Theater

A scene from 'Finding Nemo' Jr. at SPAC. Photo by Jackie St. Louis

Just in time for spring break, the Smithtown Performing Arts Center, 2 E. Main St., Smithtown presents Finding Nemo Jr. through Saturday, April 8.

Marlin, an anxious and over-protective clownfish, lives in the Great Barrier Reef with his kid Nemo, who longs to explore the world beyond their anemone home. Featuring memorable songs such as “Just Keep Swimming,” “Fish Are Friends Not Food,” and “Go With the Flow,” Finding Nemo Jr. brings a vibrant underwater world to life on stage in a story full of family, friendship, and adventure.

Final performances are on April 6 and 7 at 1 p.m. and April 8 at 10:30 a.m. and again at 2 p.m. All seats are $25. To order, call 800-595-4849 or visit www.smithtownpac.org.

Photo courtesy of Theatre Three

Theatre Three, 412 Main St., Port Jefferson kicks off spring with The Adventures of Peter Rabbit from April 5 to 29 with a sensory sensitive performance on April 16 at 11 a.m. Join Peter, Flopsy, Mopsy, Cotton-Tail, Mrs. Rabbit, Benjamin Bunny and the McGregors in this delightful adaption suggested by the characters created by Beatrix Potter, a Theatre Three tradition for spring break. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Robert E. Hansen

Save the date! Psychic medium, author and lecturer Robert E. Hansen returns to Theatre Three, 412 Main St., Port Jefferson on Friday, March 31 at 7 p.m. Join Hansen as he takes you on a journey through the other side of the veil. Messages of love will be randomly demonstrated to the audience. Tickets are $35 per person. To order, call 631-928-9100 or visit www.theatrethree.com.

Tony Award-nominated Broadway actor/director Terrence Mann attended the opening night of The Scarlet Pimpernel at the John W. Engeman Theater on March 18.

Mann originated the role of Chauvelin in The Scarlet Pimpernel on Broadway in 1997 and originated the role of the Beast in the Broadway production of Beauty and the Beast for which he earned Tony, Drama Desk, and Outer Critics Circle nominations for best actor for his performance. 

Mann also portrayed Javert in the original Broadway company of Les Miserables as well as The Rum Tum Tugger in the original Broadway company of Cats. Highlighting Mann’s other Broadway stage credits include Lennon, The Rocky Horror Picture Show, Getting Away with Murder, Rags, Barnum, Jerome Robbins’ Broadway, Pippin, The Addams Family, Finding Neverland, and Tuck Everlasting.

When Mann took the open mic during bows he exclaimed, “I think I have walked into magic land because it only takes three things — the music, a cast like this, and the audience.” He later added, “Good theater is communication. And great theater is communion. And tonight, you all have just created great communion!” He then joined the cast in singing the final reprise of “Into the Fire.”

“We are honored that Terry Mann — the original Chauvelin from the Broadway production — was able to join us for opening night of The Scarlet Pimpernel. To have a true Broadway legend attend the performance, address our audience, and join the cast for the final number onstage made for a night that none of us will forget,” said Richard Dolce, co-owner of the John W. Engeman Theater. The show runs through April 30. 

By Julianne Mosher

The opening night performance of The Scarlet Pimpernel at the John W. Engeman Theater in Northport had the entire audience ready to fight the French and head “into the fire” with the cast from the moment the curtain opened. 

The swashbuckling adventure follows Percy Blakeney, a proper English gentleman, who takes on a dashing double identity as The Scarlet Pimpernel to save French citizens from the blood-thirsty guillotine. The Pimpernel’s exploits soon become the talk of Paris and the fanatical Agent Chauvelin will stop at nothing to catch the Pimpernel and cut off his head. 

First published as a novel in a series of historical fiction by Baroness Orczy, The Scarlet Pimpernel has seen many different lives in both film and plays. Now, 118 years later, this musical version is full of color, excellent accents, a fantastical set design and an incredible ensemble that does not disappoint.

The production begins with large scarlet pimpernel flowers hanging across the stage. Throughout the play, they become part of the set used as background pieces in indoor and outdoor scenes. The actors are responsible for moving the flowers around in between set changes, as they are wheeled from the ceiling to and from the curtain. But along with the pimpernels being part of the show, each scene has a set to help tell the story.

One would think that with a score written by Frank Wildhorn (who wrote the music for Jekyll & Hyde) and a setting similar to Les Misérables that The Scarlet Pimpernel would be a dark historical fiction of the trying times of the French Revolution. While some of the play has dark undertones, the animated expressions and coy one-liners from almost everyone in the cast makes it a show that you must go see. 

Directed and choreographed by Paul Stancato, the ensemble features a roster of experienced, talented artists who took on a show that was definitely not your average song and dance. Half the cast, for example, had to master a British accent, while the other half had to make the audience believe they were French — mostly sung, no less. 

Starring Christopher Behmke as the title character, Nate Hackmann as Chauvelin and Arianne Davidow as Marguerite St. Just, the emotion and dedication of each actor shined bright on stage. During the happier scenes, the audience felt it and during the more somber times, the audience could see the tears filling up in the stars’ eyes.

The supporting cast makes the play, as well. Everyone had a special role in the show and none were forgettable. However, specific fan favorites of the night were Percy’s group of friends — equivalent to a college frat, they support and join Percy back and forth to France to take down the revolutionists. Showing the power of friendship, they also bring a lot of laughs to their scenes with their silly demeanors, and (pretty awesome) sword fighting. 

Each character, whether it was Marguerite or the Prince of Wales (yes, he makes an appearance, too), has a distinct look with colorful, vibrant and time period costumes that change in nearly every scene. The crew definitely dressed everyone to impress from head to toe. 

Terrence Mann, who played Chauvelin in the 1997 original Broadway production of the show, joined the cast on stage after the final bow.

“This was amazing,” he told the audience. “I haven’t seen this play since I did it. I just remember sitting in my dressing room when I wasn’t on stage and seeing it now saying to myself, ‘Oh! That’s what happened!’ and they did it really well.” Mann added that while sitting in the audience, himself, he heard his neighbors gasp, yell and “yay” with almost every movement. 

“I think it just keeps getting better,” he said. “There are two things that happen in theater — music and the story, and this is a great story with phenomenal music. It transports everybody.”

The only thing missing from the show? More dates to see it. You’ll want to go back after the first night.

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The John W. Engeman Theater, 250 Main St., Northport presents The Scarlet Pimpernel through April 30. Main stage theater continues with The Sound of Music from May 18 to July 2, and Jimmy Buffet’s Escape to Margaritaville from July 13 to Aug. 27. Tickets range from $80 to $85 with free valet parking. The Engeman also offers children’s theater and a special event series with live concerts and comedy nights. To order, call 631-261-2900 or visit www.engemantheater.com.

From left, George Eli, Stefan Pallotta and Brooke Morabito star in 'Tape' at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media

By Julianne Mosher

The stage at Suffolk County Community College’s Ammerman Campus in Selden transforms this week into a basic motel room set in Lansing, Michigan. 

From the moment the lights dim, we are brought back to the glory days of three friends from high school who haven’t seen each other in a decade. But instead of a happy reunion, things turn dark, secrets are spilled, and the plot thickens with a conversation that is just as important now as it was nearly 25 years ago – sexual assault. 

Tape is a 1999 play written by Stephen Belber, first produced at the Actors Theatre of Louisville as part of the 2000 Humana Festival of New American Plays. In 2001, it became a film, starring Ethan Hawke, Robert Sean Leonard and Uma Thurman. 

From left, George Eli, Brooke Morabito and Stefan Pallotta star in ‘Tape’ at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media

Directed by Steven Lantz-Gefroh, the three-character ensemble piece is set within the confines of a tawdry motor lodge in Michigan. After 10 years apart, three former friends (and lovers) come together to play out the unresolved drama of their final days in high school. 

Intrigued, the audience watches through the one-act play as layers of denial are slowly peeled away. Suspense builds as each character is provoked into revealing his or her true nature and motivation — full of plot twists. Mesmerized, we are drawn into their lives as they choose which cards to play and which cards to hold.

Starring SCCC students Stefan Pallotta (as Vince, a drug dealing volunteer firefighter), George Eli (as Jon, a filmmaker who is the reason the former friends are in the same room), and Brooke Morabito (Amy, the girl in the middle and a local assistant district attorney), the three on stage together collaborate so well that watchers can see, and feel, the emotion in front of them. 

Pallotta’s quick witted responses (and stellar dance moves) show promise for his future — he’s graduating this upcoming semester to study acting. The audience deeply empathizes with Morabito, who plays a victim of assault, as she performs her tale of that night and how she overcame it so well that viewers are left speechless. As a graduating senior, as well, she too has a bright future ahead. 

Eli’s performance of antagonist of the story is so impressive, it’s hard to dislike his character. This performance of Tape is so good, you’ll forget that you’re sitting inside a college theater.

Lantz-Gefroh said that although the play was written almost three decades ago, the topic is still important today — and that is why people should come see it this weekend.

“We have come no distance with this subject matter in over 30 years,” he said. “[This show] helps people realize the mistakes they’ve made in their lives that they need to fix — if they can.”

Morabito said that playing Amy was a cathartic experience for herself.

“Amy is the character that speaks for all the victims of sexual assault who get to see this play and she enacts revenge,” she explained. “She gets to close the door on what happened that night and what happened in the motel room, and leave it all behind.”

Eli added he was grateful to perform alongside Pallotta and Morabito for an important cause.

Tape spreads a lot of awareness and shows us that anyone can be a victim or anyone can be an aggressor,” he said. 

Tape continues on March 16, 17 and 18 at 7:30 p.m., and March 19 at 2 p.m. at Theatre 119 in the Islip Arts Building at the Suffolk County Community College’s Ammerman Campus, 533 College Road, Selden. Rated R for mature content. 

Theater continues at SCCC Selden with William Shakespeare’s A Comedy of Errors from April 13 to 23.

General admission is $14, veterans and students 16 years of age or younger is $10. Suffolk students with a current ID receive one free ticket. For tickets, call 631-451-4163.

Julianne Mosher is an adjunct professor at Suffolk County Community College and a 2013 graduate of the school.

By Heidi Sutton

Fans of the classic movie The Wizard of Oz will fall in love with Theatre Three’s current children’s production, Dorothy’s Adventures in Oz. Adapted from the stories of L. Frank Baum, the show, written by Jeffrey Sanzel and Douglas J. Quattrock, features an original score, a clever script, and wonderful cast — Samantha Fierro, Danielle Pafundi, Steven Uihlein, Sean Amato, C.J. Russo, Louisa Bikowski, Stephanie Moreau, Liam Marsigliano and Kaitlyn Jehle with a special appearance by Shay Francis Feldman — who bring this magical story to life. 

Dorothy Gale, chief editor of her high school newspaper, the Baum Bugle, is busy putting the paper to bed when a fierce storm blows in and knocks her to the ground. When she wakes up, she finds herself in Munchkinland.  Her news stand has landed on the Wicked Witch of the East causing her demise, much to the delight of the Munchkins. 

When the scary Wicked Witch of the West shows up, Dorothy is protected by Glinda the Good Witch who gives her those famous ruby slippers and sends her down the Yellow Brick Road to the Emerald City to find the Wizard of Oz who can help her get home. Along her journey, Dorothy meets a Scarecrow who wants a brain, a Tinman who yearns for a heart, and a Lion who longs for courage. The three join her on her quest and the adventure begins.

Directed by Jeffrey Sanzel, all of the iconic scenes are here, from the talking apple trees, the enchanted poppies, to meeting the Wizard in the Emerald City, the flying monkeys, the Witch’s castle, the Winkies and the melting scene (what a world!). A nice touch is the flawless scene changes — each time Dorothy meets a new friend, they walk through the aisles of the theater (the yellow brick road) as the next scene is set up. The costumes by Jason Allyn are just perfect and the special effects are top notch. And did I mention there is a special surprise with four legs and a tail? 

In the end, the show reminds us to be true to our hearts and that there truly is no place like home. Don’t miss this one. Stop by the lobby on your way out for a group photo with the cast.

Theatre Three, 412 Main St., Port Jefferson presents Dorothy’s Adventures in Oz through March 18. Running time is 1 hour and 20 minutes with one intermission. Children’s theater continues with The Adventures of Peter Rabbit from April 5 to 29 and Cinderella from May 27 to June 17. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

By Julianne Mosher

For 24 years, Theatre Three’s “Festival of One-Act Plays” has been bringing new voices to the not only Port Jefferson, but to all of Long Island. 

Festival founder and director Jeffrey Sanzel told the audience on opening night that the festival, which is nearing a quarter-of-a-century next year, received 750 submissions for the 2023 season from all around the world. “I’m expecting 1,000 next year,” he said.  

And of those 750 submissions, eight were selected, directed, rehearsed and will now be performed through March 25. Of those eight, none disappoint. 

For an hour-and-a-half, the audience sits quietly, engaged, watching, listening to what the actors have to say. And the lineup is unique — as a viewer, you don’t really know what to expect coming in.

The festival starts off with “Down to the Wire,” written by Julia Everitt, a New York City-based playwright with 37 stage plays to her name. This piece shows us what goes on inside a college dormitory, when a roommate played by Danielle Pafundi is hilariously losing her mind thanks to procrastinating an assignment. And despite what you might think, the play is not about camels. 

Then comes “A Citrus Day,” by Mark Cofta, a Pennsylvania-based playwright, who sadly passed away last July. With a minimalist set of just a bus bench and a suitcase, the audience watches two strangers together unearth a dark family secret. While sad and thought-provoking, it reminds you that you just need to make lemonade when life gives us lemons. Performances by Melissa Norman and Tristan Prin are top notch.

Following the more-somber bus stop story is Leslie Dianne’s “Accepting Adina.” Father Steve Ayle and son Steven Uihlein sit side-by-side in the patriarch’s living room, packing away mementos. Together they talk about the mother, Rebecca, and how her illness and assisted living stay is impacting them both. “Accepting Adina” is a tough look at grief, but Ayle’s and Uihlein’s performances are so raw that you feel the sadness, but also the hope of the future, we all feel when a loved one is lost. Tissues are required for this one. 

The best performance of the night by far was by Phyllis March in “The Dating Pool.” The scene opens up with Phyllis, 61, standing at a diving board in a dark pool. She’s visited by her 16-year-old self (Ava Andrejko), then herself at 23 (Samantha Fierro), 36 (Brittany Lacey) and 49 (Tamralyn Dorsa), where present day 61 is reminded of her lost loves of each of those lovers impacted her in that moment. The scene ends with her four former selves encouraging her to take the plunge. “The Dating Pool,” written by Arianna Rose is a thoughtful piece, and full of laughs, that can relate to any age in the audience. 

After a brief intermission, we’re inside an airport with Keith Whalen’s “Unclaimed Baggage” — a hysterically funny look at coming back to the real world after a relaxing trip. Not only does Marvin (but shhh… don’t tell the clerk his name), played by Angelo Dibiase, have to pick up his suitcase and some medicine after a long plane ride, but he has a special encounter with Finn, played by Jason Furnari, who just wants to help. 

Another audience favorite was Larry Brenner’s hilarious supernatural dating story “First Bite.” Here we learn about Wanda’s (Brittany Lacey) past dating history — and let’s just say she has a type — while out to dinner with John (Evan Teich). The scene starts out with a normal looking couple enjoying drinks and each other’s company, until Wanda asks John her place or his? You’re going to laugh a lot, but make sure you leave your garlic at home.

And finally, Mark Loewenstern’s “The Slightly Exaggerated True Story of ‘Civic Virtue’” concludes the show with a fascinating exploration of the intersection of the public eye and the power of art. Based loosely on the famous statue and fountain that once stood in front of New York City Hall in Manhattan, we watch a fast-paced history of architect MacMonnies’ (incredibly played by Antoine Jones) thought process behind sculpting the nude man and two sirens. 

We go through nearly two centuries of the public’s opinion on it, how it moves, and have visits from some well-known elected officials including Mayor La Guardia, Anthony Weiner and Robert Moses. Not only is it a brief, inside look of a famous piece of art, but it reminds the audience how statues (no matter how sexist, racist or now-deemed inappropriate they may be) are still a part of our history. While you’ll learn from this one, you’re also going to laugh. 

Tickets are $20 for the show, plus there’s a cash bar as you walk in. Make sure you visit Theatre Three’s second stage at The Ronald F. Peierls Theatre in Port Jefferson this month for a great night out. You’ll laugh, you’ll cry and you might learn a fact or two about “Civic Virtue” for your next trivia night.

Theatre Three is located at 412 Main St., Port Jefferson. For more information, or to order tickets, call 631-928-9100 or visit www.theatrethree.com.

Hear ye, hear ye! Looking for something cool to do during winter break? The Smithtown Performing Arts Center, 2 E. Main St., Smithtown will host a A Royal Princess Party: A Villainous Tale of Magic on and Feb. 24 at 1 p.m. and Feb. 25 and Feb. 26 at 2 p.m. The princesses return to the Royal Kingdom of Smithtown to get together and explore some magical artifacts. Princesses, princes, and royal families of all ages are welcome to attend but must be with an adult at all times. Special surprises and magical touches make this show a royal treat! Tickets are $16 per person. To order, call 800-595-4849 or visit www.smithtownpac.org.

The cast of 'Side By Side By Sondheim'. Photo by Steven Uihlein/Theatre Three Productions, Inc.

By Rita J. Egan

The cast and crew at Theatre Three have once again created an entertaining production of music and laughs with Side by Side by Sondheim. The show debuted on the Port Jefferson stage Feb. 18. 

Countless songs throughout the decades have been loved for generations, and Broadway tunes are no exception. The late composer and lyricist Stephen Sondheim is among the talents who created those gems, and Side by Side by Sondheim is a testament to his immense talent by celebrating his earlier works.

From left, Linda May and Emily Gates in the duet ‘If Momma Was Married’ from Gypsy.

The production featuring music and lyrics by Sondheim as well as music by Leonard Bernstein, Mary Rodgers, Richard Rodgers and Jule Styne debuted in London in 1976 and on Broadway in 1977. The musical revue may leave some in the audience wanting to know more about Sondheim, as he composed so much more after the late 1970s. Despite this factor, it’s the perfect starting point to enjoy his contributions to the arts.

In Theatre Three’s version, director Christine Boehm has expertly directed a cast of five, and conductor Jeffrey Hoffman, on piano, leads bassist Logan Friedman and percussionist Don Larsen seamlessly from one number to another. The three are visible on stage the entire show and, a few times, join in on the jokes with the actors.

Emily Gates, Linda May, Ryan Nolin and Jack Seabury are the main vocalists in the production and have wonderful chemistry together. All four deliver strong performances whether singing as a quartet, trio, duo or solo.

Ana McCasland serves as narrator to fill in the audience on some of the backstories of Sondheim’s songs and his life, including how he met Leonard Bernstein, providing an interesting glimpse into musical history for Broadway enthusiasts.

May shines during “Send in the Clowns” from A Little Night Music, and then just as easily makes everyone laugh during a silly number called “The Boy From,” a song featured in Sondheim’s off-Broadway revue The Mad Show.

Jack Seabury and Ryan Nolin perform ‘We’re Gonna Be All Right’ from Do I Hear a Waltz.

Gates belts out a “Losing My Mind” from Follies so beautifully and perfectly that it’s the tearjerker it’s meant to be. She and May on “A Boy Like That/I Have a Love” capture all the anger, sorrow and tenderness that Maria and Anita felt after Bernardo’s death in West Side Story.

Seabury sings a touching “Anyone Can Whistle” from the musical of the same name, and Nolin delivers a strong “Being Alive” from Company. Nolin also is a delightful surprise during “You Gotta Get a Gimmick,” a favorite tune from Gypsy. Seabury and Nolin are also priceless singing the duet “We’re Gonna Be All Right” from Do I Hear a Waltz. The song was originally written for a woman and man singing about their relationship, but the singers are wonderful in embracing the updated spin on the song.

McCasland is a charming narrator and has her chance to sing during “I Never Do Anything Twice,” featured in the movie The Seven-Per-Cent Solution. Not only did she shine, she also had fun with the song, garnering laughter from the audience as she performed the tune to the hilt.

Subtle choreography and simple, colorful blocks of light on stage rounded out the show beautifully. Theatre Three has produced a lighthearted Side by Side by Sondheim, which is a breath of fresh air. The Cabaret-style revue is perfect for ending a special night or taking in some musical history.

Theatre Three, 412 Main St., Port Jefferson presents Side By Side By Sondheim through March 18. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12 (under 5 not permitted), $20 Wednesday matinees. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Steven Uihlein/Theatre Three Productions, Inc.