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Port Jefferson Village Center

Destruction to Phase 1 work to the East Beach Bluff face as of March 2025. Photo from the Port Jefferson Village website.

By Lynn Hallarman

A community informational forum about Phase 2 of the East Beach Bluff stabilization project was held by village officials at the Port Jefferson Village Center on March 27. 

Audience in attendance at the forum held at the Village Center.  Photo by Lynn Hallarman

The forum aimed to update residents on the current status and finances of the upper wall project, summarize the next steps and review the work of Port Jefferson’s Citizens Commission on Erosion. 

Mayor Lauren Sheprow presided over the meeting. The board of trustees, village attorney David Moran, village treasurer Stephen Gaffga and clerk Sylvia Pirillo were present. 

Project summary

Phases 1 and 2 of the East Beach Bluff stabilization aim to halt bluff erosion and prevent the Village of Port Jefferson-owned country club from collapsing down the slope. 

Phase 1 was completed in August of 2023, with the construction of a 358-foot wall of steel and cement at the base of a steep bluff, about 100-feet-tall, facing north toward the Long Island Sound. Terracing and plantings installed along the western portion of the bluff were destroyed in a series of storms shortly after the project’s completion.  

Phase 2 involves installing a steel barrier driven into the bluff’s crest, just a few feet seaward of the country club. This upper wall is intended to stabilize the area landward of the bluff and reduce the risk of structural failure. 

As part of Phase 2’s preconstruction, GEI Consultants of Huntington Station—the engineers for Phases 1 and 2—will be engaged to update the land survey, analyze drainage options, reevaluate wall design for cost efficiency and monitor construction. Village officials will then prepare requests for proposal documents to solicit bids for the upper wall’s construction. 

Concerns of the Citizens Commission on Erosion

David Knauf, chair of the Citizens Commission on Erosion, speaks at the forum. Photo by Lynn Hallarman

David Knauf, chair of the Citizens Commission on Erosion, presented the benefits and concerns of various approaches to stabilizing the country club at the bluff’s edge.  

The CCE serves as a volunteer advisory group to the village on erosion-related issues.  Members are not required to have specialized expertise.

Among the advantages, Knauf noted that a portion of Phase 2 costs will be covered by a Federal Emergency Management Agency grant, reducing the financial burden on local taxpayers.  However, the committee expressed concerns about the reliability of FEMA funding.

“If they are withdrawn, that is going to put us in a heap of trouble fiscally,” he said. 

Key concerns include the unknown long-term costs of the overall project beyond the Phase 2 wall installation. These include a drainage plan, repairs to damage sustained during Phase 1 and ongoing maintenance expenses.

“All of us on the committee are taxpayers, and we’re concerned about getting value for money spent,” Knauf said. “The bluff wall project is not something that you just do and you’re finished. It’s going to have responsibilities and obligations for the village in perpetuity.”

Knauf outlined alternative approaches to building the upper wall, including: 

●Rebuilding the clubhouse inland in conjunction with bluff restoration and drainage improvements. 

●Implementing a partial wall and drainage plan, followed by the eventual relocation of the clubhouse.

 “It is the opinion of the committee that detailed plans for the whole project — including Phase 1 repairs, drainage and Phase 2 — are completed so an accurate assessment of final costs can be presented to the village taxpayers,” Knauf later told TBR News Media in an email. 

Comments from GEI

Following Knauf’s presentation, GEI licensed professional engineer Adon Austin  explained the steps necessary before construction can begin on the upper wall.

The project is designed as a “two-part system [lower and upper wall] working in combination to control bluff erosion,” Austin said. 

“Once we have the design reconfigured and a drainage plan, all of this will go to the New York State arm of the Federal Emergency Management Agency for review,” he added. “FEMA will then revise the cost estimates, the scope and the grant, to align with what the current scope of the project would be.”  GEI will then issue a final design along with construction documents.

GEI has recommended that the village evaluate the current risk to the building’s foundation in response to written questions from the Citizens Commission on Erosion. 

Laura Schwanof, senior ecologist and landscape architect for GEI, commented on possible contributing factors to the current erosion of the bluff face:

“ We were only allowed [by the state Department of Environmental Conservation] to put terraces up six rows — nothing more.” Schwanof said. “ We were prevented from doing any structural work on the western end beyond the golf course.  As far as failure of the system, we worked within the confines of the regulatory agency requirements.”

Treasurer outlines project costs

Village treasurer Stephen Gaffga presented an overview of the financial history related to the East Beach Bluff stabilization project.  To date, the total amount spent so far for Phases 1 and 2 is approximately $6.02 million. 

Phase 1 was funded through borrowed money as part of a $10 million bond resolution passed by the board of trustees in 2021. The resolution was approved by a permissive referendum, meaning it did not move to a public vote. Of the $10 million, “$5.2 million was spent on Phase 1,” Gaffga said.   

According to a fall 2024 audit by CPA firm, PKF O’Connor Davies — previously reported by TBR News Media — Phase 1 exceeded its original budget by approximately $800,000. This overage was not discussed during the forum. 

“The overage on Phase 1 was paid for in past years with taxpayer funds out of the general fund balance,” Gaffga wrote in an email.. 

Gaffga estimated the combined costs to individual taxpayers for Phases 1 and 2 at approximately $77 per year over a 15-year period. However, he noted this estimate may need to be revised once actual costs for the wall construction and other related projects are known. 

”We don’t know what the costs are going be until we actually go out to bid on the construction of the project, and we’re not there yet,” Gaffga said. 

Additional expenses — including a drainage project, repairs to the bluff face and ongoing maintenance costs to the bluff — were not addressed at the forum.

Community questions focus on costs, property use

Most audience questions centered on the project’s cost to taxpayers, technical aspects of the stabilization effort and how the property is used by residents. The golf membership currently includes  “3 percent of village residents,” according to Moran.   

Moran responded to a question about holding a public referendum on whether to proceed with construction of the upper wall or rebuild the facility inland. 

“During that permissive referendum vote back in 2021, no petition was received [from the public within 30 days] as required for a public vote. Bond counsel to the village advised that there’s only one way to call for another vote— the trustees would have to rescind that initial bond resolution. This would mean the loss of FEMA money.” 

Village resident Myrna Gordon said in a statement to TBR News Media:

“Residents who own the facility should be the ones that determine through a referendum how best to resolve its use, function and future — of both the building and bluff that is so greatly compromised.” 

The meeting closed with comments from members of the board of trustees:

“Phase 2 is a way to ensure that we protect the bluff so that we buy time. To decide how to deal with the building.  Maybe we retrieve the building; maybe it gets moved — who knows?” trustee Xena Ugrinsky said. 

“ If you have strong feelings about this issue, I highly encourage you to email the board,” trustee Kyle Hill said. 

The Citizens Commission on Erosion can be reached at: [email protected].

Looking for something to do this weekend? Visit the Festival of Trees, beautifully decorated trees by local businesses, groups, and non-profits, on the second floor of the Port Jefferson Village Center, 101 E. Broadway, Port Jefferson through Jan. 2 from 9 a.m. to 8 p.m.

This event is presented by The Greater Port Jefferson Chamber of Commerce, and sponsored by The Incorporated Village of Port Jefferson and is free to the community. For more information, call 631-802-2160.

By Heidi Sutton

The Association of Public Historians of New York State held its annual conference in Port Jefferson from Sept. 16 to 18. The event, held at  Danford”s Hotel and Marina, drew more than 100 government-appointed historians and affiliates from across the state.

Participants attended workshops, panels, and presentations that explored this year’s theme, “It’s a Whale of a Tale: Outstanding Narratives in New York State History,” and took part in walking tours of the Drowned Meadow Cottage Museum, The Mather House Museum at the Historical Society of Greater Port Jefferson, and Bayles Boat Shop and enjoyed exploring the beautiful seaport village.

Guests were also treated to a special historic photography exhibit on the second floor of the Port Jefferson Village Center, A Glance at the Empire State: A collection of photos from the past, curated by  Port Jefferson Historian Chris Ryon. The exhibit is on view through October.

Pictured at the event are, from left, Town of Brookhaven Historian Barbara M Russell; Suffolk County Legislators Steve Englebright and Chad Lennon; Suffolk County Historian Peter Fox Cohalan; New York State Historian Devin Lander; Suffolk County Executive Ed Romaine; and APHNYS President Christine Ridarsky.

By Aramis Khosronejad

The Long Island Explorium hosted its 7th annual Maker Faire on Saturday, June 8, also held at the Village Center and Harborfront Park. The event featured a wide range of activities, from hands-on origami lessons to robotics presentations, drawing a large and diverse crowd.

The Maker Faire has been a popular event well received by various communities. It aims to foster curiosity and provide a platform for people of all backgrounds and interests to share their passions. 

The Maker Faire concept originated in San Mateo, California, in 2006, created by the editors of Make magazine. Since then, it has grown into an international event, with Maker Faires held in cities like San Francisco, New York, Berlin and Barcelona as well as Port Jefferson.

Angeline Judex, executive director of the Long Island Explorium, emphasized that the Maker Faire is “a festival of invention and innovation for everybody. Not just for little kids but for adults as well.” She highlighted the event’s diversity, which makes it especially unique. The faire featured an impressive assortment of participants and interests, from radio clubs to robotics and sculptures made from ocean debris.

This year’s Maker Faire on Long Island featured more than 75 exhibitors and 120 presenters.

The Maker Faire is designed to feed curiosity and nurture knowledge. Judex stated that the purpose of the event is “to enhance education, enrich life and to empower minds,” teaching that “learning is lifelong.” She noted the importance of such events in today’s society, especially with the advent of artificial intelligence. By cultivating curiosity and providing a space for the exchange of information, the faire aims to inspire innovation. “The challenges of the future can be changed by innovations from today,” Judex said. “Science is really at the intersection of endless possibilities — we’re talking about infinite possibilities for the future.”

Judex encouraged attendees to “explore, discover, invent and inspire,” sharing the joy and wonder that sustains lifelong learning and curiosity. “There’s no finite end, the exploring always continues,” she said, emphasizing the importance of having fun while learning.

By Tara Mae

Ingenuity and imagination synthesize into innovation. The Long Island Explorium, a science and engineering museum in Port Jefferson, celebrates the projects and persons involved in this process with the 7th annual Maker Faire Long Island at the Port Jefferson Village Center, LI Explorium and Harborfront Park at 101 East Broadway on Saturday, June 8 from 10 a.m. to 5 p.m. 

Featuring more than 75 exhibits and 120 presenters showcasing their creations, this multi-sensory experiential event lauds efforts in science, technology, engineering, arts, and math (STEAM). Exhibits range from robotics and cosplay design to environmental engineering projects, scientific advancements, kinetic art, and fire sculptures.

Highlights include:

Adam Foster’s Royal Trumpets: Majestic 15-foot kinetic pyrotechnic sound sculptures.

Mandalorian Mercs Costume Club: Bringing the Star Wars universe to life. (pictured above)

Long Island Drone Soccer: An electrifying new sport combining drone technology with soccer.

Princesses with Powertools: Empowering young engineers with hands-on projects.

Balloon Bot Brawl: A thrilling robot showdown led by high school maker Ray Rumore.

Learn to Solder Workshop: Taught by Elijah Horland of Mythbusters Jr, sponsored by PCBWay.

Besides individual contributions, organizations such as Suffolk County Community College, Brookhaven National Labs, and Stony Brook University will show some of their work. Scientists and educators from the university will also participate in ‘Ask a Scientist” Q&A sessions that enable young attendees to cultivate their curiosity as they ask scientific questions of professionals. 

In addition to the dialogues, displays, and demonstrations, the Faire will have live musical performances, including a songwriter showcase, from 1 to 5 p.m., and two performances by the Umisora Taiko Drummers.

“Maker Faire is a global movement that combines elements of classic science fairs with innovation, creativity, and STEAM. It is known as the ‘Greatest Show & Tell on Earth,’ showcasing makers’ ingenuity and creativity. Maker Faire Long Island…embodies this spirit,” said Long Island Explorium’s Director of Digital Media/Marketing/Programming Lisa Collet Rodriguez.

With conventions in other locations like New York City, San Francisco, Barcelona, and Berlin, the Maker Faire Long Island is part of a larger international initiative that fuses scientific experimentation with artistic expression. By embracing these pursuits, the family-friendly occasion seeks to engage audiences of all ages, with interactive elements geared towards youth. 

“I wish I had [Maker Faires] when I was younger. They have provided me a platform and support to share my works with tens of thousands of makers across the country, and inspire future generations of makers. It’s a win win,” said maker Adam Foster, of Rochester.

A musician, steel fabricator designer, and engineer, Foster made “The Royal Trumpets,” six 15 foot tall kinetic sculptures. They allude to the trumpets that historically announced royalty. And at the Maker Faire, this grandeur is both a celebration of community and an invitation for new members to join it. 

Encouraging visitors to dream and learn are not the only collective goals shared by many of the participants. The Faire is an opportunity for pragmatic ponderers and methodical mavericks to network with each other.

“Popular subcultures always have places to gather, such as Comic-Con. Maker Faire is that place for people passionate about the intersection of Arts and STEM now called STEAM,” maker Elijah Horland, of Brooklyn, said. “At a Maker Faire we gather, not just to show off our skills, but to collaborate with peers, mentors, and beginners alike in a supportive environment.”

Through his company, Not-A-Bomb, Horland develops mechatronic projects that incorporate engineering lessons curated to entertain and educate. He is a MythBuster from the Discovery Channel reality show and the executive producer of Maker Faire Coney Island. 

A number of the makers participate in other Maker Faires throughout the country, sharing their projects with interested parties and building relationships. 

“Maker Faires are these amazing events where people from all different backgrounds and with all different interests can come together and find a bigger community,” said maker Caeley Looney of Austin, Texas.

Originally from Farmingdale, Looney is the founder and CEO of Reinvented Inc., a nonprofit organization that hosts Princesses with Powertools. The program connects girls with women in Science, Technology, and Math (STEM) professions who, while dressed as princesses, teach them how to operate their first power tools. 

“Innovation is diversity driven. Without having diverse minds and voices working on the leading edge of science and technology, new ideas, products, and solutions will never be created. Women play a huge role in this, but historically have been left out of these fields and conversations — and that bias and pushback is still felt by students today,” she added. 

Bringing STE[A]M to individuals who historically have less access to it is a motivating factor and ongoing endeavor for many Faire associates, according to Long Island Explorium Executive Director Angeline Judex.

“Many people don’t think of museums as agents of social change in communities, but the Long Island Explorium plays a vital role on Long Island as a lighthouse of enriching STEM programs that foster inventive thinking and serve as a catalyst for empowerment,” Judex said. 

“The Maker Faire is strategically aligned with our vision to promote STEM discovery, learning, and innovation that will shape the intellect, social values, and principles of future generations,” she added.

Advanced tickets may be purchased online through EventBrite. Individual tickets, including fees, are $13.36 per person. A family pass, which has tickets for two adults and up to five children, are $57.65 including fees. Tickets at the door for individuals are $16.65, including fees. Tickets at the door for family passes are $62.80, including fees. 

For more information, including a complete list of exhibitors and schedules, visit longisland.makerfaire.com. 

Port Jefferson Village Center. Photo by Heidi Sutton

By Samantha Rutt

On the evening of May 29, a crime occurred near the village center, shedding light on gaps in the village hall’s communication protocols. The incident has raised questions and concerns among residents and officials about the effectiveness of current systems for public safety notifications.

Incident details

Between 6 and 6:30 p.m., a man who had been stabbed or slashed sought help at the Village Center near Harborfront Park. Covered in blood, the victim’s appearance alarmed bystanders. The assailants were reportedly still at large, fleeing in a white SUV. Suffolk County Police responded with several police cars and retrieved camera footage from the area to aid their investigation.

Compounding the situation, a senior awards ceremony and several sporting events were taking place at the nearby school. Despite the proximity of these events to the crime scene, school leadership was not informed about the incident, raising concerns about the safety and well-being of students and attendees.

Response timeline

Seeking clarity and answers, an email was sent to village officials on May 31. The email was addressed to Mayor Sheprow and trustees Loucks, Juliano, Kassay, and Biondo. All below events are reported from Traci Donnelly’s Facebook page.

May 31, 6:25 p.m.: Initial inquiry sent to village officials.

May 31, 8:26 p.m.: Trustee Loucks responded, indicating he was unaware of any official communication from the village. He learned about the incident from the manager of the village center and noted that more than 50 hours after the incident, trustees had still not been provided with any updates or information.

May 31, 9:11 p.m.: A follow-up email was sent, questioning the lack of community notification.

May 31, 9:32 p.m.: Trustee Biondo responded, suggesting that if the incident were serious enough, the Suffolk County Police Department would have notified the community.

June 1, 7:02 a.m.: A request was made for clear communication protocols and criteria for alert systems.

June 1, 1:51 p.m.: Trustee Biondo advised attending the next public meeting for discussions and deliberation with the trustees. It was reiterated that, according to the village attorney and mayor, public comments are not meant for deliberations.

Several concerns have emerged in the wake of this incident. No public alert was issued, despite the severity of the incident and its proximity to community events, no alert was sent to residents. A lack of real-time information as schools and trustees were not informed in real time. Trustee Loucks learned about the incident from the village center manager and other trustees were also uninformed prior to the email. Additionally, it was made evident there are communication gaps as the current strategy for notifying residents about serious incidents is unclear.

The incident has prompted several questions from concerned residents, in Donnelly’s post she asks “Why wasn’t the incident on May 29 considered a public safety issue warranting a Code Red alert? Who decides when these alerts are issued and who is on the village’s emergency response team? Were all trustees informed of the incident in real time?”

The community is calling for increased transparency and the development of a comprehensive communication plan with public input. Residents are encouraged to email trustees directly for accurate information and to avoid relying on social media for critical updates.

“It is important to have communication between village officials and residents. We are looking to wirk alongside residents to have an effective emergency response system in place,” village trustee Rebecca Kassay said.

The email exchange regarding this incident is available upon request for anyone interested in complete transparency.

Hiroya Tsukamoto in Concert

The Village of Port Jefferson Dept. of Recreation and the Greater Port Jefferson Arts Council continue their Winter Tide concert series at the Port Jefferson Village Center, 101 E. Broadway, Port Jefferson with a special performance by guitar wizard Hiroya Tsukamoto in the Sail Loft Room (3rd floor) on Friday, February 16 from 7 to 8 p.m. Eclectic, immersive and mesmerizing, the musician takes the audience on an innovative, impressionistic journey filled with earthy, organic soundscapes that impart a mood of peace and tranquility.

Hiroya Tsukamoto is a one-of-a-kind composer, guitarist and singer-songwriter from Kyoto, Japan. He began playing the five-string banjo when he was thirteen, and took up the guitar shortly after.

In 2000, he received a scholarship to Berklee College of Music in Boston and eventually formed his own group, Interoceanico, made up of musicians from different continents including Latin Grammy Colombian singer Marta Gomez. The group released three acclaimed records: The Other Side of the World, Confluencia and Where the River Shines.

Hiroya has released three solo albums (Solo, Heartland and Places). He has been leading concerts internationally including several appearances at Blue Note(NYC), United Nations and Japanese National Television(NHK). 

In 2018, he won 2nd place in the International Finger Style Guitar Championship.

$5 donation at the door appreciated. No reservations required. For further information, call 631-802-2160.

 

It’s time to bundle up and give. Michael Ambrozy from Howard Hanna Coach Realtors with special thanks to Richard Savino, M.D. NYU Langone  will host a Community Blood Drive by the New York Blood Center in the Skip Jack Room of the Port Jefferson Village Center, 101 East Broadway, Port Jefferson on Saturday, Dec. 9 from 11 a.m. to 5 p.m.

All donors will receive a coupon for a voucher for a pint of beer or soda from participating Port Jefferson establishments including Tommy’s Place, Port Bistro and Pub, Billie’s 1890 Saloon and Barito Tacos and Cocktails. To make an appointment, call 1-800-933-2566. For further information, contact Michael Ambrozy at 631-994-0082.

Above, a large group of people sitting in the surf on the shore of Long Island Sound. Pine View, West of Crane Neck, Stony Brook. 1907.(West Meadow Beach). Photo courtesy of Port Jefferson Village Archive, Kenneth Brady Collection

By Tara Mae

Saltwater and sea air can replenish, rather than rust the spirit. Any means of water conveyance is a line to liveliness and livelihood, a rope that links us to the generations that came before. Set sail into Long Island’s local maritime past with Small Wooden Boats: The Forgotten Workhorses and Leisure Craft of Old at the Port Jefferson Village Center, on view now through October. 

Located on the second floor of the building, with a topical view of the harbor, the photo exhibit features approximately 60 photographs, mainly ranging 24-36 inches. Through the lens of wooden boats, it explores the labor and leisure of primarily 19th and early 20th century islanders and vacationers. 

“There are two distinct categories of images. People using small boats to fish, clam, transport items, and people enjoying the summer in the bathing fashion of the period,” Port Jefferson Village Historian Christopher Ryon, who curated the exhibit, said. 

Marshall’s Pier was located on the East shore of Poquott. Belle Terre and Mount Misery are in the background. Photo courtesy of Port Jefferson Village Archive, Kenneth Brady Collection

Skimmed from the village’s own archive, first compiled by previous historian Ken Brady, the catalog has amassed tens of thousands of photographs. Its selection includes access to pictures that other organizations, like Three Village Historical Society, possess. The breadth and depth of data highlights the profound impact of beach culture on this area. 

Small Wooden Boats is a tribute to and testimonial the scope of people’s sometimes shifting, yet still steadfast, relationship to the sea. 

“The photos in this show capture the serene atmosphere of small boats and people on the shoreline of harbors and ponds. From clammers and fishermen to women in dresses, you can imagine the feel of the water on their feet and the sound of the water as they walk,” explained Ryon during a tour of the exhibit.

In locations familiar to residents, such as West Meadow Beach, Pirates Cove and Port Jefferson Harbor, their predecessors pose in the Long Island Sound and from shore.

Penn No. 1, a small tugboat that maneuvered goods and equipment for Suffolk Dredging Corporation, seems at a standstill as two presumed employees appear portside. One man, still wearing his work gloves, leans jauntily against an unidentifiable object.     

Girl standing in water on the East side of Port Jefferson Harbor. Photo courtesy of Port Jefferson Village Archive, Kenneth Brady Collection

A little girl in a swim costume, somewhat faded with age, grins at the camera as she wades water with a flotation device tied around her waist. 

Men, women, and children, wearing street clothes, sit in floating repose aboard rowboats as three other male figures, perhaps lifeguards, stand behind them, staring purposefully into the distance. An empty dinghy is tied up to their right as waves break against the mooring. 

Individuals who appear as salt of the earth or buoyantly effervescent, all of these figures are both anchored to their era and adrift on the sea of time. Though their attire and apparel are different, they share a relationship with the water that is more familiar than foreign. 

“This exhibit exemplifies Port Jefferson’s history as a shipbuilding port, a transportation hub, a fishing, clamming, oystering community, and, of course, a tourist destination,” Ryon said

Penn No 1 was a small tugboat that worked for Suffolk Dredging Corporation. It was used to maneuver barges and equipment. Photo courtesy of Port Jefferson Village Archive, Kenneth Brady Collection

Essential elements of this dualistic dynamic have evolved or become endangered but their essence remains accessible to those who seek to acknowledge, even enjoy, the ebb and flow of  people’s dependence on the surrounding water. 

By design, the show displays the dichotomies of work and play. Pictures in Small Wooden Boats are harbingers of changing tides, before nautical industry was overtaken by seaside recreation. 

Such developments are embodied by the Village Center itself, which has its own ties to maritime history. Situated on the grounds of the Bayles Shipyard, the building originally housed a machine shop and mould loft, established in 1917 during World War I. 

That same year, the Bayles family sold it. After changing hands, it was acquired by the New York Harbor Dry Dock Corporation, which in 1920, closed the shipyard, and fired all of its workers except for a skeleton crew. Following different business iterations, the Village Center was founded there in 2005. 

The enmeshment of past and present also underscores how the Sound remains intertwined in life on land, a message that Ryon seeks to bring to the masses through ongoing nautical projects.  

Besides the exhibit, another such endeavor is the construction of a replica whaleboat, dubbed Caleb Brewster, a seafaring vessel that will ideally launch in 2024. 

Summer of 1906, Pine View. Photo courtesy of Port Jefferson Village Archive, Kenneth Brady Collection

Named in honor of the Culper Spy Ring member who ran messages via his whaleboat between Long Island, under British occupation, and Connecticut, where General George Washington was stationed, it is a community undertaking. A crew of volunteers, among them students from an Avalon Nature Preserve program, is helping construct and assemble the whaleboat. And, in part as an homage to the village center’s heritage, it is being built in the Bayles Boat Shop located just a stone’s throw from the Village Center across from Harborfront Park. 

Construction of the Caleb Brewster and the Small Wooden Boats exhibit are part of a continuous effort to bring more attention to the common, simple sea craft that are so integral to the existence and entertainment an island provides. 

“The bigger boats, like schooners tend to get more notice, while the smaller ones are doing hard work moving materials and people,” Ryon said. “We [the village center] have this huge collection of stuff. We have done lots of different types of shows here, and small boats are part of the collection that I now want to showcase. I look forward to seeing people enjoying the exhibit.”

The community is invited to an opening reception to Small Wooden Boats: The Forgotten Workhorses and Leisure Craft of Old on Sunday, Sept. 10 from 2 to 3:30 p.m. on the second floor of the Port Jefferson Village Center, 101 East Broadway, Port Jefferson. Viewing hours for the exhibit are 9 a.m. to 8 p.m. daily through Oct. 31. For more information, call 631-473-4778.

Above, Maasai tribe leaders during a visit to Port Jefferson on Saturday, April 22. Left to right: Chief Joseph Ole Tipanko, Cecilia Tipanko and John Kilenyi Ole Parsitau. Photos by Raymond Janis

Following a multiyear delay due to COVID-19, representatives of Port Jefferson’s sister village visited last weekend.

On Saturday, April 22, the chief of the Maasai tribe in Kenya returned to the Port Jefferson Village Center with two fellow members of the tribe. The Maasai delegation presented on local developments in Kenya since its last visit, as the shadow of the pandemic and environmental degradation have diminished their way of life.

In Maasai villages, there is no running water or electricity, they explained. The women construct huts made of sticks and mud. Men protect the community from the numerous dangerous animals that cohabitate in their territory. In this agricultural society, a Maasai family’s worth is determined by the number of cattle it owns.

‘For any American, it’s very beneficial to know about other cultures and other parts of the world.’

— Virginia Armstrong

In recent years, the Maasai have been ravaged by severe drought, killing off much of their cattle and endangering their very existence.

The chief, Joseph Ole Tipanko, oversees approximately 7,000 people in Kenya. His wife, Cecilia, and John Kilenyi Ole Parsitau were with him.

During their presentations, the Maasai people had an opportunity to share their culture with Port Jeff, highlighting the many similarities and differences between the two.

Virginia Armstrong is a local resident and partner of the Maasai organization, helping arrange their events while they are visiting the United States. 

She said that through the year, the leaders and community members of the two villages, though separated by 10,000 miles, have forged close ties.

“Mayor [Margot] Garant has been here several times, and she calls them her sister village,” Armstrong said.

Armstrong also stressed the unique opportunities that this bond creates, emphasizing how cultural exchanges between the two villages mutually enrich one another.

“We benefit each other,” she said. “We bring some cultural awareness to Port Jeff and then, in exchange, we are supported by the village here.”

She added, “For any American, it’s very beneficial to know about other cultures and other parts of the world.”

‘Whenever we come here, we feel so connected.’

— Chief Joseph Ole Tipanko

During the presentations, the chief explored some of the challenges that the Maasai people face today, including severe droughts, environmental degradation and the ill effects of climate change.

The chief said there are numerous attributes that Port Jeff village residents should take away from the Maasai way of life. “People need to be bonded together by love and unity,” he said. “It’s also good that they know that they should conserve.”

Tipanko stressed that in much of the undeveloped world, including the Maasai villages, access to food is often limited. He reminded Americans that they should not take food for granted. 

“They should appreciate what they have here in this country,” he said.

He has also observed in the U.S. a tendency toward excess, with many Americans consuming well beyond their basic needs. He commented that this mode of thinking could lead to a grasping, materialistic outlook and culture, impeding one’s connection to others and enjoyment of life.

American children “need much, but in Africa, even getting a sweet — a candy — is something big,” he said. “Getting a pair of shoes is something that’s big because some of the kids are barefoot.” 

He added that Americans “should be thankful for what they have because they have running water in their houses, bathrooms and electricity. To me, I think they are very lucky.”

Upon returning to Port Jeff, the chief highlighted the importance of sharing that message.

“Whenever we come here, we feel so connected,” he said, adding that this unique forum “teaches the students to come and appreciate the diverse cultures of the world. And in that, when I understand their culture and they understand my culture, we are able to live peacefully as brothers and sisters for a peaceful global world.”