On January 29, the Asian American Association of Greater Stony Brook (AAAGSB), in collaboration with the Asian American, Native Hawaiian, Pacific Islander Advisory Board (AANHPI), hosted an event to celebrate the Lunar New Year at Brookhaven Town Hall which included a Lunar New Year and the Year of the Rabbit-themed art show. During the event, the artists were presented with Certificates of Congratulations those whose artwork received special recognition.
The event was attended by Brookhaven Town Supervisor Ed Romaine, Councilmember Jonathan Kornreich, Councilman Neil Foley and Town Clerk Kevin LaValle.
“The Town of Brookhaven was happy to host a Lunar New Year Celebration for the year of the rabbit. I want to thank the Asian American, Native Hawaiian, Pacific Islander Advisory Board (AANHPI) for their hard work in putting this celebration together. Brookhaven Town is a mosaic of many ethnic and cultural groups and the AANHPI is one of the fastest growing in Brookhaven Town that adds to our diversity. We look forward to having this celebration every year,” said Supervisor Ed Romaine.
“It was very meaningful to host this exciting event at Town Hall. The rabbit is often associated with growth and creativity, and it reminds me of how our local Asian community has grown in size and in creative confidence along with this event. We started the Lunar New Year event two years ago online, and it has grown and moved each year since then into bigger and better venues. I especially want to encourage our artists to keep up their important work in moving people’s hearts and minds in ways that the printed or spoken words cannot do. I would also like to thank the Asian American Association of Greater Stony Brook (AAAGSB,) the Asian American, Native Hawaiian, Pacific Islander Advisory Board (AANHPI) as well as my staff for working so hard to pull this event together,” said Councilmember Kornreich.
Councilmember Foley said, “The Asian-American and Pacific Islander community is one of the fastest growing in the region and the Lunar New Year exhibit at Town Hall was a great example of their contribution to our local art and culture. Brookhaven Town is a great melting pot, and everybody plays a role in making it a better place to live. I congratulate and thank the Asian American Association of Greater Stony Brook, and the Asian American, Native Hawaiian Pacific Islander Advisory Board for bringing this exhibit to Town Hall.
“This Lunar New Year celebration was one of the first events I had the opportunity to attend as the Brookhaven Town Clerk. I was impressed by the creativity and passion that the artists showed through their artwork, and I was glad to see it displayed here in Brookhaven Town Hall. Congratulations to all of the award recipients and thank you to the Asian American Association of Greater Stony Brook, the Asian American, Native Hawaiian, Pacific Islander Advisory Board, and my colleague, Councilmember Kornreich, for hosting this event,” added Town Clerk Kevin LaValle.
The Huntington Arts Council’s Main Street Gallery held an opening reception for its latest exhibit, Flora & Fauna: Allegories of Nature, on Feb. 10. Juror Liz Fusco invited artists to submit artwork exploring the broad, interpretive scope of the connection and relationship to nature while encompassing the specific focus on flora and fauna. All media were welcome.
Over 130 artists submitted work of which 47 artists and pieces were accepted. Participating artists include Sal Agnello, Georgia Ardito, Shain Bard, Ron Becker, John Benevento, Joyce Bressler, Zintis Buzermanis, Jane Cairns Irvine, Kristin Calderone, Galina Carroll, Dorothy Chanin, Anne Cognato, Tobi Cohen, Donna Corvi, Caryn Coville, Victoria Field, Kaitlin Gardella, Arlene Gernon, Andrea M Gordon, Gabriella Grama, Brian Grandfield, Kathleen J Graves, Jan Guarino, Tara Hlaing, Mark Holmquist, Philip Jordan, Ralph Laudano, Michelle Lesser, Christophe Lima, Jeanette Martone, Celeste Mauro, Eileen Novack, Jairo A. Ortiz Cc, Howie Pohl, Denis Ponsot, Susan Ryan, Michael Sansone, Gianne Shin, James Slezak, Ginger Sosnowski, Nicholas Striga, Joanna Szczurkowska, Mary Jane Tenerelli, Steven Vando, Jo Wadler and Nancy Wernersbach.
“It was really a pleasure and an honor for me to be the juror for this exhibit, especially given the fact that flowers and nature are what inspires me in my own personal art. There were so many wonderful submissions with diverse interpretations of flora and fauna. All of the artwork was wonderful, even the ones not chosen for the exhibit,” said Fusco.
“The task of choosing a ‘Best in Show’ and ‘Honorable Mentions’ was a difficult one, considering the talent. Art is very subjective as we all know and what draws us to a work of art is so personal. Ultimately, the pieces I chose were the ones that were drawing me back to look at again and again, whether it was the color, the drama or the composition. Each one called out to me for prolonged observation and investigation. Reading the artists’ statements, as well, gave me context to the artwork which also helped me in my decisions,” she added.
Best in Show went to “Lotus” by Arlene Gernon, and “Ailanthus Webworm” by Dorothy Chanin, “I See You” by Jeanette Martone, “Bloom” by Gianne Shin and “Pink Peony” by Joanna Szczurkowska received Honorable Mentions.
“Flora & Fauna: Allegories of Nature is not your typical landscape and wildlife show. This jury exhibition taps into the layers of symbolism used by Baroque, Renaissance, Romantic, Contemporary and Modern artists throughout the course of art history,” explained Kieran Johnson, Executive Director, of the Huntington Arts Council.
“We are proud to see so many mediums convey the allegorical nature of the natural world. Come see this wonderful and deep exhibition at our Main Street Gallery soon.”
The Huntington Arts Council’s Main Street Gallery, 213 Main Street, Huntington presents Flora & Fauna: Allegories of Nature through March 11. Gallery hours are Tuesday to Friday from 11 a.m. to 4 p.m. For more information, call 631-271-8423 or visit www.huntingtonarts.org.
Artist Hulbert Waldroup with his painting, The Life and Legend of Pyrrhus Concer, at the Whaling Museum of Cold Spring Harbor
By Tara Mae
Serving in one of the 19th century’s most profitable and perilous industries, Black mariners risked their lives, livelihoods, and liberty in the pursuit of a meager but available wage. The Whaling Museum of Cold Spring Harbor’s new two year special exhibition, From Sea to Shining Sea: Whalers of the African Diaspora, examines the too-frequently ignored Black heritage and contributions to the whaling industry.
Guest curated by Dr. Georgette Grier-Key, Executive Director of Eastville Community Historical Society in Southampton, the exhibit opened on Feb. 15 and will run through 2024.
“This exhibit is focused on expanding and expounding on stories of Black mariners in maritime history and sharing the untold/under-told stories of whalers of African descent and whalers of color in our whaling history,” said Gina Van Bell, Assistant Director of the Whaling Museum.
From Sea to Shining Sea exhibit at the Whaling Museum
The exhibit casts the African American whalers for what they were: main characters in their own lives, who took up whaling as a means of survival and, in many cases, transformed it into a stepping stone for other successes.
“We want people to understand the vastness of their lives, which is sometimes missed,” Dr. Grier-Key said. “We really wanted to focus on that, just going a little bit deeper and not stopping at the surface of BIPOC whalers and their lives, probing what they were able to do and what it meant in the context of the times. We want to offer more of a world view, a holistic look at whalers and their lives.”
Like a ship’s crew comprised of many individual roles, this exhibit consists of items from the museum’s own archives as well as items on loan from 10 different historical organizations. It honors the artistic pull the sea has had on creators throughout the centuries by incorporating art inspired by the water and maritime culture.
Awash with primary source documents, artifacts, and artwork, the interactive display explores what life was like at sea and ashore for non-white mariners while contextualizing the greater experience of people of color who in lived in coastal areas during the 1800s.
The story of one such Black man, Pyrrhus Concer, inspired local artist and Southampton gallery owner Hulbert Waldroup, whose oil on canvas painting The Life and Legend of Pyrrhus Concer (2022), is included in the show. This circular painting, reminiscent of the shape of a porthole, depicts in vibrant colors the nautical scope of Concer’s life, framed in repurposed boat wood rescued from a salvage yard.
A formerly enslaved Southampton man of African descent, Concer became a sailor after he was freed in 1832 (slavery in New York formerly ended in 1827.) He sailed aboard the whaling ship Manhattan, the first American ship to visit Tokyo, Japan, where he was greeted with wonder, being the first Black man many of the Japanese had ever seen.
“It was painted purely out of love and respect for Concer,” Waldroup said. Drawn to the stories of Black cowboys and whalers, who have traditionally been erased from popular lore, Waldroup was intrigued by Concer, whose career as a whaler enabled him to establish himself as a businessman and philanthropist on the shore.
Whaling and other maritime endeavors were often precursors for the precarious promise of more stable lives away from the water, but such pursuits were fraught.
Part of the Sea to Shining Sea: Whalers of the African Diaspora exhibit at the Museum.
“The first Black Americans who were treated as ‘citizens,’ in a way, were sailors. During the nineteenth century, working as a merchant seaman or whaler was one of the few occupations which offered free Black people a relative level of independence and self-sufficiency, along with the opportunity to travel the world with a Seaman’s Protection Certificate,” said Executive Director of the Whaling Museum Nomi Dayan.
From circa 1796-1940, American mariners carried this document as proof as citizenship. It was particularly vital to Black sailors, as they were not defined as citizens under the law until the ratification of the 14th Amendment in 1868.
African Americans took very big risks for mitigated reward when they sailed with whaling ships. When docking in harbors of the South, for example, they were subject to being jailed or captured and sold into slavery.
From Sea to Shining Sea features receipts for the imprisonment and release of Alfred Gall, an African American crew member on the Cold Spring Harbor Whaling Company’s Tuscarora, whose captain had to bail him out of jail. His crime? Being a free Black man in a Southern port.
Yet despite the marine and manmade dangers, whaling was considered to be a viable, even comparably steady trade. The sea offered a sort of freedom to men who might not find it on land as long as the voyage did not kill them.
“Whaling employed the most diversified workforce among all other occupations at the time. Many whalers of color who endured hard work, poor pay, awful living conditions, and serious danger, chose to work at sea because work options on land were limited,” Dayan said. “African American whalers who faced work discrimination on land were more likely than other racial groups to continue whaling.”
Whaling records indicate that rank prevailed over the color of one’s skin. Recruiters did not record race, just complexion, which was a subjective categorization. Herman Melville, the white author of Moby Dick was even listed as “dark.”
Light-skinned African American sailors had more opportunity for advancement. And while Black whalers did encounter barriers to advancing their ranks and were relegated to service-based positions, they usually earned the same rate of pay as other men of the same rank.
“On these voyages, your life and your counterpart’s life depended on how well you did you job. So in that way, you were equal in the sense of doing the work … tough, backbreaking work that was dangerous — you could lose your life but could achieve financial success,” Dr. Grier-Key said.
This made whaling unique to other industries. Whaling could provide a sort of networking opportunity for the African Americans and other people of color. Ancillary jobs associated with the sea were also available to them, such as being caulkers and coopers. Wives of BIPOC whalers might be seamstresses for the captains’ wives.
Such a utilization of community building is a trait understood by the team behind this exhibit, for whom From Sea to Shining Sea is a labor of love and longevity, part of the Whaling Museum’s ongoing efforts to share the whaling tales generally omitted from the history books.
Dr. Grier-Key and Dayan served together on the board for the Museum Association of New York, and Dr. Grier-Key knew of Waldroup through her work in the Southampton community. Together with Van Bell, they coordinated an exhibit that the stories of BIPOC whalers are no longer submerged in the murky annals of time.
RELATED PROGRAMS:
Black History: Whaleboat Chat
Join the special edition of a Whaleboat Chat highlighting the Whalers of the African Diaspora exhibition on Tuesday, Feb. 21 at noon. Gather around the star of the museum’s collection, the whaleboat, and listen as a staff member shares the tale of the dangerous Nantucket Sleighride and the brave whalers. Free with admission. No reservations necessary.
Black History: Build-A-Boat Workshop
Drop by the Museum any time on Feb. 21 and Feb. 24 from 1 to 3 p.m. to learn about African American whalers who designed, built and worked on whaling ships in the 19th century and then imagine, design and create unique wooden vessel models out of a variety of materials in this open-ended workshop. Entry: Admission + $10 participant.
Beyond the Book
Join the Whaling Museum’s new book club! Read Whaling Captains of Color by Skip Finley at home andgo on new adventures through history. Then meet at the museum on Feb. 23 at 6:30 p.m. to dive deeper into the story through connections with the Museum’s collection. Adults only. $15 per participant. Registration required.
The Whaling Museum, 301 Main Street, Cold Spring Harbor is open Thursday to Sunday, 11 a.m. to 4 p.m. during the winter months, and Tuesday to Sunday, 11 a.m. to 4 p.m. in the summer. Admission is $8 for adults; $6 for seniors; $6 for children ages 4-17; free for children three years old and younger; and free for members. For more information, visit www.cshwhalingmuseum.org or call 631-367-3418.
Pal-O-Mine Equestrian, a private, not for profit organization providing a comprehensive therapeutic equine program using horses to facilitate growth, learning and healing for children and adults with disabilities, has announced that it will holding an art show and auction on Thursday, May 4 from 5:30 to 8:30 p.m. at its facilities located at 829 Old Nichols Road in Islandia. The Stable Spirits Art Show and Auction Fundraiser will feature the artwork of local artists of all ages and art mediums and styles. In addition to the art show and auction, the event will include a selection of wines from local vineyards paired with smallbites by Sommelier Jun Xi Chen, assisted by restaurant professionals and fellow Culinary Institute of America graduate, Megan Henne. Event ticket prices are $60.
“We are very excited to give local artists an opportunity to show their work, while also helping Pal-O-Mine raise funds for our new 2,000 square foot educational center, which will expand our on-site therapy and vocational services,” said Pal-O-Mine founder and CEO Lisa Gatti. Under the guidance of Splashes of Hope artists, attendees will also participate in an interactive mural process creating art to hang in the new center.
For artists interested in participating, they can submit three to five pieces by completing a submission form and emailing images of their artwork. The deadline for all submissions is March 15. Artists will be notified of acceptance by email on March 17. Artists must agree to donate 20% of each sale made at the event to Pal-O-Mine and donate one piece of art to Pal-O-Mine for use in future fundraisers.
Accepted artists will drop off their work at Pal-O-Mine on Tuesday, May 2 between 9 a.m. and 5 p.m. Each artist will have space in one of Pal-O-Mine’s barn stalls to display their art. Tables and professional lighting will be provided for artists’ use during the event.Artists must bring any additional display materials they require (e.g., tablecloths, easels, display boards, etc.). Each pieces should be priced between $200-$500.The art pick-up date is Friday, May 5 from 9 a.m. to noon. To access the submission form, visit: https://docs.google.com/forms/d/e/1FAIpQLSd2teQWHilkRlAq1YgV8iDzlUpN-KK8jZAGh7Btrq-edxuqzQ/viewform
Smithtown Township Arts Council has announced that the works of Three Village artist Patricia Yantz will be on view February 13 – April 14 at Apple Bank of Smithtown, 91 Route 111, Smithtown. The exhibition, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours of Monday – Thursday 9 am – 4 pm; Friday 9 am – 6 pm; Saturday 9 am – 1 pm.
Artist Patricia Yantz is known for her beautiful acrylic and pastel landscape paintings. A former secondary art teacher at Sachem School District, Patty feels strongly about art as a communication tool. “Imagination is the beginning of creating. This creativity engages the mind and enables alternative ways of thinking and seeing. With so much emphasis today on critical thinking, creating art makes one think not only critically, but analytically, which is often overlooked in today’s world. Art is a bridge where artists can, through their paintings, communicate universally to reach people around the world.”
“Nature is the underlying theme of all my work, with a major inspiration being the Long Island landscape. I have been fortunate to have lived on Long Island my entire life…first, growing up on the North Shore in Nassau County and now as an adult living in Suffolk County. The tidal wetlands of the North Shore have been an endless source of inspiration to me. The constant changing colors of the day along with the rising/falling tides always create unique views. The winding waterways, always adding a sense of depth which reminds me to put things in perspective and awakens memories of my youth at the same time…this speaks to me when I am there, my special places which give me a sense of self.”
STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!,” said the press release.
One of the most generous gifts of an artist is the ability to translate private inspiration into communal offering so that viewers experience, rather than simply assess, art.
The latest exhibit at the Mills Pond Gallery in St. James, Winners Showcase, features six local artists associated with the Smithtown Township Arts Council (STAC) who employ their craft as a means of communication with the world around them, enabling patrons to appreciate the simple intricacies of both everyday existence and the natural world.
On display from Jan. 28 to Feb. 24, the exhibition presents approximately 55 pieces in multiple styles by Rhoda Gordon of Port Jefferson Station, Paul Mele of Island Park, Renee Caine of Holtsville, Karin Dutra of Port Jefferson, Catherine Rezin of Nesconset, and Angela Stratton of Selden, all of whom have shown at the gallery before.
Gordon, Dutra, and Mele were winning artists from the 2022 Winners Showcase while Caine, Rezin, and Stratton were winning artists from the 2022 exhibit Long Island Landscape: From Awe to Action.
“I love the Winners Showcase, as it is an opportunity to see a larger body of work from each artist. It is so interesting to sometimes discover that even in works of different mediums or color palettes, a common thread connects all their work either in technique or their creative voice and what they are trying to say in their work,” said Allison J. Cruz, Executive Director at the Mills Pond Gallery.
More than entertainment and aesthetics, art is an intimate conversation between creator and consumer. Featuring works in oil, acrylic, and pastel as well as photography and mixed media works in pastel and watercolor, pastel and ink, and watercolor and gouache, this exhibit is a dialogue in which the artists speak through their work.
What they choose to say is at their discretion. WinnersShowcase has no particular theme and, once invited to participate, artists submit any pieces they choose, demonstrating a range of perspectives and portfolios.
“Even artists who I am familiar with will sometimes surprise me in a Winners show with a style or subject that I had no idea they pursued,” Cruz added.
Divergent in style and substance, these works include abstract townscapes, reflective portraits, contemplative still life, tranquil nature scenes, and evocative photography. Not bound by an overarching topic, the art is uniquely personal and unflinchingly universal. It encompasses the whimsical and wondrous, the pastoral and pensive.
Paul Mele’s photography series Confinement,chronicling his grueling years’ long recovery from a car accident, explores dark, seemingly abandoned spaces that nonetheless offer a hint of relief, from a door ajar or a window that permits stubbornly optimistic sunlight to stream inside.
“I kind of feel my work balances between a positive and negative, light and dark. I tend to be drawn to images that are more dark, but there is a lighter overtone in my work,” said photographer Paul Mele. “This is the most personal thing I have ever done.”
Hope is perhaps the component that appears in each print and on every canvas throughout the show: hope for a brighter future, hope to be understood. In subdued tones and vivacious palettes, realistic renderings and abstract observations, this ambition transcends from artists to audiences.
Sharing art is an inherently brave act, making one vulnerable to public consumption while seeking understanding from those who observe and perhaps, admire. “It is nice when people see your work, relate to it, and appreciate it for it is,” Mele said.
Catherine Rezin, a multi-genre artist, shares this sentiment, and views art as a means to forge a benevolent connection.
“In general, I want to portray the positive feeling I have of the subject to my viewer,” she said.
Through strokes of watercolor and gouache paints, this attitude is revealed in her vibrant vistas, lush landscape, and affectionate portraits alike. She began exhibiting her art three years ago, after retiring from her career as a commercial artist.
“I am now enjoying creating art for the love of it,” she added.
Such passion is evident throughout Winners Showcase, a celebration of the courage of creation and ecstasy of expression.
The public is invited to an opening reception on Saturday, Jan. 28 from 1 to 4 p.m. to meet the exhibiting artists and view their work.
Mills Pond Gallery is located at 660 Route 25A, Saint James. Hours of operation are Wednesdays to Fridays from 10 a.m. to 4 p.m. and weekends from noon to 4 p.m.
For more information, call 631-862-6575 or visit www.millspondgallery.org.
Port Jefferson School District students and art teachers with director of music and fine arts, Michael Caravello (right). Photo courtesy PJSD
The One River School for Art and Design’s Port Jefferson Station location recently exhibited student artwork from the Port Jefferson School District’s fine arts department.
As a collaborative effort, student artwork across grades K-12 was showcased. An opening reception was held on Saturday, Jan. 7, welcoming students and families to celebrate their artistic achievements.
The school district thanked art teachers Skylar Benatar, Meghan McCarthy, Nancy Randazzo and Stacey Schuman; director of music and fine arts Michael Caravello; and the One River School’s assistant director of education, Ellen Jones, for organizing this special community event.
'Thirteen Moons: Nature Adapts and Transforms' by Anne Seelbach. Image courtesy of Gallery North
By Tara Mae
Nature’s beauty is at once defiantly delicate and stubbornly resilient. Elements Adrift, on view at Gallery North from Jan. 12 to Feb. 19, considers the alchemy and artistry of the natural world as expressed through Long Island artist Anne Seelbach’s oil, acrylic, and watercolor paintings as well as mixed media pieces.
Seelbach’s first solo show at Gallery North, it consists of approximately 35 works from three different series that organically ripple outward, encompassing the serenity of the sea and the perniciously predatory impact of pollution. Elements Adrift explores the inspiration found in the environment and the toxicity inherent in careless encounters with it.
‘Thirteen Moons: Nature Adapts and Transforms’ by Anne Seelbach. Image courtesy of Gallery North
“Seelbach’s figural abstraction reflects her fascination and love of nature and interest in pointing to those elements that are polluting and deprecating it. In the past, she has tried to bring attention to that through her work,” said Gallery North’s Executive Director Ned Puchner.
Put together, each individual series transforms from island unto itself to an archipelago of artistic expression, chronicling Seelbach’s relationship with the world around her and transitioning the audience from one sequence into another.
“Some pieces are really fascinating in that they show [Seelbach] moving on…you see her moving from one series into another, and I think that is really where the excitement in her work lies. She goes from series to series and in each series, she will sort of dwell on a topic and then move on, finding new avenues to build off of,” Puchner said.
The first collection, “Troubled Waters,” follows the ebbing of natural resources as pollution flows into and interferes with sensitive ecosystems. Drawn to the seascapes of Peconic Bay off Long Beach in Sag Harbor and the Napeague Harbor at Lazy Point Beach in Amagansett, Seelbach’s work evolves to encapsulate the devolution of marine life as the disruption and detritus of humankind menaces it.
“Instead of painting traditional landscapes, I always ask the question, ‘What is happening?’ in nature, rather than painting a beautiful view,” Seelbach said. “The landscape and seascape are created by forces of nature, the change of seasons, with the rotation of the earth. This is what I try to get at.”
Dance into the Unknown, 2014, oil on canvas, 30″ x 30″ by Anne Seelbach. Image courtesy of Gallery North
The vague abstraction of her fish renderings in this series came from fact, as the pollutants were actually getting into aquatic animal reproductive systems and causing deformities.
“When I started the series the fish were more realistic. I had to find a way to represent the effects of the chemicals. So, I stylized the fish form and duplicated it to create stencils of schools of fish,” she explained.
Seelbach’s fish and other animal stencils are frequently made from repurposed and up-cycled washed up or left behind bits of metal, plastic, and netting from which she rescues the shoreline.
While nature may have been shifting and changing around her, with rightful residents being harmed by invasive interlopers, Seelbach’s relationship with it remains steadfast and symbiotic, as reflected in her “Moon Paintings” series.
These works, conjured from summer trips to Monhegan Island, Maine, illuminate the serenity she found walking along the sea cliffs, gazing at the lunar lit waters below.
“I am still interested in the edge, where land, water, and sky meet…The moon shining on the sea and in tidal pools inspired these paintings,” Seelbach said. “As the sun nurtures the growth of everything by day, I suggest that the moon nurtures creative thought, ideas and possibility at night. I get most of my ideas at night when my mind is drifting, without a particular thought.”
Primarily painted on paper rather than on canvas, the “Moon Paintings” are imbued with deep blues and other hues that convey the depth of the setting’s nighttime repose. Yet, in these works, the moon is both a light and power source, rejuvenating sea, sky, and artist.
In fact “Earth: The Elements,” the third series to be highlighted in the exhibit, was a concept that came to Seelbach as she sat on the cliffside rocks and boulders.
Earth: mercury (Vermillion), 2020, acrylic and reflective paint on linen, 30″x36″, relates to the planet Mercury by Anne Seelbach. Image courtesy of Gallery North
“They made me ask ‘What is the Earth?’ And immediately I thought of the elements. Thinking about each individual element, what it was and a bit of its history, I realized that many were acknowledged thousands of years ago, by the scientists of that time, the alchemists and philosophers,” Seelbach said.
Breaking down these otherwise immovable objects into their most basic essence, Seelbach sought to honor the individuals of the past who had understood better than to take them at face value. So, within some of these paintings, she includes the alchemical symbol of the historical elements and the periodic table designation.
Each element Seelbach selects is thoroughly, albeit abstractly, examined and expressed. Similar to the other two series, “Elements” inner complexity and vitality is amplified by Seelbach’s color palette and painting style. Rich, earthy tones and texture add dimension and definition to the paintings.
“I was really drawn to the raw energy of them, dark and muddy in certain places,” Puchner said. “In all of her art, there is a kind of an endless search for beauty in nature. Even in the study of the earth’s elements, at root is her trying to explore the minerals and elements that exist within the nature that she brings into her artwork.”
Seelbach’s art is an outlet for her observations, an investigation of the inquiries raised by striving to be attuned to the world around her. At its core, her art seeks to explore and observe rather than obfuscate.
“I paint what is. I see landscape as formed by the forces of nature, the seasons, the rotation of the planet. The question I ask sitting on the beach or a rock is ‘What is happening?’ What are the forces of nature that underly what I am looking at?” she said.
Patrons are invited to make their own discoveries about nature through Elements Adrift. An opening reception will be held tonight, Jan. 12, from 6 to 8 p.m. As a complement to the exhibition, Gallery North will present a lecture on the marine ecology of New York’s waterways by Patricia Woodruff from the School of Marine and Atmospheric Sciences at Stony Brook University on Jan. 20 at 6 pm. Gallery North will also host an ArTalk with Anne Seelbach on Feb. 4 at 3 p.m.
Located at 90 North Country Road, Setauket, Gallery North is open Wednesdays to Saturdays from 11 a.m. to 5 p.m. and Sundays from 1 to 5 p.m. For more information, call 631-751-2676 or visit www. gallerynorth.org.
When a once bustling home has languished into landscape, what lingers in the places where people once lived? Dreams of Decay: Shining a Light on Abandoned Places, a photography exhibit by Bryan Sansivero at the Huntington Public Library, 338 Main St., Huntington from Jan. 6 to Feb. 3, 2023, explores what remains and what may be reclaimed.
Self-portrait of photographer Bryan Sansivero in front of the ‘Witch House’
Consisting of approximately 30 color photographs, ranging in size from 6”x4” to 20”x30,” the exhibit is Sansivero’s first solo show and chronicles his travels through Europe and North America, showcasing homes and other habitations that have been given up to the ravages of time.
“I have always been interested in abandoned spaces, old architecture,” Sansivero, who grew up in Huntington, said. “I am a very curious person; if something is abandoned and the door is open, I am going in to photograph it. I have seen hundreds of houses; I just photograph the ones that make you go ‘Oh my gosh,’ like the things left behind.”
Reflecting his ties to the community, some of the settings may be familiar to visitors, such as a Huntington mansion, a Commack farmhouse, and Bogheid, a historic estate in Glen Cove.
These deserted structures, frequently abandoned due to inheritance issues and disputes, are time capsules to places and people of the past. In Sansivero’s photos, among the light and shadows, the audience finds hints as to when comfort became careworn: crumbling wallpaper, disowned toys, tintype photographs, artifacts of age.
With the absence of conventional subjects, the homes and their inanimate inhabitants become the sitters for portraits of ruin and reclamation. Sansivero’s photographs take patrons on a transAtlantic tour of everything from cottages to chateaus, in local, national, and international locations.
“I want some kind of story to be in my photos, almost like you’re reading a novel. People tell me that they see so many stories in my photographs. Sometimes I can research the families that lived there, people may want to know the background, etc., but I think not knowing may be better so you form your own opinions; an intentional mystery,” he added.
‘American Flag Piano’ by Bryan Sansivero
The inherent intrigue of abandoned places is what first drew Sansivero to them. As a college student studying film, his senior thesis was a short documentary shot at the former Kings Park Psychiatric Center, now the site of Nissequogue River State Park. Then, while visiting family in Pennsylvania, the open door of an abandoned home lured him inside. The rest, as they say, is history.
“When I found that house in Pennsylvania with everything left behind — an old suit in the closet, an old piano, old photographs — it was like a movie set, or the entry into another time period,” Sansivero said.
It ignited a passion that led Sansivero to sojourn in search of forgotten or abandoned places. Through online and in-person networking, he makes contacts both here and abroad who connect him with deserted houses and institutions.
This system has created a sprawling body of thousands of images, selections of which he shares with the public. Using Instagram as an interactive catalog for many of his images, Sansivero, who also does editorial and portrait photography, published a photo book in 2021 about his trips through the United States titled American Decay: Inside America’s Forgotten Homes. A follow-up, sharing images from his journeys through Europe, is currently in development.
Dreams of Decay is a crossroads of his travels; while some of the images in the exhibit have been featured on Instagram or in his book, others will be making their public debut. The resulting exhibit will highlight Sansivero’s most popular photos as well as his personal favorites.
“I am really excited to showcase them,” he said. “I cannot wait to see the reactions from people, particularly strangers, and get some input and insight…see how they are responding, especially to the new work. It is amazing to have my very first show in my hometown.”
‘Dollhouse’ by Bryan Sansivero
Brittany Bowen, the Art Gallery and Display Cases Coordinator for Huntington Public Library, first reached out to Sansivero a few years ago after she discovered his photography while researching local artists online.
“…I was so taken with his work that I reached out to him immediately. I was very excited when he enthusiastically accepted my invitation to exhibit here. I tend to gravitate toward art and photography that captures mystery and intrigue. Bryan finds beauty in the unconventional, and I appreciate that. I think others will, too,” she said.
The public is invited to an opening reception on Jan. 6 from 6 to 9 p.m. Viewing hours are Monday to Friday from 9 a.m. to 9 p.m.; Saturday from 9 a.m. to 5 p.m; and Sunday from 1 to 5 p.m. For more information on the exhibit, call 631-427-5165. To learn more about Bryan Sansivero’s work, visit www.bryansansivero.com.
Smithtown Township Arts Council has announced that the works of artist Muriel Musarra will be on view at Apple Bank of Smithtown, 91 Route 111, Smithtown from Dec. 9 to Feb. 2, 2023. The art exhibit, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday to Thursday 9 a.m. to 4 p.m.; Friday 9 a.m. to 6 p.m; and Saturday 9 a.m. to 1 p.m., said the press release.
Muriel Musarra always enjoyed art and museums. Once she moved to the Three Village area over 50 years ago, she fell in love with the local landscape. “Being surrounded by this beautiful, picturesque area inspired me to learn to paint.” Muriel’s artist journey began in an adult art class at Ward Melville High School. She continued to study art, taking classes at Suffolk County Community College and Stony Brook University and art workshops at many local Art Museums and galleries across Long Island.
“I enjoy painting outdoors to capture the light and shadows of the scene. I especially enjoy painting water views for the wonderful reflections!”
Muriel paints in watercolor, oil, acrylic and gouache. Her award-winning works have been exhibited widely in exhibitions across Long Island including Wet Paints Studio Group, Setauket Artists Exhibitions, Gallery North, and South Bay Art Association, among many others.
“STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!” said the press release.
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