Environment & Nature

Forest leaves in the canopy. Pixabay photo

By John L. Turner

John Turner

I had walked for 20 minutes before reaching the intended destination: Hunter’s Garden in Eastport, located in the eastern end of the Manorville Hills, an 8,000-acre section of the LI Pine Barrens. 

An opening in the forest, Hunter’s Garden is the spot of a longstanding tradition — where bay- and sportsmen, farmers, and others that live off the land, many bearded and sporting all patterns of flannel shirts, come together to share steaming bowls of chowder and camaraderie. The soup and socialization takes place each May in a secluded pocket in the Hills, reached via a sandy road coming off  County Route 51. An etched marker stone commemorates the event.   

I sat on the ground, leaned against the slanted marker stone, took a deep breath and began to listen. Birdsong soon surrounded me. A few seconds passed and I detected a robin singing in the distance followed by another song that sounded like a robin’s but richer — a Rose-breasted Grosbeak! Lucky for me the grosbeak came closer and I could see it moving around in a lower stretch of the tree canopy. 

Rose-breasted Grosbeak. Pixabay photo

I slowly raised my binoculars to enjoy one of the more beautiful songbirds found in eastern North America — a black and white plumage pattern with a bright red triangle in the middle of its breast which gave rise to its macabre common name of “Cut-throat”. (A bit of an apocryphal story told by Roger Tory Peterson, who more than anyone else popularized birding, is that he once was contacted by a woman in Texas wondering what she could do to help a bird in her yard that had been shot in the chest and was bleeding profusely; not to worry he reported, explaining it was just the bird’s natural plumage).  

As the minutes rolled by I heard and saw more birds — a Red-eyed Vireo sang incessantly from somewhere in the overhead canopy and much lower to my right came the “veer-veer-veer” of a Veery, a type of thrush. And then, as if almost on cue, its cousin the Wood Thrush began its ethereal song from deeper in the woodland. Scientists have learned that this species, as with many other birds, is actually capable of singing two songs simultaneously due to the complexity of its syrinx or voice box. Soon, the Veery came into view and I could see its distinctive plumage generally indicative of the thrushes — a spotted throat, white belly, and buckskin brown back.  These two thrush species are fairly common breeding birds in the Pine Barrens along with the less common Hermit Thrush. 

Other sights unfolded. A large glade of wood ferns with highly lacy fronds spilled away from me on the other side of the trail creating an interesting visual effect. It was if the ferns were always fuzzy and out of focus due to the highly dissected form of the fronds. No matter how I looked at them, even with squinted eyes, they appeared out-of-focus although, in reality, they weren’t. Being in the shade the tree canopy overhead formed another series of interesting textures and patterns and I appreciated the distinctive architecture of each tree species. The same held true for individual leaves. 

Tiger Swallowtail

Sitting still I began to more acutely pick up movement and soon came the butterflies. In quick succession I saw a mourning cloak fluttering through the understory and then a darker, more rapidly moving butterfly which I realized was a red-spotted purple. And then a tiger! as in Tiger Swallowtail, the largest butterfly found on Long Island, erratically dashing over shrubs in the understory.  

While sight and hearing were the two senses at first most triggered by the immersion in this extensive forest, smell and touch soon came into play. I began to feel the coolness of the earth I was sitting on and the texture of the slightly uneven ground. Scuffing a little of the leaves out of the way caused a pleasant earthy aroma to waft upward, an aroma very much like one experiences while planting vegetables in the spring garden. 

It also changed my focus from looking at trees and birds both distant and afar to immediate close-ups of soil creatures including a pill bug (which you may know by its more colorful name: a roly-poly). I was instantly transported back to my youth when I and friends routinely found roly-polys while turning over logs to investigate what creatures might be living beneath.  

I was practicing a version of what the Japanese refer to as Shinrin-yoku or “forest bathing,” an activity in which one immerses oneself in a forest and uses the full suite of senses — sight, sound, touch, smell and even taste — to take in the sights, sounds, odors, and textures of the forest, thereby achieving “sensory engagement.” 

Shinrin-yoku doesn’t have to  take place only in a forest although the practice is quite conducive there; it can be in a meadow or along the shoreline or other natural or mostly natural landscapes. And research, most conducted in Japan where the practice began in the early 1980’s and is widely practiced today, shows demonstrable mental and physical health benefits from regular episodes of forest bathing. 

Forest leaves in the canopy. Pixabay photo

These peer-reviewed, scientific papers indicate that practitioners are calmer and more relaxed, have lower stress hormones, and are generally happier from regularly “bathing” in the forest. According to the research “forest bathers” also sleep better and have an enhanced ability to focus.  The benefits also accrue to those who experience nature indoors — a study of hospital patients with a wall in their room displaying a forest scene, or who could visually see the outdoors through a window, spend less time in the hospital than patients with no visual connection to nature. 

To practice forest bathing you don’t have to sit still as I did. You also can gain benefits from a leisurely to mid-paced stroll through a forest. The key is to open your “sensory self” to the living landscape happening all around you.   

After an hour or so I arose from my stationary ground-level seat, stretched some lightly aching muscles and slowly walked the mile back to the car, feeling physically and mentally  relaxed yet with my senses quite alert to the surrounding forest landscape.  I wondered: Is this state what a wild animal like a deer, fox, or box turtle always experiences?  

I hope you take a bath soon.

A resident of Setauket, author John L. Turner is conservation chair of the Four Harbors Audubon Society, author of “Exploring the Other Island: A Seasonal Nature Guide to Long Island” and president of Alula Birding & Natural History Tours.

Legislator Steve Englebright. Photo courtesy Office of Leg. Englebright

By Ava Himmelsbach

Introduced by county Legislator Steve Englebright (D-Setauket) at the Suffolk County Legislature’s April 9 meeting, bill I.R. 1371 may change how Suffolk County treats the environment.

If passed by the Legislature and signed by County Executive Ed Romaine (R), this bill would ban restaurants and third-party delivery services from providing single-use utensils and condiment packages unless requested by a customer. The goals and potential impacts of this bill were discussed during the Legislature’s May 7 general meeting and voted upon during last week’s committee meeting but failed to pass.

Englebright emphasized that this bill is meant to help the environment, which could concurrently help the community. “We’re trying to basically keep the extra plastic — that nobody even really uses in many cases — from just being callously or carelessly disposed of. It often ends up on our beaches, clogging our street drains and breaking down into microparticles that are able to be inhaled in some cases, or that are taken up in the food chain by organisms that concentrate the plastic going up the food chain.” 

“So, this is not a ban on plastic,” Englebright clarified. “It’s simply an effort to cause people to be more thoughtful.”

This seemingly simple and nonrestrictive proposal has caused disagreement that seems to be rooted in political variance. Nonetheless, Englebright believes that the issue of microplastics and environmental concerns should not be viewed from an argumentative perspective. 

“There’s really no reason, in my opinion, not to implement this — because it doesn’t hurt anybody and it only has the potential to be helpful. You know, there are three Rs in the environment.” Englebright explained why limiting plastic distribution should be prioritized. “I’m talking about reduce, reuse, recycle. And those three Rs for the environment are really very important to keep in mind. They are listed in priority order. Recycling is the least appropriate way to deal with contaminants, pollutants and excessive litter, or in this case plastic debris. The most important is to not create the problem in the first place. That’s ‘reduce.’ And so, reduction is the highest priority. That’s what this bill does.”

Less plastic being thrown away could mean a better quality of life for Long Island residents. “The reduction of the line of plastic into the environment is really something that shouldn’t be controversial, because it saves money for food establishments that sell takeout food and it certainly prevents people from encountering problems with plastics,” Englebright said. He highlighted an often-overlooked impact of plastic waste: “Plastics have the potential to collapse or compromise parts of our largest industry, which is tourism.”

Despite some disagreement, this bill has been met with plenty of positivity and understanding by Suffolk County residents. “We’ve had very strong support, there were a number of speakers who spoke in support,” Englebright said. These supporters included local civic leaders and numerous speakers from waterfront communities and nonprofits.

Due to a tied vote, I.R. 1371 failed to move out of committee last week. However, Englebright stated that he intends to reintroduce it in the near future. “We’re going to redouble our efforts. There is every intention on my part to reintroduce the bill, and we may add some adjustments, making it more difficult to see a repeat of that action. So, some of the comments that were made on it by the presiding officer [Kevin McCaffrey (R-Lindenhurst)] before he made his vote, we’re going to study those and see if there’s a way to apply some of those to the bill.”

Romaine would like to see the language of the bill, and he believes that with a thorough understanding of its contents, he would potentially be supportive of its passing. “I have some concerns about this bill,” he said. “But should the bill arrive at my desk, I would definitely consider signing it.”

Photo from Town of Brookhaven

On July 1, Councilman Neil Manzella (second from right) presented a compost tumbler to Edith Randazzo of Centereach (second from left), one of six winners of the Town of Brookhaven’s “Compost Tumbler Giveaway.”

Entries for the Compost Tumbler Giveaway were collected at pop-up outreach tables throughout the Town with a winner selected from each Town Council District. Over the past six weeks, the outreach tables were set up at community events, supermarkets, and at special Town recycling events. At these tables, Town of Brookhaven representatives hand out information about recycling and waste reduction.

Visit the BrookhavenNY.gov for more information about recycling in the Town of Brookhaven. Also pictured are Edith’s husband, Robert Randazzo (left) and Zachary Sicardi (right), Town of Brookhaven Recycling Educator.

Through its Green Energy and Sustainability Initiative, the Town has been “greening-up” its operations and facilities while saving taxpayer money by utilizing new, and more energy efficient technologies and renewable energy sources. All these efforts lower operation costs and reduce Town carbon emissions. By encouraging waste diversion through recycling and composting, the Town can further realize spending and emissions reductions.

Project Action Committee member Beth Watson, trustee-elect Kyle Hill, Deputy Mayor Rebecca Kassay, Andy Freleng, director of Planning & Building Department, PAC members Bob Laravie, Mary Ann Bernero, Frances Campani and Michael Schwarting. Photo by Lynn Hallarman

By Lynn Hallarman

Increasing intense storms and rising sea levels compound the risk of damaging and costly flooding in the Village of Port Jefferson. 

On June 20, village officials hosted the second of two interactive community workshops to explore project proposals for addressing flood risk in the downtown area. The initial workshop was held in April 2023. 

Climate Resilience Plan

In 2021, the village secured grant funding from the New York State Regional Economic Development Councils to tackle the longstanding flooding problem in Port’s downtown watershed. The total project is budgeted at $110,000, for which the state funding covers 75% ($82,500) and the village is responsible for 25% ($27,500), according to village Treasurer Stephen Gaffga.

Village officials formed the Project Action Committee, composed of expert consultants, to collect and analyze data related to flood risk and use it to create the Climate Resilience Plan. The plan currently outlines five potential projects focused on innovative flood and storm surge prevention as part of the village’s strategic planning. The purpose of the June workshop was for PAC leadership to receive community input on several of their proposals and to inform the public about the committee’s progress. 

The initiative, led by outgoing Deputy Mayor Rebecca Kassay who is the village’s sustainability commissioner, includes PAC members such as architectural experts from Campani and Schwarting; Amani Hosein, legislative aide to Town of Brookhaven Councilmember Jonathan Kornreich (D-Stony Brook); village residents and other local experts. 

Mayor Lauren Sheprow, Kassay, trustee-elect Kyle Hill, Andrew Freleng the village’s director of Planning and Building Department, Kornreich, several PAC members and members of the public attended the workshop. 

“Our village is experiencing issues related to stormwater runoff, a high-water table and tidal flooding that all impact downtown Port simultaneously,” Kassay said. “Tonight’s workshop is part of the village’s ongoing efforts to explore all angles of the problem and to find solutions that will truly make a difference.” 

Project proposals

Michael Schwarting, partner of Campani and Schwarting Architects, presented updated committee findings and outlined five potential projects. A breakout session allowed the public to learn about individual projects from PAC experts. 

“The village watershed is a bowl, collecting water from the south, east and west, all going to one place — down into the commercial district of Port Jefferson,” Schwarting said. “Then there is the harbor from the north, whose sea level is rising and having increasing storm surges.”

According to data from the New York State Department of Environmental Conservation, the Long Island region is predicted to experience a sea rise of up to 12 to 25 inches by around 2050.

Blue line represents downtown watershed area in the village of Port Jefferson. Maps courtesy of CASA.

Overview of the projects: 

1.  Develop designs for reducing stormwater flowing from the numerous steep streets upland of the village into the downtown area. 

2.  Assess the flooding problems of the culvert (underground drainpipe) that collects stormwater from Main Street and Barnum Avenue to Old Mill Creek at Village Hall. Convert portions of the culvert into a series of cased ponds for flood mitigation. The water is naturally cleaned when exposed to light. 

3. Complete the 2011 Old Mill Creek restoration plan from Brook Road to the harbor, restoring Old Mill Pond and daylighting the creek culvert — removing obstructions covering the creek — from West Broadway to the harbor.  

4. Update the 2013 village-approved Harbor Front Revitalization Plan in the 2030 Comprehensive Plan, incorporating storm flood mitigation and rising tides solutions as well as creating a green Harborfront Park. This plan would require relocating the harborfront marina parking. 

5.  Research ways to contain stormwater on-site in public off-street parking lots and mitigate these heat islands with trees. 

Water table levels below the surface of the village of Port Jefferson. Courtesy of CASA

Public concerns, official responses

Most concerns voiced at the meeting focused on project feasibility and potential costs to the village. One resident questioned the impacts on village parking if the Harborfront area, currently used to park up to 300 cars, is converted into a green space. 

To date, Campani and Schwarting Architects has billed the village $33,200 for its work studying the flooding problem as PAC members. According to Gaffga, the village has been reimbursed $17,850 of this cost by the state as part of the grant funding. The state grant will ultimately cover 75% of the total costs of the PAC initiative studying flooding risk in downtown Port.  

This reporter asked PAC members if the impacts of the recent uptick in housing development projects and installation of impervious surfaces, such as the Mather Hospital parking lot and asphalt repaving of the walkway at Harborfront Park, have been accounted for in the data analysis and project proposals.  

“That is a good question,” Frances Campani of CASA responded. “We can consider overlaying those impacts in our next mapping update.” 

“This is a step-by-step process,” Sheprow told TBR in a post-workshop interview. “The village has to put together many preliminary studies like the PAC initiative to garner support from the state to win big funding opportunities for major infrastructure projects. Without the studies, we’ll never get those large state and federal grants.”    

Rendering of the proposed Harborfront Park. Courtesy of CASA

New funding

Kassay informed the public at the workshop about the recent attainment of a $300,888 grant, including $270,799 from FEMA with the difference covered by the village, for an engineering study of flood mitigation at especially vulnerable sights in the downtown watershed. Kassay hopes this new funding for an expert engineering study will create synergy with the PAC initiative to set up the village to receive funding from New York State to implement the proposed projects and other innovations. 

The full workshop and slideshow can be viewed on the Port Jefferson YouTube channel. Comments about the project proposals are open until July 15. 

From left, Raimundo Espinoza, founder and executive director of Conservación ConCiencia in Puerto Rico, is interviewed by Baratunde Thurston in Episode One of the docuseries. Photo courtesy of PBS

Reviewed by Jeffrey Sanzel

PBS’s Hope in the Water is a three-part docuseries investigating the world of aquafarmers and fishers. The series shows viable alternatives to providing food for an ever-growing population while supporting and sustaining the environment. Unlike many documentaries narrowing on the doom-and-gloom aspects, Hope in the Water leans into its name, celebrating individual and group efforts and emphasizing cooperative undertakings that have already made a difference. Climate change is touched upon but rarely central.

Baratunde Thurston in Episode One of ‘Hope in the Water’. Photo courtesy of PBS

Hope in the Water comes from the multi-award-winning producer David E. Kelley (Love & Death, Lincoln Lawyer, Big Little Lies) in association with four-time James Beard Award and Emmy Award winner Chef Andrew Zimmern and his production company, Intuitive Content (What’s Eating America, Family DinnerAndrew Zimmern’s Wild Game Kitchen, Feral).

Episode One, The Fish in the Sea, which premiered on June 19, breaks down into three sections. The first details the evolution of COAST—Community of Arran Seabed Trust—a Scottish grassroots movement that set out to “manage the seas on behalf of the next generation.” Inspired by a No-Take zone in New Zealand, COAST “campaigned to stop mobile fishing that damages [their] seabeds, jeopardizing future livelihoods and wildlife.” COAST saw the change and suspension of legal protections and faced governmental roadblocks but ultimately triumphed. The new approach led to a revitalization of the waters as well as a species abundance increase of 102%. 

A joyously energetic Baratunde Thurston provides much of the narrative drive in the second section, which takes place in Puerto Rico. Thurston is the host and executive producer of America Outdoors with Baratunde Thurston and the creator and host of How to Citizen with Baratunde. The Emmy-nominated hyphenate (host-producer-writer-public speaker) is the ideal cheerleader for issues that intersect technology, politics, and climate. 

A scene from Episode 2 of ‘Hope in the Water’/ Photo courtesy of PBS

Devastated by 2017’s Hurricane Maria, the middle of the documentary tells of the founding of the World Central Kitchen (preparing and feeding over four million survivors) and the grants given to fishers for boat repairs, new engine purchases, and repairing the fishing ecosystem. At the heart is the fishing of the diamondback squid. The large sea creature, often up to sixty pounds and fished from depths as deep as 1,700 feet, is almost entirely meat. The shift promotes resilience and moves away from a dependence on imports.

The final segment shows Hawaii’s He’eisa Fishpond, eighty-eight acres and an eight-hundred-year-old location of traditional Hawaiian aquaculture. Here, one indigenous woman strives to grow fish traditionally, keeping one hundred percent of the resources local. (Hawaii is the largest consumer of fish per capita in the nation yet imports most of its seafood. The market economy overturned the long-standing fishpond culture early in the twentieth century.) This third chapter is the most intimate and personal, highlighting the power of the individual to engage the community.

The film is quickly—if often peripatetically—paced, with a constant cutting from interviews to broad oceanic vistas—rarely holding for more than fifteen seconds. (There is a vague sense that creators fear losing their audience.) In addition to an array of talking heads—activists, scientists, environmentalists, fishers, politicians—historical footage, personal photos, legal documents, and newspaper clippings flash and integrate throughout. 

A scene from Episode 3 of ‘Hope in the Water’. Photo courtesy of PBS

Episode One opens with a storm in Puerto Rico, played for dramatic effect. The entire sequence repeats when the narrative returns to this thread with a mostly tacit conclusion, justified with a tag: “These are real people, and the story is dangerous,” which is all “part of the cost of the food that we eat.” These are minor cavils in an otherwise engaging and refreshing boost of optimism. While the film presents a variety of facts—we eat twice as much seafood now as we did fifty years ago—statistics never bog down the film or obscure the story’s humanity.

In a predominantly upbeat approach, Hope in the Water embraces the oceans as the heart of the earth’s survival. The film’s message is not one of “hands off.” It expresses the necessity to be aware of the environment but also acknowledges the “need to feed.” The film is a worthwhile fifty minutes that is a tribute to the strength of community and the power of individuals to make change for the greater good. It “starts with us.”

The series continues on PBS with Farming the Water on June 26, which highlights solutions to the pollution and environmental issues surrounding farmed fish, and concludes with Changing the Menu on July 3, taking up a diversification of seafood. To view the entire series online, visit www.pbs.org/show/hope-in-the-water/.

Pixabay photo
Due to heavy rainfall, the Suffolk County Department of Health Services has issued an advisory against bathing at 63 beaches. The advisory, issued on June 27, is based on the potential bacteria levels at these beaches exceed New York State standards.

The beaches covered by the advisory are located in areas that are heavily influenced by stormwater runoff from the surrounding watersheds or adjacent tributaries, and because of their location in an enclosed embayment, experience limited tidal flushing.

Health officials recommend that bathing and other water contact be suspended in affected areas until the waters have been flushed by two successive tidal cycles, at least a 24-hour period, after the rain has ended. This advisory will be lifted on Friday, June 28,at 5 a.m., unless sampling reveals elevated levels of bacteria persisting beyond the 24-hour period.

Beaches closed for swimming include:

  • Amityville Beach in Amityville
  • Tanner Park in Copiague
  • Venetian Shores Beach in West Babylon
  • Sound Beach POA East in Sound Beach
  • Sound Beach POA West in Sound Beach
  • Tides Beach in Sound Beach
  • Beech Road Beach (NSBA) in Rocky Point
  • Broadway Beach (NSBA) in Rocky Point
  • Friendship Drive Beach (NSBA) in Rocky Point
  • Shoreham Village Beach in Shoreham
  • Shoreham Beach in East Shoreham
  • Corey Beach in Blue Point
  • Stony Brook Beach in Stony Brook
  • Shoreham Shore Club Beach in East Shoreham
  • Miller Place Park Beach in Miller Place
  • Scotts Beach in Sound Beach
  • Woodhull Landing POA Beach in Miller Place
  • Bayberry Cove Beach in Setauket-East Setauket
  • Bayview Beach in Setauket-East Setauket
  • Grantland Beach in Setauket-East Setauket
  • Indian Field Beach in Setauket-East Setauket
  • Little Bay Beach in Setauket-East Setauket
  • Soundview Beach Association Beach in Old Field
  • Terraces on the Sound in Rocky Point
  • Havens Beach in Sag Harbor
  • Eagle Dock Community Beach in Cold Spring Harbor
  • Cold Spring Harbor Beach Club Beach in Lloyd Harbor
  • West Neck Beach in Lloyd Harbor
  • Lloyd Neck Bath Club Beach in Lloyd Harbor
  • Lloyd Harbor Village Park Beach in Lloyd Harbor
  • Gold Star Battalion Park Beach in Huntington
  • Head of the Bay Club Beach in Huntington Bay
  • Nathan Hale Beach Club Beach in Huntington Bay
  • Baycrest Association Beach in Huntington Bay
  • Bay Hills Beach Association in Huntington Bay
  • Crescent Beach in Huntington Bay
  • Knollwood Beach Association Beach in Huntington
  • Fleets Cove Beach in Huntington
  • Centerport Beach in Centerport
  • Huntington Beach Community Association Beach in Centerport
  • Steers Beach in Northport
  • Asharoken Beach in Asharoken
  • Hobart Beach (Sound & Cove) in Northport
  • Crab Meadow Beach in Northport
  • Wincoma Association Beach in Huntington Bay
  • Valley Grove Beach in Eatons Neck
  • Prices Bend Beach in Eatons Neck
  • West Islip Beach in West Islip
  • Benjamins Beach in Bay Shore
  • Islip Beach in Islip
  • East Islip Beach in East Islip
  • West Oaks Recreation Club Beach in West Sayville
  • Brightwaters Village Beach in Brightwaters
  • Bayport Beach in Bayport
  • Sayville Marina Park Beach in Sayville
  • Bayberry Beach & Tennis Club Beach in Islip
  • Ronkonkoma Beach (Town of Islip) in Ronkonkoma
  • Callahans Beach in Northport
  • Short Beach in Nissequogue
  • Nissequogue Point Beach in Nissequogue
  • Long Beach in Nissequogue
  • Schubert Beach in Nissequogue

For the latest information on affected beaches, please call the Bathing Beach HOTLINE at 631-852-5822 or visit the website link: www.suffolkcountyny.gov/health. Search “Beach Monitoring Program”.

Microcystis bloom in Lake Erie. Photo by Matthew Harke

Study links warming since the 1990s to the intensification of Microcystis blooms

Climate change is causing a series of maladies by warming land and sea. A study published online in Limnology and Oceanography Letters, demonstrates that one consequence of climate change that has already occurred is the spread and intensification of toxic algae blooms in Lake Erie.

A team of scientists led by Christopher Gobler, PhD, a Professor  in the School of Marine and Atmospheric Sciences (SoMAS) at Stony Brook University, used high resolution satellite-based temperature data along with the growth response of the blue-green algae that plagues Lake Erie –  Microcystis. Their study demonstrates that since the 1990s, the western basin of Lake Erie has warmed and become significantly more hospitable to this alga and that ‘blooms’ of Microcystis have become more intense in these same regions. Microcystis can cause serious health concerns as the gastrointestinal toxin, microcystin, can be harmful to humans and animals.

“Toxic or harmful algal blooms are not a new phenomenon,” says Gobler. “These events can sicken humans by contaminating drinking water or harm aquatic life as toxins cycle through food webs.”

And the problem is worsening. “The intensity of these events has increased across the globe and this study has demonstrated that warming since the 20th century has expanded the bloom season of Microcystis in the western basin of Lake Erie by a month,” notes Gobler.

While several studies have predicted that toxic algae blooms may become more common in the future, this is one of the first studies to link the recent intensification of Microcystis blooms in a specific ecosystem to decadal warming. Confidence in the findings of the study came from the match of the modeled findings to the intensification of these events in western Lake Erie during this century.

“It was remarkable and reassuring to see our hindcast models fall in-line with observations in Lake Erie over the past 30 years,” said co-author, Benjamin Kramer, PhD, who received his doctorate at Stony Brook University and is now a post-doctoral scholar at the University of Minnesota. “It gives us confidence that these model parameters and our approach can be applied to hindcasting and even forecasting of these events elsewhere.”

The study brought together biologists with climate scientists who made use of ecosystem observations, laboratory experiments, and thirty years of satellite-based temperature estimates that are made daily and with a very high degree of spatial resolution.

“Today, collaborating with scientists outside of your discipline is almost a requirement to solve the tough questions,” said climate modeler, and co-author, Owen Doherty, PhD. “This study showed the value of interdisciplinary collaboration through a novel combination of laboratory, observational, and modeling work.”

And the study has important consequences for policy and the future of the oceans.

“This study demonstrates that the warming that has already occurred is now impacting human health and our water resources,” said Gobler. “An important implication of the study is that carbon emission and climate change-related policy decisions made today are likely to have important consequences for the spreading and intensification of toxic algal blooms in large lake ecosystems.”

Caption: Microcystis bloom in Lake Erie.

Photo credit: Matthew Harke

'Swallowtail' by Lorena Salcedo-Watson will be on view at Gallery North through Aug. 11. Image courtesy of Gallery North

By Tara Mae

So much of nature exists in the balance of tension and release: the unrelentingly gray palette of winter gives way to the expansive vibrancy of spring blooms; birds sit on their nests for weeks in the hopes that their young will be strong enough to crack through their shells; and, people dare to dream of brighter tomorrows.

Morpholgies: Recent Works by Lorena Salcedo-Watson, on view at Gallery North, 90 North Country Road, Setauket from June 27 to Aug. 11, explores this interplay. Featuring 30 pieces including large-scale charcoal and pastel drawings, lithographs, and first drafts, the exhibit is a meditation on how the environment and nature merge with human experience.

‘Let It Go’ by Lorena Salcedo-Watson

“Having her do a solo exhibit here has been a goal for a while…This exhibit examines our symbiotic relationship with nature, our reliance on it, how we communicate with it,” said Gallery North Curator Kate Schwarting who met Salcedo-Watson while a student at Stony Brook University, where the artist is an art professor. 

Many pieces implement chiaroscuro —contrast between shadow and light — as a means by which to address ideas about the tenacity of life, the inevitability of death, and the determination of survival.

“Working in chiaroscuro — I want the drama, sense of falling into a black hole, you can stick your hand in there; I don’t want you to think in pretty terms — [do] not want color to add any other information. So, color is used to evoke mood in really specific moments,” Salcedo-Watson said.

Elements of color are deliberate contrasts; audacious vibrancy in stark relief. The art’s openness represents the vastness of the outdoors. “The abstract world she creates in her work is very singular; it is a celebration of beauty, nature, and curiosity,” Schwarting said. “The language Lorena creates with her art invokes organisms and structures that inhabit a totally unique space.”

It speaks to an understated grandeur that commands attention as it revels in the more abstract details of an exact image. For Salcedo-Watson, artistic scope and medium reflect the majesty of her subject matter. 

“Large scale gives you a sense of magnitude and awe. There have to be awesome things in your life. I encourage students to work large — it is liberating — keeping your drawing restricted to your wrist can be kind of sad since your experiences are life sized or larger,” she added.

Working in this manner enables Salcedo-Watson to create her own domain, in which she can guide and develop the narrative as she tracks its evolution. 

“I have always loved to draw, which is necessary to be a good printmaker. Lithography is a natural way of drawing, but you have multiples prints from the matrix, which allows you to see how you function as a problem solver. You have a record of your progress the whole way through,” Salcedo-Watson said.

The exhibit illuminates this process while also immersing its patrons in Salcedo-Watson’s interpretation of how nature nurtures. Her work is an invitation to envelop oneself in the wonder of the world while remaining rooted in realism.

“I always draw from observation, take what’s interesting to me, and play around with that,” she said. 

A longtime collector, Morpholgies features items from the artist’s cabinet of curiosities that have inspired her such as leaf fossils and root formations unearthed while gardening; insect exoskeletons gifted by friends; and other found objects that influence Salcedo-Watson’s work. 

Her fascination with nature’s detritus and remnants began at an early age and inspired her artistic practice.   

“I started drawing insects because the possibilities were huge with different varieties, but I also made stuff up and it was okay,” Salcedo-Watson said. “Not feeling like you have to follow the rules or always be accurate gave me permission to enjoy it more.”

Likewise, freedom of thought is what she seeks to convey to her audience. The ability to invoke the imagination is an ultimate endeavor of her art. 

“It’s not what I am trying to show you; it is what you think you are getting out of it. I try to put things forward and make you make sense of it. I could have a title to prompt you that this is what I am thinking about, but I want to actually engage you and make you think,” Salcedo-Watson said.

An opening reception will be held on Thursday, June 27, from 6 to 8 p.m. Salcedo-Watson will give an ArTalk and Print Demonstration on Saturday, July 20, from 3 to 5 p.m. These events are free and open to the public. For more information, call 631-751-2676 or visit www.gallerynorth.org.

The Whaling Museum and Education Center in Cold Spring Harbor has announced the return of its Sea Glass Festival, which features an array of new activities and enriched experiences for the 2024 season.

Set to take place on Sunday, July 21, from 10 a.m. to 5 p.m., this popular family-friendly event will celebrate the history, artistry, and allure of sea glass, now with an expanded presence on historic Main Street in Cold Spring Harbor. The event is the only one of its kind in the region and is the museum’s largest community event which welcomes 1,000 attendees. It is supported in part with funds awarded through a grant from Suffolk County Economic Development and Planning.

“We are thrilled to bring Long Island’s exclusive Sea Glass Festival to our community for the third year in a row,” said Nomi Dayan, Executive Director at The Whaling Museum & Education Center. “Sea glass, along with the historic glass bottles in our collection, are unique portals into Long Island’s stories. This year, we are excited to offer a number of expanded opportunities for both adults and children to appreciate and learn about the glass gems created by the ocean that surrounds us.”

Event Highlights:

  • Expert Presentations: Learn about sea glass and historic glass bottles.
  • Live Music: Enjoy tunes by Rorie Kelly.
  • Shopping: Browse booths with sea glass-themed artworks and crafts.
  • Contests & Crafts: Enter the sea glass contest and participate in fun crafts.

The festival will present an extended schedule featuring talks and lectures delivered by sea glass experts, historians, authors, and artists. These engaging sessions will be held in the museum’s gallery and offsite at a neighboring event partner, Preservation Long Island, situated a 5-minute walk from The Whaling Museum.

“Our staff curated an exciting lineup of both returning and new presenters who will provide valuable insights and inspiration to our attendees. Our presenters’ expertise and passion for sea glass and beachcombing will help educate the public on topics such as identifying sea glass, the history of local glass, and the creative applications of sea glass,” said Dayan.

Speaker presentations at Preservation Long Island will take place at 11 a.m., noon, 1 p.m. and 2 p.m., with two presenters alternating: George Wm Fisher, author of multiple books on Long Island’s bottles and medicine companies, will present at 11 a.m. and 1 p.m. on “The Origins of Sea Glass.”

Mary McCarthy, Beachcombing Educator and former Executive Director of The Beachcombing Center, will present next at noon and 2 p.m.  on the “Difference between Fake and Genuine Sea Glass.” Mary will also host her celebrated “Beachcombing Table” and offer sea glass identification for the public when she is not presenting.

Examples of Shadow Box Sea Glass Crafts. $10 per participant; All ages welcome.

New for 2024:

  • Expanded Presentations: Lectures on sea glass history at the historic Old Methodist Church, home of Preservation Long Island.
  • Mobile Beachcombing Museum: Explore “Tumbled By The Sea.”
  • Sea Glass Hunt: Find hidden sea glass on Main Street to enter a prize raffle.
  • Shadow Box Craft: Create a unique sea glass craft for $10.
  • Special Drinks: Enjoy sea glass-themed drinks at Sweetie Pies on Main.

 

Additional new activities that extend into historic Main Street in Cold Spring Harbor include: a scavenger hunt down Main Street; an exclusive visit to the Cold Spring Harbor Firehouse Museum; and the option to purchase a new sea glass-themed beverage from Sweetie Pies on Main.

In The Whaling Museum’s gallery, festival attendees can attend new talks held every hour from 10:30 a.m. to 3:30 p.m. Speaker highlights include Amy Dries of “Tumbled by the Sea,” a mobile museum that will be stationed in front of the festival tent, and author and historian Roxie Zwicker who will be discussing her new book, “New England Sea Glass: A Vibrant History.” A full schedule of talks and presentations is available at cshwhalingmuseum.org/seaglass.

Outdoors at the festival, attendees will have the chance to explore the mobile exhibit “Tumbled by the Sea” and take a self-guided tour of this travelling museum, shop with over a dozen artists and exhibitors under the tents including new artists and returning exhibitors, and view glass art torchwork demonstrations with Ro’s Glass World.

Kids can partake in a sea glass scavenger hunt in the museum’s gallery and enjoy complimentary crafts included with admission.

Live music by artist Rorie Kelly will add to the festive atmosphere, who performs fun, family-friendly crowd-pleaser music from the 1950s to today.

Returning again will be the Sea Glass of the Year contest, now featuring a new kids category.

Moreover, this year’s festival introduces a new Sea Glass Writing Contest for Long Island youth in partnership with TBR News Media. Festival attendees can hear the entries of contest winners at the event.

Attendees wanting to explore their creative side can create a new shadow box craft in the museum workshop facilitated by museum educators. Tickets for this add-on craft can be purchased only at the event inside the museum’s gallery.  

When hunger strikes, festival attendees can enjoy offerings from the All-American Wontons food truck which will be on-site or visit any of the restaurants and cafes in Cold Spring Harbor, including Grasso’s Restaurant, Sandbar, Harbor Mist, The Gourmet Whaler and the Cold Spring Harbor Deli.

The Whaling Museum and Education Center is located at 301 Main Street in Cold Spring Harbor. Online tickets for the Sea Glass Festival are priced at a discount for advance purchase at $15 for attendees and $10 for museum members. Door tickets will be available at $20 for attendees and $15 for members. For more information, visit www.cshwhalingmuseum.org

Get Your Tickets Now:

This article originally appeared in TBR News Media’s Summer Times supplement on June 20.