Theater

Chris Lemmon during a ‘Twist of Lemmon‘ performance. Photo courtesy of Chris Lemmon

By Rita J. Egan

The question, “What was it like to be Jack Lemmon’s son,” sent actor Chris Lemmon on a life-long journey to discover the ultimate answer.

“It’s an enormous question,” Lemmon said in a recent telephone interview. His retrospective journey produced a 2006 memoir “A Twist of Lemmon: A Tribute to My Father,” which in turn inspired the multimedia production “Twist of Lemmon,” where he acts, sings, plays piano and shares his personal photos.

On July 28, Long Islanders will get a taste of Lemmon’s heartbreaking as well as heartwarming memories when he presents a new and revised version of “Twist of Lemmon” at the Cinema Arts Centre in Huntington. The actor, who appeared in television shows such as “Duet” and “Knots Landing,” as well as numerous stage productions, said after the book’s publication, he realized he needed to do more with the story about his Academy-Award-winning actor father.

Chris Lemmon and his father Jack Lemmon in happier times. Photo courtesy of Chris Lemmon

“The book turned into kind of a performance piece that was really touching and moving people, and I thought: Gosh, I would love to take this to the next step, and the next step, I don’t think it’s film or TV, I think it’s theater,” the actor said. “And the only way this can be a piece of theater is if I’m playing a character, and obviously the character has got be Jack.” The last year and a half, Lemmon has performed the one-man show, where he narrates the story from his father’s perspective, at small venues. He said he was “purposely flying under the radar” preparing for a big opening. “I was going with my little bag, my little show in a bag, from theater to theater. That’s what I would do, because it’s the only place you learn,” he said.

Last month at the St. James Theatre in London’s West End, a reworked “Twist of Lemmon,” directed by Hugh Wooldridge, premiered. After a successful three-week run abroad, Lemmon said the revised show, which includes added material, is now “ready for the trail” in the states. He has also increased the pace of the play by riding into the laughs, as his father would have done, instead of waiting for them to stop. The play centers around how Lemmon and his father, who passed away in 2001, mended their estrangement that occurred after the older Lemmon divorced Chris’s mom, Cynthia Stone. With yearly visits to Alaska that began when he was 11 years old, the father and son slowly repaired their relationship. In later years, they also shared a love of golf, which included participating in the Pebble Beach Pro-Am Tournament, where in his first year, the younger Lemmon made the final cut, something his father dreamed of doing for 35 years.

When it comes to his father’s shortcomings, including a battle with alcoholism, Lemmon is candid. “It’s my duty as a narrator to show everything, every bump in the road, to explore his alcoholism, to explore his fallacies and foibles and his faults as a human being as well as my own. Every single one of them,” he said. However, the tale isn’t an accusatory one. Lemmon said his father actively pursued a relationship with his son and handled his alcoholism “in the most gallant possible manner.”

Not only did he get help for his problem but he also admitted his struggle on the television show “Inside the Actor’s Studio.” “That takes guts, man. Back then, it wasn’t vogue. It was tantamount to career suicide. So it gives me great pleasure to tell those stories,” Lemmon said. His advice to those who are estranged from family members is to do the work to repair the relationship. During one of the show’s monologues, Lemmon delivers the lines: “We’re all human. We all make mistakes. If we can understand that about each other, accept it, instead of resenting it, then we can rise above.”

Lemmon is grateful he did all of the above when it came to the relationship with his dad. “He was not just my father; he was my very best friend. I miss everything about him. I still have dreams two or three times a week that he’s back, and we’re fishing or golfing or just doing whatever, driving around and crunching the gears in every exotic car ever made,” he said. “He was just so much fun to be with. I don’t play golf anymore. I don’t fish either. I can’t do it. It’s just not the same.” The actor also treats the audience to a taste of the golden age of Hollywood by playing “Jack” imitating celebrated celebrities such as Marilyn Monroe, Walter Matthau and more. Also among the photos appearing on a screen are Jack’s movie roles and co-stars.

Chris Lemmon00480 Chris at piano-Stills from SomeLikeitHot-credit courtesy Chris Lemmon
Chris Lemmon during a ‘Twist of Lemmon’ performance. Photo courtesy of Chris Lemmon

Lemmon hopes to keep not only his father’s but also all of these legendary actors’ memories alive. “These people were not just iconic as celebrities they were really iconic as human beings,” he said. After the play, Lemmon said he will definitely have the energy for the postshow Q-and-A with the audience. “People say this must take such an emotional toll on you, because it is a very deeply, somewhat tragic in its core, father-son story, but, of course, it’s couched in the golden age of Hollywood so there’s all that shenanigans and fun,” Lemmon said. “And, he was just such a human leprechaun himself, full of so much energy. Actually, for me, because I miss him so damn much, it’s really emotionally rewarding.”

At the end of the play, Lemmon said his ultimate goal is to make audiences both laugh and cry. “Because that’s what pop always believed acting should be about — make them laugh and make them cry.”

Jud Newborn, curator of special programs at the Cinema Arts Centre, is looking forward to the “Twist of Lemmon” event. He said Steinway & Sons, Long Island is sponsoring the evening, which will begin with a demonstration of the company’s new high-resolution player piano, the Spirio. A 15-minute screen presentation will feature several pianists but without any sound as the Spirio simultaneously plays what’s displayed on the screen. Lemmon, who is an accomplished pianist, will also be playing the Spirio live during his performance. Newborn said the play will be followed by an audience Q-and-A with the actor as well as a reception in the Sky Room featuring jazz guitarist Mike Soloway.

The Cinema Arts Centre, 423 Park Ave., Huntington, will present “Twist of Lemmon” on Thursday, July 28 at 7 p.m. Tickets are $46, $38 for members. For more information, call 631-423-7610 or visit www.cinemaartscentre.org.

Say Meatball! The Man in the Yellow Hat, Curious George and Chef Pisghetti pose with members of the audience after the show. Photo courtesy of SPCA

By Rebecca Anzel 

Curious George is still going on adventures after 75 years of entertaining children. Through Aug. 28, the actors at the Smithtown Center for the Performing Arts transform the story of “Curious George: The Golden Meatball” into an hour-long musical performance.

In this play, George helps his friend Chef Pisghetti cook meatballs for the annual All You Can Eat Meatball Day. George had been excited to help the chef cook and serve guests, but when the day came, there was no one in Chef Pisghetti’s restaurant to serve the meatballs to. Instead, the crowd was captivated by Phinneas T. Lightspeed’s meatball-making machine. Upset by Lightspeed’s rhymes, fancy coat and blue meatballs, Chef Pisghetti declared he would never cook again. George, though, wants to help the chef rediscover his passion and talent. He travels all the way to Rome to enter his friend’s meatballs into the Golden Meatball Contest.

This story is based on the originals written by Margret and H.A. Rey, who took their manuscript of “Curious George” out of Paris during World War II. As Jews, the Reys decided to flee Paris before the Nazis seized the city. H.A. Rey assembled two bicycles, and they fled Paris just a few hours before it fell. Among the meager possessions they brought with them was the illustrated manuscript of “Curious George.”

The stories were later turned into a PBS Kids cartoon, which is still airing.

Say Meatball! The Man in the Yellow Hat, Curious George and Chef Pisghetti pose with members of the audience after the show. Photo courtesy of SPCA
Say Meatball! The Man in the Yellow Hat, Curious George and Chef Pisghetti pose with members of the audience after the show. Photo courtesy of SPCA

Directed by Brianne Boyd, the adult cast of “The Golden Meatball” kept the audience laughing throughout. Marisa Guardino, as George, is complemented perfectly by the other five actors, each of whom played more than one character. It is a testament to costume designer Ronald R. Green III that each of those wardrobe changes happened seamlessly.

Brian Gill, who plays the Man in the Yellow Hat for all Sunday performances, was excellent. Gill brought the same spirit to the role as the character he plays is known for — a responsible and trusting parent to George who can laugh and have fun.

Bobby Montaniz was convincing as Chef Pisghetti. His playful Italian accent and spirited exclamation of “ba da boopie” at the end of a few of his phrases elicited giggles from the audience. Tommy Castelli (Phinneas T. Lightspeed and others), Emily Attridge (Netti and others) and Meagan Materazo (Doorman and others) all worked well with Montaniz in the various roles they performed as partners. The four delivered punchy jokes aimed at parents expertly, like one when Castelli was delivering a package to George by himself, and Materazo asked him where his fellow delivery men were. Castelli looked at the audience, shrugged and replied, “budget cuts.”

Guardino as Curious George stole the show. Her voice perfectly mirrored that of the cartoon character, and her dance moves, from shakes to splits, endeared her character to the children in the audience. The audience also participated during several of the times Guardino and others would ask for directions or confirmation. The cheers for her at the end of the performance were the loudest.

With original music by John Kavanaugh and book and lyrics by Jeremy Desmon, the songs in “The Golden Meatball” were lighthearted and familiar to a few of the children, who could be heard singing along — especially with the Curious George theme song with which the show started and ended.

After the cast sang “George Goes to Rome” and “A Buddy like you,” Chef Pisghetti thanks his friend for traveling all the way to Italy to enter him in the meatball competition. “I’m so lucky to have a buddy like you,” he tells George, whom he affectionately calls Giorgio. George ends up having to cook the chef’s meatballs all by himself at the competition, and he is worried he does not have the chef’s secret ingredient. But after he wins the competition and Chef Pisghetti finally makes it to the contest, he tells George the meatballs he cooked came out so well because he had the secret ingredient — love.

With the cast’s energy and familiar songs, “The Golden Meatball” is the perfect show for young children. Just bring a sweater — the theater is a little chilly. The actors are available after their bows for photos and autographs, although Artistic Director Ken Washington warned that because George is a monkey, “he can’t really sign things.”

Children’s theater will continue at the Smithtown Center for Performing Arts, 2 E. Main St., Smithtown, with “Elf the Musical, Jr.” from Nov. 25 to Dec. 30, “Shrek the Musical, Jr.” from Jan. 21 through Feb. 26 and “Annie, Jr.” from March 18 to April 15. All tickets are $15. To order, call the box office at 631-724-3700 or visit www.smithtownpac.org.

A scene from SCPA’s ‘Hairspray.' Photo courtesy of SCPA

By Rita J. Egan

A few mists of hairspray, and a whole lot of talent, transformed the Smithtown Center for the Performing Arts into a Broadway theater this weekend. The venue’s production of “Hairspray” opened this past Saturday night to a packed house.

Jordan Hue expertly directs a cast of more than 30 talented musical theater actors. Based on the 1988 movie by John Waters that starred Ricki Lake and Divine, the musical stage production debuted in 2002 and ran for more than six years on Broadway. With music by Marc Shaiman, lyrics by Shaiman and Scott Wittman and book by Mark O’Donnell and Thomas Meehan, the play inspired the release of a second movie in 2007, which starred John Travolta.

Rhythm and blues and 60s-style dance music, combined with a good dose of love and humor, create this coming-of-age tale. Set in Baltimore, Maryland, in 1962, our heroine, Tracy Turnblad, dreams of appearing on a local television dance program called “The Corny Collins Show.” When she finally snags a spot on the show, the plus-sized teenager learns about the injustices in the country, not only when it comes to size but also for non-whites. The determined Tracy then begins a crusade to integrate the production and opens up a completely new world for herself as well as her parents and friends.

The cast of 'Hairspray.' Photo courtesy of SCPA
The cast of ‘Hairspray.’ Photo courtesy of SCPA

The Smithtown production opens as Tracy, played by Noelle Eichenlaub, and the ensemble greet the day with the rousing “Good Morning Baltimore.” The actors set the stage for a high-energy show, liveliness that they sustain right until the very end with the upbeat and infectious “You Can’t Stop the Beat.”

Eichenlaub possesses strong vocals on all her numbers, which include the songs mentioned above as well as “I Can Hear the Bells” and “Welcome to the 60s,” and she captures the sweetness and optimism of Tracy with every note, dance step and line.

Ryan Nolin portrayed Tracy’s mother Edna to the hilt on opening night, and while he may have big shoes to fill with the likes of Divine, Harvey Fierstein and John Travolta playing the role in the past, the actor filled them brilliantly with a great amount of comedic ability. The statuesque Nolin perfectly captures the self-conscious yet strong nature of the loving, protective mother. The actor, who alternates performances with Michael Newman, garnered a huge amount of laughs in all the right places. During the number “You’re Timeless to Me” with Eugene Dailey, a charmingly quirky Wilbur Turnblad, the duo were delightful and received an enormous amount of laughs and applause from the audience.

Michelle Rubino is convincing as anxious and awkward Penny Pingleton, Tracy’s best friend. It’s hard to believe this is the same graceful girl who played Ariel in “The Little Mermaid” on the same stage a few months ago. The versatile young actress showed off her strong vocals during her parts in the songs “Mama, I’m a Big Girl Now” and “Without Love.”

Michael Marmann, who starred with Rubino in “The Little Mermaid” as Prince Charming, now charms the audience as Link Larkin, the lead male dancer on “The Corny Collins Show” and Tracy’s crush. The actor smoothly channels a 60s heartthrob, and while performing the song “It Takes Two” with his fellow male dance show members, he sweetly sings the ballad like the lead singer of a boy band.

When Tracy encounters Seaweed, played by Dondi Rollins Jr., and the record shop kids in detention, we get to hear smooth, soulful vocals from Rollins on “Run and Tell That.” This is where M.E. Junge’s choreography takes center stage, too. While all the cast members during the show handle the choreography with ease, Rollins and Kordell Hammond, who plays Duane, both display excellent dance abilities.

Amanda-Camille Isaac as Motormouth Maybelle performed a riveting “I Know Where I’ve Been.” When joined by the record shop kids, the song was elevated to gospel-song-like quality, and by the sounds of the immense applause, it seemed the opening night audience agreed.

Denise Antonelle portrays the immoral show producer Velma Von Tussel and delivers the number “(The Legend of) Miss Baltimore Crabs” with the wickedness of a Disney evil queen. The number sets the tone perfectly for what Tracy is up against to integrate her favorite show.

Alexa Brin as Velma’s spoiled daughter Amber is amusingly annoying as Tracy’s arch-nemesis, who not only tries to stand in our heroine’s way to dance on the show but also to win the Miss Teenage Hairspray competition. The actress also shines vocally in the numbers “Mama, I’m a Big Girl Now” and “Cooties.”

Adding even more liveliness and high-powered vocals to the number “Welcome to the 60s” were the Dynamites portrayed by Janelle Primm, Diamond Essence White and Isaac. Lauren Tirado as Seaweed’s sister, Little Inez, also demonstrates great vocals on the songs she’s included on.

Ronnie Green as Corny Collins was smooth and confident. It should be noted that the dance show’s council members played by Samantha Cuomo, David Reyes, Matthew Healey, Samantha Foti, Christian Arma, Caroline Anderson, Tommy Castelli and Lisa Naso, and the record shop kids Tirado, Primm, White, Hammond, Elijah Andrews and Jahlil Burke, as well as the swing members, are as integral to the high energy of the show as the lead characters, and they do not disappoint. Adding to the show’s hijinks were the hysterical Anne Marie Finnie as Penny’s overprotective mom, the jailhouse matron and obnoxious gym teacher, and Erich Grathwohl in the roles of Mr. Pinky and Mr. Harriman F. Spritzer, president of Ultra Clutch hairspray.

The Broadway-quality numbers would not be complete without conductor Melissa Coyle along with musicians Craig Coyle, Brian Schatz, Ray Sabatello, Ricky Enderle and Jim Waddell. Also, congratulations to costume designer Ronnie Green for the fun, vibrant outfits, and scenic designer Timothy Golebiewski for the colorful, versatile set. While leaving the theater on opening night, audience members raved about how wonderful the show was, including one person who said that Smithtown’s “Hairspray” was just as good as a Broadway musical.

The Smithtown Center for the Performing Arts, 2 E Main Street, Smithtown, presents “Hairspray” until Aug. 28. All seats are $35. For show schedule and more information, call 631-724-3700 or visit www.smithtownpac.org.