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Photo by Julie Larsen Maher
Photo by Julie Larsen Maher
Photo by Julie Larsen Maher
Photo by Julie Larsen Maher
Photo by Julie Larsen Maher
Photo by Julie Larsen Maher
Photo by Julie Larsen Maher
Photo by Julie Larsen Maher
Beloved holiday celebration is now a fully outdoor experience

New York is back and so is the City’s premiere outdoor holiday tradition – Holiday Lights at the Bronx Zoo. Holiday Lights, a family-favorite holiday light experience, will open to the public on November 19, with new light displays that will connect visitors with nature and the spirit of the season.

Holiday Lights will operate on select dates from November 19 to January 9. Tickets for Holiday Lights must be purchased in advance and are date specific.  Tickets are now available online. Visit the Know before You Go page for all details.

This year’s event will be a fully outdoor experience. The experience will encompass an expansive area of the zoo and will be include 5 separate lantern safaris representing animals from different geographic regions; the all new larger-than-life Forest of Color; and activity areas spread out across the park. Fan-favorite seasonal activities include professional ice carving demonstrations and competitions, wildlife stilt walkers, Wildlife Theater performances, holiday train rides, seasonal treats, and more.

In addition to the dozens of new animal lanterns, synchronized light shows, and activities, the zoo has added the one-night-only Holiday Cheers event for adults age 21 and older. On December 1, the Holiday Lights experience will feature unlimited food sampling along with select seasonal adult beverages.  Of course, the evening will also include all of the Holiday Lights displays, lantern safaris, music and activities. Tickets must be purchased in advance and are expected to sell out. For more information visit Holiday Cheers online.

Visit the website for information, tickets and the full schedule of activities.

 About the Bronx Zoo: The Bronx Zoo, located on 265 acres of hardwood forest in Bronx, NY, opened on Nov. 8, 1899. It is world-renowned for its leadership in the areas of animal welfare, husbandry, veterinarian care, education, science and conservation. The zoo is accredited by the Association of Zoos and Aquariums (AZA) and is the flagship park of the Wildlife Conservation Society (WCS) which manages the world’s largest network of urban wildlife parks including the Bronx Zoo, Central Park Zoo, Prospect Park Zoo, Queens Zoo and New York Aquarium.  The Bronx Zoo is the subject of THE ZOO, a docu-series aired world-wide on Animal Planet. For more information, visit www.BronxZoo.com.

 

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METRO photo

Homeowners think nothing of having goblins, nurses, vampires, or astronauts showing up at their doors each October 31 asking for candy. Any other time of the year and these visitors might be turned away. But Halloween is all about the magical and the macabre, and trick-or-treating is a major component of the festivities.

Kids and adults alike cry out “trick or treat” at each house they visit. Many utter this familiar phrase without a second thought and may have no idea how this familiar custom came to be. During the Middle Ages, less fortunate individuals would go “souling,” which was a process of going door-to-door asking for food on November 1 in return for saying prayers for the deceased on All Souls Day on November 2.

Many centuries later, the tradition of “guising” began in Scotland around the same time of year. People began wearing masks and costumes to disguise themselves and prevent evil spirits from harming them. Spirits were thought to cross over more readily around Halloween. The custom also was called “mumming” and was celebrated in nearby England and Ireland as well. Costumes were eventually accompanied by hijinks. Mischief makers would sing a rhyme, do a card trick or tell a story in exchange for a treat. If that treat wasn’t presented, a “trick” could be played.

For 19th century children, tricks included jamming hot cabbage into a keyhole to stink up a house or frightening passersby. History.com indicates that when European immigrants arrived in America, they didn’t give up their annual mischief or requests for treats, and the custom spread throughout the early 20th century in the United States.

While the practice of begging for treats in some shape or form went by many names, Merriam-Webster reports that a newspaper in Saskatchewan, Canada first mentioned the words “treat” and “trick” together in print. A 1923 article indicated, “Hallowe’en passed off very quietly here. ‘Treats’ not ‘tricks’ were the order of the evening.” By 1927, more and more children were uttering “tricks or treats” to solicit candy from their neighbors. Trick-or-treating gained steam throughout the 1950s, with endorsements by major candy companies. The custom also was showcased in popular comic strips. Even though there are tricks to be made on Halloween, treats are the real draw of the day.

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Photo from Vanderbilt Museum
Sponsored by Northwell Health

In honor of National First Responders Day, the Suffolk County Vanderbilt Museum, 180 Little Neck Road, Centerport will thank First Responders and their families by offering them free general admission on Saturday and Sunday, October 30 and 31, from noon to 5 p.m. First responders will be asked for ID cards or proof of affiliation.

The Vanderbilt also will offer them discounted tickets for the Museum’s Fall Festival: $13 for kids and $14 for adults.

“We salute the brave men and women who make sacrifices and face danger every day to protect our communities,” said Elizabeth Wayland-Morgan, executive director of the Vanderbilt. (This includes police and firefighters, emergency medical personnel.)

“We’re offering free admission because these people are our neighbors and they provide essential services,” Wayland-Morgan said. “It’s hard on their spouses, families, and children. A fun day at the Vanderbilt is one way to thank them.”

For more information, call 631-854-5579 or visit www.vanderbiltmuseum.org.

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Image from The Shoppes

The Shoppes at East Wind, 5768 Route 25A, Wading River will host a Safe Trick or Treat event on Sunday, Oct. 31 from 11 a.m. to 6 p.m. Children in costume can find treats OUTSIDE participating shops. Enjoy a Fall Festival and Craft Fair while there. Held rain or shine. Email [email protected] for more information.

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Monster Mash Mudslide

(Family Features) If you’re planning a monster bash this Halloween, brew up drinks so frightfully delicious that it will spook the taste buds of every little ghost, witch and goblin.

The Spooky Smoothie is a flavorful combination of vanilla milk and Greek yogurt, which is blended with ice and topped with whipped cream. The fun is all in the orange-tinted Limited Edition TruMoo Lowfat Vanilla Milk, so make sure to serve it in a clear glass. And ghosts will rise from the dead for the chocolaty Monster Mash Mudslide. For more information, visit www.facebook.com/TruMooMilk.

Both of these tasty concoctions feature TruMoo, which is made with 35 percent less total sugar than the leading chocolate and vanilla milk competitor and has no high fructose corn syrup. That’s one thing that won’t scare you this Halloween season

11677 detail image embed2

Spooky Smoothie

Yield: 4 servings

  • 3 cups Limited Edition TruMoo Lowfat Vanilla Milk, orange color
  • 1 1/2 cups lowfat vanilla Greek yogurt
  • 5 cups ice cubes
  • 1/4 cup fat free whipped cream
  • Candy corn for garnish, optional
  1. In blender, combine vanilla milk, yogurt and ice cubes. Blend on high speed until smooth and creamy.
  2. To serve, pour into serving glasses. Top with whipped cream and candy corn.11677 detail image embed1

    Monster Mash Mudslide

    Yield: 4 servings

    • 4 cups TruMoo Lowfat Chocolate Milk
    • 10 chocolate wafer cookies, coarsely broken
    • 1/2 cup frozen non-dairy whipped topping, thawed
    • 8 mini chocolate chips or mini chocolate candies (orange/brown color recommended)
    1. In blender, blend chocolate milk and chocolate wafer cookies until smooth. Heat mixture in saucepan or microwave until just heated through.
    2. To serve, pour chocolate milk mixture into 4 glasses. For each serving, spoon a large, upright dollop of whipped topping to resemble a ghost. Insert chocolate chips or chocolate candies into dollop for eyes.

    Note: To enjoy a cold mudslide, do not heat in saucepan or microwave.

    Source: TruMoo

 

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METRO photo

The magic of Halloween is often seen on the costumed faces of kids who anxiously await their chance to dress up and go trick-or-treating every year. However, figures from the National Retail Federation suggest that adults also love this holiday that traces its origins back to the Celtic festival of Samhain. During the festival of Samhain, which historians have noted was mentioned in Old Irish literature that dates from the 10th century onward, people would engage in various activities and rituals, including wearing costumes. These activities were intended to ward off ghosts.

More than a millenium later, costumes have not lost their appeal. Data from the NRF indicates that Americans spent $8 billion on Halloween in 2020. That marks a dropoff from the year prior, but that decrease can at least be partially credited to the COVID-19 pandemic, which forced many people to cancel Halloween celebrations in 2020. In fact, in 2020 the average Halloween celebrant spent roughly $92 on the holiday, which is more than in any year prior. The NRF reports that costumes tend to be the most costly Halloween-related expense, and the total dollars spent and number of celebrants suggests that a holiday often associated with children has long since become a holiday for kids of all ages.

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Image from Old Westbury Gardens
Catholic Health signs on as presenting sponsor of inaugural event designed to immerse visitors in a spectacular outdoor experience

Next month, Old Westbury Gardens will unveil a first-of-its kind nighttime light show event. SHIMMERING SOLSTICE at Old Westbury Gardens, presented by Catholic Health, will offer visitors the opportunity to behold a series of magical light displays as they walk along the beautiful meandering paths through Old Westbury Gardens’ Walled Garden, Rose Garden, South Lawn, and Allée.

Tickets are on sale now. The event opens November 20, 2021 and runs through January 9, 2022. The admission time starts at 5:30 p.m. and the last admission is at 9:30 p.m. The gates close at 11 p.m.

“We are excited to offer this brand-new experience for our visitors to enjoy,” said Nancy Costopulos, President and CEO of Old Westbury Gardens. “This walkthrough lightshow has been designed specifically for Old Westbury Gardens and offers a one-of-a-kind experience that we intend to become a new annual holiday tradition. We are also thrilled to have Catholic Health as our presenting sponsor for this inaugural event. Their commitment to the communities they serve mirrors our own, and we welcome their support as we bring this spectacular event to Long Island.”

SHIMMERING SOLSTICE is a completely custom-built show that has been uniquely designed to highlight the features of Old Westbury Gardens. The design phase took approximately a-year-and-a-half to plan.

“Catholic Health is proud to be Old Westbury Gardens’ SHIMMERING SOLSTICE presenting sponsor,” said Patrick M. O’Shaughnessy, DO, MBA, President & CEO of Catholic Health. “This experience will bring families, friends, and communities together in a beautiful setting to reflect and make memories. Catholic Health cherishes the value of families and communities, and we continue to be humbled in contributing to moments in life that matter.”

The event was developed out of a desire to creatively adapt the land and gardens around Westbury House into a visitor location that can be enjoyed during the fall and winter holiday season and that would remain consistent with the mission of Old Westbury Gardens.

“This is a celebration of our space,” said Maura McGoldrick-Brush, Director of Horticulture at Old Westbury Gardens. “Instead of flowers, the gardens will be blooming with light. This is truly an enchanting combination of the beauty of the gardens and the magic of the season.”

Old Westbury Gardens worked with Lightswitch, a collective of internationally recognized lighting, media, and visual designers to create the show with the intent of celebrating the Gardens’ history and environment during the fall and winter seasons.

“The design will truly embrace the Gardens,” said Warren Kong, principal at Lightswitch. “The goal is to create something that is unique. We wanted to give people something they can’t see down the street from their homes and create a new family tradition for the region.”

Some examples of what visitors will see include both the formal Rose Garden and Walled Garden blooming with beautiful light and twinkling in lively rhythmic patterns. Other unique features include enormous dandelions which will line the edge of the pond and a giant Christmas tree, made of lit globes, that will be displayed in front of Westbury House. Many other impressive light displays will be found throughout the iconic garden areas for visitors to discover.

This event is something people of all ages will enjoy. The walk-through portion of the show is designed for visitors to explore at their own pace. For the exciting finale, visitors will be dazzled to see the south facade of Westbury House come alive as they become immersed in a magical and wondrous sensation of lights and sounds, celebrating the spirit of the season.

For more information, visit the SHIMMERING SOLSTICE website: https://shimmeringsolstice.com/

See video here.

About Old Westbury Gardens

Built in 1906 and listed on the National Register of Historic Places, Old Westbury Gardens is the former home of John S. Phipps, his wife, Margarita Grace Phipps, and their children. Today, as a not-for-profit organization, Old Westbury Gardens welcomes visitors of all ages for a wide range of historical, cultural, artistic, educational, horticultural events. Old Westbury Gardens seeks to inspire appreciation of the early 20th century American country estate through faithful preservation and interpretation of its landscape, gardens, architecture and collections. For more information, visit https://www.oldwestburygardens.org/

 

About Catholic Healh

Catholic Health is an integrated system encompassing some of the region’s finest health and human services agencies. The health system has nearly 17,000 employees, 6 acute care hospitals, 3 nursing homes, a home nursing service, hospice and a network of physician practices. For more information, visit https://www.chsli.org.

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Above, Kerriann Flanagan Brosky kicked off her Fall book tour at the Country House Restaurant in Stony Brook hosted by owner Bob Willemstyn on September 30.

Reviewed by Jeffrey Sanzel

The versatile Kerriann Flanagan Brosky’s works include Historic Crimes of Long Island (reviewed in this paper October 2017), Ghosts of Long Island, The Medal, and Delectable Italian Dishes for Family and Friends, among others. Haunted America (a division of The History Press) presents her latest work, Haunted Long Island Mysteries, a well-crafted overview of various sites of supernatural activity from Sag Harbor to Port Washington. Brosky has once again teamed up with medium and paranormal investigator Joe Giaquinto to explore a range of “spirited” hauntings. 

Author Kerriann Flanagan Brosky

This is Brosky’s fourth ghost book: “The journey of investigating over one hundred presumably haunted locales on Long Island has led me to understand many things, including the importance of these spiritual beings and how they relate to our past and history, to the continuity of life after death and to the ability to communicate with our loved ones after they have passed.” Brosky finds the place where history and the spirit world eloquently intersect with the paranormal.

Both Brosky and Giaquinto come from a grounded and focused point of view. They are not looking for converts. Instead, they ask the reader to keep an open mind. “We are simply putting our research and investigations out there for one to ponder while at the same time teaching you about local history and the importance of preserving it.”

Each chapter focuses on a specific location: a house, an inn, a cemetery, a restaurant, etc. From Setauket to Patchogue, Babylon to Stony Brook — many of these places (18 in all) will be familiar to the readers from reading about or even visiting them. 

First, Brosky provides a meticulously researched background, with detailed notes on the construction and physical elements. Next, she succinctly proceeds to accounts of the occupants’ lives throughout the years—the families, the marriages, the breaks, the affairs. Finally, having established context, she arrives at the present, interviewing caretakers, directors, docents, and board members. She then connects past to present, highlighting any of the unusual occurrences. 

The final section of most chapters is composed of Brosky and Giaquinto’s actual work in the location, including photography, video, and, most interesting, the use of a ghost box. A ghost box (also known as a spirit box) contacts spirits using radio frequency. The result is EVP (Electronic Voice Phenomena): human-sounding voices from an unknown source heard on recorded data from an audiotape, radio station noise, or other electronic media. The book contains portions of transcriptions, but readers may listen to the actual recordings by visiting www.ghostsoflongisland.com, then clicking on Haunted Long Island Mysteries.

The book contains accounts of orbs of light, dark silhouettes, footsteps in the middle of the night, and slamming doors. There are rooms where the temperature is exceptionally and inexplicably cold. There are scents with no source. But it is not about things that go bump in the night (though many do, including the voice of a screaming woman). Instead, it is about the energy and the presence (perhaps more blessed than haunted). Most of the encounters are with benign and even welcoming entities. Whether focusing on a member of the Culper Spy Ring, a library custodian, a mother guilty of filicide, or victims of a shipwreck, Brosky shows respect for her mission. 

For believers, the book presents an ideal blend of history and mystery. For others, the exceptional scholarship provides an undeniably detailed examination of a range of Long Island settings. The work celebrates the scientific, not the sensational. This world is not populated by fanatics or conspiracy theories but people who have experienced events and connections for which they cannot find an explanation. 

Brosky offers many perspectives in the dozens of interviews. “People always ask us if we have ghosts,” states Frank Giebfried, a docent and board member at Meadow Croft in Sayville. “I have not really experienced anything, just a little voice here or there, but nothing that I would attribute to anything supernatural. I’m a skeptic, but I’m not going to not believe the things people tell me they experience.”

Brosky honors groups like the Bayport-Bluepoint Heritage Association, the Ward Melville Heritage Organization and the Oyster Bay Historical Society for their work in preserving these historical sites and making them available to the public.

The last two chapters are devoted to the Sundance Stables in Manorville, with the final chapter focusing on Rebecca Weissbard, who died in 2016 at age twenty-two. A gifted equestrian, “Becca” died in a horseback riding incident. Her detailed story is the ideal coda because of the resonance of its deeply personal nature.

Giaquinto best sums up Haunted Long Island Mysteries: “There is something for everyone in this book. If you love history, it’s in the book. If you like to read ghost stories and urban legends, there are many to peruse here. And if you’ve ever been curious how a paranormal researcher does their work, you’ll find it here as well.”

Haunted Long Island Mysteries is available online at Barnes and Noble and Amazon. Learn more about the author at www.kerriannflanaganbrosky.com.

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Nick Castle as Michael Myers in a scene from the film. Photo courtesy of Universal Pictures

Reviewed by Jeffrey Sanzel

The Halloween franchise boasts eleven films, including seven in the first series (with the third an unconnected entry), a reboot, and a continuation of its premiere track. The most recent, Halloween (2018), is now joined by Halloween Kills.

Jamie Lee Curtis and Judy Greer in a scene from the film. Photo courtesy of Universal Pictures

While falling into the category of “slasher movie,” Halloween (1978) remains one of the finest thrillers. Taut, brooding, and atmospheric, it relied on shadows, tension, and an unforgettable score to create its horror. John Carpenter directed and co-wrote the film that remains definitive in the genre. In addition, the film catapulted its lead, Jamie Lee Curtis, to Scream Queen stardom. She presented Laurie Strode as a self-actualized and resourceful heroine. Curtis would reprise the role four more times in addition to Halloween Kills and Halloween Ends (projected for release in 2022).

Ignoring much of the mythology developed during the progressively less inspired sequels, the well-received Halloween (2018) picked up forty years after the original film, with institutionalized killer Michael Myers (once again Nick Castle and James Jude Courtney) escaping while being transferred to a maximum-security prison. After returning to Haddonfield and embarking on a killing spree, he “dies” in Laurie’s burning home. The film emphasized Laurie as a wounded survivor, finding the inner strength to confront her living nightmare. The script—by Jeff Fradley, Danny McBride, and David Gordon Green—honored the story’s roots. Carpenter praised the outing, noting the strength of the screenplay and Green’s direction.

It would be easy to say things like Halloween Kills … an hour and forty-six minutes of your life. Or Halloween Kills … the desire to go to the movies. Or Halloween Kills … a franchise. It would be easy to pick this low-hanging fruit. So, I won’t say any of those things. 

Halloween Kills is a movie cobbled together with brutal violence and an absence of actual conflict. It serves as a placeholder between the first film, which reintroduced the characters, and the third (and hopefully final) chapter that concludes Laurie’s journey. That Michael Myers must survive to complete the trilogy is a given. Nevertheless, it does not need to be so painfully generic. In the first fifteen minutes, Michael slaughters an entire team of first responders. What follows is one meaningless killing after another.

The film makes the egregious error of showing flashbacks to the Halloween (and Halloween) of 1978. However, these newly shot scenes lack the meditative, shadowed world of the original. Instead, they are overwrought, introducing information with only the slightest nod towards character development. Additionally, the use of footage of Donald Pleasance (the powerful, understated Dr. Loomis of the source film) is a reminder of the complete absence of style and substance in this newest incarnation.

Having been stabbed in the abdomen, Laurie spends almost the entire film in a hospital bed (shades of Halloween II’s hospital location). Sidelining the strongest character is a mistake. Saddling an actor of Jamie Lee Curtis’s caliber with embarrassingly clumsy dialogue is a crime.

The roster of townspeople is a mix of new characters and shout-outs to minor characters in the original. Some of the 1978 cast returns to play themselves forty years later; others are the grown-up versions of the children hunted that fateful night. 

Anthony Michael Hall is the adult Tommy, the boy Laurie was babysitting. The role edges to slightly more than one dimension. At a bar talent night(!), Tommy shares the story of “The Bogeyman,” who terrorized the town. His character misfires on every level, trading trauma for campfire whimsy and rally-round-the-pitchfork-boys. Among the new victims for the stalk-dispatch-repeat are an African American couple (she’s a doctor; he’s a nurse) and a gay couple (Big John and Little John). Please don’t get too invested in the diversity; they are all undefined fodder for the knife.

Worst of all, in a nod to topicality, the creators introduce the dangers of mob mentality and vigilante justice. “Evil dies tonight!” they chant. Multiple times. Declarations such as “No, he’s turning us into monsters,” “The more he kills, the more he transcends,” and “He is the essence of evil” don’t elevate the situation.

The performances never overstep the awkward script. Judy Greer (as Karen Nelson, Laurie’s daughter), Andi Matichak (as Allyson Nelson, Laurie’s granddaughter),  and Will Patton (as Deputy Frank Hawkins) continue their paths from Halloween (2018). Greer, a talented actor, is a cipher. It is also hard to believe that her husband was murdered by Michael this same night. It is as if the year between the release of the films has allowed her to accept it. The storyline and timeline are bizarrely disconnected. 

For those looking for a predictable, sadistic bloodbath, Halloween Kills might be for you. But, for those hoping for plot, motivation, thought, tone, and engagement … well, there’s always next Halloween. Rated R, the film is now playing in local theaters.

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Other seasonal fair to consider: the Candyman reboot; Malignant, the twisty thriller from James Wan; Lamb, the story of a human/sheep hybrid; Last Night in Soho, a psychological time-travel film with a horror overtone; malevolent forces in Shepherd; and the supernatural creature-feature Antlers, starring Keri Russell. (Please note: These films have not been reviewed by TBR News Media.)

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'La Mujer de las Flores' by Abigail Simon. Image from HAC
'Tethered to the Dark' by Julia Crapanzano. Image from HAC
'Blind Eye' by Jacob Medina. Image from HAC
'Captured Memories' by Liza McPherson
'Creepy Crawlies' by Charlotte Oser. Image from HAC
'Fear of Death' by Brynn Amatulli
'Horror F.R.I.E.N.D.S' by Holly Eude. Image from HAC
'Suffocate' by Sarah Davi

From trick or treating, haunted trails, parades, festivals and pumpkin carving, there’s always so much to do on the North Shore around Halloween. Over in Huntington, the Huntington Arts Council is playing host to a spooky art show that is perfect for the season.

Celebrating its 10th year, the popular juried student exhibit Nightmare on Main Street featuring 55 works of art opens at the HAC’s Main Street Gallery on Oct. 22. 

This year’s juror, Sueey Gutierrez, invited students in grades 6 to 12 to submit work inspired by the theme of Halloween.  “Halloween is a celebration observed in many countries. For some, it is a time, or reflection for remembering loved ones that have passed. For others it is a celebration of life. Many experience Halloween mainly with candy, costumes and spooky decorations. It all depends on your cultural background. … Show us how you celebrate Halloween and what it means to you, your family or your friends,” she asked of the artists. 

All mediums were accepted, including drawing, painting, photography and sculpture.

“It was challenging selecting works for this show since there were so many great entries. There was a lot of variety in the work from digital, photography, sculpture and traditional media as well as different skill sets. But the pieces that were selected for this exhibition conveyed strong emotions and how they connect to Halloween; from cultural, whimsical, and visceral imagery,” said Gutierrez.

“The point is to make the audience connect with the work, to grab their attention so that they may form their own opinions,” she added.

“Our 10th annual Nightmare on Main Street exhibition continues to inspire students throughout Long Island to interpret the meaning of Halloween and how they chose to create their artistic representation of the theme. With 89 submissions, from 19 school districts, the 55 pieces accepted for the show reflect the abundance of talent, creativity and skill in these young adults, and that is exciting to see,” said Marc Courtade, Executive Director of Huntington Arts Council.

“For many of these students, Nightmare on Main Street is their first opportunity to participate in a gallery exhibition. Huntington Arts Council is proud to be able to support young artists in the community, and encourage their creativity through our exhibition program. All are welcome to come to our Main Street Gallery and view this unique show!” said Courtade.

The Huntington Arts Council’s Main Street Gallery, 213 Main Street, Huntington presents Nightmare On Main Street from Oct. 22 to Nov. 13. Gallery hours are Tuesday to Friday from 11 a.m. to 4 p.m. and some weekends with limited capacity, social distancing and face coverings required at all times. Please call 631-271-8423 in advance. For more information,  visit www.huntingtonarts.org.

 

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