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Photo courtesy of Whaling Museum of Cold Spring Harbor
Photo courtesy of Whaling Museum of Cold Spring Harbor
Photo courtesy of Whaling Museum of Cold Spring Harbor
Photo courtesy of Whaling Museum of Cold Spring Harbor
Whales, Ales, and Salty Tales becomes Whales, Ales, and BRINY Tales!

The Whaling Museum, 301 Main St., Cold Spring Harbor announces the broadening of its classic event, Whales, Ales, and Salty Tales, now presented as Whales, Ales, and BRINY Tales! This year, the event introduces an exciting new feature: Pickles! Adults aged 21 and over are invited to this immersive indoor/outdoor experience on Sunday, June 1 from 2 to 5 p.m. at The Whaling Museum.

“We are thrilled to unveil the next chapter of our well-received, annual event,” said Nomi Dayan, Executive Director, The Whaling Museum & Education Center. “After offering new pickle-themed programs a few months ago which sold out, we realized Long Island has a crowd interested in flavorful experiences. We are excited to hybridize tastings of pickles with craft beer offerings – a tasty combination that provides a lively backdrop for historical discussions about life at sea.”

The museum’s plaza will be transformed into a hub of activity, showcasing craft brews from local breweries such as Jones Beach Brewing Company, Secatogue Brewery, Take Two Brewery, Threes Brewery, and more to come. Horman’s Best Pickles will offer pickle samples, along with the option to purchase pickles on sticks. For the adventurous, one brewer will even offer samples of pickle- flavored beer. The event will be further enriched by live sea chanteys performed by Scuttlebutt Stu, providing a lively maritime soundtrack guests can sing along to.

Inside the museum, attendees can expand their knowledge through informative talks on pickles and preservation on whaling ships. Creative minds can participate in designing scrimshaw-style keychains or select the box option for a unique keepsake. The “Tales of the Tavern” adult scavenger hunt will offer a fun and educational experience for interacting with the museum’s exhibits through QR codes and a booklet of clues.

To commemorate this special occasion, the first 150 attendees will receive a commemorative tasting cup sponsored by Mercedes of Huntington, adding a collectible element to their experience. Tickets are available for purchase online at $40, $30 for members or at the door for $45, $35 for members. Designated driver tickets are also available for $15. Event t-shirts will also be available for purchase and are sponsored by local marina, H&M Powles.

“This event has evolved over the course of 10 years, beginning as a quaint tasting event inside the museum to a tented affair featuring new vendors and activities,” said Gina Van Bell, Assistant Director at The Whaling Museum & Education Center. “We are thrilled to see the ongoing excitement from guests, sponsors, and brewers who have supported the event year after year. We are eager to continue expanding the event, connecting the community with our maritime heritage through creative and delicious experiences.”

Tickets are on sale now. For more information and to purchase tickets, visit cshwhalingmuseum.org/ales.

 

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Heckscher Museum of Art

The Museum will offer free admission courtesy of Bank of America into 2025

Continuing the legacy of founders August and Anna Heckscher, The Heckscher Museum of Art, 2 Prime Ave., Huntington has provided the community with free access to its exhibitions, with suggested donations, since reopening its doors after the peak of the pandemic. A grant from Bank of America will allow The Heckscher Museum of Art to offer free admission into 2025, and welcome more visitors and families to enjoy art and community.

“We are grateful to Bank of America for its generosity and partnership,” said Heather Arnet Executive Director & CEO. “Founders Anna and August Heckscher envisioned a thriving ‘museum for all’. This grant will allow the Museum to continue that important mission and ensure that cost will not be a barrier for any individual or family to view the Museum’s fine art collection and exhibitions.”  

The Heckscher Museum was founded in 1920 as a space for the people of Huntington, especially the children, to enjoy free access to world-class art. Throughout the last century, The Heckscher Museum has worked to maintain that legacy through key partnerships and fundraising efforts. These efforts have helped sustain the museum’s quality arts education and outreach programs, caretaking of the permanent collection, and the organization and presentation of renowned art exhibitions.

A supporter of Long Island’s vibrant arts scene and cultural institutions, Bank of America is dedicated to fostering greater cultural understanding through the arts. Providing and expanding access to museums and the arts is critical for enriching local communities and driving social progress. The $25,000 grant will ensure that more visitors will be able to experience The Heckscher Museum’s exhibitions free of charge.

“Making Long Island’s flourishing arts community and cultural institutions accessible to locals and visitors alike has the power to create long-lasting, positive change in our communities,” said Marc Perez, president, Bank of America Long Island. “In partnership with The Heckscher Museum of Art, we look forward to ensuring that access to the museum’s dynamic exhibitions and permanent collection is free to the public.”

August and Anna Heckscher donated the Museum building and original collection of 185 works of art in 1920 to benefit the citizens of Huntington. In his dedication speech, Mr. Heckscher stated that Huntington was to be “one of the few places in the United States outside of the large cities [that] possess galleries of such extent and importance.” He intended this gift to be “especially for the children.” 

About The Heckscher Museum  

The Heckscher Museum of Art is in its second century as a source of art and inspiration on Long Island. Founded by philanthropists Anna and August Heckscher in 1920, the Museum’s collection comprises more than 2,300 works from the 16th to the 21st century, including European and American painting, sculpture, works on paper, and photography. Located in scenic Heckscher Park in Huntington, the building is listed on the National Register of Historic Places. Visit Heckscher.org for more information. Heckscher.org

About Bank of America

Bank of America is one of the world’s leading financial institutions, serving individual consumers, small and middle-market businesses and large corporations with a full range of banking, investing, asset management and other financial and risk management products and services. The company provides unmatched convenience in the United States, serving approximately 69 million consumer and small business clients with approximately 3,800 retail financial centers, approximately 15,000 ATMs (automated teller machines) and award-winning digital banking with approximately 57 million verified digital users. Bank of America is a global leader in wealth management, corporate and investment banking and trading across a broad range of asset classes, serving corporations, governments, institutions and individuals around the world. Bank of America offers industry-leading support to approximately 4 million small business households through a suite of innovative, easy-to-use online products and services. The company serves clients through operations across the United States, its territories and more than 35 countries. Bank of America Corporation stock is listed on the New York Stock Exchange (NYSE: BAC). For more Bank of America news, including dividend announcements and other important information, visit the Bank of America newsroom and register for news email alerts.

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Stephen Schwartz, center, poses with the Broadway talent and LIMEHOF board of directors. Photo by Steve Leung

Broadway came to Long Island recently as a range of vocalists from the “Great White Way” and musicians gathered to honor and induct award-winning Broadway and movie lyricist and composer Stephen Schwartz (“Wicked,” “Godspell,” “Pippin,” “Pocahontas,” “The Hunchback of Notre Dame,” “The Prince of Egypt,” and the new movie adaptation of “Wicked,” among other titles) into the Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook on March 23.

The award presentation was preceded by an hour-and-a-half concert emceed by musician Paul Shaffer, which featured performances from Schwartz’ musicals.

Musician Paul Shaffer officially inducts and hands off the award trophy to Steven Schwartz. Photo by Steve Leung

Although well-known on Broadway and Manhattan, Schwartz has solid Long Island roots, having grown up in Williston Park and graduated from Mineola High School. With a career that includes winning four Grammy Awards, three Academy Awards, and numerous other accolades, Schwartz says that being recognized on Long Island is an extra-special honor for him.

Schwartz joins other legendary Broadway lyricists and musicians inducted into LIMEHOF with ties to Long Island, Brooklyn, and Queens, including George Gershwin (2006) and George M. Cohan (2006). LIMEHOF currently includes over 120 inductees.

Broadway performers and singers who performed at this event included Teal Wicks and Carrie St. Louis (“Wicked”), Dale Soules (“The Magic Show”), Alysia Velez (“Into the Woods”), Sam Simahk (“Into the Woods”) and DeMarius Copes (“Some Like It Hot”). The concert featured Music from “Wicked,” “Godspell,” “Pippin,” “Working,” “The Magic Show.” and “Pocahontas.” 

In addition to the music performances, Schwartz’s friend Stephen Reinhardt, who was a keyboard player and musical director for “Godspell” and “The Magic Show,” took the stage and gave a heartfelt speech. Sprinkled throughout the concert were various recorded video messages from Schwartz’ friends and colleagues who couldn’t be there but wanted to celebrate his induction, including Idina Menzel, Alan Menken, and Kristin Chenoweth, who had worked with Schwartz before in “Wicked,” and is working with him now on “The Queen of Versailles.”

After being inducted, Stephen closed out the evening by performing a song from his upcoming musical, “The Queen of Versailles,” which is set to debut later this year. 

After the event, Schwartz called it “a lovely evening” and said it was like a big reunion. “All those videos were surprises… from my son and my friends … and it was really a moving evening for me,” Schwartz said. “I didn’t really expect this, so it was very meaningful to me.”

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Centereach High School junior Keegan Klein's selected artwork. Photo courtesy MCCSD

Centereach High School is proud to announce that junior Keegan Klein’s artwork has been selected to be featured in the prestigious Long Island’s Best Young Artists Exhibit at The Heckscher Museum of Art in Huntington. 

Centereach High School junior Keegan Klein with his selected artwork.
Photo courtesy MCCSD

The exhibit will be on display from March 23 to May 5, showcasing the talent and creativity of young artists from across Long Island.

“Keegan’s art being selected for the Long Island Best Young Artists exhibit is a true testament to his talent and dedication,” said Shelby Petruzzo, Centereach High School’s art teacher. “His creativity and passion have truly shone through in his work, and I am excited to see where his artistic journey takes him next.”

Klein’s artwork was chosen from over 450 submissions from high schools all over Long Island. Of all the submissions, only 87 works were selected to be a part of this esteemed exhibit, making Klein’s achievement even more remarkable.

The Long Island’s Best Young Artists Exhibit at The Heckscher Museum celebrates the artistic talent and dedication of young artists in the region. Klein’s selection is a testament to his skill, vision and hard work as a budding artist.

For more information regarding the Middle Country Central School District and its students’ achievements, visit the district’s website at www.mccsd.net.

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Gordon Lightfoot performing in Interlochen, Michigan in 2009. Photo courtesy of Charles Backfish

By Rita J. Egan

WUSB’s Sunday Street Series at The Long Island Museum has a tradition of bringing artists together to celebrate musical legends. On March 24, they will be adding a bit of Canadian flair.

The series will present Long Island Celebrates Lightfoot — a celebration of the songs of Gordon Lightfoot, the renowned Canadian songwriter and singer who passed away on May 1, 2023 at the age of 84.

With a music catalog encompassing 20 studio and three live albums, more than a dozen musicians will perform hits such as “Early Morning Rain,” “If You Could Read My Mind,” “Sundown,” “Carefree Highway,” “Ribbon of Darkness,” “The Wreck of the Edmund Fitzgerald” and some of his lesser-known tracks on March 24.

Producer Charles Backfish said Lightfoot had been recording and touring since the 1960s up until a year or so before he passed away. “I’m really excited about this one, because, first of all, he is a songwriter of major stature, and secondly, he’s someone from up north that I think needs to get a little bit more acknowledgement in the United States,” he said.

Backfish added that while the singer/songwriter is known to some degree in this country, people may not be familiar with the range of Lightfoot’s albums. One song, “Black Day in July,” is about the 1967 Detroit Riot. The single was banned from some U.S. radio stations because many thought it was too political.

Ray Lambiase, who will be performing during the show, said when he was younger, his friends would listen to groups such as The Beatles. He, however, was listening to artists such as country blues singer Missippi John Hurt and folk-blues duo Sunday Terry and Brownie McGhee. He learned how to play guitar listening to folk music, and Lightfoot’s “Early Morning Rain” was one of the songs he would play early in his career.

“I’ve been playing ‘Early Morning Rain’ since I was 18, and that was over 50 years ago,” he said.

Lambiase will perform the song with other artists on March 24. He will also play “Did She Mention My Name” and “Sundown.” He added the shows allow singers and songwriters of every age an opportunity to collaborate.

“It’s just nice having everybody together, and you don’t often get that kind of a chance where everybody’s in the same room,” Lambiase said. “You get to catch up a little bit, and it generates such a warm feeling. It’s always a wonderful night and hopefully that somehow translates to what the audience is picking up.”

Among those multigenerational artists will be Andrew Fortier and his son and daughter, Cole and Andie. 

Andrew Fortier said it’s been interesting watching his children discover Lightfoot’s work. “They actually bring up stuff that I missed,” he said, adding both have eclectic tastes.

The singer, who has always been a fan of Lightfoot’s work, said digging into an artist’s music catalog for The Sunday Street Series is always a pleasant surprise.

“I’m 60 years old, so I grew up with Gordon Lightfoot in the 70s,” he said. “I’m a total fan, but you become more of a fan when you start backtracking and listening to cuts you’ve never heard before.”

Andrew’s son Cole said this will be the second Sunday Street show he has performed in. The musician said he’s enjoying studying Lightfoot’s music, describing the songs as fluid.

“What I’ve noticed about him particularly is his songs are very strophic, there’s not really any bridges, and they’re played through, which is kind of typical as a more traditional folk sound,” Cole said. “But, what’s interesting is just the long form vibes of these songs that go on and roam for a little while with these amazing lyrical narratives.”

Mary Lamont, who was raised in Canada, will also be among the performers at the Lightfoot event. The lead singer of the Mary Lamont Band said she was familiar with the singer/songwriter when she was younger but grew to appreciate his songwriting and singing more in later years.

The Sunday Street Series shows feature the artists performing two songs each. Lamont, whose husband Jim Marchese and bandmate Rich Lanahan will accompany her on acoustic guitars, said it can be challenging to narrow it down to two tracks when someone has such an extensive catalog. To choose, she listens to the artist’s albums until a song hits her. In this case, she chose two songs, “Cold on the Shoulder” and “Alberta Bound.” In the latter Lightfoot included references to Canada, including Toronto, which is about three hours from where Lamont grew up.

“That was the reason why I picked that song,” she said. “It had so many Canadian references.” She added she feels “every country has its own pride about people.” 

“I feel a certain pride and really a newfound respect for Gordon Lightfoot’s music, too,” Lamont said. “I have to thank Charlie for that.”

Backfish and the performers hope the audience will leave the show with a deeper appreciation of Lightfoot’s music.

“They’re going to hear a lot of songs that they’re not familiar with, and for me, the best thing would be for them to walk away realizing what a career and what a lasting body of work Gordon Lightfoot really left us,” Lambiase said.

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Long Island Celebrates Lightfoot will take place in the Carriage Museum’s Gillespie Room at the Long Island Museum, 1200 Route 25A, Stony Brook on Sunday, March 24 at 5 p.m. and will feature local musicians Gene Casey, Caroline Doctorow, Mick Hargreaves, Ray Lambiase, Mary Lamont with Jim Marchese, Rich Lanahan, Russ Seeger, Hank Stone, Bob Westcott, and Andrew, Cole and Andie Fortier. 

Advance sale tickets are available at www.sundaystreet.org for $25 with tickets at the door, if available, for $30 (cash only).

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'Voices and Votes' exhibit

‘Voices and Votes: Democracy in America’ will be on view in Cold Spring Harbor from March 22 to May 3

Preservation Long Island has been chosen to be the first venue in New York State to host the “Voices and Votes: Democracy in America” exhibition which examines the nearly 250-year-old American experiment of a government “of, by and for the people,” and how each generation since continues to question how to form “a more perfect union.”

This initiative is all part of the Smithsonian’s Museum on Main Street program — a national/state/local partnership to bring exhibitions to small town and rural cultural organizations across America. The exhibit will be on view at the Preservation Long Island Exhibition Gallery, 161 Main Street, in Cold Spring Harbor from March 22 to May 3 before touring eleven more communities across New York through January 2026.

“Preservation Long Island is excited to serve as the inaugural site for “Voices and Votes: Democracy in America,” said Alexandra Wolfe, Preservation Long Island Executive Director. “The exhibition’s focus on freedom, civic participation, and political engagement resonates strongly with our commitment to making the past relevant to the present.” 

The exhibit engages multimedia interactives with short games; and historical objects like campaign souvenirs, voter memorabilia, and protest material and will include a section that incorporates art and artifacts drawn from Preservation Long Island and other local collections. 

“The objects we chose connect the broader historical narratives of Voices and Votes with Long Island people and stories—addressing themes such as the ways people make their voices heard, who is left out of the conversation, and the roles and responsibilities of citizens,” said Lauren Brincat, Preservation Long Island Curator.

Among the local highlights in the exhibition is an original essay by Jupiter Hammon (1711–ca. 1806), America’s first published African American poet, written while he was enslaved at Joseph Lloyd Manor in Lloyd Harbor shortly after the American Revolution, advocating for the citizenship of Black New Yorkers in the new nation. Other items include a bracelet and ring made from scrap sheet metal by women aircraft factory workers on Long Island as the United States fought to preserve democracy abroad during World War II, and the drawings and models for the national monument to African American civil rights leader and women’s rights activist, Mary MacLeod Bethune (1875–1855), created by Long Island artist, Robert Berks (1922–2011) in 1974. 

“‘Voices and Votes’ allows us to reflect on Cold Spring Harbor and the surrounding community history and explore what it means to be an active participant in the governance of not only the country but also this community,” said Andrew Tharler, Preservation Long Island Education and Engagement Director.

The series of local exhibition-related programming and free events include a community quilt project, curator-led exhibition and walking tours, lectures, community conversations and an oral history series. To preview the full schedule, visit preservationlongisland.org/voices-and-votes/.

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The Whaling Museum & Education Center of Cold Spring Harbor, in partnership with TBR News Media of Setauket, has announced the launch of a Sea Glass Fiction Contest. This exciting competition invites students in grades 3 to 12 from Nassau and Suffolk counties to unleash their creativity by crafting stories inspired by a piece of sea glass.

Students are asked to craft a story inspired by the above sea glass fragment.

The contest, which kicked off this month, challenges participants to imagine a unique journey for the selected sea glass fragment chosen by The Whaling Museum and to weave a captivating tale around it. The winning stories will have the chance to be read at the museum’s annual Sea Glass Festival, a prestigious event celebrating sea glass and its significance in maritime history. 

“Sea glass has a way of capturing the imagination, and we can’t wait to read the imaginative stories that come out of this unique contest,” said Nomi Dayan, Executive Director at The Whaling Museum.

Entries must be submitted electronically through the submission form on The Whaling Museum website by April 30, 2024. The contest is free to enter, and all works must be original and written solely by the author. Only residents of Nassau and Suffolk counties are eligible to participate.

“We look forward to the opportunity to celebrate and highlight the creative tales of students in the area,” said Daniel Dunaief, a journalist with TBR News Media. “Entrants can envision ways a piece of glass, shaped by water and time, provides a clue in a compelling narrative.”

Winners will be notified on or about June 1-7, 2024, and select winning entries will be eligible for publication in TBR News Media and on The Whaling Museum’s website. TBR will also highlight the winners in a weekly podcast. In addition, contest winners will receive complimentary tickets to The Whaling Museum’s Sea Glass Festival, held on July 21, 2024, where they will be recognized with a certificate.

“We are grateful to TBR News Media for partnering with us on this contest and helping to bring these young writers’ stories to a wider audience,” added Dayan.

For more information on the Sea Glass Fiction Contest, including guidelines and submission details, please visit cshwhalingmuseum.org/seaglasscontest.

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Student painting in classroom

Join the Long Island Museum, 1200 Route 25A, Stony Brook for a Second Saturdays in the Studio event on March 9 from 12:30 to 2 p.m. This new series welcomes families to drop in one Saturday a month to join LIM educators in the studio and participate in a hands-on activity or art project inspired by exhibitions on view. Other dates include April 13, May 11 and June 8. Free with Museum admission of $15 adults, $10 seniors and children ages 6 to 17. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

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The concert featured a lecture about Charlie Parker and a tour of The Jazz Loft’s new exhibit. Photo from The Jazz Loft
Chris Donohue holds an example of the saxophone Charlie Parker played at the Feb. 22 event.  Photo from The Jazz Loft

It was all things Charlie “The Bird” Parker recently as The Jazz Loft presented “Charlie Parker 101”, a lecture, followed by a concert and tour of the Loft’s new Charlie Parker exhibit on Feb. 22.

The “all things Charlie Parker” celebration included a lecture by Dr. Darrell Smith, who spoke about the amazing achievements and highlights of the jazz saxophonist’s career, while surrounded by actual artifacts from his life.

The new exhibit at The Jazz Loft, which includes more than 50 memorabilia items from Parker, was recently procured by founder Tom Manuel, who traveled to London, England for an auction of Rolling Stones drummer Charlie Watt’s extensive jazz collection.

A concert of Parker’s music was presented by Tom Manual on trumpet; Darrell Smith on drums; Mala Waldron on piano; Dean Johnson on bass and Chris Donohue on alto saxophone.

This kickoff event will be followed by two performances of “Charlie Parker with Strings,” on April 4 & 6, 2024 and a special performance at The Staller Center on April 5. For more information about the exhibit visit: https://tbrnewsmedia.com/the-jazz-loft-acquires-charlie-bird-parker-memorabilia-collection/

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'Rodney' by Sam Adoquei
Long Island Museum's Co-Executive Director Joshua Ruff with 'The Art Student' and 'Social Studies' by Sam Adoquei. Photo by Tara Mae
LIM's Co-Executive Director Joshua Ruff views 'The Art Student', oil on canvas, by Sam Adoquei in the Cowles Gallery of the History Museum. Photo by Kristin Cuomo/LIM
'Quinces' by Sam Adoquei

By Tara Mae

Perspective and reality merge in imagination, creating art that is tethered to truth and yet unfettered from realism. Finding Hidden Treasures: The Art of Sam Adoquei, a retrospective of the artist’s oil paintings, explores the scope of such interplay.

On view at the Long Island Museum (LIM) in Stony Brook through June 2, the show features 25 oil paintings of various sizes as well as an excerpt of The Unseen Beauty (2012), a film written and directed by Gabriel de Urioste about Adoquei and his work.

The entire exhibit is a milestone for Adoquei. 

“It is the first time in my life to have my large figurative works and small paintings, my traditional pieces and my outdoor oil paintings, my still lifes and my figurative pieces come together in the same room. It is also interesting to see some of my earliest paintings next to some recent canvases,” he said in an email. “Same with technique/approach: there are paintings that were approached with the most careful traditional/classical method while some of the canvases were approached with fun spontaneous innovative spirit.”

Finding Hidden Treasures reveals scenes of certainty and surprise, calmly tranquil or intensely evocative. During a recent guided tour of the exhibit before it goes on view to the public, I was immersed in a world of soothing still lifes, inviting landscapes, and compelling figures. 

For Adoquei, a Ghanaian immigrant who is also a writer and teacher, oil painting is a language through which he communicates, inviting viewers to enmesh themselves in the core of the work and the feelings they invoke. 

“Oils provide that unlimited range of expressing myself: from the leanest and thinnest effects to the thickest layers of impasto pigments,” Adoquei said. 

In many ways, the show is a reflection and meditation on moments in time, both simple and profound. It is an intimate invitation to become acquainted with new characters and reintroduced to uncommon elements of common knowledge.  

“Sam is very ambitious to be taking on some of the subjects he takes on, like these sort of massive scale history paintings. Then there is the sensitivity that he has in his figurative and portrait work, the expressiveness, the fact that you look at the people in the paintings, you feel a connection,” said LIM’s Co-Executive Director Joshua Ruff. 

Such a kinship is formed via a shared visual dialogue between artist and audience. The paintings in this exhibit entice the breadth of human emotion in what they depict and what they evoke. 

“My approach is diverse: traditional, innovative…Creating a painting to me is always communication with the enthusiasts: whether short and poetic, a short essay, or long and epic depends on the subject and what I aim to extract from it,” he added.

Two of the most arrestingly captivating pieces in the exhibit combine narrative tradition with creative interpretation: a 10-foot-wide triptych titled “The Legacy of Martin Luther King Jr. (The Entombment)” which was featured in the New York Times and displayed at the S. Dillon Ripley Center of the Smithsonian Institution in Washington, DC., and “Death of a President (John F. Kennedy).” These history paintings reimagine hauntingly human tragedies with interpersonal, even fantastical, elements.

In these renderings, persons from the artist’s life, as well as Adoquei, appear as bystanders or sympathetic participants. Adoquei frequently includes himself or his associates in his paintings, a practice that adds emotional depth to the works.  

“I love people, I am always inspired by the love of people, and humanistic pursuits are part of sentiments that I try to include in my mission to unveil my vision,” he said.

This generosity and warmth extends to pieces that do not include human figures, like idyllic interpretations of Long Island vistas and other settings. They encourage onlookers to step into them, feel the sand beneath their feet, the breeze as it rustles tall grasses, the sun on their faces, the sound of the sea, the taste of salt in the air. 

Adoquei’s still life paintings are intriguing and alluring, alluding to larger stories of which patrons are only catching a glimpse: two quinces with their stems and leaves attached, lilting sunflowers and daisies in vase, a partially sectioned grapefruit, with what appears to be a thumbprint left on the endocarp. 

“All that I do is inspired by nature, life and living, and the needs of the future. Turning nature and people into beautiful timeless paintings to inspire others inspires me daily,” Adoquei said. “As lives, works, and legacies of great minds took me from oceans and cultures away and offered me the support to create art that hangs on museum walls and in private collections, so do I hope to create meaningful timeless art worthy of inspiring future generations.” 

Versatility of technique underscores the scope and impact of Adoquei’s subject matter. His art contains and honors a multitude of human experiences, including his own journey from Ghanaian art student, to sign and billboard painter in Nigeria, and then working artist, educator, and author in the United States, where he arrived in 1987. 

Adoquei’s paintings welcome patrons to participate in moments fraught and freeing, stunning and serene. Finding Hidden Treasures is an opportunity for artist and art appreciators to enter the field of humanistic imagination.  

“I have never seen this collection of my paintings exhibited together, and knowing they wouldn’t be in the same room together again, I hope art lovers of Long Island will take advantage of the opportunity to come enjoy them at The Long Island Museum,” Adoquei said.

Also on view at the Long Island Museum: 

Painting Partnership: Reynold and Joan Ruffins in the Art Museum from Feb. 8 to June 30

Organized in conjunction with The Power of Two (see next exhibit), this exhibition presents a unique story of love, creativity, and art. Sharing 60 years of marriage and settling in Sag Harbor in 1992, Painting Partnership features close to 25 paintings and sculptures from the remarkable artistic duo, Reynold Dash Ruffins (1930-2021) and Joan B. Young Ruffins (1932-2013). Reynold began making his mark in graphic and advertising design in the 1950s and the 1960s, later working on such publications as The New York Times Magazine, Gourmet, and Essence, and creating award-winning illustrations for children’s books. Meanwhile, as Joan raised the couple’s four children, she created a studio in the family’s St. Albans home, creating art and teaching both children and adults.

The Power of Two: Artist Couples of Long Island in the Art Museum from Feb. 8 to June 30

Experience the dynamic interplay of creativity as The Power of Two: Artist Couple of Long Island exhibition showcases over 50 artworks comparing and contrasting the work produced by 14 artist couples of Long Island. From the 1880s to contemporary couples today, this exhibition provides a captivating insight into the collaborative spirit of artist partnerships.

Colors of Long Island in the History Museum from Feb. 8 to April 7

This year marks the 25th Anniversary of the  Annual Colors of Long Island Student Art Exhibition, a show that affords an opportunity for hundreds of students from across Long Island to display their artwork in a museum setting. Art teachers from public and private schools in grades pre-k through 12th grade were invited to submit up to two pieces of student artwork that capture the essence of the region’s landscapes, history, and cultural diversity through various mediums including watercolor, sculpture, pencil, ink, oil pastel, photographs and computer graphics.

Located at 1200 Route 25A, Stony Brook, the Long Island Museum is open Thursday through Sunday from noon to 5 p.m. Admission is $10 for adults; $7 for seniors (age 62 and older); $5 for students (ages 5-17, and college students with an ID); $3.50 for persons with disabilities (personal care assistants are free); and, free for active and retired military personnel. For more information, call 631-751-0066 or visit www.longislandmuseum.org. 

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