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Preservation Long Island

The Joseph Lloyd Manor property will serve as a pilot site for the grant project.

Preservation Long Island (PLI) has been awarded an Inspire! Grant for Small Museums from the Institute of Museum and Library Services (IMLS). Collecting since its founding in 1948, Preservation Long Island’s diverse and comprehensive collections comprise approximately 3,000 objects and 185 cubic feet of archival materials.

The grant will enable PLI to undertake an assessment of its inventory practices to improve access and the long-term care and maintenance of the collections displayed and stored at its historic sites and facilities — the PLI Headquarters building in Cold Spring Harbor, Joseph Lloyd Manor and Collections Storage in Lloyd Harbor, Sherwood-Jayne Farm in Setauket, and the Custom House in Sag Harbor. The grant funded project runs from September 1, 2022 through December 31, 2023.

Ranging from artistic and technological masterworks, to documentary imagery and everyday artifacts, PLI’s collections represent the social, cultural, political, and economic history of Long Island over four centuries.

“PLI holds its collection in trust for the public. The IMLS grant represents a strategic investment in the management of its permanent collection,” said Alexandra Wolfe, Preservation Long Island Executive Director.

“Organizationally, the project will enhance how PLI preserves and cares for its important artifacts of Long Island’s history,” said Lauren Brincat, Curator, Preservation Long Island. “Nationally, this project will promote access to and interest in Long Island’s history and cultural heritage.”

“As pillars of our communities, libraries and museums bring people together by providing important programs, services, and collections. These institutions are trusted spaces where people can learn, explore and grow,” said IMLS Director Crosby Kemper. “IMLS is proud to support their initiatives through our grants as they educate and enhance their communities.”

The Joseph Lloyd Manor property will serve as a pilot site for the grant project.  The house was the center of the Manor of Queens Village, a 3,000-acre provisioning plantation established in the late 17th century on the ancestral lands of the Matinecock Nation. Jupiter Hammon (1711–before 1806), one of the first published African American writers, was one of the many people of African descent enslaved at the site.

The collections inventory project will help bring to light new stories that can be told with the existing collections at PLI’s historic sites. In addition, with the information gathered through this project, PLI will be able to seek new acquisitions that help make PLI’s collection—and the public programs, exhibitions, interpretations, and digital content the collection supports—more relevant to more people while also enhancing public knowledge of unrepresented stories.

About Institute of Museum and Library Services

The Institute of Museum and Library Services is the primary source of federal support for the nation’s libraries and museums. We advance, support, and empower America’s museums, libraries, and related organizations through grantmaking, research, and policy development. Our vision is a nation where museums and libraries work together to transform the lives of individuals and communities. To learn more, visit www.imls.gov and follow us on Facebook and Twitter.

 About Preservation Long Island

Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections.

http://preservationlongisland.org

Visit the Digital Collections page on Preservation Long Island’s website to explore a sample of their extensive collections online.

Preservation Long Island maintains and interprets historic sites and collections that embody various aspects of Long Island’s history including:

Joseph Lloyd Manor, Lloyd Harbor http://preservationlongisland.org/joseph-lloyd-manor/

Custom House, Sag Harbor http://preservationlongisland.org/custom-house/

Sherwood-Jayne Farm, Setauket http://preservationlongisland.org/sherwood-jayne-farm/

Old Methodist Church and Exhibition Gallery http://preservationlongisland.org/methodist-church/

The Joseph Lloyd Manor in Lloyd Harbor. Photo from Preservation Long Island

Join Curator, Lauren Brincat, and Education & Engagement Director, Andrew Tharler of Preservation Long Island for a special guided tour of the Joseph Lloyd Manor (circa 1767), 1 Lloyd Lane, Lloyd Harbor on Saturday, July 30 or Saturday, Aug. 6 from 11 a.m. to noon.

Attendees will view a new panel exhibition and audiovisual installation centered on Jupiter Hammon’s (1711–before 1806) life and poetry and step into spaces previously closed to the public. 

Joseph Lloyd Manor was once the center a 3,000-acre provisioning plantation established in the late 17th century. Hammon was one of the many people of African descent enslaved at the site. Considered the first published African American poet, Hammon authored his most significant writings about the moral conflicts of slavery and freedom at Joseph Lloyd Manor.

*Please note that this tour includes stairs. Only the first floor of the Manor is wheelchair accessible.

Cost is $10, $5 members. Registration is required by calling 631- 692-4664 or by visiting www.preservationlongisland.org.

 

This year's Wet Paint Festival will be held at the Sherwood-Jayne Farm in East Setauket. Photo courtesy of Preservation Long Island

By Melissa Arnold

Since 2004, Gallery North’s annual Wet Paint Festival has invited artists from far and wide to revel in nature’s beauty. For a week or a weekend, artists enjoy each other’s company and a healthy dose of plein air painting — the tricky, constantly changing art of working outdoors.

This year’s festival, scheduled for June 4 and 5, will be held at the historic and picturesque Sherwood-Jayne Farm on Old Post Road in East Setauket and seeks to build upon past events where visitors can watch the artists work and ask questions about their creative process. There will also be the opportunity to tour the Sherwood-Jayne House, go bird watching, enjoy live music and more.

An artist paints plein air at the Sherwood-Jayne Farm. Photo from Preservation Long Island

“The landscape of the show has changed in a variety of ways over the years, not just in location but in the way it’s structured,” said Ned Puchner, executive director of Gallery North. “During the pandemic, people could paint remotely for a two-week period. Last year, we had a few different locations to choose from. This year, we’re returning to the traditional style of having a specific site where everyone will come together and paint for a weekend, with some additional activities for the public to enjoy.”

The Sherwood-Jayne Farm was originally slated to host the Wet Paint Festival in 2020, and planning for the event was nearly complete when the pandemic shut things down.  

“Gallery North reached out to us a few years ago looking to change up the festival from the way it was done in the past,” said Elizabeth Abrams, Assistant Director of Operations and Programs for Preservation Long Island, which cares for the property. “We used to team up with the gallery for an apple festival, and considering we are just down the street from each other, it was natural for us to work together again.”

Preservation Long Island is a multifaceted not-for-profit organization dedicated to protecting Long Island’s history and culture. Founded in 1948, their focus is on education, advocacy, and the stewardship of historic buildings and artifacts.

Abrams explained that the Sherwood-Jayne House was built in 1730 as an early colonial, lean-to salt box dwelling. The house and surrounding farmland were cared for by the Jayne family for more than 150 years. In 1908, it was acquired by the founder of Preservation Long Island, Howard Sherwood, who lived in the home and displayed a variety of antiques there.

Throughout the weekend, the Sherwood-Jayne House will be open for tours with Preservation Long Island curator Lauren Brincat. Keep an eye out for the Tallmadge wall panels, and the incredibly beautiful wall mural in the parlor that’s meant to look like wallpaper — they are very rare to see, especially on Long Island, Abrams added.

“The house contains a large portion of Howard Sherwood’s personal antique collection and other bits of history from colonial Long Island. This area had a foundational role in American history — exploring the house and its collections are a unique way to learn more about that important time period,” she said.

There will be plenty of outdoor inspiration for the artists at the festival as well. The property is also home to a variety of outbuildings and trails, gorgeous old-growth walnut trees, an apple orchard, and all kinds of wildlife. 

The Four Harbors Audubon Society will lead tours exploring the wildlife and ecology of the area, with a particular focus on local birds. If the barn is open, you might be lucky enough to meet some goats, a few sheep, or an old, sweet white horse named Snowball.

Visitors are free to wander the grounds at their leisure, watch the artists work or ask questions, Puchner said. For those who are feeling shy or not sure what to ask, an artist will offer a guided tour and lead discussions once each day.

“The whole objective of the Wet Paint Festival is to help people understand what goes into the process of creating a painting, and to meet local artists. It’s a great way for someone who has no artistic experience to learn how it all works,” Puchner said.

Nancy Bueti-Randall, pictured in her studio, will join over 40 other artists at this year’s Gallery North Wet Paint Festival.
Photo by Heidi Sutton/TBR News Media

Over 40 artists will be participating this weekend including Nancy Bueti-Randall of Stony Brook who began to paint outdoors as a way to recharge while raising her three children. She’s spent more than 20 years creating and showing her work, which runs the gamut from pictorial to abstract, figures and landscapes. Most of the time, though, she’s painting in her garden or other familiar surroundings.

Sometimes, she’ll start a painting with the idea to focus on one thing, but something else in a landscape will catch her eye instead.

“There are a lot of challenges with plein air painting. It’s very fleeting — a landscape is always changing, even from day to day,” Bueti-Randall explained. “You have to be fast and responsive to what’s going on around you. It’s about becoming engaged with the thing you’re painting. I can get overwhelmed by beauty, and I try to capture the essence of what I’m seeing in a process of give and take.”

Marceil Kazickas of Sands Point considers herself an artistic late bloomer. She started drawing and painting to cope with a health crisis, and found that when she was being creative, she wasn’t in pain. Kazickas prefers to work in oil, which she loves for its luscious, sensual properties.

“When you go outside, there’s an overwhelming amount of information to take in — the views are always changing, the clock is running, and you want to get your design done quickly because the light and shadows are constantly evolving,” she explained. 

“I’m not as focused on painting exactly what I see … People can get caught up in producing a finished, frameable piece of art, but for me it’s exciting to be outside and come up with whatever I can in the short time I’m out there, even if it’s nothing. It’s about the painting process.”

Puchner hopes that the variety of activities, including a scavenger hunt for kids and live music from the Keenan Paul Zach Trio and Tom Killourhy, will appeal to all kinds of people.

“These new additions will give the public the opportunity to enjoy nature, the arts and history all in one place, and our artists will have a fun new location to experiment and be creative in,” he said.

The 18th Annual Wet Paint Festival will be held June 4 and 5 at the Sherwood-Jayne Farm, 55 Old Post Road, East Setauket from 10 a.m. to 4 p.m. Rain date is June 18 and 19. The event is free and open to the public. 

All participating artists will have their festival work on display in an exhibit at Gallery North, 90 North Country Road, Setauket, from July 7 through Aug 7. A free opening reception will be held at the gallery from on July 7 from 6 to 8 p.m. 

For more information about the festival or to register to paint, visit www.gallerynorth.org or call 631-751-2676. Learn more about Sherwood-Jayne Farm at www.preservationlongisland.org.

Meet Big Bill Tory at the Sherwood Jayne House during Culper Spy Day. Photo from Preservation Long Island

UPDATED! This article was updated on 9/17/21 to reflect a change to the schedule of events (in bold).

By Heidi Sutton

On Saturday, Sept. 18 from 10 a.m. to 4 p.m., the Three Village Historical Society, Tri-Spy Tours and the Long Island Museum will host a day of spy-related tours and activities for the 7th annual Culper Spy Day, named for the Culper Spy Ring founded by Benjamin Tallmadge, George Washington’s chief intelligence officer during the Revolutionary War.

The annual event is the brainchild of Margo Arceri, who first heard about George Washington’s Setauket spies (including her favorite spy Anna Smith Strong) from her Strong’s Neck neighbor and local historian, Kate W. Strong, in the early 1970s.

Diane Schwindt of Stirring Up History, pictured with Margo Arceri, will offer colonial cooking demonstrations during Culper Spy Day. Photo from Mari Irizarry

“Kate W. Strong, Anna Smith Strong’s great-great-granddaughter, originally told me about the Culper Spy Ring when I used to visit her with my neighbor and Strong descendant Raymond Brewster Strong III. One of her stories was about Nancy (Anna Smith Strong’s nickname) and her magic clothesline. My love of history grew from there,” she said in an interview in 2015.

Seven years ago Arceri approached the Three Village Historical Society’s President Steve Hintze and the board about conducting walking, biking and kayaking tours while sharing her knowledge of George Washington’s Long Island intelligence during the American Revolution.

Today, Arceri runs the popular Tri-Spy Tours in the Three Village area, which follows in the actual footsteps of the Culper Spy Ring. “I have to thank AMC’s miniseries Turn because 80 percent of the people who sign up for the tour do so because of that show. And now that Turn has come to Netflix it has taken this community to an entirely other level,” she said. 

It was during one of those tours that Arceri came up with the idea of having a Culper Spy Day, a day to honor the members of Long Island’s brave Patriot spy ring who helped change the course of history and helped Washington win the Revolutionary War. After a successful five-year run, last year’s event was sideswiped by COVID-19 and was presented virtually on Facebook Live. 

Meet costumed docents from Oyster Bay’s Raynham Hall on the grounds of the Three Village Historical Society. Photo by TVHS

This year the family-friendly event returns but on a smaller, more intimate scale as participants will have the opportunity to visit eight locations in Setauket, Stony Brook and Port Jefferson to learn about the patriots who risked their lives through tours, spy stories, colonial cooking demonstrations, historic letters, musical performances, and many children activities. 

Escorted by Arceri, Mrs. Q of Karen Q. Patriot Tours of NYC will be on location live on social media and in costume visiting many of the locations. With the exception of the Sherwood Jayne House, all events are free.

While the Three Village Historical Society has remained closed since last January, it will reopen for the one-day event. Mari Irizarry, Outreach and Communications Manager at the Society, is ready to welcome visitors. “We miss our community. There is so much rich history, heritage and culture that is part of the Three Villages and beyond and we are excited to share it on Culper Spy Day,” she said.

Arceri’s favorite part of the day is “seeing all these organizations coming together as a whole. It really is our Revolutionary story,” she said. “Everywhere you turn in the Three Villages you are looking at an artifact, and as the historical society believes, the community is our museum and I would really love to put that on the forefront of people’s minds.”

Schedule of Events:
View Revolutionary War artifacts from the collection of Art Billadello at Emma S. Clark Memorial Library on Culper Spy Day.

1. THREE VILLAGE HISTORICAL SOCIETY, 93 North Country Road, Setauket. Located in the circa 1800 Bayles-Swezey House. Here you can take part in oudoor events including an invisible ink demonstration; Spy Stories on the TVHS Porch from 12:30 to 1:30 p.m.; view a patriotic quilt display and demonstration and take part in colonial crafts with the Daughters of the American Revolution Anna Smith Strong Chapter; Author’s Row: come meet authors Beverly C. Tyler, Selene Castrovilla and, Claire Bellerjeau, available for book signings; view Revolutionary War letters from Stony Brook University’s Special Collections; take part in spy games and meet costumed docents who will talk about Raynham Hall, Culper Jr. and their Culper Spy connections; and enjoy a live colonial cooking demonstration and samples with Diane Schwindt of Stirring Up History. 631-751-3730.

2. THE STUDIO AT GALLERY NORTH, 84 North Country Road, Setauket. Visit The Studio to enjoy free Revolutionary War era arts and crafts for children throughout the day. Guests will have an opportunity to create a Tin Punch ornament or a chance to create a decoder & color a quilt square. Activities will occur on the patio, just outside the Studio. 631-751-2676. 

3. EMMA S. CLARK MEMORIAL LIBRARY, 120 Main St., Setauket. The library (circa 1892) will present a concert featuring 18th century songs the trio Rose Tree from 12:30 p.m. to 2 p.m. on the Library lawn. View Revolutionary military paraphernalia from the collection of Art Billadello in the Library’s lobby. Kids can enjoy a craft from noon to 3 p.m. 631-941-4080. Please note the previously scheduled bubble and comedy show on the lawn from 11 a.m. to noon has been canceled.

4. CAROLINE CHURCH AND CEMETERY, 1 Dyke Road, Setauket. Built in 1729, this timber frame building has maintained its Colonial appearance. Now an Episcopal church, during the Revolutionary War the Caroline Church was Anglican and a Colonial extension of the Church of England. The graveyard contains the remains of six Patriot soldiers as well as soldiers from World War I and II. View the inside of the church from the vestibule and tour the cemetery with docents from 10 a.m. to 2 p.m. Just added! Setauket Presbyterian church next door will be offering tours of their cemetery from 10 a.m. to 2 p.m.. 631-941-4245.   

5. PATRIOTS ROCK HISTORIC SITE, Main Street, Setauket (across from the Setauket Post Office). This glacial erratic boulder is said to be the location of the Battle of Setauket on Aug. 22, 1777. Stop here between 10 a.m. and noon to meet representatives from the Three Village Community Trust who will discuss the importance of Patriots Rock and its local and environmental history. 631-689-0225.

6. THE LONG ISLAND MUSEUM, 1200 Route 25A, Stony Brook. The museum is a Smithsonian Affiliate with permanent and changing exhibitions on American history and art, along with the finest collection of horse-drawn carriages in the country, some of which belonged to Revolutionary War heroes. Visit the History Museum between noon and 5 p.m. to view the newly uncovered Culper Spy Ring letter and see LIMarts Collaborative Art Group doing a plein air painting / sketching on the grounds that day. 631-751-0066.

7. SHERWOOD-JAYNE HOUSE, 55 Old Post Road, East Setauket. Originally built around 1730 as a lean-to saltbox dwelling, the house and farm were maintained as an operational farmstead for over 150 years by members of the Jayne family. Visit with Big Bill the Tory aka William Jayne III, who will explain the noble intentions and virtuosities of King George III and tells you the TRUTH about Washington’s pesky band of renegade spies! Program runs continuously from 10 a.m. to 4 p.m. Masks must be worn inside. $5 per person, children under 5 free. Pre-registration is recommended at www.preservationlongisland.org.

8. DROWNED MEADOW COTTAGE MUSEUM, corner of West Broadway and Barnum Avenue, Port Jefferson. The Revolutionary War-era Roe House was originally constructed circa 1755 and Phillips Roe, a member of the Culper Spy Ring along with his brother Nathaniel and cousin Austin, was known to have lived there. Visit the cottage between 10 a.m. and 4 p.m. and attend an unveiling with Mayor Margot Garant at 11 a.m.

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Participating organizations for the 7th annual Culper Spy Day include Tri-Spy Tours, Three Village Historical Society, Stony Brook University Special Collections, Emma S. Clark Memorial Library, The Long Island Museum, Raynham Hall, Drowned Meadow Cottage, Preservation Long Island, Gallery North, Karen Q’s Patriot Tours NYC, Anna Smith Strong Chapter of the National Society of the Daughters of the American Revolution, Stirring Up History, Three Village Community Trust, and Caroline Church of Brookhaven

For more information, call 631-751-3730 or visit www.tvhs.org

 

Peter Crippen House front façade, January 2021. Courtesy of Preservation Long Island
List includes properties in Sag Harbor, Port Jefferson, Huntington, St. James, East Hampton, Southampton and East Hills.

 Preservation Long Island’s Endangered Historic Places List for 2021 includes seven sites and one district facing a variety of threats from demolition and overdevelopment, to a lack of municipal funding and support for historic preservation in communities throughout our region.

Important historic places across Long Island are threatened by a variety of adverse conditions, from outright demolition to a lack of appreciation for their historic value, or the inability to develop sustainable long-term plans for preservation and stewardship.  Preservation Long Island (formerly the Society for the Preservation of Long Island Antiquities), established the Endangered Historic Places Program (EHPP) with the goal of raising region-wide support for historic places facing precarious circumstances.

“The program offers Long Islanders an opportunity to advocate for preservation in their communities while learning how to use tools like landmark designation, tax incentives, and public outreach,” said Alexandra Wolfe, Preservation Long Island’s Executive Director. “Our program partners receive priority technical assistance from our professional staff and their listings are featured on our website and social media”.

The pandemic did not have a negative impact on the public response to the open call for nominations issued last November. “This year marks the largest number of nominations received in a single program year since the establishment of the program in 2010,” said Sarah Kautz, Preservation Long Island’s Director of Preservation and Advocacy. A total of 18 nominations were submitted for the 2021 program year from communities across Long Island.

A panel of Preservation Long Island staff and trustees, as well as experts in architecture, historic preservation, and other related fields selected the properties based on three key criteria: overall historic significanceseverity of the threat and impact the EHPP listing will have on efforts to protect the nominated site.

Each of the eight sites will be showcased in a series of free virtual programs that will include interviews and panel discussions open to the public in June and July. Visit the 2021 Endangered Historic Places page on our website to learn more about each of the selected sites, and to register for the free virtual events.

Preservation Long Island invites all Long Islanders to join us in celebrating and supporting the important sites on Long Island’s List of Endangered Historic Places for 2021:

James Brooks & Charlotte Park Home & Studios, Springs, East Hampton Town Community Preservation Fund. Purchased by East Hampton Town in 2014, this landmarked home and studios of Abstract Expressionist artists in Springs is threatened by vandalism, disrepair, and demolition.

John Mackay III’s “Happy House”, Village of East Hills, Nassau County. One of the few remaining Gilded Age country houses in East Hills Village is threatened by demolition and subdivision.

Peter Crippen Home Site, Town of Huntington, Suffolk County. A rapidly deteriorating property owned by Huntington Town with strong ties to Long Island’s early colonial development and African American history.

Pyrrhus Concer Home Site, Village of Southampton, Town of Southampton Community Preservation Fund. Purchased by Southampton Town in 2015, restoration of this nationally significant site of African American history in Southampton Village is threatened by inter-municipal delays and other issues.

Rogers/Remz Grain & Feed Building, Port Jefferson Station, Town of Brookhaven, Suffolk County. This early industrial farming structure at the heart of Port Jefferson Station is threatened by demolition and urban renewal.

Sag Harbor Hills, Azurest, Ninevah, Subdivisions (SANS) Historic District, Village of Sag Harbor, Suffolk County. Demolition and intensive redevelopment threaten one of Long Island’s most significant Jim Crow- and Civil Rights-era historic districts in the Village of Sag Harbor.

Saint James Firehouse, Town of Smithtown, Suffolk County. A historic firehouse in active service since 1925 threatened by a lack of resources and municipal support for much-needed repairs.

William Tooker House, Village of Port Jefferson, Suffolk County. A rare pre-1750 structure in Port Jefferson Station with strong ties to Long Island’s colonial past threatened by neglect, demolition, and urban renewal.

Preservation Long Island’s Endangered Historic Places Program is made possible in part by a grant from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

About Preservation Long Island

Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections. http://preservationlongisland.org/

 

Image credit: “Peter Crippen House front façade, January 2021. Courtesy of Preservation Long Island.”

Preservation Long Island in Cold Spring Harbor has announced the gift of a group of important early American portraits from descendants of the Nelson and Lloyd families of Boston and Long Island. 

For over three hundred years, portraits of Elizabeth Tailer Nelson (1667–1734), John Nelson (1654–1734), Henry Lloyd I (1685–1763), and James Lloyd III (1769–1831) remained in the possession of the same family that commissioned them centuries ago. The artworks, an extraordinary gift from the collection of Orme Wilson III and Elsie Wilson Thompson, in memory of Alice Borland Wilson, have joined Preservation Long Island’s collection and are now available for the public to view in a new digital exhibition titled Facing Slavery: The Lloyd Family Portraits in Context.

“We are honored to be the new stewards of these important pieces of American history and to make them available to the public for the first time,” said Alexandra Wolfe, Preservation Long Island Executive Director. 

In gifting the paintings, the donors wrote, “After being in family care all these years, we believe that these portraits are going to the right place with you and your colleagues at Preservation Long Island, where we hope that they will be useful in your development of a deeper historical understanding and contextualization of the issues and events that swirled around the Long Island area in colonial times and later”.

This gift coincided with the launch of the first phase of the Jupiter Hammon Project, a long-term initiative that will transform how Preservation Long Island engages future visitors to Joseph Lloyd Manor (1767) with the entangled stories of the Lloyd family and the individuals they enslaved for more than a century at the Manor of Queens Village on Long Island (Lloyd Neck today), among them, Jupiter Hammon (1711–before 1806) one of our nation’s first published Black American writers.

This multi-generational collection of portraits is a visual reminder of the region’s colonial and early national history, but the individuals they represent reflect only a fraction of the people, both enslaved and free, who lived, formed families, and established communities on Long Island and New England during the seventeenth, eighteenth, and nineteenth centuries.

“We are grateful to the descendants for recognizing the important work of the Jupiter Hammon Project and for giving the portraits a new, permanent home with Preservation Long Island,” said Lauren Brincat, Curator, Preservation Long Island. 

“There are no known portraits of Jupiter Hammon or any of the men, women, and children the Lloyds enslaved. By interrogating the hidden history behind these painted surfaces, however, we can uncover a complex story of one family forcibly bound to another across generations,” she said.

Facing Slavery: The Lloyd Family Portraits in Context is now on view at www.preservationlongisland.org. For more information, call 631-692-4664.

In photo, from left:

Elizabeth Tailer Nelson (1667–1734) by an unknown American artist, ca. 1685. Oil on canvas. Preservation Long Island, 2020.5.2.

John Nelson (1654–1734) attributed to James Frothingham (1786–1685) after John Smibert (1688–1751), before 1824. Oil on panel. Preservation Long Island, 2020.5.3.

Henry Lloyd I (1685–1763) by John Mare (1739–ca. 1803) after John Wollaston (active ca. 1742–1775), 1767. Oil on canvas. Preservation Long Island, 2020.5.1.

James Lloyd III (1769–1831) by an unknown American artist, 1800-50. Oil on canvas. Preservation Long Island. 2020.5.4.

The Long Island Museum has partnered with Preservation Long Island for a moderated conversation to coincide with the release of the LIM’s publication Long Road to Freedom: Surviving Slavery on Long Island written by LIM Curator, Jonathan Olly. The event will be held via Zoom on Wednesday, March 10 from 5:30 to 6:30 p.m.
The evening will feature:
  • A live panel discussion moderated by Darren St. George, Director, Education & Public Programs, Preservation Long Island featuring Jonathan Olly, Curator of The Long Island Museum, Mark Chambers, Visiting Assistant Professor of Africana Studies at SUNY Stony Brook, and Lynda Day, Professor of Africana Studies, Brooklyn College-CUNY.
  • The new publication and discussion on the ways historians, museums, and professors are working to make Long Island’s past more accessible.
  • Current approaches to teaching Black history, as well as how conversations around Northern (and specifically Long Island) slavery has changed over the last few decades will be examined.
Registration is FREE, but limited and will be taken on a first come, first served basis.
To reserve your place, please email: [email protected]
You will receive an email within 48 hours to confirm your spot and a Zoom link before the event.

Big Bill the Tory at the Sherwood-Jayne Farm in East Setauket. Photo by Darren St. George, Preservation Long Island

Preservation Long Island, a regional preservation advocacy group, was awarded a $2,000 reimbursement grant from the Robert David Lion Gardiner Foundation. The announcement was made in a press release on Jan. 28. The grant has helped Preservation Long Island to preserve valuable operating funds and redirect a portion of funding towards improving online programming capacity.

“We are so grateful for the continued support from the Gardiner Foundation, especially during this challenging time”, said Alexandra Wolfe, Executive Director of Preservation Long Island. “In light of the pandemic, Preservation Long Island, like most of its institutional colleagues, has had to swiftly transition to online platforms to implement our educational and advocacy programs. Relief funds from the Gardiner Foundation have supported technology upgrades and the purchase of video production equipment to improve the quality of programs that have been reformatted for online engagement and feature prominently at our website and Vimeo channel”.

Preservation Long Island initiatives with expanded virtual offerings and enhanced online components include the Jupiter Hammon Project (which now incorporates a growing collection of virtual discussions about salient topics related to the study of enslavement in the north); “Historian’s Stories” where town historians present local history; virtual exhibitions and events with regional partner organizations; and tutorial presentations to help communities and individuals navigate our many preservation advocacy tools including the new Local Landmark Law Locator that provides an easy way to explore local landmark laws in our region.

“The Robert David Lion Gardiner Foundation hopes that these funds will alleviate at least a small part of Preservation Long Island’s financial burden during these extraordinary times,” said Kathryn M. Curran, Executive Director of the Robert David Lion Gardiner Foundation. 

Preservation Long Island maintains and interprets historic sites and collections that embody various aspects of Long Island’s history including:

Joseph Lloyd Manor, Lloyd Harbor http://preservationlongisland.org/joseph-lloyd-manor/

Custom House, Sag Harbor http://preservationlongisland.org/custom-house/

Sherwood-Jayne Farm, Setauket http://preservationlongisland.org/sherwood-jayne-farm/

Old Methodist Church and Exhibition Gallery http://preservationlongisland.org/methodist-church/

 For more information, visit www.preservationlongisland.org.

 

Three Village Historical Society’s Director of Education Donna Smith and historian Beverly C. Tyler. Photo from TVHS

Margo Arceri first heard about George Washington’s Setauket spies from her Strong’s Neck neighbor and local historian, Kate W. Strong, in the early 1970s. Arceri lights up when talking about her favorite spy, Anna Smith Strong.

“Kate W. Strong, Anna Smith Strong’s great-great-granddaughter, originally told me about the Culper Spy Ring when I used to visit her with my neighbor and Strong descendant Raymond Brewster Strong III. One of her stories was about Nancy (Anna Smith Strong’s nickname) and her magic clothesline. My love of history grew from there,” she said.

Seven years ago Arceri approached the Three Village Historical Society’s President Steve Hintze and the board about conducting walking, biking and kayaking tours while sharing her knowledge of George Washington’s Long Island intelligence during the American Revolution.

Today, Arceri runs Tri-Spy Tours in the Three Village area, which follows in the actual footsteps of the Culper Spy Ring. “I wanted to target that 20- to 60-year-old active person,” she said.  “I have to thank AMC’s miniseries ‘Turn’ because 80 percent of the people who sign up for the tour do so because of that show,” she laughs.

It was during one of those tours that Arceri came up with the idea of having a Culper Spy Day, a day to honor the members of Long Island’s brave Patriot spy ring who helped change the course of history and helped Washington win the Revolutionary War.

“Visiting places like the Brewster House, which is owned by The Ward Melville Heritage Organization, the grave site of genre artist William Sidney Mount at the Setauket Presbyterian Church cemetery (whose paintings are at The Long Island Museum) and the Country House, which was built in the 1700s,” Arceri thought “there has to be a day designated to celebrating all these organizations in the Three Villages and surrounding areas; where each of us can give our little piece of the story and that’s how Culper Spy Day developed.”

After a successful five-year run, plans were underway for the sixth annual Culper Spy Day when the pandemic hit. At first the event was canceled out an abundance of caution but now has been reinvented and will be presented virtually on Facebook Live on Sept. 12 and 13 to be enjoyed from the comfort of your home.

The Three Village area is full of hidden intrigue and stories of how America’s first spy ring came together secretly to provide General George Washington the information he needed to turn the tide of the American Revolution.

Over the course of the weekend, you will have the chance to visit many of the cultural organizations from years past who will share their story, including the Three Village Historical Society, Tri-Spy Tours, Ward Melville Heritage Organization, Special Collections and University Archives at Stony Brook University, Preservation Long Island, Emma S. Clark Memorial Library, Drowned Meadow Cottage, Caroline Church of Brookhaven, Ketcham Inn Foundation and more in a virtual format.

Join Margo Arceri from Tri-Spy Tours live from the Village Green on Saturday at 9 a.m.

Meet Big Bill the Tory live at the Sherwood-Jayne House.

Take a Virtual Spies! exhibit tour with TVHS historian Bev Tyler.

Visit the famous Brewster House with Ward Melville Heritage Organization Education Director Deborah Boudreau.

View a resource guide to everything Culper Spy Day courtesy of Emma Clark Library.

Watch a short film on Long Island’s South Shore from the Ketcham Inn Foundation.

Make your very own periscope with Gallery North.

Read up on the Revolutionary War History from the Caroline Church of Brookhaven.

Look back at the festivities from 2016 Culper Spy Day.

Don’t miss the five part virtual spy tour series with historian Bev Tyler.

Listen to the lecture “Spies in the Archive: A history of two George Washington Culper Spy Ring letters presented by Kristen Nyitray Special Collections, Stony Brook University Libraries.

Learn about SBU’s two Culper Spy Ring letters and access images and transcripts Special Collections, Stony Brook University Libraries

Dive into George Washington & the Culper Spy Ring A comprehensive research and study guide Special Collections, Stony Brook University Libraries

Find out who Agent 355 was from historian Bev Tyler.

Listen to the story of Nancy’s Magic Clothesline, written by Kate Wheeler Strong, and told by Margo Arceri.

No registration is necessary. For more information, visit www.tvhs.org/virtualculperday.

'Mandush, Shinnecock Sachem of the 17th century' by David Bunn Martine

Preservation Long Island will launch a new virtual exhibition, Indigenous History & Art at Good Little Water Place, beginning Sept. 3. Artwork from nine contemporary Indigenous artists centers the exhibit. Offering an inquisitive look at the history and on-going relations between Indigenous people and land, the show reminds viewers of a shared responsibility to recognize our common histories and know how they impact our connections to place.

Organized by Preservation Long Island with guest curators, Jeremy Dennis, artist and a tribal member of the Shinnecock Indian Nation in Southampton, and Dr. Gwendolyn Saul, Curator of Ethnography, New York State Museum, the exhibition features objects from the collections of Preservation Long Island, the New York State Museum, and the Southold Indian Museum.

“We are thrilled this important exhibition, that began as a collaborative endeavor with the New York State Museum in the Fall of 2019, could be reimagined in the virtual realm,” said Alexandra Wolfe, Preservation Long Island’s Executive Director. “Thanks to the efforts of the project curators, partner museums, and artists, the provocative insights that Long Island Indigenous art offers about history and environment, and the future of our relations to both is now accessible to a wider audience online.”

“The exhibit features indigenous presence and expression from 10,000 years ago to the present — and I am proud and excited to be a part of representing this collective,” said Dennis. “I’m honored to be part of a project that directs attention to the diligent, on-going, and talented work of Indigenous artists and intellectuals of what is now known as Long Island,” added Saul.

Sponsored by an Action Grant from Humanities New York, the exhibition will open with a special Curator Conversations virtual event on Sept. 3 from 5:30 to 6:30 p.m. Visit www.preservationlongisland.org to register for this free program.