History

Historian Kate Strong as a young girl with her dog on the steps of her home on Strong’s Neck. Photo courtesy Beverly C. Tyler

By Beverly C. Tyler

She was baptized Martha Tunstall on July 2, 1652, daughter of Henry Tunstall of Putney, County of Surrey, England. She moved with her family to Tangier, Africa where she married William Smith. From her marriage on Nov. 26, 1675, until her death in Setauket in 1709 at the age of 57, Martha led a life dedicated to her husband, family, business interests and community. 

She gave birth to 13 children and buried seven of them; journeyed — in a time of discomfiting and perilous travel — from Tangier, back to England, to Ireland for the birth of a child, and finally to America. She raised her family in, at first, primitive conditions, and assisted her husband in his businesses which often involved his traveling from home over long periods of time. Throughout all this time she became well respected and loved as Lady of the Manor and was eventually widowed at the age of 52,  successfully continuing her husband’s business interests including off-shore whaling and was an acknowledged community leader.

Madam Martha Smith, as historian Kate Strong referred to her, or Lady Martha Smith, as she is referred to in many documents, is not listed in “The Encyclopedia of Women’s History in America”, nor is she mentioned in “Long Island Women: Activists and Innovators”, both excellent books on history’s neglected gender. However, she was a woman of wealth and stature on Long Island and especially in the communities of Setauket and Mastic where she and her husband maintained their residences.

Col. William “Tangier” Smith was born in February of 1654, in Higham-Ferrers, Northamptonshire, England.

Tangier, which had been ceded to England as part of Queen Charlotte’s dowry, was an important port, or so it was thought, until abandoned and burned by England in 1683, after both Spain and Portugal refused to take it off England’s hands. As detailed by Chester Osborne, William went to the crown city of Tangier, Africa when he was 20-years old. A year later he married Martha Tunstall. He was elected to the post of mayor on Nov. 11, 1682. The young couple returned to England in 1683, and in 1686, sailed from Ireland for America with three children.

William and Martha arrived in New York in the fall of 1686 with two children, 7-year-old Henry and 5-year-old Martha. Another child, Hibernia, had been born in Cork, Ireland in June before they left for America on the ship ‘Thomas’, but she died at the end of August while they were still at sea. Hibernia was the couple’s eighth child and the sixth to die. Three of their children, Elizabeth, John and William, Jr. died in Tangier. Two of their children died in London in 1684.

During their time in New York, Martha gave birth to a daughter Jeane on Dec. 8, 1687. William very quickly purchased land in Setauket, ‘Ye Little Neck’ and on the South Shore as well. By 1689, William and Martha had moved permanently to the young settlement of Setauket. In March, Martha gave birth to William Henry. In June 1690, their daughter Gloryana was born. Eighteen months later another daughter, Theodocia, was born on Dec. 14 and died on Dec. 29. Two years later, on Dec. 20, 1693, Martha gave birth to the couple’s last child Charles Jeffery.

During these early years in Setauket, William and Martha moved from their first house near the Woodhull homestead to the Neck where they built a larger house that became known as St. George’s Manor. While Martha kept busy at home, William worked to increase his land holdings as well as his family. On Oct. 9, 1693, he received a patent from Governor Fletcher that included all the land “bounded roughly By Carmen’s River and Forge River [then called Connecticut River and Mastic River respectively] between Middle Country Road and the Atlantic Ocean.” This, combined with his previous purchase, created the Manor of St. George. In 1697, William added another portion of land, running to the western boundaries of the Towns of Southampton and Southold. He then built a second Manor House on Smith’s Point in Mastic. Here the family spent summers, returning to the Manor house in Setauket for the rest of the year.

With the acquisition of the patent land in 1693, William and Martha became the Lord and Lady of the Manor, Lady Martha and Lord William “Tangier” Smith. 

Stay tuned for part two of Beverly C. Tyler’s History Close at Hand column in the coming weeks.

The boarded-up house on Sheep Pasture Road. Photo by Kyle Barr

By Samantha Rutt

In a triumph for local preservationists and historians, the William Tooker House on Sheep Pasture Road, Port Jefferson Station, has been safeguarded from neglect and demolition. The oldest known structure in the village faced threats of urban renewal before being included in Preservation Long Island’s Endangered Historic Places List in 2021.

Constructed before 1750, the William Tooker House holds immense historical significance. It was once the residence of William Tooker, a descendant of early Long Island colonists, whose family played a pivotal role in the region’s colonial history. The house itself is a testament to the area’s heritage, retaining a colonial Cape Cod-style timber frame on intact fieldstone foundations.

A significant milestone was reached on Oct. 3, 2022, when the Village of Port Jefferson agreed to purchase the property from its current owners using a grant applied for by Steve Englebright (D-Setauket) during his time in the state Assembly. Through the State and Municipal Facilities Program, the Village of Port Jefferson was granted $500,000 to be associated with purchase and restoration of the property.

Since 2022, local officials have worked to decide the future of the property, mentioning using the house as a central museum to pay tribute to the village’s history.

“The mayor seems very focused on the significance of the site, wanting to operate within the parameters of the grant,” now-county Legislator Englebright said of Port Jefferson Mayor Lauren Sheprow’s plan for the property. “The grant will more or less include the acquisition cost as well as a phase one restoration.”

Englebright described a phase one restoration project as stabilizing the existing structure, returning it to as much of the original structure as possible and using whatever may be left over from the grant to refurbish the interior and possibly add or update the existing heating and cooling units.

The village has not yet finalized the acquisition but is actively in contract to do so, Englebright explained. Despite its historical importance, the William Tooker House has been endangered by neglect, demolition threats and insensitive alterations over the years. However, with the village’s eventual acquisition of the property, a new chapter in its preservation is soon to begin.

Preservation Long Island, along with local community members and organizations such as the Greater Port Jefferson Historical Society and Port Jefferson Station/Terryville Chamber of Commerce, have advocated for the preservation of this piece of Port Jefferson’s history. Their efforts have culminated in the village’s commitment to acquire and preserve the property in collaboration with community stakeholders and nonprofit stewardship partners.

To further ensure the preservation of Port Jefferson’s historic resources, including the William Tooker House, Preservation Long Island and local advocates have outlined a series of actions for village officials to undertake. These include conducting a survey to identify and designate all historic resources and districts, leveraging public funding with private donations for rehabilitation work and incorporating historic preservation into downtown revitalization plans.

In addition, the New York State Historic Preservation Office recognized the property’s importance by determining its eligibility for listing on the National Register of Historic Places in 2020. With the village assuming ownership, it can proceed with the application for this designation. If successful, the designation will not only honor the house’s historical significance but also make the village eligible for tax credits, financial incentives and technical assistance for rehabilitation work.

With the William Tooker House now under the village’s stewardship, there is renewed optimism for its preservation and future as a cherished landmark in Port Jefferson. As efforts continue to unfold, residents and historians alike look forward to seeing this iconic structure restored to its former glory.

“Restoring the property will help to develop a sense of place,” Englebright said. “Place is hard to measure but important in developing community identity and pride. The restoration will help to carry and pass on a baton of knowledge for generations to come.”

Tracing communication milestones from diaries to postcards

By Beverly C. Tyler

Celebrating holidays and other special days was and still is an important milestone in people’s lives. Diaries, journals and letters provide some of the earliest records of seasonal activity and how people connected with each other to mark occasions. In America, before the telephone became a standard household item, family members and friends stayed in touch through the U.S. Postal Service.     

In 1873, a new phenomenon began when the United States Postal Service issued the first penny postcards. During the first six months they sold 60 million. With the postcard, brevity was essential due to the small space provided. Long descriptive phrases and lengthy expressions of affection, which then were commonly used in letter-writing, gave way to short greetings. 

The postcard was an easy and pleasant way to send a message. A postcard sent from one town in the morning or afternoon would usually arrive in a nearby town that afternoon or evening. A postcard sent from another state would not take much longer.

As the telephone became more widely used, the postcard became less and less important as a means of daily communications. However, it provided us with a view of the early years of the twentieth century that became a permanent record of contacts between family members and friends.

Greg Philipps

Last week, the Three Village Historical Society (TVHS) celebrated the inauguration of its 2024 board of trustees with a swearing-in ceremony. The event, held on Tuesday, February 13th, marked the official introduction of the newly appointed leadership team.

Bob Lauto

Greg Philipps, assuming the role of president, and Bob Lauto, taking on the position of vice president, were both sworn in during the ceremony. The honor of administering the oath fell to Fred Bryant, a respected longtime member and former trustee of the Society.

Mari Irizarry, Director of the society, expressed enthusiasm for the new trustees, citing their diverse backgrounds and wealth of experience. She underscored their capacity to provide strong leadership and varied perspectives crucial for addressing the significant challenges and opportunities facing the organization in the coming year.

“As we welcome Greg Philipps and Bob Lauto to their respective roles, we are invigorated by the fresh energy and expertise they bring to our board,” remarked Irizarry. “Their appointment enhances our ability to navigate the complex landscape ahead, ensuring that we uphold our commitment to excellence in education and community-based programming.”

A sign on the TVHS property shows a rendering of the exhibit and education center. Photo by Raymond Janis

By Mallie Jane Kim

Setauket’s historic district shouldn’t be marked by a bright-blue-wrapped, half-finished barn for much longer, as the Three Village Historical Society plans to start working in earnest on the Dominick-Crawford Barn Education and History Center just as soon as the weather thaws and their supply orders come in. 

“You’re going to see a lot going on in the spring,” said Steve Hintze, who has been on the TVHS barn committee since its inception. “We ran into roadblocks, which seems to be par for the course, but now we’re ready and have everything set to really start moving.”

The society raised the barn exterior quickly last year, only to stall in the fall due to design changes that needed assessment by the Historic District Advisory Committee, a citizen group appointed by Brookhaven Town Board to advise the planning commissioner on changes in historical districts. 

The committee recommended adjustments to the society’s altered plans, including to the spacing of seams on the metal roof as well as to the color of the exterior, according to Hintze, who was TVHS president when the society began the barn process in 2014. Hintze added that some of the proposed changes were due to cost increases after the COVID-19 pandemic. The society moved toward less expensive but still historically-accurate materials, and away from a pricey cedar roof and particular windows that had shot up in cost. 

“We had enough money to get everything done before the pandemic,” he said. “Due to the pandemic, the cost doubled — flat out doubled.”

This start-and-stop rhythm has been nothing new to the TVHS barn project, which ran into roadblocks from the beginning. The society took down the original 1840s barn from its location in Old Field in 2014, with plans to use the wood to reconstruct a historic barn structure within a commercial shell that could host exhibits and events. According to Hintze, in the process of seeking permits with the Town of Brookhaven, the society learned their building lacked an appropriate Certificate of Occupancy, an issue he said was left over from the previous owner, and there were several past clerical errors that needed ironing out. 

“So once we started the project, we immediately started moving forward and then had to slow down,” Hintze said. “Then we move forward and then slow down. So that was the beginning of the barn taking a while to get accomplished.”

Then in 2022, someone cut and stole some key pieces of the original barn wood — including the longest piece. To solve that, the society has additional same-period wood coming from other places locally and from around New York state. 

One design sticking point is whether the society can use the high-density engineered wood LP SmartSide siding on the outside structure, which requires less labor and comes with a 50-year guarantee, or whether they need to use historically-accurate siding material like cedar or pine. Hintze said the society would like to consider long-term costs in maintaining the barn, with a material he said is indistinguishable in appearance from classic wood and far more resistant to bad weather, woodpeckers and other wood-destroying creatures. 

But some TVHS board members and members of the HDAC have been hesitant, if not against using the material. Town councilmember Jonathan Kornreich (D-Stony Brook), who is familiar with the arguments for and against LP siding on the barn, explained the hesitancy comes from those concerned about historical accuracy — much like a Model T car club using modern materials to restore historic vehicles. 

“If you get leaders in who say, ‘Hey, what if we put a Honda engine in the Model T, or fiberglass siding, or maybe air conditioning to be more comfortable,’ at some point, you’re not the Model T car club anymore,” the councilmember said.

Kornreich added that a decision about siding material is a big deal because Setauket’s historic district is one of the strictest in Suffolk County. If LP is allowed there, the door opens for it to be used in other historical applications.

But that reason is one TVHS leaders see as a possible plus, opening the door for forward-looking materials in historical contexts. “There’s something to be said about the historical society being able to set a standard, if we’re using these other materials, let’s use the very best of it,” explained society director Mari Irizarry. “Solar panels weren’t approved in the historic district for years, and now they are.”

Hintze said any debate surrounding LP siding shouldn’t slow down the barn building, and added that they are open to cedar if that will get the barn project finished. “It’s not structural — it’s the last thing that goes up,” Hintze said. “It really is something that can come down to the wire.”

In the meantime, the $300,000 JumpSMART grant the society recently received from Suffolk County will help move construction forward, and TVHS community engagement manager Kimberly Phyfe is planning to ramp up fundraising efforts in coming months. “We still have a little ways to go in terms of fundraising and grant writing,” she said, adding that she is hoping the barn will be ready to host visitors by the society’s annual Candlelight House Tour this December.

Advertisement for the Auto show at Athena Hall. Photo courtesy Beverly Tyler

By Beverly C. Tyler

Athena Hall, now Theatre Three, was Port Jefferson’s community hall from 1874, when it was built, until it was remodeled into the Port Jefferson Theatre in 1928. Until then it was an open flat floor area above the Griswold Machine Shop where vaudeville, minstrel, magic lantern, automobile shows and local plays were held. The space usually included music and entertainment and by the early 1900s, “Moving Pictures” as well. 

Athena Hall was also used for high school graduations, as a meeting house, election headquarters, dance hall, roller skating rink and by organizations such as the Port Jefferson Fire Department which held a benefit show in 1927, featuring a one-act play, a movie and the Port Jefferson High School orchestra. Earlier the same year, Bridgeport radio station WICC held a two-night show featuring Charlie Cole and his singing orchestra, with music for dancing every night from 9 p.m.. to 2 a.m. There were even musical and Charleston dance contests during the auto show in January 1927. 

Advertisement for the Auto show at Athena Hall. Photo courtesy Beverly Tyler

About this same year, 12-year-old Blanche Carlton was asked to play the piano before a film and to accompany her close friend Veronica “Ronnie” Matfeld who would sing. Mom told me over tea, “I believe it was all arranged by Charlie Ruggles who got the director to run skits at the theater before the movie. I think the director’s name was John. I could hear the tunes so I didn’t need the music and I could pick out other tunes. For the last piece Ronnie sang “O Sole Mio” and when Ronnie reached the highest note I was to reach for the notes beyond the piano and fall off the stool onto the stage – and I did.” That ended the skit. Mom and Veronica went off stage and the movie started.

Charlie Ruggles came to East Setauket in 1926 and purchased property at 16 Coach Road. He maintained this East Coast residence until 1942. Ruggles was probably best known for his performances as a character actor in films such as “Bringing up Baby” with stars Cary Grant and Katharine Hepburn. In this crazy hectic comedy film he played Major Applegate, a big game hunter. Ruggles was in more than 100 films over a more than 50 year career. He began his career on the stage and was also well known for his work in radio and on television. 

Ruggles’ career included Long Island at the Player-Lasky Studios, later the Paramount, where he made four silent films in 1915. His comedic talents also extended to his personal relationships and he made many friends, many famous in their own right, as detailed in the May 13, 1927 “Brooklyn Daily Star”.  

“Due to the cordial relations existing between Charles Ruggles, popular comedian of ‘Queen High,’ at the Ambassador Theater, and Lieutenant Commander Byrd, Clarence Chamberlain, Bert Acosta and other famous airmen, the actor has erected a huge searchlight on his estate near East Setauket, to guide flyers in their aerial navigation during night hours. The Ruggles light has already become a landmark among the eastern aviators.”

Ruggles, as detailed in the October 1, 1936, “Mid-Island Mail”, came here often. “Movie Star at East Setauket  – Charles Ruggles of the movies flew from the coast last week to spend several days at his home in East Setauket. The well-known comedian is a frequent visitor here.” Ruggles was here enough to be included in the 1930 census for East Setauket along with his future wife Marion La Barba. 

Many other vaudeville, minstrel and Broadway actors came to this area with its pleasant villages and picturesque harbors. Getting out of the noise and smells of the city was one reason to come to places like Port Jefferson and Setauket and the presence of local theaters, dance halls and entertainment venues just added to the appeal.

Beverly C. Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society, 93 North Country Rd., Setauket, NY 11733. Tel: 631-751-3730. http://WWW.TVHS.org

Claudia Fortunato-Napolitano

The Van-Wyck Lefferts Tide Mill is a not-for-profit organization, established in 2013, with a mission to preserve and protect an 18th century tide mill, located in the Village of Lloyd Harbor, that is the best-preserved tidal grist mill in the United States.  The mill design is based on U.S. Patent No. 3 for an “automatic mill” signed by President George Washington.  

After making extensive repairs to the Mill and the dam at Puppy Cove on which it sits, the Board of Trustees is proud to announce the hiring of its first Executive Director, Claudia Fortunato-Napolitano. 

“Claudia is a great addition to our team of volunteer Board members. Claudia brings a wealth of experience … and will play a pivotal role in fundraising initiatives, exploring new grant opportunities, expanding public awareness, and effectively managing day-to-day operations,” said Richard Hamburger, the President of the Board of Trustees. 

“I am really excited to be a part of the team that is working to preserve and share this incredible historic resource, which is remarkably unchanged from the time when it was in operation and was such a vital part of the local farming community,” said Fortunato-Napolitano. 

Fortunato-Napolitano has more than 20 years of experience working for non-profit organizations.  She is the former Executive Director of the Huntington Historical Society and is currently the Executive Director of the Greenlawn Centerport Historical Association. She has also worked at the Long Island Children’s Museum, the Seaman’s Church Institute, and the Museum of the City of New York.    

Public tours of the Mill are available through the Huntington Historical Society, which operates ten to fifteen tours a year from May through October. Visitors travel to the Mill by boat from Gold Star Battalion Beach in Huntington.  For more information, email [email protected].

The Whaling Museum & Education Center, 301 Main St., Cold Spring Harbor has announced its third season of Beyond the Book club. After two successful seasons of this unique, thematic book club, the museum has gained a consistent member base. Even so, there is still room for more bookish folks enamored with the sea to participate. Participants will enjoy fascinating stories paired with the museum’s collection and a special matching snack.

This unique book club series has the museum education team hand selecting texts that are inspired by the sea and utilizes the museum’s collection of over 6,000 artifacts to bring club members closer to the story. Participants are invited to make connections, personal and historical, through up close interactions with relevant objects and facts from Long Island’s maritime past.

Through this tangible way of interacting with objects, book clubbers are immersed in the theme of the text and find new perspectives to understand the narrative. In addition, the museum education team pairs a special snack with the text for each session, further engaging participants. 

Liz Cousins, a participant in this past fall and spring book club sessions, had this to say about Beyond the Book — “Thanks again for putting this book club together! I’m not usually a “book club” type  […] but THIS, I LOVE.” The Whaling Museum’s book club aims to gain a new audience of readers through this unique approach. 

The January session will take place on Jan. 25. Book clubbers will gather to discuss The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness by Sy Montgomery followed by an examination of historical documents from the museum’s collection that reveal how 19th century whalers viewed whales and how these views have changed over time.

The February session will take place on Feb. 29 featuring Never Caught: The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge by Erica Armstrong Dunbar. Enjoy an intimate look at the museum’s special exhibit From Sea to Shining Sea: Whalers of the African Diaspora and discover the surprising role the whaling industry played in carrying people to freedom.

Lastly, on March 28, book clubbers will gather to discuss Ahab’s Wife, or The Star-Gazer by Sena Jeter Naslund. Participants will inspect artifacts and writings left behind by Cold Spring Harbor whaling wives to see how closely Naslund’s fiction imitates fact.

“It has been an absolute joy to watch our book club continue to grow and to be a part of the wonderful community that has formed during these sessions.  We can’t wait to share more of our collection and explore new stories with this group in the new year,” said Brenna McCormick-Thompson, Curator of Education.

Each book club meeting will start at 6:30 p.m. and is approximately 1 hour long. Coffee (compliments of Starbucks of Huntington Village), tea and cookies will be served.

Beyond the Book club sessions are free for museum members and patrons of the museum’s partner libraries, Huntington Public Library and South Huntington Public Library. All others may attend for $15 per session. Register at www.cshwhalingmuseum.org/bookclub. For more information, call 631-367-3418.

This article originally appeared in TBR News Media’s Prime Times senior supplement on 01/25/24.

Stock photo

Join the Northport Historical Society, 215 Main St., Northport for a Victorian Valentine’s Day on Thursday, Feb. 8 at 7 p.m. Make your date night, Gal-entine’s, or early Valentine’s Day celebration unforgettable! Education Coordinator Carol Taylor takes you on a journey from the beginning of Valentine’s Day to modern times while learning (and sampling) wine paired with handcrafted chocolates. Your evening concludes with a gift provided by Nite Owl Promotions. Tickets are $60, $50 members and must be purchased in advance at www.northporthistorical.org. Ages 21+ only. Questions? Call 631-757-9859.

Jesse Owens. Pixabay photo

“It’s not a question of whether you will hurt, or of how much you will hurt; it’s a question of what you will do, and how well you will do it, while pain has her wanton way with you.”    ― Daniel James Brown, The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics

Gazing over the tens of thousands of foreigners entering the arena that would be the 1936 Berlin Olympic games stood the presence of dictator Adolf Hitler. During the midst of the Great Depression, the tyrannical leader of Nazi Germany promised to rebuild his nation to its former glory.

In 1931, the International Olympic Committee permitted the summer games to be held in Berlin as a peaceful way of putting World War I behind the Europeans. Instead, the world saw the flying of Swastikas signaling the rise of Nazi Germany. The games began on Aug. 1, 1936, with Hitler present to watch his country prove its status as a restored national power.  

A rumored American boycott to oppose the fierce Nazi treatment of its minorities, loomed over, though President Franklin D. Roosevelt granted his country’s athletes to participate in these games. 

Watching the ignition of the Olympic flame, stood Jesse Owens or “Buckeye Bullet”. Owens a famed-athlete, grew up in an Alabama sharecropping family, where much of his childhood was riddled with racism. Despite his adversarial childhood, Owens went on to become a talented track and field athlete at Ohio State University. It soon became a goal of Owen’s to dispel the Nazi “Aryan” propaganda promoting others inability to defeat Hitler’s “Master Race” of athletes.  

Hitler’s much-publicized hatred did not shake the American resolve of Owens and the other African American participants. American runners went on to earn 11 gold medals in track and field; six by Black athletes, with Owens earning four gold medals and two impressive Olympic records. 

Later in the games, a fatigued Owens sought rest, with this, he offered the torch to American teammates, Marty Glickman and Sam Stoller suggesting they could compete in 4×100 race in his stead. Instead, Owens was directed to race and Glickman and Stoller, both of Jewish culture, were barred from participating. Concerns arose that American coaches were fearful of upstaging Hitler by using Jewish-American athletes to gain additional medals. 

An aspect of these games often overlooked is the athlete’s personal contention with the economic and social issues of the Great Depression. The economy was poor in Germany and its regime paid for the training and living expenses of its athletes. Many American athletes looked at sports in a secondary manner as they tried to gain essential items to survive. Americans had to contend with twenty-five percent unemployment and a struggling economy.

On Christmas Day, Hollywood released a heartwarming look at the tribulations of the Great Depression through the production of ‘The Boys in the Boat’, written by Brown and directed by George Clooney. Like ‘Cinderella Man’ and ‘Seabiscuit’, this film delves into the intersection of sports and the Depression. 

Even as the New Deal was established by Roosevelt, American people faced difficulties in finding work and buying food. ‘The Boys in the Boat’ is based on the Washington State Rowing Team’s quest to win the gold medal during the Berlin Olympics.  

This film, set on the outskirts of Seattle, chronicles the harsh extent of the Depression. It focused on Joe Rantz, who was abandoned by his family and forced to care for himself. Actor Callum Turner portrayed an engineering student facing the threat of removal from Washington State for being unable to pay his tuition. With holes in his shoes and making a home in an abandoned car, this student desperately sought a chance to improve his economic situation by trying out for his school’s rowing team. 

Joel Edgerton stars as Coach Al Ulbrickson, an uncompromising figure who demanded athletic and physical excellence. The film takes some artistic liberties depicting the triumphs of the team modifying the succession to highest levels of college and Olympic competition to one year as opposed to the three years presented in Brown’s book.  

As a director Clooney scores in the eyes of film, history, and sports fans. He portrays the determination of the team’s coach in utilizing a junior varsity team that would eventually become the best in the nation and would go on to win a gold medal. 

There are many moments that present Rantz’s competitive side. In the film, Rantz found a father figure in the team’s boat builder, a man who took a special interest in his athletic talents by constructing and maintaining their equipment. The builder provided sustinent advice on handling the complexities of life and listening to authority. This film identifies the American-will to persevere, showcasing a team pitted against highly-respected Ivy League crews. The film shares an outstanding story of American resilience to achieve greatness through the masterful stroke of Clooney’s direction.