhibiting artists include Mara Ahmed, Eileen Bell, Mary Brodersen, Amanda Burns, Kathy Cunningham, Oksana Danziger, Sherry Davis, Barbra Ellmann, Alicia Evans, Josefina Fasolino, Veronica Haley, Marilyn Hamilton Jackson, Conor Hartman, Andrea Larmor, Samantha Lopez, Emily Martin, John Michaels, Claudia Monnone, Luda Pahl, Eileen Palmer, Bernadette Puleo, Lauren Singer, Lisa Stancati, Devlin Starr, Robert Stenzel, Kim Svoboda, Rebecca Vicente, Debra Fink Bachelder, Ann Marie Miller, Deborah Monteko and Cindy Russell.

“Huntington Arts Council prides ourselves in providing opportunities that inspire artists to showcase their work. Uncommon Threads is an exhibit that features the work of both up and coming and seasoned artists; many new to HAC,” said Kieran Johnson, Executive Director of Huntington Arts Council. “The use of fiber to convey a story, feeling or message is at its best in this exhibit. I hope you will stop by to experience the unique and impactful medium of fiber art.” 

The Main Street Gallery, 213 Main Street, Huntington is open from Tuesday to  Friday, 11 a.m. to 4 p.m. For more information, call 631-271-8423 or visit huntingtonarts.org.

Smithtown Township Arts Council has announced that the works of St. James artist John Hunt will be on view now through Sept. 9, 2022 at Apple Bank of Smithtown, 91 Route 111, Smithtown. The exhibition, part of the Arts Council’s Outreach Gallery Program, can be viewed during regular banking hours Monday – Thursday 9 a.m. – 4 p.m.; Friday 9 a.m. – 6 p.m.; Saturday 9 a.m. – 1 p.m.

 A St. James resident for 45 years, John Hunt spent the majority of his life on Long Island with time away for military service and education. John holds a Bachelor of Fine Arts from SUNY New Paltz and a Master of Fine Arts from The School of The Art Institute of Chicago.

“I have always had an interest in representational art and our surroundings,” said Hunt. “From the first time I flew in a plane and looked down at the landscape from a high altitude I became fascinated by the views I was seeing. Our normal relationship to the earth is from the ground and limited by our personal elevation. The view from a high altitude reveals patterns of man’s imprints on the earth as well as nature’s own from erosion or geological events or under ocean formations.”

“I have been able to travel to many areas in our country, especially in the western part of the states. The landscapes and topography are fascinating and prompt me to look at those areas from a greater elevation, so I refer to Google earth to explore the places I have visited from a vantage point way above the normal view. From that elevated position I search for patterns or formations that I find interesting and zoom in to select a view and adjust to arrive at a composition that I want to paint,” he said.

“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!” said the press release.

For more information, call 631-862-6575.

By Heidi Sutton

They say two heads are better than one. How about two really BIG heads? 

Two sculptures by artist Philip Grausman were unveiled on the grounds of the Long Island Museum (LIM) in Stony Brook last week. Grausman’s “Eileen,” 1993-1996, fiberglass, 10 feet high by 7.5 feet wide by 9 feet deep; and “Victoria,” 1999-2000, fiberglass, 14 feet high by 6.5 feet wide by 7.5 feet deep, will call the LIM home for a two year loan.

“The museum is thrilled to be able to bring fresh new art to our grounds, something for our visitors to enjoy and also something new to take in by the thousands of people who drive by our campus daily on Route 25A. Philip Grausman was prioritized as a great American figurative sculptor that we have wanted to work with for years, so we are so pleased to make this dream a reality. Budco Enterprises, Inc., from Hauppauge, donated their expertise and talent and did an amazing job installing these pieces,” said Long Island Museum’s Deputy Director Joshua Ruff.

‘Eileen’ by Philip Grausman will be on view at the Long Island Museum through July 2024. Photo by Heidi Sutton

Grausman’s earliest sculptures represented germinating buds and seeds, and this eventually led him to explore the underlying structure and form of the human head. A student of José Mariano de Creeft, a renowned sculptor of female heads and figurative forms, he trained at the Art Students League of New York and received his MFA from Cranbrook Academy of Art in Michigan.

Grausman has participated in over 80 solo and group exhibitions at prestigious venues throughout the world and his work is included in the collections of the Metropolitan Museum of Art, the Brooklyn Museum, and the Wadsworth Atheneum in Hartford, CT.

His artist statement reads, “Since the early 1980’s, I have completed a number of monumentally scaled sculptures inspired from portrait heads originally modeled from life. These large-scaled heads are not portraits in a conventional sense. Rather, I view them as landscapes, an association expressed through a shared sense of scale. Fiberglass allows me to create and exhibit on a large scale. The whiteness of the forms appeals to me and suggests a drawing experience where the white page is transformed by line and contour. Creating each portrait sculpture is like sight-reading an unfamiliar musical score. It is the hidden geometry and interlocking volumes that inspire me.”

You can visit these impressive sculptures and others on the museum’s sprawling 9-acre campus at 1200 Route 25A, Stony Brook Thursdays through Sundays from noon to 5 p.m. For more information, visit www. longislandmuseum.org. 

'Untitled' by the Night Heron Artists

By Tara Mae

When people think of watercolors, Claude Monet’s technique is perhaps a person’s primary reference. But watercolor collective Night Heron Artists presents evidence that it is time to expand one’s mental palette with its latest exhibit, Let the Sun Shine, which explores the versatility of the form. The show will be on view on the second floor of the Port Jefferson Village Center through Aug. 24. 

“In my opinion watercolor is very different today than what it was; there are pieces today that are not watery, but more specific and defined,” said Night Heron Treasurer Ellen Ferrigno.

‘Poppy’ by Ellen Ferrigno

Featuring approximately 110 works of art by nearly three dozen artists, the exhibit also includes acrylic, gouache, pastel, and multi-media pieces in addition to the many watercolors. 

“Most artists explore other mediums and it enhances the show, having some pieces that stray from watercolor,” said Night Heron artist Gail Chase. 

Participants submitted on average three pieces to the show and many of them contributed to a collaborative watercolor, a focal point of Let the Sun Shine. The as-of-yet untitled work, a 20”x22” painting of sunflowers, was inspired by the war in Ukraine.

“With a war raging in Ukraine that is threatening its sovereignty, we felt that an awareness of the people’s courage and perseverance in their battle to remain free would best be illustrated through their flower, the sunflower,” said Ferrigno. 

The painting is encompassed by several individual sunflower renderings. This arrangement greets visitors as they come up the stairs to the 2nd floor of the Village Center, where the exhibit is displayed. 

While the artists frequently present one collaborative work in their exhibits —they once made a puzzle for the Port Jefferson Village Center and last year they painted birds on individual canvases that were then placed on a driftwood tree — this is on a different scale. 

“This project was much more involved and a bigger piece as well,” Chase said. Working on it three people at a time, the Night Herons completed the endeavor in about one month, a passion project for the group. 

‘Gaizing Ball’ by Leslie Hand

“People really spent time on this and you can see that; they didn’t just slap paint on the paper. The majority of our members contributed to it,” Ferrigno said.   

Such attention to detail and collaboration are tenets the Night Herons have observed since founder Adelaide Silkworth first invited an assortment of artistically minded people to paint at her house on Night Heron Drive in Stony Brook some 30 years ago. 

When she moved out of state, the Night Herons, having realized that they did not want to stop meeting despite the loss of their mentor, found a new home at the Port Jefferson Village Center. 

An egalitarian group, there are no regular instructors, rather participants share their expertise and knowledge with their compatriots, enabling people to organically improve their skills.  

“We occasionally invite a guest presenter to teach different techniques: landscapes, for example, but generally we assist each other,” Night Heron Mary-Jo Re said. “There are really so many excellent artists and you learn so much.” 

General administrative tasks, such as coordinating visiting artists, updating procedures, and finalizing bylaws, are handled by two co-leaders, the secretary, and treasurer. The Night Heron Artists meet every Thursday on the third floor of the Village Center, from 10 a.m. to 1 p.m.

“The lighting on the third floor, overlooking harbor, is the best for painting,” Re said. Ferrigno added that it is “a most inspiring view for artists.” 

‘New Beiggnings’ by Gail Chase

There are currently 30 dues-paying members and 3 guests who pay on a per diem basis. Membership is $7.50 a week, paid in 10 week increments. Guests pay $10 per class. “We have artists of all levels, people who are just beginning, people midway though their art journey, and people who are very accomplished,” Chase said.

Having recently moved to a larger room on the third floor, each person now has his or her own table at which to work. The collective, currently seeking new members, prides itself on being a welcoming, inclusive haven for art enthusiasts.

“What I love about the group is how generous everyone is with their expertise: sharing paints, discussing technique, brainstorming ideas for paintings, and critiquing each other’s work,” co-leader Leslie Hand said. “My own work has grown in leaps and bounds due to this group. My mother was a watercolorist and I think she would be proud of how far I have come.” 

Indeed, creative fulfillment and personal connections are perhaps the most profound legacy of the Night Heron Artists and Let the Sun Shine. 

“This whole experience of being a Night Heron is one of the joys and blessings of my life,” Chase said. 

The community is invited to an art reception on Friday, July 8, from 5 to 7 p.m. Open seven days a week from 9 a.m. to 9 p.m., the Port Jefferson Village Center is located at 101 E Broadway, Port Jefferson. For more information, cal 631-473-4778 or visit www.portjeff.com/gallery.

'Early Summer at Cedarmere' by Marceil Kazickas
Over 50 local and regional artists featured in group exhibition

Gallery North celebrates the beginning of summer with a new group exhibit, Inside/Out, featuring the artwork that has emerged from Gallery North programs including the recent Wet Paint Festival and workshops at The Studio at Gallery North. The exhibition will be on view from July 7 to August 7. The community is invited to an opening reception will be held on July 7 from 6 to 8 p.m.

‘Shibori Quilt’ by Andrea Baatz

The Wet Paint Festival and workshops at The Studio at Gallery North both serve as creative catalysts for artists, encouraging experimentation, and engaging with and supporting an inclusive, multigenerational artist community. These programs take place both inside the gallery’s Studio space as well as at locations in the broader community, and they often reflect the impact of the ecological, historical and cultural composition of the region on local artists. Whether the subject of the composition or the natural materials used in its creation, nature plays a role in many of the works in Inside/Out.

Inside/Out includes artists Marceil Kazickas, Nancy Bueti-Randall along with over 50 local and regional plein air artists who participated in the 18th annual Wet Paint Festival at the Sherwood Jayne Farm in Setauket. Artists representing the studio programs include John Benevento, Andrea Baatz and more than 20 other local artists working in a wide range of techniques and media, such as shibori dyed textiles, encaustic and intaglio prints.

As a complement to the exhibition, Joy Cirigliano of Four Harbors Audubon Society will present The Importance of Biodiversity in the Urban Forest on July 16 at 6 p.m.. 

This exhibition is generously sponsored by Jefferson’s Ferry, bld Architecture, and Suffolk County’s Department of Economic Development and Planning. The exhibition, reception and lecture will be free and open to the public.

Gallery North is located at 90 North Country Road, Setauket. For more information, call 631-751-2676 or visit www.gallerynorth.org.

Cindy M. Smith was over many years an enthusiastic champion of Long Island artists. She and her husband Warren Strugatch shared the art collecting bug, owning landscapes and abstractions by Ty Stroudsburg, Nan Kemp, Doug Reina and many others. In nice weather, the Stony Brook couple climbed into their white Miata, put the top down, and toured art spaces between Manhattan and Montauk. Whether they bought or not, they offered words of encouragement to artists, praising what they liked and asking where the artists would be exhibiting next.

Over time they struck up many artworld friendships. The pair frequently invited painters and other creative folks to visit them in their sprawling, sun-drenched home off Stony Brook Road where the works they collected went on display.

Cindy gave special encouragement to women artists, her husband said. “I think she realized that many women must work harder to be taken seriously as artists. She was highly empathetic to that. When she bought a painting from a female artist, she felt she was not only saying the right thing, but doing the right thing, too.”

Sadly, Cindy passed away Feb. 15 after a long battle with leukemia. The Long Island Museum has dedicated its current exhibition, “Two Centuries of Women Artists,” to her memory. On June 9th the museum held a reception for “Two Centuries,” which Joshua Ruff, the museum’s deputy director, said was one “Cindy would have loved.”

“We miss her greatly,” Ruff said, “not least because she lived her passion for the arts every day. Without passion, the arts wither. Without inclusivity, the arts deflate. She and Warren helped establish connections to some of the finest artists we have added to our campus is recent years. Their boundless energy boosted our exhibition openings, energized our concerts, and bolstered our community.”

Warren, who sponsored the reception in his wife’s memory, said that he would be leaving their house in Stony Brook as it was now “too big just for me.” A writer and consultant, he is keeping their art trove intact. He plans to transport it and much of the couple’s Midcentury Modern furniture collection to his new apartment in Astoria. 

“The walls are pretty tall” in his new apartment, he said. “I’m pretty sure there will be room for all the art we collected. Seeing the art every day helps keep Cindy in mind for me. Her enthusiasm was true and contagious.”

See video footage of the reception below.

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After a two-year hiatus due to the pandemic, Maker Faire Long Island returned to Port Jefferson village on Saturday, June 11, at the Village Center.

Maker Faire LI is an annual festival held by the Long Island Explorium, a science and engineering museum based in Port Jeff. Its purpose is to promote STEM (science, technology, engineering and mathematics) education by way of innovations and crafts of people throughout the region and country. 

Angeline Judex, executive director of the Explorium, discussed the surprising success of the event after its two-year pause. “We’re really happy with this event,” she said. “It has turned out really well — much better than we actually expected.”

Proceeds from the event will support the Explorium’s various educational programs. The goal of these programs is to enliven STEM through activities that are engaging and fun. Judex said the Explorium hopes to inspire young people and nourish a lifelong pursuit of STEM. 

“It’s really important for children to be inspired and excited about STEM at an early age,” Judex said, adding, “We focus on enriching and inspiring children from K-6 so that they get excited about STEM because this is the future.” She added, “We want to support the next generation of leaders and scientists who are going to be inspired to solve some of the challenges in the environments we live in.”

Hundreds of makers gathered at Harborfront Park to showcase their own unique contributions to the field. Sejal Mehra, one of the presenters at the festival, displayed what she has coined “engineering art.” Her works integrate aspects of collage, engineering and sustainability studies under a common discipline.

“I create ‘engineering art,’ which is made from recycling old computer and electronic parts or plastic that would have otherwise ended up in the trash to show the beauty of STEM,” she said. “I’m on a mission to change the face of STEM through art.”

Makers such as Mehra offer the necessary guidance for young people to pursue STEM. Through their example of creativity and ingenuity, young people are challenged to change the world themselves.  

“I think it’s really important to have programs like this one to help inspire young minds into a lifelong pursuit of STEM because you never know when or how something is going to spark their love for STEM,” Mehra said. “It is also great for young minds to be inspired by young adults like myself because we were just in their shoes and can help motivate them to pursue STEM. Without programs like this, the amount of exposure to the field and its vast possibilities and intersections would not be possible.”

Mehra’s artwork is currently for sale and can be purchased through her website or by contacting her via email or Instagram.

Joining Judex was a group of public officials who offered their support for the museum in its mission to educate the next generation of scientists and engineers. New York State Assemblyman Steve Englebright (D-Setauket), a geologist by profession, spoke of the importance of Maker Faire in encouraging young minds to tackle the impending challenges of environmental degradation.

“The purpose of bringing us all together is to enhance this community, to imagine possibilities for all of the people who live here and visit here, and to use our imagination just a little bit,” he said. “One of the things that’s very important is the narrative and theme that are interwoven around protecting the environment. We’re situated here in beautiful Port Jefferson on the edge of the harbor, and it is a beautiful place to remember the importance of sustainability.”

Suffolk County Legislator Kara Hahn (D-Setauket) was also present for the event. She thanked the Explorium for providing these services and enriching the community.

“I am pleased to be here to support Maker Faire Long Island once again, to support the Explorium, and encourage children and our residents to explore, to innovate, to use their imagination and encourage ingenuity,” she said. “Thank you for all you do to encourage that in children right here in our own backyard.”

Brookhaven Town Councilmember Jonathan Kornreich (D-Stony Brook) recognized Judex for the work she put into making this annual tradition successful once again and for championing STEM and motivating young people.

“I want to thank you not only for the work you did to bring this event together, but for the work you do all year long to create a fun place for kids to do science, to teach kids, to make it accessible to everybody, to bring science to places where maybe it isn’t, and to find new places to suddenly discover science,” the councilmember said.

Kathianne Snaden, Village of Port Jefferson deputy mayor, thanked the many entities that helped make this event possible once again.

“To all of the volunteers, to all of the makers, to the attendees, to our code department, our parks department and our highway department, without all of you coming together to make an event like this happen, we just couldn’t do it,” she said. “To the Explorium for providing cutting-edge technology, programming and hands-on learning for our children, it is just unmatched in this area.”

Village trustee Rebecca Kassay and her husband volunteered as traffic guards during the event. She called it “a pleasure directing parking.”

“As my husband and I stand and direct parking, we look at the children leaving this event and I asked them, ‘What have you made today?’” the trustee said. “Their faces light up and they show me something they’ve made, whether it’s a magnet, whether it’s a whirligig, whether it’s lip balm.” She continued, “It is so important to empower these young people with the gift of demystifying what is in the world around them.”

Englebright concluded the remarks with an anecdote. When the assemblyman was just 14 years old, his science teacher at the time recommended he attend a junior curator program at the Brooklyn Children’s Museum. His decision to heed that advice would reshape the course of his life.

“I became a junior curator and it changed my life,” he said. “The Explorium, this children’s museum, I believe is going to change an awful lot of young people’s lives. Now here I am — with white hair — some years later, and I can tell you of the importance of your programs and the worthiness of everything that you do.”