The Reboli Center for Art and History, 64 Main St., Stony Brook is inviting entries from now until April 21 for a unique fundraising exhibition, Miniatures to Make a Maximum Impact! All participating artists will have their artwork exhibited in the Reboli Design Shop throughout the month of May. “Miniature art has been venerated throughout history, and today there are Miniature Art Societies around the world. The delicate beauty and refinement of these works can be truly amazing. Now we’re asking contemporary artists of all styles to “paint small” to help support our center and programs in a major way,” said Lois Reboli, a founder of the Reboli Center and the wife of the late artist Joseph Reboli.
“One free canvas will be given to each participant to create for our cause. All entries will be considered as a donation to the Reboli Center, a 501 (c) (3) organization, and all proceeds raised from the sale of each submitted artwork for this event will be used for our free programming and exhibitions,” added Reboli.
Contributing artists may also use their own stretched canvas, linen or panel, which must not exceed 36 square inches (6 inches x 6 inches). Any painting medium is acceptable, and framing is optional. Artists are welcome to submit up to five entries. The artwork must be your own original concept and not a copy of anyone else’s copyrighted material.
To request a free canvas and application, please contact the Reboli Center at 631-751-7707 or email [email protected]. An application may also be downloaded under Events at www.rebolicenter.org
"Isiah" by Anthony Colley, Harborfields High School
"Grandpa John" by Olivia DeFeo, Northport High School
"Primary Tribal" by Kendal Eggert, Kings Park
"Conceptual Portrait 1" by Samantha Drouin, Commack High School
The Huntington Arts Council recently announced the winners of its High Arts Showcase XVII art exhibit.
HighArtsShowcase XVII is a component of the JOURNEY Arts in Education Program providing partner school 11th and 12th grade students with the opportunity to present their talents in a gallery setting through this exclusive visual art exhibition. Participating school districts include Cold Spring Harbor Jr/Sr High School, Commack High School, Harborfields High School, Huntington High School, King’s Park High School, Northport High School, Plainview-Old Bethpage John F. Kennedy High School, and Walt Whitman High School. For more information on the artists and their work click here.
Congratulations to the following students awarded Best in Show and Honorable Mentions for their work:
Best in Show
“Isiah” by Anthony Colley, Harborfields High School
Honorable Mentions
“Conceptual Portrait 1” by Samantha Drouin, Commack High School
“Grandpa John” by Olivia DeFeo, Northport High School
“Primary Tribal” by Kendal Eggert, Kings Park
“The Son of Man” (video) by Lauren Gooding, Huntington High School
The exhibit is on view at the Huntington Arts Council’s website, www.huntingtonarts.org, through April 10.
Looking at a painting is like a window to another time — the world is frozen, just as the artist remembers it. But of course, nothing stays the same in real life, and the scenes depicted in paintings will often change as well.
With this in mind, Joshua Ruff of the Long Island Museum in Stony Brook had an interesting idea: What if they tried to return to the scenes in some of the museum’s paintings to see what they look like now?
The Mount House in Stony Brook as it stands today.
The result is Twin Peeks: Scenes Seen Twice, Paintings and Photographs, an exhibit of works from the museum’s permanent collection laid side-by-side with recent photos of their locales. The unique show opens in the Art Museum’s Main Gallery on March 19.
Pursuing this idea was the beginning of a months-long adventure for Ruff, Deputy Director, Director of Collections and Interpretations at the LIM and curator for the exhibit. After choosing more than 60 paintings to include in the show, including artwork from the museum’s coveted William Sidney Mount collection, he had to figure out what — or where — the artists were painting.
The Mount House by William Sidney Mount, 1854
“Artists didn’t leave behind GPS coordinates for their work,” he joked. “There are so many scenes in our collection that are real places, but it’s not always conveyed in the title exactly where it is. Landscapes can change dramatically. We wanted to try to get as close as we could to the vantage point of the original painting, while thinking about how artists tell a story of place.”
Using maps from the approximate time period of each piece, Google’s street view feature and some research savvy, Ruff set out with his family and a camera to get the job done. It was far from easy, though — some of the locations are now on private property, inaccessible or unidentifiable. Other abstract or impressionist pieces can offer a vague sense of place without the details required to pinpoint it. Still, he did the best he could.
“We have several examples of historical photographs of certain locations, but more than 90 percent of the photographs were speculative on our part. In some cases, we may not ever be able to crack the code of where the actual spot was,” Ruff explained.
In some cases, he had to enlist the help of some friends. The museum’s conservator, Alexander Katlan, lives part-time in New England and was able to take photos to accompany two paintings by William Trost Richards. And some of the staff at the Freeport Memorial Public Library took to the water to find a match for Charles Henry Miller’s 1885 painting, “Freeport Oyster Houses.”
The site of the Setauket Rubber Factory today at the corner of Route 25A and South Jersey Avenue.
“The oyster industry thrived in Freeport in the 1800s, and our library archives include many photographs from that time, so I knew exactly where we needed to go,” said librarian Regina Feeney.
To get the right angle for the photo, the team would need a boat. They talked with the owner of a Freeport marina in search of a way to get down the Freeport River, and were ultimately connected with bayman Danny Miller. It was a chilly November day when they set sail, but armed with old maps and a sense of humor, they got the job done. The photo was taken by Jason Velarde.
The Setauket Rubber Factory by Edward Lange;
“I really enjoy now-and-then exhibits because it gives people perspective about how things have changed over time,” Feeney said. “We were happy to make a contribution, and it was fun getting out of the building and enjoying some time on the water together. We had quite the adventure.”
The exhibit is evenly divided among geographic areas, with one third focusing on the East End, one third on the middle Island, and one third on Nassau County, New York City and New England. The paintings feature a range of medium as well, from watercolor to oil and acrylic, and span in time from the 1830s through the 1970s.
“Seeing this collection of paintings really drives home the sense of how the area has evolved — some of the subjects, like the Setauket rubber factory, are gone now. Other areas that were quiet and natural are more developed now. I hope it will be enjoyable for people of all ages to reflect on the past and consider what the future will hold,” Ruff said.
In conjunction with Twin Peeks the Victoria Costigan Gallery in the Art Museum will be home to “Artists Abroad,” a mini exhibit focused on travel and foreign landscapes.
The museum’s collection includes a small, yet compelling group of works by artists who traveled abroad between the 1860s and 1960s. American artists have always been drawn to European art and landscapes. They visited museums and copied famous works of art, and roamed cities and the countryside to paint and sketch scenes of daily life and picturesque views. Sketches in ink and watercolor quickly documented form and color, with some becoming inspiration for future works in oil.
“Generally when we do an exhibit, the focus is on America or on Long Island. But the works in this exhibit were created abroad and don’t get as many opportunities for exhibition,” said curator Jonathan Olly. “You’ll get to see things you wouldn’t usually get to see here, from the Italian countryside to an Azorian mountain or Cannes as seen from the harbor — it shifts the lens to other places and perspectives.”
“Both of these exhibits are about travel in a time where we haven’t really been able to travel — we’re all a little tired of being inside, and this celebrates the joy of going outside and exploring in a safe way,” said Ruff.
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The Long Island Museum, 1200 Route 25A, Stony Brook presents Twin Peeks: Scenes Seen Twice, Paintings and Photographs and Artists Abroad when the museum reopens for the season March 19. The exhibits run through Aug. 1. Visitors are also welcome to explore the Carriage Museum; however the History Museum will remain closed.
Hours are Friday through Sunday from noon to 5 p.m. Physical distancing will be required and masks are mandatory. The LIM follows CDC-prescribed cleaning protocols for all buildings. Admission is $10 adults, $7 seniors, $5 students, children under six free. Tickets are available at the Carriage Museum entrance, credit cards only please; pre-registration is not required. For more information, visit longislandmuseum.org.
Homage Ode: Rachel Ruysch, 2018, mixed media on paper, by Gabriela Gonzalez Dellosso
The Heckscher Museum of Art in Huntington has acquired new artwork from two leading women artists: Stella Waitzkin and Gabriella Gonzalez Dellosso. “These acquisitions strengthen the Museum’s collection and affirm our commitment to giving a voice do diverse audiences,” said to Curator Karli Wurzelbacher.
Stella Waitzkin (1920−2003) began creating art in the 1950s while living in Great Neck. She began as abstract expressionist painter but is best known for her sculptures and installations. Waitzkin cast old, leather-bound volumes in resin as single objects that became elements of larger installations, including freestanding shelves, small bookcases, or entire library walls. These pieces of art made her one of only a few female “environment” builders.
Waitzin’s constructions are composed almost entirely of books, or other cast objects such as clocks, birds, fruit, or human faces. Waitzkin received a Lifetime Achievement Award from the Pollock-Krasner Foundation in 1995.
The Museum will acquire 16 pieces from the Estate.
Gabriela Gonzalez Dellosso is a contemporary figure painter with deep art historical knowledge. The Museum acquired five of the works in her series Homage Odes. The artworks take the form of illuminated manuscripts inspired by historical female artists.
A number of Homage Odes were part Dellosso’s solo exhibition at the Museum in 2019, A Brush with Herstory, where Dellosso paid tribute to great female painters from the Renaissance through the modern era. Dellosso often melds her own image to that of artists from the past, creating self-portraits conveying the inspiring stories of historical women.
“These works allow us to insert these important historical women artists into the narrative that we are already able to tell with the permanent collection,” noted Wurzelbacher.
Located in scenic Heckscher Park at 2 Prime Avenue, the Heckscher Museum of Art provides a dynamic schedule of changing exhibitions on American art, inspiring education experiences for students and an exciting series of public programs both in person and online for all ages.
Now entering it’s second century as a source of art and inspiration, The Heckscher Museum of Art was founded in 1920 by philanthropist August Heckscher, and is listed on the National Register of Historic Places. The Museum’s collection comprises more than 2,300 works from the 16th to the 21st century, including European and American painting, sculpture, works on paper, and photography.
Currently on view is Connie Fox: The Sammy’s Beach Series through April 11 and Wood Gaylor and American Modernism through May 23. Hours are Thursday to Sunday from noon to 5 p.m., closed Monday to Wednesday. For more information, call 631-380-3230 or visit www.heckscher.org.
The Art League of Long Island’s 14th annual “Go APE” Advanced Placement Student Exhibition features 2-D and 3-D works by 124 AP and IB Art Students from 37 Long Island High Schools. This is an opportunity for what may be the first of many times these promising young art students will show their artwork in a professional gallery setting, albeit virtual for 2021.
The virtual exhibit, on view at the Art League’s website at www.artleagueli.org from March 15 to April 2, allows the viewer to “stroll the gallery” in the virtual rooms. Awards of Excellence and Honorable Mentions to be announced.
Preservation Long Island in Cold Spring Harbor has announced the gift of a group of important early American portraits from descendants of the Nelson and Lloyd families of Boston and Long Island.
For over three hundred years, portraits of Elizabeth Tailer Nelson (1667–1734), John Nelson (1654–1734), Henry Lloyd I (1685–1763), and James Lloyd III (1769–1831) remained in the possession of the same family that commissioned them centuries ago. The artworks, an extraordinary gift from the collection of Orme Wilson III and Elsie Wilson Thompson, in memory of Alice Borland Wilson, have joined Preservation Long Island’s collection and are now available for the public to view in a new digital exhibition titled Facing Slavery: The Lloyd Family Portraits in Context.
“We are honored to be the new stewards of these important pieces of American history and to make them available to the public for the first time,” said Alexandra Wolfe, Preservation Long Island Executive Director.
In gifting the paintings, the donors wrote, “After being in family care all these years, we believe that these portraits are going to the right place with you and your colleagues at Preservation Long Island, where we hope that they will be useful in your development of a deeper historical understanding and contextualization of the issues and events that swirled around the Long Island area in colonial times and later”.
This gift coincided with the launch of the first phase of the Jupiter Hammon Project, a long-term initiative that will transform how Preservation Long Island engages future visitors to Joseph Lloyd Manor (1767) with the entangled stories of the Lloyd family and the individuals they enslaved for more than a century at the Manor of Queens Village on Long Island (Lloyd Neck today), among them, Jupiter Hammon (1711–before 1806) one of our nation’s first published Black American writers.
This multi-generational collection of portraits is a visual reminder of the region’s colonial and early national history, but the individuals they represent reflect only a fraction of the people, both enslaved and free, who lived, formed families, and established communities on Long Island and New England during the seventeenth, eighteenth, and nineteenth centuries.
“We are grateful to the descendants for recognizing the important work of the Jupiter Hammon Project and for giving the portraits a new, permanent home with Preservation Long Island,” said Lauren Brincat, Curator, Preservation Long Island.
“There are no known portraits of Jupiter Hammon or any of the men, women, and children the Lloyds enslaved. By interrogating the hidden history behind these painted surfaces, however, we can uncover a complex story of one family forcibly bound to another across generations,” she said.
Facing Slavery: The Lloyd Family Portraits in Context is now on view at www.preservationlongisland.org. For more information, call 631-692-4664.
In photo, from left:
Elizabeth Tailer Nelson (1667–1734) by an unknown American artist, ca. 1685. Oil on canvas. Preservation Long Island, 2020.5.2.
John Nelson (1654–1734) attributed to James Frothingham (1786–1685) after John Smibert (1688–1751), before 1824. Oil on panel. Preservation Long Island, 2020.5.3.
Henry Lloyd I (1685–1763) by John Mare (1739–ca. 1803) after John Wollaston (active ca. 1742–1775), 1767. Oil on canvas. Preservation Long Island, 2020.5.1.
James Lloyd III (1769–1831) by an unknown American artist, 1800-50. Oil on canvas. Preservation Long Island. 2020.5.4.
Through the month of March, Comsewogue Public Library in Port Jefferson Station presents a virtual exhibit, A View Through the Lens, by local photographer Gerard Romano. The exhibit showcases over 20 images of local scenes, flora and fauna, many of them featured in Times Beacon Record News Media’s Photo of the Week series. Check them out at www.cplib.org/exhibits-gallery/
The vast majority of artists will say they are influenced by the work of someone else. Whether it’s a contemporary from their own time or someone from long ago, artists blossom from appreciating and studying others.
This sentiment is held dear by members of the Smithtown Artists Group (SAG), a small network of local artists who gather for creativity and camaraderie alike.
Their friendship began at the main branch of the Smithtown Library, where artists of all backgrounds and skill levels have gathered on Tuesday afternoons to paint, some of them for decades.
“When my kids were in school I ran a lot of arts and crafts programs, and then in their later teens I took a watercolor class,” said Judy Contrino of Stony Brook, who began painting at the library 20 years ago. “Joining the library group was a wonderful experience because there were so many different mediums being used by the people there, and some of them were quite accomplished. I was a self-taught artist. And it’s wonderful to have newcomers improve and show them how they’ve grown. No one is asking you to be Rembrandt — it’s just a place to come, relax and learn from those around you.”
A few years ago, some of the library artists expressed a desire to broaden their horizons and pursue exhibitions. Roughly a dozen people came together to form what is now the Smithtown Artists Group.
With the help of a new website to showcase some of their work online, the group was able to hold exhibits in libraries around Long Island, including Harborfields, Sachem, Kings Park and East Northport. After a long hiatus during the pandemic, they are thrilled to share their work again. Their newest exhibit, A Potpourri of Art, will be on display this spring at the Port Jefferson Village Center.
Featuring more than 80 pieces from 8 artists, the exhibit will feature works done in watercolor, acrylic, oil, colored pencil and more. Each artist has a unique flair and favorite subjects, making it a great fit for art enthusiasts of all kinds.
Carol Kelly of Kings Park spent many years simply appreciating the work of others before trying her own hand at painting. “It wasn’t until I was around 45 that I started learning to paint. I would go to art exhibits and often say, ‘Wouldn’t it be marvelous to be able to create beautiful works of art for other people to enjoy?” she recalled.
“I started taking watercolor classes, and then some time later saw a listing in my library’s newsletter about the group meeting in Smithtown. I’ve been there for 13 years and enjoy the process of critiquing and learning from one another.”
Kelly enjoys painting landscapes and scenes from her garden, but occasionally branches out into other subjects, as with a painting of a bird she titled “Looking for Lunch.”
Lucia Alberti of Smithtown has spent the past 10 years painting at the library and was excited to participate in exhibitions with longtime friends in the group. Alberti said that the majority of her work is done in acrylics with a focus on imaginative realism.
“We have a lot of variety in our experiences and what we enjoy doing as artists. Some people teach art and have exhibited before, while others simply enjoy art and being creative,” she said. “We are friends, and we admire one another, which adds another layer of joy to our painting. Getting to do this exhibit together is a very special opportunity.”
The exhibit is a welcome source of joy for the community, too.
“We’re happy to be doing shows again — this is our second exhibit since the pandemic,” said Sue Orifici, head of graphic, archival and special projects at the Port Jefferson Village Center. “There’s a nice mix of art to enjoy in this show and we hope people will stop by and visit.”
Participating artists include Lucia Alberti, Cheryl Cass-Zampiva, Carol Ceraso, Judy Contrino, Ruth Johnson, Carol Kelly, Anita Simmons and Joanie Whalen.
A Potpourri of Art will be on display on the second floor of the Port Jefferson Village Center, 101 E. Broadway, Port Jefferson from March 1 to April 30. Viewing hours are 9 a.m. to 7 p.m. daily. For more information about the exhibit, call the Village Center at 631-802-2160. To learn more about the Smithtown Artists Group, visit http://sagartists.wixsite.com/sagartists.
Art is an expression of personal inspiration, and the Smithtown Township Art Council’s latest exhibit at the Mills Pond Gallery, A Sense of Place, examines how Long Island acts as a muse to local artists. The show opens Feb. 20.
The beautiful exhibit fills four gallery rooms and the center hall gallery on the first floor of the historic 1838 Greek Revival mansion in St. James. A mixed media display, it includes book art, sculptures, acrylic, oil, and watercolor paintings. With 62 works by 48 artists from 32 communities across Long Island, the exhibit is a cross-section of local culture and influences, capturing scenes of nature and community.
“Long Islanders will see art about Long Island … places they see daily or places of their memories. We think the exhibit will help people reconnect with this place where they make and live their lives and hopefully inspire them toward ongoing care and interpretation of these places,” said Executive Director Allison Cruz.
‘Walks Through Avalon’ by Loretta Oberheim
Increasing awareness about the environment was a goal for both Cruz and a number of the artists. Galvanized by the natural world and forged by remembrance, the art encompasses genres including realistic landscape vistas and abstract or surrealist renderings. How nature and memory intertwine is a recurring theme of the show, expressed through individual perspectives.
“People will see beautiful forms of art and how artists felt in that time and that space and maybe it will get them to appreciate those places. Maybe this will make them want to venture out. It’s the little places that have been preserved … and the county parks, little gems that need more appreciation. The more that they are highlighted in exhibits, the more people will get to see them” said artist Loretta Oberheim, of Ronkonkoma.
Her abstract expressionist piece, Walks Through Avalon, is a sculpture mounted on canvas and made of alcohol inks on yupo paper. It is Oberheim’s homage to Avalon Nature Preserve in Stony Brook, which she cites as one of her “happy places.”
The exhibit explores the myriad ways Long Island informs artistic development and depiction.
“I’m always on the lookout for an interesting or beautiful scene and feel fortunate to live in an area with such picturesque beaches, farms and woodlands,” said artist Robert Roehrig of East Setauket. His two landscape oil paintings, Facing the Sun and Winter Scene, Frank Melville Park, are tributes to local vistas: Cupsogue Beach County Park in Westhampton Beach and Frank Melville Memorial Park in Setauket, respectively.
More than just imagery, the show incorporates the artists’ descriptions of their art and what inspired them, details that add insight into the impact of the installation, according to Cruz. “Artists couldn’t just submit the art; they also had to explain the connection they have to Long Island. [I asked them to] tell me what gives you a connection to this island that we live on,” she explained.
‘Winter Scene, Frank Melville Park’ by Robert Roehrig
It is the second exhibit for which Cruz utilized this process. She previously included written testimonials of the artists’ motivations for the Celebrating Creativity exhibit back in Novemberand was encouraged to do it for this installation after the positive response from visitors.
During the era of COVID-19, the gallery has striven to remain a respite for individuals seeking an escape into artistic beauty. The effort is a continuation of the gallery’s ongoing commitment to engaging the public and providing an escape from the doldrums and despair of the pandemic for both the artists and audience.
Nesconset artist Catherine Rezin’s piece, a watercolor and gouache painting, Along Great River, is a rendering of a photograph her husband took of the bank of the Connetquot River at Bayard Cutting Arboretum in Great River.
“From the perspective of an artist, it is important to be seen, to allow other artists to see my work and to be inspired by their work. For the rest of the public, it is important to be able to go somewhere and retreat from reality, to connect with nature through art and to connect with Long Island through art,” said Rezin.
Participating artists include:
Marsha Abrams (Stony Brook), Lucia Alberti (Smithtown), Tina Anthony (Northport), Shain Bard (Huntington Station), Ron Becker (Deer Park), Joyce Bressler (Commack), Jean Marie Bucich (River Vale NJ), Carol Ceraso (Hauppauge), Rocco Citeno (Sayville), Donna Corvi (Montauk), Gráinne de Buitléar (Belle Terre), Lou Deutsch (Stony Brook), Michael Drakopoulos (Port Jefferson), Karin Dutra (Port Jefferson), Paul Jay Edelson (Poquott), Ellen Ferrigno (Port Jefferson), Dorothy Fortuna (Smithtown), Donna Gabusi (Smithtown), Jan Guarino (East Northport), Margaret Henning (Sayville), Libby Coker Hintz (Blue Point), Irene Ruddock (Stony Brook), James Kelson (Stony Brook), Lynn Kinsella (Brookhaven), John Koch (Port Jefferson Sta.), Lee Ann Lindgren (Breezy Point), Olivia Mathon (Smithtown), Eileen P. McGann (Island Park), Carissa Millett (Setauket), Hillary Serota Needle (Dix Hills), Loretta Oberheim (Ronkonkoma), Eileen W. Palmer (St. James), Catherine Rezin (Nesconset), Robert Roehrig (East Setauket), Lori Scarlatos (Saint James), Gia Schifano (New Hyde Park), Anita Schnirman (Kings Park), Faith Skelos (Smithtown), Paul Speh (Ronkonkoma), Mike Stanko (Valley Stream), Madeline Stare (Smithtown), Barbara Stein (Port Washington), Nicholas Valentino (North Babylon), M. Ellen Winter (Northport), Mary Jane van Zeijts (Stony Brook), Mary Waka (Ronkonkoma), Patty Yantz (Setauket) and Theodora Zavala (East Meadow)
The Mills Pond Gallery, located at 660 Route 25A, St. James, will present A Sense of Place from Feb. 20 to March 20. The gallery is open Wednesdays to Fridays from 10 a.m. to 4 p.m. and Saturdays and Sundays from noon to 4 p.m. Admission is free. Mask wearing is mandatory and social distancing protocols are strictly observed. For more information, call 631-862-6575 or visit www.millspondgallery.org.
The Reboli Center for Art & History in Stony Brook has named Jessica Randall as its Artisan of the Month for February.
“Jessica’s innovative and intricate work is extraordinary and beautiful,” said Lois Reboli, founder of the Reboli Center and wife of the late renowned artist, Joseph Reboli, for whom the center is named.
A graduate of the Massachusetts College of Art and Design, Randall is an artist, silversmith and jewelry designer whose studio is located in Setauket. She has been designing and making original jewelry for over 20 years, and is inspired by found objects and nature, particularly the sea. Her pieces are designed to be worn everyday as wearable artwork.
A pair of earrings by Jessica Randall
According to Randall, “My jewelry is actually made of “Argentium Sterling Silver,” “Sterling Silver” and/or “24K Gold Vermeil.” This is an important distinction because “24K gold” implies solid gold, which this jewelry is not. “Vermeil” is a French word; it is an industry- standard term that specifically means a layer of 24K gold plating 2.5 microns thick, over a base metal of Sterling Silver. These pieces are made in Sterling Silver and then plated in 24K gold.”
Several years ago, Randall won “Best in Show” for “Mandala Bra,” which was featured in the “Bodacious Bras for a Cure” exhibition at The Wang Center at Stony Brook University. “I was honored to receive this award; but what I felt best about was being able to donate the proceeds from the sale of this piece to Stony Brook University Cancer Center,” said Randall.
“I am proud to be featured as the Artisan of the Month at the Reboli Center as I am an avid fan of Joe’s work! I am especially drawn to the element of mystery that seems to permeate his paintings. There is an aspect of the surreal in many of his beautifully lit, incredibly detailed images of daily life,” she said.
Randall’s winning “Mandala Bra” with cut shells, Mother of Pearl, semi- precious stones, hand-sewn onto bra
Visitors, fans and those in need of a Valentine’s gift will have an opportunity to meet Randall at The Reboli Center on Saturday, February 6, and Saturday, February 13, from 11 a.m. to 5 p.m. for two special Valentine’s Day Pop up events! She will be more than happy to help you pick out something special for you or a loved one!
Lois Reboli, president of the Reboli Center, noted that, “The Center is adhering to New York State and Suffolk County coronavirus guidelines, which limits the number of attendees at one time and requires all visitors to wear a mask and socially distance. Please be assured that staff and volunteers will wear masks, and do continuous cleaning and sanitizing.”
Randall’s jewelry is for sale in the Reboli Center’s Design Shop. Located at 64 Main St., Stony Brook, admission to the Center is free, and hours are Tuesday to Saturday from 11 a.m. to 5 p.m. and Sunday from 1 p.m. to 5 p.m Masks must be worn, and social distancing is required. For more information on the Artisan of the Month, please call the Reboli Center at 631-751-7707.
Through the month of March, Comsewogue Public Library in Port Jefferson Station presents a virtual exhibit, A View Through the Lens, by local photographer Gerard Romano. The exhibit showcases over 20 images of local scenes, flora and fauna, many of them featured in Times Beacon Record News Media’s Photo of the Week series. Check them out at www.cplib.org/exhibits-gallery/
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