Arts & Entertainment

'Red Flower Rain' by Hung Liu, mixed media on panel, from the collection of Jordan D. Schnitzer will be on view at the Heckscher Museum through Sept. 18. Image courtesy of The Heckscher Museum

The Heckscher Museum of Art’s latest offering features a vibrant and timely exhibition on contemporary Asian and Asian American art. Drawn from the multifaceted collections of Jordan D. Schnitzer and His Family Foundation, the exhibit, titled Global Asias,  examines the cosmopolitan, exuberant, and subtly subversive works of 15 artists of Asian heritage who are adept at crossing borders — not only physical ones, but also those in media, styles, genre, and materials. The show opened June 4 and runs through Sept. 18.

Global Asias invites viewers to think about Asia not in singular but plural terms — encouraging audiences to understand Asia as a site of meaning across the globe. The artists in Global Asias were born in Japan, China, Korea, Vietnam, Argentina, and the United States. The exhibition provides an opportunity to move away from considering Asia as a geographical location and instead invites viewers to think broadly about how “Asia” has long served as an imaginative construct.

Featured artists include Kwang Young Chun, Hung Liu, Do Ho Suh, Jacob Hashimoto, Mariko Mori, Akio Takamor, Manabu Ikeda, Hiroki Morinoue, Barbara Takenaga, Jun Keneko, Takashi Murakami, Rirkrit Tirayanija, Dinh Q. Lê, Roger Shimomra and Patti Warashina.

The exhibition was curated by Chang Tan, Assistant Professor of Art History and Asian Studies, Penn State. 

“The artists included in this exhibition open our eyes to what it is like to cross boundaries both real and cultural,” said collector Jordan Schnitzer, whose family has a longstanding history of championing Asian art and culture. “I hope each viewer is as moved as I am by this exhibition and is challenged and inspired by the art. The power of this exhibition will influence all of us for years to come.”

“Global Asias is brimming with fascinating work by internationally renowned artists. As the only East Coast venue for the exhibition, The Heckscher Museum has a unique opportunity to share this timely art with communities across Long Island and beyond,” added curator Karli Wurzelbacher.

Organized by the Palmer Museum of Art, the 45 works in Global Asias are presented through three themes: Exuberant Forms, Moving Stories, and Asias Reinvented. The artists include New York based artists Jacob Hashimoto and Barbara Takenaga.  

Exuberant Forms features works that reshape and challenge conventional views of abstract art by exploring new materials, techniques, and metaphors. Kwang Young Chun (b. 1944) exploits the texture of handmade papers in his somber monochromes, while Jacob Hashimoto (b. 1973) mimics the effect of collage in his tour-de-force prints. Jun Kaneko (b. 1942) “flattens” traditional raku ware into explosive two-dimensionality. Hiroki Morinoue (b. 1947) and Barbara Takenaga (b. 1949) create intricate geometric patterns to evoke natural formations. 

Moving Stories brings together powerful works that reflect on the experiences of migration, both within Asia and beyond.  Dinh Q. Lê (b.1968) appropriates and masks iconic images of the Vietnam War. Hung Liu (1948-2021) finds inspiration in historical photographs, reinterpreting the genre of portraiture through the lens of displaced and voluntary immigrants. Roger Shimomura (b. 1939) borrows the visual language of Japanese woodblock prints and Pop art to render the lives of Japanese Americans incarcerated in internment camps during World War II.  Do Ho Suh (b. 1962) and Rirkrit Tiravanjia (b. 1961) map their own diasporic trajectories, literally and metaphorically.

Asias Reinvented highlights two- and three-dimensional works that transform styles and motifs of traditional Asian art to engage, probe, and critique contemporary popular culture and politics. The Pop- and manga-inflected fantasies of Takashi Murakami (b. 1962) and Mariko Mori (b. 1967) are rooted in both the artisanal heritages and the consumerist trends of Japan. Akio Takamori (1950–2017) and Patti Warashina (b. 1940) turn seemingly innocent motifs into uncanny portrayals of life, love, and death. Manabu Ikeda (b. 1973) evokes Hokusai’s famous waves to create a surreal scene of planetary apocalypse.

Following The Heckscher Museum of Art, this national touring show will travel to Yellowstone Art Museum, Billings, Montana, Oct. 13, 2022 through Jan. 15, 2023; and USC Pacific Asia Art Museum, Pasadena, California, March 10 through June 25, 2023. A catalog accompanies the exhibition and includes 73 color images, and a collector’s statement published by the Jordan Schnitzer Family Foundation.

The Heckscher Museum of Art, 2 Prime Avenue, Huntington presents Global Asias: Contemporary Asian and Asian American Art from the Collection of Jordan D. Schnitzer and His Family Foundation through Sept. 18.  Viewing hours are Thursday to Sunday from noon to 5 p.m. For more information, call 631-380-3230 or visit wwww.heckscher.org.    

RELATED PROGRAMS

Art in Bloom

June 11 and 12 from noon to 5 p.m.

The Heckscher Museum announces the third annual Art in Bloom program. Twelve floral arrangements will be featured that draw inspiration from artworks on view in Moonstruck: Lunar Art from the Collection and Global Asias: Contemporary Asian & Asian American Art from the Collections of Jordan D. Schnitzer and His Family Foundation. These exhibitions provide a diverse array of artworks to inspire designers from the Museum’s four garden club partners: North Country Garden Club (Oyster Bay), North Suffolk Garden Club (Stony Brook), South Side Garden Club (Bay Shore), and Three Harbors Garden Club (Cold Spring Harbor).

Woodblock Printing with BIG INK

Free Community Event

July 9 and 10 from 11 a.m. to 4 p.m.

BIG INK, Inc. and The Heckscher Museum team up to host two days of large-scale woodblock printing at the Museum. In addition to their oversized printing press Big Tuna, there will be fun print activities for kids and families throughout the weekend. 

Saturday participants include Paul Farinacci, Sueey Gutierrez, Eve Hammer, Joan Kim Suzuki, Janet Lust Ganes, Maureen Palmieri, Han Qin and Constance Sloggatt Wolf. Sunday participants include Leila Atkinson, Mei Fung Elizabeth Chan, Nicholas Frizalone, Michael Krasowitz, Crisoula Lazaridis, Cara Lynch, Jessica Struzinski, Amanda Vollers. The program has been organized in coordination with the exhibition Global Asias: Contemporary Asian & Asian American Art from the Collection of Jordan D. Schnitzer and His Family Foundation.

The Three Village Artisan and Farmers Market kicked off the 2022 season with a ribbon cutting ceremony. Photo from Councilmember Jonathan Kornreich's office

In the latest hopeful sign that things are returning to normal, the community came out to celebrate the re-opening of the Three Village Artisan and Farmers Market on the grounds of the Three Village Historical Society in Setauket on Friday, June 3 with a ribbon cutting ceremony.

Market manager Linda Johnson from Chocology Unlimited (with scissor) was joined by Brookhaven Town Councilmember Jonathan Kornreich, Suffolk County Legislator Kara Hahn, members of the Three Village Chamber of Commerce, the Three Village Historical Society and vendors in cutting the ribbon. 

The market featured an incredible roster of farmers, chefs, craft-makers and many other interesting and enticing vendors, including live music. 

In addition to providing space for vendors, the market made room for exhibits from local community organizations such as the Four Harbors Audubon Society, Town of Brookhaven Department of Recycling and Sustainable Materials Management and Cornell Cooperative Extension to round out the experience for visitors. 

“I encourage residents to stop down any Friday from 3 to 7 p.m. Three Village Historical Society at 93 North Country Road in Setauket. The market is open until October, and you’ll definitely find something to make your day more delicious,” said Councilmember Kornreich.

For more information, call 631-901-7151 or visit www.tvmobilemarket.com.

Flag Day. METRO photo

On June 14, National Flag Day honors Old Glory and commemorates the adoption of the United States flag on June 14, 1777.

The American flag is a symbol of the country’s history, pride and success in overcoming political oppression. Through its many incarnations and variations, the Stars and Stripes has waved over government buildings, schools and private residences. 

According to History.com, in 1775, the Second Continental Army led to the creation of the first “American” flag. However, that flag was too similar to the British Union Jack flag, George Washington requested a revision. In 1777, the Second Continental Congress passed a resolution stating that the “flag of the United States be 13 stripes, alternate red and white.” Furthermore, the “union” was represented by 13 stars of white in a blue field, “representing a new constellation.”

More than a century later, a small-town Wisconsin teacher named Bernard Cigrand came up with the idea for an annual flag day in 1885. Even though the Fourth of July, a holiday in which the flag is prominently and proudly displayed, had long been celebrated as the birthday of the United States, Cigrand wanted a holiday that would focus specifically on the flag in all its glory. June 14 was selected because it marked the anniversary of the official adoption of the first flag. Cigrand led his school in the first formal observance of the holiday, and throughout his life continued to advocate for respect of the flag.

Various other organizations liked the idea of a day to honor the flag, including the State Board of Education of New York, the Betsy Ross House and the New York Society of the Sons of the Revolution. Yet, it wasn’t until May 30, 1916, that Flag Day was officially established by presidential proclamation by President Woodrow Wilson. Still, it would take another 33 years for President Truman to sign an Act of Congress designating June 14 as the official National Flag Day, which he did on August 3, 1949.

Americans can honor the flag by displaying it on Flag Day. Here’s how to display the flag properly, courtesy of Military.com:

• The flag should be free of any obstructions, such as power lines or tree limbs.

• Flags should only be displayed in public from sunrise to sunset, unless the flag can be properly illuminated during darkness. In this instance, it may be displayed at all times.

• When displayed with other flags, such as on a single staff or lanyard, the U.S. flag should be above all other flags. If flags are displayed in a row, the U.S. flag goes to the observer’s left.

• State and local flags are traditionally flown lower than the American flag.

• During marching ceremonies or parades with other flags, the U.S. flag should be to the observer’s left.

• The flag should be displayed at every public institution and at schools during school days.

• The flag should be hoisted briskly and lowered ceremoniously.

• The flag is often displayed at half-staff on days of mourning, including Memorial Day. The flag should first be hoisted to the peak for an instant, then lowered to half-staff position, which is half the distance between the top and bottom of the staff.

• On a vehicle, the U.S. flag should be displayed from a staff firmly fixed to the chassis. It should not be draped over the hood, top, sides, or back of a vehicle.

• The flag should never touch anything beneath it.

• When displayed vertically and not on a staff, the union should be on the left when observed. It should be suspended so its folds fall freely as though the flag were staffed.

• Flags can be repaired. However, a flag in poor condition should be destroyed with dignity, preferably by burning. Most American Legion posts and local Boy Scouts troops will have the resources to retire flags accordingly. Many will host annual flag retirement ceremonies on Flag Day. 

From left, Richard Risi, Sabrina Lopez and Michael John Ruggiere in a scene from the show. Photo by NanMagna/The Gilbert & Sullivan Light Opera Company of Long Island

The Mikado: A Long Island Fantasy, a new approach to the classic comic opera, will appear for one night only in Commack when the Gilbert & Sullivan Light Opera Company of Long Island brings its 2022 production of the beloved show to Suffolk Y-JCC on June 17.

Directed by Tony Tambasco and with the orchestra conducted by music director Stuart Watarz, this all-new Mikado recasts the most famous of the Gilbert & Sullivan operas to be set on Long Island’s Gold Coast in the 1920s, the era of Prohibition, the flappers, silent movies and The Great Gatsby.

“I have attempted to recover the spirit of Gilbert & Sullivan’s intentions with a production that holds a mirror up to the present day, while also engaging in light-hearted fairy-tale-telling,” Tambasco said. 

“Setting The Mikado on a fantasy Long Island of 100 years ago allows us to activate the `Gatsby’ mythology that is a part of the cultural heritage of Long Island in the service of telling Gilbert & Sullivan’s comic fairy tale of a community overcoming the nonsensical cruelty imposed on its people.”

The score is packed with famous songs, including the lovely ballad “The Sun, Whose Rats Are All Ablaze,” the rattling patter song “I’ve Got a Little List,” the ingenious trio “I Am So Proud” and the wistful “Titwillow.”  The story is a merry farce that’s as funny now as it was in 1885 when the show premiered, and virtually defines the idea of “fun for the whole family.”

The cast includes more than a dozen of the company’s finest singers and dancers, more than meeting the challenge of  the production. 

Richard Risi plays Nanki-Poo, the wandering minstrel who’s secretly the son of the all-powerful Mikado (Lloyd Baum).  Sabrina Lopez is Yum-Yum, Nanki-Poo’s secret love, with Michael John Ruggiere as her guardian Ko-Ko, the Lord High Executioner.  Tamara Shyngle and Delaney R. Page play Yum-Yum’s schoolmates Pitti-Sing and Peep-Bo, with Kenneth Kopolovicz as the pompous Pooh-Bah and Jordan Breslow as the wily Pish-Tush. Patricia Gallagher plays the fearsome aristocrat Katisha, who claims Nanki-Poo in marriage and won’t take “No” as an answer.

The most popular comic opera ever written, the only one of the Gilbert & Sullivan operas popular even in non-English-speaking countries and the first ever to be made into a movie, the show has been a hit on Broadway as The Hot Mikado (1939), and has even had a movie—“Topsy Turvy” (1999)—made about its creation. It remains arguably the most popular work of music theater ever.

The Mikado: A Long Island Fantasy will be presented on Friday, June 17 at 8 p.m. at Suffolk Y/JCC, 74 Hauppauge Road in Commack. Admission is $30, seniors and students $25. For further information, call 516-619-7415 or visit www.gaslocoli.org.

Pixabay photo
The list of fiber’s health benefits is growing

By David Dunaief, M.D.

Dr. David Dunaief

According to the most recent USDA survey data, Americans are woefully deficient in fiber, consuming between 10 and 15 grams per day. Breaking it down further into fiber subgroups, consumption levels for legumes and dark green vegetables are the lowest in comparison to suggested levels (1). This has pretty significant implications for our overall health and weight.

Still, many people worry about getting enough protein. Most of us — except perhaps professional athletes or long-distance runners — get enough protein in our diets. Protein has not prevented or helped treat diseases to the degree that studies illustrate with fiber.

So, how much fiber is enough? USDA guidelines stratify their recommendations based on gender and age. For adult women, they recommend between 22 and 28 grams per day, and for adult men, the targets are between 28 and 35 grams (1). Some argue that even these recommendations are on the low end of the scale for optimal health.

In order to increase our daily intake, several myths need to be dispelled. First, fiber does more than improve bowel movements. Also, fiber doesn’t have to be unpleasant. 

The attitude has long been that to get enough fiber, one needs to eat a cardboard box. With certain sugary cereals, you may be better off eating the box, but on the whole, this is not true. Though fiber comes in supplement form, most of your daily intake should be from diet. It is actually relatively painless to get enough fiber; you just have to become aware of which foods are fiber-rich.

All fiber is not equal

Does the type of fiber make a difference? One of the complexities is that there are a number of different classifications of fiber, from soluble to viscous to fermentable. Within each of the types, there are subtypes of fiber. Not all fiber sources are equal. Some are more effective in preventing or treating certain diseases. 

Take, for instance, one irritable bowel syndrome (IBS) study (2). It was a meta-analysis of 17 randomized controlled trials with results showing that soluble psyllium improved symptoms in patients significantly more than insoluble bran.

Reducing disease risk and mortality

Fiber has very powerful effects on our overall health. A very large prospective cohort study showed that fiber may increase longevity by decreasing mortality from cardiovascular disease, respiratory diseases and other infectious diseases (3). Over a nine-year period, those who ate the most fiber, in the highest quintile group, were 22 percent less likely to die than those in lowest group.

Patients who consumed the most fiber also saw a significant decrease in mortality from cardiovascular disease, respiratory diseases and infectious diseases. The authors of the study believe that it may be the anti-inflammatory and antioxidant effects of whole grains that are responsible for the positive results.

A study published in 2019 that performed systematic reviews and meta-analyses on data from 185 prospective studies and 58 clinical trials found that higher intakes of dietary fiber and whole grains provided the greatest benefits in protecting participants from cardiovascular diseases, type 2 diabetes, and colorectal and breast cancers, along with a 15-30 percent decrease in all-cause mortality for those with the highest fiber intakes, compared to those with the lowest (4).

We also see benefit with prevention of chronic obstructive pulmonary disease (COPD) with fiber in a relatively large epidemiologic analysis of the Atherosclerosis Risk in Communities study (5). The specific source of fiber was important. Fruit had the most significant effect on preventing COPD, with a 28 percent reduction in risk. Cereal fiber also had a substantial effect but not as great.

Fiber also has powerful effects on breast cancer treatment. In a study published in the American Journal of Clinical Nutrition, soluble fiber had a significant impact on breast cancer risk reduction in estrogen negative women (6). Most beneficial studies for breast cancer have shown results in estrogen receptor positive women. This is one of the few studies that has illustrated significant results in estrogen receptor negative women. 

The list of chronic diseases and disorders that fiber prevents and/or treats is continually expanding.

Where is the fiber?

Foods that are high in fiber are part of a plant-rich diet. They are whole grains, fruits, vegetables, beans, legumes, nuts and seeds. Overall, beans, as a group, have the highest amount of fiber. Animal products don’t have fiber. These days, it’s easy to increase your fiber by choosing bean-based pastas. Personally, I prefer those based on lentils. Read the labels, though; you want those that are solely made from lentils without rice added.

If you have a chronic disease, the best fiber sources are most likely disease-dependent. However, if you are trying to prevent chronic diseases in general, I recommend getting fiber from a wide array of sources. Make sure to eat meals that contain substantial amounts of fiber, which has several advantages: it helps you avoid processed foods, reduces your risk of chronic disease, and increases your satiety and energy levels.

Certainly, while protein is important, each time you sit down at a meal, rather than asking how much protein is in it, you now know to ask how much fiber is in it. 

References: 

(1) USDA.gov. (2) Aliment Pharmacology and Therapeutics 2004;19(3):245-251. (3) Arch Intern Med. 2011;171(12):1061-1068. (4) Lancet. 2019 Feb 2;393(10170):434-445. (5) Amer J Epidemiology 2008;167(5):570-578. (6) Amer J Clinical Nutrition 2009;90(3):664–671. 

Dr. David Dunaief is a speaker, author and local lifestyle medicine physician focusing on the integration of medicine, nutrition, fitness and stress management. For further information, visit www.medicalcompassmd.com.

Observing Dogwood Hollow documents at East Hampton Libarry, from left, Deborah Boudreau, WMHO Education Director; Mayra Scanlon, East Hampton Library Archivist Librarian; Andrea Meyer, East Hampton Library Archivist Librarian, Collection Chair; and Sean Brass, WMHO's Young Gardiner Scholar, funded by the Robert David Lion Gardiner Foundation. Photo from WMHO

The Ward Melville Heritage Organization (WMHO) has announced the digitization of over 500 records of Dogwood Hollow and the development of Stony Brook Village Center in conjunction with the East Hampton Library’s Long Island Collection. These records are available to the public free of charge on a “next generation” interactive platform. The archives can be found online on the East Hampton Library website, easthamptonlibrary.org.

In November of 2021, East Hampton Library announced a new virtual research platform for their Long Island Collection. The research platform was customized for the East Hampton Library, which is the first public library to use this next generation digital archives software, called TIND. 

Ward Melville at Stony Brook Village Center’s Harbor Crescent in the 1950s. Photo from WMHO

Unlike other archive platforms being used in New York State, this digital archive is entirely interactive—contributor accounts can be created, higher resolution images can be downloaded and links are embedded to enable viewers to comment and share archived items on social media platforms. To learn more about Digital Long Island, the East Hampton Library’s new digitization platform, visit their website at digitallongisland.org.

The Ward Melville Heritage Organization (WMHO) was created in 1939 by businessman and philanthropist Ward Melville. Ward Melville was President of the Melville Corporation—the third largest retailer in the country at that time. WMHO owns and manages historic and environmental properties deeded to the organization by Ward Melville. These properties include Stony Brook Village Center, Thompson House (c. 1709), the Brewster House (c. 1665), the Stony Brook Grist Mill (c. 1751), the Erwin Ernst Marine Conservation Center and the 88-acre wetlands preserve at West Meadow.

The WMHO archives on this platform include the creation of Stony Brook Village Center and Dogwood Hollow. Considered the first business community in the United States, Stony Brook Village Center was created in 1941 by Ward Melville. In addition, in honor of his mother, Jennie, who loved dogwood trees, Ward Melville created Dogwood Hollow, a 2,000 plus seat amphitheater in Stony Brook Village that hosted greats such as Louis Armstrong, Benny Goodman, Count Basie and over 100 other musicians. 

Other subjects that will be digitized are Mr. Melville’s history of bringing Stony Brook University to Stony Brook, the creation of the Long Island Museum campus, the restoration of historic properties, the housing developments built by Ward Melville, the creation of the West Meadow Preserve, and the creation of the Three Village School District and its buildings. To learn more about the WMHO, visit wmho.org.

Members of the Port Jefferson Chamber of Commerce (PJCC) joined The Whiskey Barrel for a one year anniversary ribbon cutting celebration on May 26. 

Located at 138 Main Street in Port Jefferson Village, the restaurant/whiskey bar offers whiskey, wine, tap beer and other spirits, and also feature a full menu. Now also open for brunch,  the menu includes Bourbon Peach Cobbler French Toast, Croque Monsieur and Dirty Potatoes. Additionally they won 1st place in last year’s chowder contest during the 2021 Port Jefferson Village Harvest Festival. 

The Whiskey Barrel is open daily from 11:30 a.m. to 2 a.m. with brunch on weekends starting at 9:30 a.m. Takeout and delivery is also available. For more information, call 631-743-9418 or visit www.thewhiskeybarrelpj.com.

Bay House owner Brian Warasila will be featured in A World Within a World: Long Island's Bay Houses. Photo by Martha Cooper, 2015

By Tara Mae

We are all islanders here, whether by birth or by choice. Individual relationships with the water may vary, but for many it is a core component of cultural identity: a source of relaxation, recreation, sustenance, and survival. 

The Maritime Film Festival, presented by Cinema Arts Centre in Huntington in conjunction with Long Island Traditions in Port Washington and The Plaza Cinema & Media Arts Center in Patchogue, explores the flow and ebb of people’s connections to the sea and the lifestyles it provides. 

The festival will feature three films that are anchored in an appreciation of welcoming and weathering the elements of island life. Each documentary will have its own screening and be followed by an audience Q&A session with the filmmakers and others involved in the projects. [See schedule below.]

The festival begins with The Bungalows of Rockaway on Tuesday, June 14 at 7:30 p.m. Narrated by Academy Award winner Estelle Parsons, the film chronicles 100 years in the tragicomic tale of New York’s biggest summer bungalow colony. 

“The Bungalows of Rockaway illustrates, through the detailed, eloquent, diverse voices of historians, bungalow residents, and Rockawayans and the use of archival images, the long history, meaningful to residents past and present and the city as a whole,” said producer Elizabeth Logan Harris who will participate in the post-screening discussion.

A World Within a World: The Bay Houses of Long Island will be screened on Tuesday, June 21 at 7:30 p.m. This film explores from historical and contemporary perspectives the lives, histories, and experiences of bay house owners in the Town of North Hempstead. 

“The bay houses have a rich history going back to the 18th century and are a part of Long Island’s heritage that many, including myself, knew little about. Besides their aesthetic beauty — giving unparalleled access to the beauty of the marshlands on the south shore — they also offer a glimpse into a sub-culture of families who maintain and love the houses for many generations,” co-director Greg Blank said. 

Co-director Barbara Weber and folklorist Nancy Solomon, who helped put together the festival, will join Blank to talk about the documentary after the viewing.

The festival concludes with Maiden, on Tuesday, July 12 at 7:30 p.m. The documentary is the story of the first all female crew, assembled by British sailor Tracey Edwards, to compete in the 1989 Whitbread Round the World Race, a 32,000 mile global circumnavigation competition.  

“We were just people racing around the world and trying to win. The social impact was not apparent to us until later and it is incredible how the story resonates 30 years later,” crew member Dawn Riley, now Executive Director of Oakcliff Sailing Center, said. 

She and Edwards will reunite to answer questions and reflect on their experiences. 

While Maiden has previously been shown at Cinema Arts Centre, this is the first time The Bungalows of Rockaway and A World Within a World: The Bay Houses of Long Island are being presented there.

“We are thrilled to have such a great range of films,” said Dylan Skolnick, co-director of the Cinema Arts Center.

Nancy Solomon, a folklorist who specializes in maritime culture and Executive Director of Long Island Traditions, a nonprofit that focuses on recording local architecture, organized the film festival as a way to promote and ideally preserve the ethnography of Long Island.

“Long Island is becoming overdeveloped, especially along its coastlines. So the traditions of boat builders, boatyards, fishermen, baymen, bay houses, are in danger. If we don’t start learning about people carrying out these traditions, we are going to lose them,” Solomon said.  “The purpose of this festival is to introduce [audiences] to a very rich heritage of people and places that are part of our cultural identity.” 

She pitched the idea to Skolnick, who hopped on board. 

“It is a true collaboration,” Skolnick said. “At the Cinema, we try to bring great movies from around the world and bring great stories from the local community. These movies fit perfectly with the sort of stories we want to tell.” 

A continuation of a film series that began at Plaza Cinema and Media Arts Center in April, Solomon worked closely with both Plaza Cinema and Cinema Arts Centre to create a celebration of coastal culture through cinematic storytelling.

“I want the festival to help educate people about maritime culture of Long Island and how we can preserve it. The films we selected are all about different places in our region and topics relating to struggles of local people,” she said.

The festival was made possible through grants from the Suffolk County Office of Cultural Affairs, Robert L. Gardiner Foundation, and National Endowment of the Arts. 

The Cinema Arts Centre is located at 423 Park Avenue in Huntington. Tickets to the Maritime Film Festival are $17 for the general public and $12 for members of Cinema Arts Centre. For more information about the festival and films, please visit www.cinemaartscentre.org.

Film Schedule:

■ The festival kicks off with a screening of The Bungalows of Rockaway on June 14 at 7:30 p.m. Narrated by Academy-Award winner Estelle Parsons, The Bungalows of Rockaway tells 100 years of the tragicomic story of New York City’s largest summer bungalow colony, that of the Rockaways. With enticing vintage postcards, archival photography, Marx Brothers home movies, hilarious boardwalk tales, personal accounts recounted by bungalow residents and Rockawayans alike, all grounded by historians, the film brings viewers close to the highs and lows of a large, thriving, affordable, urban seaside resort. The film, directed by Jennifer Callahan and co-produced by Jennifer Callahan and Elizabeth Logan Harris, will be followed by a Q&A with Harris.

■ Up next is A World Within a World: Long Island’s Bay Houses on June 21 at 7:30 p.m. A World Within a World explores the lives, history, and experiences of bay house owners in the Town of Hempstead from both a historical and contemporary perspective. Based on fieldwork by folklorist and maritime ethnographer Nancy Solomon of Long Island Traditions, local filmmakers Barbara Weber and Greg Blank capture the essence of how bay house owners have persevered and endured through severe storms and hurricanes as well as eroding marshlands all while preserving traditions that began in the early 19th century. The film profiles Long Island families who have owned bay houses for over 100 years including the Muller, McNeece, Burchianti, Warasila, Jankoski families. The screening will be followed by a Q&A and discussion with directors Greg Blank and Barbara Weber and folklorist Nancy Solomon.

■ The festival closes with a screening of Maiden on July 12 at 7:30 p.m. In 1989, long dismissed and belittled as the only woman crewmember on the ships where she worked, British sailor Tracy Edwards set out to prove herself in the biggest way possible. She assembled the world’s first all-female international crew and entered the Whitbread Round the World Race, a 32,000 mile global circumnavigation competition that, until then, had been the exclusive domain of male seafarers. The screening will feature a Q&A with Maiden Captain Tracy Edwards and sailor Dawn Riley, Director of Oakcliff Sailing School.

 

Pixabay photo

By Fr. Francis Pizzarelli

Father Frank Pizzarelli

When is enough, enough? How many more innocent children have to be martyred before we take the blinders off and heed the call to action?!

Twenty-one additional families have to live with the profound sense of loss of life of those they have loved. Nineteen innocent school-age children and two teachers were massacred by a depraved 18-year-old, who was legally allowed to purchase two automatic rifles that are used for war, not hunting or innocent self-defense. How can the people that we have elected to lead us remain silent? By their silence, they demonstrate complicity!

Does a senator or congressperson have to have his or her son or daughter murdered before they have the guts to stand up for justice and speak out for common sense gun safety? This is not about denying any American citizen his or her second amendment rights — it is about ensuring the safety of all American citizens, no matter what their age.

When will those who lead us have the guts to lead and not be bought off by the gun lobby, the insurance lobby or any other special interest groups that do not care about the life and safety of ordinary Americans?

Many in power are not doing their jobs on both sides of the aisle. They need to be voted out of office this election cycle. The silent majority needs to stand up, be counted and act on behalf of the innocent.

Schools were always a safe place for children to grow, learn and have fun. Another student body of more than 600 students has been traumatized. How long will it take for them to move beyond their fears? Some will carry this trauma for the rest of their lives; it will impact their journey forever. Other students will have a chance to recover, but it will be a hard road especially since this poor Texan community does not have the trained mental health professionals to assist these students and their families. 

Will government step in? Who knows? It seems rather clear by all the school shootings in the past 10 years that the government and our leadership does not care! 

Every religious leader who reads this column, I pray you have the courage to challenge your congregation to give voice to this very important human life issue. Every child in America deserves to feel safe and be safe in every environment. We need to demand universal background checks and common-sense gun safety laws that will protect all Americans everywhere.

We also need to develop national protocols when a high school student is identified as a threat to the safety of his or her classmates. Mental illness in this country is out of control and untreated. Suspension and/or expulsion does not ensure safety.  Remember the Parkland massacre!

Our children are our greatest gift. May they never experience the trauma of Sandy Hook or Robb Elementary School. May we have the courage to move beyond our deafness. Our children are counting on us! 

Father Francis Pizzarelli, SMM, LCSW-R, ACSW, DCSW, is the director of Hope House Ministries in Port Jefferson.