Yearly Archives: 2022

By Barbara Anne Kirshner

It’s curtains up on another scintillating season of shows at the Engeman! How can they top last year’s caliber productions that offered one magnificent show after the other? Well, they have done it again with an effervescent Mystic Pizza.

The musical was adapted from the 1988 film classic starring Julia Roberts about three young coming of age waitresses working at a small-town pizzeria in Mystic, Connecticut, a town that is quiet all winter but bustling with tourists in the summer. The real pizza parlor was a popular place in Mystic since 1973 and became the inspiration for the film after being visited by screenwriter, Amy Jones.

The world premiere was at the Ogunquit Playhouse in Maine in 2021. Interesting to note that the concept for a Mystic Pizza musical was first visited in 2007 as part of the plot in season 2 of the NBC sitcom 30 Rock.

This juke box musical rocks with some of the best tunes from the 80’s and 90’s including those of Melissa Ethridge, John Mellencamp, Van Morrison, Phil Collins, Pat Benatar and Debbie Gibson. The songs compliment a substantial script that centers around the lives of three teenage Portuguese waitresses at this pizzeria who are on the threshold of making major decisions concerning lives, careers and romance. The plot highlights the contrast between the working class living in Mystic year-round and the affluent tourists who summer there. 

Igor Goldin in his Director’s Notes commented on how intriguing it was to work on a musical that had only one prior production. That allowed him to open the door for creating without any preconceived ideas. The result is a true feast of sight and sound starting with an ingenious set designed by Kyle Dixon that gives the feeling of a New England fishing village with a rustic backdrop and featuring a large A-frame structure, center stage on a turntable that revolves into various settings. Jose Santiago’s lighting design enhances each set change and establishes mood.

The show is energetic right from the start with John Mellencamp’s spirited Small Town that instantly immerses us in the lives of these townies. The songs are well chosen and placed in just the right spots to help drive the story line. Under the direction of Sarah Wussow, the band wraps itself around each of these pop tunes and is a driving force in delivering emotions. Ashley Marinelli’s choreography compliments the energy of the show with joyous, bouncy movement that embraces the rock tone. Costumes by Dustin Cross appropriately contrast the classes with tight fitting miniskirts for townies as opposed to collegiate styles for upper class.

The three waitresses are engaging as they navigate into adulthood. There is Jojo (Michelle Beth Herman), who faints at her wedding to Bill (Stephen Cerf) but is conflicted since she doesn’t want their relationship to end. She aspires to make something of herself and dreams of owning her own restaurant. Cerf, a consummate vocalist and dancer, punches out Addicted to Love with revved up passion telling us just how committed he is to Jojo. Their duet Take My Breath Away highlights their exquisite vocals and undeniable chemistry.

Sisters Kat (Brooke Sterling) and Daisy (Emily Rose Lyons) are complete opposites. Daisy longs to get out of this Connecticut town and thinks her only option is to attract a well-healed summer tourist. She meets Charles Gordon Windsor, Jr. (Jake Bentley Young), who comes from a wealthy family but is equally disenchanted with his life. His secret desire to be an artist is overshadowed by his father’s insistence that he become a lawyer. Charlie encourages Daisy to have faith in herself and go for what she really wants which is to become a lawyer. Lyons and Young turn in a sensual performance with I Think We’re Alone Now. But conflict erupts when Daisy realizes he invited her to a family dinner as a show of rebellion against his parents’ plans for his future. Young and Lyons’ Hit Me With Your Best Shot is electrifying.

Kat is the smart one, accepted into Yale and is an aspiring astronomer, but naïve in matters of the heart having fallen for Tim (Corbin Payne), an architect who is new in town working on restoration of an old historic residence. As Kat, Sterling embraces the emotion of first love with a poignant Lost in Your Eyes. Sterling and Payne share a sweet moment in When I See You Smile, but their characters’ relationship crumbles when Tim confesses to being in a loveless marriage. 

Leona (Kathryn Markey) is charming as the owner of the pizza shop who exudes concern for her teenage waitresses and mischievous in not revealing the secret ingredient to her specialty sauce until just the right moment.

Kent M. Lewis (The Fireside Gourmet) keeps us in suspense as the aloof critic who will either make or break the pizza shop with his review.

The company adds so much fun and animation to this polished production. and an enthusiastic standing ovation punctuated the sterling performance during last Saturday’s show. The Engeman has done it again with this delightful romp into its 15th season. Catch Mystic Pizza through Oct. 30.

The John W. Engeman Theater is located at 250 Main St., Northport. For tickets, call 631-261-2900 or visit www.engemantheater.com.

Gallery North in Setauket hosted its 56th annual Outdoor Art Show & Music Festival on Sept. 17 and 18. 

The two-day event, which attracted over 5,500 visitors, showcased the works of 106 juried exhibitors offering original paintings, prints, photography, ceramics, pottery, woodwork, glassware, artisan created jewelry, handmade crafts, decorations and clothing .

Juried by Marianne Della Croce, Executive Director of the Art League of Long Island; Lorena Salcedo-Watson, Lecturer and Director of Undergraduate Studies in the Department of Art at Stony Brook University; and contemporary artist Tom Brydelsky, awards were granted for each art category, including wood craft, fiber art, glass art, jewelry design, paiting in oil and acrylic, ceramis and pottery, graphic and drawing, watercolor and pastel and photography along with Best in Show and Honorable Mentions. 

Gallery North’s Executive Director Ned Puchner had the honor of presenting the awards. The winning artists will be featured in Gallery North’s Winners Circle Exhibition in 2023.

And the awards go to:

Best in Show: John Deng

Outstanding Wood Craft: John DiNaro

Outstanding Fiber Art: ­Diana Parrington

Outstanding Glass Art: Justin Cavagnaro

Outstanding Jewelry Design: Gail Neuman

Outstanding Painting in Oil and Acrylic:  Mary Jane van Zeijts

Outstanding Ceramics and Pottery: Jessamyn Go

Outstanding Work on Paper – Graphic and Drawing: Cassandra Voulo

Outstanding Work on Paper – Watercolor and Pastel: Myungja Koh

Outstanding Photography: Holly Hunt

Honorable Mentions: Karen Kemp, Diane Bard and Toni Neuschaefer

Photos by Kate Schwarting/Gallery North

 

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Herb Mones, right, announced the Three Village Community Trust’s new challenge grant in honor of Maria Hoffman. Her husband, George, above left, was on hand for the announcement on Sept. 27. Photo above by Rita J. Egan

Three Village Community Trust members gathered in Setauket for a special announcement Sept. 27.

Maria Hoffman. Photo by Robert Reuter

Standing in front of the Bruce House headquarters on Main Street, TVCT president Herb Mones announced the kickoff of the Maria Hoffman $50,000 Challenge Grant campaign. Hoffman was a land trust member and an aide to state Assemblyman Steve Englebright (D-Setauket).

Mones said nearly $10,000 had already been raised toward the goal. A $50,000 matching grant was acquired from the state by Englebright earlier this year, and Mones said the funds raised would go toward the restoration of historical properties in the Three Village community and the land trust’s operational costs. 

Mones said Hoffman “impacted so much of what we have inside of this community on a continual basis, and provided the services that often we needed through a legislative office. She did it with grace, she did it with dignity and she always did it quietly.”

Englebright described Hoffman as “the right-hand side of my brain.”

“I think it’s appropriate that we recognize her and remember her to continue her legacy,” the assemblyman said, adding she was the “brains behind the whole operation” at his office.

He also talked about Hoffman’s sense of place that she memorialized through her work and with her photography and artwork, too.

Hoffman’s husband, George, was also in attendance. He said his wife loved the Three Village area and Setauket Harbor. The Bruce House was a spot Maria Hoffman always cherished. When the home was up for sale before they met in 2009, she was looking for a house but knew it would be too small if she were to marry one day. He added she was also excited when the immigrant worker homes were moved to the location from their former site near the Setauket firehouse down the street.

In addition to the state matching grant, Investors Bank recently gave TVCT a separate $4,000 grant. These funds will go toward restoring the immigrant worker houses which need work, such as replacing deteriorated exterior siding and damaged interior wallboard.

Catch a free screening of STARS: The Powerhouses of the Universe at the Vanderbilt Planetarium on Oct. 6.
PROGRAMS

Fall Crafternoons

Drop by the Whaling Museum, 301 Main St., Cold Spring Harbor through the month of September to enjoy seasonal, self-serve crafts in their workshop. Free with admission of $6 adults, $5 kids. Call 367-3418.

Kids Creatures of the Night – This event has been postponed to Oct. 9

Join Sweetbriar Nature Center, 62 Eckernkamp Drive, Smithtown for a “not so dark” kid friendly Creatures of the Night event on Oct. 1 from 5:30 to 7 p.m. Meet nighttime animals, hear a story about some nocturnal animals, and take a short walk in the woods to see where creatures of the night make their homes. Please bring a picnic blanket to watch the animal presentations and story. Rain date is Oct. 9. Cost is $10 per child/ $5 per adult. To register, visit www.sweetbriarnc.org.

Skull Scavenger Hunt

In anticipation of Halloween, the Whaling Museum, 301 Main St., Cold Spring Harbor will offer a Skull Scavenger Hunt during gallery hours, Thursday to Sunday from 11 a.m. to 4 p.m., through Oct. 23. Hunt for papier-mache skulls around the museum in this seasonal, spooky scavenger hunt. Find them all and win a piece of candy! Free with admission of $6 adults, $5 kids/seniors. Call 367-3418.

Scavenger Hunt at the Hatchery – just added!

Join the Cold Spring Harbor Fish Hatchery, 1660 Route 25A, Cold Spring Harbor for a scavenger hunt on Oct. 5 between 10 a.m. and 5 p.m. Take your family on a hunt around the hatchery to find some amazing fish. Admission fee is $7 adults, $6 seniors, $5 children ages 3 to 12. Call 516-692-6768 for more information.

Thankful Thursday at the Vanderbilt

The Suffolk County Vanderbilt Planetarium, 180 Little Neck Road, Centerport continues its Thankful Thursdays series on Oct. 6 at 7 p.m. Join them for a family-friendly planetarium show titled STARS: The Powerhouses of the Universe narrated by Mark Hamill followed by a look through a telescope at the night sky (weather permitting). Free but registration is required by visiting www.vanderbiltmuseum.org. For more info, call 854-5579.

FILM

‘The Addams Family’

Catch a free screening of The Addams Family 2 at Ellsworth W. Allen Park, 45 Motor Ave., Farmingdale on Sept. 30 at sundown. Pre-screening activities begin at 4:30 p.m. Bring seating. Call 516-797-7925 for updated information. 

‘Ponyo’

Cinema Arts Centre, 423 Park Ave., Huntingotn continues its Cinema for Kids series with a screening of Ponyo on Oct. 2 at noon. Perfect for audiences of all ages, Ponyo centers on the friendship between five-year6old Sosuke and a magical goldfish named Ponyo, the young daughter of a sorcerer father and a sea-goddess mother. Rated G. Tickets are $12 adults, $5 children ages 12 and under. Visit www.cinemaartscentre.org.

THEATER

‘Beauty and the Beast Jr.’

John W. Engeman Theater, 250 Main St., Northport continues its children’s theater season with Disney’s Beauty and the Beast Jr. on Saturdays at 11 a.m. and Sundays at 10:30 a.m. from Sept. 24 to Oct. 30. This Disney love story tells of Belle, a young woman in a provincial town, and the hideous Beast, a young prince trapped under the spell of an enchantress. If the Beast can learn to love and be loved the curse will end. If he does not learn his lesson before the last enchanted rose petal falls, he and his household of enchanted objects will be doomed for all eternity. Enjoy the songs we all love such as “Be Our Guest” and “Tale as Old as Time.” All seats are $20. To order, call 261-2900 or visit www.engemantheater.com. Read review in next week’s paper.

‘A Kooky Spooky Halloween’

Theatre Three, 412 Main St., Port Jefferson kicks off its 2022-2023 children’s theater season with A Kooky Spooky Halloween, a merry musical about a ghost who’s afraid of the dark, from Oct. 8 to 22 with a sensory sensitive performance on Oct. 9 at 11 a.m. Recently graduated spirit Abner Perkins is assigned to the Aberdeen Boarding House — known for its spectral sightings and terrific toast. Here, Abner finds himself cast into a company of its wacky residents. When his secret is revealed, he is forced to leave his haunted home and set-off on a quest with his newly found friends. All tickets are $10. To order, call 928-9100 or visit www.theatrethree.com.

METRO photo

By Leah S. Dunaief

Leah Dunaief

Have you ever heard of reflective listening? While I like to think of myself as being a good listener, and really I should ask others who speak to me to make that determination, I came upon this new technique and thought I would share it with you.

Reflective listening is a communications strategy that involves two steps. The first is, if you are the listener, seeking to understand what the speaker is saying. So many times in our lives, we think we hear what the other person is saying, and it turns out we didn’t hear that person correctly at all. I think that is particularly true when on the phone or when reading a text or an email. We don’t have the benefit of seeing facial expressions or body language. And even when on Zoom, we don’t get a good look at the other person, nor do they have a good read of us.

Then the second step is to offer back the thought, and even the words of the speaker, to confirm that his or her idea was understood. Here is just a simple example between two people who sometimes quarrel that could be misunderstood.

“Do you want to go to a Yankee game with me Friday night for a change?” asks the speaker. 

The listener hears, “Do you want to go to a Yankee game with me?” as opposed to with another person Friday night, and so reflects back the question accordingly by repeating, “Do I want to go to a Yankee game with you?”

The speaker can then clarify with, “Yes, do you want to go to a Yankee game Friday night instead of going bowling?”

By repeating the words, the listener has given the speaker a second chance at making his meaning clear. The listener then answers, “Yes, I would like to go to a Yankee game with you Friday night.”

This is probably an oversimplification of how a speaker might be misunderstood, but the essence of the reflective listening is to pay respectful attention to the content and the feelings expressed by the speaker. The listener hears and then understands what is being said and lets the speaker know that she has gotten the message.

This kind of “checking out” requires responding actively while keeping focused completely on the speaker. It’s a step beyond what is normally thought of as listening. It’s reflecting back accurately on both content and feeling levels.

Reflective listening offers a number of benefits.  It lets the speaker know that they have been heard, understood, and perhaps, even cared for and supported, depending on the nature of the exchange. It gives the speaker feedback on what he or she said and how it was understood. 

It allows the listener to check his or her own accuracy in hearing what the speaker said. It avoids the illusion of understanding. It helps prevent what has been termed the “mental vacation” in which the listener is inattentive during conversation. It can give the speaker a second chance to focus on self, vent, sort out issues, express feelings and deal more effectively with emotions. 

It allows the speaker to move to deeper levels of expression at his or her own pace. It can help the speaker to articulate more clearly. It may help the speaker to arrive at a solution to a problem being voiced. It helps the listener clarify what is expected of him or her. It helps the listener to deal effectively with the issue, problem or needs the speaker raised.

In a confrontational exchange, it gives a couple of seconds pause, which might enable a cooling down.

In a social situation, it can create a climate of warmth between speaker and listener. In another situation, directions can be clarified by the listener. And as a technique in leading a group discussion, effective hearing, then repeating all points of view, is certainly required.

I hope you can see why I thought this one communication technique was worth sharing.

‘A good photograph is one that communicates a fact, touches the heart, leaves the viewer a changed person for having seen it.’ – Irving Penn

By Heidi Sutton

Gurwin Jewish Nursing & Rehabilitation Center in Commack revealed the winners of its 29th annual Photo Contest at an award ceremony and reception at the recently opened Fountaingate Garden’s Life Plan Community’s Clubhouse on Sept. 20. The highlight of the evening was a traditional slide show of the winning selections from this and previous years. Winners were also given the option of sending in a video describing their photo and process.

Sponsored by the Tiffen Company, this year’s competition drew over 700 entries from amateur photographers across the country. Of those submissions, 32 photos were chosen to be enlarged, framed and hung on permanent display in the nursing home. The beautiful images will be on exhibit in the Helen and Nat Tiffen Gallery for a year and will then move up to the resident units.

The event is the brainchild of Dennine Cook, Chief Corporate Communications Officer oat Gurwin who started the contest in 1993 as a way of “making [Gurwin’s] blank walls more homelike.” 

“That first year we had 60 entries in color and black and white. All the enlargements were made from negatives and slides and mounted on foamboard so we’ve really come a long way,” said Cook. “Now our contest reguarly receives more than 700 entries.”

Cook spoke of how the pandemic has taken an emotional toll on the residents at Gurwin. “For a long time they could not have visitors and often the only bright spot was seeing that familar photos outside their doorway … Your photos added some light and were appreciated more than you know.”

“This contest, although competitive and a great achievement for you as a photographer, is really about the people who get to see your work,” said Cook. 

“These are challenging times for all of us … and your photos help to beautify all of our facilites,” added Stuart B. Almer, President and CEO of the Gurwin Healthcare System, before the winners were announced

This year’s judges, Christopher Appoldt (Christopher Appoldt Photography), Brandon Klein of The Tiffen Company and Tony Lopez (Tony Lopez Photography), were given the difficult task of choosing a grand prize winner along with honorable mentions for 12 categories as well as Best in Show, which this year was awarded to Deidre Elzer-Lento of Northport for “Rainbow Over LIPA Stacks,” and Best In Show Runner-Up.  

Elzer-Lento spoke about the day she took the photo. “A storm was blowing through and I watched at my window until sure enough, a full double rainbow appeared.” She raced out to her backyard and took the picture over and over until she got that perfect shot. 

This year’s Best In Show Runner-Up was awarded to Aaron Needle of Merrick for his sports photo titled “Safe!” Needle spoke of how he took the action photo during one of his son’s baseball game. 

“All the selections, whether they be Honorable Mentions, Grand Prizes or Resident/Staff selections will be judged, discussed and enjoyed by so many appreciative eyes for years to come and to me that’s the real honor — that your photos will hang for decades here in our resident’s home,” said Cook.

The annual contest does not accept digital entries, only 8 × 10 prints, which are not returned. However, Cook was quick to assure the audience that all of the submissions will be put to good use. “[The residents] use them in art therapy as painting and drawing inspiration and in crafting classes. It’s become a great resource here at Gurwin and everyone is very grateful.”

2022 WINNING SELECTIONS
Best in Show

‘Rainbow Over LIPA Stacks’ by Deidre Elzer-Lento

Best in Show Runner-Up

‘Safe!’ by Aaron Needle

Action/Sports Category

Grand Prize

‘Fly with Me’by Michelle Nickerson

Honorable Mention 

‘Mirror Image’ by Frank DiBenedetto

Altered/Enhanced Category

Grand Prize 

‘Northport Dock’ by Ellen Gallagher

Honorable Mention 

‘Mythical Forest’ by Ellen Gallagher

Children’s Category

Grand Prize 

‘Watermelon Joy’ by Avihai Vaday

Honorable Mention 

‘Julia’ by Mike DiRenzo

Landscapes Category

Grand Prize

‘Among the Aspen’ by Meryl Lorenzo

Honorable Mention 

‘Mabry Mill’ by Carol Goldstein

Long Island/ New York Category

Grand Prize 

‘After the Storm’ by Debbie Monastero

Honorable Mention 

‘Gamecock Cottage’ by Robert Oliva

Nature Category

Grand Prize 

‘Mother Nature’ by Alan Sloyer

Honorable Mention 

‘Autumn’s Litter’ by Tom Caruso

People Category

Grand Prize 

‘Road Work’ by Vic Carlin

Honorable Mention 

‘Moroccan Merchant’ by Herb Knopp

Pets Category

Grand Prize 

‘Snow Day’ by Katie Scherer

Honorable Mention  

‘Baxter Wants a Treat’ 

by Dianne Boothe

Still Life Category

Grand Prize 

‘Farrier’s Tools of the Trade’ by Dianne Boothe

Honorable Mention 

‘Wine & Cheese’ by Bobbie Turner

Travel Category

Grand Prize 

‘Grazing on the Meadow’ by Carol Milazzo DiRenzo

Honorable Mention 

‘Sunset Surf’ by Erin Bonitz

Wildlife Category

Grand Prize 

‘Eastern Phoebe’ by Frank Silverman

Honorable Mention 

‘American Beauty’ by Debbie Monastero

Student Category

Grand Prize 

‘The Vessel’ by Emma Azevedo

Honorable Mention 

‘A Walk in the Park’ by Noah Gorlewski

Resident/Staff Selections

‘Blue Eyes’ by Lora Ann Batorsky

‘Summer Wave’ by Michael Danielson

‘Baby Isla’ by Nicole Eberle

‘Who’s There?’ by Fred Fenster

‘Port Jeff Ferry’ by Les Goldschmidt

‘Just Chillin’ by Alan Sloyer

Entries for next year’s photo contest will be accepted between Feb. 15 and April 15, 2023. For more information, visit www.gurwin.org/about/photo-contest/.

 

#10 Linn Beck finished the day with her first career hat trick and #12 Reilly Rich scored two goals during Sunday's game. Photo from Stony Brook Athletics

The Stony Brook women’s soccer team had a record-setting day en route to a 12-0 victory over CAA foe Hampton on Sept. 25. Nine different players found the back of the net, with three student-athletes scoring their first career goals. 

Ashley Manor scored first and sparked Stony Brook’s offense in the 15th minute as the Seawolves put forth a record breaking performance, shattering the 29-year-old record of most goals in a game. The previous record came against Iona in 1993 when the Seawolves scored nine goals. 

Catharina von Drigalski recorded a career-high in assists, tallying four in the win. She tied the program record for assists in a game which was set by Louise Anderson in 1986. von Drigalski also added a goal in the 64th minute. 

The Seawolves offense poured in eight goals in the second half, breaking another record. The previous being six goals in a half on three separate occasions, in 1986, 1993, and 2013. 

Stony Brook’s 12-0 victory broke a 33-year-old record for largest margin of victory, surpassing the 8-0 win against West Virginia Wesleyan in 1989. 

The Seawolves’ 12 goals and 11 assists totaled 35 points, breaking the program record for points in a game. The former being against St. John’s in 1986 when the Seawolves collected 25 points. Stony Brook tallied 22 points in the second half of the game which set a new program record for most points in a half. 

“Today was a professional performance. We had the chance to play every available player and saw some first career goals. I was impressed with our ability to move the ball and create scoring opportunities,” said head coach Tobias Bischof. 

Toast Coffeehouse held a ribbon cutting on Sept. 9. Photo from Town of Brookhaven

Town of Brookhaven Councilmember Jonathan Kornreich and NYS Assemblyman Steve Englebright attended the grand re-opening of Toast Coffeehouse at its new location at 650 Route 112 in Port Jefferson Station on Sept. 9. 

Owners Terence and Jennifer Scarlatos opened their first restaurant in downtown Port Jefferson in 2002 and have been growing their business ever since, with additional locations in Patchogue and Bay Shore. 

“As Port Jefferson Station continues to flourish, I’m seeing more and more interest from business owners in starting up there or relocating to the area. Terry and Jennifer Scarlatos are experienced restaurateurs with a strong aesthetic vision and deep operational experience. I have every confidence they will be successful and that their new location will enhance life here in Port Jefferson Station. They say breakfast is the most important meal of the day and Toast is a great place to enjoy it with friends and family. The food is amazing,” said Councilmember Kornreich.

“We are humbled and full of gratitude for the warm welcome into our new home in Port Jefferson Station by our local community and die-hard fans. We look forward to many years and memories here,” said Terry Scarlatos.

Pictured front row from left, Melissa Reinheimer, Evan Castillo, Councilmember Kornreich, Chanelle McGourty, Jennifer Scarlatos, Terry Scarlatos, Assemblyman Englebright, Eleuterio Hernandez, Katelyn Gray, Madison Graupman, Nicole Short, Erick Hernandez, Alexis Zuniga-Gomez. Pictured back row, left to right are Dave March, Branden Tabbitas, David Martinez, Mario Fuentes, Lorenzo Cabrera, Aidan Johnson, Jessica Giannotti, Lewis Flores Antigua. 

Restaurant hours are 8 a.m. to 3 p.m. Monday through Friday and 7:30 a.m. to 3:30 p.m. on weekends. For more information, call 631-331-6860 or visit www.ToastCoffeeHouse.com.

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Florence Pugh and Harry Styles in a scene from the film. Photo courtesy of Warner Bros. Pictures

Reviewed by Jeffrey Sanzel

Actor Olivia Wilde made her directorial debut with Booksmart (2019), a coming-of-age comedy about high school seniors looking to break the rules on their final day of classes. The hugely successful film received critical accolades, landed on multiple top-ten lists, and garnered many nominations. 

Florence Pugh and Harry Styles in a scene from the film. Photo courtesy of Warner Bros.

Unfortunately, Wilde’s sophomore outing, Don’t Worry Darling (New Line Cinemas), is an empty, tedious psychological thriller that borrows liberally but poorly from better and smarter films.

Perfect couple Alice (Florence Pugh) and Jack (Harry Styles) reside in an idyllic 1950s community in a seemingly perpetually honeymoon of romance, domesticity, and sex. The California oasis, all sunlight and happiness, is the town of Victory; the name derives from the mysterious company for which the men work. 

Each morning, the wives stand on their perfectly manicured lawns and bid goodbye to their spouses, who join an automotive caravan into the adjunct desert where they labor on an unnamed project. The stay-at-home wives clean, cook, and then visit the club pool where they while away the day gossiping. They vaguely speculate on the corporation’s actual work, discouraged from questioning their husbands on the much-lauded “development of progressive materials.” The Stepford vibe permeates the entire film.

Olivia Wilde and Nick Kroll in a scene from the film. Photo courtesy of Warner Bros. 

The company/community is the brainchild of Frank (Chris Pine), a cult-like figure who stares and smirks and even watches as the happy couple has sex in his kitchen. He leads the group in question-response mantras: “What is the enemy of progress?” “Chaos.” “What are we doing?” “Changing the world.” References to family and to “the mission” are trotted out. The generic catchphrases somehow overwhelm the attempts at tension, resulting in an underwhelming blandness. As Frank lords over the men, his wife, Shelly (Gemma Chan), dominates the women. In a dance class, she encourages them to chant, “There is beauty in control. There is grace in symmetry. We move as one.”

Eventually, cracks begin to show, beginning with ostracized Margaret (KiKi Layne), who went with her son out into the forbidden desert but returned without him. At an afternoon gathering, Margaret claims that Victory took her son away from her, and her husband quickly subdues her. The community sees Margaret as mentally imbalanced and dismisses her accusation. However, there are other indications that something is not wholly right or real in this utopia: A topless woman strolls poolside. Freedom in language uncommon in the period. Jack’s strange dance when he is promoted to the inner circle. Whole eggs that are empty. In the midst of this, Alice has visions and hallucinations, driving her to question the fabric of her life.

Florence Pugh and Harry Styles in a scene from the film. Photo courtesy of Warner Bros.

Conceptually, there is little new on offer in Don’t Worry Darling. The ideas have been presented in countless films. And while there is much that is stylish in the design and Matthew Libatique’s rich and often sunbaked cinematography, the action becomes predictable and repetitive, plodding along with few surprises. 

Florence Pugh gives the scream queen Alice as many dimensions as possible. She is a riveting and honest performer and creates a dimensional woman questioning both her world and her sanity. Pugh makes every moment count as she battles with an ever smaller grasp of reality and what seems to be communal gaslighting.

Styles’ Jack is stiff in a stiff role and incapable of raising the (possibly intentionally?) stilted dialogue. Chris Pine succeeds to a certain extent in the enigmatic Frank, but there is a certain lack of texture to his villain. Wilde is strong as the gossipy and slightly bullying Bunny, Alice’s confidant. Late in the film, she has the most powerful revelation, one of the few moments that manages to be chilling and cathartic. Gemma Chan finds the right balance in the ice princess Shelley. Timothy Simmons provides a creepy, if obvious, doctor, playing it just to the edge of too much. The supporting cast fills out the town ensemble but is given little else: the men curry favor with Frank, the women with Shelley. 

A great deal of publicity has swirled around the film, with backlot drama—initially between the director and the originally cast Jack, Shia LaBeouf, and later between the director and Pugh. But, in the end, the white noise is irrelevant.

And while Don’t Worry Darling attempts to make statements about society and gender roles, the pretentious screenplay by Katie Silberman (from a story by Silberman, Carey Van Dyke, and Shane Van Dyke) fails to answer any of them. Wilde’s showy but hollow direction does nothing to solve the problems or enhance the experience. In the end, Don’t Worry Darling becomes relentless shrill, building to an ambiguously frustrating cheat of an ending.

Rated R, the film is now playing in local theaters.

Pixabay photo

By Fr. Francis Pizzarelli

Father Frank PizzarelliPlain Talk:

On Sept. 25 a few hundred people gathered to dedicate and bless Our Lady of Hope Grotto and the Garden of Hope located in Mount Sinai on the grounds of Little Portion Friary, a former Anglican Franciscan Monastery.

Historically, it was the site of the first Hope House founded in 1980. For more than four decades, Hope House Ministries has reached out to the most vulnerable among us. Presently, the heart of this social outreach is providing residential and outpatient services for those among us who are battling addiction.

This nontraditional residential treatment program for addictions is located on the grounds of the former monastery. Since beginning there five years ago, more than 600 men have reclaimed and transformed their lives.

The heroin and fentanyl epidemic is crippling our nation and our larger community. The Grotto and Garden of Hope have become a safe place for people to gather who have members in their family are struggling with addiction and for those growing number of families who have lost loved ones to this god-awful affliction.

The Garden of Remembrance has more than 120 crosses honoring those who have died in our larger community. Unfortunately, requests for crosses continue to come in every week.

The heroin and fentanyl epidemic continues to spiral out of control for number of reasons. We still attach a terrible stigma to people who battle addiction. Addicts and their families continue to struggle with shame and guilt which too often paralyzes those who need help from getting help.

Support services for addiction treatment is grossly inadequate. We need more detox beds, more residential treatment beds that provide more than 11 days of care, or outpatient treatment and more trained, licensed treatment professionals to provide counseling and support.

If you are uninsured or poorly insured, you don’t have a chance at quality treatment. The insurance industry seems to hold all the power and they know little or nothing about addiction and treatment for the chronic relapser and hard-core heroin addict.

Until we take the power out of the insurance companies’ hands and put it in the hands of treatment professionals, we’re going to continue to bury people that need not die. We need to draw on the evidence-based research for treatment if you want people to recover. Our insurance dollars need to be well spent. Look at the recidivism rate across the country. It is out of control and scandalous. We clearly need to do things differently.

As I write this column, a young man that I’ve worked with for more than 20 years since he was a teenager has overdosed. He is someone’s son, someone’s brother, someone’s cousin, someone’s father. He was doing extremely well over an extended period of time. He developed a successful business, owns his own home and is an active member in the recovery community. It took only a moment and a poor choice; now he is on life support fighting for his life.

Hope lives on and love remains!

Father Francis Pizzarelli, SMM, LCSW-R, ACSW, DCSW, is the director of Hope House Ministries in Port Jefferson.