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Photo from SCWA

The Suffolk County Water Authority announced on June 10 that all treated water it supplies to customers is in full compliance with the federal drinking water standards for PFOA and PFOS—six years ahead of the 2031 compliance deadline set by the U.S. Environmental Protection Agency (EPA).

The EPA finalized a new enforceable standard of 4 parts per trillion (PPT) for both PFOA and PFOS in April 2024. SCWA’s testing this past April confirmed that no treated water in its system contained PFOA or PFOS above that level. This achievement comes despite the widespread presence of PFAS in Long Island’s aquifer.

“Given the extent of PFAS detections across Long Island and the size of our system, this is a historic achievement,” said SCWA Chairman Charles Lefkowitz. “This result shows that with the right investment and urgency, we can stay ahead of emerging threats to public health.”

PFAS, or per- and polyfluoroalkyl substances, are a class of synthetic chemicals that have been widely used for decades in products such as non-stick cookware, stain-resistant fabrics, food packaging and firefighting foams. These substances do not break down easily and have leached into groundwater in many areas, including Long Island. Long-term exposure to certain PFAS compounds—particularly PFOA and PFOS—has been linked to health effects including developmental issues, hormone disruption and certain cancers.

To meet the new federal standards well ahead of schedule, SCWA installed 17 granular activated carbon (GAC) treatment systems for PFAS in the past year alone. GAC filters remove PFAS by adsorbing the contaminants onto specially prepared carbon. Water is passed through these large vessels, and the PFAS compounds adhere to the carbon, allowing clean water to continue through the system. Testing by SCWA shows that GAC removes PFAS compounds to non-detectable levels.

“This didn’t happen overnight,” said SCWA Chief Executive Officer Jeff Szabo. “We’ve been working for years to build a treatment program that protects our customers and anticipates regulatory changes. The fact that we’re already in compliance—years ahead of the federal deadline—speaks to the expertise of our team.”

 SCWA continues to test regularly and will immediately remove any well from service if it detects PFOA or PFOS above 4 PPT if that well does not already have treatment in place. SCWA’s long-term goal is to supply water without any detectable levels of PFAS compounds, and additional treatment systems are planned for installation.

“This is about protecting public health,” said Suffolk County Executive Ed Romaine (R). “I want to thank the Suffolk County Water Authority for acting early and doing what’s necessary to provide residents with some of the cleanest drinking water in the country. Their leadership and investment in treatment technology are making a real difference.”

“Ensuring public safety and preserving our water quality are two of the highest priorities for me and my legislative colleagues. The leadership of the Suffolk County Water Authority has again shown its commitment to protecting the public, and in this case has exceeded expectations set by the federal government in achieving safer, even zero levels, of PFAS compounds in our water,” said Presiding Office Kevin J. McCaffrey.

“Clean drinking water is essential to public health, and PFAS contamination is a serious threat that demands action,” said Adrienne Esposito, Executive Director of Citizens Campaign for the Environment. “Meeting the federal standards well ahead of schedule is a positive step forward in safeguarding Suffolk’s residents.”

SCWA’s accelerated timeline has been supported in part by $16 million in grant funding awarded by New York State. These funds have helped offset the significant cost of installing advanced PFAS treatment systems, allowing SCWA to move faster while minimizing the financial impact on customers. By leveraging state support and working efficiently, SCWA has been able to continue delivering high-quality water at some of the lowest rates in New York.

“This is one of the largest groundwater systems in the country—and one of the most complex,” Lefkowitz added. “We’ve proven that even in a region with serious PFAS challenges, we can deliver water that meets the highest health standards.”

SCWA is an independent public-benefit corporation operating under the authority of the Public Authorities Law of the State of New York. Serving approximately 1.2 million Suffolk County residents, the Authority operates without taxing power on a not-for-profit basis.

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Loretta Oberheim works on her plein air rendition of a century-old, vacant farmhouse near the Merritt Hawkins Homestead. Photo by Steven Zaitz
An artist paints plein air at the 21st annual Wet Paint Festival. Photo by Steven Zaitz
Loretta Obeheim leads a tour of art enthusiasts during the Setauket Wet Paint Festival. Photo by Steven Zaitz
An artist paints plein air at the 21st annual Wet Paint Festival. Photo by Steven Zaitz
An artist paints plein air at the 21st annual Wet Paint Festival. Photo by Steven Zaitz
Kane Daily plays the slide guitar for the crowd. Photo by Steven Zaitz

By Steven Zaitz

Gallery North held its 21st annual Wet Paint Festival June 7 and 8 at the Merritt Hawkins Homestead and Nassakeag Elementary School grounds in Setauket. Area artists painted in the genre known as “plein air” — a French term that translates to “open air” and refers to the practice of painting outdoors, capturing scenes directly from nature.

While artists young, old and in-between were scattered across the wooded grounds, other visitors took part in guided tours and listened to The Fox Hill Chamber Music Consortium and blues artist Kane Daily, while enjoying food and children’s activities. 

History and nature tours were given throughout the weekend.

Loretta Oberheim, originally from Ronkonkoma and known for her three-dimensional art and rug design, was one of the tour guides at the Wet Paint Festival.

“I think the nice thing about these types of events is the true human connection,” Oberheim said. “You’re able to see what other artists are actually up to in person and not just from a social media feed. It’s very communal and all the artists will stop, walk around and check out each other’s pieces and talk about art. That’s why festivals like this are so important.”

For more information visit the gallery’s website: www.gallerynorth.org.

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The Atlantic horseshoe crab. Public domain photo

By  Emily Mandracchia

In response to the alarming overharvesting and endangerment of horseshoe crabs on Long Island, conservationist John Turner of Seatuck is launching a groundbreaking fall project to create a lab-based, sustainable bait alternative — one he hopes will protect both marine life and local fishing livelihoods.

Horseshoe crabs are commonly used as bait for whelk, a carnivorous snail, and eel fishing; there are minimal measures currently in place to prevent over-harvesting. Long Island’s shore birds and migratory birds rely on horseshoe crab eggs for protein. Inhabiting as far north and south as Nova Scotia and Mexico, Horseshoe crab eggs are an essential food source for migrating shorebirds, fish and benthic (bottom-dwelling) species. Further, they are food sources for loggerhead sea turtles. Even sparrows feast upon their protein-rich eggs. 

Turner said these “very significant crabs”  linger on the sound’s floor, thereby increasing turbidity and stirring up a variety of food sources for other species. 

The consequences of horseshoe crab endangerment is not limited to our island’s coastal populations; they are most valuable to humans for their blood proteins which are extremely sensitive to bacteria, making them an effective reagent. 

The extracted compound, known as Limulus Amebocyte Lysate (LAL), acts as an indicator on screen-injected drugs and implanted biomedical devices for detecting gram-negative bacteria — Turner cites as a huge reason to thank these spider-legged creatures. Unfortunately, according to The Atlantic States Marine Fisheries Commission, the mortality rate of these crabs, once released back into the wild, can surpass 30%. 

In terms of policy, Turner states that extremely small-scale measures may be decided by local jurisdiction. In the past, harvesting quotas have been instituted, reaching 150,000 crabs per year per location, as specified by the Department of Environmental Conservation.

But Turner says this is no solution, nor is it sustainable. 150,000 is a great number when considering how horseshoe crabs were exponentially more abundant in the past, especially because just one bird may rely upon hundreds out of a 4,000-egg nest to migrate — causing a ripple effect across the food chain. Humans are not exempt from the effects of wildlife endangerment.

Alongside the DEC, the Cornell Cooperative Extension and Stony Brook University, Turner’s project expected to launch this fall will craft lab-effective bait, which also must be cost and yield-dependent for fishers who participate in the trial.

Even still, stricter measures are necessary in keeping the horseshoe crab population abundant and thriving. Turner cited possible four five-day bans around new and full moons in May and June where harvesting is illegal so the crabs may spawn and disseminate uninterrupted, or total closings at certain locations. The DEC describes that sampling for taking population estimates would be conducted around these optimal moon phase and tide stage to indicate trends in horseshoe crab population.

Former closures have suggested that it takes between 8-10 years before changes in abundance of spawning-aged crabs are observed as a result of these management changes by the DEC, and an increase in adult horseshoe crab abundance is expected to begin in 2028.

State legislatures are still capable of vetoing these stricter conservation measures, as the  DEC’s overall goal is to improve the stock status of horseshoe crabs in the New York region over time while still maintaining use of the species, specifically “ecosystem services, commercial harvest and observation and appreciation.” 

Regardless, Turner remains cautiously optimistic as new, more serious regulatory policies for quotas or commercial banning still have a chance to be passed if conservation groups are persistent. 

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Photo by Raymond Janis

Nonprofits and the car show community?

Recently, I attended the Drive for Dana car show at the Smithhaven Mall. The strength and support of the car community that comes out to support a charity is incredible. Every weekend, actually every night of the week, there are shows. On many nights there are multiple events at different spots on Long Island. They are free to attend as a spectator and at regular events free to show your car. But wait until it’s about a charity. More cars arrive, more money is raised and at the Drive for Dana event more auction items are bought.

I have been promoting the idea of a motorsports park on Long Island. Currently, I have been assisting with public relations and announcing. As we enter the fifth year of racing in Calverton it has become very clear that the car, race car, show car, high-performance street car community is very strong. Besides the generosity seen at the car shows, there is an amazing amount of driving skills shown.

It’s definitely a feel-good story when monies are raised for a charity, but that’s only a portion of the story.

Long Island’s history and development of auto racing has led to many careers. We have seen some drivers move on to the professional level. Years ago, Steve Park enjoyed racing in Nascar, and today we have Justin Ashley running a Top Fuel Dragster.

The racing we enjoy at Calverton on the 7,000-foot runway that Grumman used when they were on Long island hosting drag racing (most cars are street legal, Drifting), the cars have more safety equipment than many others and Go-karts. From the cute 5-year olds to the much older that race around the country and a few even beyond that.

Long Island at one point had multiple circle tracks (now we have one), multiple drag-racing facilities and even a road course track that held a Formula One race. Are the race tracks as strong as they once were? No. Is the car community as far reaching as it once was? From what I see at these car shows and race events, it may not be as big, but there is a huge interest. The positives are community, careers and the economic benefit.

Brian Cohen

Three Village

DA Tierney, elder parole, redemption and compassion 

A few weeks ago Suffolk County District Attorney Ray Tierney released a powerful statement warning of dangers he sees lurking in the Second Look Act, Earned Time Act, and Elder Parole Act.  

He said, “These measures, cloaked as compassionate reforms, prioritize criminals over the security of law-abiding New Yorkers and, in the process, once again drag grieving families and victims into a never-ending cycle of parole hearings and reconsideration of previously imposed sentences, for the sole purpose of drastically reducing sentences for violent, dangerous offenders.”

Specifically mentioning the Elder Parole Act, Tierney continued, ”This bill grants automatic parole hearings every two years to inmates who are 55 and older, and who have served 15 years in prison, regardless of the crime they were convicted of. Murderers, rapists, even cop killers would get a shot at freedom just for aging behind bars. This bill eliminates life without parole for serial and mass murderers.”  

Hoping for redemption is a noble goal, but how that “hope” is viewed by loved ones grieving their murdered law enforcement family members should be taken into consideration.  Over the last 8 years they’ve been forced to witness 43 convicted killers released from prison. 

NYS legislators considering voting for this bill should speak to the mothers, daughters, wives, husbands or children of these fallen heroes.  State pols must show proper respect and consideration for these victims.

How about offering those innocents something other than the continued heartbreaking prospect of reliving the tragic loss of loved ones every 24 months.  

New York State currently has 16 members sitting on the parole board.  There’s room for 3 more.  Let’s offer one or more of those spots to relatives trying to overcome their tragic loss.  Given that great hardship, it would seem they’ve earned a properly weighted voice in this discussion.  Perhaps some of the current 16 could gain a new and better understanding of how difficult a prisoner’s release can be on those surviving their loss. 

Our highly respected, local DA, Ray Tierney, looks to seek justice not vengeance for victims who’ve suffered at the hands of criminals.  He is on the front lines dealing with the aftermath of some truly heinous crimes.  Tierney consoles those harmed while prosecuting those charged.  His warnings should not be taken lightly.

If memory serves, much of disgraced Gov. Andrew Cuomo’s (D) “criminal justice reforms” were sold on the lofty theme of redemption.  If these kinds of grand ideas are going to be tried, we cannot forget those whose lives are devastated, when those grand ideas horribly fail them.  At the very least, they’re innocent victims worthy of our compassion.  

Jim Soviero

Setauket

In response to Drew Biondo’s letter from June 5 edition of TBR

He may call it “silly season,” but spreading misinformation, spin, and false claims isn’t silly, it’s dishonest. Port Jefferson deserves facts, not political games or distractions from real issues.

Let’s set the record straight on PASSPort, a first-of-its-kind municipal rideshare service created for Port Jefferson. Like every other municipal transit program in the country, it wasn’t meant to turn a profit. It was about accessibility, safety and smarter mobility. It worked, residents used it, and they appreciated it. On May 1, 2023, then Trustee Lauren Sheprow voted in favor of PASSPort, along with the entire Board of Trustees. She even requested a test ride and had only positive things to say. Now to attack the program she helped approve isn’t just disingenuous, it’s political.

Regarding the ballot issue, Mayor Sheprow was removed not by opponents but by the Board of Elections for failing to properly complete and file her own petitions, a basic, legal requirement every candidate must meet.

Let me be clear, neither I nor anyone from my campaign has ever created or used a fake social media profile. I’ve run this campaign the way I’ve served, openly and with integrity. 

Yes, I was asked by the village to use my photography to help promote the Dickens Festival. It was discussed in public meetings, disclosed to our auditor, and unanimously approved by the board where I recused myself. The images remain village property and continue to support our most cherished community event.

While Mr. Biondo claims I’ve been “disengaged,” I’ve continued serving our community through volunteer work, civic participation and staying connected with residents. Leadership isn’t just about holding office; it’s about consistent service.

As for the Maryhaven project, our process was transparent with full disclosure and open dialogue from day 1. We held a public meeting where the developer’s request was thoroughly explained. Contrast that with what we learned from another developer, who said Mayor Sheprow promised him annexation approval a year ago, something the public didn’t hear about until March 2025, only after a resident discovered it. That’s not transparency.

What should also concern us are closed-door executive sessions used for questionable purposes. 

Port Jefferson deserves true transparency and open government led by a mayor who will stand for honesty, accountability and integrity. That’s what I’ve delivered, and that’s what I’ll continue to fight for.

Kathianne Snaden

Port Jefferson

Armed guards have no place in schools

On Thursday, June 5, parents in the Three Village Central School District received what was deemed a “survey “ regarding the possibility of placing armed guards on our school campuses.  My first quarrel is with the ridiculous assertion that what we received was not so much a “survey” but a very lazy two-question attempt to assuage the minority of individuals that are demanding guns at our schools. Parents were simply asked what school their child/children attend(s) and if they are in favor of armed security.  This is how we’re going to decide whether our children go to school with guns in their buildings?  This is the best effort our school district could make on this highly volatile and incredibly important subject?

My second dispute is one I have previously voiced, guns have NO PLACE on school grounds.  Arming security guards is the hot talking point for those who ignorantly believe that this move will make one bit of difference in the extremely minimal possibility of a violent occurrence at one of our schools.  The safety of our children in school is a top priority, but there is zero proof that arming security is the solution to deterring an episode of violence.  There are, however, several studies proving just the opposite, that the presence of armed guards in school settings has invited and/or intensified the violence committed.  I ask those who continue to advocate for this change to actually research what happened in Parkland and Uvalde, two of the most horrific school shootings our country has ever experienced and realize that no lives were saved by their armed guards.  As a matter of fact, these good guys with guns literally caused more controversy and disruption.

The armed guard crusaders need a strong dose of reality.  The district has already invested in a new security system in response to our unfortunate incident in October.  [In October 2024, a student at Ward Melville High School brought a backpack with a weapon inside, which they took by mistake. The student’s parents were in law enforcement.] Thankfully, Long Island has been spared any instances of mass gun violence in our schools and hopefully it will remain that way.  Our one scary situation was handled professionally and transparently, but this analysis via survey of the latest campaign for change is just an apathetic attempt to mitigate the loud voices of those who scream first and read never.  Our new system of detection is more than sufficient for the safety of those in our buildings, students and staff.  If someone truly wants to cause harm in one of our school buildings that person will most likely make something happen.  Armed security guards, whether inside or outside of our schools will not hinder their actions but will add to the chaos.  I certainly do not begrudge any parent the feeling of safety and security when a child is in an academic setting, but before jumping on the bandwagon I suggest that every parent take a long, hard look at past responses to incidents in our buildings and think about how they would feel if the guns we put in the schools got into the wrong hands.  This is a far heftier debate than those two questions on a survey.  I will never support weapons on school grounds and will continue to advocate against any and all attempts to do so.

Stefanie Werner

Setauket

The UNneighborly House

Ever since we moved to this community 55 years ago, the Setauket Neighborhood House has been a wonderful community resource.  We’ve attended birthday parties, memorial services, club meetings and art shows and have always felt comfortable and safe as we met with our friends and neighbors.   In view of this, I was appalled to hear that every event is now being video and audio taped by the Neighborhood House.  When one has a meeting there among friends, it is assumed that it is private and not under surveillance.  Women doing yoga feel comfortable among themselves but don’t want to be watched by others, and clubs may meet to discuss sensitive topics that they don’t want shared outside of their circle.  There is little need for this internal surveillance to protect the house and I encourage the board to terminate the taping and to trust our neighbors who use the house to value and protect this great community resource.  

I encourage others in the community to let the Setauket Neighborhood House Board know how they feel about this audio and video taping of their meetings.  

Gene Sprouse

South Setauket

Correction : The article, “Rally at Harbor Road”, which appeared in the June 5th issue, incorrectly stated that Brookhaven found a title report signed by Gloria Rocchio. In fact, Brookhaven comissioned the title report. The document with Rocchio’s signature was an easement contract.

WRITE TO US … AND KEEP IT LOCAL  

We welcome your letters, especially those responding to our local coverage, replying to other letter writers’ comments and speaking mainly to local themes. Letters should be no longer than 400 words and may be edited for length, libel, style, good taste and uncivil language. They will also be published on our website. We do not publish anonymous letters. Please include an address and phone number for confirmation. Email letters to: [email protected] or mail them to TBR News Media, P.O. Box 707, Setauket, NY 11733

 

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Pixabay photo

By Daniel Dunaief

Daniel Dunaief

Why do we go to baseball games? Oooh, pick me! Pick me! I can answer. Of course you can. You’re writing this piece. Okay, let’s talk about the appeal of baseball.

First of all, there’s the potential for anything baseball related to happen. I might see a triple play, a no hitter, a perfect game, four home runs in a row, eight consecutive strike outs, or something other collections of fans have either never seen or rarely witnessed.

We recently attended a minor league game in which two runners scored on a sacrifice fly to deep center field.

Baseball is an endless series of what-if moments, as in, what if the batter hits the ball to third base with runners on first and third and one out. Is it hit hard enough for a double play based on the speed of the runners, the score at the time, and the movement of the runner on third?

The combination of athleticism and strength bring different qualities to the game. Sure, people who are big and muscular can hit a ball hard, but can they get a good jump when they’re running from first or second base, can they cover a larger strike zone, and can they be satisfied with a single or double instead of a towering home run?

Then, there’s the aesthetic appeal of the stadiums, with bright lines going out from home plate to the outfield, defined base paths, and a shimmering outfield grass (if it’s real grass), where fleet-footed fielders race to track down balls.

Two questions immediately occur to me as I reach my seat. The first is how good the view is relative to the field. Can I see pitches clearly? Can I track balls from home plate to all parts of the field?

The second is whether I’m in prime foul ball territory. Admittedly, that’s a tougher question to answer, especially with all the screens that have now gone up around the infield. 

There is something about balls flung from these fields of dreams that imbues them with a power far in excess of their raw materials. Is it the perfect weight in our hands? Is it the feel of the gently raised seams? Or, perhaps, it’s the combination of the white hard outer layer, the red seams, and the blue from the logo, the official major league baseball lettering and the signature of current commissioner Robert Manfred, Jr.

Sure, free stuff in general is fun to catch, but something about these baseballs makes bringing them home particularly rewarding, giving us a physical connection to the game.

Maybe it’s the stories we can tell about how the baseball came from a particular hitter or a specific game. Or maybe the balls, like the game itself, contain within them the power of the what-if.

Have you ever seen people after they’ve caught a ball at a game? They can’t help smiling, often examining it closely, as they look for where a bat struck it or where it rolled across the grass or dirt. 

Tossing a ball to a particularly vociferous or angry fan could serve as a pacifier. Yeah, your team is losing by 12 runs, and yes, you could have done a better job at everything because you’re that much more knowledgeable about the game than everyone else, but you have a baseball in your hand. How cool is that?

The balls from America’s pastime are like us. They may have similar qualities or look and feel the same, but they can and will be unique in and of themselves and as a part of a game. They could be the central part of a double play, the main character soaring through the air on a walk off home run, or the 18th pitch of a tremendous 21 pitch at bat.

These balls carry magic and hope. 

And, yes, if you’re wondering why I’m so rhapsodic, I caught a ball at the aforementioned minor league game. A third base coach knocked down a foul ball and tossed it directly at me in the stands. When I caught it, I handed it to my daughter, excited to share this small piece of baseball and personal history with my family and now with you. It’s just a ball and yet it’s so much more.

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METRO photo

By Leah S. Dunaief

Leah Dunaief,
Publisher

Wednesday was National Corn on the Cob Day, and when I saw that, I began to salivate because I love that vegetable. We are now coming into the season when the kernels are sweet with or without butter and salt. 

Everyone eats corn differently, it seems, if you watch people devouring the offering. I bite the corn from the cob as if I were using an old fashioned typewriter, meaning in a single row from left to right. I’ll eat one row, then go back, as if I were slinging a typewriter carriage to the next line, and chew straight above the first.

Others turn the cob so that they are eating in a circular fashion, one circle precisely after the other in a geometric display. Still others just plow right in, chewing wherever their teeth land. They eventually clean off the whole cob.

I guess one could tell a lot about the corn eater’s personality by watching the pattern of consumption from the cob.

My favorite corn on the cob story takes place in the late 1940s on a freezing January day. My dad, who grew up in the mountains and loved the cold, brisk air, would put on his heavy winter coat and take my mother, my brother, my sister and me to Coney Island. 

It was always on a Sunday, when he had off from work. The ride tickled my mother, who thought it was an extraordinary price on the subway for the same 15 cent token that one paid just to go one stop, so that typically would be part of the conversation on the trip to Brooklyn from our apartment in Midtown Manhattan. 

When we emerged from underground, the wind and cold would initially take our breaths away, but before long, we acclimated. We followed my dad down to the beach and watched the wild waves plunge into the shore with a roar and lots of foam, then recede meekly only to repeat the fury. It was Nature showing its dramatic face.

It was also intensely cold.

After a few minutes of beach walking, we would head toward Nathan’s Hot Dog stand, one of the few stores open in the winter. This one Sunday, we were in for a surprise. In the narrow alley between Nathan’s and the next building was a man with a cauldron on what I guess was an electric burner, steam pouring from the pot. As we drew near, we could see butter, salt and napkins on the stand.

When my dad cleared a hole in the steam and peered into the pot, he expressed some happy surprise. “Where did you get corn on the cob in January?” he queried the man holding the tongs.

“They are in the frozen food section of some of the supermarkets,” the man explained. Frozen foods were just beginning to appear in markets at that time.

“Do they taste the same?” my dad asked.

“Try one,” the fellow offered and plucked one from the boiling water, putting it on a piece of white paper.

When it had cooled enough to bite into the cob, my dad approved the purchase and we all ate those steaming corn with butter and salt, crowding around the cauldron for warmth. I still remember those corn as the sweetest as any I had ever tasted in the summer. 

Besides, they warmed my hands.

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Distinguished Professor Arie Kaufman demonstrating two applications in the FlexiCAVE. On the left is a protein volume (inner pivot ~10 degrees, outer pivot ~30 degrees), and on the right side is Submerse application – visualization for extreme weather flooding in urban environments (on a flat FlexiCAVE section). Photo from SBU

Technology Can Be Used in Multiple Areas Including Healthcare, Climate Change, Managing Natural Disasters, Architecture, Urban Planning and Drug Design

Stony Brook University’s Center for Visual Computing has completed construction of the FlexiCAVE—the world’s largest flexible, dynamically reconfigurable high-resolution stereo display facility. Housed on the first floor of the New Computer Science (NCS) building, the FlexiCAVE comprises 40 tiled, high-pixel-density monitors capable of rendering about 83 million pixels, all while physically transforming its shape to support a wide range of scientific and data-driven applications, improving  immersive visualization technology.

“We envisioned a display that would adapt to the data—not the other way around,” said Arie Kaufman, distinguished professor of Computer Science and the principal investigator behind the project. “With FlexiCAVE, we’re enabling researchers to literally shape their workspace to the needs of their analysis.”

Innovative Interaction and Applications

Unlike traditional static visualization walls or even curved displays, the FlexiCAVE is built on a modular architecture with rotatable display columns. The system can seamlessly transition between flat, L-shaped, U-shaped, or semi-circular configurations in real time. These transitions are not only cosmetic.  They directly influence the visualization, the user experience and the type of data interaction enabled.

A custom-built rendering engine powers the design that synchronizes stereo views and dynamically updates visualizations as users physically adjust the screen layout. The team calls this new interaction paradigm —PIVoT, which is an acronym for  Physical Interaction to Virtual Transformation.

“It’s more than a screen. It’s a physical and tangible interface for virtual exploration where users are immersed in the data, and the layout of the FlexiCAVE anchors their sense of whereness, helping them stay oriented as they navigate complex visual spaces,” noted Principal Research Scientist Dr. Saeed Boorboor, co-author of the recently submitted VIS 2025 paper which details the system.

Real-World Applications

Immersive virtual colonoscopy showing on the FlexiCAVE, where radiologists navigate inside the patient’s colon model to locate and analyze polyps (all pivot angles are ~40 degrees). Photo from SBU

The team has already demonstrated real-world applications in many areas including healthcare. For example, virtual colonoscopy shifts the layout from a flat 2D overview of the patient’s colon to a curved immersive 3D endoluminal view (see Figure 2). In medical imaging visualization, radiologists can tangibly move the FlexiCAVE displays to virtually “slice” through brain MRI or abdominal CT scans.

And in situations like in  urban flood simulations, emergency planners can  orient and navigate flooding scenarios spatially by reconfiguring the display (see Figure 1).

In addition, researchers are using FlexiCAVE to experiment with multivariate data visualization, dynamically switching between scatter plots and parallel coordinate plots by physically bending screen segments. This hands-on interaction transforms the way users explore complex datasets. In an early user study, participants preferred the flexibility of the system and reported improved spatial perception over traditional static layouts. Other areas that can be enhanced  include architecture, urban planning, geospatial data, biological systems, drug design, and many others.

Why Now?

As datasets continue to grow in both size and complexity—ranging from volumetric brain scans to climate models—there is a pressing need for immersive tools that allow researchers to explore data from multiple angles and scales. The FlexiCAVE, part of a  growing trend in large high-resolution tiled displays,takes a bold step forward by combining stereoscopy, dynamic curvature, and tangible interaction into one unified system.

With backing from the New York State and Federal agencies, the FlexiCAVE’s development represents years of engineering insight, including customized aluminum framing, inclinometer-equipped hinges, and powerful GPU clusters capable of real-time image updates in a noise-canceling cabinet.

Looking Ahead

While the current version requires manual adjustment of the display columns—a design challenge acknowledged by the team—future updates may introduce motorized column rotation for ease of use. The research group is also exploring new applications in collaborative analytics and adaptable visualization workflows.

“We hope FlexiCAVE becomes a blueprint for the next generation of immersive environments—not only here at Stony Brook, but also globally,” said Professor Kaufman.

 

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June is a time of beautiful weather and plentiful celebrations, including graduations, Father’s Day and weddings. Outdoor spaces at these events can be crowded with drones, kites and metallic foil balloons. PSEG Long Island reminds customers that any of these objects can become entangled in overhead electric equipment and cause a host of problems.
 
“While we all want to make our celebrations as fun and memorable as possible, a drone, kite or metallic foil balloon coming into contact with a power line or other electrical equipment could lead to power outages, fire and, possibly, injuries,” said Michael Sullivan, PSEG Long Island’s vice president of Electric Operations. “The safety of customers and employees is PSEG Long Island’s No. 1 priority. We want customers to know the risks and take steps to ensure their recreational activities and celebrations are a success.”
 
To mitigate these risks, PSEG Long Island encourages the public to follow these safety guidelines:
 
Power lines
  • Stay at least 200 feet away from power lines or other electrical equipment.
  • NEVER touch a power line. Do not attempt to retrieve a balloon, kite, drone or anything caught in an overhead power line. Report it by contacting PSEG Long Island at 800-490-0075 so a specially trained crew can safely address the issue.
Drones
  • Fly your drone at or below 400 feet.
  • Do not fly in dark, stormy or windy conditions.
  • Read and follow the drone manufacturer’s instructions to ensure the safety of your drone and people around you.
Balloons and kites
  • Never fly kites or balloons in the rain or during an electrical storm.
  • Never cross a road or street while flying a kite or holding a balloon.
  • Kites and Mylar balloons should be kept away from overhead power lines and equipment, and never purposely released into the air.
  • All balloons with helium should be secured to weights that prevent them from floating away.
  • To properly dispose of a Mylar balloon, safely puncture it in several places to release the helium, and discard it in the trash.
For more safety tips and information on reliability initiatives, please visit psegliny.com/SafetyAndReliability.
 

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The Art Museum on the grounds of the Long Island Museum in Stony Brook. Photo by Brian Kutner

The Long Island Museum (LIM), 1200 Route 25A, Stony Brook was recently awarded a grant totaling $218,000 from the New York State Council on the Arts (NYSCA) to support the organization’s Art Museum Renovation – Phase II. This grant is part of a capital project funding announcement by NYSCA, which totals over $86 million to 134 capital projects across New York State.

The grant was awarded to help LIM work towards vital improvements in the long-term environmental sustainability of LIM’s Art Museum, which turned 50 in 2024. Thanks, in part, to a grant from NYSCA in 2024, the roof system and roofline insulation are in the process of being replaced; Phase II of the project, for which this grant was awarded, is to strengthen additional components of the building’s envelope, including the installation of new insulation, siding, and doors. NYSCA funding will support this next phase of the project, which meets the larger goals of the overall project for the Art Museum: to increase the building’s efficiency, decrease LIM’s operating costs, and decrease the building’s carbon footprint/environmental costs.

“We are thrilled to have received a grant from NYSCA, which will provide us with vital support for this project in alignment with three of our key priorities: accessibility, environmental sustainability and organizational health,” said Sarah Abruzzi, Co-Executive Director, Operations.  “This project will help take our Art Museum beyond its first 50 years and into a successful future, where LIM will continue to serve as a community leader and bring important art exhibitions, dynamic collections initiatives, and memorable programmatic experiences to visitors of all ages and abilities for generations to come.”

“Our arts and culture sector is a powerhouse, inspiring the world with innovation and creativity,” Governor Hochul said. “By investing in our museums, our theaters and our arts centers, we enrich our communities, strengthen local economies and improve tourism all over the State.”

NYSCA Executive Director Erika Mallin said, “These transformative projects improve communities, drive tourism and foster innovation in the field. Thanks to the Governor and the Legislature’s dedication to arts and culture, we are building a thriving future for our world-renowned creative sector. Congratulations to The Long Island Museum, NYSCA is a proud supporter of your contributions to New York’s arts and culture.”

About The Long Island Museum 

Founded in 1939 and accredited by AAM since 1973, The Long Island Museum is home to more than 60,000 artifacts, The Long Island Museum inspires and engages visitors of diverse ages, backgrounds, and abilities by connecting them with the region’s art and history, a world-class carriage collection, and energizing programs that foster a creative and inclusive community. For more about LIM’s exhibitions and programming, visit longislandmuseum.org

About the New York State Council on the Arts 

The mission of the New York State Council on the Arts is to foster and advance the full breadth of New York State’s arts, culture, and creativity for all. To support the ongoing recovery of the arts across New York State, the Council on the Arts will award over $161 million in FY 2026, serving hundreds of arts organizations and artists across all 10 state regions. The Council on the Arts further advances New York’s creative culture by convening leaders in the field and providing organizational and professional development opportunities and informational resources. Created by Governor Nelson Rockefeller in 1960 and continued with the support of Governor Kathy Hochul and the New York State Legislature, the Council is an agency that is part of the Executive Branch. For more information on NYSCA, please visit www.arts.ny.gov, and follow NYSCA’s Facebook page, on X @NYSCArts and Instagram @NYSCouncilontheArts.

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The Gamecock Cottage. Photo by Heather Lynch

After the record-breaking flood of last August, an heirloom of our community fell to ruins and has yet to reconnect with the scenic roads that we are so lucky to take every day. In light of the destruction of the beautiful and historic Mill Pond in Stony Brook and Stump Pond in Smithtown, members of the community have shared an outpouring of public support and togetherness in rebuilding our local history in the past week. At the Mill Pond, residents describe feeling stranded by administrative gridlock; but perhaps it does not have to be disheartening. 

As the weather finally warms, we are looking to fill the mill-shaped gaps in our hearts, which we can do by visiting and honoring our island’s other beautiful parks. We can celebrate our rich Native American and colonial history at equally evocative and inspiring sites during  these sun-kissed summer days. 

Containing the only remaining wooden cottage part of the beach, West Meadow Beach Path offers a 2.3-mile paved stroll through the wetlands reserve, complete with local wildlife infographics, a scenic overlook at still-standing 1876 Gamecock Cottage, and a historic building constructed for storage of oars and row boats. West Meadow Beach Path eases us from the nostalgia of the wooded, breezy salt marsh at dusk to the citrus sunsets met by the water, with terrapins, herons and bunnies searching for food or calling to each other between the reeds. At dusk, we may even spot deer up close in the brush. 

At the Rocky Point Pine Barrens, archaeological evidence point to a minimum 12,000 year-long history of Native American presence in the area. The land that provided resources for hunting, gathering, and shelter now offers miles of hiking and biking trails and horseback riding. Visitors should keep an eye out for historical signage, landmarks and vegetation unique to the undeveloped land, enabling us to appreciate and respect our island’s pre-colonial history. Verdant and sprawling, the Rocky Point Pine Barrens is stimulating and invigorating as much as it is calming. A visit to the pine barrens connects us with those who called this place home long before we arrived.

Further west, Heckscher Park is the site of a former 19th-century estate bought by New York State. Within walking distance of Huntington Village, the park features the Heckscher Museum of Art, pond, walking paths, playground, tennis courts, ball field, public art and memorials in addition to the “Chapin Rainbow Stage” performing arts amphitheater, home of the Huntington Summer Music Festival. Heckscher Park bustles with joy and laughter; an “All-American” gem, a mine for summer-night nostalgia alongside new memories we can enjoy on picnic blankets.

Tracking our unique lineage and culture throughout the island is as important as fighting for what we’ve lost. We can create new memories and revel in small joys at other local treasures as we  wait for the Mill Pond and Stump Pond to recover.

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