History

Advertisement for the Auto show at Athena Hall. Photo courtesy Beverly Tyler

By Beverly C. Tyler

Athena Hall, now Theatre Three, was Port Jefferson’s community hall from 1874, when it was built, until it was remodeled into the Port Jefferson Theatre in 1928. Until then it was an open flat floor area above the Griswold Machine Shop where vaudeville, minstrel, magic lantern, automobile shows and local plays were held. The space usually included music and entertainment and by the early 1900s, “Moving Pictures” as well. 

Athena Hall was also used for high school graduations, as a meeting house, election headquarters, dance hall, roller skating rink and by organizations such as the Port Jefferson Fire Department which held a benefit show in 1927, featuring a one-act play, a movie and the Port Jefferson High School orchestra. Earlier the same year, Bridgeport radio station WICC held a two-night show featuring Charlie Cole and his singing orchestra, with music for dancing every night from 9 p.m.. to 2 a.m. There were even musical and Charleston dance contests during the auto show in January 1927. 

Advertisement for the Auto show at Athena Hall. Photo courtesy Beverly Tyler

About this same year, 12-year-old Blanche Carlton was asked to play the piano before a film and to accompany her close friend Veronica “Ronnie” Matfeld who would sing. Mom told me over tea, “I believe it was all arranged by Charlie Ruggles who got the director to run skits at the theater before the movie. I think the director’s name was John. I could hear the tunes so I didn’t need the music and I could pick out other tunes. For the last piece Ronnie sang “O Sole Mio” and when Ronnie reached the highest note I was to reach for the notes beyond the piano and fall off the stool onto the stage – and I did.” That ended the skit. Mom and Veronica went off stage and the movie started.

Charlie Ruggles came to East Setauket in 1926 and purchased property at 16 Coach Road. He maintained this East Coast residence until 1942. Ruggles was probably best known for his performances as a character actor in films such as “Bringing up Baby” with stars Cary Grant and Katharine Hepburn. In this crazy hectic comedy film he played Major Applegate, a big game hunter. Ruggles was in more than 100 films over a more than 50 year career. He began his career on the stage and was also well known for his work in radio and on television. 

Ruggles’ career included Long Island at the Player-Lasky Studios, later the Paramount, where he made four silent films in 1915. His comedic talents also extended to his personal relationships and he made many friends, many famous in their own right, as detailed in the May 13, 1927 “Brooklyn Daily Star”.  

“Due to the cordial relations existing between Charles Ruggles, popular comedian of ‘Queen High,’ at the Ambassador Theater, and Lieutenant Commander Byrd, Clarence Chamberlain, Bert Acosta and other famous airmen, the actor has erected a huge searchlight on his estate near East Setauket, to guide flyers in their aerial navigation during night hours. The Ruggles light has already become a landmark among the eastern aviators.”

Ruggles, as detailed in the October 1, 1936, “Mid-Island Mail”, came here often. “Movie Star at East Setauket  – Charles Ruggles of the movies flew from the coast last week to spend several days at his home in East Setauket. The well-known comedian is a frequent visitor here.” Ruggles was here enough to be included in the 1930 census for East Setauket along with his future wife Marion La Barba. 

Many other vaudeville, minstrel and Broadway actors came to this area with its pleasant villages and picturesque harbors. Getting out of the noise and smells of the city was one reason to come to places like Port Jefferson and Setauket and the presence of local theaters, dance halls and entertainment venues just added to the appeal.

Beverly C. Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. http://WWW.TVHS.org

Claudia Fortunato-Napolitano

The Van-Wyck Lefferts Tide Mill is a not-for-profit organization, established in 2013, with a mission to preserve and protect an 18th century tide mill, located in the Village of Lloyd Harbor, that is the best-preserved tidal grist mill in the United States.  The mill design is based on U.S. Patent No. 3 for an “automatic mill” signed by President George Washington.  

After making extensive repairs to the Mill and the dam at Puppy Cove on which it sits, the Board of Trustees is proud to announce the hiring of its first Executive Director, Claudia Fortunato-Napolitano. 

“Claudia is a great addition to our team of volunteer Board members. Claudia brings a wealth of experience … and will play a pivotal role in fundraising initiatives, exploring new grant opportunities, expanding public awareness, and effectively managing day-to-day operations,” said Richard Hamburger, the President of the Board of Trustees. 

“I am really excited to be a part of the team that is working to preserve and share this incredible historic resource, which is remarkably unchanged from the time when it was in operation and was such a vital part of the local farming community,” said Fortunato-Napolitano. 

Fortunato-Napolitano has more than 20 years of experience working for non-profit organizations.  She is the former Executive Director of the Huntington Historical Society and is currently the Executive Director of the Greenlawn Centerport Historical Association. She has also worked at the Long Island Children’s Museum, the Seaman’s Church Institute, and the Museum of the City of New York.    

Public tours of the Mill are available through the Huntington Historical Society, which operates ten to fifteen tours a year from May through October. Visitors travel to the Mill by boat from Gold Star Battalion Beach in Huntington.  For more information, email [email protected].

The Whaling Museum & Education Center, 301 Main St., Cold Spring Harbor has announced its third season of Beyond the Book club. After two successful seasons of this unique, thematic book club, the museum has gained a consistent member base. Even so, there is still room for more bookish folks enamored with the sea to participate. Participants will enjoy fascinating stories paired with the museum’s collection and a special matching snack.

This unique book club series has the museum education team hand selecting texts that are inspired by the sea and utilizes the museum’s collection of over 6,000 artifacts to bring club members closer to the story. Participants are invited to make connections, personal and historical, through up close interactions with relevant objects and facts from Long Island’s maritime past.

Through this tangible way of interacting with objects, book clubbers are immersed in the theme of the text and find new perspectives to understand the narrative. In addition, the museum education team pairs a special snack with the text for each session, further engaging participants. 

Liz Cousins, a participant in this past fall and spring book club sessions, had this to say about Beyond the Book — “Thanks again for putting this book club together! I’m not usually a “book club” type  […] but THIS, I LOVE.” The Whaling Museum’s book club aims to gain a new audience of readers through this unique approach. 

The January session will take place on Jan. 25. Book clubbers will gather to discuss The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness by Sy Montgomery followed by an examination of historical documents from the museum’s collection that reveal how 19th century whalers viewed whales and how these views have changed over time.

The February session will take place on Feb. 29 featuring Never Caught: The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge by Erica Armstrong Dunbar. Enjoy an intimate look at the museum’s special exhibit From Sea to Shining Sea: Whalers of the African Diaspora and discover the surprising role the whaling industry played in carrying people to freedom.

Lastly, on March 28, book clubbers will gather to discuss Ahab’s Wife, or The Star-Gazer by Sena Jeter Naslund. Participants will inspect artifacts and writings left behind by Cold Spring Harbor whaling wives to see how closely Naslund’s fiction imitates fact.

“It has been an absolute joy to watch our book club continue to grow and to be a part of the wonderful community that has formed during these sessions.  We can’t wait to share more of our collection and explore new stories with this group in the new year,” said Brenna McCormick-Thompson, Curator of Education.

Each book club meeting will start at 6:30 p.m. and is approximately 1 hour long. Coffee (compliments of Starbucks of Huntington Village), tea and cookies will be served.

Beyond the Book club sessions are free for museum members and patrons of the museum’s partner libraries, Huntington Public Library and South Huntington Public Library. All others may attend for $15 per session. Register at www.cshwhalingmuseum.org/bookclub. For more information, call 631-367-3418.

This article originally appeared in TBR News Media’s Prime Times senior supplement on 01/25/24.

Stock photo

Join the Northport Historical Society, 215 Main St., Northport for a Victorian Valentine’s Day on Thursday, Feb. 8 at 7 p.m. Make your date night, Gal-entine’s, or early Valentine’s Day celebration unforgettable! Education Coordinator Carol Taylor takes you on a journey from the beginning of Valentine’s Day to modern times while learning (and sampling) wine paired with handcrafted chocolates. Your evening concludes with a gift provided by Nite Owl Promotions. Tickets are $60, $50 members and must be purchased in advance at www.northporthistorical.org. Ages 21+ only. Questions? Call 631-757-9859.

Jesse Owens. Pixabay photo

“It’s not a question of whether you will hurt, or of how much you will hurt; it’s a question of what you will do, and how well you will do it, while pain has her wanton way with you.”    ― Daniel James Brown, The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics

Gazing over the tens of thousands of foreigners entering the arena that would be the 1936 Berlin Olympic games stood the presence of dictator Adolf Hitler. During the midst of the Great Depression, the tyrannical leader of Nazi Germany promised to rebuild his nation to its former glory.

In 1931, the International Olympic Committee permitted the summer games to be held in Berlin as a peaceful way of putting World War I behind the Europeans. Instead, the world saw the flying of Swastikas signaling the rise of Nazi Germany. The games began on Aug. 1, 1936, with Hitler present to watch his country prove its status as a restored national power.  

A rumored American boycott to oppose the fierce Nazi treatment of its minorities, loomed over, though President Franklin D. Roosevelt granted his country’s athletes to participate in these games. 

Watching the ignition of the Olympic flame, stood Jesse Owens or “Buckeye Bullet”. Owens a famed-athlete, grew up in an Alabama sharecropping family, where much of his childhood was riddled with racism. Despite his adversarial childhood, Owens went on to become a talented track and field athlete at Ohio State University. It soon became a goal of Owen’s to dispel the Nazi “Aryan” propaganda promoting others inability to defeat Hitler’s “Master Race” of athletes.  

Hitler’s much-publicized hatred did not shake the American resolve of Owens and the other African American participants. American runners went on to earn 11 gold medals in track and field; six by Black athletes, with Owens earning four gold medals and two impressive Olympic records. 

Later in the games, a fatigued Owens sought rest, with this, he offered the torch to American teammates, Marty Glickman and Sam Stoller suggesting they could compete in 4×100 race in his stead. Instead, Owens was directed to race and Glickman and Stoller, both of Jewish culture, were barred from participating. Concerns arose that American coaches were fearful of upstaging Hitler by using Jewish-American athletes to gain additional medals. 

An aspect of these games often overlooked is the athlete’s personal contention with the economic and social issues of the Great Depression. The economy was poor in Germany and its regime paid for the training and living expenses of its athletes. Many American athletes looked at sports in a secondary manner as they tried to gain essential items to survive. Americans had to contend with twenty-five percent unemployment and a struggling economy.

On Christmas Day, Hollywood released a heartwarming look at the tribulations of the Great Depression through the production of ‘The Boys in the Boat’, written by Brown and directed by George Clooney. Like ‘Cinderella Man’ and ‘Seabiscuit’, this film delves into the intersection of sports and the Depression. 

Even as the New Deal was established by Roosevelt, American people faced difficulties in finding work and buying food. ‘The Boys in the Boat’ is based on the Washington State Rowing Team’s quest to win the gold medal during the Berlin Olympics.  

This film, set on the outskirts of Seattle, chronicles the harsh extent of the Depression. It focused on Joe Rantz, who was abandoned by his family and forced to care for himself. Actor Callum Turner portrayed an engineering student facing the threat of removal from Washington State for being unable to pay his tuition. With holes in his shoes and making a home in an abandoned car, this student desperately sought a chance to improve his economic situation by trying out for his school’s rowing team. 

Joel Edgerton stars as Coach Al Ulbrickson, an uncompromising figure who demanded athletic and physical excellence. The film takes some artistic liberties depicting the triumphs of the team modifying the succession to highest levels of college and Olympic competition to one year as opposed to the three years presented in Brown’s book.  

As a director Clooney scores in the eyes of film, history, and sports fans. He portrays the determination of the team’s coach in utilizing a junior varsity team that would eventually become the best in the nation and would go on to win a gold medal. 

There are many moments that present Rantz’s competitive side. In the film, Rantz found a father figure in the team’s boat builder, a man who took a special interest in his athletic talents by constructing and maintaining their equipment. The builder provided sustinent advice on handling the complexities of life and listening to authority. This film identifies the American-will to persevere, showcasing a team pitted against highly-respected Ivy League crews. The film shares an outstanding story of American resilience to achieve greatness through the masterful stroke of Clooney’s direction.

S.H. West’s first blacksmith shop. Photo courtesy Beverly Tyler

By Beverly C. Tyler

The first of the West family line to come to the Three Village area were Mary Morris West and her two sons Kendall (known as Harvey) and Ebenezer. In 1836 Mary’s husband, Ebenezer West, died in Delaware. The 1850 census lists a Mary M. West, of the right age and birthplace, living in Connecticut with another family, suggesting she may have moved there from Delaware. By 1860, the West family bought a house on Old Town Road. Mary and Harvey were living there along with his wife, Mary Eliza Terrell, whose family lived just south at Walnut Tree Farm, and three children, including Samuel. 

Samuel and Ida West and children on July 4, 1892. Samuel is holding his twins Harvey and Hazel West. There are seven children present. Mary, George and Ida were yet to be born. Photo courtesy Beverly Tyler

Carrie West, wife of Clinton West, noted that her father-in-law Samuel, born on April 8, 1953 in East Setauket, went to Bay Shore to learn the blacksmithing trade of George Thorne. Here, Samuel boarded with the Thornes and spoke of them as a fine family. In 1875, he bought the old Elbert Wheeler blacksmith shop that had earlier belonged to blacksmith William Smith, who owned the house on the corner of Main St. and Gnarled Hollow Road. 

As told by Clinton’s son, Forrest West, “In April of 1881, West had a new shop built on the same site as his first and eventually added a two-story building next door where carriages were repaired.” 

Carrie West noted, “Houses were built up to West’s blacksmith shop. Samuel West was a thorough high-class mechanic, a hard worker, a man of integrity, a devout Christian, a worker for temperance, devoted to his family and home. He had an extensive horse-shoeing trade where he shod the numerous running horses for the Vinguts, farm horses and many carriage horses for Strongs, Tinkers, Rebouls and many other well-known families from Miller Place to Smithtown. He was a clever ironworker; he did the carriage and wagon repair work for the community. He was a wagon maker and built farm wagons, light delivery wagons, and butcher wagons and sleds. He enjoyed hunting and he and Mr. Selah B Strong with their bird dogs enjoyed hunting together. They were great friends. Special horses were brought from a distance, because of his ability in handling them. His shop was a well-equipped, light shop, always very neat, and it has been said by his customers he was always so gentlemanly and courteous.”

Samuel West’s second blacksmith shop. Photo courtesy of Beverly C. Tyler

In 1879, Samuel married Ida Augusta Hulse. Together they kept house in a rented home on Station Road, now named Gnarled Hollow Road. Here, five of their children were born. In 1889, he built a spacious two-story house on the corner of Main St. (now 25A) and Bayview Ave, where five more children were born, the first being twins. A great tragedy came to this happy family when Ida Augusta died in 1899 at the birth of the tenth child. 

Samuel’s only sister, Mary Emmaline Loper (Mrs Gilbert E. Loper Sr.) of Port Jefferson, took his tenth baby into her home and tenderly brought her up with their children. Although crushed in heart, Samuel, a faithful father, brought his large family up in a splendid useful manner, each helping the other. He lived to enjoy four generations. (Based on Carrie West’s notes).

West used the 1881 shop until the 1930s, practicing as one of two East Setauket blacksmiths (Henry Rakow, the other smith, operated a shop on Shore Road.) West’s shop moved in 1951 to become a part of what is now the Long Island Museum of American Art, History and Carriages in Stony Brook. The shop still can be seen with most of the equipment used by West to make and repair the metal parts of wagon wheels, shoe horses, and fashion various items that were essential to the community. 

Samuel West in his blacksmith shop. Photo courtesy Beverly Tyler

As detailed in the “Island News” on August 15, 1932, “Three years and six months before entering the blacksmith trade, Mr. West went to sea with his father, who was by trade a spar maker. This October will end the 57th year he has been open for business on the same spot…One man in Miller Place calls in his car to take the smithy to his horse. He now charges $3 a head but [the Miller Place man] pays three and a half times as much for shoes. Mr. West says that when he first raised his price one customer sold his horses rather than pay it.”  

It is difficult now to understand how important the blacksmith was to this community from the first  settlement through the early twentieth century. The blacksmith was vital to the early farm family as he was an artisan, performing a trade in which few men had the ability to do themselves. Working mostly with iron, he produced hand-cut nails; farm tools, such as axes and hoes; cooking utensils, such as pot hooks, toasters and dippers; and hardware for houses and barns, including hinges and door bolts. He was also a farrier, shoeing horses and oxen. The blacksmith took a great deal of pride in his work as evidenced by the fine ornamental iron pieces that exist as candle holders, gates and other decorative accents. Many blacksmiths also provided various related or unrelated services for the community, such as pulling teeth for local residents and treating horses for minor ailments. These services were quickly abandoned when a doctor or a veterinarian was available

Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. http://WWW.TVHS.org

Photo by John Dielman

A BEACON OF LIGHT

John Dielman of East Setauket recently captured this incredible birds-eye view of the Old Field Point Lighthouse using a drone. 

The  154-year-old building overlooking the Long Island Sound is one of 36 properties in New York and the only one on Long island to be nominated to the State and National Registers of Historic Places in 2023. Governor Kathy Hochul made the announcement on Dec 29. 

“Identifying these resources and adding them to our historic registers expands our ongoing understanding of our shared history and are important reminders of the innovation, passion, and lived experiences of New Yorkers who came before us,” said Hochul. 

Originally fueled by oil, the 50-foot tall light station is now unmanned and relies on electricity, but remains an active lighthouse and also serves as the Old Field Village Hall on the first floor.

Send your Photo of the Week to [email protected]

On Tuesday, December 12, 2023, the Greenlawn Centerport Historical Association hosted the Harborfields High School Jazz Band for a focus session on local hero Samuel Ballton.

Born into slavery in Westmoreland, Virginia in 1838, Ballton found his way to freedom three times, finally escaping the South for good with his wife, Rebecca. Arriving in Greenlawn in 1873, Ballton found employment with Alexander Gardiner and was eventually dubbed Greenlawn’s “Pickle King” when he grew and processed more than 1.5 million pickles in a single season.

Harborfields High School Jazz Band Leader Dan Bilawsky, having developed an interest in Ballton’s life, commissioned an original jazz composition about his story and, to learn more about “The Pickle King,” attended a Walking Tour and Pub Crawl in June of 2023. Through discussions with Town of Huntington Historian Robert Hughes at that event came the idea of creating deeper community connections by bringing the jazz band to the GCHA to learn more about local history and, specifically, Ballton.

During the field trip, Hughes spoke to the band and the GCHA created a temporary exhibit complete with photos, memorabilia, and Samuel Ballton’s sword. This visit also served as a part of a larger project for the students—a documentary on “The Pickle King” to be co-produced by the high school’s media journalism students and the jazz band.

“Our plan is to premiere this musical selection at our December concert to tie into the sesquicentennial of Ballton’s arrival in Greenlawn, and then put together a short documentary about ‘The Pickle King’—man and music,” Dan Bilawsky shared.

Hughes and Executive Director Claudia Fortunato-Napolitano were interviewed by the students for this forthcoming production. “The students did a great job, and they were fascinated to hear about Samuel Ballton and his journey in life, from being born a slave to becoming a pioneering figure in Greenlawn,” remarked Fortunato-Napolitano. “At the conclusion of their visit, the band presented our organization with a copy of the score signed by the composer, Jeff Lederer, which is now in the GCHA archives. The jazz band also performed the piece, and it was wonderful!”

The Greenlawn Centerport Historical Association is a non-profit membership organization with a mission to research, collect, record, and preserve artifacts, photographs, fine arts, and ephemera of Greenlawn & Centerport. In addition, they promote the preservation of historic structures and maintain two historic homesteads to provide the public with an opportunity to learn about early life on Long Island.

Photo by Samantha Rutt

By Samantha Rutt

The Three Village Historical Society was awarded a $300,000 grant, courtesy of the JumpSMART Small Business Downtown Investment Program on Monday afternoon, Dec. 18. 

Suffolk County Executive Steve Bellone (D) and other local officials gathered at Gallery North to present the organization with a giant check signifying the donation.

Along with the Three Village Historical Society, the Ward Melville Heritage Organization, LI Music and Entertainment Hall of Fame and Gallery North – Setauket Historic District also received generous grants from the JumpSMART program. The donations’ funding will be used to support downtown revitalization efforts.

“The funding that we’re distributing here is about supporting our downtowns and our cultural institutions that are so important,” Bellone said. “Much of the funding comes out of the award that we received from the federal government — they really are about promoting economic sustainability over the long term, and I can’t think of a better way to do that than investing in our cultural arts and institutions like the ones here.”

by -
0 193
From Angels to Werewolves: Animal-Human Hybrids in Myth and Art

By Elizabeth Kahn Kaplan

St. James resident Philip F. Palmedo has produced a beautifully written and generously illustrated book on a subject that has intrigued, delighted, and frightened children and adults from ancient days to the present: therianthropy, the mythological ability of humans to metamorphose into animals or animal-human hybrids.  

“The concept of the therianthrope can catalyze the creative imagination,” writes Palmedo. 

The first that we know of is the Upper Paleolithic Lion-Man carved out of woolly mammoth ivory some 40,000 years ago. While we can only conjecture why it was created, we know that more recent animal-headed deities like the jackal-headed Egyptian god Anubis played important roles some 5000 years ago in weighing the worth of a person after death.

In the Hindu pantheon, elephant-headed, four-armed Ganesha is widely revered as a bringer of good luck; in Christian art winged angels abound, by turns avenging and comforting. In the 20th century, the ancient Greek legend of the fearsome Minotaur, a man with the head and tail of a bull, served as Pablo Picasso’s “allegorical alter-ego . . . with many of his etchings, paintings, and sculptures featuring this mythical bull-man.” 

Imaginative minds past and present have created talking animals, from the wicked snake in Genesis that tempted Eve in the Garden to the Cowardly Lion in The Wizard of Oz, Disney’s Mickey Mouse and Donald Duck, and lovable Big Bird of Sesame Street. 

Shape-shifting, the ability to change from human to animal or to an inanimate object, abounds in Greek mythology. One rather improbable example is that of the god Zeus changing into a swan to seduce Leda. In another example, as retold by the ancient Roman poet Ovid, the beautiful river nymph Daphne was “shapeshifted” by her father, morphing into a laurel tree to defeat the unwelcome advances of Apollo, the Greek god of the arts. The sadder but wiser Apollo paid tribute to her by adopting the laurel wreath as his crown. 

In America, therianthropy is on display in The Wolf Man horror films, from Lon Chaney’s 1941 portrayal to Benicio del Toro’s in 2010. More recently, the widely consumed Harry Potter tales spun by prolific British writer J. K. Rowling charmed children and adults with a talking bird, Hedwig, and with Firenze, the centaur who rescued Harry from the villain Voldemort. 

Centaurs, mythic creatures with the upper body of a human and the lower body and legs of a horse, are the land complement to creatures with human upper torsos ending in huge fish tails — mermen and the alluring mermaids sighted by lonely mariners whose names derive from the French word for the sea, La mer. Palmedo’s chapter, Merpeople, is richly illustrated with examples in art from 6000 BC Serbia and 4th century BC Greece to 19th and 20th century India, Japan, Great Britain, and Denmark, including the bronze sculpture The Little Mermaid that overlooks the harbor in Copenhagen. Based on Hans Christian Andersen’s tale published in 1837, that fable might bring tears to one’s eyes. 

On the other hand, Norman Rockwell’s 1955 Saturday Evening Post cover, The Mermaid, can only make us chuckle with its depiction of an elderly fisherman hauling a beautiful mermaid home, her long elegant tail protruding from the large wooden fish trap on his back. 

This elegant, art-illustrated book written with clarity, printed on glossy paper, will entertain and enlighten. It can be purchased from Amazon. 

ABOUT THE AUTHOR:

A Ph. D. in Nuclear Engineering from M.I.T., Philip F. Palmedo, former head of the Energy Policy Analysis Division at Brookhaven National Laboratory, was for many years Chairman of the Washington-based International Resources Group, which he founded. A former Trustee of Williams College in Massachusetts, where he majored in Physics and Art History as an undergraduate, Palmedo formed and was President of the Long Island Research Institute. He also serves on the MIT Council for the Arts, and is a fellow of the Williams College Museum of Art. Palmedo’s previous book was Deep Affinities: Art and Science.