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Clockwise from back row left, Ginger Dalton, Stephanie Moreau, Christine N. Boehm, Marci Bing, Linda May and Michelle LaBozzetta. Photo by Steven Uihlein/Theatre Three Productions, Inc.

By Tara Mae

“Laughter through tears is my favorite emotion.”

This famous line from Robert Harling’s Steel Magnolias embodies the ethos of the comedy-drama, which is Theatre Three’s next Mainstage production, opening on April 9.

Spanning three years in the lives of a group of Southern women, the play explores how the depth of their bonds sustain them through triumphs and tragedies. Harling wrote the play in 1985 as a way of processing his sister’s death and paying homage to the women from his childhood. It was later adapted into an award-winning film starring Sally Field, Julia Roberts, Shirley MacLaine, Dolly Parton, Olympia Dukakis and Daryl Hannah.

Unlike the film version, the play exists strictly in the world of women, featuring female characters with the male characters only referenced through dialogue. 

“Working with an all-female cast was absolutely wonderful, and we all talked about how we connected to material both as mothers and daughters. I love that in this show every single person is integral to the play, and it really celebrates the strengths of these women and the beauty of their souls and personalities,” said director Mary Powers. 

Starring Stephanie Moreau (Truvy), Christine N. Boehm (Annelle), Marci Bing (Clairee), Michelle LaBozzetta (Shelby), Linda May (M’Lynn), and Ginger Dalton (Ouiser), Steel Magnolias is a personal favorite of Artistic Director Jeffrey Sanzel, who first saw the play when it debuted off-Broadway in 1987.

“I believe it is an absolutely perfect play. Very few plays are as well constructed as Steel Magnolias. It is one of the top ten theater experiences of my life. I do not think there is one moment that is false or one moment that does not work. This is the second time we have done it…and we felt it was time to bring it back for our 50th season,” Sanzel said. 

Unfortunately, the 50th anniversary season (2019-2020), designed to showcase some of the of the theater’s most revered productions, was cut short due to the pandemic lockdown.  The cast was completing the rehearsal process and preparing to open the show when the world around it abruptly shut down, and  the show was postponed. After a two-year delay, rehearsals resumed in February of 2022.

“We were very committed to the project. We thoroughly enjoyed the rehearsal process the first time around and were all very invested in coming back, which everyone did,” Powers said. “We kept our schedules clear for that time. It was like riding a bike; one rehearsal and we were back to where we had been with the exact same casting, exact same roles. Nothing changed at all. We all had our scripts and got to work. We get along so well, and the cast and crew are a delight to work with.” 

Interpersonal, emotional connections onstage are reflected in the dynamic between the actresses, who also kept in touch with Powers and Sanzel during the hiatus. 

“One of the best feelings I’ve had thus far was at our read through this year. Finally being together again, hearing everyone’s voices, laughing and crying as we read was such a unique experience and I’ll cherish it forever,” said LaBozzetta. 

The dedication to the material, its message, and each other are highlights of the process, according to Bing, who played the role of M’Lynn in Theatre Three’s production in the 1990s. “We have a strong connection onstage as well as offstage. I love the whole group, which makes it easy to connect,” she said. 

For LaBozzetta, after the interrupted pre-production process, opening the show is a relief. “I am most looking forward to finally having an audience! We’ve been having so much fun in rehearsals and I just cannot wait to share what we’ve created.”

Theatre Three, 412 Main Street, Port Jefferson presents Steel Magnolias from April 7 to May 9. Tickets are $35 adults, $28 seniors and students, $20 for children ages 5 and up. For more information, call 631-928-9100 or visit www.theatrethree.com.

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The cast of 'Madagascar: A Musical Adventure' Photo by Christine Carrion/John W. Engeman Theater
TIME TO GO TO THE WILD! Catch a performance of 'Madagascar: A Musical Adventure' at the John W. Engeman Theater in Northport for Spring Break. Photo by Christine Carrion.Engeman Theater
A scene from 'Madagascar: A Musical Adventure' at the Engeman
A scene from 'Madagascar: A Musical Adventure' at the Engeman
A scene from 'Madagascar: A Musical Adventure' at the Engeman
A scene from 'Madagascar: A Musical Adventure' at the Engeman
A scene from 'Madagascar: A Musical Adventure' at the Engeman
A scene from 'Madagascar: A Musical Adventure' at the Engeman
A scene from 'Madagascar: A Musical Adventure' at the Engeman
A scene from 'Madagascar: A Musical Adventure' at the Engeman

By Heidi Sutton

Ladies and gentleman — it’s showtime! Dreamworks’ Madagascar: A Musical Adventure is back at the Engeman Theater in Northport in all its glory through May 8. Based on the much-loved 2015 animated comedy by the same name, the show follows the adventures of four best friends from New York’s Central Park Zoo — Alex the Lion, Marty the Zebra, Gloria the Hippo and Melman the Giraffe.

It’s Marty’s 10th birthday and his friends throw him a surprise party. When it’s time to blow out the candles, the zebra’s only wish is to go to the wild. After the party he bumps into a bunch of plotting penguins who also want to escape from the zoo and go to Antarctica and Marty follows them to Grand Central Station. 

Discovering that their friend has gone, Alex, Melman and Gloria go after him but they and the penguins are soon recaptured by the zookeepers, tranquilized, and placed in crates en route to Kenya. On the boat the penguins escape their crate, take control of the ship and cause the crates to fall overboard and wash up on the shores of Madagascar. 

There they meet the illustrious King Julien, self-proclaimed Lord of the Ring-Tailed Lemurs, and his adviser, Maurice who see Alex as their new protector from the bloodthirsty foosa “who are always bothering us and ripping our limbs off.” 

While the three vegetarians enjoy the lemur’s daily diet of seaweed on a stick, Alex the carnivore starts to get hungry for his favorite food, steak, and begins to look at his best friends in a new light. Will the four friends be rescued in time or will someone end up on Alex’s dinner plate?

Directed by Andrew McCluskey, the show is funny, fast-paced and wildly engaging. All of the actors are excellent with special mention to the scene-stealing Jae Hughes as the narcissistic King Julien. The songs, including “Wild and Free,” “Relax, Be Cool, Chill Out,” are terrific as well. Choreographed by Jillian Sharpe, the big musical numbers — “Steak,“ “Living in Paradise,” and the iconic “I Like to Move It” —  bring the audience to their feet.

Utilizing the set from the theater’s current Main Stage production “A Bronx Tale,” the stage comes alive through the use of lighting, sound effects (like Alex’s roar and the ship’s horn), props and costumes. The standing ovation at the end of last Saturday’s performance was well-deserved. Don’t miss this one.

The John W. Engeman Theater, 250 Main St. Northport presents Madagascar: A Musical Adventure on Saturdays at 11 a.m. and Sundays at 10:30 a.m. through May 8 (no show on April 17) with special spring break performances on April 21 and 22 at 11 a.m. All seats are $20. To order, call 631-261-2900 or visit www.engemantheater.com.

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A scene from 'A Bronx Tale.' Photo courtesy of Engeman Theater
A scene from 'A Bronx Tale.' Photo courtesy of Engeman Theater
A scene from 'A Bronx Tale.' Photo courtesy of Engeman Theater
A scene from 'A Bronx Tale.' Photo courtesy of Engeman Theater
A scene from 'A Bronx Tale.' Photo courtesy of Engeman Theater
A scene from 'A Bronx Tale.' Photo courtesy of Engeman Theater
A scene from 'A Bronx Tale.' Photo courtesy of Engeman Theater
A scene from 'A Bronx Tale.' Photo courtesy of Engeman Theater
A scene from 'A Bronx Tale.' Photo courtesy of Engeman Theater

Sonny and my father always said 

that when I get older I would understand.

Well, I finally did.

I learned something from these two men.

I learned to give love and get love unconditionally.

And I learned the saddest thing in life is wasted talent

And the choices that you make will shape your life forever.

But you can ask anybody from my neighborhood

And they will tell you,

This is just another 

Bronx Tale.

(Calogero’s quote)

By Barbara Anne Kirshner

The John W. Engeman Theater in Northport captivates once again and this time it’s with the gritty, heartfelt, edge of your seat excitement of A Bronx Tale: The Musical. The show opened on March 24.

From the moment you enter the theatre, you are immersed in the Italian flavor of the show from the red/white checkered cloths decorating tables, to the delectable cannoli, to the Sinatra style crooner in the lounge.

A Bronx Tale is a coming-of-age musical told from the perspective of an Italian American young man, Calogero, growing up on the mean streets of 1960s Bronx. The gangsters in the neighborhood fascinate him. As a nine-year-old boy, he witnesses Sonny, the mob boss, brutally shoot a man for assaulting his friend, but when the police question the child, he doesn’t snitch. Impressed, Sonny takes young Calogero under his wing, gives him the nickname “C,” introduces him to his gang and offers him odd jobs around his bar. 

Fast forward eight years; all this time C has been working for Sonny and hiding it from his father. He has developed the reputation as Sonny’s sidekick thus gaining respect from all the other mobsters. At school, C meets a Black girl, Jane, and they are instantly attracted though they know it is forbidden by both their neighborhoods. They plan a date anyway amidst mounting racial tensions which culminate in a climactic clash.

Centered around respect, loyalty, love and family, A Bronx Tale took on many forms before it was adapted into the musical version. Chazz Palminteri wrote the one man play version in 1989 as an acting vehicle for himself. It is semi-autobiographical, based on his 1960’s childhood in the Bronx. The play premiered in Los Angeles (1989) before moving to Off-Broadway. Robert DeNiro saw the play in Los Angeles (1990) and resolved to turn it into a movie. DeNiro and Palminteri teamed up to make the 1993 film. This was DeNiro’s directorial debut and the two wrote the screenplay. DeNiro played Lorenzo, the father, with Palminteri taking on the role of Sonny, the mob boss.

From October 25, 2007, through February 24, 2008, Palminteri performed his one man show on Broadway at the Walter Kerr Theatre under the direction of Jerry Zaks. Next came the musical with book by Palminteri, music by Alan Menken, lyrics by Glenn Slater and co-directed by DeNiro and Zaks. It opened on Broadway December 1, 2016, and closed on August 5, 2018. Of special note, the role of Jane was played by this year’s supporting actress Oscar winner, Ariana DeBose.

The Engeman production is breathtaking in every way. Kyle Dixon’s set impresses starting as Belmont Avenue with abstract tenements, fire escapes, a prominent stoop and streetlight where a chorus of doowop opens the show and then seamlessly transforms into various locations. Lighting by John Burkland washes the set in pale red tones, a metaphor for the crime-ridden streets, then brightens for lighter moments.

Calogero is played to perfection by Mike Cefalo whose soulful eyes, ready smile and rich vocals invites the audience into his world. His counterpart, the nine-year- old Calogero played by Michael Deaner, is adorable, but with a street wise edge, not an easy task for a kid to play. Deaner infuses so much joy into his songs it is infectious.

The voice of reason, Lorenzo (Charlie Marcus), exudes fervor fighting for his son’s soul with lines like, “If you get lost, look to me, I’m here for you.” Shaina Vencel (Rosina) makes us feel the motherly love and devotion she has for her son. Mike Keller’s mobster Sonny is charming and generous but dangerous if you cross him. He genuinely cares about Calogero and teaches him lessons he learned from the streets. “Make them fear you, not love you,” is his mantra. Mackenzie Meadows as Jane is radiant with a stunning voice. It is easy to see how C could fall for her. Sonny tells C that you only get Three Great Ones in your life and Meadows makes us believe she is one of them.

Director/choreographer Paul Stancato has assembled a stellar cast that hits all the emotional tones this show requires. His choreography is energetic with spectacular high kicks and passionate. Dustin Cross’ costumes are 60s nostalgia with tight fitting pedal pushers, midriff tops, black leather jackets and all those gangster suits. Music director Benjamin Stayner and his band glide through this tuneful score with its doowop, Motown and Broadway style ballads.

The Engeman delivers high powered professionalism on all cylinders with A Bronx Tale: The Musical. The show runs through May 8.

The John E. Engeman Theater is located at 250 Main Street in Northport. To order tickets, call 631-261-2900 or visit www.engemantheater.com.

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Chazz Palminteri. Photo by Barbara Anne Kirshner
Chazz and Gianna Palminteri with the staff at the Engeman. Photo courtesy of Engeman Theater
Chazz Palminteri. Photo courtesy of Engeman Theater
Chazz Palminteri with the cast of 'A Bronx Tale'. Photo courtesy of Engeman Theater
Chazz Palminteri with the cast of 'A Bronx Tale'. Photo courtesy of Engeman Theater
Chazz Palminteri with the cast of 'A Bronx Tale'. Photo courtesy of Engeman Theater
Chazz Palminteri. Photo by Barbara Anne Kirshner
Chazz Palminteri with the cast of 'A Bronx Tale'. Photo courtesy of Engeman Theater
Chazz Palminteri with the cast of 'A Bronx Tale'. Photo courtesy of Engeman Theater

Actor, filmmaker and playwright Chazz Palminteri and his wife Gianna attended the opening night of A Bronx Tale: The Musical at the John W. Engeman Theater in Northport on Saturday, March 26.

The Bronx native, who wrote the play based on his childhood in 1989 and starred as Sonny in the movie version in 1993, thanked the Engeman and cast for a job well done.   

“I haven’t seen the musical since Broadway and it is really amazing what this theater did here with the space they have, with the set, it’s just outstanding. I am amazed by it, and my hat goes off to the incredible cast and all the people here at this incredible theater. It brought back a lot of memories,” he said. 

“We are truly honored that Chazz and Gianna Palminteri were able to attend the opening night of A Bronx Tale. To be able to celebrate our production with the man who created this brilliant story was a moment that none of us will ever forget,” said Richard Dolce, co-owner of the John W. Engeman Theater. 

See video of the event here.

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Photo courtesy of PJHS

The recent Earl L. Vandermeulen High School production of “You’re a Good Man, Charlie Brown” was a resounding success. The all-star cast and crew of Port Jefferson students, staff and volunteers worked tirelessly for months on this production, a special nostalgic treat for the whole family that took place for three shows from March 19 to 20.

The show, directed by Tony Butera, followed the adventures of classic “Peanuts” characters Charlie Brown, Lucy, Linus, Marci, Peppermint Patty, Schroeder and the lovable and headstrong Snoopy on top of his doghouse. It featured kite flying, Beethoven music directed by Christine Creighton and short vignettes reminiscent of the original comic strip.

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Two more performances left! – Saturdays, March 19 and 26 at 11 a.m.

Theatre Three, 412 Main St., Port Jefferson presents the world premiere of Dorothy’s Adventures in Oz from Feb. 23 to March 26. Dorothy Gale is whisked away by a tornado to that magical land that lies just Over the Rainbow. Follow Dorothy and her friends the Scarecrow, the Tin Man, and the Lion as they encounter challenges and celebrate friendship. This new take on a classic tale features an original score, memorable characters, and fun for the entire family. Dorothy’s Adventures in Oz is a delightful reminder that “there’s no place like home!” All seats are $10. To order, call 928-9100 or visit www.theatrethree.com.

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The cast of the 23rd annual Festival of One Act Plays
A scene from 'Confessions of a Successful Playwright' with Stephen Wangner and Tamralynn Dorsa
A scene from 'The Turn Around' with Antoine Jones and Steve Ayle
A scene from 'The Turn Around' with Antoine Jones and Steve Ayle
A scene from 'Benign Departures' by Mary Ellin Kurtz and Tamralynn Dorsa
A scene from 'Benign Departures' by Mary Ellin Kurtz and Tamralynn Dorsa
A scene from 'The Beat Goes On' with Sari Feldman and Steve Ayle
The cast of 'The Beat Goes On'
A scene from 'Bad China' with Brittany Lacey and Evan Teich
A scene from 'Bad China' with Brittany Lacey and Steven Uihlein
A scene from 'Play Date' with Bradlee Bing, Stephen Wangner and Eric J. Hughes
A scene from 'Play Date' with Bradlee Bing and Eric J. Hughes

By Heidi Sutton

After a two-year delay because of COVID, the Festival of One-Act Plays returns to Theatre Three in all its glory. Now in its 23rd year, the One-Acts are a wonderful opportunity for audiences to watch actors hone their craft up close and personal on the theater’s Second Stage. The festival opened last Sunday for a 10-performance run.

Festival founder and Executive Artistic Director Jeffrey Sanzel was tasked with selecting six original works from over 500 submissions and then selected an uber talented cast to tell their story. Fantastic costumes designed by Jason Allyn (with special mention to The Beat Goes On) tie it all together resulting in an incredible evening of live theater. 

“For the first time on any stage, these works come to life,” said Sanzel. “How challenging and exciting to present a unique universe in the space of no more than 25 minutes—and often as short as ten…” in a two-hour marathon in the cozy setting of The Ronald F. Peierls Theatre on the Second Stage, a space so intimate that “there is no wall. There is no division.” 

The show opens with Philip Darg’s Confessions of a Successful Playwright, a hilarious look at One-Act Festivals of all things. Wade Lawson (Stephen T. Wangner) meets up with a reporter (Tamralynn Dorsa) for an interview to share his struggles, triumphs, determination and eventual obsession to becoming the most produced, but least known, playwright in history.

Next up is The Turn-Around, by Cary Pepper. In a constant battle with his next door neighbor Lester’s many assault rifles and gun range, Robert (Antoine Jones) approaches Lester (Steve Ayle), with a change of heart in their ongoing war over the Second Amendment. The Turn-Around addresses one of today’s hot button issues from a wickedly humorous point-of-view.  

The first half concludes with the darkest offering of the evening. Joshua Young’s disturbing Bad China shows Nos (Steven Uihlein) asking for a favor from his sister, Reba (Brittany Lacy), which she keeps from her husband, Del (Evan Teich). A brutal portrait of the opioid crisis is played out within a dysfunctional family, where choices lead to harrowing results.

After a brief intermission, the show continues with Benign Departures, Tony Pasqualini’s vision of a national health crisis from a catastrophic perspective. Set some fifty years in the future, Dr. Elizabeth Baker (Tamralynn Dorsa) visits the homeless Maggie Elmer (Mary Ellin Kurtz) and a battle of wills ensues in which the two very different people find a common ground and a deeper understanding.

Ariana Rose’s comedy The Beat Goes On takes a peek at what goes on inside a display case at the Smithsonian, as various musical containers vie for superiority. Hilarity ensues as Cass (Sari Feldman), Trax (Steve Ayle), L.P. (Antoine Jones), Cee Dee (Brittany Lacey), and Dayta (Steven Uihlein) all hope for a transfer to the newer adjacent display case, leaving the audience in stitches.

The evening closes with Frank Tangredi’s Play Date, a whimsical look at fatherhood from two very different perspectives. The elderly Lou Gershwin (Bradlee Bing) just had a child with his second wife who is 30 years younger and 15-year-old Tyler Hill (Eric J. Hughes) gets limited visitation rights with his child. Meeting at a park bench, the two fathers share their stories and connect in a poignant, charming story.

With an excellent lineup and incredible cast, this festival is not to be missed. Get your ticket before they’re sold out.

Sponsored by Lippencott Financial Group, Theatre Three, 412 Main St., Port Jefferson will present The 23rd annual Festival of One-Act Plays through April 2. Please note: The plays contains adult language and subject matter. Parental discretion is advised. Running time is two hours with one 15-minute intermission. All seats are $20. To order, call the box office at 631-928-9100 or visit www.theatrethree.com

All photos by Peter Lanscombe/Theatre Three Productions, Inc.

 

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A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Josie McSwane as the Wicked Witch of the West and Stephanie Moreau as Glinda in a scene from the show. Photo by Peter Lanscombe/TheatreThreeProductionsInc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
The cast of 'Dorothy's Adventures in Oz'. Photo by Peter Lanscombe/TheatreThreeProductionsInc.
The cast of 'Dorothy's Adventures in Oz'. Photo by Peter Lanscombe/TheatreThreeProductionsInc.
A scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Heidi Sutton

Extra! Extra! Read all about it! Theatre Three in Port Jefferson has a brand new children’s show and it’s over the rainbow!

First published in 1900 as a children’s book titled The Wonderful Wizard of Oz by L. Frank Baum, the story of Dorothy Gale and her three travel companions in the Land of Oz has given rise to many sequels, spin-offs and adaptations including radio shows, musicals and the iconic 1939 MGM film starring a 16-year-old Judy Garland.  

Now Theatre Three presents a brand new take on the classic tale with the world premiere of the family-friendly musical Dorothy’s Adventures in Oz. While the message stays the same, the show features over 10 original song and dance numbers as it travels down the Yellow Brick Road.

We first meet Dorothy at the L. Frank Baum Central School in Harrison Corner. As the editor of the Baum Bugle, she is on deadline trying to get the paper out when a big storm approaches. A wind knocks her down and when she awakens she finds herself in Munchkinland. 

Her news stand has landed on the Wicked Witch of the North causing her demise. When confronted by the Wicked Witch of the West, Dorothy is protected by Glinda the Good Witch who gives her those famous ruby slippers and sends her down the Yellow Brick Road to the Emerald City to find the Wizard of Oz who can help her get home.

Along the way Dorothy meets a Scarecrow who wants a brain, a Tinman who yearns for a heart, and a Lion who longs for courage. The three join her on her quest and the adventure begins.

Directed by Jeffrey Sanzel, the cast of nine adult actors embrace the wonderful script and run with it. Incredibly all of the scenes from the iconic movie are there: the talking apple trees, the poppies, meeting the Wizard, the flying monkeys, the Winkies and the melting scene, with several actors playing multiple roles.

With a wonderful singing voice, Katie Lemmen is perfectly cast as the sweet yet determined Dorothy who learns many lessons on her journey. Sari Feldman knocks it out of the park as the limber Scarecrow with a great tap dance number titled “I Think” and Steven Uihlein is excellent in the role of the Tinman who keeps rusting up. 

However, it is Finn MacDevitt, in the role of that fraidy-cat Lion terrified of his own tail, who draws the most laughs and is simply divine. His “I’m a Lion” solo is terrific.

Toto, played by the incomparable and adorable Shay Francis Feldman, makes a well-behaved appearance in the first and final scene. 

Stephanie Moreau and Josie McSwane make a wicked good pair as Glinda and the Wicked Witch of the West, Jason Furnari is a wise Wizard, Liam Marsigliano is a hilarious Winkie and Heather Rose Kuhn’s winged monkey is charming.

The song and dance numbers choreographed by Sari Feldman and  accompanied on piano by Douglas J. Quattrock are energetic, creative and fun with special mention to “Pitta-Pat” and “Poppies!”

The astounding special effects with the lighting and sound, the awesome props (wait until you see the crystal ball!) coupled with the impressive polished costumes by Jason Allyn are the icing on the cake.

A fun afternoon for the entire family, Dorothy’s Adventures in Oz is a wonderful reminder that “there’s no place like home!”

Theatre Three, 412 Main St., Port Jefferson presents Dorothy’s Adventures in Oz through March 26. Children’s theatre continues with The Adventures of Peter Rabbit from April 16 to May 7 and Snow White and the Seven Dwarfs from May 28 to June 18. All seats are $10. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

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A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.
A scene from 'The Marvelous Wonderettes'. Photo by Brian Hoerger/Theatre Three Productions, Inc.

By Barbara Anne Kirshner

Do you have close-knit forever friends applauding your successes as well as offering encouragement during challenging times? If your answer is yes, then you are truly lucky to have such treasures in your life. The Marvelous Wonderettes, a feel good musical romp back to the 50’s and 60’s now playing at Theatre Three, follows four such friends as they navigate life’s often unpredictable twists and turns together.

Playwright Roger Bean was approached by the Milwaukee Repertory Theatre to write a small-scale musical for their black box space. With constrictions such as little room backstage, Bean wrote the one-act version of The Marvelous Wonderettes produced in 1999. He got the inspiration for the musical from a conversation with his mother about when she was a high school song leader and part of a singing trio. Bean also credits his mother for instilling in him a love of 50’s and 60’s music. 

That Milwaukee production was so successful that the theatre revived it in 2001, this time as a full-scale two-act musical. Then came the Los Angeles production in 2006 followed by a smash Off-Broadway run in 2008 with an Off-Broadway revival in 2016.

It’s prom night, 1958, at Springfield High School and song leaders, Betty Jean (Cassidy Rose O’Brien), Cindy-Lou (Noelle McLeer), Missy (Kate Keating) and Suzy (Ashley Brooke) in frilly crinoline dresses, wrist corsages and teased up hair burst onstage delivering a bouncy rendition of “Mr. Sandman” followed by “Lollipop” and segue into “Sugartime.” When Cindy-Lou steals the microphone and belts out Betty Jean’s signature song “Alleghany Moon,” slapstick antics of trying to upstage each other ensue thus highlighting their competitive natures and the hilarious tone of the show.

The girls explain to the crowd that they are last minute stand-ins for the evening’s entertainment. It seems the boys’ glee club lost the gig after lead singer Billy Ray Patton was suspended for smoking behind the girls locker room. They go on to announce the theme for this year’s prom, “Marvelous Dreams,” and break into a rapturous “All I Have to Do Is Dream” followed by “Dream Lover.”

Each girl in this ensemble is as unique as the individual colors they wear with Betty Jean and her all-American looks in lime green, the bespectacled and comedic Missy in orange, ditzy gum chewer Suzy in blue and self-centered Cindy-Lou in pink.

A nice choice of playwright Bean was to set Act II ten years later reuniting the girls at their 1968 class reunion. This act is brimming with pop 60’s tunes. The crinoline has now been replaced by flowing robes trimmed with feathers, knee high white go-go boots and hoop earrings. A lot has changed for each girl, but they come together once more in harmony realizing they have a bond that stands the test of time.

All four of these actresses deliver powerhouse performances with dynamic acting, rich voices and lithe dancing. Keating’s Missy is passionate as she reveals her crush in “Secret Love” and then gives a standout version of “Mr. Lee” replete with impressive, sustained notes that receive spirited applause from the audience. 

Brooke’s Suzy punctuates Act I with an exuberant “Hold Me, Thrill Me, Kiss Me” and then delivers an intense “Maybe I Know” in Act Two. O’Brien’s Betty Jean explodes in a heart-wrenching “You Don’t Own Me” followed by “That’s When the Tears Start” and McLeer’s Cindy-Lou sends chills in “Son of a Preacher Man” into “Leader of the Pack.”

It must be noted there is some humorous audience participation that puts the crowd right in the center of all the action.

Linda May’s direction keeps the festivities lively. She has created an ensemble that holds on to the audience from their first effervescent entrance until their final bow. Sari Feldman’s stylized choreography is reminiscent of the best girl groups of that era. Costumes by Ronald Green III are a cornucopia of colors and fabrics. Green’s attention to detail accentuates the 50’s and 60’s flavor of the show.

The band under the musical direction of Cesar Flores is built into the backdrop so they are onstage for the entire show keeping the energy high. Tim Haggerty’s sound design infuses exhilaration to each number.

Scenic design by Randall Parsons offers a buoyancy even before the show begins with a pink backdrop and sparkling fringe bordering the band shell. Lighting design by Robert W. Henderson, Jr. generates vibrancy to songs like “Lollipop” and “Wedding Bell Blues” as well as mood lighting with “Hold Me, Thrill Me, Kiss Me” and “That’s When the Tears Start.” The disco ball swirling blue spots around the theater is a nice touch to close Act I. Heather Rose Kuhn’s properties joins in the fun with giant lollipops, a hanging crescent moon and bubbles.

Theatre Three’s The Marvelous Wonderettes is such a fast-paced delight that at the end you can’t believe it’s over already. See it with your best friends — you’ll be glad you did!

Theatre Three, 412 Main St., Port Jefferson presents The Marvelous Wonderettes through March 26. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 and up. For more information or to order, call 631-928-9100 or visit www.theatrethree.com. 

 

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Open auditions

Theatre Three, 412 Main St., Port Jefferson will hold open auditions for all roles in the ABBA musical Mamma Mia! on Thursday, March 3 and Tuesday, March 8 at 7 p.m. Seeking strong singer/actor/dancers ages 16 and older. Performances will be held from May 21 to June. 25. Bring a headshot/resume if available. For more information, visit www.theatrethree.com/auditions.htm.

 

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