Times of Smithtown

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Smithtown East managed a one-run lead after the opening inning, but the North Babylon bats came alive in the top of the second, scoring three and from there the Bulls’ bats went silent. North Babylon plated two in the top of the fifth as Smithtown East scored a run in the bottom of the second, but it was too little too late as the Bull’s fell 6-3 in a home game May 14.

The bright spot for the Bulls was Sammi Swenson, who ripped a homer over the centerfield fence driving in a run. With the win North Babylon stays atop the League III leaderboard with West Islip in second place and at 11-4 the Bulls are third, two games back.

Smithtown East plays its final game of the regular season May 16 where they’ll host Newfield before they ready their bats for postseason play. Game time is set for 4 p.m.

State Sen. Jim Gaughran (D-Northport) hands out survey cards at local rail stations and seeks commuter input. Photo by Donna Deedy

The electrification of the Long Island Rail Road’s Port Jefferson Branch is back on the table, and government officials say they’re optimistic about the prospect, since now there’s some money to fund the idea.

New York State Sen. Jim Gaughran (D-Northport) during an informal interview May 9 at the Huntington train station, where he was personally handing out commuter surveys, said he predicts that the line will become fully electrified within the next five years. 

Morning commuters at the Huntington station where many switch trains to go both east and west. Photo by Donna Deedy

“It’s been talked about for decades,” he said. “It’s time to make it happen.”

Currently, the branch east of Huntington uses diesel or double-decker, dual-fuel trains, that are prohibited in Manhattan. Commuters between New York City and points east of Huntington on the Port Jefferson Branch must change from diesel to electric trains, or vice versa for the reverse commute, at various junctions, typically in Huntington. The process is time consuming and inconvenient for passengers, who are often subject to inclement weather on an open platform. Electric trains would eliminate the need to change trains and would create a time-saving, one-seat ride to Manhattan. 

Gaughran, who is serving his first term in the state Senate, has been a major proponent of the MTA Rail Act, an overhaul plan, which Gov. Andrew Cuomo (D) signed into law last month. New York State’s 2019-20 budget funds the overhaul and includes an expected $1.5 billion in capital projects for the Long Island Rail Road. Funds will be used for a variety of needs, but new trains and increased service are top priorities, according to Gaughran’s office. 

Electrification makes sense now, Gaughran said, because it would help address both congestion at Huntington’s station, which serves 41,440 daily weekday riders, while speeding up the slow commute to New York City.

Gaughran said that he’s already taken steps to advocate for electrification. He’s also conducted mobile town halls on trains during the morning commute to solicit passenger input on all rail service issues and will present passengers comments from his surveys to railroad officials later this year. 

Details from the Long Island Rail Road 

The LIRR is currently evaluating proposals, according to its spokesperson, and will soon award contracts to begin the electrification studies for both the Port Jefferson Branch and the Central Branch, which connects Babylon to Hicksville via Bethpage. The studies will determine what is required to complete each project.

Overall, the electrification project, in addition to a new fleet, would require significant investments in infrastructure such as new substations, a third rail and a second track between Huntington and Port Jefferson, upgrades to half-dozen platforms and work on bridges, viaducts and crossings, according to LIRR’s spokesperson. Additional train storage yard(s) will also be needed. 

The railroad does not yet have funding for construction but is seeking it for the Central Branch electrification in its 2020-24 capital program. Port Jefferson electrification would require additional funding in several other future programs. 

A faster, one-seat ride 

A common complaint among passengers interviewed for this report during the May 9 morning commute aboard trains on the Port Jefferson line supported the need for more rapid service. 

“It takes two hours to get to New York City from Stony Brook,” said John Morgan, a mathematician at Stony Brook University’s Simons Center for Geometry and Physics, who uses the train twice a week. “It’s too slow.” 

Larry Penner, a former Federal Transit Administration director in the New York region, who is familiar with MTA operations, capital projects and programs, said the one-seat ride to Manhattan in general is the best bang-for-the-buck idea for improving rail service for riders. 

“That would be a regional game changer for us.”

— Margot Garant

“Electrification of Ronkonkoma was selected over Port Jefferson back in the early 1980s,” Penner said. “Perhaps this time, Port Jefferson will come out on top this go-around almost 40 years later.”

Penner noted that the electrification of the railroad’s Central Branch east of Hicksville to Babylon holds the potential of creating a new north/south service route, which will provide detours to Jamaica during major service disruptions on the main line between Hicksville and Jamaica. 

For years, local elected representatives have recognized the commercial value and the resulting tax revenue benefits of electrification. 

“That would be a regional game changer for us,” Port Jefferson Village Mayor Margot Garant said during a phone interview.

The Long Island Rail Road is the busiest commuter railroad in North America, carrying an average of 301,000 customers each weekday on 735 daily trains. It’s comprised of more than 700 miles of rails on 11 different branches. For most lines, the terminus is Penn Station in Manhattan, with some lines originating or ending in Queens and Brooklyn.

The Huntington line, in addition to serving 41,440 daily weekday riders, serves another 11,210 travelers on the Port Jefferson line. 

'Stony Brook Harbor' by Leo Mancini-Hresko

By Melissa Arnold

From as far back as the Middle Ages to the 19th century, the standard setting for art education and professional work was the atelier. At an atelier — which means “workshop” in French — a master artist would work in a studio setting alongside his students, rather than simply telling them what to do. The result was a collaborative community built on shared expertise and creativity.

In the 1940s, art classrooms built on a lecture-based dynamic became popular and the era of ateliers faded into history. But today, more artists are returning to the roots of their craft by starting and joining ateliers.

‘Silence,’ bronze with warm silver patina, by Gwen Marcus

Here on Long Island, Kevin McEvoy is the artist-director of The Atelier at Flowerfield in St. James. The space is home to an art studio, a 2,000-square-foot exhibition space titled Atelier Hall and even a developing library of fine art books.

Beginning this week and continuing throughout the summer, Atelier Hall will display its annual Masterworks collection, an exhibit showcasing the works of nine gifted artists from around the world.

“The Masterworks exhibit is the crystallization of dreams I’ve had for more than a decade to take our Long Island community, which has so much momentum, and marry it to the international art community, to put them all in the same room and celebrate the work they do,” said McEvoy in a recent interview. 

The journey to opening an atelier was a long one for the 38-year-old artist, who has traveled the world to hone his artistic talents. A first-generation American, he spent time as a boy living in Ireland, where his father was raised. After studying studio art at Stony Brook University, he headed to Santiago, Chile, and Florence, Italy, where he joined the prestigious Charles H. Cecil Studios.

The time abroad allowed McEvoy to cross paths with a diverse group of artists from around the world, nestled in a community where he continued to learn and grow.

By the time he returned to the States, McEvoy was married with young children and his career was taking off. But he found himself aching for something more — a social and professional circle like the one he left overseas. He began to teach at different places on Long Island in hopes of making new connections, and the rest is history.

“As soon as I plugged into teaching, this community was born and it was such a breath of fresh air,” McEvoy recalled. “Many of my students were very serious painters, and to share ideas and fan those latent gifts into flame meant so much to me. I knew then that I wanted to start an atelier.”

‘Quarter Rest’ by Wendy Jensen

The Atelier at Flowerfield officially opened in the spring of 2016. As his classes grew, McEvoy knew he needed help. He began to reach out to friends in different parts of the country and overseas, offering to put them up while they taught workshops at his studio.

“In the past, there were all of these artists I knew, but couldn’t work with because of a lack of infrastructure. And now they were able to come in regularly to stay,” McEvoy said.

The Atelier now boasts more than 120 artists who come to lecture, create and learn. Among them is Leo Mancini-Hresko, who regularly makes trips from his home near Boston to give workshops on oil painting and materials. 

Mancini-Hresko is a graduate and former principal instructor of The Florence Academy of Art whose paintings of New England and his travels abroad have appeared in exhibits across the globe. He and McEvoy got to know each other while living in Florence. 

“Many of us [who met in Florence] were not really art teachers. We’re professional artists with careers who happen to teach occasionally, and I think that’s part of the attraction, to learn from someone who considers themselves an artist first,” Mancini-Hresko said. 

‘Codman Barn’ by Leo Mancini-Hresko

Lana Ballot of Lake Grove continues to find a wealth of inspiration in Long Island’s natural scenery. She grew up in a small town in Russia where an art education wasn’t easily accessible. She studied foreign languages instead, and when she arrived in the U.S. in 1994, pursued a degree in studio art at Stony Brook University.

Ballot worked in web design for more than 15 years, but the desire to paint never faded. She eventually began freelance work, then full-time painting and teaching. Today, she teaches an ongoing pastel class at The Atelier. “It’s really like a family here,” she said of The Atelier. 

“Kevin says a lot that he wants to create a community, and that’s what is happening. It’s not just us coming in, teaching a class and going home. We interact, and as working artists we are connecting to one another and continuously learning.”

Masterworks 2019 will feature 31 two-dimensional works, including still lifes, landscapes, interiors, figures and portraits painted predominantly in oil, as well as charcoal and pastel. The show also boasts a collection of sculpture pieces by notable local artist Gwen Marcus, who will present several full life bronze cast figurative pieces. McEvoy will display his own bronze sculpture of his grandfather, Bill McEvoy. The inclusion of life-size sculpture in the Masterworks exhibition also highlights the introduction of The Atelier’s first sculpture program set to begin this summer.

Participating artists:

• Lana Ballot

• James Beihl

• Megan Euell

• Bill Graf 

• Wendy Jensen

• Leo Mancini-Hresko 

• Gwen Marcus

• Kevin McEvoy

• David Shevlino

The Atelier at Flowerfield, located at 2 Flowerfield, Suite 15, St. James will present Masterworks 2019 from May 16 through Aug. 30. The gallery is open from 9 a.m. to 5 p.m. Monday through Saturday, and admission is free. Join the artists for an opening reception on Thursday, May 16 from 5:30 to 7:30 p.m. Enjoy live demonstrations by Atelier instructors and fellows during the event. Prosecco and hors d’oeuvres will be served. For more information, call 631-250-9009 or visit www.atelierflowerfield.org. 

All images courtesy of The Atelier at Flowerfield

By Rita J. Egan

Stand back, theatergoers, “Evita” is in town. On Saturday, May 11, the award-winning musical opened at the Smithtown Center for the Performing Arts.

“Evita” revolves around the controversial life of María Eva Duarte de Perón, who went from poverty to a success as an Argentine film and radio star. Her marriage to Juan Perón, a military leader who became the country’s president in 1946, thrust her further in the spotlight until her death at 33 in 1952.

When the audience first meets Evita, she is an ambitious teenager in 1934 who wants to leave the small city of Junin to travel to Buenos Aires with Agustin Magaldi, a tango singer. Soon after her arrival in the big city, she leaves Magaldi and sleeps her way to the top before meeting Col. Perón at a charity concert. While not accepted by the upper class after her marriage to Perón, Evita sees herself as the champion of the “descamisados,” the working class.

The musical, which features lyrics by Tim Rice and music by Andrew Lloyd Webber, first premiered on Broadway in 1979 with Patti LuPone as Evita and Mandy Patinkin as Che. It went on to win seven Tony Awards, including best musical in 1980. The production inspired the 1996 movie starring Madonna (Evita), Antonio Banderas (Che) and Jonathan Pryce (Perón) and was revived on Broadway in 2012 with Argentine actress Elena Roger and singer Ricky Martin as Che.

In the Smithtown production, Laura Laureano plays Evita, and the young actress possesses the poise and maturity needed to handle the role of the strong woman. Her vocals are powerful on all of the musical’s memorable favorites including “Buenos Aires,” “Don’t Cry for Me Argentina” and “Rainbow High.” Her performance of “Lament” at the end of Act II is an emotional one that will have audience members reaching for their tissues.

Dylan Bivings plays a suave Che. The character serves as the musical’s narrator, and Bivings proves to be a strong lead on various numbers. He shines during “And the Money Kept Rolling In (And Out)” and his duet with Laureano, “High Flying Adored.” Dennis Creighton was perfect as Perón, delivering the role with the right amount of tenderness that helps audience members understand just how much this man loved Eva. Creighton’s tenor singing voice is ideal for his solos.

Anthony Arpino as Magaldi also shined vocally during “On This Night of a Thousand Stars.” During the number “Santa Evita” on opening night, Zoe Avery played the child who approaches Evita, and Avery’s singing was delightful as she hit every note sweetly and perfectly. The actress alternates the role with Dori Ahlgrim.

Lauren Tirado, as the mistress, delivered a standout performance of “Another Suitcase in Another Hall.” The scene is a heartbreaking moment in the life of a character that the audience only meets once, and it’s essential that a vocalist digs deep when performing this song, so it can be understood that Evita will stop at nothing and will even throw another woman out on the streets. Tirado’s superb vocals proved she has the talent to deliver such an emotional number.

All of the ensemble members also deserve a round of applause for their outstanding vocals and impressive dancing. Ronald Green III has masterfully directed a cast that proves a musical lover doesn’t need to head into the city to take in a Broadway-quality show. Green has also outdone himself with the period costumes, especially with Laureano’s gown during the balcony scene when she sings “Don’t Cry for Me Argentina.”

Adding to the Broadway-like magic were the talented musicians led by conductor Melissa Coyle and scenic and video designer Tim Golebiewski. The set designed by Golebiewski and constructed by TJ Construction, Russ Bakunus and Clark Services is simple yet elegant and incorporates five small screens that display pictures of Eva and Perón through the years that complement the musical perfectly without being distracting.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present “Evita” through June 23. Performances are 8 p.m. Thursdays, Fridays, and Saturdays and 3 p.m. on Sundays. Tickets range from $25 to $38. For more information, visit www.smithtownpac.org or call 631-724-3700.

All photos by Courtney Braun/ Smithtown Center for the Performing Arts

Smithtown school district's administrative Joseph M. Barton building on New York Avenue. Photo by Kyle Barr

Smithtown Central School District has prepared a 2019-20 budget of $251.3 million, which represents a 2.66 percent budget-to-budget increase and a tax levy increase of 2.69 percent, which is within the district’s state-imposed cap.

The proposed budget, in addition to supporting the district’s financial goals, maintains the school’s comprehensive academic, athletic and extracurricular programming, as outlined on the district’s website, while increasing funding for security and student mental health services.

The school’s elementary class size stays capped at 25 students, while the math program will add teaching assistants. Two social workers will be added at the elementary and high school levels. The district will also add three guidance counselors.

The district’s three-part budget breakdown provides an overview of spending in three categories: programs, capital projects and administrative costs. For 2019-20, $187.2 million is allocated to programs, $34 million will go toward capital projects and $30.2 million will be used to pay administrative costs.

The Smithtown Central School District is divided into four voting districts and residents can vote at the designated elementary school based on location. The four elementary schools include Smithtown Elementary School, Nesconset Elementary School, St. James Elementary School and the Accompsett Elementary School. Residents can use the Voter Location Tool under the Board of Ed tab on the district’s website: www.smithtown.k12.ny.us. Polls will be open Tuesday, May 21, 6 a.m. to 9 p.m.

Candidate rundown

Michael Catalanotto of Smithtown and Peter Tofu of  Nesconset will be running for board member Daniel Lynch’s seat, who has chosen not to run for re-election. The seat is for a three-year term beginning on July 1.

Board member Michael Saidens will be running for his seat unopposed. Saidens has served on the board since 2017, which includes a tenure as vice president. His seat would be a three-year term beginning on July 1.

Trustee Frank James will be running for re-election unopposed for his seat that will have a one-year term from May 21,2019 to June 30, 2020.

Ralph Michele of Smithtown and Jerry R. Martusciello of Nesconset will be vying for board member Glady Waldron’s seat after she decided to not seek re-election. Her seat will be for a one-year term from May 21, 2019 to June 30, 2020.

Town of Smithtown officials and St. James veterans give their respects at the rededication of the Vietnam War memorial Nov. 21, 2018. File Photo by Sara-Megan Walsh

After a successful statewide lobbying campaign resulting in the restoration of nearly $4 million in funding for a veterans peer support program some have called vital, and given an additional $300,000 for expansion, New York State officials introduced bipartisan legislation April 22 to expand the program nationally. 

U.S. Rep. Lee Zeldin (R-Shirley) introduced the PFC Joseph P. Dwyer Peer Support Program Act (H.R.1749), which would expand the peer-to-peer support program nationally for veterans suffering from post-traumatic stress disorder and other psychological and physical traumas. The Dwyer bill was co-sponsored by NYS Representatives Elise Stefanik (R-Schuylerville), Kathleen Rice (D-Garden City), Tom Suozzi (D-Glen Cove), Peter King (R-Seaford) and others. 

“The program has worked on a local level — it’s an amazing feeling to see that these peer-to- peer groups seems to be doing well.”

— Joe Cognitore

“Expanding nationally the Dwyer program, which is currently operating in both Nassau and Suffolk counties, eventually to all states in the U.S., will ensure that every veteran can have access to a peer-to-peer support group,” Zeldin said in a statement. “With the [U.S. Department of Veterans Affairs] reporting that an estimated 22 veterans a day commit suicide, this national expansion is long overdue.”

This is the second time Zeldin has introduced legislation to expand the program nationally. Two years ago, the congressman proposed a bill that would authorize the VA to support veteran support programs modeled after the Dwyer project with federal grants. 

Joe Cognitore, commander of VFW Post 6249 in Rocky Point, was in Albany with other veterans groups in March urging lawmakers to restore full funds for the Dwyer program, and he said the new bill is a great opportunity to expand these resources to other veterans throughout
the country. 

“The program has worked on a local level — it’s an amazing feeling to see that these peer-to- peer groups seems to be doing well,” he said.

The main goal of the Dwyer project, which is currently overseen by Suffolk County Veterans Service Agency and Suffolk County United Veterans, is to provide peer-to-peer support and counseling to veterans who are facing challenges transitioning back to civilian life, along with offering a safe, supportive space for veterans to interact with one another. 

The commander of the VFW Post is glad the funds were restored as part of the executive budget of Gov. Andrew Cuomo (D), and in April stopped by the office of state Sen. John Brooks (D-Massapequa) to thank him for his support for the Dwyer program. The veteran group presented the senator with a framed picture of the famous photograph of Dwyer helping an ailing Iraqi child. 

“I support anyone who supports veterans, it doesn’t matter if you are a Republican or Democrat,” Cognitore said. “It is gratifying that we were able to do that, and we have officials that are doing the right thing.”

The program is named after Pfc. Joseph Dwyer, a Mount Sinai resident and U.S. Army combat medic who had served in Operation Iraqi Freedom. After returning home and struggling with PTSD, Dwyer succumbed to his condition in 2008.

Diane Caudullo and her mom, Patricia, in a recent photo. Photo from Diane Caudullo

By Diane Caudullo

When asked, most would express their admiration for their own mom. I am no different.

Forty-five years after kindergarten, my answers are still the same. My mom, Patricia, is the best person in the world. I love her this much — insert crayon drawing of stick-figure me with my arms stretched out wide. A large red heart placed properly on my mini-me’s chest. Now in my fifties, and with young adult children of my own, my admiration continues to grow even deeper for my mom, an appreciation which seems to regularly confuse my mother as to why I feel this way about her.

My mother, now 78, simply has no idea of how smart and how strong she is and always has been. She comments more often than she should, how she believes she didn’t really teach us much, my brother and sister and me. I couldn’t disagree more. 

My mother’s life has been a series of struggles, big and small; disappointments of similar, varying degrees; and so many accomplishments and successes that surprisingly look like everyday life. What she does not seem to appreciate is, she has been and still is a living lesson, a constant example of how to live this life right. 

I watched as she cared for everyone in addition to her own. Her sacrifices were endless and seemingly without much reciprocation. If you were down, she was there. If she was down, she was down alone. I guess in all fairness, she never asked, she never let on. In some of her darkest days, she made decisions that were right for her family but wrong for her. I watched as she forgave those who wronged her, really wronged her. And she really forgave. She has taught quietly, by example, over a lifetime.

Other life lessons learned were that hard work and smart planning got you where you wanted to be;  patience really is a virtue; slow and steady wins the race, but more importantly, there wasn’t really a race to win; and our treatment of others was your most important trait. 

Mom was also the epitome of a “perfect housewife.” She ran the household like a boss.  Dinner was on the table each night; the bills were paid, the house was clean and laundry and homework were done. And she did it all with love. It was her pleasure.

Full disclosure, I did not inherit her homemaking skills. Maybe it’s one of those genes that skips a generation. Let’s just say my talents lie elsewhere. But she watched as I raised my children to become loving and caring young adults. She sees me care for my family, immediate and extended, especially when problems arise. I volunteer in my community. I feel called to lift others up and make a positive impact in the world around me.

Nowadays, my mother looks at me in awe of my strengths and gifts. Funny how she doesn’t see the resemblance.

Diane Caudullo is the president of the Centereach Civic Association and a board member of the Middle Country Chamber of Commerce.

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The Smithtown Historical Society hosted a Spring Farm Festival in celebration of the season May 4. The family event included children’s games and crafts, pony rides and a petting zoo. 

Artisans demonstrated traditional farm skills, such as sheep shearing, yarn spinning and weaving, wood-working and ironworking. The barn and carriage house were also open for the public to view. 

All photos by David Ackerman.

The writer with her daughter Giselle and mother Myra Naseem during a recent vacation to Disney World. Photo from Lyla Gleason

By Lyla Gleason

I’m turning into my mom, and that’s a good thing.

With nearly a decade of motherhood under my belt, it still surprises me that I sometimes feel like a newbie. I mean, motherhood is a large part instinct, a bit of luck and a whole lot of on-the-job experience, but without employer feedback and promotions, it can be tough to know how you’re doing. Raising a small human is definitely challenging, but luckily for me, I have the support of friends and family who cheer me on at every turn.

Now that the terrible toddler years have long passed, and the dramatic tween time is upon me, I find myself thinking more and more about my school years, and I’m seeing my mom in a new light. How did she manage two kids when I am exhausted with just one? How could she pack our lunches every day without the slightest hint of annoyance? How could she cook every night? Every night! OMG!

I’m sure this is true of every generation, but I’ve developed a newfound appreciation for my mom, Myra Naseem, and all that she managed to juggle as I was growing up. As a single mom raising two girls in the 1970s and ʼ80s, the odds were definitely stacked against her, but I had no idea. Our lives were full of kid-focused activities and outings, baked treats and visits with friends and family near and far.

When my mom tired of her home economics teaching job and decided to start her own catering business out of our kitchen, my sister, Kaneez, and I got to watch her leadership skills develop right before our eyes. She treated her employees as family and spent so much time explaining the right way to do things, just as she had with us. She was still teaching, explaining to “hold it from the bottom,” but in a mom-boss way.

As my sister and I headed off to college, my mother’s catering business Elegant Eating moved into a Stony Brook storefront, and my mom and her business partner Neil were well on their way to becoming known throughout Suffolk County. Business flourished, parties grew larger, and they moved into a bigger space with room for cooking classes and luncheons in Smithtown. Elegant Eating has catered hundreds of parties for the local community, celebrities and politicians, and they have managed to remain on top of the trends in this challenging business.

Over the past thirty years, I’ve watched my mom successfully raise her business and enjoy her newest job as Mama Myra, grandmother to Giselle. I am happy for her accomplishments, but best of all, I’m happy that I can now appreciate all her mom-boss tools that I’ve inherited.

I may not see the physical resemblance everyone else notices, but I do see our similarities more and more, and I’m cool with that. My mom’s patience, flexibility, understanding, ability to put others first and determination have helped me become the person I am today, and hopefully, I’ll be able to pass these qualities along to my daughter.

Lyla Gleason is the founder of the blog Globetrotting Mommy.

Singer Billy Joel, bottom right, joined Gov. Andrew Cuomo and local legislators in the signing of the bill. Photo from Steve Englebright's office

Recently, Gov. Andrew Cuomo (D) signed into law legislation sponsored by state Assemblyman Steve Englebright (D-Setauket), while Suffolk County Executive Steve Bellone (D) announced that police would be cracking down harder on those who violate the Move Over law. And with temperatures rising, county Legislator Kara Hahn (D-Setauket) challenges residents to get out and enjoy their local parks.

Governor signs Englebright’s legislation banning offshore oil and gas drilling

With singer Billy Joel on hand, Cuomo signed legislation sponsored by Englebright and state Sen. Todd Kaminsky (D-Long Beach) into law April 30.

The legislation will prohibit the use of state-owned underwater coastal lands for oil and natural gas drilling, and prevent state agencies from authorizing leases that would facilitate the development and production of oil or natural gas. It also prohibits the development of pipelines and other infrastructure associated with exploration, development or production of oil or natural gas from New York’s coastal waters.

“This legislation takes aggressive action to protect New York’s marine environment by prohibiting offshore drilling,” Englebright said in a statement. “This law will protect and defend our waters, keeping them safe for recreation, fishing and wildlife.”

Despite the Atlantic Coast being off limits for drilling for decades, in 2017, the federal government proposed a new National Outer Continental Shelf Oil and Gas Leasing Program which would open more than 90 percent of the nation’s offshore waters to oil and gas drilling.

Englebright said the legislation will ensure the protection of endangered and threatened species as well as the state’s tourism and recreational and commercial fishing industries.

Bellone announces new campaign to crack down on Move Over state law violators

Suffolk County is cracking down on Move Over law violators with a multipronged awareness and enforcement campaign.

Bellone announced the campaign April 25 at a press conference in the hopes of increasing roadway safety for law enforcement personnel, emergency vehicles and road workers.

“Move Over is enforced for a reason — to ensure the safety of law enforcement, first responders and highway personnel,” Bellone said. “This public awareness effort is intended to protect our roads while protecting those whose job it is to enforce the rules of the road.”

Under New York State law, drivers traveling in the same direction must reduce speed and move from an adjacent lane to avoid colliding with a vehicle parked, stopped or standing on the shoulder or any portion of the highway when the vehicle is an authorized emergency response, tow truck or maintenance vehicle with its lights flashing.

The original legislation was signed into law by New York Gov. David Paterson (D) and took effect from Jan. 1, 2011. Cuomo expanded enforcement in 2012 to include maintenance and tow truck workers, and again in 2017 to include volunteer firefighters and volunteer EMTs.

Drivers who violate these laws are subject to fines of up to $150 for a first offense, $300 for a second offense within 18 months and $450 for a third offense within 18 months.

Public service announcements, including a 30-second television ad and a one-minute social media version, will educate residents on the importance of the law and how it helps keep the roads safe for police officers, emergency services personnel and roadway workers.

On April 25, the Suffolk County Police Department began using both unmarked and marked cars to crack down on violators. The department partnered with Maryland-based Rekor Recognition Systems earlier in the year to conduct a two-week study of compliance in the county.

The number of citations for the Move Over law has increased over the last five years with nearly 800 summonses issued in 2018, and since 2013 the SCPD has issued more than 2,600 summonses for Move Over law violations, according to SCPD.

Suffolk County Legislator Kara Hahn announces the A Park a Day in May challenge. Photo from Kara Hahn’s office

Hahn kicks off annual park challenge

County Legislator Hahn is encouraging Long Islanders to get out and explore once again.

On May 1, Hahn held a press conference at Frank Melville Memorial Park in Setauket to announce her fourth A Park a Day in May challenge. The location was the first of 31 parks that will be featured in the social media event.

For every day in May, participants will find a description with photos of a different park through Facebook. Participants are then invited to take and post a picture of themselves with the hashtags #APADIM and #aparkaday. Daily A Park a Day in May posts will be added to www.facebook.com/karahahnld5.

“The May sun has always been a beacon, drawing me back out after the biting cold of winter,” Hahn said. “With life returning to nature, my intention was to find a way to return life back into our parks.”

Linda Sanders, Frank Melville Memorial Foundation trustee, said she hopes residents will enjoy the challenge and thanked Hahn for including the park.

“I grew up visiting parks, beaches and open spaces in my youth in Southern California,” Sanders said. “My family’s trips and times together spent outside in nature are some of my fondest memories.”

Hahn’s office will also once again have Park Passport booklets available. Children can collect badges by traveling to any of 24 local parks contained in the booklet. At each park, participants search for a hidden sign and check in by either scanning a QR code or entering the web address listed on the sign, which then loads a printable logo page that the child cuts and pastes into his or her passport. Residents can call 631-854-1650 for more information.

— compiled by Rita J. Egan