Theater

The cast of 'The Comedy of Errors' Photo by Julianne Mosher/TBR News Media

By Julianne Mosher

The theater department at Suffolk County Community College’s Ammerman campus does not disappoint with their latest production of William Shakespeare’s The Comedy of Errors.

A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media

This classic slapstick comedy follows two sets of identical twins who were separated as infants during a storm at sea. Set in the Greek city of Ephesus, we meet a merchant named Aegeon, played by SCCC student Stefan Pallotta, who’s monologue tells the audience of his arrest and the tale of the shipwreck that separated his family — his twin sons, both named Antipholus, his wife, Amelia, and two twin servant boys, both named Dromio. 

Eighteen years later, Aegeon allows his son and servant to travel to Ephesus to search for their long-lost twins but they too disappear. Now, Aegeon has come to the city to find them, but is arrested due to the animosity between the citizens of Ephesus and Syracuse (where the merchant is from). Pallotta’s early monologue is not an easy one to remember,but he does so impressively. 

Later on, we meet Antipholus (of Syracuse) played by Cara Macedonio along with servant Dromio played by Meredith Reed. When the two Syracuse-ians are off and about, we meet their long-lost brothers, Antipholus of Ephesus, played by Kayla Bruno, and his Dromio played by Jerry Ewald. 

A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media

The cast does a great job getting into their characters. Not only did they have to learn the rhymes of Shakespeare and ye-old language, but they also have to convince the audience of who they were — and they were funny! The performances of the two Dromio’s had the audience laughing during their performance last Saturday night. While Shakespeare might be hard to understand, the actors made the whole show completely coherent.

But we mustn’t forget the leading ladies of the show — Antipholus of Ephesus’s wife, Adriana, played by Madison Dodge, and her lovable sister Luciana, played by Kayla Pisano. While the two characters are completely different in personality, both Dodge and Pisano shine during their scenes. 

Adriana, the tougher of the two, proves herself with her wit and no-nonsense attitude when faced with her “husband” acting oddly (surprise, it was the wrong Antipholus she was inviting to dinner). Then Luciana, the beauty who unintendedly seduces her “brother-in-law” will have you roar when you see the interaction between her and Antipholus of Syracuse.

But that’s just the beginning. For an hour-and-a-half, you’ll see the two sets of twins unknowingly interact with each other on several occasions that will make your skin curl with embarrassment for what is going on, but also laugh out loud.

A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media

Other standout performances include Brooke Morabito as Luce, the greasy kitchen wench, the alcoholic officer played by Malachai Casanova, Duke Solinus portrayed by Krystyna Plesnik, Hailey Wenke’s Amelia/Courtesan and Gabriel Patrascu’s Pinch/Angelo.

However, the show would not have been complete without the fantastic set design and costumes which really set the tone of the show. 

Director Steve Marsh said that he wanted to bring a bit of an edge to the show, which has been known as a slapstick comedy for centuries. While it was filled with humor, it had the underlying, more somber, tone of what a trade war and immigration can do to a community which made it almost more real. 

“The program here at Suffolk and the students are so fantastic,” Marsh said. “I’ve been coming here for over 40 years — this is where I saw my first show and what got me interested in acting.”

Suffolk County Community College, 533 College Road, Selden presents The Comedy of Errors at the Shea Theatre inside the Islip Arts Building on April 21 and 22 at 7:30 p.m. and April 23 at 2 p.m. General admission is $15. Veterans and students 16 years of age or younger is $10. Suffolk students with current ID receive two free tickets. To order, visit sunysuffolk.edu/spotlight or call 631-451-4163.

By Julianne Mosher

You don’t have to be an avid reader of the classics to appreciate Theatre Three’s latest offering. The main stage production of Daniel Elihu Kramer’s Pride @ Prejudice is a mix of a telling of the 19th century novel written by Jane Austen and a clever modernization of the 1813 classic that explains the book with humor and wit. 

The story is of Miss Elizabeth Bennet and Mr. Darcy who fall in love all over again — this time filtered through the world of the internet. Modern voices interject and build on this classic love story in the form of blog posts, chat room discussions, quotes from film adaptations, and even letters from Jane Austen herself to create a delightfully postmodern view of 19th century England. 

Directed by Jeffrey Sanzel, the show opened on April 7 to a full house. While the cast is small (just five people) each of their personalities are big. Most of the actors play at least two characters who go between present-day and the book’s settings of Netherfield Park and Longbourn.

And each performer had the audience laughing. Christine Boehm (who plays Elizabeth Bennet) plays the protagonist well, leading with poise but also leads some laughs. Throughout the play, the actors make several references to the culture behind Pride and Prejudice, poking fun at the three major film adaptations (and a miniseries starring Colin Firth in the 90s).

Ashley Brooke’s rendition of the eccentric and dramatic Mrs. Bennet (who’s trying to marry off all five of the daughters —yes, there are five) is hysterical. Michelle LaBozzetta was able to switch between different characters with ease, including Jane Bennet, Caroline Bingley and as Jane Austen — which was another interesting part of the show.

While deconstructing certain scenes, the actors would recite real letters that Jane Austen wrote to her sister during her lifetime, noting how her personal life impacted the books she was writing. Not only was the play entertaining, but for people who didn’t know much about the author, you were able to get a bit of history, as well.

Andrew Murano played seven people and also did so skillfully. Each one varied — he played a doctor, a footman, Mr. Bennet, Mr. Bingley, Sir William, Mr. Wickham, Mr. Gardiner and Colonel Fitzwilliam —and when appropriate, he played them with humor. 

David DiMarzo, who is new to Theatre Three, played the charming and desirable Mr. Darcy, as well as Mr. Collins, and showed us that he needs to stay. His ability to play the dreamy love interest of Lizzie, but also the snobbish Collins was impressive to say the least. 

And if that sounds confusing to you, it might seem that way, but the performance on stage explains it better. While all five are in 19th century costumes, they do a great job of expressing themselves through their facial expressions and body language. They certainly give it their all. 

The set allows the audience to use their imagination. Three sets of doors are toward the back of the stage and is utilized often to show transitions between the settings and time periods. What’s also interesting is the use of a projector at the top of the stage that shows images of the houses they are currently in, or websites where “Pride and Prejudice” merch is on sale (it’s a joke).

Some jokes might go over your head if you didn’t read the book — so a quick read of a summary or even a refresher of the whole novel could definitely help — but it’s still enjoyable for those looking for a fun night out as this show was definitely not an easy production. Regardless of your knowledge of 19th century literature, this show is one for the books. 

Pride @ Prejudice is playing at Theatre Three, located at 412 Main Street in Port Jefferson, until May 6. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. Wednesday matinees are $20. For more information or to order, contact the box office at 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

You know its officially Spring when Peter Rabbit, Benjamin Bunny, Flopsy, Mopsy, Cotton-Tail, Mrs. Rabbit and the McGregors arrive at Theatre Three in Port Jefferson for The Adventures of Peter Rabbit. The  adorable show opened last week for spring break and runs through April 29.

Written by Jeffrey Sanzel and the late Brent Erlanson, the original musical is loosely based on one of the best-selling books of all time, The Tale of Peter Rabbit by Beatrix Potter, and features all of the beloved characters in the story.

The audience is whisked away to the countryside home of Mrs. Rabbit and her four bunnies who live next to Mr. and Mrs. McGregor who spend the day tending to their pride and joy — their garden. 

While Flopsy, Mopsy and Cotton-Tail listen to their mother by staying inside and doing their chores, Peter Rabbit and his cousin Benjamin Bunny sneak out to steal from their neighbor’s garden again and again to satisfy their insatiable appetite for lettuce, tomatoes, cucumbers, parsley and string beans. The constant marauding finally wears the farmer’s patience thin and he plots his revenge.

Directed by Steven Uihlein, the cast of 8 is excellent and exemplifies the magic of live theater. Sean Amato and Steven Uihlein take on the characters of Peter and Benjamin, two comedic roles that provide quite a workout as they run through the theater to escape the “mean as a bear” farmer.

Samantha Fierro, Danielle Pafundi and Courtney Gilmore as Flopsy, Mopsy and Cotton-Tail spend most of their time looking for their wayward brother so he won’t get in trouble by their patient mother (Elizabeth Ladd) and often ask the audience if they have seen him. (“He’s right behind you!”)

Peter and Benjamin seem to be especially naughty and persistent this year and audiences will sympathize with the McGregors, wonderfully played by Liam Marsigliano and Alanna Rose Henriquez. 

With choreography by Sari Feldman, the musical numbers, accompanied on piano by Douglas Quattrock, are terrific, with special mention to “One More Time Around,”  “Run, Peter, Run!” and the hip hop number, “Peter’s Socks.” The final number incorporates all of the songs in a super mega-mix extravaganza.

In a brilliant move, the show takes advantage of the three sets of doors from the current mainstage production, Pride @ Prejudice, which, when opened, always reveals a surprise. Costumes by Jason Allyn are absolutely charming and wait until you see the lighting and special effects!

Souvenir bunnies in various colors will be sold before the show and during intermission and the entire cast will be in the lobby after the show for a meet-and-greet and photos.

Theatre Three, 412 Main St. Port Jefferson presents The Adventures of Peter Rabbit through April 29 with a special sensory sensitive performance on April 16 at 11 a.m. Children’s theater continues with Cinderella from May 27 to June 1, and Goldilocks & the Showbiz Bears from July 7 to 29. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com. 

‘Oh the thinks you can think … when you think about Seuss!’

By Heidi Sutton

Families with young children packed into the Engeman Theater last Saturday morning to witness a most beautiful tribute to the imaginative world of Theodor Seuss Geisel aka Dr. Seuss in Seussical the Musical. The children book author’s favorite characters come to life in this colorful and magical show, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, Mayzie La Bird and JoJo, a little boy with a big imagination.

Written in 2000 by Tony winners Lynn Ahrens and Stephen Flaherty, the musical is now one of the most performed shows in the United States and it’s easy to see why. A trip down memory lane for many generations, it is based primarily on the Dr. Seuss children books, “Horton Hears a Who,” “Horton Hatches an Egg” and “Gertrude McFuzz,” but also incorporates references to other Dr. Seuss stories including “McElligot’s Pool” and “Oh the Thinks You Can Think!”

Directed by Andrew McCluskey with choreography by Jillian Sharpe, the colorful cast of characters transport the audience from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos. The Cat in the Hat (Jae Hughes) guides us through the magical journey with the help of Jojo the Mayor’s son (Finn Brown at last Saturday’s performance), who occasionally jumps into the scene when warranted.

The show opens as Horton the Elephant (Patrick McCowen) hears a cry for help and discovers a floating speck of dust containing the town of Whoville. After safely placing it on a clover flower, Horton is tricked into sitting on lazy Mayzie La Bird’s (Jillian Sharpe) egg for 51 weeks, is captured by hunters and eventually sold to the circus. When he is finally rescued by Gertrude McFuzz (Michaela Vivona), he is put on trial by Sour Kangaroo (Suzanne Mason) for “sitting on an egg and talking to a speck.” Will the faithful pachyderm be exonerated or will he be sentenced to a mental institution by Judge Yertle the Turtle?

The fast-paced show keeps the young audience wide-eyed and on the edge of their seats. One of the most exciting scenes is when the Wickersham Brothers (Justin Autz and Terrence Sheldon) steal the clover and are chased through the theater by Horton. The dance numbers are terrific with special props and audience participation is encouraged as Horton and Mayzie’s egg are auctioned off to the highest bidder. 

The incredible songs are the heart of the show, from the fun intro “Oh, The Thinks You Can Think!” to the sweet “Horton Hears a Who” (where a person’s a person no matter how small), the enduring “Notice Me Horton,” and a personal favorite, “It’s Possible.” Horton and Jojo’s duet, “Alone in the Universe,” will give you goosebumps and the group’s upbeat finale is a fitting rendition of “Green Eggs and Ham.” 

Costumes and wigs by Laura McGauley along with the cartoonish set mimic the original Seuss illustrations perfectly.

In the end, the show leaves us with the inspiring message that anything is possible when you let your imagination fly. Don’t miss this one.

Pick up a clover-shaped flashlight souvenir before the show and stay after for a meet and greet with the cast in the lobby for photos and autographs. An autograph page is conveniently located at the back of the program.

The John W. Engeman Theater, 250 Main St., Northport presents Seussical the Musical on Saturdays at 11 a.m. and Sundays at 10:30 a.m. through April 30 with a special sensory sensitive performance on April 15. Up next is The Musical Adventures of Flat Stanley from May 27 to July 2. All seats are $20. To order, call 631-261-2900 or visit www.engemantheater.com.

A scene from 'Finding Nemo' Jr. at SPAC. Photo by Jackie St. Louis

Just in time for spring break, the Smithtown Performing Arts Center, 2 E. Main St., Smithtown presents Finding Nemo Jr. through Saturday, April 8.

Marlin, an anxious and over-protective clownfish, lives in the Great Barrier Reef with his kid Nemo, who longs to explore the world beyond their anemone home. Featuring memorable songs such as “Just Keep Swimming,” “Fish Are Friends Not Food,” and “Go With the Flow,” Finding Nemo Jr. brings a vibrant underwater world to life on stage in a story full of family, friendship, and adventure.

Final performances are on April 6 and 7 at 1 p.m. and April 8 at 10:30 a.m. and again at 2 p.m. All seats are $25. To order, call 800-595-4849 or visit www.smithtownpac.org.

Photo courtesy of Theatre Three

Theatre Three, 412 Main St., Port Jefferson kicks off spring with The Adventures of Peter Rabbit from April 5 to 29 with a sensory sensitive performance on April 16 at 11 a.m. Join Peter, Flopsy, Mopsy, Cotton-Tail, Mrs. Rabbit, Benjamin Bunny and the McGregors in this delightful adaption suggested by the characters created by Beatrix Potter, a Theatre Three tradition for spring break. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

Robert E. Hansen

Save the date! Psychic medium, author and lecturer Robert E. Hansen returns to Theatre Three, 412 Main St., Port Jefferson on Friday, March 31 at 7 p.m. Join Hansen as he takes you on a journey through the other side of the veil. Messages of love will be randomly demonstrated to the audience. Tickets are $35 per person. To order, call 631-928-9100 or visit www.theatrethree.com.

Tony Award-nominated Broadway actor/director Terrence Mann attended the opening night of The Scarlet Pimpernel at the John W. Engeman Theater on March 18.

Mann originated the role of Chauvelin in The Scarlet Pimpernel on Broadway in 1997 and originated the role of the Beast in the Broadway production of Beauty and the Beast for which he earned Tony, Drama Desk, and Outer Critics Circle nominations for best actor for his performance. 

Mann also portrayed Javert in the original Broadway company of Les Miserables as well as The Rum Tum Tugger in the original Broadway company of Cats. Highlighting Mann’s other Broadway stage credits include Lennon, The Rocky Horror Picture Show, Getting Away with Murder, Rags, Barnum, Jerome Robbins’ Broadway, Pippin, The Addams Family, Finding Neverland, and Tuck Everlasting.

When Mann took the open mic during bows he exclaimed, “I think I have walked into magic land because it only takes three things — the music, a cast like this, and the audience.” He later added, “Good theater is communication. And great theater is communion. And tonight, you all have just created great communion!” He then joined the cast in singing the final reprise of “Into the Fire.”

“We are honored that Terry Mann — the original Chauvelin from the Broadway production — was able to join us for opening night of The Scarlet Pimpernel. To have a true Broadway legend attend the performance, address our audience, and join the cast for the final number onstage made for a night that none of us will forget,” said Richard Dolce, co-owner of the John W. Engeman Theater. The show runs through April 30. 

By Julianne Mosher

The opening night performance of The Scarlet Pimpernel at the John W. Engeman Theater in Northport had the entire audience ready to fight the French and head “into the fire” with the cast from the moment the curtain opened. 

The swashbuckling adventure follows Percy Blakeney, a proper English gentleman, who takes on a dashing double identity as The Scarlet Pimpernel to save French citizens from the blood-thirsty guillotine. The Pimpernel’s exploits soon become the talk of Paris and the fanatical Agent Chauvelin will stop at nothing to catch the Pimpernel and cut off his head. 

First published as a novel in a series of historical fiction by Baroness Orczy, The Scarlet Pimpernel has seen many different lives in both film and plays. Now, 118 years later, this musical version is full of color, excellent accents, a fantastical set design and an incredible ensemble that does not disappoint.

The production begins with large scarlet pimpernel flowers hanging across the stage. Throughout the play, they become part of the set used as background pieces in indoor and outdoor scenes. The actors are responsible for moving the flowers around in between set changes, as they are wheeled from the ceiling to and from the curtain. But along with the pimpernels being part of the show, each scene has a set to help tell the story.

One would think that with a score written by Frank Wildhorn (who wrote the music for Jekyll & Hyde) and a setting similar to Les Misérables that The Scarlet Pimpernel would be a dark historical fiction of the trying times of the French Revolution. While some of the play has dark undertones, the animated expressions and coy one-liners from almost everyone in the cast makes it a show that you must go see. 

Directed and choreographed by Paul Stancato, the ensemble features a roster of experienced, talented artists who took on a show that was definitely not your average song and dance. Half the cast, for example, had to master a British accent, while the other half had to make the audience believe they were French — mostly sung, no less. 

Starring Christopher Behmke as the title character, Nate Hackmann as Chauvelin and Arianne Davidow as Marguerite St. Just, the emotion and dedication of each actor shined bright on stage. During the happier scenes, the audience felt it and during the more somber times, the audience could see the tears filling up in the stars’ eyes.

The supporting cast makes the play, as well. Everyone had a special role in the show and none were forgettable. However, specific fan favorites of the night were Percy’s group of friends — equivalent to a college frat, they support and join Percy back and forth to France to take down the revolutionists. Showing the power of friendship, they also bring a lot of laughs to their scenes with their silly demeanors, and (pretty awesome) sword fighting. 

Each character, whether it was Marguerite or the Prince of Wales (yes, he makes an appearance, too), has a distinct look with colorful, vibrant and time period costumes that change in nearly every scene. The crew definitely dressed everyone to impress from head to toe. 

Terrence Mann, who played Chauvelin in the 1997 original Broadway production of the show, joined the cast on stage after the final bow.

“This was amazing,” he told the audience. “I haven’t seen this play since I did it. I just remember sitting in my dressing room when I wasn’t on stage and seeing it now saying to myself, ‘Oh! That’s what happened!’ and they did it really well.” Mann added that while sitting in the audience, himself, he heard his neighbors gasp, yell and “yay” with almost every movement. 

“I think it just keeps getting better,” he said. “There are two things that happen in theater — music and the story, and this is a great story with phenomenal music. It transports everybody.”

The only thing missing from the show? More dates to see it. You’ll want to go back after the first night.

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The John W. Engeman Theater, 250 Main St., Northport presents The Scarlet Pimpernel through April 30. Main stage theater continues with The Sound of Music from May 18 to July 2, and Jimmy Buffet’s Escape to Margaritaville from July 13 to Aug. 27. Tickets range from $80 to $85 with free valet parking. The Engeman also offers children’s theater and a special event series with live concerts and comedy nights. To order, call 631-261-2900 or visit www.engemantheater.com.

From left, George Eli, Stefan Pallotta and Brooke Morabito star in 'Tape' at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media

By Julianne Mosher

The stage at Suffolk County Community College’s Ammerman Campus in Selden transforms this week into a basic motel room set in Lansing, Michigan. 

From the moment the lights dim, we are brought back to the glory days of three friends from high school who haven’t seen each other in a decade. But instead of a happy reunion, things turn dark, secrets are spilled, and the plot thickens with a conversation that is just as important now as it was nearly 25 years ago – sexual assault. 

Tape is a 1999 play written by Stephen Belber, first produced at the Actors Theatre of Louisville as part of the 2000 Humana Festival of New American Plays. In 2001, it became a film, starring Ethan Hawke, Robert Sean Leonard and Uma Thurman. 

From left, George Eli, Brooke Morabito and Stefan Pallotta star in ‘Tape’ at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media

Directed by Steven Lantz-Gefroh, the three-character ensemble piece is set within the confines of a tawdry motor lodge in Michigan. After 10 years apart, three former friends (and lovers) come together to play out the unresolved drama of their final days in high school. 

Intrigued, the audience watches through the one-act play as layers of denial are slowly peeled away. Suspense builds as each character is provoked into revealing his or her true nature and motivation — full of plot twists. Mesmerized, we are drawn into their lives as they choose which cards to play and which cards to hold.

Starring SCCC students Stefan Pallotta (as Vince, a drug dealing volunteer firefighter), George Eli (as Jon, a filmmaker who is the reason the former friends are in the same room), and Brooke Morabito (Amy, the girl in the middle and a local assistant district attorney), the three on stage together collaborate so well that watchers can see, and feel, the emotion in front of them. 

Pallotta’s quick witted responses (and stellar dance moves) show promise for his future — he’s graduating this upcoming semester to study acting. The audience deeply empathizes with Morabito, who plays a victim of assault, as she performs her tale of that night and how she overcame it so well that viewers are left speechless. As a graduating senior, as well, she too has a bright future ahead. 

Eli’s performance of antagonist of the story is so impressive, it’s hard to dislike his character. This performance of Tape is so good, you’ll forget that you’re sitting inside a college theater.

Lantz-Gefroh said that although the play was written almost three decades ago, the topic is still important today — and that is why people should come see it this weekend.

“We have come no distance with this subject matter in over 30 years,” he said. “[This show] helps people realize the mistakes they’ve made in their lives that they need to fix — if they can.”

Morabito said that playing Amy was a cathartic experience for herself.

“Amy is the character that speaks for all the victims of sexual assault who get to see this play and she enacts revenge,” she explained. “She gets to close the door on what happened that night and what happened in the motel room, and leave it all behind.”

Eli added he was grateful to perform alongside Pallotta and Morabito for an important cause.

Tape spreads a lot of awareness and shows us that anyone can be a victim or anyone can be an aggressor,” he said. 

Tape continues on March 16, 17 and 18 at 7:30 p.m., and March 19 at 2 p.m. at Theatre 119 in the Islip Arts Building at the Suffolk County Community College’s Ammerman Campus, 533 College Road, Selden. Rated R for mature content. 

Theater continues at SCCC Selden with William Shakespeare’s A Comedy of Errors from April 13 to 23.

General admission is $14, veterans and students 16 years of age or younger is $10. Suffolk students with a current ID receive one free ticket. For tickets, call 631-451-4163.

Julianne Mosher is an adjunct professor at Suffolk County Community College and a 2013 graduate of the school.