By Barbara Anne Kirshner
Do you ever think back to your teenage years, to the time you were hanging out at the beach, local candy store or park and you turned around to stare into the eyes of the most gorgeous person you’ve ever seen? That snapshot is lodged somewhere in the deep recesses of your mind, but when you allow it to surface, you get that sweet nostalgia of those “Summer Nights.”
Grease, now rockin’ the rafters at Theatre Three, is that journey down memory lane with 1950’s Pink Lady jackets, Greasers and Greased Lightnin’. It explores the innocence of youth, the pangs of first love and the teenage psyche when everything was a crisis and monumental. This effervescent romp brimming with electrifying familiar songs ignites the audience making it difficult not to jump up, dance and sing along with the spirited ensemble.
The team of Jim Jacobs and Warren Casey wrote the book, music and lyrics with the original concept derived from Jacobs’ personal experiences at William Taft High School in Chicago. The name was changed to Rydell High in deference to the pop 50’s singer Bobby Rydell. Grease was first produced at the Kingston-Mines Theatre Company, Chicago in 1971, then went to Off-Broadway before moving to Broadway closing on April 13, 1980. The show received seven Tony Nominations in 1972.
This story of teenage love centers around greaser Danny Zuko and innocent Sandy Dumbrowski who have a summer romance that ends as the new school year begins. To the surprise of both, they bump into each other on the first day of school. But this reunion is awkward at first. Danny, leader of a greaser gang, is not what Sandy thought he was and Danny doesn’t want his gang to know he fell for this prim girl. Supported by a cast of exuberant characters and bursting with hits, this show has continued to delight audiences for decades.
The success of the 1978 movie version launched John Travolta and Olivia Newton-John into movie history and their performances are etched in our brains making it a monumental task for other actors to compare, but Jon Sawyer Coffin as Danny and Jenna Kavaler as Sandy are charismatic. The moment Coffin struts down the aisle in his seductive first entrance, he has the audience eating out of his hands. Kavaler, with her sweet smile, emits wholesomeness and her floating soprano wraps Hopelessly Devoted to You with emotion. We are with this Sandy right from the start and cheer for her and Danny to get together.
Director Jeffrey Sanzel has assembled a dazzling ensemble of supporting characters with Pink Ladies, Rizzo (Rachel Greenblatt), Jan (Alanna Rose Henriquez), Marty (Heidi Jaye) and Frenchie (Michelle LaBozzetta). They are the cool girls hanging out with the super cool Burger Palace Boys, Kenickie (Steven Uihlein), Doody (C.J. Russo), Roger (Eric J. Hughes) and Sonny (Darren Clayton). This powerhouse company attacks the rock and roll score with vigorous dancing and stunning voices.
There are many stand out performances. Greenblatt’s Rizzo is dynamic as she grasps the audience with her cynical teasing of Sandy in Look at Me, I’m Sandra Dee, then exposes her vulnerable side with There Are Worse Things I Could Do. Jaye’s Marty portrays sophistication beyond her years and her Freddie My Love is such fun. LaBozzetta’s bubble-headed Frenchie flunks out of beauty school, but finds guidance from her Teen Angel played with animated elan by Londel Collier. The not so cool Jan (Henriquez) teams up with the jokester Roger (Hughes) for a comical Mooning. And, of course, we can’t have Grease without a hot rod, so suddenly taking center stage is Kenicke’s dream car replete with big round headlights prompting the Burger Palace Boys into a lively Greased Lightnin’.
Costumes by Ronald Green III from Pink Lady jackets to black leather jackets mirror the personalities of the characters. Sandy is wrapped in white cardigan over pastel full skirt as opposed to Rizzo’s tight-fitting reds and blacks. The dream sequence of Beauty School Drop Out is a delight with silver curlers piled on the girls’ heads and the entire company swathed in silver beauty parlor capes.
Nicole Bianco’s choreography is bouncy and artistic with many dance routines ending in gorgeous tableaus. Born to Hand-Jive with its synchronized sequences is frenetic.
The multi-level set design by Randall Parsons allows action to flow seamlessly. Lighting design by Robert W. Henderson, Jr. sets the mood from bright to sultry and provides flawless continuity.
Music director, Jeffrey Hoffman, and his four-piece band underscores the fun with their sparkling orchestration. A standout is Bill Kinslow’s sexy saxophone in There Are Worse Things I Can Do.
Theatre Three is celebrating its 51st season of bringing fine entertainment to Long Island audiences by kicking off the festivities with the world’s most popular musical, Grease. Come join in the fun!
Theatre Three, 412 Main St., Port Jefferson presents Grease through Oct. 30. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For COVID protocols, please visit the website at www.theatrethree.com. For more information, call 631-928-9100.
All photos by Brian Hoerger/Theatre Three Productions, Inc.
Forced to live alone in a tower with nothing but her hair and her witch (literally) of a “mother”, Rapunzel’s sixteenth birthday has come – meaning she’ll be able to see the outside world for the first time, just as her “mother” promised. Scared to let her go, though, the witch reneges. Lucky for Rapunzel a young prince, named Brian, happens across her tower and calls out her as he’s seen the witch do: “Rapunzel! Rapunzel! Let down your hair!” Before the Prince and Rapunzel have their inevitable “happily ever after,” though, they’re going to have to face the wrath of the witch and few other hilarious obstacles.
Join the Smithtown Center for the Performing Arts for a musical production of Mo Willems’ Don’t Let the Pigeon Drive the Bus! on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown on various dates from Aug. 28 to Sept. 17.
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