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By Rita J. Egan

It was Theatre Three’s opening night of Something Rotten! on Saturday, May 20, and the audience was treated to an entertaining and energetic night full of laughter.

With book by John O’Farrell and Karey Kirkpatrick and music and lyrics by Karey and Wayne Kirkpatrick, Something Rotten! takes audience members back in time to the late 16th century where William Shakespeare is so adored that he’s treated like a modern-day rock star. Struggling writers Nick and Nigel Bottom, who head up a theater troupe, dream of the same success but can’t seem to create a play that will capture people’s attention until Nick consults with a soothsayer named Nostradamus. 

The soothsayer looks into the future and finds that something called a musical will be popular one day. A later encounter finds Nick asking Nostradamus what Shakespeare’s future successes will be so that the Bottom brothers can use the ideas in the present. The result is Nick creating Omelette: The Musical despite his brother’s objections.

The Broadway musical opened on the Great White Way in 2015 and ran until early 2017. The production was nominated for 10 Tony Awards, including Best Musical, and Christian Borle won the Best Featured Actor in a Musical award for his portrayal of William Shakespeare. 

Theatre Three’s Something Rotten! proves that there are no small parts as well as the importance of talented actors in each role, including the ensemble. Throughout the musical, it was apparent that everyone involved was giving it their all, creating a night of sensational entertainment. Director Jeffrey Sanzel has chosen a talented cast and masterfully directs the more than two dozen actors.

The production is filled with a few upbeat tunes, but the showstopping number is “A Musical.” Featured in Act I, the whole cast appears on stage singing and dancing. The number cleverly pokes fun at musicals and includes nods to Les Miserables, Annie, A Chorus Line and more. At the end of the song, the applause on opening night seemed to go on for more than a minute, and rightfully so, as each and every person involved in Something Rotten! deserved the accolades.

Heading up the cast is Ryan Nolin, a convincing Nick Bottom at the end of his rope trying to provide for his family and create a hit. He and Dennis Setteducati, who plays Nostradamus, sound fantastic on their leads during “A Musical” and play up the clever lines to the hilt.

Andrew Boza, as the naive Nigel Bottom, captures the sweetness of the young poet and writer. He and Danielle Pafundi, delightful as Portia, are the perfect match to play star-crossed lovers, especially during the song “I Love the Way.”

Christine Boehm as Nick’s wife, Bea, is a treat to watch as the character has her mind set on proving, even with mishaps, that a woman is more than capable of doing whatever a man does. Her rendition of “Right Hand Man” is also a highlight of the show.

Evan Teich, as Shakespeare, captures the cockiness of the celebrated star while still delivering the right amount of silliness. Jim Sluder as Brother Jeremiah and Angelo DiBiase as Shylock seamlessly add to the jokes and hijinks.

Choreographers Sari Feldman and Josie McSwane have created high-energy dances. The cast members look like they are having so much fun that audience members may want to join them onstage. The use of tap dancing and a kickline in “A Musical,” as well as a few other numbers, is absolutely delightful.

Theatre Three’s orchestra led by Jeffrey Hoffman sounded fantastic as always, and the costumes by Chakira Doherty perfectly captured the time period.

During the song “A Musical,” the line “What could be more amazing than a musical with song and dance and sweet romance,” is sung. The cast and crew of Theatre Three’s Something Rotten! understand this and embrace every aspect of this genre. Audience members on opening night enjoyed a fun evening out on the town, and the standing ovation at the end of the production was well deserved.

Theatre Three, 412 Main St., Port Jefferson presents Something Rotten! through June 24. Tickets are $35, $28 seniors and students, $20 children ages 5 to 12. For tickets or more information, call 631-928-9100 or visit www.theatrethree.com.

The cast of 'The Comedy of Errors' Photo by Julianne Mosher/TBR News Media

By Julianne Mosher

The theater department at Suffolk County Community College’s Ammerman campus does not disappoint with their latest production of William Shakespeare’s The Comedy of Errors.

A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media

This classic slapstick comedy follows two sets of identical twins who were separated as infants during a storm at sea. Set in the Greek city of Ephesus, we meet a merchant named Aegeon, played by SCCC student Stefan Pallotta, who’s monologue tells the audience of his arrest and the tale of the shipwreck that separated his family — his twin sons, both named Antipholus, his wife, Amelia, and two twin servant boys, both named Dromio. 

Eighteen years later, Aegeon allows his son and servant to travel to Ephesus to search for their long-lost twins but they too disappear. Now, Aegeon has come to the city to find them, but is arrested due to the animosity between the citizens of Ephesus and Syracuse (where the merchant is from). Pallotta’s early monologue is not an easy one to remember,but he does so impressively. 

Later on, we meet Antipholus (of Syracuse) played by Cara Macedonio along with servant Dromio played by Meredith Reed. When the two Syracuse-ians are off and about, we meet their long-lost brothers, Antipholus of Ephesus, played by Kayla Bruno, and his Dromio played by Jerry Ewald. 

A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media

The cast does a great job getting into their characters. Not only did they have to learn the rhymes of Shakespeare and ye-old language, but they also have to convince the audience of who they were — and they were funny! The performances of the two Dromio’s had the audience laughing during their performance last Saturday night. While Shakespeare might be hard to understand, the actors made the whole show completely coherent.

But we mustn’t forget the leading ladies of the show — Antipholus of Ephesus’s wife, Adriana, played by Madison Dodge, and her lovable sister Luciana, played by Kayla Pisano. While the two characters are completely different in personality, both Dodge and Pisano shine during their scenes. 

Adriana, the tougher of the two, proves herself with her wit and no-nonsense attitude when faced with her “husband” acting oddly (surprise, it was the wrong Antipholus she was inviting to dinner). Then Luciana, the beauty who unintendedly seduces her “brother-in-law” will have you roar when you see the interaction between her and Antipholus of Syracuse.

But that’s just the beginning. For an hour-and-a-half, you’ll see the two sets of twins unknowingly interact with each other on several occasions that will make your skin curl with embarrassment for what is going on, but also laugh out loud.

A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media

Other standout performances include Brooke Morabito as Luce, the greasy kitchen wench, the alcoholic officer played by Malachai Casanova, Duke Solinus portrayed by Krystyna Plesnik, Hailey Wenke’s Amelia/Courtesan and Gabriel Patrascu’s Pinch/Angelo.

However, the show would not have been complete without the fantastic set design and costumes which really set the tone of the show. 

Director Steve Marsh said that he wanted to bring a bit of an edge to the show, which has been known as a slapstick comedy for centuries. While it was filled with humor, it had the underlying, more somber, tone of what a trade war and immigration can do to a community which made it almost more real. 

“The program here at Suffolk and the students are so fantastic,” Marsh said. “I’ve been coming here for over 40 years — this is where I saw my first show and what got me interested in acting.”

Suffolk County Community College, 533 College Road, Selden presents The Comedy of Errors at the Shea Theatre inside the Islip Arts Building on April 21 and 22 at 7:30 p.m. and April 23 at 2 p.m. General admission is $15. Veterans and students 16 years of age or younger is $10. Suffolk students with current ID receive two free tickets. To order, visit sunysuffolk.edu/spotlight or call 631-451-4163.

By Julianne Mosher

You don’t have to be an avid reader of the classics to appreciate Theatre Three’s latest offering. The main stage production of Daniel Elihu Kramer’s Pride @ Prejudice is a mix of a telling of the 19th century novel written by Jane Austen and a clever modernization of the 1813 classic that explains the book with humor and wit. 

The story is of Miss Elizabeth Bennet and Mr. Darcy who fall in love all over again — this time filtered through the world of the internet. Modern voices interject and build on this classic love story in the form of blog posts, chat room discussions, quotes from film adaptations, and even letters from Jane Austen herself to create a delightfully postmodern view of 19th century England. 

Directed by Jeffrey Sanzel, the show opened on April 7 to a full house. While the cast is small (just five people) each of their personalities are big. Most of the actors play at least two characters who go between present-day and the book’s settings of Netherfield Park and Longbourn.

And each performer had the audience laughing. Christine Boehm (who plays Elizabeth Bennet) plays the protagonist well, leading with poise but also leads some laughs. Throughout the play, the actors make several references to the culture behind Pride and Prejudice, poking fun at the three major film adaptations (and a miniseries starring Colin Firth in the 90s).

Ashley Brooke’s rendition of the eccentric and dramatic Mrs. Bennet (who’s trying to marry off all five of the daughters —yes, there are five) is hysterical. Michelle LaBozzetta was able to switch between different characters with ease, including Jane Bennet, Caroline Bingley and as Jane Austen — which was another interesting part of the show.

While deconstructing certain scenes, the actors would recite real letters that Jane Austen wrote to her sister during her lifetime, noting how her personal life impacted the books she was writing. Not only was the play entertaining, but for people who didn’t know much about the author, you were able to get a bit of history, as well.

Andrew Murano played seven people and also did so skillfully. Each one varied — he played a doctor, a footman, Mr. Bennet, Mr. Bingley, Sir William, Mr. Wickham, Mr. Gardiner and Colonel Fitzwilliam —and when appropriate, he played them with humor. 

David DiMarzo, who is new to Theatre Three, played the charming and desirable Mr. Darcy, as well as Mr. Collins, and showed us that he needs to stay. His ability to play the dreamy love interest of Lizzie, but also the snobbish Collins was impressive to say the least. 

And if that sounds confusing to you, it might seem that way, but the performance on stage explains it better. While all five are in 19th century costumes, they do a great job of expressing themselves through their facial expressions and body language. They certainly give it their all. 

The set allows the audience to use their imagination. Three sets of doors are toward the back of the stage and is utilized often to show transitions between the settings and time periods. What’s also interesting is the use of a projector at the top of the stage that shows images of the houses they are currently in, or websites where “Pride and Prejudice” merch is on sale (it’s a joke).

Some jokes might go over your head if you didn’t read the book — so a quick read of a summary or even a refresher of the whole novel could definitely help — but it’s still enjoyable for those looking for a fun night out as this show was definitely not an easy production. Regardless of your knowledge of 19th century literature, this show is one for the books. 

Pride @ Prejudice is playing at Theatre Three, located at 412 Main Street in Port Jefferson, until May 6. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. Wednesday matinees are $20. For more information or to order, contact the box office at 631-928-9100 or visit www.theatrethree.com.

‘Oh the thinks you can think … when you think about Seuss!’

By Heidi Sutton

Families with young children packed into the Engeman Theater last Saturday morning to witness a most beautiful tribute to the imaginative world of Theodor Seuss Geisel aka Dr. Seuss in Seussical the Musical. The children book author’s favorite characters come to life in this colorful and magical show, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, Mayzie La Bird and JoJo, a little boy with a big imagination.

Written in 2000 by Tony winners Lynn Ahrens and Stephen Flaherty, the musical is now one of the most performed shows in the United States and it’s easy to see why. A trip down memory lane for many generations, it is based primarily on the Dr. Seuss children books, “Horton Hears a Who,” “Horton Hatches an Egg” and “Gertrude McFuzz,” but also incorporates references to other Dr. Seuss stories including “McElligot’s Pool” and “Oh the Thinks You Can Think!”

Directed by Andrew McCluskey with choreography by Jillian Sharpe, the colorful cast of characters transport the audience from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos. The Cat in the Hat (Jae Hughes) guides us through the magical journey with the help of Jojo the Mayor’s son (Finn Brown at last Saturday’s performance), who occasionally jumps into the scene when warranted.

The show opens as Horton the Elephant (Patrick McCowen) hears a cry for help and discovers a floating speck of dust containing the town of Whoville. After safely placing it on a clover flower, Horton is tricked into sitting on lazy Mayzie La Bird’s (Jillian Sharpe) egg for 51 weeks, is captured by hunters and eventually sold to the circus. When he is finally rescued by Gertrude McFuzz (Michaela Vivona), he is put on trial by Sour Kangaroo (Suzanne Mason) for “sitting on an egg and talking to a speck.” Will the faithful pachyderm be exonerated or will he be sentenced to a mental institution by Judge Yertle the Turtle?

The fast-paced show keeps the young audience wide-eyed and on the edge of their seats. One of the most exciting scenes is when the Wickersham Brothers (Justin Autz and Terrence Sheldon) steal the clover and are chased through the theater by Horton. The dance numbers are terrific with special props and audience participation is encouraged as Horton and Mayzie’s egg are auctioned off to the highest bidder. 

The incredible songs are the heart of the show, from the fun intro “Oh, The Thinks You Can Think!” to the sweet “Horton Hears a Who” (where a person’s a person no matter how small), the enduring “Notice Me Horton,” and a personal favorite, “It’s Possible.” Horton and Jojo’s duet, “Alone in the Universe,” will give you goosebumps and the group’s upbeat finale is a fitting rendition of “Green Eggs and Ham.” 

Costumes and wigs by Laura McGauley along with the cartoonish set mimic the original Seuss illustrations perfectly.

In the end, the show leaves us with the inspiring message that anything is possible when you let your imagination fly. Don’t miss this one.

Pick up a clover-shaped flashlight souvenir before the show and stay after for a meet and greet with the cast in the lobby for photos and autographs. An autograph page is conveniently located at the back of the program.

The John W. Engeman Theater, 250 Main St., Northport presents Seussical the Musical on Saturdays at 11 a.m. and Sundays at 10:30 a.m. through April 30 with a special sensory sensitive performance on April 15. Up next is The Musical Adventures of Flat Stanley from May 27 to July 2. All seats are $20. To order, call 631-261-2900 or visit www.engemantheater.com.

By Julianne Mosher

The opening night performance of The Scarlet Pimpernel at the John W. Engeman Theater in Northport had the entire audience ready to fight the French and head “into the fire” with the cast from the moment the curtain opened. 

The swashbuckling adventure follows Percy Blakeney, a proper English gentleman, who takes on a dashing double identity as The Scarlet Pimpernel to save French citizens from the blood-thirsty guillotine. The Pimpernel’s exploits soon become the talk of Paris and the fanatical Agent Chauvelin will stop at nothing to catch the Pimpernel and cut off his head. 

First published as a novel in a series of historical fiction by Baroness Orczy, The Scarlet Pimpernel has seen many different lives in both film and plays. Now, 118 years later, this musical version is full of color, excellent accents, a fantastical set design and an incredible ensemble that does not disappoint.

The production begins with large scarlet pimpernel flowers hanging across the stage. Throughout the play, they become part of the set used as background pieces in indoor and outdoor scenes. The actors are responsible for moving the flowers around in between set changes, as they are wheeled from the ceiling to and from the curtain. But along with the pimpernels being part of the show, each scene has a set to help tell the story.

One would think that with a score written by Frank Wildhorn (who wrote the music for Jekyll & Hyde) and a setting similar to Les Misérables that The Scarlet Pimpernel would be a dark historical fiction of the trying times of the French Revolution. While some of the play has dark undertones, the animated expressions and coy one-liners from almost everyone in the cast makes it a show that you must go see. 

Directed and choreographed by Paul Stancato, the ensemble features a roster of experienced, talented artists who took on a show that was definitely not your average song and dance. Half the cast, for example, had to master a British accent, while the other half had to make the audience believe they were French — mostly sung, no less. 

Starring Christopher Behmke as the title character, Nate Hackmann as Chauvelin and Arianne Davidow as Marguerite St. Just, the emotion and dedication of each actor shined bright on stage. During the happier scenes, the audience felt it and during the more somber times, the audience could see the tears filling up in the stars’ eyes.

The supporting cast makes the play, as well. Everyone had a special role in the show and none were forgettable. However, specific fan favorites of the night were Percy’s group of friends — equivalent to a college frat, they support and join Percy back and forth to France to take down the revolutionists. Showing the power of friendship, they also bring a lot of laughs to their scenes with their silly demeanors, and (pretty awesome) sword fighting. 

Each character, whether it was Marguerite or the Prince of Wales (yes, he makes an appearance, too), has a distinct look with colorful, vibrant and time period costumes that change in nearly every scene. The crew definitely dressed everyone to impress from head to toe. 

Terrence Mann, who played Chauvelin in the 1997 original Broadway production of the show, joined the cast on stage after the final bow.

“This was amazing,” he told the audience. “I haven’t seen this play since I did it. I just remember sitting in my dressing room when I wasn’t on stage and seeing it now saying to myself, ‘Oh! That’s what happened!’ and they did it really well.” Mann added that while sitting in the audience, himself, he heard his neighbors gasp, yell and “yay” with almost every movement. 

“I think it just keeps getting better,” he said. “There are two things that happen in theater — music and the story, and this is a great story with phenomenal music. It transports everybody.”

The only thing missing from the show? More dates to see it. You’ll want to go back after the first night.

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The John W. Engeman Theater, 250 Main St., Northport presents The Scarlet Pimpernel through April 30. Main stage theater continues with The Sound of Music from May 18 to July 2, and Jimmy Buffet’s Escape to Margaritaville from July 13 to Aug. 27. Tickets range from $80 to $85 with free valet parking. The Engeman also offers children’s theater and a special event series with live concerts and comedy nights. To order, call 631-261-2900 or visit www.engemantheater.com.

From left, George Eli, Stefan Pallotta and Brooke Morabito star in 'Tape' at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media

By Julianne Mosher

The stage at Suffolk County Community College’s Ammerman Campus in Selden transforms this week into a basic motel room set in Lansing, Michigan. 

From the moment the lights dim, we are brought back to the glory days of three friends from high school who haven’t seen each other in a decade. But instead of a happy reunion, things turn dark, secrets are spilled, and the plot thickens with a conversation that is just as important now as it was nearly 25 years ago – sexual assault. 

Tape is a 1999 play written by Stephen Belber, first produced at the Actors Theatre of Louisville as part of the 2000 Humana Festival of New American Plays. In 2001, it became a film, starring Ethan Hawke, Robert Sean Leonard and Uma Thurman. 

From left, George Eli, Brooke Morabito and Stefan Pallotta star in ‘Tape’ at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media

Directed by Steven Lantz-Gefroh, the three-character ensemble piece is set within the confines of a tawdry motor lodge in Michigan. After 10 years apart, three former friends (and lovers) come together to play out the unresolved drama of their final days in high school. 

Intrigued, the audience watches through the one-act play as layers of denial are slowly peeled away. Suspense builds as each character is provoked into revealing his or her true nature and motivation — full of plot twists. Mesmerized, we are drawn into their lives as they choose which cards to play and which cards to hold.

Starring SCCC students Stefan Pallotta (as Vince, a drug dealing volunteer firefighter), George Eli (as Jon, a filmmaker who is the reason the former friends are in the same room), and Brooke Morabito (Amy, the girl in the middle and a local assistant district attorney), the three on stage together collaborate so well that watchers can see, and feel, the emotion in front of them. 

Pallotta’s quick witted responses (and stellar dance moves) show promise for his future — he’s graduating this upcoming semester to study acting. The audience deeply empathizes with Morabito, who plays a victim of assault, as she performs her tale of that night and how she overcame it so well that viewers are left speechless. As a graduating senior, as well, she too has a bright future ahead. 

Eli’s performance of antagonist of the story is so impressive, it’s hard to dislike his character. This performance of Tape is so good, you’ll forget that you’re sitting inside a college theater.

Lantz-Gefroh said that although the play was written almost three decades ago, the topic is still important today — and that is why people should come see it this weekend.

“We have come no distance with this subject matter in over 30 years,” he said. “[This show] helps people realize the mistakes they’ve made in their lives that they need to fix — if they can.”

Morabito said that playing Amy was a cathartic experience for herself.

“Amy is the character that speaks for all the victims of sexual assault who get to see this play and she enacts revenge,” she explained. “She gets to close the door on what happened that night and what happened in the motel room, and leave it all behind.”

Eli added he was grateful to perform alongside Pallotta and Morabito for an important cause.

Tape spreads a lot of awareness and shows us that anyone can be a victim or anyone can be an aggressor,” he said. 

Tape continues on March 16, 17 and 18 at 7:30 p.m., and March 19 at 2 p.m. at Theatre 119 in the Islip Arts Building at the Suffolk County Community College’s Ammerman Campus, 533 College Road, Selden. Rated R for mature content. 

Theater continues at SCCC Selden with William Shakespeare’s A Comedy of Errors from April 13 to 23.

General admission is $14, veterans and students 16 years of age or younger is $10. Suffolk students with a current ID receive one free ticket. For tickets, call 631-451-4163.

Julianne Mosher is an adjunct professor at Suffolk County Community College and a 2013 graduate of the school.

By Rita J. Egan

Few movies easily translate into an onstage musical. Dirty Rotten Scoundrels, which opened Thursday at the John W. Engeman Theater in Northport on Jan. 19, is one of those delightful exceptions.

Based on the 1988 comedy film starring Michael Caine, Steve Martin and Glenne Aimee Headly, the production, with book by Jeffrey Lane, features a catchy score by David Yazbek. The musical originally debuted on Broadway in 2005 and was nominated for several Tony Awards the same year. Norbert Lee Butz won the award for Best Performance by a Leading Actor in a Musical for his portrayal of Freddy Benson.

The story begins at a luxurious coastal resort where suave con artist Lawrence Jameson meets his young competitor Freddy Benson. Lawrence realizes his longtime deceptions of guests may soon come to an end. With the help of his assistant, local police chief Andre Thibault, he decides to take the rough-around-the-edges Freddy under his wing. The con artists’ mission turns out to be filled with hilarious hijinks, a dash of romance and a surprising twist.

Musical lovers looking to beat the winter blues will love the Engeman’s Dirty Rotten Scoundrels with the actors’ exceptional vocals and comedic timing. Audience members should pay attention as some local references and mild political jokes are thrown in, which garnered a good deal of laughter during the press opening on Jan. 21. The night was one where all the cast members, masterfully directed by Drew Humphrey, shined brightly.

James D. Sasser plays Lawrence Jameson with the right amount of sophistication and cockiness, and at the same time keeps the audience laughing. He also handles his vocals beautifully while maintaining his character’s various deceptive accents.

Danny Gardner, as Freddy Benson, is hilarious, especially during the musical number “Great Big Stuff.” During one scene, with Freddy dressed as a soldier confined to a wheelchair, Lawrence tests him to see if he has any feeling in his legs using a feather and then a whip. The duo are hysterical during the scene, and Gardner’s facial expressions are priceless. 

Gina Milo plays Muriel Eubanks, a wealthy and attractive American socialite, to the hilt. She has fun with all the cliches believed about a newly divorced woman traveling abroad — flirty and clueless — and the audience laughs along with her. Milo’s vocals are excellent in each number she is featured in.

The character Andre Thibault serves as a straight man to Jameson and Benson, and Matthew Bryan Feld is perfect in the role. In the second act, he seamlessly shows the character’s vulnerable side when he and Milo perform a fun and refreshing “Like Zis/Like Zat.”

While Emily Larger doesn’t appear until toward the end of Act 1 as Christine Colgate, she is immediately convincing as a naive American heiress, and one can’t help feel excited for the character as Larger delivers a fabulous rendition of “Here I Am.” In the second act, Larger has the opportunity to show another side of Christine, which she delivers just as smoothly.

Suzanne Mason, as Jolene Oakes, one of Lawrence’s victims, shines in the role. Her musical number “Oklahoma?” is one of the highlights of the show. Her comedic abilities are front and center in Dirty Rotten Scoundrels, even when she isn’t playing Jolene and is onstage as one of the ensemble characters.

The ensemble also adds to the production’s delightfulness with their witty lines and facial expressions, and performing the fun dance numbers choreographed by Mandy Modic. Set designer Kyle Dixon and costume designer Dustin Cross have used colorful hues that transport audience members to the French Riviera. And while they may not be onstage, the Engeman orchestra members, directed by James Olmstead, are among the stars of the show.

Entertainment has always served as a way to escape everyday life, if only for a couple of hours. The Engeman’s production of Dirty Rotten Scoundrels does just that with upbeat music and plenty of laughs that will leave audience members feeling a bit more lighthearted even after exiting the theater.

The John W. Engeman Theater, 250 Main St., Northport presents Dirty Rotten Scoundrels through March 5. Showtimes are Thursdays, Fridays, Saturdays and Sundays and some Wednesdays. Tickets are $85 for Saturday evenings and $80 for all other performances. For more information, call 631-261-2900 or visit www.engemantheater.com. 

By Heidi Sutton

Theatre Three continues its 52nd season with a lovely production of The Sweet Delilah Swim Club. The show opened last Saturday and runs through Feb 4.

Written by Jesse Jones, Nicholas Hope, and Jamie Wooten, the play features five very different Southern women who begin a friendship on their college swim team and make a pact to get together one weekend in August every year to catch up on their lives. For over 50 years, they meet at the same oceanfront beach cottage, the “Sweet Delilah,” on North Carolina’s Outer Banks for conversation, drinks, dinner and a dip in the ocean. 

The audience is treated to four of these reunions — the first is 22 years after their college graduation, the second and third 5 years apart, and a final visit to the cottage before it is to be demolished 23 years later. 

Expertly directed by Linda May and armed with a cleverly written script, the cast is superb and put on a beautiful show. 

Tamralynn Dorsa is perfect as Sheree Hollinger, the perennial team captain who is always governing the group, from serving healthy mung bean appetizers that the others quickly dispose of in a houseplant, to distributing a written itinerary for the week and even packing her friends’ suitcases. 

Stephanie Moreau is incredible as event planner Lexie Richards, the four-time divorcee who has her plastic surgeon on speed dial and is always on the lookout for the next cute guy to come along (think Samantha Jones from Sex in the City).

Lori Beth Belkin plays workaholic (and perhaps alcoholic) Dinah Grayson who has put her successful career as an attorney before her personal life and now has regrets. Armed with a dry martini, her character delivers some of the funniest lines in the show.

We see the most change in Elizabeth Ladd’s character, Jeri Neal McFeeley, aka Sister Mary Esther, who goes from being a nun to a single mother at age 44 and then finds the man of her dreams to spend the rest of her life with.

Suzie Dunn is outstanding as school teacher Vernadette Simms. Bad luck seems to follow her everywhere and she appears in each scene with a different cast. She also shares tales of her dysfunctional family, from an abusive husband to a jailbird son. Her appearance in the last scene suffering from dementia is one of the most poignant in the show.

The set, a cozy beach cottage designed by Randall Parsons; period costumes and wigs by Jason Allyn; and sound effects by Tim Haggerty tie everything together nicely. Grab the girlfriends, a box of tissues, and catch a performance of this hilarious and touching show before it’s gone. 

Theatre Three, 412 Main St., Port Jefferson presents The Sweet Delilah Swim Club on the Mainstage through Feb. 4. The season continues with Side By Side By Sondheim from Feb. 18 to March 18, Pride @ Prejudice from April 7 to May 6, and Something Rotten! from May 20 to June 24. Tickets are$35 adults, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

See trailer here:

By Heidi Sutton

Many families have holiday traditions, whether it’s baking cookies, making their favorite side dishes, decorating the tree on a certain day, going to see the same show every year or wearing ugly sweaters. Among those traditions is the 24-hour marathon of A Christmas Story (1983) on TBS that began in 1997 and now also runs on TNT on Dec. 24 and 25. And if you know the name of the Lone Ranger’s nephew’s horse, then you are a true fan.

Based on semi-autobiographical stories by Jean Shepherd, who also narrates throughout, the funny holiday film follows the Parker family — 9-year-old Ralphie, his younger brother Randy, his father (the Old Man) and his mother — living in a house on Cleveland Street in fictional Hohman, Indiana and their days leading up to the Christmas of 1940.

When asked by his mother what he would like for Christmas Ralphie doesn’t say Tinker toys, a football and or a Radio Flyer. He wants a bb gun — a Red Ryder carbine-action 200 Shot Range Model air rifle with a stock and a thing that tells time, to be exact. When his mother tells him no, that he’ll “shoot his eye out,” he goes on a quest  to try to convince her otherwise. The film was selected for preservation in the United States National Film Registry by the Library of Congress for being “culturally, historically, or aesthetically significant” in 2012.

Now the classic holiday story returns to the John W. Engeman Theater in Northport through Dec. 31 and is the perfect holiday gift for the entire family.

Directed and choreographed by Mara Newberry Greer with a live orchestra conducted by Daniel Mollett, the show follows the film closely with many of the scenes we have come to love. In the role of Jean Shepherd, narrator Michael Fasciano, stepping in for Mark Aldrich last Saturday night, sits on the right side of the theater and presents the story in a series of vignettes as he remembers “Another time, another place … and a gun.”

As with everything the Engeman does, the show is bold and fresh and pushes the limits of live theater to take the audience down a joyous trip down memory lane. The Old Man’s major award, the Bumpus hounds, Ralphie’s scuffle with Scut Farkus (what a name!) while fellow toadie Grover Dill looks helplessly on; the frosty flagpole scene with Flick and Schwartz, Randy’s snowsuit, the furnace, the trip to Higbee’s Department Store with Santa and the infamous slide, the flat tire, the pink bunny costume, when Ralphie almost shoots his eye out, Christmas morning around the tree and Christmas dinner at the Chinese restaurant — all the scenes we have come to love are there in all their glory.

The entire cast is phenomenal. 

As the Old Man, Ryan M. Hunt brings the house down with “A Major Award” where he dances with multiple leg lamps. Rachel Gubow, stepping in for Jennifer Evans last Saturday night, was wonderful in the role of the mother, keeping calm in the household.  Her rendition of “What a Mother Does” was heartfelt. Jackson Parker Gill is perfectly cast as Randy and even sounds like him, especially during the snowsuit scene.

Drawing the most laughs is Lanene Charters as Ralphie’s teacher Miss Shields. Obsessed with margins, Charters is hilarious in the big Speak Easy number “You’ll Shoot Your Eye Out” as she mercilessly mocks Ralphie in this terrific tap dance number.

However it is the amazingly talented Kaian Lilien in the role of Ralphie who commands the stage. His incredible performance in the opening number, “It All Comes Down to Christmas” is only topped by his rendition of “Ralphie to the Rescue!,” in one of the best scenes in the show. 

The period costumes by Dustin Cross perfectly set the scene and the set, designed by Kyle Dixon, is impressive as well. Two rooms featuring an authentic 1940s kitchen and living room (the heart of the home) slide front and back on the stage to accommodate other scenes including Ralphie’s classroom and the alleyway, among others. The boys’ bunk bed slides out from the side. Beautifully executed! 

Make this show part of your family’s holiday tradition. I triple dog dare you. 

The John W. Engeman Theater, 250 Main St., Northport presents A Christmas Story through Dec. 31. Main stage theater continues with Dirty Rotten Scoundrels from Jan. 19 to March 5, 2023 and The Scarlet Pimpernel from March 16 to April 30, 2023. Tickets range from $80 to $85 with free valet parking. To order, call 631-261-2900 or visit www.engemantheater.com.

The cast of A Kooky Spooky Halloween. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Heidi Sutton

Theatre Three was at full capacity last Saturday morning as families with young children came to celebrate the spookiest season with the return of the wonderful musical, A Kooky Spooky Halloween. 

Written by Jeffrey Sanzel and Steve McCoy, it tells the story of a kind ghost named Abner Perkins (Steven Uihlein) who has just graduated from Haunting High School and has been assigned to be the spooksperson for Ma Aberdeen’s Boarding House (known for being the most haunted house in Harrison Corner USA and for having the best toast!) as its last ghost, Baron Von Yost, has recently retired. Abner is given a diploma and a medallion of invisibility and is sent on his way. 

But Abner has a secret — he’s afraid of the dark! The only person who knows his secret is his best friend Lavinda the Witch (Danielle Pafundi) who gives him a nightlight and promises to help him get settled in.

Abner’s first day of haunting is on Halloween and he comes upon Ma Aberdeen (Ginger Dalton) and her boarders the perplexing Petersons — Paul (Liam Marsigliano), Penelope (Stephanie Moreau) and their son Pip (Sean Amato) — and Kit Garret (Samantha Fierro), a girl who “just came from a small town to a big city with a suitcase in her hand and hope in her heart,” stuffing goodie bags for trick-or-treaters in the kitchen.

In one of the funniest scenes in the show, Abner tries out a series of spells, making the group stuff the bags in double time, dance, do jumping jacks, sing, spin like a top, quack like a duck and stick to each other. Just as he is about to undo the last spell, fellow graduate ghost with a grudge Dora Pike (Beth Ladd) appears, steals his medallion of invisibility and nightlight and heads to the bottom of Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark). Now visible, Abner must convince the sticky strangers to help him get his medallion back. Will he succeed or will his fear of the dark take over?

With the message that everyone deserves to be understood, director Jeffrey Sanzel has assembled an incredible cast to tell this sweet story, with action, suspense, hilarious hijinks, Halloween jokes, and all around fun. The amazing costumes by Jason Allyn, special effects, futuristic lighting and the catchy songs, accompanied on piano by Douglas Quattrock, with special mention to “It’s Ma Who Makes the Toast” and the great rap number “A Need for Speed,” tie it all together for the perfect holiday treat. Your kids will love it!

Ghost pumpkin souvenirs will be sold before the show and during intermission and costumes are encouraged. Meet the entire cast in the lobby on your way out for a keepsake photo.

Theatre Three, 412 Main St., Port Jefferson presents A Kooky Spooky Halloween on Oct. 15 and 22 at 11 a.m. and Oct. 16 at 3 p.m. Running time is one hour and 10 minutes with intermission. Children’s theater continues with Barnaby Saves Christmas from Nov. 19 to Dec. 30. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.