By Rita J. Egan

In the early 1970s, a new genre of music came out of the Bronx called hip-hop. Through the years, the music’s popularity grew and among the hip-hop artists were Long Islanders. On Sunday, June 11, to celebrate the 50th anniversary of the genre and those local entertainers, the Long Island Music and Entertainment Hall of Fame in Stony Brook will host a special concert along with a discussion panel featuring several artists who began their careers in Suffolk, Nassau, Queens and Brooklyn.

Members of Son of Bazerk, Kool Rock-Ski (of The Fat Boys), DJ Jazzy Jay and DJ Johnny Juice Rosado (of Public Enemy) are scheduled to perform. A panel discussion will also take place with Rosado, AJ Rok (of JVC Force), Dinco D and Milo in de Dance (both of Leaders of the New School), and special guest Ralph McDaniels (of Video Music Box). In addition to the performances and Q&A, the hall of fame will unveil a statue of hip-hop artist and actor LL Cool J and induct The Fat Boys.

Tom Needham, LIMEHOF vice chairman, said the event aligns with the organization’s ultimate goal to represent and present different types of music. He added there is so much talent in the area, including hip-hop artists, some who have already been inducted into the local hall of fame.

“I think a lot of people, when they think of music on Long Island, simply think of Billy Joel, but there are so many hip-hop artists who lived here, who made music here,” Needham said. “I think sometimes the average Long Island resident just doesn’t even know it.”

Rosado, who has been involved with LIMEHOF since its early days and was inducted with Public Enemy in 2008, said the idea to include the panel came from a tour he took part in during 2012. He and his fellow artists came up with the idea to have a press conference with a panel before shows. He said he feels concerts should have some kind of context and a Q&A helps to provide that.

“I think that it’s important, especially with something like this, a museum and a hall of fame, to kind of know the artists, what they’re about, and why Long Island was such an incredible incubator for these types of acts,” he said.

The event will give several entertainers the opportunity to visit the venue for the first time, including AJ Woodson, a.k.a. AJ Rok from JVC Force. Now the editor-in-chief of Black Westchester Magazine, Woodson said he was happy to hear about the event from Rosado.

“Long Island rap needs to be celebrated more, and it doesn’t get celebrated the way it should, but it was a very strong region as far as it had a lot of contributions to hip-hop,” the journalist said.

A bit of history

Rosado, in addition to being part of Public Enemy, whose “Fight the Power” was featured in the 1989 movie “Do The Right Thing,” has worked with various artists and composed film scores. He remembers the early days of hip-hop as being similar to jazz’s trajectory.

“A lot of it wasn’t accepted by the established greats of the time or what have you, and because of that, it was a hard time trying to get it launched,” he said. “But, along the way, there were some breakthrough moments like when Run DMC did ‘Walk This Way.’”

The 1986 hit was a cover of Aerosmith’s 1975 song, and the hip-hop version did better on the charts than the original. Rosado added that many artists, such as Aerosmith, had a resurgence when hip-hop artists would sample classics.

Woodson said hip-hop started out as a way to express oneself and now it has touched “every form of entertainment at this point.”

As for Long Island artists, Needham said in the early days of hip-hop, many, during interviews, were made to feel as if they had to say they were from New York City.

“It was actually a thing in the record companies,” he said. “Their strategy years ago was — if somebody was from Long Island — they would kind of rewrite their history slightly and make it sound like they were from New York City. They didn’t think it was cool to say they were from Long Island with a lot of different artists, not just hip-hop.”

During the June 11 panel, attendees can find out how many of these entertainers first formed their groups.

Woodson said he moved from Mount Vernon to Central Islip when he was 7. After his parents divorced and his father moved back to Mount Vernon, Woodson decided to attend high school there. He would visit Central Islip often and, after graduation, was back on Long Island. One day his neighbors told him about William Taylor (B-Luv) and Curtis Andre Small (DJ Curt Cazal), who were young DJs starting out, and a friend told him about a party they were having. When he attended, a friend asked if Woodson could have a mic.

“Me and B-Luv were on the mic and going back and forth,” he said. “Not really a battle but we were going back and forth, exchanging rhymes and everybody talked about how great we sounded.” The party was a turning point in Woodson’s life as he joined the group and soon after they were making demos. JVC Force is responsible for the song “Strong Island” in 1988, which sampled Chuck D from Public Enemy saying the phrase on Adelphi University’s radio station. The song helped drive home the fact there were hip-hop artists from Long Island, including Public Enemy and Erik B. and Rakim.

Cassandra Jackson, also known as ½ Pint from Son of Bazerk, will be performing on June 11 with her fellow group members Tony Allen “Bazerk” and Gary Pep Stanton “Daddy Rawe” as well as DJ Johnny Juice. The performance will be in memory of Son of Bazerk member Jeff “Almighty Jahwell” Height who passed away a few months ago.

Jackson’s musical journey began in Freeport. She said before her sophomore year of college, she and her friends were playing basketball at the park and “thrash talking” when someone approached her and said, “Sounds like you can make records.” While she was surprised someone would approach her on a basketball court and say that, she gave him her number and he met with her grandparents. It turned out to be Hank Shocklee, a member of the producing team The Bomb Squad, and he introduced her to Townhouse 3, which eventually became Son of Bazerk. She said she remembered the guys growing up in Freeport.

Becoming part of the group and performing she said “was so surreal for me.”

“It was the epitome of what it was to be hip-hop,” she said. “Banging on the tables in the lunch room, back of the bus rhyming, those things, and then to be able to actually go into a studio and do those things that I’ve practiced with my friends and then to actually be on stage to convey those things and perform.”

Jackson said preserving the history of hip-hop is important. She is still making music and working on a documentary. An administrator of the Alternative Learning Academy with Roosevelt High School, Jackson runs an alternative program where she incorporates hip-hop into the curriculum. “More than just the music, hip-hop stands on the shoulders of movements before, and the music is a way to express that — how we feel and who we are and what we’re trying to convey.”

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The 50th anniversary of hip-hop concert and panel discussion event will be held on Sunday, June 11 at 2 p.m. at the Long Island Music & Entertainment Hall of Fame, 97 Main Street, Stony Brook. The event is free with admission ($19.50 for adults, $17 for seniors and veterans, and $15 for students with ID). For more information, call 631-689-5888 or visit www.limusichalloffame.org.