History

S.H. West’s first blacksmith shop. Photo courtesy Beverly Tyler

By Beverly C. Tyler

The first of the West family line to come to the Three Village area were Mary Morris West and her two sons Kendall (known as Harvey) and Ebenezer. In 1836 Mary’s husband, Ebenezer West, died in Delaware. The 1850 census lists a Mary M. West, of the right age and birthplace, living in Connecticut with another family, suggesting she may have moved there from Delaware. By 1860, the West family bought a house on Old Town Road. Mary and Harvey were living there along with his wife, Mary Eliza Terrell, whose family lived just south at Walnut Tree Farm, and three children, including Samuel. 

Samuel and Ida West and children on July 4, 1892. Samuel is holding his twins Harvey and Hazel West. There are seven children present. Mary, George and Ida were yet to be born. Photo courtesy Beverly Tyler

Carrie West, wife of Clinton West, noted that her father-in-law Samuel, born on April 8, 1953 in East Setauket, went to Bay Shore to learn the blacksmithing trade of George Thorne. Here, Samuel boarded with the Thornes and spoke of them as a fine family. In 1875, he bought the old Elbert Wheeler blacksmith shop that had earlier belonged to blacksmith William Smith, who owned the house on the corner of Main St. and Gnarled Hollow Road. 

As told by Clinton’s son, Forrest West, “In April of 1881, West had a new shop built on the same site as his first and eventually added a two-story building next door where carriages were repaired.” 

Carrie West noted, “Houses were built up to West’s blacksmith shop. Samuel West was a thorough high-class mechanic, a hard worker, a man of integrity, a devout Christian, a worker for temperance, devoted to his family and home. He had an extensive horse-shoeing trade where he shod the numerous running horses for the Vinguts, farm horses and many carriage horses for Strongs, Tinkers, Rebouls and many other well-known families from Miller Place to Smithtown. He was a clever ironworker; he did the carriage and wagon repair work for the community. He was a wagon maker and built farm wagons, light delivery wagons, and butcher wagons and sleds. He enjoyed hunting and he and Mr. Selah B Strong with their bird dogs enjoyed hunting together. They were great friends. Special horses were brought from a distance, because of his ability in handling them. His shop was a well-equipped, light shop, always very neat, and it has been said by his customers he was always so gentlemanly and courteous.”

Samuel West’s second blacksmith shop. Photo courtesy of Beverly C. Tyler

In 1879, Samuel married Ida Augusta Hulse. Together they kept house in a rented home on Station Road, now named Gnarled Hollow Road. Here, five of their children were born. In 1889, he built a spacious two-story house on the corner of Main St. (now 25A) and Bayview Ave, where five more children were born, the first being twins. A great tragedy came to this happy family when Ida Augusta died in 1899 at the birth of the tenth child. 

Samuel’s only sister, Mary Emmaline Loper (Mrs Gilbert E. Loper Sr.) of Port Jefferson, took his tenth baby into her home and tenderly brought her up with their children. Although crushed in heart, Samuel, a faithful father, brought his large family up in a splendid useful manner, each helping the other. He lived to enjoy four generations. (Based on Carrie West’s notes).

West used the 1881 shop until the 1930s, practicing as one of two East Setauket blacksmiths (Henry Rakow, the other smith, operated a shop on Shore Road.) West’s shop moved in 1951 to become a part of what is now the Long Island Museum of American Art, History and Carriages in Stony Brook. The shop still can be seen with most of the equipment used by West to make and repair the metal parts of wagon wheels, shoe horses, and fashion various items that were essential to the community. 

Samuel West in his blacksmith shop. Photo courtesy Beverly Tyler

As detailed in the “Island News” on August 15, 1932, “Three years and six months before entering the blacksmith trade, Mr. West went to sea with his father, who was by trade a spar maker. This October will end the 57th year he has been open for business on the same spot…One man in Miller Place calls in his car to take the smithy to his horse. He now charges $3 a head but [the Miller Place man] pays three and a half times as much for shoes. Mr. West says that when he first raised his price one customer sold his horses rather than pay it.”  

It is difficult now to understand how important the blacksmith was to this community from the first  settlement through the early twentieth century. The blacksmith was vital to the early farm family as he was an artisan, performing a trade in which few men had the ability to do themselves. Working mostly with iron, he produced hand-cut nails; farm tools, such as axes and hoes; cooking utensils, such as pot hooks, toasters and dippers; and hardware for houses and barns, including hinges and door bolts. He was also a farrier, shoeing horses and oxen. The blacksmith took a great deal of pride in his work as evidenced by the fine ornamental iron pieces that exist as candle holders, gates and other decorative accents. Many blacksmiths also provided various related or unrelated services for the community, such as pulling teeth for local residents and treating horses for minor ailments. These services were quickly abandoned when a doctor or a veterinarian was available

Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. http://WWW.TVHS.org

Photo by John Dielman

A BEACON OF LIGHT

John Dielman of East Setauket recently captured this incredible birds-eye view of the Old Field Point Lighthouse using a drone. 

The  154-year-old building overlooking the Long Island Sound is one of 36 properties in New York and the only one on Long island to be nominated to the State and National Registers of Historic Places in 2023. Governor Kathy Hochul made the announcement on Dec 29. 

“Identifying these resources and adding them to our historic registers expands our ongoing understanding of our shared history and are important reminders of the innovation, passion, and lived experiences of New Yorkers who came before us,” said Hochul. 

Originally fueled by oil, the 50-foot tall light station is now unmanned and relies on electricity, but remains an active lighthouse and also serves as the Old Field Village Hall on the first floor.

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On Tuesday, December 12, 2023, the Greenlawn Centerport Historical Association hosted the Harborfields High School Jazz Band for a focus session on local hero Samuel Ballton.

Born into slavery in Westmoreland, Virginia in 1838, Ballton found his way to freedom three times, finally escaping the South for good with his wife, Rebecca. Arriving in Greenlawn in 1873, Ballton found employment with Alexander Gardiner and was eventually dubbed Greenlawn’s “Pickle King” when he grew and processed more than 1.5 million pickles in a single season.

Harborfields High School Jazz Band Leader Dan Bilawsky, having developed an interest in Ballton’s life, commissioned an original jazz composition about his story and, to learn more about “The Pickle King,” attended a Walking Tour and Pub Crawl in June of 2023. Through discussions with Town of Huntington Historian Robert Hughes at that event came the idea of creating deeper community connections by bringing the jazz band to the GCHA to learn more about local history and, specifically, Ballton.

During the field trip, Hughes spoke to the band and the GCHA created a temporary exhibit complete with photos, memorabilia, and Samuel Ballton’s sword. This visit also served as a part of a larger project for the students—a documentary on “The Pickle King” to be co-produced by the high school’s media journalism students and the jazz band.

“Our plan is to premiere this musical selection at our December concert to tie into the sesquicentennial of Ballton’s arrival in Greenlawn, and then put together a short documentary about ‘The Pickle King’—man and music,” Dan Bilawsky shared.

Hughes and Executive Director Claudia Fortunato-Napolitano were interviewed by the students for this forthcoming production. “The students did a great job, and they were fascinated to hear about Samuel Ballton and his journey in life, from being born a slave to becoming a pioneering figure in Greenlawn,” remarked Fortunato-Napolitano. “At the conclusion of their visit, the band presented our organization with a copy of the score signed by the composer, Jeff Lederer, which is now in the GCHA archives. The jazz band also performed the piece, and it was wonderful!”

The Greenlawn Centerport Historical Association is a non-profit membership organization with a mission to research, collect, record, and preserve artifacts, photographs, fine arts, and ephemera of Greenlawn & Centerport. In addition, they promote the preservation of historic structures and maintain two historic homesteads to provide the public with an opportunity to learn about early life on Long Island.

Photo by Samantha Rutt

By Samantha Rutt

The Three Village Historical Society was awarded a $300,000 grant, courtesy of the JumpSMART Small Business Downtown Investment Program on Monday afternoon, Dec. 18. 

Suffolk County Executive Steve Bellone (D) and other local officials gathered at Gallery North to present the organization with a giant check signifying the donation.

Along with the Three Village Historical Society, the Ward Melville Heritage Organization, LI Music and Entertainment Hall of Fame and Gallery North – Setauket Historic District also received generous grants from the JumpSMART program. The donations’ funding will be used to support downtown revitalization efforts.

“The funding that we’re distributing here is about supporting our downtowns and our cultural institutions that are so important,” Bellone said. “Much of the funding comes out of the award that we received from the federal government — they really are about promoting economic sustainability over the long term, and I can’t think of a better way to do that than investing in our cultural arts and institutions like the ones here.”

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From Angels to Werewolves: Animal-Human Hybrids in Myth and Art

By Elizabeth Kahn Kaplan

St. James resident Philip F. Palmedo has produced a beautifully written and generously illustrated book on a subject that has intrigued, delighted, and frightened children and adults from ancient days to the present: therianthropy, the mythological ability of humans to metamorphose into animals or animal-human hybrids.  

“The concept of the therianthrope can catalyze the creative imagination,” writes Palmedo. 

The first that we know of is the Upper Paleolithic Lion-Man carved out of woolly mammoth ivory some 40,000 years ago. While we can only conjecture why it was created, we know that more recent animal-headed deities like the jackal-headed Egyptian god Anubis played important roles some 5000 years ago in weighing the worth of a person after death.

In the Hindu pantheon, elephant-headed, four-armed Ganesha is widely revered as a bringer of good luck; in Christian art winged angels abound, by turns avenging and comforting. In the 20th century, the ancient Greek legend of the fearsome Minotaur, a man with the head and tail of a bull, served as Pablo Picasso’s “allegorical alter-ego . . . with many of his etchings, paintings, and sculptures featuring this mythical bull-man.” 

Imaginative minds past and present have created talking animals, from the wicked snake in Genesis that tempted Eve in the Garden to the Cowardly Lion in The Wizard of Oz, Disney’s Mickey Mouse and Donald Duck, and lovable Big Bird of Sesame Street. 

Shape-shifting, the ability to change from human to animal or to an inanimate object, abounds in Greek mythology. One rather improbable example is that of the god Zeus changing into a swan to seduce Leda. In another example, as retold by the ancient Roman poet Ovid, the beautiful river nymph Daphne was “shapeshifted” by her father, morphing into a laurel tree to defeat the unwelcome advances of Apollo, the Greek god of the arts. The sadder but wiser Apollo paid tribute to her by adopting the laurel wreath as his crown. 

In America, therianthropy is on display in The Wolf Man horror films, from Lon Chaney’s 1941 portrayal to Benicio del Toro’s in 2010. More recently, the widely consumed Harry Potter tales spun by prolific British writer J. K. Rowling charmed children and adults with a talking bird, Hedwig, and with Firenze, the centaur who rescued Harry from the villain Voldemort. 

Centaurs, mythic creatures with the upper body of a human and the lower body and legs of a horse, are the land complement to creatures with human upper torsos ending in huge fish tails — mermen and the alluring mermaids sighted by lonely mariners whose names derive from the French word for the sea, La mer. Palmedo’s chapter, Merpeople, is richly illustrated with examples in art from 6000 BC Serbia and 4th century BC Greece to 19th and 20th century India, Japan, Great Britain, and Denmark, including the bronze sculpture The Little Mermaid that overlooks the harbor in Copenhagen. Based on Hans Christian Andersen’s tale published in 1837, that fable might bring tears to one’s eyes. 

On the other hand, Norman Rockwell’s 1955 Saturday Evening Post cover, The Mermaid, can only make us chuckle with its depiction of an elderly fisherman hauling a beautiful mermaid home, her long elegant tail protruding from the large wooden fish trap on his back. 

This elegant, art-illustrated book written with clarity, printed on glossy paper, will entertain and enlighten. It can be purchased from Amazon. 

ABOUT THE AUTHOR:

A Ph. D. in Nuclear Engineering from M.I.T., Philip F. Palmedo, former head of the Energy Policy Analysis Division at Brookhaven National Laboratory, was for many years Chairman of the Washington-based International Resources Group, which he founded. A former Trustee of Williams College in Massachusetts, where he majored in Physics and Art History as an undergraduate, Palmedo formed and was President of the Long Island Research Institute. He also serves on the MIT Council for the Arts, and is a fellow of the Williams College Museum of Art. Palmedo’s previous book was Deep Affinities: Art and Science.

The Three Village Community Trust, the Three Village Civic Association, the North Suffolk Garden Club, the Three Village Chamber of Commerce and students and faculty at the Stony Brook School, and the Three Village Historical Society are partners in a Beautification Project at the Stony Brook Train Station.  Over the past year, significant progress has been made removing debris, weeds, and invasive plants from the landscaped beds. And a wide variety of Long Island native plants have been added to the landscaped beds.

As part of their ongoing efforts, the Stony Brook Train Station Beautification Committee invited local artist Michael Rosengard to create a unique art installation at the Station titled ‘All Aboard – Home For The Holiday.’ This outdoor work of art, located outside the front entrance of the historic Stony Brook Station House, creates a sense of wonder and whimsy to those walking or driving past the Station, highlights the history and importance of the Long Island Rail Road, celebrates the accomplishments of the Beautification Project, and helps kicks of the Holiday Season.

The community celebrated the opening of the exhibit on Monday, December 4th!

Kings Park Psychiatric Center. Photo courtesy of Preserve KPPC

Properties in Brentwood, Huntington, Kings Park, North Hempstead, Oyster Bay, Riverhead, and Smithtown are included in Preservation Long Island’s biennial list of Endangered Historic Places.

Preservation Long Island’s 2023 Endangered Historic Places List features seven nominated sites that span Long Island from a lighthouse on the Sound off Kings Point, to an early power plant in Riverhead. From historic homesteads to an expansive former mental health campus, the latest list highlights the historical richness of the region.

The Preservation Long Island (PLI) Endangered Historic Places Program (EHPP) is designed to identify, highlight, and address the imminent threats faced by significant historical sites and structures across Long Island. Properties are nominated to the list by concerned citizens and groups on Long Island. The program aims to raise public awareness about the endangered status of these historical places. PLI engages in advocacy efforts to garner support from the local community and beyond, emphasizing the importance of preserving these sites for future generations.

“The program offers Long Islanders an opportunity to advocate for preservation in their communities while learning how to use tools like landmark designation, tax incentives, and public outreach,” said Alexandra Wolfe, Preservation Long Island’s Executive Director. “Our program partners receive priority technical assistance from our professional staff and their listings are featured on our website and social media.”

“Operating on two levels, the program seeks to educate and mobilize new preservation advocates while identifying endangered historic places,” said Tara Cubie, Preservation Long Island’s Director of Preservation and Advocacy. “The relationships fostered by becoming an EHPP listing site are long term. The goal is for communities to develop sustainable comprehensive strategies for the protection and preservation of their historic resources.”

A panel of Preservation Long Island staff and trustees, as well as experts in architecture, historic preservation, and other related fields selected the properties based on three key criteria: overall historic significanceseverity of the threat and impact the EHPP listing will have on efforts to protect the nominated site.

In-person events are planned for the Spring of 2024 that include site tours, and panel discussions open to the public. Visit the EHPP page on our website to learn more about each of the selected sites and browse the schedule of upcoming events.

Preservation Long Island invites all Long Islanders to join us in celebrating and supporting the important sites on Long Island’s List of Endangered Historic Places for 2023:

Eliphalet Whitman House (c. 1736), Jericho Turnpike, Smithtown (part of Caleb Smith State Park). Listed on the National Register as a contributing structure to the Wyandanch Club Historic District, the house does not appear to be maintained and is showing significant signs of neglect and deterioration.

Perkins Electric Generating Plant (Riverhead Electric Co), West Main Street, Riverhead. Constructed in 1897, it was one of the earliest electric plants on Long Island. The building is vacant and deteriorating.

Steppingstone Lighthouse, Long Island Sound, off Kings Point and South of City Island (owned by Town of North Hempstead). Completed in 1877, it is one of the last offshore lighthouses in the Upper Mid-Atlantic to be built of brick and stone.  The site is threatened by deterioration and neglect.

King’s Park Psychiatric CenterNissequogue River State Park, Kings Park. A former mental health facility established in 1884, with the oldest extant buildings dating from 1890, the complex is significant for its architecture and as a cultural historic landscape. The Master Plan for the park finalized in August 2023, proposes demolition of Kings Park Boulevard.

Coindre Hall Boathouse, Town of Huntington. Located directly behind Coindre Hall (c.1912), the boat house is a miniature replica of the mansion. No longer safe for use, the structure has been fenced in for safety purposes, and is in bad condition. Although there has been stabilization work completed, there is debate regarding whether the building should be restored or the waterfront should be turned into a nature reserve.

Shutt HouseTown of Islip. The house is one of the original homes in Modern Times (1851-1864), Long Island’s utopian community (which evolved into today’s Brentwood). The structure is threatened by proposed demolition and development by the current owner.

Mill Pond HouseTown of Oyster Bay. Built before 1720, the Mill Pond House is one of the oldest surviving dwellings in Oyster Bay. The building has been vacant since 2008 and continues to deteriorate.

Preservation Long Island’s Endangered Historic Places Program is made possible in part by a grant from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.

About Preservation Long Island

Preservation Long Island is a not-for-profit organization that works with Long Islanders to raise awareness, appreciation, and support for the protection of our shared past through advocacy, education, and the stewardship of historic sites and collections.

Preservation Long Island’s preservation advocacy services support the work of our local partners in communities across the region. We offer consultation and strategic guidance for Long Islanders seeking help with local preservation projects, including historic resource surveys, local landmark designation, National Register listing, and restoration or adaptive reuse of historic buildings.

Preservation Long Island also maintains and interprets historic sites and collections that embody various aspects of Long Island’s history including:

Joseph Lloyd Manor, Lloyd Harbor

Custom House, Sag Harbor

Sherwood-Jayne Farm, Setauket

Old Methodist Church and Exhibition Gallery

The USS Shaw explodes during the Japanese assault on Pearl Harbor Dec. 7, 1941. Public domain photo

By Rich Acritelli

“We thought they were U.S. planes until we saw the big red sun on the wings, and they began to bomb and strafe, and there was that big red sun on their wings, and it was war.”

 — William Harvey, USS Sacramento, 1941

Eighty-two years ago on Dec. 7, the Empire of Japan struck the United States Armed Forces stationed at Pearl Harbor, Hawaii.

In the early morning hours, a massive Japanese naval and air presence was just 200 miles off the coast of these islands as military personnel and civilians awaited a leisurely Sunday. In an attack that lasted a little over two hours, an American population was thrust into a global conflict.

The surprise attack stunned government and military officials alike. Many Americans were shocked by this news, deluded by the inaccurate perception that the Japanese were not capable of hitting Hawaii with any robust force.

Instead, airmen, army forces and naval ships were reeling from continual aerial assaults by the Japanese Zero fighter aircraft that openly strafed American targets. From Japanese aircraft carriers, 40 torpedo planes, 103 level bombers, 131 dive bombers and 79 fighters opened up the war against American targets.

Once the smoke cleared, 2,403 American service members were killed, more than 1,000 injured and 19 American ships were crippled or destroyed.

The United States was fortunate that its three aircraft carriers were at sea. Adm. Isoroku Yamamoto initially stressed caution against this attack. He openly believed that if the American carriers were not hit, he could “run wild” for a year before the “sleeping giant awoke.”

Yamamoto, who traveled extensively around the United States, fully understood America’s economic and military potential, worrying that Japan would lose any long war against this country. The next day, President Franklin D. Roosevelt (D) rallied a shaken nation, announcing that a “state of war” existed between the U.S. and Japan.

Americans from all walks of life entered the U.S. Armed Forces to avenge this national tragedy and oppose the rise of fascism. The Japanese and Germans faced limited military achievements, but they underestimated the American resolve to mobilize every facet of its government, economy and population. 

By 1945, America and its allies had achieved “complete” and “utter” victory first against Germany and then Japan.

A way to remember

Dec. 7, 1941, is a national day of remembrance of service for many past, present and future veterans. Recently, Thomas Semkow, a lifetime member of Rocky Point VFW Post 6249, died of cancer on Nov. 13, at 78. A soft-spoken man who was born in Manhattan and enjoyed every aspect of the Rocky Point VFW, Thomas was a Vietnam veteran. He was sent to Vietnam during the height of the fighting. Thomas had the unique experience of being a member of the Green Berets as a medic who worked closely with American and South Vietnamese forces who directly fought the Vietcong and the North Vietnamese Army.

Never one to speak about his experiences during the war, Thomas’ military achievements are on display at the VFW 6249 Suffolk County World War II and Military History Museum, opening Thursday, Dec. 7.

His death is a continual reminder of the older World War II, Korean and Vietnam war veterans who are dying on a daily basis. They sacrificed greatly to defend this nation. Let us remember now their valor during the Japanese attack.

Rich Acritelli is a history teacher at Rocky Point High School, adjunct professor at Suffolk County Community College and curator of the VFW 6249 Suffolk County World War II and Military History Museum.

Volunteers help break ground for the project made possible by $10K PSEGLI grant

The Living Lands design team at Three Village Historical Society. From left, Mike Dondero, Alex Getches and Logan Kjep. Photo by Kimberly Phyfe/TVHS

Three Village Historical Society broke ground last week on a project to install a series of gardens surrounding its main building on North Country Road, courtesy of a $10,000 outdoor commerce and beautification grant from PSEG Long Island.

The gardens will include a pollinator pathway, colonial kitchen garden, indigenous medical garden and sensory garden, all with native plants, according to Kimberly Phyfe, development coordinator for TVHS. She added that the plan also includes garden paths, educational signage and some additional trees.

“This is going to be a teachable educational space,” she said. “You’re going to be able to walk through a timeline of history.”

A series of gardens will surround Three Village Historical Society’s main building after the society received a $10,000 grant from PSEG Long Island. Photo by Mallie Jane Kim

At a Friday, Nov. 10, “garden party,” an estimated 20 community volunteers, including some members of the Three Village Garden Club and the historical society’s grounds committee, participated in clearing most of the ground cover, invasive species and weeds to prepare for the project, which is headed up by Living Lands, a North-Shore based garden design and installation company that specializes in native habitats and ecological restoration, primarily on a residential level.

Living Lands co-owners Logan Kjep and Alexandra Getches said they feel honored to be part of such a community-facing project to highlight the beauty and usefulness of native plants.

“Getting to find out the history of the plants and the way they were used in the past has been really interesting because we focus more on their role in ecology,” Getches said. “Investigating how the indigenous people used them, how the colonists used them was really fascinating.”

The PSEGLI grant is typically for downtowns or business districts. Phyfe said when the representative originally stopped by last spring on a Monday at 10 a.m., all was quiet on the stretch of North Country Road where the society sits.

She said she urged him to return on a Friday afternoon during the farmers market so he could “see this town taken over by small businesses, locally owned; food trucks, music, education, entertainment — everybody is here on a Friday night. I think that’s what really did it.”

Phyfe added that the market brings business to neighboring establishments and acts as the start of historic Setauket. “Welcome to Culper country — this is the home of historic American Revolution stories right here in Three Village,” she said.

Phyfe called the gardens an “outdoor classroom and teaching garden space” that will be available even when the museum and visitor center is closed, and will expand on the education provided by the Culper Spy and Chicken Hill exhibits, which can host only small groups at a time during student or Scout visits.

She said the sensory garden will be particularly friendly to students with sensory processing disorder. “I want to make learning and field trips accessible to learners of all ages, and particularly learners with disabilities and special needs,” she said.

Phyfe indicated the garden project should be completed by Thanksgiving.

Ken Brady. Photo by John Griffin

By Philip Griffith

I was sorry to read in The Port Times Record [Oct. 25] that Kenneth C. Brady Jr., born April 17, 1943, passed away on Oct. 24.

Ken inherited Rob Sisler’s title, Port Jefferson village historian. Brady was the quintessential explorer of our Port history. He leaves us a legacy of 17,500 priceless photographs, numerous articles, eloquent historical lectures, fascinating artifacts and public exhibitions. A wise Irish patron of a local pub advised me, “Always expect the worst. You’ll never be disappointed.”

It was my pleasure to meet Ken as a co-writer and editor of The Echoes of Port newsletter distributed by the Historical Society of Greater Port Jefferson. He taught me much about accurate research and reporting. Along with me, Brady was a founding member of Port Jefferson Conservancy and later became its president. He worked tirelessly to preserve our village history, architecture, parks and surrounding waters of the Long Island Sound.

Beyond Port Jefferson, he served as president of the Suffolk County Historical Society. His books on Belle Terre and photographs of Arthur S. Greene are gems. I especially enjoyed his many photographic exhibits at the Port Jefferson Village Center and at our annual dinner of the Port Jefferson Historical Society at Port Jefferson Country Club.

In addition, Ken was a frequent contributor to The Port Times Record, best known for his Hometown History series. TBR News Media named him as a 2013 People of the Year winner.

I visited Ken many times in his archive office, which he designed and created on the second floor of the Village Center. He was always gracious about my interrupting his work and generous with sharing information for my research. Ken was a walker and often greeted residents on his journey. My grandson Jack lived on South Street, and Ken always gave him a high five and a smile. When Jack went ice skating at The Rinx adjoining the Village Center, he always went upstairs to visit Ken, who offered him a few peppermint candies to enjoy.

A retired Sachem teacher, Ken loved children and Jack loved him — as all who knew him did.

Ken had a great sense of humor. He was a kind, intelligent, unassuming gentleman. You’d see him in his Montauk sweatshirt, a place where he spent many days at his second home. In this small resort village called “The End,” and the location of seven Stanford White homes, Ken spent many hours with his good friends, Mike and Claire Lee. The surrounding ocean waters beguiled them. Ireland, the land of his ancestors, is noted for its saints and scholars. In my judgment, Ken qualified for both categories.

It is ironic that days before Ken’s death, I met Mike Lee at the Colosseo Pizzeria in Port Jeff Station. As I frequently do, I asked Mike, “How is Ken?” He replied, “Fine.”

There’s an old Hasidic adage that goes, “If you want to make God laugh, tell him your plans for the next week.” At 11 a.m. on Oct. 27 in Cedar Hill Cemetery, Kenneth C. Brady Jr. was laid to rest before more than 100 friends and neighbors. The Methodist Rev. Charles Van Houten conducted the solemn graveside service. Van Houten and attending mourners offered prayers.

Mike Lee made a fittingly concluding remark. I made a fittingly concluding remark, too. I said, “Ken, you are now a part of Port Jefferson’s history.”

Rest in peace.