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The cast of 'Flat Stanley'. Photo from The John W. Engeman Theater
From left, John Fasciano, Daniel Bishop and Suzanne Mason in a scene from 'Flat Stanley'. Photo from The John W. Engeman Theater
Patrick McCowen as mailman Mr. Cartero in a scene from 'Flat Stanley'. Photo from The John W. Engeman Theater
Daniel Bishop and Patrick McCowen in a scene from 'Flat Stanley'. Photo from The John W. Engeman Theater
The cast of 'Flat Stanley'. Photo from The John W. Engeman Theater

By Heidi Sutton

Children’s theater continues at The John W. Engeman Theater with The Musical Adventures of Flat Stanley. The adorable show, based on the first in a series of books by Jeff Brown, follows the adventures of Stanley Lambchop (Daniel Bishop) who lives with his parents (Michael Fasciano and Suzanne Mason) and his brother Arthur (Jae Hughes). His mailman, Mr Cartero (Patrick McCowen) serves as narrator and introduces Stanley as an average 10-year-old kid who has big dreams.

At bedtime, Stanley and his brother see a falling star and make a wish. While Arthur wishes for an A on his science project, Stanley wishes to travel and “do amazing things the world has never seen before.” In the middle of the night a bulletin board above his bed crashes down on him and flattens him like a pancake.

At first, Stanley and his parents are alarmed and take him to Dr. Dan for an evaluation but he is as perplexed (and confused) as they are. When Stanley goes to school, his classmates tie him to a string and fly him like a kite until he gets stuck in a tree. Then Stanley realizes the advantage of his two-dimensional position and, for the price of a stamp, mails himself in a letter to California to visit a friend. 

From there he mails himself to Paris and poses as a painting in the Louvre next to Napoleon and Mona Lisa to catch a sneak thief, and then heads to Hawaii to star as a surfboard in a movie. In the end Stanley realizes that home is the best address but will he remain flat forever?

Directed and choreographed by Danny Meglio, the five talented cast members, playing multiple roles, put on a terrific show. The question on everyone’s mind was how a flat character would appear on stage but the clever costume does the trick.

The song and dance numbers are a delight to watch with special mention to Bishop’s solo “I Wish I Were … A Hero,” “The Funny Sunny Side,” “Talent'” with a great soft-shoe number and Hughes’ heartfelt solo, “Arthur’s Letter.” 

With the message to look for a little adventure in everything you do, this imaginative and clever show is flat-out fun. Meet, greet and sign autographs with the cast after the show in the lobby. An autograph page is conveniently located at the back of the program.

The John W. Engeman Theater, 250 Main St. Northport presents The Musical Adventures of Flat Stanley on Saturdays at 11 a.m. and Sundays at 10:30 a.m. through July 2 with a sensory friendly performance on June 10 at 11 a.m. Up next is Cinderella from July 22 to Aug. 27. All seats are $20. For more information or to order, call 631-261-2900 or visit www.engemantheater.com. 

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The cast of 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
A scene from 'Cinderella' at Theatre Three. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Heidi Sutton

Theatre Three closes its 2022-2023 children’s theater season with a most fitting choice, an original musical retelling of the  timeless fairytale Cinderella.

With book by Douglas Quattrock with Jeffrey Sanzel and music and lyrics by Quattrock, the rags-to-riches story combines Charles Perrault’s classic story with Mark Twain’s The Prince & the Pauper with lots of hilarious twists and turns along the way.

Charles Perrault (Steven Uihlein) serves as narrator as well as “squire to the sire” and transports audiences to the palace of King Charming (Jason Furnari) who wishes for his son Prince Charming (Sean Amato) to get married and take over the kingdom so he can retire. He decides to host a royal ball and invites all eligible maidens.

The squire delivers the invitations to the home of Cinderella (Danielle Pafundi) who is forced to cook and clean for her stepmother Lady Jaclyn (Louisa Bikowski) and stepsisters Gwendolyn (Kaitlyn Jehle) and Madeline (Samantha Fierro) and be at their beck and call. When Cinderella asks if she can go to the ball, her stepmother tells her she has to do all her chores first, including washing the cat (do they even have a cat?), but we all know how that turns out. 

Left behind while the meanies go to the ball, Cinderella is visited by her fairy godmother (“I don’t mean to be rude but where have you been?!”), Angelica (Heather Van Velsor), who uses her magic to whip up a beautiful dress and carriage and sends Cinderella on her way.

Meanwhile, the prince hatches a plan to switch places with the squire in hopes of meeting a girl who “really likes me for me.” Things go haywire at the ball, thanks to the spoiled stepsisters, and it ends before Cinderella can get there. When she finally arrives, Cinderella is greeted by a squire (the prince) who asks her to dance because “the band is paid till 1 a.m.” Will she  accept his invitation and waltz the night away? Will they live happily ever after?

Directed by Jeffrey Sanzel, the lively show is perfectly executed with a clever script and all of the wonderful scenes we have come to love overflowing with singing, dancing and lots of magic.

Each actor has his/her chance to shine with solos and duets. Accompanied on piano by Douglas J. Quattrock with choreography by Sari Feldman, the songs are sweet and endearing theawith special mention to “Hey There, Charming,” “Please, Mother, Please!” and “If the Shoe Fits,” “A Girl Like Me (and a Boy Like You)” and “Here in Your Arms.”

The costumes, designed by the uber-talented Jason Allyn, are exquisite, especially Cinderella’s dress which received gasps from the audience when it was first seen, and the lighting and special effects are simply magical.

If you’re looking for something to do with the kids this weekend, Theatre Three’s Cinderella fits the “shoe” perfectly. Costumes are encouraged. Meet the cast in the lobby after the show for a keepsake photo.

Theatre Three, 412 Main St., Port Jefferson presents Cinderella through June 17 with a sensory sensitive performance on June 4 at 11 a.m. All seats are $10. For more information or to order, call the box office at 631-928-9100 or visit www.theatrethree.com.

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Kara Vertucci stars as the rebellious Princess Ida in the Gilbert & Sullivan Light Opera Company of Long Island’s 2023 production of Gilbert & Sullivan’s Princess Ida. (Photo by NanMagna. Copyright 2023 The Gilbert & Sullivan Light Opera Company of Long Island.)

The battle of the sexes will break out into open warfare when the Gilbert & Sullivan Light Opera Company of Long Island brings its 2023 production of Gilbert & Sullivan’s classic Princess Ida to the Smithtown Performing Arts Center on Saturday, June 17, at 8 p.m.  The production will feature a 23-piece orchestra.

 Princess Ida—which debuted in 1884 at London’s Savoy opera, with book and lyrics by W.S. Gilbert and music by Arthur Sullivan—is a favorite with Gilbert & Sullivan aficionados, with its score in particular regarded as perhaps Sullivan’s greatest.  The current production is the Light Opera Company’s first since 2007.

More dramatic in tone than any other Gilbert & Sullivan work, c In the end the story boils down to whether the opera’s young people are doomed to grow into their parents, repeating all their mistakes, or if they can escape the machinations of their parents, move beyond hatred and violence, and forge a new future for themselves.

In the new production of the opera, Kara Vertucci of Lindenhurst plays Princess Ida and Joseph Anthony Smith of Freeport plays Prince Hilarion, with Chris Jurak of Brightwaters as King Gama and Ben Salers of Northport as King Hildebrand.  Lady Psyche is played by Patricia Gallagher of West Hempstead, and Lady Blanche by Terry Hochler of East Meadow, with Alyssa M. Mener of Massapequa Park as Melissa; Jordan Breslow of Bellmore plays Florian and Richard Risi of Locust Valley plays Cyril.  Ida’s brothers, the formidable Warriors Three, are played by Henry Horstmann of Lindenhurst (Arac), John Benvenuto of Floral Park (Guron) and Marc Eliot Stein of Brooklyn (Scynthius).  Tamara Shyngle of Brentwood plays Sacharissa, Claudia Arroyo of Port Washington is Chloe and Hanna Roth of Upper Brookville plays Ada.  The director is Gayden Wren, and the music director is Leonard Lehrman.

“Princess Ida is unlike any other Gilbert & Sullivan opera,” said Wren, a longtime member of the company and also the author of an acclaimed book about Gilbert & Sullivan.  “It’s Shakespearean in its scope, and its humor—which combines farce, slapstick, satire and burlesque—is in the service of a story of unique emotional power.  Ida and Hilarion are two sides of the same coin, young aristocrats who’ve been pawns in their fathers’ rivalry almost since they were born.  The story pits them as enemies, but as the opera progresses they begin to see something of themselves in each other, and to sense the outlines of a future different from the one they’ve always been told awaits them.

“Ultimately this is a story of generational conflict, of young people trying to get past the mistakes and hatreds of their parents, trying to forge a new world they might actually live in together,” Wren concluded.  “When people ask me what it’s about, I say it’s about a prince, a princess and an arranged marriage … but also about climate change, racial and ethnic rivalries, inequality, social justice and pretty much anything else that’s going on in the world today.  It’s funny, it’s beautiful, but there’s no Gilbert & Sullivan story that’s more directly relevant to the world of today.”

Princess Ida will be presented on Saturday, June 17, at 8 p.m. at the Smithtown Performing Arts Center, 2 East Main Street in Smithtown.  Admission is $30, seniors and students $25.  For further information, call (516) 619-7415 or visit www.gaslocoli.org.

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Nathan Lane and Robin Williams in a scene from 'The Birdcage'

By Tara Mae

Time to fly the coop and settle in at Theatre Three’s Second Stage for St. George Living History Productions’ next interactive talk, “The Making of The Birdcage.”  

On Tuesday, May 30, at 12:30 p.m., award-winning playwright and lecturer Sal St. George will guide the audience on a behind-the-scenes tour of the 1996 modern classic, with anecdotes, trivia, insights, and movie clips making cameo appearances. 

Featuring complimentary refreshments, cookies, and other treats as well as a Q&A session, “The Making of The Birdcage” invites its patrons to enjoy the presentation as an immersive experience. 

“It is LecturTainment at its best. It’s a combination lecture and entertainment package. My goal is to help you learn while you laugh, that is the magic I try to create,” said St. George.  

Starring Robin Williams and Nathan Lane, The Birdcage is an acclaimed American remake of La Cages aux Folles (1978). Directed by Mike Nichols, the film chronicles the comedic calamities that befall a gay cabaret owner and his drag queen partner as they try to impress the ultra conservative parents of their son’s fiancée. 

It launched the film career of Lane, renowned for his theater work, and solidified Williams’ chameleon-like ability to embody a variety of characters. Further spotlighted by its stacked roster of supporting actors, this film was a box office smash hit and remains a crowd-pleaser today.

“This was Nathan Lane’s first film. He and Robin Williams bonded immediately…This [cast] is a winning combination of talent,” said Sal St. George. “The Birdcage is a modern day classic that will be enjoyed 20 years, 50 years, and 100 years from now simply because it boasts a brilliant script, superb direction, and memorable performances.” 

Highlighting, exploring, and understanding such talent is a founding tenet of St. George Living History Productions, which provides a sort of showbiz curriculum about Hollywood of yore and yesterday, including lectures, events, and virtual tours of entertainment museums. 

“During our programs we never talk down to audiences; we are informative, educational and entertaining. I think that is what is appealing to them,” added St. George, who runs St. George Living History Productions with his wife Mary, son Darren and daughter-in-law Cassandra.

Such care and consideration is in part what inspired the collaboration between the production company and Theatre Three, which was conceptualized when Darren reached out to Executive Artistic Director Jeffrey Sanzel. 

“Sal’s events are so incredibly well-curated. His translation of detailed research into engaging entertainment is unique. He has a way of finding new takes on any topic he selects,” Sanzel said. “We hope this is the first of many events like this with St. George Productions.”

Although this latest installment of St. George’s lecture series is the first partnership with Theatre Three, St. George and Sanzel have previously collaborated on other projects, including earlier incarnations of Port Jefferson’s annual Charles Dickens Festival. 

“I have lectured from Long Island to San Diego; it was time to bring my programs to the patrons of Theatre Three and the Port Jefferson community,” said St. George.

Theatre Three is located at 412 Main St., Port Jefferson. Tickets for “The Making of Birdcage” are $25 for adults, $22 for seniors and veterans, and $20 for groups of eight or more people. To order, call 631-928-9100 or visit www.theatrethree.com. Group sales may be made by emailing [email protected]. 

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A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater
A scene from 'The Sound of Music'. Photo courtesy of The John W. Engeman Theater

By Julianne Mosher

The stage at the John W. Engeman Theater in Northport turns into 1930s Austria with its latest production of The Sound of Music and it will have everyone in the audience feel all the emotions.

Based on the real Von Trapp family, and the real events they endured when the Nazi’s invaded their hometown of Austria at the start of World War II, the cast and crew of the latest local production does the original Tony Award-winning show justice with a fantastic lineup of talented actors.

Directed by Drew Humphrey, the show starts off with the Nuns of Nonnberg Abbey ensemble who sing a haunting, and beautiful Preludium hymm with a stellar performance by Cáitlin Burke who plays the Mother Abbess. The set quickly changes from the church courthouse to the rolling blue and purple hills, where our favorite nun-turned-nanny, Maria Rainer (played by Kayleen Seidl), sings the famous classic, “The Sound of Music.”

Made famous by the Oscar-winning 1965 remake of the original Broadway show that starred Julie Andrews and Christopher Plummer, the audience follows the curious and rebellious Maria as she leaves the Abbey to help a widowed father take care of his seven children. In the Von Trapp home, Maria teaches Louisa, Kurt, Liesl, Friedrich, Brigitta, Marta and little Gretl “My Favorite Things” and “Do-Re-Mi,” which had the audience singing along in their seats. 

Seidl’s performance of Maria made the audience fall in love with her just as Naval Captain Georg Von Trapp (played by Tim Rogan) and his children eventually do throughout the show. But what also received a standing ovation during last Friday’s show was the performance of those children who rehearsed for weeks after school and their extra curriculars to share the spotlight with some of the most talented actors the industry has to offer. Of that performance, Kayla Kennedy (Brigitta), Laura Park (the mature and almost-17-Liesl), and Micaela Maio, who played little Gretl, were standout stars.

Choreographed by Mandy Modic, the musical number of “Sixteen Going on Seventeen” featuring Park and her Rolf Gruber (played by understudy Max Desantis) was playful and impressive using props from the villa’s courtyard to assist them dance around during their flirtatious banter. The set design was able to quickly change with ease, turning from a church, to the mountains, to the Von Trapp living room and bedrooms, to the outside courtyard where the two teenagers would sneak out to.

And we cannot forget other members of the cast, like Matthew Bryan Feld (Max Detweiler) and Angel Reda (as Elsa Schraeder) who were also lovable … even if they didn’t agree with the captain’s politics and played more selfish parts. Reda, who alone has a long resume of national and regional shows, just finished her latest stint with Chicago on Broadway. 

While The Sound of Music may not be the happiest of stories, the cast and crew at the Engeman Theater does the show right with a fantastic lineup to match an amazing score that is fit for anyone, any age, or whether they are 16 going on 17.

The John W. Engeman Theater, 250 Main St., Northport presents The Sound of Music through July 2. Shows are at 8 p.m. on Thursdays and Fridays, 3 p.m. and 8 p.m. on Saturdays, and 2 p.m. on Sundays. Tickets are $85 for Saturday performances and $80 for all others showings, and can be purchased by calling 631-261-2900 or online at www.engemantheater.com.

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Ryan Nolin and Andrew Boza in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Jim Sluder and Ruan Nolin in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Jae Hughes and Company in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Andrew Boza and Ryan Nolin in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Ryan Nolin and Dennis Settudacati and Company in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Evan Teich as Shakespeare in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Dennis Setteducati and Ryan Nolin in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Andrew Boza and Danielle Pafundi in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Andrew Boza and Ryan Nolin in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Evan Teich and Company in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
Andrew Boza and Ryan Nolin in a scene from 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.
The cast of 'Something Rotten!' Photo by Ana McCasland/Theatre Three Productions, Inc.

By Rita J. Egan

It was Theatre Three’s opening night of Something Rotten! on Saturday, May 20, and the audience was treated to an entertaining and energetic night full of laughter.

With book by John O’Farrell and Karey Kirkpatrick and music and lyrics by Karey and Wayne Kirkpatrick, Something Rotten! takes audience members back in time to the late 16th century where William Shakespeare is so adored that he’s treated like a modern-day rock star. Struggling writers Nick and Nigel Bottom, who head up a theater troupe, dream of the same success but can’t seem to create a play that will capture people’s attention until Nick consults with a soothsayer named Nostradamus. 

The soothsayer looks into the future and finds that something called a musical will be popular one day. A later encounter finds Nick asking Nostradamus what Shakespeare’s future successes will be so that the Bottom brothers can use the ideas in the present. The result is Nick creating Omelette: The Musical despite his brother’s objections.

The Broadway musical opened on the Great White Way in 2015 and ran until early 2017. The production was nominated for 10 Tony Awards, including Best Musical, and Christian Borle won the Best Featured Actor in a Musical award for his portrayal of William Shakespeare. 

Theatre Three’s Something Rotten! proves that there are no small parts as well as the importance of talented actors in each role, including the ensemble. Throughout the musical, it was apparent that everyone involved was giving it their all, creating a night of sensational entertainment. Director Jeffrey Sanzel has chosen a talented cast and masterfully directs the more than two dozen actors.

The production is filled with a few upbeat tunes, but the showstopping number is “A Musical.” Featured in Act I, the whole cast appears on stage singing and dancing. The number cleverly pokes fun at musicals and includes nods to Les Miserables, Annie, A Chorus Line and more. At the end of the song, the applause on opening night seemed to go on for more than a minute, and rightfully so, as each and every person involved in Something Rotten! deserved the accolades.

Heading up the cast is Ryan Nolin, a convincing Nick Bottom at the end of his rope trying to provide for his family and create a hit. He and Dennis Setteducati, who plays Nostradamus, sound fantastic on their leads during “A Musical” and play up the clever lines to the hilt.

Andrew Boza, as the naive Nigel Bottom, captures the sweetness of the young poet and writer. He and Danielle Pafundi, delightful as Portia, are the perfect match to play star-crossed lovers, especially during the song “I Love the Way.”

Christine Boehm as Nick’s wife, Bea, is a treat to watch as the character has her mind set on proving, even with mishaps, that a woman is more than capable of doing whatever a man does. Her rendition of “Right Hand Man” is also a highlight of the show.

Evan Teich, as Shakespeare, captures the cockiness of the celebrated star while still delivering the right amount of silliness. Jim Sluder as Brother Jeremiah and Angelo DiBiase as Shylock seamlessly add to the jokes and hijinks.

Choreographers Sari Feldman and Josie McSwane have created high-energy dances. The cast members look like they are having so much fun that audience members may want to join them onstage. The use of tap dancing and a kickline in “A Musical,” as well as a few other numbers, is absolutely delightful.

Theatre Three’s orchestra led by Jeffrey Hoffman sounded fantastic as always, and the costumes by Chakira Doherty perfectly captured the time period.

During the song “A Musical,” the line “What could be more amazing than a musical with song and dance and sweet romance,” is sung. The cast and crew of Theatre Three’s Something Rotten! understand this and embrace every aspect of this genre. Audience members on opening night enjoyed a fun evening out on the town, and the standing ovation at the end of the production was well deserved.

Theatre Three, 412 Main St., Port Jefferson presents Something Rotten! through June 24. Tickets are $35, $28 seniors and students, $20 children ages 5 to 12. For tickets or more information, call 631-928-9100 or visit www.theatrethree.com.

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The cast of 'The Comedy of Errors' Photo by Julianne Mosher/TBR News Media

By Julianne Mosher

The theater department at Suffolk County Community College’s Ammerman campus does not disappoint with their latest production of William Shakespeare’s The Comedy of Errors.

A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media

This classic slapstick comedy follows two sets of identical twins who were separated as infants during a storm at sea. Set in the Greek city of Ephesus, we meet a merchant named Aegeon, played by SCCC student Stefan Pallotta, who’s monologue tells the audience of his arrest and the tale of the shipwreck that separated his family — his twin sons, both named Antipholus, his wife, Amelia, and two twin servant boys, both named Dromio. 

Eighteen years later, Aegeon allows his son and servant to travel to Ephesus to search for their long-lost twins but they too disappear. Now, Aegeon has come to the city to find them, but is arrested due to the animosity between the citizens of Ephesus and Syracuse (where the merchant is from). Pallotta’s early monologue is not an easy one to remember,but he does so impressively. 

Later on, we meet Antipholus (of Syracuse) played by Cara Macedonio along with servant Dromio played by Meredith Reed. When the two Syracuse-ians are off and about, we meet their long-lost brothers, Antipholus of Ephesus, played by Kayla Bruno, and his Dromio played by Jerry Ewald. 

A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media

The cast does a great job getting into their characters. Not only did they have to learn the rhymes of Shakespeare and ye-old language, but they also have to convince the audience of who they were — and they were funny! The performances of the two Dromio’s had the audience laughing during their performance last Saturday night. While Shakespeare might be hard to understand, the actors made the whole show completely coherent.

But we mustn’t forget the leading ladies of the show — Antipholus of Ephesus’s wife, Adriana, played by Madison Dodge, and her lovable sister Luciana, played by Kayla Pisano. While the two characters are completely different in personality, both Dodge and Pisano shine during their scenes. 

Adriana, the tougher of the two, proves herself with her wit and no-nonsense attitude when faced with her “husband” acting oddly (surprise, it was the wrong Antipholus she was inviting to dinner). Then Luciana, the beauty who unintendedly seduces her “brother-in-law” will have you roar when you see the interaction between her and Antipholus of Syracuse.

But that’s just the beginning. For an hour-and-a-half, you’ll see the two sets of twins unknowingly interact with each other on several occasions that will make your skin curl with embarrassment for what is going on, but also laugh out loud.

A scene from ‘The Comedy of Errors’ Photo by Julianne Mosher/TBR News Media

Other standout performances include Brooke Morabito as Luce, the greasy kitchen wench, the alcoholic officer played by Malachai Casanova, Duke Solinus portrayed by Krystyna Plesnik, Hailey Wenke’s Amelia/Courtesan and Gabriel Patrascu’s Pinch/Angelo.

However, the show would not have been complete without the fantastic set design and costumes which really set the tone of the show. 

Director Steve Marsh said that he wanted to bring a bit of an edge to the show, which has been known as a slapstick comedy for centuries. While it was filled with humor, it had the underlying, more somber, tone of what a trade war and immigration can do to a community which made it almost more real. 

“The program here at Suffolk and the students are so fantastic,” Marsh said. “I’ve been coming here for over 40 years — this is where I saw my first show and what got me interested in acting.”

Suffolk County Community College, 533 College Road, Selden presents The Comedy of Errors at the Shea Theatre inside the Islip Arts Building on April 21 and 22 at 7:30 p.m. and April 23 at 2 p.m. General admission is $15. Veterans and students 16 years of age or younger is $10. Suffolk students with current ID receive two free tickets. To order, visit sunysuffolk.edu/spotlight or call 631-451-4163.

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The cast of Pride @ Prejudice, clockwise from top left, David DiMarzo, Christine Boehm, Andrew Murano, Michelle LaBozzetta and Ashley Brooke. Photo by Steven Uihlein/Theatre Three
Andrew Murano and Ashley Brooke in a scene from 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
Andrew Murano in a scene from 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
Ashley Brook and Andrew Murano in a scene from 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
Dvid DiMarzo and Ashley Brook. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
A scene form 'Pride @ Prejudice'. Photo by Steven Uihlein/Theatre Three
The cast of Pride @ Prejudice, clockwise from top left, David DiMarzo, Christine Boehm, Andrew Murano, Michelle LaBozzetta and Ashley Brooke. Photo by Steven Uihlein/Theatre Three

By Julianne Mosher

You don’t have to be an avid reader of the classics to appreciate Theatre Three’s latest offering. The main stage production of Daniel Elihu Kramer’s Pride @ Prejudice is a mix of a telling of the 19th century novel written by Jane Austen and a clever modernization of the 1813 classic that explains the book with humor and wit. 

The story is of Miss Elizabeth Bennet and Mr. Darcy who fall in love all over again — this time filtered through the world of the internet. Modern voices interject and build on this classic love story in the form of blog posts, chat room discussions, quotes from film adaptations, and even letters from Jane Austen herself to create a delightfully postmodern view of 19th century England. 

Directed by Jeffrey Sanzel, the show opened on April 7 to a full house. While the cast is small (just five people) each of their personalities are big. Most of the actors play at least two characters who go between present-day and the book’s settings of Netherfield Park and Longbourn.

And each performer had the audience laughing. Christine Boehm (who plays Elizabeth Bennet) plays the protagonist well, leading with poise but also leads some laughs. Throughout the play, the actors make several references to the culture behind Pride and Prejudice, poking fun at the three major film adaptations (and a miniseries starring Colin Firth in the 90s).

Ashley Brooke’s rendition of the eccentric and dramatic Mrs. Bennet (who’s trying to marry off all five of the daughters —yes, there are five) is hysterical. Michelle LaBozzetta was able to switch between different characters with ease, including Jane Bennet, Caroline Bingley and as Jane Austen — which was another interesting part of the show.

While deconstructing certain scenes, the actors would recite real letters that Jane Austen wrote to her sister during her lifetime, noting how her personal life impacted the books she was writing. Not only was the play entertaining, but for people who didn’t know much about the author, you were able to get a bit of history, as well.

Andrew Murano played seven people and also did so skillfully. Each one varied — he played a doctor, a footman, Mr. Bennet, Mr. Bingley, Sir William, Mr. Wickham, Mr. Gardiner and Colonel Fitzwilliam —and when appropriate, he played them with humor. 

David DiMarzo, who is new to Theatre Three, played the charming and desirable Mr. Darcy, as well as Mr. Collins, and showed us that he needs to stay. His ability to play the dreamy love interest of Lizzie, but also the snobbish Collins was impressive to say the least. 

And if that sounds confusing to you, it might seem that way, but the performance on stage explains it better. While all five are in 19th century costumes, they do a great job of expressing themselves through their facial expressions and body language. They certainly give it their all. 

The set allows the audience to use their imagination. Three sets of doors are toward the back of the stage and is utilized often to show transitions between the settings and time periods. What’s also interesting is the use of a projector at the top of the stage that shows images of the houses they are currently in, or websites where “Pride and Prejudice” merch is on sale (it’s a joke).

Some jokes might go over your head if you didn’t read the book — so a quick read of a summary or even a refresher of the whole novel could definitely help — but it’s still enjoyable for those looking for a fun night out as this show was definitely not an easy production. Regardless of your knowledge of 19th century literature, this show is one for the books. 

Pride @ Prejudice is playing at Theatre Three, located at 412 Main Street in Port Jefferson, until May 6. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. Wednesday matinees are $20. For more information or to order, contact the box office at 631-928-9100 or visit www.theatrethree.com.

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Liam Marsigliano, Alanna Rose Henriquez, Steven Uihlein and Sean Amato in a scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Samantha Fierro, Danielle Pafundi, Courtney Gilmore and Elizabeth Ladd. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Elizabeth Ladd and Sean Amato in a scene from 'The Adventures of Peter Rabbit'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Flopsy, Mopsy and Cotton-Tail -Samantha Fierro, Danielle Pafundi and Courtney Gilmore. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
The McGregor's - Liam Marsigliano and Alanna Rose Henriquez. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
Benjamin Bunny (Steven Uihlein) and Peter Rabbit (Sean Amato) in a scene from the show. Photo by Peter Lanscombe/Theatre Three Productions, Inc.
The cast of Theatre Three's 'The Adventures of Peter Rabbit'. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

By Heidi Sutton

You know its officially Spring when Peter Rabbit, Benjamin Bunny, Flopsy, Mopsy, Cotton-Tail, Mrs. Rabbit and the McGregors arrive at Theatre Three in Port Jefferson for The Adventures of Peter Rabbit. The  adorable show opened last week for spring break and runs through April 29.

Written by Jeffrey Sanzel and the late Brent Erlanson, the original musical is loosely based on one of the best-selling books of all time, The Tale of Peter Rabbit by Beatrix Potter, and features all of the beloved characters in the story.

The audience is whisked away to the countryside home of Mrs. Rabbit and her four bunnies who live next to Mr. and Mrs. McGregor who spend the day tending to their pride and joy — their garden. 

While Flopsy, Mopsy and Cotton-Tail listen to their mother by staying inside and doing their chores, Peter Rabbit and his cousin Benjamin Bunny sneak out to steal from their neighbor’s garden again and again to satisfy their insatiable appetite for lettuce, tomatoes, cucumbers, parsley and string beans. The constant marauding finally wears the farmer’s patience thin and he plots his revenge.

Directed by Steven Uihlein, the cast of 8 is excellent and exemplifies the magic of live theater. Sean Amato and Steven Uihlein take on the characters of Peter and Benjamin, two comedic roles that provide quite a workout as they run through the theater to escape the “mean as a bear” farmer.

Samantha Fierro, Danielle Pafundi and Courtney Gilmore as Flopsy, Mopsy and Cotton-Tail spend most of their time looking for their wayward brother so he won’t get in trouble by their patient mother (Elizabeth Ladd) and often ask the audience if they have seen him. (“He’s right behind you!”)

Peter and Benjamin seem to be especially naughty and persistent this year and audiences will sympathize with the McGregors, wonderfully played by Liam Marsigliano and Alanna Rose Henriquez. 

With choreography by Sari Feldman, the musical numbers, accompanied on piano by Douglas Quattrock, are terrific, with special mention to “One More Time Around,”  “Run, Peter, Run!” and the hip hop number, “Peter’s Socks.” The final number incorporates all of the songs in a super mega-mix extravaganza.

In a brilliant move, the show takes advantage of the three sets of doors from the current mainstage production, Pride @ Prejudice, which, when opened, always reveals a surprise. Costumes by Jason Allyn are absolutely charming and wait until you see the lighting and special effects!

Souvenir bunnies in various colors will be sold before the show and during intermission and the entire cast will be in the lobby after the show for a meet-and-greet and photos.

Theatre Three, 412 Main St. Port Jefferson presents The Adventures of Peter Rabbit through April 29 with a special sensory sensitive performance on April 16 at 11 a.m. Children’s theater continues with Cinderella from May 27 to June 1, and Goldilocks & the Showbiz Bears from July 7 to 29. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com. 

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Finn Brown as JoJo and Jae Hughes as the Cat in the Hat in a scene from the show. Photo from The John W. Engeman Theater
Finn Brown as JoJo and Jae Hughes at the Cat in the Hat perform 'It's Possible'. Photo from The John W. Engeman Theater
Horton the Elephant (Patrick McCowen) and the Sour Kangaroo (Suzanne Mason). Photo from The John W. Engeman Theater
The Wickersham Brothers - Justin Autz and Terrence Sheldon. Photo from The John W. Engeman Theater
Horton the Elephant (Patrick McCowen) and Mayzie (Jillian Sharpe). Photo from The John W. Engeman Theater
Horton the Elephant (Patrick McCowen) and the Cat in the Hat (Jae Hughes). Photo from The John W. Engeman Theater
Horton the Elephant (Patrick McCowen) and the Cat in the Hat (Jae Hughes). Photo from The John W. Engeman Theater
Horton the Elephant (Patrick McCowen) and the Cat in the Hat (Jae Hughes). Photo from The John W. Engeman Theater
Bird Girls (Jessica Mae Murphy, Michelle Shapiro and Rachel Zulawski). Photo from The John W. Engeman Theater Mayzie (Jillian Sharpe) and Gertrude McFuzz (Michaela Vivona)
Jillian Sharpe as Mayzie. Photo from The John W. Engeman Theater
Michaela Vivona as Gertrude McFuzz sings 'All for You' to Horton the Elephant (Patrick McCowen). Photo from The John W. Engeman Theater
The cast of 'Seussical the Musical'. Photo from The John W. Engeman Theater
‘Oh the thinks you can think … when you think about Seuss!’

By Heidi Sutton

Families with young children packed into the Engeman Theater last Saturday morning to witness a most beautiful tribute to the imaginative world of Theodor Seuss Geisel aka Dr. Seuss in Seussical the Musical. The children book author’s favorite characters come to life in this colorful and magical show, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, Mayzie La Bird and JoJo, a little boy with a big imagination.

Written in 2000 by Tony winners Lynn Ahrens and Stephen Flaherty, the musical is now one of the most performed shows in the United States and it’s easy to see why. A trip down memory lane for many generations, it is based primarily on the Dr. Seuss children books, “Horton Hears a Who,” “Horton Hatches an Egg” and “Gertrude McFuzz,” but also incorporates references to other Dr. Seuss stories including “McElligot’s Pool” and “Oh the Thinks You Can Think!”

Directed by Andrew McCluskey with choreography by Jillian Sharpe, the colorful cast of characters transport the audience from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos. The Cat in the Hat (Jae Hughes) guides us through the magical journey with the help of Jojo the Mayor’s son (Finn Brown at last Saturday’s performance), who occasionally jumps into the scene when warranted.

The show opens as Horton the Elephant (Patrick McCowen) hears a cry for help and discovers a floating speck of dust containing the town of Whoville. After safely placing it on a clover flower, Horton is tricked into sitting on lazy Mayzie La Bird’s (Jillian Sharpe) egg for 51 weeks, is captured by hunters and eventually sold to the circus. When he is finally rescued by Gertrude McFuzz (Michaela Vivona), he is put on trial by Sour Kangaroo (Suzanne Mason) for “sitting on an egg and talking to a speck.” Will the faithful pachyderm be exonerated or will he be sentenced to a mental institution by Judge Yertle the Turtle?

The fast-paced show keeps the young audience wide-eyed and on the edge of their seats. One of the most exciting scenes is when the Wickersham Brothers (Justin Autz and Terrence Sheldon) steal the clover and are chased through the theater by Horton. The dance numbers are terrific with special props and audience participation is encouraged as Horton and Mayzie’s egg are auctioned off to the highest bidder. 

The incredible songs are the heart of the show, from the fun intro “Oh, The Thinks You Can Think!” to the sweet “Horton Hears a Who” (where a person’s a person no matter how small), the enduring “Notice Me Horton,” and a personal favorite, “It’s Possible.” Horton and Jojo’s duet, “Alone in the Universe,” will give you goosebumps and the group’s upbeat finale is a fitting rendition of “Green Eggs and Ham.” 

Costumes and wigs by Laura McGauley along with the cartoonish set mimic the original Seuss illustrations perfectly.

In the end, the show leaves us with the inspiring message that anything is possible when you let your imagination fly. Don’t miss this one.

Pick up a clover-shaped flashlight souvenir before the show and stay after for a meet and greet with the cast in the lobby for photos and autographs. An autograph page is conveniently located at the back of the program.

The John W. Engeman Theater, 250 Main St., Northport presents Seussical the Musical on Saturdays at 11 a.m. and Sundays at 10:30 a.m. through April 30 with a special sensory sensitive performance on April 15. Up next is The Musical Adventures of Flat Stanley from May 27 to July 2. All seats are $20. To order, call 631-261-2900 or visit www.engemantheater.com.

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