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By Rita J. Egan

Ninety years after Elvis’s birth, his music still resonates with rock ‘n’ roll fans. Currently, at the John W. Engeman Theater in Northport, the cast of the biographical musical Heartbreak Hotel are presenting a production overflowing with talent to celebrate the King of Rock ‘n’ Roll’s legacy and music.

With book by Sean Cercone and David Abbinanti, Heartbreak Hotel is based on a concept by Floyd Mutrux, one of the co-writers of Million Dollar Quartet. The musical shares Elvis’s journey from his younger days to the singer’s comeback television special in 1968. The production offers nostalgia for older fans and a bit of rock ‘n’ roll history for younger audiences. 

The fast-paced production, which has been performed in regional theaters across the United States but never on Broadway, encompasses more than 40 of the singer’s hits, including “That’s All Right,” “All Shook Up,” “Heartbreak Hotel,” “Hound Dog,” “Love Me Tender,” “Jailhouse Rock” and “Blue Suede Shoes.” For the Northport stage, Engeman’s director and choreographer, Paul Stancato, has created an energetic and engaging show.

As the musical opens, we see Elvis Presley mentally preparing for The Comeback Special in 1968. He receives a visit from his younger self, who advises that maybe the answers aren’t in the future but in the past. Throughout the musical, the audience witnesses the singer’s rise to fame and flashbacks to his younger days and humble beginnings. His love for Gospel music and the sounds of Beale Street in Memphis, where his family moved to from Tupelo, Mississippi, when he was a young teen, are beautifully commemorated. 

When touching on the singer’s setbacks, the production handles it gracefully by giving enough details but not diving too deep, keeping the musical as upbeat as possible despite some of the downsides of his career.

Joe Caskey, as Elvis, understands the assignment. He embraces the confidence, moves and voice of the King without coming across as a campy impersonator. His vocals are strong, whether belting out “Jailhouse Rock” or serenading baby daughter Lisa Marie with a tearjerking “Can’t Help Falling in Love.” Caskey’s acting abilities are center stage during Act II, especially earlier in the act when it’s apparent that the weight of Elvis’s career and the responsibilities that come with it — including keeping his staff employed — are weighing heavily on him.

Spencer Chase is impressive as a young Elvis Presley. Like Caskey, the teenager has a confidence that one can imagine even young Elvis having. At the same time, he possesses the enthusiasm of a boy falling in love with music. 

Pamela Bob, as Gladys Presley, is ideal as the loving mother, and her and Chase’s singing of “Peace in the Valley” is heartwarming. 

Michel Vasquez plays Priscilla Presley and seamlessly transitions from the young woman exuding enthusiasm for her new love to the frustrated wife vying for his attention as he is distracted by other women.

Sara Rose is delightful as Elvis’s first girlfriend, Dixie. The actress shines even more later in the musical when she plays actress, singer and dancer Ann-Margaret. Rose’s powerful dance moves also take center stage during other numbers.

William Thomas Evans, as Col. Tom Parker, captures the sleaziness of Elvis’s manager. Matthew Schatz is perfect as Sam Phillips, demonstrating the record producer’s stress earlier in the musical and later his enthusiasm in promoting Elvis’s music to DJs. Playing another Phillips is Jeff Gallup, who as DJ Dewy Phillips captures the era’s energy. Hailey Aviva, as Sam Philips’ secretary, Marion Keisker, also adds to the vibrancy of the production. Matt Allen plays both Vernon Presley and Frank Sinatra and is fun to watch playing Sinatra, emulating the crooner’s mannerisms and accent.

Audiences should be prepared for toe-tapping even before the Elvis hits begin with “Welcome to Beale St.” sung by Troy Valjean Rucker, Tarik Ziegler, Lena Richard, Danielle McKnight, Chase and the ensemble. A few scenes later, Ziegler is a scene stealer as Reverend Brewster during the number “This Train is Bound for Glory.”

What makes this musical so unique is the actors playing instruments right on stage instead of an orchestra. The technique makes one feel as if they are actually at a live performance, especially during the closing act, when Caskey is in full concert mode. While several of the actors play instruments, Noah Berry, Chris Coffey and Luke Surretsky, as Elvis’s band members, are on stage most of the show and easily juggle acting and playing instruments.

The show’s cast and crew have gone above and beyond to produce a show that honors the musical legacy that Elvis left behind. During the cold, dark winter months, the Engeman’s Heartbreak Hotel is a shining star, just like the legend the musical honors.

The John W. Engeman Theater, 250 Main Street, Northport, presents Heartbreak Hotel through March 2. Tickets start at $82. For more information, call 631-261-2900 or visit engemantheater.com.