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Students at Comsewogue High School in the Comsewogue School District have joined a cross-cultural humanitarian effort to bring closure to Japanese families whose loved ones were killed during World War II.

Before going to battle, Japanese soldiers were given yosegaki hinomaru—good luck flags—to keep with them on the battlefield. There are currently an estimated 50,000 yosegaki hinomaru throughout America, brought back as souvenirs by World War II veterans who didn’t understand that the flags are considered by Japanese families to be the non-biological human remains of their family members.

Students with Good Luck Flags. Photo from Comsewogue School District

Roughly a dozen Comsewogue students have been working with their teachers and community partners to collect these flags and reunite them with grieving families who never had a proper burial for loved ones who didn’t return home from the war.

“It’s so important for our students to learn about history through the lens of different cultures, and to understand that there is more that unifies us than divides us,” said Comsewogue High School Principal Michael Mosca. “Our students volunteered to take part in this project and their dedication and passion is palpable.”

Comsewogue High School teacher David Hughes and Comsewogue parent and community partner William Donohue are avid historians who collected about 35 these meaningful flags and brought the initiative to the high school. Along with teachers Alex Wessel and Kyle Schauss, they will be assigning a flag to each student who will then study the flag and learn about the soldier to whom it belonged.

Students recently held a Zoom meeting with Rex and Keiko Ziak, the founders of the nonprofit the Obon Society, whose mission is to reunite families with the good luck flags of their loved ones. The Obon Society is the largest grassroots effort dedicated to the cause and has returned over 600 flags to families in Japan.

Rex and Keiko answered questions from students and shared powerful stories both about receiving and returning flags. They explained the process of tracking down these families and how the reunion is more of a funeral than a celebration. The couple started the Obon Society after Keiko and her family were reunited with her grandfather’s good luck flag. She described being a child when he went missing in action while serving in Burma.

Students will be learning the stories behind each good luck flag as they continue to work with the Obon Society to track down the families, a process that could take roughly two years.

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Circa 1900, East Setauket Main Street looking east. The home of Charity Jones is set back behind the last store on the right. Three Village Historical Society Photo collection

By Beverly C. Tyler

Just before the turn of the 20th century, the Three Village area presented a vastly different appearance than it does now. The shipbuilding era ended three decades before and the industries that manufactured pianos and rubber goods had come and gone. The community had only the tourist trade and some coastwise shipping and fishing to supplement the farming that had been its backbone since 1655. 

The roads through the villages were unpaved and in the late winter the narrow streets would be rutted and muddy. When it rained it was sometimes difficult, often impossible, for a horse and carriage to travel the  loam and clay roads. Where the roadway passed near an underground spring it was also often flooded. Traveling by foot was more common than today and a necessity when the roads were impassable.

The local area had fewer homes and they were often unpainted. The older shingle-covered houses presented a light gray, somewhat drab appearance as they stood alongside the uneven winding roadways.

Farms dominated the landscape through the early years of the 20th century and the fields were occasionally broken by small areas of woodland or meadow and by orchards of apple trees. 

Throughout the 19th century trees were cut to be used as firewood. Most of this wood was cut into cords and shipped to New York City to heat the many homes there. The areas where the trees were cut down were cleared of stumps, plowed and planted. Some fields were left as meadow for grazing or to recover from too many years of farming. In most places you could look from wherever you stood to where the field disappeared over a hill. The view would be broken only by a house or a small stand of trees.

The hamlet of East Setauket consisted of a group of small stores and a few homes. Surrounding the small village were fields and meadows sloping gently down to the harbor. The creek that still runs under the road divided the little commercial area almost in half and was crossed by a narrow wooden bridge that provided an unobstructed view of the stream below.

Old Shinglesides by Howard Chandler Christy July 16, 1926. Original postcard, collection of Beverly Tyler

At the east end of the village, on the south side of the road, were three homes belonging to members of the Jones family. Two of the homes, still standing in their original locations just east of the Three Village Church, belonged to Captain Benjamin Jones and his brother, Walter Jones, Jr., sons of Walter Jones, Sr. and Charity Smith Jones.

Benjamin had been master of many ships including the “Mary and Louisa” which was built in Setauket and which sailed on a three-year voyage to China and Japan while he was her captain. Walter and Charity’s home, known as Old Shinglesides, was built in 1754 and was bought in 1760 by Ebenezer Jones, Walter’s father. Walter lived there from the time he was married on Jan. 28, 1824 until he died on March 23, 1877.  As detailed in the Three Village Guidebook, “the house was called the Mansion House by members of the Jones family because it was the home of Walter, Sr., the then patriarch of the clan.”

In 1895, Charity Smith Jones, then in her 90th year, was still living in the home where she raised her family. The Mansion House was still an impressive structure both inside and out. The kitchen included a brick oven and a black settle. The dining room and sitting room were both lined with wainscoting. The sitting room included deep window seats, a number of cozy chairs and a big fireplace. The parlor, across the entry hall from the sitting room, was elegantly paneled on the ceiling and three walls with a large fireplace on the west wall. Sitting in this parlor, Charity Jones was described in an article in Popular Monthly as, “a sweet-faced old lady who is the pink of antique perfection from her spotless black cloth slippers to the white handkerchief over her head.” In the article she talked about her life. “I was born in 1806, and Captain Jones brought me to this house when I was a bride of eighteen. That was in 1824, and the house was just as old then as it is now. Yes,” she adds, with a snap of pride in the faded eyes, “I have lived in this house bride, wife and widow for seventy years, and when Captain Jones died he left it all to me.” 

The Mansion House stood on its original site until 1962 when it was moved to make room for the construction of the post office (now Elaines restaurant). Restored by Ward Melville, the house now sits comfortably along Gnarled Hollow Road overlooking a small pond. Charity Jones died on Aug. 11, 1897 in the 92nd year of her life. She is buried in the Setauket Presbyterian Church graveyard in company with many other, even older, local residents.

Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. www.TVHS.org 

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The Aluminaire House

Frances Campani and Michael Schwarting of Campani and Schwarting Architects in Port Jefferson were recently awarded a coveted Advocacy Citation of Merit from Docomomo, an international organization involved with preserving modern architecture around the world, for their work to save and rebuild the 1931 Aluminaire House in Palm Springs, California. 

The Aluminaire House was conceived and constructed by Lawrence Kocher and Albert Frey as an exhibition house for the Allied Arts and Industry and Architectural League Exhibition of 1931 at the Grand Central Palace in New York City. The house is constructed of mostly aluminum and glass, and was intended to be mass produced and affordable, using inexpensive, off-the-shelf materials. The three-story house was constructed for the exhibit in just ten days, and during its first week on display attracted more than 100,000 visitors.

The husband and wife architect team have worked on this project since 1987 when they rescued it from demolition in Huntington, deconstructed and reconstructed it with their architecture students at the New York Institute of Technology campus in Central Islip. Campani is presently an Associate Professor and Schwarting a Professor Emeritus of NYIT. The campus closed in 2005 and Campani and Schwarting formed the Aluminaire House Foundation and gifted it to the Palm Springs Museum of Art in 2020. It opened on the grounds of the Museum as part of their collection in March 2024. 

The Aluminaire House was selected as one of 16 best American modern preservation projects at the 2024 Docomomo Modernism in America Awards ceremony in West Hollywood. The jurors noted, “This is an almost 100-year-old house that was not meant to last, but it has.” “People have gone to herculean lengths to preserve it, and there is a value in recognizing the individuals who have spent decades in service to preserving this object. The new location in Palm springs makes prefect sense.” “Sometimes the best preservation tool is patience.”

“We are very proud of the results of 35 years of work to save this significant structure,” said Schwarting and Campini in a press release. “There have many people involved to help but it is worth noting the 120 NYIT architecture students that worked and were educated by it.” 

Campani and Schwarting have also published a book, The Aluminaire House by Gibbs-Smith publisher. To learn more, visit the current exhibition about the Aluminaire House at the Reboli Center for Art and History, 64 Main Street, Stony Brook. The exhibit runs through April 13.

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'Eel Spearing at Setauket (Fishing Along Shore)' by William Sidney Mount, 1845. Courtesy of the Fenimore Art Museum, Cooperstown, NY
Glenda Dickerson introduced the members of the Christian Avenue community seated in pews on the theater stage and set the tone for the play. Courtesy of Three Village Historical Society.
Lynda Gravatt portraying Rachel Holland Hart. Courtesy of Three Village Historical Society.
Lucy Hart Keyes, (88) interviewed by oral historian Fai Walker. Mrs. Keyes said, “My mind is so clear - bout as clear about back then as it is about now.” Courtesy of Three Village Historical Society.
A scene from the play. Photo from Three Village Historical Society
A scene from the play. Courtesy of Three Village Historical Society.

By Beverly C. Tyler

In 1986, Glenda Dickerson, a theater arts professor at the State University of New York at Stony Brook, began an oral history project with her students, interviewing members of the African American Christian Avenue community. This resulted two years later in a four-day theater program which she described as a “living exhibit…a portrait of a community past and present.” 

“When William Sidney Mount painted ‘Eel Spearing at Setauket (Fishing along Shore)’ in 1845 on contract for George Washington Strong he made, as far as we can tell, an exact representation of the landscape, but the people – painted later in his studio- are the past. The boy is thought to be William Sidney Mount himself and the woman, by tradition and folklore, is Rachel Holland Hart. They are perhaps a look back at an even earlier time when the 19th century was only in its infancy.” according to the exhibit and play “Eel Catching in Setauket” by Glenda Dickerson. It was Mount’s painting that inspired Dickerson to title her project “Eel Catching in Setauket.”

Before the theater experience, theater-goers were treated to a bus ride from the university to the African American Christian Avenue community, with a tour of the Bethel AME Church, graveyards and Legion Hall and then a meal shared with members of the community. 

In the play, the actors portraying the members of the Christian Avenue community, the members themselves who contributed their oral histories, and the theater-goers, described by Dickerson as “eel catchers,” were together on the stage as joint parts of the play. Dickerson wrote in the souvenir journal and theater program, “An eel catcher is a person who loves people and old pictures and history and characters and folklore and drama and textures and art and fun and laughter and doesn’t mind experiencing them all at one time.” 

Theodore Green, a descendant of Rachel Hart, was Glenda Dickerson’s guide and advisor, for the eel catching oral history project. In his story “The Hart-Sells Connection” in the Three Village Historical Society book “William Sidney Mount: Family, Friends, and Ideas”, Green wrote, “The woman is recognized to be Rachel Holland Hart, a housekeeper for Judge Selah Brewster Strong 3d…At the time the picture was painted, she was fifteen years of age…In planning the picture, Mount may have recalled scenes from his own childhood, when he was taught fish-spearing by an old Negro by the name of Hector.”

In the opening of the theater experience, Lynda Gravatt, portraying Rachel Holland Hart said the words Mount credits to Hector, “Slow now, we are coming on the ground. On sandy and gravelly bottoms are found the best fish. Look out for the eyes, there! Ha! Ha! He will grease my pan tonight.”

Seated behind Gravatt were the members of the Christian Avenue community. For the play, they took premier places on benches and pews in the Stony Brook University Art Center’s theatre as a dramatic feature of the presented living history.

As described by Dickerson, “The purpose of this living exhibit is to paint a portrait of a community, past and present. When you walk into the exhibit, it will be like walking into [the] souvenir journal. You will hear some of the same words. You will see the same photographs. You will see the stories leap to life as though from your own imagination.

“The photographs, the artifacts and the actors will tell stories that are sepia-toned, ebony, butterscotch and tea-rose, just like the women and men who shared their memories and their personal belongings with the project.

“The personal artifacts in the exhibit are not only displayed under glass to be contemplated in solitude and silence; they are living testaments to the warmth and generosity of Christian Avenuers. The prayer caps and church hats worn in the drama are not costumes, but actual items worn by the community. The pages of the souvenir journal, which document Bethel AME Church’s long and rich history will come to life as you read them. The eel spear Rachel Holland Hart carries is an authentic one.

“The magic circle of Christian Avenue – past and present – will stay with you. The trees have dappled the Avenue in the same way for a hundred years; the houses have held their secrets that long. Bethel’s bell has toiled seemingly forever. And the people have walked the Avenue from Setauket’s beginnings. Some of the folks lay in Laurel Hill, others in Bethel Cemetery; some have moved to far-flung places, others are still there. In my vision, they are one with the eelers and other workers who first came to Setauket, not voluntarily, and stayed to make history. In my vision, the autumnal elders will live forever, safe in the magic circle, shining like springtime. On Christian Avenue, it is forever Indian summer.” 

Beverly C. Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. WWW.TVHS.org 

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Participants on a Holi cruise that sailed out of Pier 36 in New York City last year. Photo courtesy Indu Kaur

By Sabrina Artusa

As spring brings blue skies, blooming flowers of violets and yellows and flourishing green vegetation, Indian Americans look forward to Holi — the festival of colors — which falls on the first full moon in the Hindu month of Phalguna. 

Indu Kaur on a Holi cruise that sailed out of Pier 36 in New York City last year. Photo courtesy Indu Kaur

The holiday celebrates the coming of spring and the overall triumph of good, love and light over darkness and evil. On the day of the full moon, March 14 of this year, people in India play in the street, coloring each other’s faces with powder and water; children throw water balloons, sometimes at strangers, all in the good fun and light-hearted troublemaking of the holiday. 

“Holi Hai” is the predominant saying, meaning It’s Holi. In India, neighborhoods celebrate the holiday, drinking, eating fried pastries and throwing colored powder. Here, on Long Island, celebrations are more intimate. 

“Over in India, everybody in every neighborhood is celebrating,“ said Arvind Vora, who moved to Long Island 55 years ago at the age of 24. “There was no need to travel or make all sorts of arrangements/planning.” 

When he arrived, he wrote in an email, there were hardly 10 families that celebrated in the area. By the mid-1970s, he said, he started celebrating again to bring the cheer of the holiday to the children of the family.  

Indu Kaur, owner of the Curry Club at SaGhar in Port Jefferson and the Meadow Club in Port Jefferson Station, has hosted these gatherings in the past, treating friends and family to “gujiya,” a deep-fried pastry and plenty of color. 

“Holi in India is an all-encompassing celebration — it’s loud, vibrant and spills onto the streets with massive crowds throwing colors, dancing to dhol beats and sharing sweets with neighbors, friends, and even strangers,” Kaur said. “While the essence of joy and color remains the same [on Long Island], the scale is usually smaller, and people are mindful of space, weather and local regulations.”

Baldeep Singh, a friend of Kaur’s, was invited to one of Kaur’s “all-out” Holi celebrations. He also lived in India for 10 years. While whole neighborhoods get involved in the celebration like a “huge party,” Singh said that he enjoyed celebrating with friends and family. 

“Everyone’s in a great mood, everyone’s happy,” he said. “It is a representation of spring when flowers are in bloom. Everything is starting afresh and everyone is together having a great time. It is a lot of people really just living it up and being grateful.” 

Generally, people use organic, biodegradable materials for the colors, but some people use permanent colors that won’t come off easily. Singh remembers going to work after Holi, and some people showed up with purple faces and skin sore from scrubbing, although “no one really judges you.”

Indu Kaur on a Holi cruise that sailed out of Pier 36 in New York City last year. Photo courtesy Indu Kaur

“Holi reminds us to embrace playfulness, throw colors at each other, laugh out loud, indulge in sweets, dance freely and bond with family. It’s a time to heal our souls, connect with loved ones and share pure happiness,” Kaur said. 

Holi has two different mythological origins. According to one legend that is central to the celebration of Holi in Barsana and Mathura, the mischievous Krishna fell in love with Radha, a fair-skinned milk maid. Self-conscious about his darker skin, he applied colors to Radha’s face. Today, their love story is re-created in some areas of India and honored through Holi. 

For larger celebrations comparable to those in India, some people travel either to New York City or even down south to Georgia. 

“It would be fun if the U.S. starts recognizing Holi,” Singh said. “I could really see a lot of people just having fun.”

Non-Hindus in India celebrate the holiday as well, including Vora, who said he celebrates in the same way non-Christians celebrate Christmas. 

This Holi, Kaur will dress in a white Indian outfit with a colorful scarf, known as a dupatta, Punjabi jutti shoes and silver earrings. Together with her friends and family, she will usher in the new season “dancing freely, throwing colors and indulging in sweets, bringing a rare sense of carefree happiness.”

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Thomas Jesaitis proudly standing with his field of corn. Photo courtesy Bev Tyler’s collection

By Beverly C. Tyler

“I hereby declare, on oath, that I absolutely and entirely renounce and abjure all allegiance and fidelity to any foreign prince, potentate, state or sovereignty, and particularly to the present government of Russia of whom I have heretofore been a subject; that I will support and defend the Constitution and laws of the United States of America against all enemies, foreign and domestic; and that I will bear true faith and allegiance to the same.”  Naturalization oath taken by Thomas Jesaitis on May 24, 1919.

Al and his wife Doris Jesaitis in front of their East Setauket home.
1986 photo by Bev Tyler

Alphonse (Al) Jesaitis remembered fondly his parent’s story of their immigration to America in 1904. “He (Thomas Jesaitis) married my mother (Olga)…a Finn.  She was at Helsinki and she was a dressmaker. He started to travel to the United States. They went to Germany, then from Germany to Scotland and that’s where Ann (Al’s sister) was born. Then from there they went to Brooklyn.They had to go on a boat and they come on steerage.They didn’t have much money.”

After Thomas arrived in New York in 1904, he went to work as a stevedore on the docks. Ann Hilliard, Thomas’ daughter recalled. “Father came over first.  He got a room and when we came here we slept on the floor.” Thomas and Olga Jesaitis’ next three children, Alfonse, Thomas and Olga, were born in Brooklyn between 1905 and 1908.  The last two, Val and Anthony, were born in Setauket.

Al Jesaitis remembered those years. “They decided to come to Setauket. Of course, they were talking to some people—to a lot of Lithuanians and Polish and, of course, then they thought they could come out here. He got a job as a groundsman with Tinker (Poquott)… So he worked there for a while and then when Tinker died…he went to the shipyard (in Port Jefferson) because that was the time that they were paying a pretty good salary…That was during World War I. So he worked there for quite a while and he used to get a part-time job at noon time to oil the booms – the top of the booms – the thing that swings around. After he did it for a while he said ‘Gee, I got too big a family, I might fall out and get killed.’  So he quit. But he didn’t quit his regular job.

“We bought a place up at Barker’s farm on the end of Old Post Road [now Old Post and Canterbury Blvd.]. When we were there for a while, the main thing he was interested in was becoming a citizen of the United States. So Mrs. Bartow took him to Riverhead in a Model T Ford to get his first papers. Of course to get the second papers and finally become a citizen you had to wait three years…That automatically made my mother a citizen…When he came home he was happy ‘cause he made the first step. So he went out in the woods and he cut a big hickory tree – nice slim tree – trimmed it all up and he said, ‘this is gonna be our flag pole when we become a citizen.’

 Al Jesaitis in his fireman’s rig. Photo courtesy Bev Tyler’s collection

“So three years later [on May 24, 1919], Mrs. Bartow took him back, he got his papers and he came back and he was happy, and up went the flag. And when the flag went up, course all the kids went out. And then my sister Ann, she took an enamel dish pan and a big wood spoon – you oughta see that dish pan after she got through – banging, banging, banging, you know. Then we were singing and I forget just what the song was, whether it was ‘My Country T’is of Thee’ or whatever it was, but we all sang it. That was the happy day. That’s why it’s so important about having the flag up there cause it means something to me to have a flag – we always have a flag up.” 

Al Jesaitis joined the Setauket Fire Department at the age of 18, eventually serving as chief from 1952-54. During those years Jesaitis started firefighter training. He served in the Navy during WWII and learned how the Navy fought ship fires. He also served as a Setauket school board member. During that time Ward Melville asked him to review properties for new schools. “In only one case did I disagree with Mr. Melville,” he said. “There was this moonshiner set up where the Nassakaeg school was to be built. We didn’t know who they were and I was afraid they would stay in the woods around the school. Of course we went ahead with the school. Charlie [Bickford] and I took the empty moonshine barrels to Randall’s, cut them in half and made planters out of them.” After Setauket’s merger with the Stony Brook School District, Jesaitis left the board to become Three Village School District Superintendent of Buildings and Grounds.

Jesaitis had a soft, wry sense of humor, and together with his best friend, Charlie Bickford, he could tell amusing and believable stories about the people in Setauket. Jesaitis was asked once about what was done with the chamber pot that was kept under the bed to use on cold nights when going to the outhouse was the last thing on people’s minds. “Well”, he said, “we’d just leave it until morning, it froze, of course. Then we’d take it down to the kitchen and put it on the stove to thaw.”  He made it sound so logical that the story was never questioned. Jesaitis and Bickford got a good chuckle out of that.  

Al Jesaitis  died on Oct. 1, 1992.  He was the proud son of immigrant parents who, along with hundreds of thousands of others, came to America to find a better life and in turn made life better for all of us. 

Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730, www.TVHS.org

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Pixabay photo

The month of March has been home to many historical events over the years. Here’s a look at some that helped to shape the world in March 1925.

• A military committee in France concludes that Germany committed gross violations of the Treaty of Versailles on March 1. The committee, led by Marshal Ferdinand Foch, accuses Germany of violating provisions related to the disarmament of its military.

• Huff Daland Dusters Inc., is founded in Macon, Georgia, on March 2. The company, which began as a drop dusting firm formed to combat a boll weevil infestation of cotton crops, would be sold near the end of 1928, at which time it is renamed Delta Air Service.

• The United States Congress authorizes the Mount Rushmore Memorial Commission on March 3. The initial design for Mount Rushmore initially featured each president depicted from head to waist. But funding for the sculpture dried up in 1941, so only President George Washington’s sculpture features any details below chin level.

• The second inauguration of United States President Calvin Coolidge takes place on March 4. It is the first inauguration to be nationally broadcast on radio.

• Alan Rowe opens the chamber of the tomb of Hetepheres I on March 8 in Egypt. Rowe, who was serving as deputy director of the Harvard-Boston Expedition, is the first person in 4,500 years to open the chamber.

• The state of Bavaria in Germany bans Adolf Hitler from speaking in public for two years on March 9. The ban limits Hitler to speaking only in private, closed meetings.

• Greek football club Olympiacos F.C. is founded in Piraeus on March 10. Olympiacos is now the most successful club in Greek football history, with 47 league titles to its credit.

• Cuba and the United States sign the Hay-Quesada Treaty on March 13. The treaty recognizes that the Isla de Pinos, now known as the Isla de la Juventud, is the territory of Cuba.

• Walter Camp passes away in New York City on March 14 at the age of 65. Camp, a college football coach considered the “Father of American Football,” created the sport’s system of downs and the line of scrimmage.

• An estimated 5,000 people are killed when a 7.0 magnitude earthquake strikes the Chinese province of Yunnan on March 16.

• Edvard Benes of Czechoslovakia proposes a “United States of Europe” on March 17. The proposal is an attempt to secure peace in Europe and includes a western bloc featuring nations including England and France, and an eastern bloc made up of countries including Poland and Austria.

• The Breakers, a luxury hotel in Palm Beach, Florida, burns down on March 18. The cause of the fire is later traced to the wife of Chicago mayor William Hale Thompson, who left an electric curling iron plugged in.

• On March 19, Martha Wise confesses to poisoning 17 members of her family. Wise was connected to the crimes by Medina County, Ohio, sheriff Fred Roshon, who had discovered a day earlier that she had recently purchased a sizable quantity of arsenic from a drug store.

• Clifton R. Wharton begins his diplomatic career on March 20. Wharton would become the first African American admitted to the United States Foreign Service and the first black U.S. envoy to Romania and the first black U.S. ambassador to Norway.

• The Butler Act takes effect in Tennessee on March 21. The act prohibits school teachers from denying the Biblical account of the origins of humanity and remains on the books until 1967.

• The Tokyo Broadcasting Station transmits the first radio broadcast in Japan on March 22. The first broadcast includes a recording of the Beethoven opera “Fidelio.”

• Scottish inventor John Logie Baird publicly demonstrates the transmission of moving silhouette pictures at a London department store on March 25. A contemporary report in Nature magazine characterizes Baird’s design as “television.”

• Fascists and Communists engage in a fistfight within the Italian Chamber of Deputies on March 26. The fisticuffs break out on the day Benito Mussolini returns to the Chamber for the first time in more than a month.

• The Philadelphia Daily News begins publication as a tabloid morning newspaper on March 31.

— Courtesy of MetroCreative Graphics

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Members of the Anna Smith Strong Chapter of the NSDAR present a check and donated books to Brian Debus in front of the group's showcase at Emma Clark Library. Photo courtesy of NSDAR

The Anna Smith Strong Chapter of the National Society Daughters of the American Revolution (NSDAR), the recipient of a grant as part of the NSDAR America 250 celebration, recently donated a check for $500 to Emma S. Clark Memorial Library in Setauket to purchase historical books for the library. 

The check was presented by Chapter Regent Nancy Dorney and chapter members to Director Ted Gutmann and Head of Children’s Services Brian Debus in order to purchase books on the Revolutionary War and our first president in honor of the upcoming 250th birthday of our country.  

In addition to the check, several historical books were also donated from the private collection of DAR chapter member Patricia Cunningham. 

The National Society Daughters of the American Revolution is a non-profit, non-political volunteer women’s service organization, founded in Washington, D.C., on October 11, 1890, incorporated by an act of Congress in 1896. Their  mission is to promote historic preservation, education, and patriotism. Any woman 18 years or older who can prove lineal descent from a patriot of the American Revolution, is eligible for membership. To learn more about the National Society Daughters of the American Revolution please visit www.dar.org,  or the chapter’s website: https://annasmithstrongnsdar.org.

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Huntington ligthhouse. Photo from Pam Setchell

It is still early in 2025, but the Huntington Lighthouse Preservation Society (HLPS) is already working on its list of projects and events for the coming season, including a refocus on renovation projects, additional lighthouse tours, and the end of its annual Musicfest, according to a press release on Feb. 19.

“After 15 successful years, we will not be hosting the Lighthouse Musicfest in 2025,” said Pam Setchell, HLPS President. “This decision was not made lightly, and we want to express our sincere gratitude to everyone who has supported and participated over the years. We deeply appreciate the enthusiasm shown for this event, and also want to thank the Town of Huntington for its support of this event.”

“Musicfest is a massive and monthslong  undertaking for a very small group of volunteers who set aside business and personal activities for extended periods of time to make it happen,” continued Setchell. “With limited resources at our disposal, we have decided  to refocus this year on important construction and renovation projects to ensure the continuation of the Huntington Light for another 113 plus years. In addition, we are working to meet the increasing demand for visitor tours and grow and train our volunteer staff to align with the needs of the lighthouse.”

Renovation focus

The ongoing restoration of a historical structure is never easy, and the unique location of the Huntington Light–it’s literally surrounded by water and has no means of access by land–amplifies the challenges.  Since the inception of the Save Huntington’s Lighthouse group in 1985, and then the Huntington Lighthouse Preservation Society, the preservation and restoration of the lighthouse has remained a top priority.

Through a combination of public and private grants, private donations, seasonal tours, special events, and merchandise sales, HLPS has raised approximately $3.5 million in its 40-year history for improvements and restoration projects. 

In 2025, new, custom-fabricated windows will replace the original windows, made possible by a generous grant from the Gardiner Foundation and a matching private donation. Additional projects include roof repairs and protective matting,  wrought iron railings, repairing cracks in the building’s exterior masonry, and painting and repairing the cupola. A new custom watch deck door is also going to be installed. Each project requires careful planning to ensure that the building’s history and design are maintained. Everything that’s needed, including supplies, tools, and crew must be transported by water and can only be accomplished during a limited season.

Additionally, HLPS is reevaluating its fundraising raising efforts, strengthening its volunteer program, and overhauling  the current HLPS website to provide additional functionality.

Lighthouse Tours 

Offering access and sharing the story of the lighthouse are core to the HLPS’s mission. Last summer saw an increase in public tour participation, and HLPS anticipates another year that may be even busier. The team is working to add more tour dates, including dinner tours, to the schedule; 2025 dates will be announced soon! 

HLPS also makes the lighthouse available for group tours by school groups and others wanting to learn more about maritime history, and visit a working lighthouse. 

“We are incredibly proud of the community we’ve built together and the positive impact our collective efforts have had for the lighthouse,” said Setchell. “We are looking forward to seeing the luster restored to this treasured structure and believe you will, too. We stay committed to preserving the lighthouse for future generations as a welcoming beacon to the entrance of Huntington and Lloyd Harbors.”

Follow the Huntington Lighthouse on Facebook,  and Instagram. 

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About the Huntington Lighthouse:

The Huntington Harbor Lighthouse was built in 1912 and proudly stands guard at the entrance to Huntington and Lloyd Harbors. It rises 42 feet above the water, marking dangerous rocks and helping to navigate boat traffic. It is unique in both design and construction and the first concrete lighthouse structure on the east coast. The Venetian Renaissance (Beaux Art) style of the lighthouse gives it the appearance of a small castle. The lighthouse was added to the National Register for Historic Buildings in 1989 and was placed on Notice of Availability by the National Parks Service on July 2, 2010. The HLPS was granted ownership of the Lighthouse in 2012.

About HLPS: 

The Huntington Lighthouse Preservation Society, Inc. is a volunteer non-profit, tax-exempt, 501(c) (3) organization. Its mission is to restore, preserve and provide public access to the Huntington Harbor Lighthouse (formerly Lloyd Harbor Lighthouse); to achieve the safe keeping of the building, artifacts, and records; to enhance public awareness and education on lighthouse history; to make the HHL a premier tourist attraction on Long Island; and to serve as a prototype of a restored offshore lighthouse. 

For additional information, visit:  https://www.huntingtonlighthouse.org/

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Legislator Steven Englebright, Zach Studenroth, Carl Safina (Photo by Len Marks Photography)
Jeremy Dennis presents a 2024 Preservation Award certificate to April Gornik, Lee Skolnick, Eric Fischl for The Church in Sag Harbor, one of the Long Island sites recognized for preservation excellence. Photo by Len Marks Photography
Glenn Heidtmann, Anthony Martignetti, Tara Cubie (Photo by Len Marks Photography)
Legislator Robert Trotta, Tara Cubie (Photo by Len Marks Photography)
Tara Cubie, Richard Martin (Photo by Len Marks Photography)
Maureen Soltren, Paul Bentel (Photo by Len Marks Photography)
Jackie Powers (Photo by Len Marks Photography)
Jeremy Dennis (Photo by Len Marks Photography)
Caroline Zaleski, Ed Dugger, Michelle Gokey (Photo by Len Marks Photography)
Elizabeth Abrams, Zack Studenroth (Photo by Len Marks Photography)
Michelle Gokey (Photo by Len Marks Photography)
Maura Brush, Robert Brush, Jackie Powers, Ed Dugger (Photo by Len Marks Photography)
Zach Studenroth, Caroline Zaleski, Nancy Achenbach (Photo by Len Marks Photography)
Glenn Heidtmann, Angela Ledgerwood, Anthony Martignetti (Photo by Len Marks Photography)
Stephanie Gotard, Michelle McCarthy, Dorothy Dougherty (Photo by Len Marks Photography)
Legislator Robert Trotta, Legislator Seven Englebright, John Broven (Photo by Len Marks Photography)
Helen Cross, Robert Hughes, (Photo by Len Marks Photography)
Jo Ann Sector, Lee Skolnick (Photo by Len Marks Photography)
Elizabeth Abrams, Andrea Hart, Lauren Brincat, Jackie Powers, Tara Cubie, Andrew Tharler (Photo by Len Marks Photography)

Awardees from Setauket, Mattituck, Sag Harbor, Fort Salonga, and Garden City recognized

Preservation Long Island hosted an awards ceremony and reception on January 25 to honor individuals and organizations who have exemplified excellence in their efforts to preserve their community’s valuable historic resources. 

Held at Preservation Long Island’s headquarters gallery in the Old Methodist Church in Cold Spring Harbor, the evening brought together honorees and guests for a celebration of preservation excellence. Attendees enjoyed live jazz music, cocktails, and hors d’oeuvres while viewing historic paintings, artifacts, and antique furniture from Preservation Long Island’s permanent collection.

Preservation LI Board President Michelle Elliott Gokey welcomed guests and provided an overview of the biennial Preservation Awards that recognize extraordinary achievement in historic preservation across Long Island. 

Executive Director Jackie Powers, emphasized the significance of the awards and acknowledged the public officials in attendance, including Suffolk County Legislators Steven Englebright and Robert Trotta (both 2024 awardees), Huntington Councilman Dr. Dave Bennardo, Michelle McCarthy, Chief of Staff to Huntington Town Supervisor Edmund Smyth and Kevin Stuessi, Mayor of Greenport.

Guest presenters awarded certificates to the recipients of Preservation LI’s 2024 Preservation Awards and the 2024 Howard C. Sherwood Award:

1. Project Excellence Award: The Hawkins-Elzon House Restoration: Presented by Zachary Studenroth, Architecture and Preservation Consultant

The Safina Center received recognition for restoring the Hawkins-Elzon House, which now serves as the nonprofit’s headquarters. The award was presented to Carl Safina, founder of the Safina Center, and New York State Legislator Steven Englebright, both in attendance.

2. Organizational Excellence Award: Suffolk County for the Preservation of Owl Hill: Presented by Tara Cubie, Preservation Director, Preservation LI

Suffolk County was recognized for preserving Owl Hill, a 1907 mansion and 27 acres of open space in Fort Salonga, protecting it from redevelopment. Legislator Robert Trotta accepted the award on behalf of the county and County Executive Romaine. Also in attendance was Richard Martin, Suffolk County Parks Department Director of Historic Services. Independent historian Corey Geske was acknowledged for identifying the home’s renowned architect.

3. Project Excellence Award: The Church, Sag Harbor: Presented by Jeremy Dennis, Lead Artist & President, Ma’s House & BIPOC Art Studio

Artists April Gornick & Eric Fischl, along with Lee Skolnick & Jo Ann Secor of Skolnick Architecture, were honored for their leadership in transforming a 19th-century Methodist church into a vibrant arts and cultural hub. The award also recognized the site’s landscape design and amphitheater by renowned landscape designer Ed Hollander, accepted on his behalf by Jackie Powers.

4. Project Excellence Award: Mattituck Creek Tide Mill: Presented by Tara Cubie

The restoration of the historic Mattituck Creek Tide Mill was celebrated, with the award presented to Anthony Martignetti, a restauranteur, author, and designer. The careful restoration, undertaken with contractor Glenn Heidtmann of Heidtmann and Sons, was conducted under guidance from the New York State Historic Preservation Office. The Old Mill is set to open as a restaurant in Spring 2025.

5. Howard Sherwood Award for Preservation Advocacy: Brian Pinnola (Posthumous): Presented by Architect Paul Bentel

The evening concluded with a special tribute to Brian Pinnola, a devoted advocate for historic preservation, former board member of Preservation Long Island, and past president of The Garden City Historical Society. Brian’s lifelong dedication left a lasting impact on the community. The award was accepted in his honor by his partner, Maureen Soltren.

Photos by Len Marks Photography

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