Tags Posts tagged with "Long Island Museum"

Long Island Museum

Calling all art lovers! Spend the afternoon at two of Stony Brook’s most beloved institutions!

On Sunday, October 6 from noon to 3 p.m., visit Stony Brook University’s Paul W. Zuccaire Gallery, 100 Nicolls Road, Stony Brook to view Nicole Cohen: SUPER VISION before heading down the road to the Long Island Museum’s Art Museum, 1200 Route 25A, Stony Brook to see A Noble Art: A New Look at the Portraits of William Sidney Mount and take an exclusive trip to visit the historic Hawkins-Mount House*.

Bus transport will take visitors to all three sites and educators and artists will be on hand in the galleries. This event is free for all — no registration is required.

Participants can check in at either location. Let a staff member know you are there for the LIM x Zuccaire Gallery Afternoon of Art. A staff member will also direct you to the shuttle bus. To check in at the Long Island Museum, head directly to the Art Museum building. At the Zuccaire Gallery at the Staller Center, you can check in at the front desk of the gallery. The first bus will leave from the Zuccaire Gallery at 12:30 pm.

For more information, call 631-751-0066 (LIM) or 631-632-7240 (Zuccaire Gallery)

*Please note that the historic Hawkins-Mount house is not handicap accessible. 

 

ArtABILITY 24

The Long Island Museum (LIM), 1200 Route 25A, Stony Brook, has announced the opening of ArtABILITY ‘24, a traveling art exhibition organized by the Spirit of Huntington Art Center that showcases the talents of individuals on Long Island and the surrounding area living with various physical and cognitive challenges. 

Its purpose is to educate the community about the remarkable talents of people with diverse abilities, inspire people to reach beyond their limitations to explore their own creativity, and promote the inclusion of people with disabilities in the arts. This year’s exhibition will be on view in the History Museum at the LIM from Sept. 19 through Oct. 13 with an Open House on Sept. 28 from noon to 1:30 p.m.

Ingrid Cuadra, the Spirit of Huntington Art Center’s ArtABILITY Program Director and Art Shows/Events Coordinator, and Michael Kitakis, Executive Director, said, “We are honored and thrilled to have partnered with all of our partners to host this amazing tour. I know this is an incredible opportunity for our exhibition to be on view during significant events the Long Island Museum is hosting.”

Spirit of Huntington offers art classes that provide a unique opportunity for students to enjoy a stress free, therapeutic environment that fosters creativity and self-esteem. ArtABILITY ‘24 celebrates the accomplishments of the artists and the many non-profit partner organizations that support their day-to-day lives and who believe in the impact the arts can have on individuals with varying abilities.

“It has been a wonderful process partnering with the Spirit of Huntongton to bring the ArtAbility ’24 exhibition to the Long Island Museum, said Kristin Cuomo, Senior Educator at the LIM. “We are thrilled to recognize the work that they do to make rich cultural and artistic experience accessible to all Long Islanders and look forward to sharing an exhibition that centers the stories of people with disabilities in our community.”

Other  partner organizations include: AHRC Suffolk, Cerebral Palsy Association of Nassau, FREE-Family Residences and Essential Enterprises, Life’s WORC, RISE Life Services, South Huntington School District, Pal- O- Mine, TSINY – Transitional Services of New York, Winters Center for Autism, SYJCC-Butler Center, and the Mid-Island YJCC-Adler Center for Special Needs.

ArtABILITY is funded in part by Suffolk County Department of Economic Planning, Legislators Stephanie Bontempi, Tom Donnelly, and Rebecca Sanin, and made possible with the support of  TD Charitable Foundation, AHRC Suffolk, RISE Life Services, Family Residences & Essential Enterprises, Life’s WORC, and Winters Center for Autism.

This event is made possible with funds from the Statewide Community Regrant Program, a regrant program of the New York State Council on the Arts with the support of the Governor and the New York State Legislature, and administered by the Huntington Arts Council.

For more information, visit www.longislandmuseum.org.

 

 

This summer, don’t miss Musical Masterworks: John Monteleone’s Guitars and Other Instruments — a must-see exhibition for any music lover! Currently on view at the Long Island Museum in Stony Brook, this major retrospective and groundbreaking show celebrates the life and work of one of America’s most talented and renowned makers of archtop guitars, John Monteleone.

John Monteleone in his workshop in Islip, New York. Photo from LIM

From his 2,400-square-foot workshop in Islip, Monteleone has crafted one-of-a-kind masterpieces of functional art, coveted by leading rock, jazz, and folk guitarists of the late-20th and early-21st centuries: Eric Clapton, Mark Knopfler, Ben Harper, Julian Lage, and Anthony Wilson, to name just a few. Monteleone also has lifelong connections to Long Island, growing up in Islip and maintaining his workshops here, initially in Bay Shore, in 1976, before opening his current shop in Islip, in 1990.

Renowned for his perfectionism and his intense concern for materials, and for facilitating versatile performance, Monteleone has made an extraordinary lifetime journey as a craftsman of his signature guitars, mandolins, and other instruments. The master luthier has garnered international acclaim for his exquisite craftsmanship and innovative designs. 

Musical Masterworks is the largest-ever exhibition of John Monteleone’s musical art assembled and offers visitors a rare opportunity to explore the artist’s extraordinary journey, beginning in the early 1970s as a repairer and maker of mandolins, to producing some of the most sought-after guitars in the world.

Featuring nearly 50 guitars, mandolins, and other instruments crafted by Monteleone between 1971 and 2023, the exhibition showcases the stunning beauty and unparalleled craftsmanship of his creations. 

“It is always my great honor and pleasure to create the resonating sonic beauty of these instruments and to hear them finally sing and speak to me,” says Monteleone. “From the trees in the forest to pulsating maple and spruces on my workbench, it is my way of giving process to unleashing the songs within the wood.”

Highlights include the famed Four Seasons guitar quartet (2002-2006), on loan from the Metropolitan Museum of Art and pictured above; Monteleone’s groundbreaking Rocket Convertible guitar (1997); his beautifully ornamented Radio Wave (2004); and many examples of special model guitars and mandolins: Eclipse, Radio City, Grand Artist, the Train series, and more. Featuring guitars from private collections in Texas, Florida, Ohio, and Vermont, the exhibition will also be displaying iconic and historic guitars from Gibson, John D’Angelico, James D’Aquisto, and Selmer-Maccaferri.

“This exhibition showcases the artistry of an American original, a luthier with deep Long Island roots,” says Joshua Ruff, Co-Executive Director and curator of this exhibition. “John is an innovator, an artist craftsman with the needs of the guitarist and music listeners truly at heart, and our visitors are in for a treat to see all these beautiful instruments up close and all together for the first time ever.” 

Musical Masterworks: John Monteleone’s Guitars and Other Instruments be on view in the History Museum at the Long Island Museum, 1200 Route 25A, Stony Brook through October 13. Major support for this exhibition was provided by the Robert David Lion Gardiner Foundation. Don’t miss this extraordinary opportunity to immerse yourself in the world of musical craftsmanship.

For more information, visit www.longislandmuseum.org.

This article originally appeared in TBR News Media’s Summer Times supplement on June 20.

By Tara Mae

Like separate entries in an anthology, different community organizations offer rich options for diverse cultural endeavors that form a cohesive collection of experiences to encourage understanding and appreciation.

In this spirit, Middle Country Public Library’s Centereach branch at 101 Eastwood Blvd. will host Museum Day on Thursday, May 16, from 4 to 7 p.m. The event is free and no registration is required. 

This year 30 local institutions are participating, including the Long Island Museum of American History, Art and Carriages (LIM) in Stony Brook, Three Village Historical Society (TVHS) in Setauket, Whaling Museum and Education Center of Cold Spring Harbor, Railroad Museum of Long Island in Riverhead, and Sweetbriar Nature Center in Smithtown.  

“The purpose [of Museum Day] is to provide a forum for community members to interact with representatives from local museums, historical societies, science and nature centers that participate to share information regarding their collections, programs, and exhibits in a festival type setting,” said Deborah Hempe, Middle Country Public Library’s Coordinator for Outreach Services and Museum Corner.

Held at the Museum Corner section of the library, which is part of the Youth Services Department, Museum Day is geared towards children and their families. Interactive elements across multiple mediums include science experiments, arts and crafts, live animal visits, and interaction with museum displays and artifacts. 

“For many children, looking and listening isn’t enough to activate the desire to learn. At events like this, children are presented with opportunities to also create, explore objects for themselves, and feel a connection that is personal,” said Lisa Unander, Director of Education at the Long Island Museum. “That feeling can be a catalyst to spark wonder and a lifelong love of art and history.”

The LIM will have a collage project inspired by the art of Reynold Ruffins, whose work is featuring in one of its current exhibits, Painting Partnership: Reynold and Joan Ruffins. The activity will concentrate on how using color and geometric shapes can create art. 

TVHS will set up a mini-exhibit and teach hands-on crafts, like making colonial whirligigs. Sweetbriar Nature Center will attend with two of its ambassador animals; traditionally, a resident owl and snake come as its guests. The Railroad Museum of Long Island will set up a train display. 

“I enjoy seeing the families who attend Museum Day and [engaging] with the children on hands-on learning activities we offer during the event,” said Education Coordinator of TVHS Lindsey Steward-Goldberg.

These offerings are made to energize minds and excite imaginations. 

“Museums can be places that introduce new ideas, unique perspectives and often challenge people’s ways of looking and thinking. Giving children a chance expand their way of thinking and encouragement to be creative in unexpected ways is often a goal of museum educators,” Unander said. 

For 35 years, Middle Country Public Library has organized the gathering in conjunction with International Museum Day, which falls on or around May 18. In 2023, more than 37,000 museums in about 158 countries and territories took part in the celebration.

Coordinated by the International Council of Museums, International Museum Day has a distinctive theme every year; 2024’s focus is Museums for Education and Research.

Although the motif changes, primary objectives of the official occasion and the library’s exhibition remain consistent: to alert people to the role museums play in the advancement of society and fortify the cooperation between neighboring operations.

“The public is able to learn about what these local organizations have to offer in a fun and interactive setting…Additionally, it provides a nice way for the organizations to do a bit of networking with each other,” Hempe said.  

A welcome chance to fortify interdisciplinary dynamics for the attending entities while engaging with a new audience and enchanting existing patrons, Museum Day is both a synopsis and preview of the organizations’ services. Many vendors return annually to maximize and solidify their exposure.

“Each year we meet many patrons who know our museum, and also many who have not ever visited the LIM. It is a wonderful way to showcase what the LIM has to offer and to extend a personal invitation to these families to visit for the first time or to come back and see what is new since their last visit,” Unander said. 

Through nurturing partnerships of longevity and consistency, Museum Day invigorates  lifelong interest in learning as well as sustained support for assemblages dedicated to historical preservation and intellectual enrichment. 

“I look forward to further cultivating those relationships, interacting with the staff and volunteers of participating organizations, and seeing the event attendees interacting with them as well…all are welcome,” Hempe said.

Participating organizations include:

American Airpower Museum

Bayard Cutting Arboretum

Bethel Hobbs Community Farm

Cornell Cooperative Extension of Suffolk County Community Education

Fire Island Lighthouse Preservation Society

Fire Island National Seashore

Greater Port Jefferson Arts Council

Hallockville Museum Farm

Hofstra University Museum of Art

Long Island Explorium

Long Island Maritime Museum

Long Island Museum

Long Island Telephone Museum

LT Michael P. Murphy Navy SEAL Museum

Montauk Historical Society/Lighthouse

NY Marine Rescue Center

Old Westbury Gardens

Patchogue Arts Council

Railroad Museum of Long Island

Sagtikos Manor

Smithtown Historical Society

Southampton History Museum

South Fork Natural History Museum

Sweetbriar Nature Center

Three Village Historical Society

Town of Brookhaven Historian

Vanderbilt Museum and Planetarium

Whaling Museum & Education Center of Cold Spring Harbor

Water Mill Museum

To learn more about Museum Day, call 631-585-9393 or visit www.mcplibrary.org.

Accepting the award, from left Nina Sangimino Curator at the LIM; Kristin Cuomo, Educator at the LIM; Joshua Ruff, Co-Executive Director at the LIM; and Kelynn Alder, guest curator of the exhibition 'SOMOS/WE ARE: Latinx Artists of Long Island.' Photo courtesy of LIM

The Long Island Museum (LIM), a Smithsonian Affiliate, has announced that it has been awarded the prestigious Engaging Communities Award of Distinction for its groundbreaking exhibition SOMOS/WE ARE: Latinx Artists of Long Island. 

Photo courtesy of LIM

The LIM was part of a group of selected museums, museum professionals, industry partners, and legislative leaders that were recognized for their exceptional achievements at MANY’s 2024 annual conference “Giving Voice to Value” in Albany on April 8. The fifteen awards celebrated unique leadership, dedicated community service, transformational visitor experiences, community engagement, and innovative programs that use collections and resources to support museums and to tell stories of everyone who calls New York home.

The Engaging Communities Award of Distinction recognizes organizations that demonstrate exceptional and resourceful methods in engaging their communities and cultivating new audiences. The LIM’s exhibition, SOMOS/WE ARE, stood out for its immersive approach in showcasing the rich cultural heritage and artistic contributions of the Latinx community on Long Island.

“This was such an important and institution-changing exhibition for us,” says Co-Executive Director, Joshua Ruff. “It helped us collaborate and connect with community partners such as the Latino Arts Council of Long Island. We were able to make some significant new accessions for our art collection from some of the artists involved. And this project confirmed that LIM is a museum dedicated to the history and culture of all people across our region, including the more than 20% of Nassau-Suffolk’s total population that has Hispanic heritage.” 

Photo from LIM

On view during the fall of 2023, SOMOS/WE ARE was guest-curated by Mexican-American artist Kelynn Alder and curator Nina Sangimino of the LIM. This collaborative exhibition with associated programming focused on the rich cultural heritage and artistic contributions of the Latinx community on Long Island, featured 82 regional artists and explored their diverse styles, media, personal stories, and familial national origins. 

In addition to bilingual exhibition text, the museum’s education staff published a bilingual Family Gallery Guide and offered Spanish language tours, including one for the Long Island Latino Teachers Association which contributed to an increase in school tours from school districts on Long Island with a high percentage of Latinx students, including Hempstead, Springs, Copiague, Tuckahoe, North Babylon, and Brentwood. 

The museum also hosted a ¡ESTAMOS! symposium that featured an artist discussion and performances as well as a free Family Fun Day in October which set a record 600 person attendance for Día de los Muertos, many of whom were first-time visitors.

The LIM’s SOMOS/WE ARE: Latinx Artists of Long Island exhibition exemplifies the power of museums to connect, inspire, and celebrate diverse voices and communities. For more information, visit www.longislandmuseum.org.

Gordon Lightfoot performing in Interlochen, Michigan in 2009. Photo courtesy of Charles Backfish

By Rita J. Egan

WUSB’s Sunday Street Series at The Long Island Museum has a tradition of bringing artists together to celebrate musical legends. On March 24, they will be adding a bit of Canadian flair.

The series will present Long Island Celebrates Lightfoot — a celebration of the songs of Gordon Lightfoot, the renowned Canadian songwriter and singer who passed away on May 1, 2023 at the age of 84.

With a music catalog encompassing 20 studio and three live albums, more than a dozen musicians will perform hits such as “Early Morning Rain,” “If You Could Read My Mind,” “Sundown,” “Carefree Highway,” “Ribbon of Darkness,” “The Wreck of the Edmund Fitzgerald” and some of his lesser-known tracks on March 24.

Producer Charles Backfish said Lightfoot had been recording and touring since the 1960s up until a year or so before he passed away. “I’m really excited about this one, because, first of all, he is a songwriter of major stature, and secondly, he’s someone from up north that I think needs to get a little bit more acknowledgement in the United States,” he said.

Backfish added that while the singer/songwriter is known to some degree in this country, people may not be familiar with the range of Lightfoot’s albums. One song, “Black Day in July,” is about the 1967 Detroit Riot. The single was banned from some U.S. radio stations because many thought it was too political.

Ray Lambiase, who will be performing during the show, said when he was younger, his friends would listen to groups such as The Beatles. He, however, was listening to artists such as country blues singer Missippi John Hurt and folk-blues duo Sunday Terry and Brownie McGhee. He learned how to play guitar listening to folk music, and Lightfoot’s “Early Morning Rain” was one of the songs he would play early in his career.

“I’ve been playing ‘Early Morning Rain’ since I was 18, and that was over 50 years ago,” he said.

Lambiase will perform the song with other artists on March 24. He will also play “Did She Mention My Name” and “Sundown.” He added the shows allow singers and songwriters of every age an opportunity to collaborate.

“It’s just nice having everybody together, and you don’t often get that kind of a chance where everybody’s in the same room,” Lambiase said. “You get to catch up a little bit, and it generates such a warm feeling. It’s always a wonderful night and hopefully that somehow translates to what the audience is picking up.”

Among those multigenerational artists will be Andrew Fortier and his son and daughter, Cole and Andie. 

Andrew Fortier said it’s been interesting watching his children discover Lightfoot’s work. “They actually bring up stuff that I missed,” he said, adding both have eclectic tastes.

The singer, who has always been a fan of Lightfoot’s work, said digging into an artist’s music catalog for The Sunday Street Series is always a pleasant surprise.

“I’m 60 years old, so I grew up with Gordon Lightfoot in the 70s,” he said. “I’m a total fan, but you become more of a fan when you start backtracking and listening to cuts you’ve never heard before.”

Andrew’s son Cole said this will be the second Sunday Street show he has performed in. The musician said he’s enjoying studying Lightfoot’s music, describing the songs as fluid.

“What I’ve noticed about him particularly is his songs are very strophic, there’s not really any bridges, and they’re played through, which is kind of typical as a more traditional folk sound,” Cole said. “But, what’s interesting is just the long form vibes of these songs that go on and roam for a little while with these amazing lyrical narratives.”

Mary Lamont, who was raised in Canada, will also be among the performers at the Lightfoot event. The lead singer of the Mary Lamont Band said she was familiar with the singer/songwriter when she was younger but grew to appreciate his songwriting and singing more in later years.

The Sunday Street Series shows feature the artists performing two songs each. Lamont, whose husband Jim Marchese and bandmate Rich Lanahan will accompany her on acoustic guitars, said it can be challenging to narrow it down to two tracks when someone has such an extensive catalog. To choose, she listens to the artist’s albums until a song hits her. In this case, she chose two songs, “Cold on the Shoulder” and “Alberta Bound.” In the latter Lightfoot included references to Canada, including Toronto, which is about three hours from where Lamont grew up.

“That was the reason why I picked that song,” she said. “It had so many Canadian references.” She added she feels “every country has its own pride about people.” 

“I feel a certain pride and really a newfound respect for Gordon Lightfoot’s music, too,” Lamont said. “I have to thank Charlie for that.”

Backfish and the performers hope the audience will leave the show with a deeper appreciation of Lightfoot’s music.

“They’re going to hear a lot of songs that they’re not familiar with, and for me, the best thing would be for them to walk away realizing what a career and what a lasting body of work Gordon Lightfoot really left us,” Lambiase said.

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Long Island Celebrates Lightfoot will take place in the Carriage Museum’s Gillespie Room at the Long Island Museum, 1200 Route 25A, Stony Brook on Sunday, March 24 at 5 p.m. and will feature local musicians Gene Casey, Caroline Doctorow, Mick Hargreaves, Ray Lambiase, Mary Lamont with Jim Marchese, Rich Lanahan, Russ Seeger, Hank Stone, Bob Westcott, and Andrew, Cole and Andie Fortier. 

Advance sale tickets are available at www.sundaystreet.org for $25 with tickets at the door, if available, for $30 (cash only).

Student painting in classroom

Join the Long Island Museum, 1200 Route 25A, Stony Brook for a Second Saturdays in the Studio event on March 9 from 12:30 to 2 p.m. This new series welcomes families to drop in one Saturday a month to join LIM educators in the studio and participate in a hands-on activity or art project inspired by exhibitions on view. Other dates include April 13, May 11 and June 8. Free with Museum admission of $15 adults, $10 seniors and children ages 6 to 17. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

By Tara Mae

Perspective and reality merge in imagination, creating art that is tethered to truth and yet unfettered from realism. Finding Hidden Treasures: The Art of Sam Adoquei, a retrospective of the artist’s oil paintings, explores the scope of such interplay.

On view at the Long Island Museum (LIM) in Stony Brook through June 2, the show features 25 oil paintings of various sizes as well as an excerpt of The Unseen Beauty (2012), a film written and directed by Gabriel de Urioste about Adoquei and his work.

The entire exhibit is a milestone for Adoquei. 

“It is the first time in my life to have my large figurative works and small paintings, my traditional pieces and my outdoor oil paintings, my still lifes and my figurative pieces come together in the same room. It is also interesting to see some of my earliest paintings next to some recent canvases,” he said in an email. “Same with technique/approach: there are paintings that were approached with the most careful traditional/classical method while some of the canvases were approached with fun spontaneous innovative spirit.”

Finding Hidden Treasures reveals scenes of certainty and surprise, calmly tranquil or intensely evocative. During a recent guided tour of the exhibit before it goes on view to the public, I was immersed in a world of soothing still lifes, inviting landscapes, and compelling figures. 

For Adoquei, a Ghanaian immigrant who is also a writer and teacher, oil painting is a language through which he communicates, inviting viewers to enmesh themselves in the core of the work and the feelings they invoke. 

“Oils provide that unlimited range of expressing myself: from the leanest and thinnest effects to the thickest layers of impasto pigments,” Adoquei said. 

In many ways, the show is a reflection and meditation on moments in time, both simple and profound. It is an intimate invitation to become acquainted with new characters and reintroduced to uncommon elements of common knowledge.  

“Sam is very ambitious to be taking on some of the subjects he takes on, like these sort of massive scale history paintings. Then there is the sensitivity that he has in his figurative and portrait work, the expressiveness, the fact that you look at the people in the paintings, you feel a connection,” said LIM’s Co-Executive Director Joshua Ruff. 

Such a kinship is formed via a shared visual dialogue between artist and audience. The paintings in this exhibit entice the breadth of human emotion in what they depict and what they evoke. 

“My approach is diverse: traditional, innovative…Creating a painting to me is always communication with the enthusiasts: whether short and poetic, a short essay, or long and epic depends on the subject and what I aim to extract from it,” he added.

Two of the most arrestingly captivating pieces in the exhibit combine narrative tradition with creative interpretation: a 10-foot-wide triptych titled “The Legacy of Martin Luther King Jr. (The Entombment)” which was featured in the New York Times and displayed at the S. Dillon Ripley Center of the Smithsonian Institution in Washington, DC., and “Death of a President (John F. Kennedy).” These history paintings reimagine hauntingly human tragedies with interpersonal, even fantastical, elements.

In these renderings, persons from the artist’s life, as well as Adoquei, appear as bystanders or sympathetic participants. Adoquei frequently includes himself or his associates in his paintings, a practice that adds emotional depth to the works.  

“I love people, I am always inspired by the love of people, and humanistic pursuits are part of sentiments that I try to include in my mission to unveil my vision,” he said.

This generosity and warmth extends to pieces that do not include human figures, like idyllic interpretations of Long Island vistas and other settings. They encourage onlookers to step into them, feel the sand beneath their feet, the breeze as it rustles tall grasses, the sun on their faces, the sound of the sea, the taste of salt in the air. 

Adoquei’s still life paintings are intriguing and alluring, alluding to larger stories of which patrons are only catching a glimpse: two quinces with their stems and leaves attached, lilting sunflowers and daisies in vase, a partially sectioned grapefruit, with what appears to be a thumbprint left on the endocarp. 

“All that I do is inspired by nature, life and living, and the needs of the future. Turning nature and people into beautiful timeless paintings to inspire others inspires me daily,” Adoquei said. “As lives, works, and legacies of great minds took me from oceans and cultures away and offered me the support to create art that hangs on museum walls and in private collections, so do I hope to create meaningful timeless art worthy of inspiring future generations.” 

Versatility of technique underscores the scope and impact of Adoquei’s subject matter. His art contains and honors a multitude of human experiences, including his own journey from Ghanaian art student, to sign and billboard painter in Nigeria, and then working artist, educator, and author in the United States, where he arrived in 1987. 

Adoquei’s paintings welcome patrons to participate in moments fraught and freeing, stunning and serene. Finding Hidden Treasures is an opportunity for artist and art appreciators to enter the field of humanistic imagination.  

“I have never seen this collection of my paintings exhibited together, and knowing they wouldn’t be in the same room together again, I hope art lovers of Long Island will take advantage of the opportunity to come enjoy them at The Long Island Museum,” Adoquei said.

Also on view at the Long Island Museum: 

Painting Partnership: Reynold and Joan Ruffins in the Art Museum from Feb. 8 to June 30

Organized in conjunction with The Power of Two (see next exhibit), this exhibition presents a unique story of love, creativity, and art. Sharing 60 years of marriage and settling in Sag Harbor in 1992, Painting Partnership features close to 25 paintings and sculptures from the remarkable artistic duo, Reynold Dash Ruffins (1930-2021) and Joan B. Young Ruffins (1932-2013). Reynold began making his mark in graphic and advertising design in the 1950s and the 1960s, later working on such publications as The New York Times Magazine, Gourmet, and Essence, and creating award-winning illustrations for children’s books. Meanwhile, as Joan raised the couple’s four children, she created a studio in the family’s St. Albans home, creating art and teaching both children and adults.

The Power of Two: Artist Couples of Long Island in the Art Museum from Feb. 8 to June 30

Experience the dynamic interplay of creativity as The Power of Two: Artist Couple of Long Island exhibition showcases over 50 artworks comparing and contrasting the work produced by 14 artist couples of Long Island. From the 1880s to contemporary couples today, this exhibition provides a captivating insight into the collaborative spirit of artist partnerships.

Colors of Long Island in the History Museum from Feb. 8 to April 7

This year marks the 25th Anniversary of the  Annual Colors of Long Island Student Art Exhibition, a show that affords an opportunity for hundreds of students from across Long Island to display their artwork in a museum setting. Art teachers from public and private schools in grades pre-k through 12th grade were invited to submit up to two pieces of student artwork that capture the essence of the region’s landscapes, history, and cultural diversity through various mediums including watercolor, sculpture, pencil, ink, oil pastel, photographs and computer graphics.

Located at 1200 Route 25A, Stony Brook, the Long Island Museum is open Thursday through Sunday from noon to 5 p.m. Admission is $10 for adults; $7 for seniors (age 62 and older); $5 for students (ages 5-17, and college students with an ID); $3.50 for persons with disabilities (personal care assistants are free); and, free for active and retired military personnel. For more information, call 631-751-0066 or visit www.longislandmuseum.org. 

By Tara Mae 

In celebration of the 27th Annual Charles Dickens Festival in Port Jefferson Village on Dec 2 and 3, the Long Island Museum (LIM) has collaborated with the Greater Port Jefferson Arts Council (GPJAC) to present  Come In! — Come In! And, Know Me Better, Man! at the LIM’s Carriage Museum on Saturday, Nov. 25 and Saturday, Dec. 9, from 2 to 4 p.m. Over a dozen costumed Dickensian characters will roam among antique carriages as they magically transform the galleries into a London of a bygone century. The event is included with museum admission.

“Some of the beloved longtime Dickens Festival characters are venturing further afield from Port Jefferson Village and heading toward the Long Island Museum to spread some joy in the holiday season, and to share with LIM visitors some of the aspects of their life during the middle of the 19th century,” said GPJAC Program Director Amy Tuttle. 

Portraying a number of the author’s archetypes such as those who populate A Christmas Carol and Oliver Twist, they carry the patrons back in time by immersing themselves in their roles. Being surrounded by transportation of yesteryear only enhances the effect. 

“The actors will be wandering around and doing performances as Dickensian characters-situational performances,” explained LIM’s Public Programs Coordinator Emma Backfish. “We have never had something like this, where we have these performers near the actual carriages. It will be interesting to see the actors play off of the different carriages, many of which are tied into that era. And, it will be an unique experience for them.”

“Because the actors are so immersed in their characters, they can not only bring scenes in the Dickens canon to life, they also interact spontaneously with the public. Several of the actors are also very much involved with historical re-enactments, and have appeared in period films,” added Tuttle.

Like the museum itself, the actors are committed to exploring the artistry of enlivening history. Through historical interpretation, a performance art rooted in realism, the actors invite the audience to participate in their play and appreciate history from a more interpersonal perspective. 

“I am excited to see people acting amongst our vehicles. They are bringing the era to life, putting vehicles in motion in people’s minds. Having people there, speaking and acting as they are part of that time, brings them to life in a lot of ways,” Backfish said.

Wardrobes are provided by either the actors or through the estate of Nan Guzzetta, the late proprietress of Antique Costumes and Props by Nan in Port Jefferson. 

These events are the latest act in an ongoing partnership between the GPJAC and LIM. Previously the organizations jointly focused on live musical performances, specifically the Sunday Street Concert Series which is held at the museum’s Gillespie Room. 

“It’s exciting being part of a collaboration which is so unique, enlightening and fun for everyone,” said Tuttle.

The Long Island Museum is located at 1200 Route 25A in Stony Brook. For more information, visit www.longislandmuseum.org.

Image from LIM

Culinary Historian Sarah Lohman returns to the Long Island Museum, 1200 Route 25A, Stony Brook on Sunday, November 12 at noon to talk about endangered American food traditions featured in her latest book, Endangered Eating: America’s Vanishing Foods. Lohman has traveled the country learning about and documenting ingredients at risk of being lost to time, from those who are passionate about keeping those traditions alive.

After her talk, join Sarah in the LIM Visitors Center for an Author Meet & Greet and Book Signing! Copies of the book will be available to purchase on the day of the event.

The event is free with Museum admission. No registration required.

For more information, visit www.longislandmuseum.org.