This award celebrates museum professionals with five years or less experience who think creatively, inspire change, spark innovation, and exemplify leadership.
Cold Spring Harbor: Preservation Long Island Curatorial Fellow, Peter Fedoryk, is a recipient of the 2023 Rising Star Award, one of the fourteen awards made by the Museum Association of New York (MANY) that celebrate unique leadership, dedicated community service, transformational visitor experiences, community engagement, and innovative programs that use collections to tell stories of everyone who calls New York home.
Peter Fedoryk will be honored at the Museum Association of New York 2023 annual conference “Finding Center: Access, Inclusion, Participation, and Engagement” in Syracuse, New York on Monday, April 17 from 12:30 p.m. at the Syracuse Marriott Downtown.
“New York’s museums and museum professionals are reimagining and reinventing their roles within their communities, how they interpret their stories and collections, and the visitor experience,” said Natalie Stetson, Executive Director of the Erie Canal Museum and MANY Program Committee Co-Chair. “This year’s award winners are outstanding examples for the museum field.”
“We were incredibly impressed with the quality and quantity of award nominations this year, which made the review process highly competitive,” said Clifford Laube, Public Programs Specialist at the Franklin D. Roosevelt Presidential Library and Museum and MANY Program Committee Co-Chair. “Museums and museum staff across the state are demonstrating creative thinking and are inspiring institutional change.”
“During the time Peter has been with Preservation Long Island, he has positively impacted the organization in many ways, contributing his diligence and thoughtful creativity to everything from collections management to grant writing and community engagement,” said Alexandra Wolfe, Preservation Long Island Executive Director. “We are delighted that Peter is among our New York State museum colleagues being recognized as an outstanding example to the museum field.”
Since July of 2021, Peter has led Preservation Long Island’s Art of Edward Lange Project, a collaborative effort to reexamine the life and Long Island landscapes of the late 19th-century German immigrant artist. In his role, Peter launched an interactive website featuring nearly 150 artworks accompanied by in-depth catalogue information and interpretive content, curated an in-focus gallery exhibition, published and presented on new scholarship, and spearheaded numerous public programs. He is currently co-authoring and co-editing a new publication on Edward Lange that is slated to be published next year.
Lauren Brincat, Preservation Long Island Curator added, “I am continually impressed by Peter’s initiative, creativity, and leadership. As Curatorial Fellow, he has pushed us in exciting directions and exceeded all expectations. Peter’s future in the field is bright, and it’s been a real pleasure watching him grow as a museum professional.”
The New York State Council on the Arts recently dispersed grants to nonprofit arts and culture organizations with the intention of helping them recover from the aftermath of COVID-19 shutdowns.
‘The vast majority of our artisticmasterpieces and institutions were birthed from philanthropy of some kind.’
In a press statement, Gov. Kathy Hochul (D) said, “As a cultural capital of the world, New York state is strengthened by our expansive coverage of the arts across all 62 counties. This year’s historic commitment to the arts sector will spur our continuing recovery from the pandemic and set the course for a stronger future.”
Local organizations — including The Jazz Loft in Stony Brook, Preservation Long Island in Cold Spring Harbor and Huntington Arts Council — have announced that they are among the NYSCA grantees.
The Jazz Loft
The Jazz Loft has received two grants totaling $50,000 from NYSCA: the Regrowth and Capacity grant for $10,000 and the Support for Organizations grant for $40,000.
The grants will be used to support the venue’s performance schedule, which includes more than 160 shows each year. Tom Manuel, president and founder of The Jazz Loft, said in an email the funding would make additions to the programming possible during the 2023-24 season. It will also help with the Loft School of Jazz program for high school students.
Manuel said learning about grant funding “is always a feeling of both excitement and relief.” “The arts has just been one of those mediums that has existed due to patron and government support since the time of Bach and Beethoven and even earlier,” he said. “The vast majority of our artistic masterpieces and institutions were birthed from philanthropy of some kind.”
The venue employs musicians at a cost of a quarter million dollars annually, according to Manuel, and in December The Jazz Loft welcomed 2,000 visitors.
“We’re honored to be a part of a wonderful community and that we can generate traffic and tourism throughout the village,” he said. “Our plan for the NYSCA grant funding is to present a series of world-class performers and educational events that will continue to support our artistic community and draw visitors from near and far.”
Huntington Arts Council
The nonprofit Huntington Arts Council has received a Statewide Community Regrant totaling $1 million over two years.
Kieran Johnson, executive director of the Huntington Arts Council, said HAC was grateful and humbled. He added the HAC grants are different from others as it’s not entirely for the council but to help other organizations recover. The organization has been part of the regranting program since it was a pilot in the 1970s.
“It’s all about supporting local artists and local arts organizations across Nassau and Suffolk counties,” Johnson said.
‘That’s the idea behind the SCR program, taking the money, keeping it local and really growing local economies, also.’
— Kieran Johnson
He said he remembers a statistic he once read that stated every dollar put into the local creative sector generates $5.25 of regional gross domestic product.
“That’s the idea behind the SCR program, taking the money, keeping it local and really growing local economies, also,” he said. “It’s a huge economic impact.”
Recently, the HAC granted $351,000 to organizations in Nassau and Suffolk countiesdue to the New York grant and are in the process of sending the funds, Johnson said. Previous years the total amount of grants HAC dispersed has been around $120,000.
The state funds will help HAC award mini-grants every month for $1,000 for one person and one organization for a total of $2,000 a month for the next two years. Each month a new person and organization will be chosen. HAC also is running a professional development series for artists and organizations that includes brand identity, social media, legal courses and more.
“That’s our primary role of the HAC, we are an artist support organization,” he said.
Preservation Long Island
NYSCA also presented grants to Preservation Long Island based in Cold Spring Harbor. The nearly $70,000 in grant money will support “regionally focused historic preservation advocacy and public education programs,” according to the organization.
The funds were awarded in two grants to PLI: $20,000 in Recovery Funding and nearly $50,000 through the renewal of the Support for Organizations grant.
PLI will be able to help fund the rehiring of seasonal museum educators on Long Island and reopen historic houses which were closed to the public during the pandemic. Funding will also be used to enhance digital programming strategies introduced during the pandemic.
Alexandra Parsons Wolfe, executive director, said fortunately, many arts and cultural organizations received Paycheck Protection Program loans.
“We were not abandoned during the pandemic,” Wolfe said. However, she added more relief is needed.
The regional organization is able to help smaller organizations on Long Island that may not have the means to hire a paid staff in their pursuits to implement preservation projects for endangered historic places.
“I can’t emphasize how important the New York State Council on the Arts is to the cultural institutions of Long Island and New York, and it’s so worth tax money to be able to support organizations like ours,” she said.
The New York State Council on the Arts recently awarded its Regrowth and Capacity recovery grants to local nonprofits. The grants will help arts and cultural organizations continue to return to pre-pandemic capacity and creation levels by providing monetary relief.
The art community, along with other nonprofits and businesses, was severely impaired by COVID-19 guidelines that had prevented large gatherings of any kind in the early months of the pandemic in 2020. The effects of the lockdown have continued to linger as many people remain hesitant to participate in public events. NYSCA recovery funding efforts are commendable.
Arts organizations that had to furlough staff, cancel programs and cut back their usual offerings may now have a better chance of fully opening their doors again. Canceling programs led to less audience outreach and community support. Grants, such as the ones received from NYSCA, will give organizations the boost they need and, hopefully, remind people that these institutions are essential for community health.
The arts play a vital role in our society. Dance, music, galleries, public works of art and others help us relax; they remind us to take a break from our hectic lifestyles.
News cycles can be disheartening, painting a bleak picture of societies and the future of humanity. Creative works can help us liberate ourselves from these distortions, making sense of the world, improving our quality of lives and elevating moods.
The local economy tends to improve, too, with arts and cultural organizations due to increased consumer purchases and tourism.
Studies have shown that public works of art are beneficial to cities. An illuminated art installation is not only aesthetically pleasing but also can provide needed light along a dark street or path. Public works of art also help community members connect, and people within those municipalities may feel more represented. Art can be used to raise general awareness about various issues, encouraging civic engagement and opening minds.
A building’s mural or art installation in a town may even help to foster pride in one’s neighborhood. Most of all, public art in our local neighborhoods, free cultural programs — whether at an art exhibit or concert at a local park — make these forms of expression accessible to anyone, no matter age or income.
For too long, our communities were isolated as elected officials and medical professionals worked to curb the spread of COVID-19. However, methods of managing the disease left many divided. For a nation and world scarred by isolation and angst, art offers us a path forward and a means to heal.
Many cultural institutions are ready to revitalize themselves. With NYSCA’s Regrowth and Capacity recovery grants, now they can. Let’s take this opportunity to reunite and reconnect through the arts, even if just for a few hours on a weekend day.
Save the date! Join Preservation Long Island and the Long Island Museum for an Artoberfest, an afternoon of food, beer, music by Buddy Merriam & Backroads, arts and crafts, and games at the Sherwood-Jayne Farm, 55 Old Post Road, East Setauket on Saturday, Oct. 22 from noon to 5 p.m. The event is a celebration of the art of Edward Lange (1846-1912), whose works are currently on view at the Long Island Museum through Dec. 18.Rain date is Oct. 23. Tickets are $20/over 21, $10/under 21, free for ages 5 and under. To order tickets, visit www.preservationlongisland.org. For more information, call 631-692-4664.
Preservation Long Island (PLI) has been awarded an Inspire! Grant for Small Museums from the Institute of Museum and Library Services (IMLS). Collecting since its founding in 1948, Preservation Long Island’s diverse and comprehensive collections comprise approximately 3,000 objects and 185 cubic feet of archival materials.
The grant will enable PLI to undertake an assessment of its inventory practices to improve access and the long-term care and maintenance of the collections displayed and stored at its historic sites and facilities — the PLI Headquarters building in Cold Spring Harbor, Joseph Lloyd Manor and Collections Storage in Lloyd Harbor, Sherwood-Jayne Farm in Setauket, and the Custom House in Sag Harbor. The grant funded project runs from September 1, 2022 through December 31, 2023.
Ranging from artistic and technological masterworks, to documentary imagery and everyday artifacts, PLI’s collections represent the social, cultural, political, and economic history of Long Island over four centuries.
“PLI holds its collection in trust for the public. The IMLS grant represents a strategic investment in the management of its permanent collection,” said Alexandra Wolfe, Preservation Long Island Executive Director.
“Organizationally, the project will enhance how PLI preserves and cares for its important artifacts of Long Island’s history,” said Lauren Brincat, Curator, Preservation Long Island. “Nationally, this project will promote access to and interest in Long Island’s history and cultural heritage.”
“As pillars of our communities, libraries and museums bring people together by providing important programs, services, and collections. These institutions are trusted spaces where people can learn, explore and grow,” said IMLS Director Crosby Kemper. “IMLS is proud to support their initiatives through our grants as they educate and enhance their communities.”
The Joseph Lloyd Manor property will serve as a pilot site for the grant project. The house was the center of the Manor of Queens Village, a 3,000-acre provisioning plantation established in the late 17th century on the ancestral lands of the Matinecock Nation. Jupiter Hammon (1711–before 1806), one of the first published African American writers, was one of the many people of African descent enslaved at the site.
The collections inventory project will help bring to light new stories that can be told with the existing collections at PLI’s historic sites. In addition, with the information gathered through this project, PLI will be able to seek new acquisitions that help make PLI’s collection—and the public programs, exhibitions, interpretations, and digital content the collection supports—more relevant to more people while also enhancing public knowledge of unrepresented stories.
About Institute of Museum and Library Services
The Institute of Museum and Library Services is the primary source of federal support for the nation’s libraries and museums. We advance, support, and empower America’s museums, libraries, and related organizations through grantmaking, research, and policy development. Our vision is a nation where museums and libraries work together to transform the lives of individuals and communities. To learn more, visit www.imls.gov and follow us on Facebook and Twitter.
About Preservation Long Island
Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections.
Join Curator, Lauren Brincat, and Education & Engagement Director, Andrew Tharler of Preservation Long Island for a special guided tour of the Joseph Lloyd Manor (circa 1767), 1 Lloyd Lane, Lloyd Harbor on Saturday, July 30 or Saturday, Aug. 6 from 11 a.m. to noon.
Attendees will view a new panel exhibition and audiovisual installation centered on Jupiter Hammon’s (1711–before 1806) life and poetry and step into spaces previously closed to the public.
Joseph Lloyd Manor was once the center a 3,000-acre provisioning plantation established in the late 17th century. Hammon was one of the many people of African descent enslaved at the site. Considered the first published African American poet, Hammon authored his most significant writings about the moral conflicts of slavery and freedom at Joseph Lloyd Manor.
*Please note that this tour includes stairs. Only the first floor of the Manor is wheelchair accessible.
Cost is $10, $5 members. Registration is required by calling 631- 692-4664 or by visiting www.preservationlongisland.org.
Since 2004, Gallery North’s annual Wet Paint Festival has invited artists from far and wide to revel in nature’s beauty. For a week or a weekend, artists enjoy each other’s company and a healthy dose of plein air painting — the tricky, constantly changing art of working outdoors.
This year’s festival, scheduled for June 4 and 5, will be held at the historic and picturesque Sherwood-Jayne Farm on Old Post Road in East Setauket and seeks to build upon past events where visitors can watch the artists work and ask questions about their creative process. There will also be the opportunity to tour the Sherwood-Jayne House, go bird watching, enjoy live music and more.
“The landscape of the show has changed in a variety of ways over the years, not just in location but in the way it’s structured,” said Ned Puchner, executive director of Gallery North. “During the pandemic, people could paint remotely for a two-week period. Last year, we had a few different locations to choose from. This year, we’re returning to the traditional style of having a specific site where everyone will come together and paint for a weekend, with some additional activities for the public to enjoy.”
The Sherwood-Jayne Farm was originally slated to host the Wet Paint Festival in 2020, and planning for the event was nearly complete when the pandemic shut things down.
“Gallery North reached out to us a few years ago looking to change up the festival from the way it was done in the past,” said Elizabeth Abrams, Assistant Director of Operations and Programs for Preservation Long Island, which cares for the property. “We used to team up with the gallery for an apple festival, and considering we are just down the street from each other, it was natural for us to work together again.”
Preservation Long Island is a multifaceted not-for-profit organization dedicated to protecting Long Island’s history and culture. Founded in 1948, their focus is on education, advocacy, and the stewardship of historic buildings and artifacts.
Abrams explained that the Sherwood-Jayne House was built in 1730 as an early colonial, lean-to salt box dwelling. The house and surrounding farmland were cared for by the Jayne family for more than 150 years. In 1908, it was acquired by the founder of Preservation Long Island, Howard Sherwood, who lived in the home and displayed a variety of antiques there.
Throughout the weekend, the Sherwood-Jayne House will be open for tours with Preservation Long Island curator Lauren Brincat. Keep an eye out for the Tallmadge wall panels, and the incredibly beautiful wall mural in the parlor that’s meant to look like wallpaper — they are very rare to see, especially on Long Island, Abrams added.
“The house contains a large portion of Howard Sherwood’s personal antique collection and other bits of history from colonial Long Island. This area had a foundational role in American history — exploring the house and its collections are a unique way to learn more about that important time period,” she said.
There will be plenty of outdoor inspiration for the artists at the festival as well. The property is also home to a variety of outbuildings and trails, gorgeous old-growth walnut trees, an apple orchard, and all kinds of wildlife.
The Four Harbors Audubon Society will lead tours exploring the wildlife and ecology of the area, with a particular focus on local birds. If the barn is open, you might be lucky enough to meet some goats, a few sheep, or an old, sweet white horse named Snowball.
Visitors are free to wander the grounds at their leisure, watch the artists work or ask questions, Puchner said. For those who are feeling shy or not sure what to ask, an artist will offer a guided tour and lead discussions once each day.
“The whole objective of the Wet Paint Festival is to help people understand what goes into the process of creating a painting, and to meet local artists. It’s a great way for someone who has no artistic experience to learn how it all works,” Puchner said.
Over 40 artists will be participating this weekend including Nancy Bueti-Randall of Stony Brook who began to paint outdoors as a way to recharge while raising her three children. She’s spent more than 20 years creating and showing her work, which runs the gamut from pictorial to abstract, figures and landscapes. Most of the time, though, she’s painting in her garden or other familiar surroundings.
Sometimes, she’ll start a painting with the idea to focus on one thing, but something else in a landscape will catch her eye instead.
“There are a lot of challenges with plein air painting. It’s very fleeting — a landscape is always changing, even from day to day,” Bueti-Randall explained. “You have to be fast and responsive to what’s going on around you. It’s about becoming engaged with the thing you’re painting. I can get overwhelmed by beauty, and I try to capture the essence of what I’m seeing in a process of give and take.”
Marceil Kazickas of Sands Point considers herself an artistic late bloomer. She started drawing and painting to cope with a health crisis, and found that when she was being creative, she wasn’t in pain. Kazickas prefers to work in oil, which she loves for its luscious, sensual properties.
“When you go outside, there’s an overwhelming amount of information to take in — the views are always changing, the clock is running, and you want to get your design done quickly because the light and shadows are constantly evolving,” she explained.
“I’m not as focused on painting exactly what I see … People can get caught up in producing a finished, frameable piece of art, but for me it’s exciting to be outside and come up with whatever I can in the short time I’m out there, even if it’s nothing. It’s about the painting process.”
Puchner hopes that the variety of activities, including a scavenger hunt for kids and live music from the Keenan Paul Zach Trio and Tom Killourhy, will appeal to all kinds of people.
“These new additions will give the public the opportunity to enjoy nature, the arts and history all in one place, and our artists will have a fun new location to experiment and be creative in,” he said.
The 18th Annual Wet Paint Festival will be held June 4 and 5 at the Sherwood-Jayne Farm, 55 Old Post Road, East Setauket from 10 a.m. to 4 p.m. Rain date is June 18 and 19. The event is free and open to the public.
All participating artists will have their festival work on display in an exhibit at Gallery North, 90 North Country Road, Setauket, from July 7 through Aug 7. A free opening reception will be held at the gallery from on July 7 from 6 to 8 p.m.
For more information about the festival or to register to paint, visit www.gallerynorth.org or call 631-751-2676. Learn more about Sherwood-Jayne Farm at www.preservationlongisland.org.
UPDATED! This article was updated on 9/17/21 to reflect a change to the schedule of events (in bold).
By Heidi Sutton
On Saturday, Sept. 18 from 10 a.m. to 4 p.m., the Three Village Historical Society, Tri-Spy Tours and the Long Island Museum will host a day of spy-related tours and activities for the 7th annual Culper Spy Day, named for the Culper Spy Ring founded by Benjamin Tallmadge, George Washington’s chief intelligence officer during the Revolutionary War.
The annual event is the brainchild of Margo Arceri, who first heard about George Washington’s Setauket spies (including her favorite spy Anna Smith Strong) from her Strong’s Neck neighbor and local historian, Kate W. Strong, in the early 1970s.
“Kate W. Strong, Anna Smith Strong’s great-great-granddaughter, originally told me about the Culper Spy Ring when I used to visit her with my neighbor and Strong descendant Raymond Brewster Strong III. One of her stories was about Nancy (Anna Smith Strong’s nickname) and her magic clothesline. My love of history grew from there,” she said in an interview in 2015.
Seven years ago Arceri approached the Three Village Historical Society’s President Steve Hintze and the board about conducting walking, biking and kayaking tours while sharing her knowledge of George Washington’s Long Island intelligence during the American Revolution.
Today, Arceri runs the popular Tri-Spy Tours in the Three Village area, which follows in the actual footsteps of the Culper Spy Ring. “I have to thank AMC’s miniseries Turn because 80 percent of the people who sign up for the tour do so because of that show. And now that Turn has come to Netflix it has taken this community to an entirely other level,” she said.
It was during one of those tours that Arceri came up with the idea of having a Culper Spy Day, a day to honor the members of Long Island’s brave Patriot spy ring who helped change the course of history and helped Washington win the Revolutionary War. After a successful five-year run, last year’s event was sideswiped by COVID-19 and was presented virtually on Facebook Live.
This year the family-friendly event returns but on a smaller, more intimate scale as participants will have the opportunity to visit eight locations in Setauket, Stony Brook and Port Jefferson to learn about the patriots who risked their lives through tours, spy stories, colonial cooking demonstrations, historic letters, musical performances, and many children activities.
Escorted by Arceri, Mrs. Q of Karen Q. Patriot Tours of NYC will be on location live on social media and in costume visiting many of the locations. With the exception of the Sherwood Jayne House, all events are free.
While the Three Village Historical Society has remained closed since last January, it will reopen for the one-day event. Mari Irizarry, Outreach and Communications Manager at the Society, is ready to welcome visitors. “We miss our community. There is so much rich history, heritage and culture that is part of the Three Villages and beyond and we are excited to share it on Culper Spy Day,” she said.
Arceri’s favorite part of the day is “seeing all these organizations coming together as a whole. It really is our Revolutionary story,” she said. “Everywhere you turn in the Three Villages you are looking at an artifact, and as the historical society believes, the community is our museum and I would really love to put that on the forefront of people’s minds.”
Schedule of Events:
1. THREE VILLAGE HISTORICAL SOCIETY, 93 North Country Road, Setauket. Located in the circa 1800 Bayles-Swezey House. Here you can take part in oudoor events including an invisible ink demonstration; Spy Stories on the TVHS Porch from 12:30 to 1:30 p.m.; view a patriotic quilt display and demonstration and take part in colonial crafts with the Daughters of the American Revolution Anna Smith Strong Chapter; Author’s Row: come meet authors Beverly C. Tyler, Selene Castrovilla and, Claire Bellerjeau, available for book signings; view Revolutionary War letters from Stony Brook University’s Special Collections; take part in spy games and meet costumed docents who will talk about Raynham Hall, Culper Jr. and their Culper Spy connections; and enjoy a live colonial cooking demonstration and samples with Diane Schwindt of Stirring Up History. 631-751-3730.
2. THE STUDIO AT GALLERY NORTH, 84 North Country Road, Setauket. Visit The Studio to enjoy free Revolutionary War era arts and crafts for children throughout the day. Guests will have an opportunity to create a Tin Punch ornament or a chance to create a decoder & color a quilt square. Activities will occur on the patio, just outside the Studio. 631-751-2676.
3. EMMA S. CLARK MEMORIAL LIBRARY, 120 Main St., Setauket. The library (circa 1892) will present a concert featuring 18th century songs the trio Rose Tree from 12:30 p.m. to 2 p.m. on the Library lawn. View Revolutionary military paraphernalia from the collection of Art Billadello in the Library’s lobby. Kids can enjoy a craft from noon to 3 p.m. 631-941-4080. Please note the previously scheduled bubble and comedy show on the lawn from 11 a.m. to noon has been canceled.
4. CAROLINE CHURCH AND CEMETERY, 1 Dyke Road, Setauket. Built in 1729, this timber frame building has maintained its Colonial appearance. Now an Episcopal church, during the Revolutionary War the Caroline Church was Anglican and a Colonial extension of the Church of England. The graveyard contains the remains of six Patriot soldiers as well as soldiers from World War I and II. View the inside of the church from the vestibule and tour the cemetery with docents from 10 a.m. to 2 p.m. Just added! Setauket Presbyterian church next door will be offering tours of their cemetery from 10 a.m. to 2 p.m.. 631-941-4245.
5. PATRIOTS ROCK HISTORIC SITE, Main Street, Setauket (across from the Setauket Post Office). This glacial erratic boulder is said to be the location of the Battle of Setauket on Aug. 22, 1777. Stop here between 10 a.m. and noon to meet representatives from the Three Village Community Trust who will discuss the importance of Patriots Rock and its local and environmental history. 631-689-0225.
6. THE LONG ISLAND MUSEUM, 1200 Route 25A, Stony Brook. The museum is a Smithsonian Affiliate with permanent and changing exhibitions on American history and art, along with the finest collection of horse-drawn carriages in the country, some of which belonged to Revolutionary War heroes. Visit the History Museum between noon and 5 p.m. to view the newly uncovered Culper Spy Ring letter and see LIMarts Collaborative Art Group doing a plein air painting / sketching on the grounds that day. 631-751-0066.
7. SHERWOOD-JAYNE HOUSE, 55 Old Post Road, East Setauket. Originally built around 1730 as a lean-to saltbox dwelling, the house and farm were maintained as an operational farmstead for over 150 years by members of the Jayne family. Visit with Big Bill the Tory aka William Jayne III, who will explain the noble intentions and virtuosities of King George III and tells you the TRUTH about Washington’s pesky band of renegade spies! Program runs continuously from 10 a.m. to 4 p.m. Masks must be worn inside. $5 per person, children under 5 free. Pre-registration is recommended at www.preservationlongisland.org.
8. DROWNED MEADOW COTTAGE MUSEUM, corner of West Broadway and Barnum Avenue, Port Jefferson. The Revolutionary War-era Roe House was originally constructed circa 1755 and Phillips Roe, a member of the Culper Spy Ring along with his brother Nathaniel and cousin Austin, was known to have lived there. Visit the cottage between 10 a.m. and 4 p.m. and attend an unveiling with Mayor Margot Garant at 11 a.m.
Participating organizations for the 7th annual Culper Spy Day include Tri-Spy Tours, Three Village Historical Society, Stony Brook University Special Collections, Emma S. Clark Memorial Library, The Long Island Museum, Raynham Hall, Drowned Meadow Cottage, Preservation Long Island, Gallery North, Karen Q’s Patriot Tours NYC, Anna Smith Strong Chapter of the National Society of the Daughters of the American Revolution, Stirring Up History, Three Village Community Trust, and Caroline Church of Brookhaven
For more information, call 631-751-3730 or visit www.tvhs.org
List includes properties in Sag Harbor, Port Jefferson, Huntington, St. James, East Hampton, Southampton and East Hills.
Preservation Long Island’s Endangered Historic Places List for 2021 includes seven sites and one district facing a variety of threats from demolition and overdevelopment, to a lack of municipal funding and support for historic preservation in communities throughout our region.
Important historic places across Long Island are threatened by a variety of adverse conditions, from outright demolition to a lack of appreciation for their historic value, or the inability to develop sustainable long-term plans for preservation and stewardship. Preservation Long Island (formerly the Society for the Preservation of Long Island Antiquities), established the Endangered Historic Places Program (EHPP) with the goal of raising region-wide support for historic places facing precarious circumstances.
“The program offers Long Islanders an opportunity to advocate for preservation in their communities while learning how to use tools like landmark designation, tax incentives, and public outreach,” said Alexandra Wolfe, Preservation Long Island’s Executive Director. “Our program partners receive priority technical assistance from our professional staff and their listings are featured on our website and social media”.
The pandemic did not have a negative impact on the public response to the open call for nominations issued last November. “This year marks the largest number of nominations received in a single program year since the establishment of the program in 2010,” said Sarah Kautz, Preservation Long Island’s Director of Preservation and Advocacy. A total of 18 nominations were submitted for the 2021 program year from communities across Long Island.
A panel of Preservation Long Island staff and trustees, as well as experts in architecture, historic preservation, and other related fields selected the properties based on three key criteria: overall historic significance, severity of the threat and impactthe EHPP listing will have on efforts to protect the nominated site.
Each of the eight sites will be showcased in a series of free virtual programs that will include interviews and panel discussions open to the public in June and July. Visit the 2021 Endangered Historic Places page on our website to learn more about each of the selected sites, and to register for the free virtual events.
James Brooks & Charlotte Park Home & Studios, Springs, East Hampton Town Community Preservation Fund. Purchased by East Hampton Town in 2014, this landmarked home and studios of Abstract Expressionist artists in Springs is threatened by vandalism, disrepair, and demolition.
John Mackay III’s “Happy House”, Village of East Hills, Nassau County. One of the few remaining Gilded Age country houses in East Hills Village is threatened by demolition and subdivision.
Peter Crippen Home Site, Town of Huntington, Suffolk County. A rapidly deteriorating property owned by Huntington Town with strong ties to Long Island’s early colonial development and African American history.
Pyrrhus Concer Home Site, Village of Southampton, Town of Southampton Community Preservation Fund. Purchased by Southampton Town in 2015, restoration of this nationally significant site of African American history in Southampton Village is threatened by inter-municipal delays and other issues.
Rogers/Remz Grain & Feed Building, Port Jefferson Station, Town of Brookhaven, Suffolk County. This early industrial farming structure at the heart of Port Jefferson Station is threatened by demolition and urban renewal.
Saint James Firehouse, Town of Smithtown, Suffolk County. A historic firehouse in active service since 1925 threatened by a lack of resources and municipal support for much-needed repairs.
William Tooker House, Village of Port Jefferson, Suffolk County. A rare pre-1750 structure in Port Jefferson Station with strong ties to Long Island’s colonial past threatened by neglect, demolition, and urban renewal.
Preservation Long Island’s Endangered Historic Places Program is made possible in part by a grant from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.
About Preservation Long Island
Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections. http://preservationlongisland.org/
Image credit: “Peter Crippen House front façade, January 2021. Courtesy of Preservation Long Island.”
Preservation Long Island in Cold Spring Harbor has announced the gift of a group of important early American portraits from descendants of the Nelson and Lloyd families of Boston and Long Island.
For over three hundred years, portraits of Elizabeth Tailer Nelson (1667–1734), John Nelson (1654–1734), Henry Lloyd I (1685–1763), and James Lloyd III (1769–1831) remained in the possession of the same family that commissioned them centuries ago. The artworks, an extraordinary gift from the collection of Orme Wilson III and Elsie Wilson Thompson, in memory of Alice Borland Wilson, have joined Preservation Long Island’s collection and are now available for the public to view in a new digital exhibition titled Facing Slavery: The Lloyd Family Portraits in Context.
“We are honored to be the new stewards of these important pieces of American history and to make them available to the public for the first time,” said Alexandra Wolfe, Preservation Long Island Executive Director.
In gifting the paintings, the donors wrote, “After being in family care all these years, we believe that these portraits are going to the right place with you and your colleagues at Preservation Long Island, where we hope that they will be useful in your development of a deeper historical understanding and contextualization of the issues and events that swirled around the Long Island area in colonial times and later”.
This gift coincided with the launch of the first phase of the Jupiter Hammon Project, a long-term initiative that will transform how Preservation Long Island engages future visitors to Joseph Lloyd Manor (1767) with the entangled stories of the Lloyd family and the individuals they enslaved for more than a century at the Manor of Queens Village on Long Island (Lloyd Neck today), among them, Jupiter Hammon (1711–before 1806) one of our nation’s first published Black American writers.
This multi-generational collection of portraits is a visual reminder of the region’s colonial and early national history, but the individuals they represent reflect only a fraction of the people, both enslaved and free, who lived, formed families, and established communities on Long Island and New England during the seventeenth, eighteenth, and nineteenth centuries.
“We are grateful to the descendants for recognizing the important work of the Jupiter Hammon Project and for giving the portraits a new, permanent home with Preservation Long Island,” said Lauren Brincat, Curator, Preservation Long Island.
“There are no known portraits of Jupiter Hammon or any of the men, women, and children the Lloyds enslaved. By interrogating the hidden history behind these painted surfaces, however, we can uncover a complex story of one family forcibly bound to another across generations,” she said.
Facing Slavery: The Lloyd Family Portraits in Context is now on view at www.preservationlongisland.org. For more information, call 631-692-4664.
In photo, from left:
Elizabeth Tailer Nelson (1667–1734) by an unknown American artist, ca. 1685. Oil on canvas. Preservation Long Island, 2020.5.2.
John Nelson (1654–1734) attributed to James Frothingham (1786–1685) after John Smibert (1688–1751), before 1824. Oil on panel. Preservation Long Island, 2020.5.3.
Henry Lloyd I (1685–1763) by John Mare (1739–ca. 1803) after John Wollaston (active ca. 1742–1775), 1767. Oil on canvas. Preservation Long Island, 2020.5.1.
James Lloyd III (1769–1831) by an unknown American artist, 1800-50. Oil on canvas. Preservation Long Island. 2020.5.4.