Art exhibit

Abstract artist Peter Galasso’s Setauket studio will be one of the stops on the tour. Photo from Peter Galasso

By Heidi Sutton

The North Shore is teeming with talented artists and local venues like the Mills Pond House Gallery, the Reboli Center for Art and History, The Long Island Museum, Gallery North, the Port Jefferson Village Center and libraries are more than eager to show off their artwork. But what if you could hit the rewind button and observe the artist working on the piece right before your eyes?

That rare opportunity will arise this weekend as the North Shore Artist Coalition hosts its second annual Artist Open Studio Tour.

Doug Reina will be working on a painting during the tour. Photo from Doug Reina

The self-guided event will offer an intimate glimpse into the working studios of 11 award-winning artists living in Miller Place, St. James, Setauket, Port Jefferson and Stony Brook, giving visitors a personal opportunity to meet and talk with artists about their work and the creative process.

The coalition, whose core artist group is Nancy Bueti-Randall, Mary Jane van Zeijts, Jim Molloy, Doug Reina and Pam Brown, formed last year to contribute to the community through exhibitions, open studio tours and educational programs. “Fundamentally we believe the arts improve our lives and enrich our communities culturally, socially and economically. As well our mission is to promote and increase regional awareness of professional artists working in a wide range of styles and studio practices,” said Brown in a recent email.

Artists Peter Galasso, Kelynn Z. Adler, Sungsook Setton, Christian White, Hugh McElroy and Marlene Weinstein were invited to participate in this year’s tour.

Artist Pam Brown’s studio is one of the stops on the tour. Photo from Pam Brown

“Each year we invite artists from the Three Village and surrounding areas [to join us],” Brown explained. “Our goal is to invite more artists each year as the Studio Tour grows.” In addition to the Artist Studio Tour, the group aims to have yearly pop-up exhibitions. This past June, Mary Jane van Zeijts hosted an exhibition at her Setauket studio titled Five @ 268 Art on Main that featured the core group. Upcoming projects include a curated exhibition of the Artists in the Studio Tour. “Currently we are looking for exhibition spaces in our local area,” said Brown.

At each studio, which can be in a backyard barn, garage, house, storefront or outdoor space, visitors will be able to talk freely with the artists and ask questions about their approach and individual styles to making art. “They can visit as long as they like,” said Brown. “Additionally some of the artists will be doing demonstrations and talking directing about their processes and the materials they use.”

Visitors can also expect to see a variety of artwork on display including original paintings, sculptures, ceramics, pastels, photographs, prints and textiles. Additionally, artwork will be for sale.

Brown is hoping to attract even more visitors to this year’s event. “Last year’s Studio Tour was very successful and well-attended, we received positive feedback from local art organizations and other cultural venues, plus we had incredible support from fellow artists, friends and our community at large,” she said.

“It is our hope that people walk away with a deeper meaning and understanding of art, the Artist, and the important role that art plays in our community.”

The North Shore Artist Coalition’s Artist’s Open Studio Tour will be held on Saturday, Nov. 11 and Sunday, Nov. 12 from 11 a.m. to 5 p.m. The event will be held rain or shine and admission is free. Refreshments will be served at several studios. For a list of the 11 locations, visit www.facebook.com/NorthShoreArtistCoalition. For more information, call 631-834-9036.

'Light Spilling Down the Street' by Shain Bard

By Heidi Sutton

‘Grace Safe Inside’ by Margaret Minardi

As the days get shorter and cooler air settles in on Long Island, a perennial favorite, the Smithtown Township Arts Council’s Member Artist Showcase, returns to the Mill Pond House Gallery in St. James. Featuring original artwork by 64 STAC member artists, the juried exhibit will be on display throughout the first floor of the historic 1838 Greek Revival mansion through Dec. 10. Many of the works at the showcase will be available for purchase.

“I love this show,” gushed STAC director Allison Cruz during a recent guided tour. “There are so many artists and such diverse artwork. Every year it is so different.” Indeed, there are many different kinds of medium represented this year including digital photography, pen and ink, acrylic, pencil, watercolor, oil, pastel, sculpture and mixed-media.

While typically a juror or curator selects works for an exhibit, the Member Artist Showcase is unique in that it allows the artists to choose what piece they would like to exhibit in the show. “I give them the opportunity to show maybe something new they are working on or something they wouldn’t be able to show somewhere else,” said Cruz.

“We have a lot of artists from different communities across Long Island [in the exhibit],” as well as North Carolina, Florida, Alaska and New York City, Cruz said.

This year’s show was juried by artist Pam Brown. A resident of Stony Brook, Brown taught sculpture and was the director and curator of The Anthony Giordano Gallery at Dowling College in Oakdale for 16 years. She currently maintains a studio and works as a freelance art consultant and curator.

“I was very impressed with the overall level of professionalism and diversity of the artwork submitted for the Members Exhibition,” said Brown. “The exhibition as a whole is engaging because the artwork is conceptually interesting with a variety of forms and styles that are unique and in some cases exquisitely executed.”

‘Awakening’ by Rosemary Wilson Sloggatt

While finding the task difficult “because art is subjective,” Brown eventually selected four equal winners — Margaret Minardi’s “Grace Safe Inside” (colored pencil and acrylic collage); Robert Roehrig’s oil painting, “Fossil Town”; Shain Bard’s autumn scene, “Light Spilling Down the Street” (oil); and Rosemary Wilson Sloggatt for her acrylic painting, “Awakening.”

“Those members get an opportunity to participate in our upcoming Winners Showcase exhibit along with our juried winners,” said Cruz. “It’s a very nice opportunity; they get to show a couple of pieces,” she added.

“Each artist that I selected demonstrated a high level of skill and insight to their area of concentration,” said Brown. “Rosemary Wilson Sloggatt’s large black and white painting of a woman gazing into her refrigerator is striking. To me the painting is about yearning, her arms and hands are reaching into the light, her face is illuminated and she is seeking in the middle of the night for something more.”

She continued, “Margaret Minardi’s ‘Grace Safe Inside’ is incredibly detailed and beautifully rendered. The patterns and colors are complex and meticulously painted. Robert Roehrig’s painting of ‘Fossil Town’ is a unique and precisely painted landscape of an industrial site, which has a small-town wistful feeling. Shain Bard’s painting of early morning on a tree-lined street with parked cars is alluring and is defined by the light that is pouring into the backdrop with muted colors and freely painted forms.”

Pamela Waldroup’s digital pigment print, “Leather Man” and Jeanette Martone’s “Mercado,” pencil and ink on paper received Honorable Mentions. “I liked their story, as well I was struck by their individuality and personal style of making art,” said Brown.

To Cruz, that is music to her ears. “To me this is an important show. We are here to support creativity among people. It’s an important part of what we are.”

Participating artists include: Aldo Arena, Ross Barbera, Shain Bard, Renee Blank, Kyle Blumenthal, Chevalier Daniel C. Boyer, Joyce Bressler, Suzanne R. Brodsky, Renee Caine, Jim Capone, Cheryl Cass-Zampiva, Carol Ceraso, Teresa Cromwell, Julie Doczi, Granville Fairchild, Essie Freilach, Donna Gabusi, Vivian Gattuso, Maureen Ginipro, Justin Greenwald, Donna Grossman, Jan Guarino, Diann Haist, Diane Henderson, Katherine Hiscox, Lori Horowitz, David Jaycox Jr., Anne Katz, Lynn Kinsella, John Koch, Susan Kozodoy-Silkowitz, Rasma Kupers Dos, Patricia Lind-Gonzalez, Linda Louis, Kathryn Lynn, Steven Macanka, Jane Manning, Jeanette Martone, Bobbi Mastrangelo, Terence McManus, Anne Miller, Margaret Minardi, Rebecca Molinari, Karen George Mortimore, Diane Oliva, Alicia R. Peterson, Kara Lee Reyes, Joan Rockwell, Robert Roehrig, Irene Ruddock, Michael Sauer, Lori Scarlatos, Gisela Skoglund, Rosemary Wilson Sloggatt, Sílvia Soares Boyer, Gunter Stern, Hui Hui Su-Kennedy, Nicholas Valentino, Mary Ann Vetter, Pamela Waldroup, Shirley Weiner, Constance Sloggatt Wolf and Patty Yantz.

The Mills Pond House Gallery, located at 660 Route 25A, St. James, will present the Smithtown Township Arts Council’s Member Artist Showcase through Dec. 10. The gallery is open Wednesday to Friday from 10 a.m. to 4 p.m. and Saturday and Sunday from noon to 4 p.m. For more information, call 631-862-6575 or visit www.millspondgallery.org.

A portion of Sunrise Highway during Hurricane Gloria, 1985. Photo from LIM
Exhibit examines the many facets of dangerous storms

By Rita J. Egan

Five years after Hurricane Sandy hit the shores of Long Island, and as our country continues to recover from recent hurricanes, the new exhibit, In Harm’s Way, at The Long Island Museum in Stony Brook delves into the effect such storms can have on communities.

The aftermath of Hurricane Sandy, Oct. 30, 2012. Photo by Edward Kent

Nancy Solomon, executive director of Long Island Traditions, an organization dedicated to preserving local traditions and heritage, curated the exhibit. Through artifacts, hands-on activities, photographs and paintings dating back to the 1938 hurricane nicknamed “Long Island Express” and earlier, Solomon has created various vignettes where museum visitors can discover how residents and government agencies prepared and recovered from natural disasters through the decades.

“It’s really about how we have coped and prepared for storms both on a personal level and on a community level through history up to the present and looking forward,” Solomon said.

The curator said In Harm’s Way is an exhibit she’s been working on for a few years. Before Sandy hit Long Island, she was working on an exhibit about boaters and boatyards and talking to those who worked and lived along the coastlines.

“During Sandy I said to myself these people are going to have to cope with a lot of damage and to think forward to how they are going to prepare for this [in the future] since these storms are becoming more frequent,” she said. “And I thought of that while [Sandy] was happening. Chances are there are things they know that other people might benefit from, as well as things they don’t know that we might learn from that have happened over the last 100 years.”

Solomon, who has a M.A. degree in Folklore and American Studies from George Washington University and is an active member of the American Folklore Society, said the title of The Long Island Museum exhibit came about after talking to a fisherman who explained to her that those who work on the water have many ways of monitoring conditions to get out of harm’s way. “Ordinary people have tremendous knowledge, and we can learn from those things,” she said.

Solomon said one story she was told was about a boat captain who noticed the barometer went down one full point in an hour, signifying a tremendous drop in atmospheric pressure, during Hurricane Carol in 1954. While he used a ham radio to alert other captains to head back to shore, they didn’t heed his warning. While his crew made it back safely to Jones Inlet, the others didn’t. Solomon said the story had a big impact on her.

“That was my first major understanding that there are things that you have to pay attention to,” she said. “You have to pay attention to bird migration. You have to pay attention to fish migration because they are natural warning signs that fisherman are keenly aware of as well as people who live in places like Fire Island.”

A 1938 clock with a watermark from the “Long Island Express” hurricane. Photo by Rita J. Egan

Visitors to the exhibit will find it separated into three sections. The first — Looking Backwards — includes museum objects and items from personal collections from the 1938 Long Island Express to the 1991 Halloween nor’easter. Among the pieces are damaged items from 1938 including a clock that was mounted high on a garage wall that still bears the watermark from the Long Island Express hurricane.

A second section is dedicated to the hurricanes Irene, Lee and Sandy that occurred in 2011 and 2012 and their impact on Long Island and upstate New York. A featured artifact is a piece of the Long Beach boardwalk. Another piece that is a favorite of Solomon’s is a bay house, built by museum staff member Joseph Esser, where visitors can see what measures one can take to protect themselves when in harm’s way, including the use of bags filled with sand or clamshells.

The last section of the exhibit, Looking Forwards, focuses on solutions such as flood-proof homes and new technologies. There is also an interactive table where museum-goers can build their own home or community, taking into account safety measures for those who live along the coastline.

The museum’s curator Joshua Ruff compared the timely subject of battling storms to how generals and military planners talk about how the last war is still being fought as a new one is starting.

“I think that the exhibition really does a wonderful a job of looking at recent memory and looking at how memories have been guiding experiences for Long Islanders storm after storm after storm,” Ruff said.

Neil Watson, director of the museum, said he is pleased with the collaboration with Long Island Traditions and the exhibit that he said is informative and entertaining due to being visually stimulating. “For our museum to do a show that is focused on Long island and has a global overreach, I think is really terrific,” he said. “It’s what we do. It’s the mission of the museum to have an exhibit of this caliber, especially at this time given what’s happened recently, it’s become almost a timeless problem.”

The remnants of a steeple from the Old Whaler’s Church in Sag Harbor destroyed by the 1938 hurricane. Photo by Rita J. Egan

Watson said the narrative is personal for everybody and the objects included in the exhibit are varied and effective. “They really give you a sense of place,” he said. “They put you in the moment as opposed to looking at a photograph of a house. So, I think in that way it’s a very ambitious installation of the exhibition, and it’s very effective. It’s pretty wonderful in that way.”

Solomon hopes that visitors will think about how waterfront and coastline communities are changing after viewing the exhibit. During her research, she said she learned a lot about the importance of high dunes and how hardening the shoreline may not be the best approach. “I hope they start asking questions of planners and our public agencies about the rationale for doing things and when there might be some better ways,” she said.

The Long Island Museum will host In Harm’s Way until Dec. 31. Special programs include the symposium “In Harm’s Way: Past, Present and Future” Oct. 28, a panel discussion “Learning from our Neighbors” Nov. 12 and the curator’s gallery tour Dec. 3. The museum is located at 1200 Route 25A in Stony Brook. For more information call 631-751-0066 or visit www.longislandmuseum.org.

'Autumn Light' by Lana Ballot
An autumn tradition returns to the North Shore

By Irene Ruddock

Now in its 37th year, the Setauket Artists’ Exhibition, featuring the works of over 40 local artists and artists from all over Long Island, will return to the Setauket Neighborhood House, 95 Main St., Setauket from Oct. 22 to Nov. 20 with viewing daily from 10 a.m. to 5 p.m. An opening reception will be held on Sunday, Oct. 22 from 1 to 4 p.m.

‘Long Island Sunset’ by Eileen Sanger

Participating artists this year include Lana Ballot, Ross Barbara, Eleanor Berger, Robert Berson, Rina Betro, Sheila Breck, Renee Caine, Al Candia, Gail Chase, Anthony Davis, Julie Doczi, Jeanette Dick, W.A. Dodge, Paul Edelson, Stu Gottfried, Donna Grossman, Peter Hahn, Melissa Imossi, Laurence Johnston, Anne Katz, Flo Kemp, Karen Kemp, Michael R. Kutzing, John Mansueto, Jane McGraw Teubner, Terry McManus, Eleanor Meier, Fred Mendelsohn, Muriel Musarra, Genia Neuschatz, Iacopo Pasquinelli, Paula Pelletier, Denis Ponsot, Joe Reboli, Joan Rockwell, Robert Roehrig, Irene Ruddock, Eileen Sanger, Carole Link Scinta, Sungsook Setton, Barbara Siegel, Patricia Sloan, Angela Stratton, Marlene Weinstein, Laura Westlake and Patricia Yantz.

‘From Here You Can Almost See the Sea” by Iacapo Pasquinelli

The distinguished judge this year is David Peikon, a “contemporary realism” oil painter who is an instructor at the Art League of Long Island. Peikon has had over 18 solo shows and his work is in corporate and private collections throughout the world.

Each year, the Setauket Artists honor a special artist who’s work is admired and who has contributed greatly to the show. It is an award especially appreciated since it is chosen by one’s peers. Muriel Musarra, a watercolorist and oil painter and a member of the Setauket Artists for 37 years, is this year’s choice. Her work is in many collections and exudes a certain quiet peacefulness that has charmed the community for years.

The three paintings being offered for the raffle this year are the following: “Giclee of Giverny #1” by Renee Caine, a recent Artist of the Month recipient for LIMarts; “An Afternoon in Tuscany,” an original pastel by Donna Grossman, instructor of drawing and oil painting at The Atelier in Saint James; and “Nissequogue Overlook,” an original acrylic by John Mansueto, a well-known painter from the South Shore.

Fred Bryant of Bryant Funeral Home has generously offered to be the Setauket Artists sponsor again. The artists applaud Bryant’s loyalty by providing funds that have made the exhibit more professional.

‘One Daisy’ by Angela Stratton

This year, the Setauket Artists introduce their new website, www.setauketartists.com. We invite you to take a look and sign up to join our mailing list. The website will tell you about the 37-year-old organization called Setauket Artists: its history, artists, paintings, Children’s Scholarship Fund, and our newest feature, art consultation.

Art consultation is designed to create a personal relationship with buyers who may want to purchase a piece of art but are unsure of where to begin to obtain art that best suits their surroundings. After suggesting many paintings, we will bring the actual paintings to your home or office where you will see the artwork in its environment, with no obligation to purchase. Art consultation is available all year long; we look forward to providing you with affordable paintings that truly fit your needs and our motto: Art for a Lifetime.

‘Setauket Bridge’ by Muriel Musarra

The Setauket Artists will continue their art scholarship fund for children in the Setauket schools, presenting these awards at the reception opening. This year’s recipients of the awards for drawing and painting are Will Boonin in memory of Setauket Drawing Group member Andrew Schmitt, Jaden Chimelis in memory of Setauket Artist Burt Woods and Paloma Papageorge in memory of artist JoAnn Coane, given by her husband Jim Coane.

If you miss the first reception, join the Setauket Artists for a free wine and cheese reception on Friday, Nov. 10 from 5 to 7 p.m. where music will be provided once again by singer Caterina Dee.

For additional information, visit www.setauketneighborhoodhouse.com, Setauket Artists on Facebook or call 631-365-1312.

Irene Ruddock is the coordinator of the Setauket Artists.

'Bones' by Rachel Goldsmith, Half Hollow Hills High School

Just in time for Halloween, the Huntington Arts Council will present its annual Nightmare on Main Street, a student art exhibit that opens Oct. 13 at the Main Street Gallery and runs through Nov. 4.

Long Island students in grades 6 to 12 were asked to submit artwork that was inspired by the story telling narrative of Halloween. Horror films, legends and comics surrounding Halloween allow people to embrace a side of themselves that is considered dark and strange.

‘Complexion’ by Jenna Hart, Harborfields High School

The exhibit was juried by Jason Stuart, whose work is mainly illustrations with india ink and brush, which he finds the perfect medium to translate his macabre ideas into reality. The owner of Poppycock Productions, which produces storybooks, Tarot cards and comic books, Stuart is currently showing at Ripe Art Gallery in Huntington.

“I found everything to be done with great spirit and effort on everyone’s part. I was looking for a combination of skill, imagination, originality and passion put into the work,” said Stuart of his selections for the exhibit.

Twenty-seven students were selected as finalists including Danielle Christian, Daniela Crimi, Julia Davi, Madeline Franz, Brandon Fuerstein, Luke Gelfman, Rachel Goldsmith, Alexandria Goodman, Olivia Greiss, Ilyssa Halbreich, Ashlin Hanley, Jenna Hart, Ben Herbert, Princeton Huang, Leilani Kaiser, Emily Kubrick, Carra Lanigan, Bryan Lee, Christopher McCartney, Meghan Monahan, Chiori Negishi, Kenya Pinos, Yusef Rahimzada, Mehr Sharma, Lily Shumsky, Katelynn Sinnott and Ashley Zhang.

Prizes are valued at $75 each and will be awarded in two categories: Senior Division (grades 9-12) and Junior Division (grades 6-8).

‘Hip Medusa’ by Madeline Franz, Stimson Middle School

“We are excited to once again present Nightmare on Main Street student art exhibit. This show is now in its 6th year and as popular as ever. The scope of talent is remarkable,” said Executive Director Marc Courtade.

In celebration of the exhibit, a costume party reception will be held at the gallery on Friday, Oct. 27 from 6 to 8 p.m. Prizes will be awarded for best costume and refreshments will be served. This is a free event, and all are welcome to attend.

The Huntington Arts Council’s Main Street Gallery, 213 Main St., Huntington is open Monday to Friday from 9 a.m. to 5 p.m. and Saturday from noon to 4 p.m. For more information, call 631-271-8423 or visit www.huntingtonarts.org.

All images courtesy of Huntington Arts Council

A typical teenage girl’s bedroom from the late 1960s. Photo from LIM

Above, a typical teenage girl’s bedroom of the late 1960s. Photo courtesy of the Long Island Museum

By Ellen Barcel

Back in 1964-1965 some very excited New Yorkers (as well as visitors from all over the world) attended the World’s Fair held in Queens. The last time a world’s fair was held in New York was 1939!

The 1960s was a time of the Beatles. It was the time of John Denver and other folk musicians. It was a time when the Vietnam War was escalating, a time of protest and peace marches. “Make Love Not War” and “Lead, Follow or Get Out of the Way” were just some of the slogans commonly heard. It was a time of the early growth of Stony Brook University, founded in 1957 in Oyster Bay and moved to the Stony Brook campus in 1962 on land donated by local philanthropist Ward Melville.

It was also a time when Long Island was growing by leaps and bounds. Housing developments were springing up everywhere, taking over former farmland. While the housing boom of the 1950s was felt in Nassau County, Suffolk’s boom took place in the 1960s.

The Long Island Museum’s new exhibit, Long Island in the Sixties, explores this decade of growth through clothing, photographs and other items of popular culture. A large time line goes throughout the exhibit noting the events of the decade.

Exhibit curator and Director of Collections and Interpretation Joshua Ruff said, “There are five video installations, several of which play music, most notably a film of the famous Beatles concert…”

Said Julie Diamond, museum director of communications, “One thing that struck me [in the exhibit] was a video of the Beatles playing at Shea Stadium. I was imagining myself being there, with all those girls screaming.” One section of the exhibit focuses on clothing: the mod style of the ‘60s “and another more elegant, dressy section. All of the clothing is from our collection,” Diamond said. Pieces were donated to the museum over the years. “It gives us a chance to bring out clothing which we don’t often see.”

Ruff added that there are several vignettes, including “a stylish modernist Hamptons living room, filled with great contemporary furnishings and art … and a middle-class suburban living room with a wildly patterned couch [and] a 1965 Zenith color television set (the dawn of color TV).” The teenage girl’s bedroom, “includes a lot of pop culture artifacts (the Monkees, Beatles, a big record album collection, and all the types of objects you’d see in such a room in the late ‘60s).” There’s a section on that World’s Fair, President John F. Kennedy’s campaign on the Island and information on Grumman’s role in the 1960s.

Ruff noted, “We decided to do the ‘60s exhibition as an outgrowth of the success of a very popular Long Island in the 1950s exhibition that we did in 2012. In the last few years, we have also had a good number of significant donations of 1960s era art and artifacts which we wanted to find a way of showcasing.”

Ruff added that the exhibit includes some really notable artifacts, “the phone that John F. Kennedy used to call Robert Moses to get him to begin building the New York World’s Fair; parts from a lunar modular (antenna mount, strut, micro-shield, copper cables); and terrific dresses from famous designers including Emilio Pucci, Rudy Gernreich and Gino Charles.”

Also at the museum is a second exhibit, Common Ground: The Music Festival Experience curated by the Rock and Roll Hall of Fame. The two exhibits relate, “I think beautifully! There is a lot of content (Woodstock, Altamont, Newport Jazz Festival) in Common Ground that is based in the 1960s … It was important for us to think of these two exhibitions as tied from the very beginning, and we chose to schedule them in this way intentionally,” said Ruff. Common Ground runs through Sept. 5.

This wonderful trip down memory lane will be at the Long Island Museum through Dec. 31. The museum, a Smithsonian affiliate, is located at 1200 Route 25A, Stony Brook. Call 631-751-0066 or go to www.longislandmuseum.org for further information. The museum is open Thursday through Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m.