Join the Four Harbors Audubon Society for an autumn lecture via Zoom on Wednesday, September 28 from 8 to 9 p.m. Guest speaker and naturalist, artist, writer Julie Zickefoose will discuss her latest book, Saving Jemima: Life and Love With a Hard-luck Jay, the intimate story of how an orphaned bird can save a soul, which she wrote and illustrated after spending nearly a year healing, studying and raising a young blue jay for release.
From the press release:
Naturalist/artist/writer Julie Zickefoose thinks of herself as an unsung, minor, rather dirty superhero. Her superpower: saving small, economically worthless wildlife that would otherwise die. An orphaned jay named Jemima was one such foundling. Spending nearly a year healing, studying and raising the young blue jay for release opened the door to their world for Julie. She began writing and illustrating SavingJemima: Life and Love With a Hard-luck Jay immediately upon becoming her foster mother. More than a wildlife rehab story, it’s the story of life, love and dealing with great loss; of finding grace and redemption in bonding with a wild bird.
Julie Zickefoose lives and works quietly on an 80-acre wildlife sanctuary in the back country of Whipple, Ohio. She is a prolific writer and painter and Advising Editor to BWD Magazine. Her heavily illustrated books include Natural Gardening for Birds, Letters from Eden, The Bluebird Effect, and Baby Birds: An Artist Looks Into the Nest. Saving Jemima: Life and Love With a Hard- Luck Jay, the intimate story of how an orphaned bird can save a soul, is her newest book.
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This special event is free and open to all. Reservations required. To join this Zoom presentation, you must register in advance by clicking on the link here. Afterwards you will receive an email with link and instructions on how to join the presentation. For more information, visit www.4has.org.
An American Goldfinch perched on a thistle plant. Photo by Lisa Wollerstein
An American Goldfinch enjoys a snack of thistle seeds. Photo by Lisa Wollerstein
An American Goldfinch enjoys a snack of thistle seeds. Photo by Lisa Wollerstein
By John L. Turner
Once in a while I get a phone call, text or email message along the following lines:“John, could I have seen a canary? Moments ago I saw a bright yellow bird at my bird feeder.”. My response? Something along the lines of: “While there’s always the outside possibility of seeing a canary that’s escaped from its cage, it’s much more likely you’ve just seen an American Goldfinch, one of the more colorful native songbirds native to Long Island, brilliantly wrapped in its garb of lemon yellow marked with black wings, tail, and a cap.”
The black coloration and the white wing bars and undertail coverts complete the colorful and distinctive plumage of this native songbird species, distinguishing its appearance from any exotic canary that has escaped from captivity.
Goldfinch are common on Long Island both in wild places and as a regular visitor to backyard thistle feeders. They are routinely found in open habitats with trees — picture a meadow dotted with widely spaced trees — and are a common nesting bird here. Given their attraction to open habitats they are a species that has probably benefited from clearing and the removal of forests and are likely much more common today than when the country was founded. Underscoring their abundance, they were possible, probable, or confirmed breeders in 94% of the designated blocks in the 2005 statewide Breeding Bird Atlas; the only place they were routinely missed was in the heavily forested areas of the Adirondack Mountains, making them one of the top ten most widespread breeders in the state.
And, as mentioned above, they are a welcome and regular visitor to backyard feeding stations, favoring cylindrical thistle feeders where they often compete with each other to gain a perch upon which to snatch thin black thistle seeds. In the winter they are often joined by their finch cousins: Pine Siskins and Common Redpolls, all of which relish thistle seeds. Watching these three colorful species jostling to secure thistle seeds provides one of the birding delights of this season.
Speaking of thistle, the goldfinch has an intimate relationship with the wildflower and it affects their breeding biology. Goldfinch, unlike almost all other songbirds, eat and feed its young very little animal protein such as caterpillars, moths, or beetles. Rather, they eat and feed their nestlings seeds, of which thistle makes up the bulk (but also seeds from other composites). Given this, unlike other songbirds that breed in spring, they have to wait until middle to late summer to breed, until thistle has bloomed and set seed. At a time when other birds have either finished breeding or are well into raising their second brood, goldfinch are just beginning their family-raising chores — it’s not at all unusual to see breeding in late July through August, even into early September.
Thistle also plays an important role in nest building as goldfinch routinely use thistle down for lining the inner cup of their nest. This material helps the bird to make a tightly constructed nest, so well constructed it can hold water. The abandoned nests are sometimes used as wintering and food storage sites for mice and chipmunks, making snug homes and pantries.
The most telltale sign of breeding is the male goldfinch’s nuptial flight. With the female watching from below, the male flies in a wide circle a hundred or feet above the ground in a classic undulating or roller coaster-like pattern, all the while singing which contains a phrase that has been likened to “potato chip, potato chip”! We heard a male goldfinch “potato chipping” regularly over our backyard patio while eating dinner outside on several late August nights, suggesting our yard was within breeding territory. I looked for a nest among the yard’s shrubbery but, alas, turned up empty. Henry David Thoreau observed the goldfinch’s nuptial display and characterized the bounding flight as if the bird was “skimming over unseen billows.” I, too, came up empty in feeling any buoyant billows but enjoyed the repeated phrases of “potato chip” as I ate potato salad.
While the “potato chip” sequence may be the bird’s most familiar vocalization, they have other songs and calls. Their typical song is a delight — varied notes of different intensity and tone, given rapidly, imparting a happy quality to the song. They also have a call that has a distinctive “wheezy” quality, quite similar in sound to other finches.
After the breeding season, the American Goldfinch experiences a full body molt replacing the colorful breeding plumage with a duller but still attractive feather coat of subdued colors. This is the goldfinch that visits your yard feeders during the colder months. With the arrival of Spring the male molts again, this time a partial molt involving only its body feather (but not its wings and tail) and the “canary yellow” plumage has returned.
Two other goldfinch species — Lesser and Lawrence’s — occur in North America. These are both western species and rarely if ever turn up here. So if you vacation in the West be on the lookout for these cousins of the American Goldfinch, and of course you might see American Goldfinch too, as their breeding distribution encompasses all of the lower 48 states. And if you see the American Goldfinch in Washington you will have seen its official state bird (it is also the state bird ofIowa and New Jersey).
Much folklore and indigenous American stories surround the goldfinch. Writing about indigenous people stories, one animal folklorist notes: “In one Iroquois legend, goldfinches were originally a drab black or grey color. Dissatisfied with their plumage, these finches only earned their gold coloration through an act of selfless kindness. As the story goes, a fox took a nap beneath a pine tree. As he did this, the sap dropped into his eyes and sealed them shut. He begged for help and the drab grey finches agreed to help him. They worked in shifts pecking at the sap until the fox could open his eyes again. The fox offered them a reward of their choice for their help.When they asked him for brighter colors, the fox pressed yellow flowers into paint and painted the finches with his tail as a brush. The finches were so pleased with their new plumage that they began to flutter, dance, and sing. This is the reason that finches still flutter while they fly and sing such cheerful songs!”
Given their bright and sunny colors, bubbly songs, and gregarious nature, goldfinches have long been symbols of good luck and to see one, or better yet, to watch a flock, was a good omen meaning good fortune. I think my spouse, Georgia, I and our three dogs Esmy, Henry, and Daisy are in line for much good fortune because during a recent walk we had a flock of twenty-four goldfinches perched in a copse of shrubs at Forsythe Meadow County Park in Stony Brook. For Georgia and me, though, the good fortune was watching and listening to this cheery flock of lemon-yellow sprites of sunshine, singing away for minutes on end. For the dogs, their fortune came when they each received a barbecue-flavored dog cookie at the end of the walk.
I hope you also see goldfinch during your late summer rambles or later in the year at your bird feeders — and are imbued too with good fortune, not the least of which is just the opportunity to watch these most colorful and cheery of birds.
A resident of Setauket, John Turner is conservation chair of the Four Harbors Audubon Society, author of “Exploring the Other Island: A Seasonal Nature Guide to Long Island” and president of Alula Birding & Natural History Tours.
While boating alone just outside of Port Jefferson Harbor over the Labor Day holiday, South Setauket resident Bill Doherty had what he called a once-in-a-lifetime thrill. First, a big splash caught his eye. Then, another.
Humpbacks, above, devour sea life during a recent whale watching expedition. Researchers attribute more whale sightings to a thriving menhaden or bunker fish population. Photo by Artie Raslich/Gotham Whale
“I kept my eye on the water thinking it could be a boat accident or something,” he said. “I undid the anchor to get a little closer — but not too close — and realized it was a whale.”
For 15 to 20 minutes, Doherty watched in amazement as the whale put on a show spouting and breaching in the water about a mile off Old Field Point. He recorded it on a cellphone video just so he could prove to his friends this was no joke.
A big yacht and another passing boat, he said, cut their engines nearby so the passengers could enjoy the spectacle.
Whale sightings, as unlikely as it might seem, are becoming more regular events in the New York area, including the Long Island Sound.
Barrett Christie is director of animal husbandry at The Maritime Aquarium in Norwalk, Conn. His team has been tracking whale activity in the Sound since the museum opened in 1988.
Almost every year since 2009, Christie said, more and more yachters and fishermen are seeing marine mammals in local waters.
Since 2015 whale counts, predominantly humpbacks but also minke whales, have been ramping up. The aquarium’s annual whale counts range from no sightings at all, to one per year, up to as many as a half dozen or more.
The aquarium’s observations, he noted, are consistent with the findings of other researchers. A Staten Island-based research organization Gotham Whale, for instance, documented in 2011 three whales and five sightings. Recently, the number was up to more than 260. The whale population has become so bountiful around the mouth of New York Harbor, Gotham Whale now coordinates research expeditions with the public in conjunction with five commercial whale watching vessels.
Healthier ecosystems
Scientists praise the Clean Water Act for improving water quality to protect marine habitats. The landmark environmental law, passed in 1972, regulates pollutants from agriculture, industry and wastewater to prevent or limit discharges into waterways.
“It’s taken fish populations more than 30 and up to 50 years to rebound,” Christie said. “We’re seeing not only more whales, but also more Atlantic white-sided dolphin, more seals, more sharks and further down the food chain more sand eels and herring.”
After a long history of decline, Christie explained that forage fish such as menhaden or bunker and alewife, both in the herring family, have returned to spawn in the many freshwater tributaries that flow into the Sound.
“The turnaround is miraculous,” Christie said.
Maxine Montello is a wildlife ecologist and the rescue program director at the New York Marine Rescue Center. She teaches a marine mammal and sea turtle course at Stony Brook University.
After viewing Doherty’s cellphone video, she quickly identified that whale as a humpback. It’s huge pectoral fins, visible as the creature leaped out of the sea, made it easy to distinguish.
Humpbacks, she said, are baleen whales — they have no teeth. To capture its prey, it swallows and strains seawater through the long and narrow strips of fingernail-like material called baleen that grows out of its jaw. Through this feeding process, it consumes krill, plankton and small fish, such as menhaden.
A flourishing menhaden population in the food chain, researchers are noticing, attracts whales.
In fact, researchers from the Atlantic Marine Conservation Society, when conducting aerial surveys, track whales by following menhaden movement.
Some 15 years ago, they saw few clusters or bait balls of menhaden along Long Island’s southern coastline. Today, Rob DiGiovanni, the society’s chief scientist, said a continuous stream of bunker stretches from Montauk to the New York Bight. Consequently, whales are more abundant there and traveling closer to shore and staying in the area longer.
Montello and DiGiovanni also praise the Clean Water Act for improving marine habitats. But, with humpbacks near extinction in 1972, another bold act of Congress that year also deserves credit for reviving the whale population.
“I would say that the Marine Mammal Protection Act has really changed the game for marine mammals,” Montello said. “This act has provided great protection and awareness of these charismatic species.”
This law prohibits hunting, capturing, collecting, harassing or killing marine mammals such as whales, dolphins, seals and manatees.
Whaling once was one of Long Island’s most important commercial industries, according to the Cold Spring Harbor-based Whaling Museum with Cold Spring Harbor, Greenport and Sag Harbor serving as the Island’s three whaling ports.
Today, people are armed with cameras and spreadsheets instead of harpoons, and more interested in spearheading marine restoration projects that aim to protect rather than slaughter these giant marine mammals.
If you are lucky enough to spot a whale, scientists want to hear from you with photos. Like human fingerprints, whales bear distinct characteristics on their tails. Gotham Whale has an extensive and growing archive of these tail shots. Through such photos, researchers there have been able to identify and track the activities of 269 individual whales, according to Paul Sieswerda, Gotham Whale’s executive director.
“It would be interesting to find out if whales — our New York City whales — are the same ones traveling through the Sound,” he said.
To report whale sightings, contact: Atlantic Marine Conservation Society at www.amseas.org/reportsighting; Gotham Whale at www.gothamwhale.org/citizen-science; The Maritime Aquarium, Norwalk at 203-852-0700.
Elisa Hendrey of Sound Beach spied this busy bee on Sept. 8. She writes, “I saw this sunflower at the Carol Baldwin Breast Center in Stony Brook, and because of its unusual color I went for a closer look. That is when I saw the bee. I scrambled to get my phone out and take a photo before it might fly away!”
From left, Logan Valeiko and Logan Simon at the entrance to Frank Melville Memorial Park. Photo by Kerri Glynn
Three teenagers answered the call when the Frank Melville Memorial Park board asked for volunteers to raise money to support the park’s programs and upkeep.
Julia Zabinski at the Three Village Farmers Market. Photo by Kerri Glynn
Located in Setauket’s beautiful historic district, the private park relies on donations from the public and Julia Zabinski, Logan Simon and Logan Valeiko stepped up and raised over $500 this summer.
Julia raised the money while running a Kids’ Corner at the Three Village Farmers Market. Each week she offered a free activity and gently used books. When people asked if they could give her a donation, she chose to raise money for the park.
The two Logans made bracelets and set up shop in front of the Setauket Post Office at the entrance to the park, selling them for a ‘name your own price.’ Both boys have volunteered for three years to help with the educational program held every Tuesday at the park’s Red Barn.
“These three teens have been so generous and hard working,” said the park’s program director Kerri Glynn. “We should put them on our Board!”
Over 20 framed waterscape & wildlife photographs on display and for sale
By Susan Peragallo
When stepping into the Daniel Gale Sotheby’s office of Northport, to focus on the photographs by John P. Cardone is to be transported into our natural world. One can almost hear the wind rustling in the trees and the crickets creating their musical rhythms as you walk around the room. John says that he tries “to capture the beauty and spiritual magnificence of nature… a moment in time through unique natural setting and the amazing personalities of wildlife.” The subjects include hummingbirds, egrets, owls, eagles, and moose – to name just a few! In Sprague Lake at Dusk, moose are seen taking an evening sip of water, the lake reflecting the magnificent colors of the setting sun, bringing the viewer to a peaceful, tranquil vista.
Most of these amazing photographic captures were taken by John while kayaking and hiking on Long Island. But not only do these photographs capture the beauty and peace of nature, they are also wonderfully composed. This is especially true of Egret in Darkness: the soft white curves of the the egrets neck echo the angular white and gray tree branch beside it. In Frog Swimming, the frog is popping it’s head up in the water, it’s large eye repeating the circular ripples in the cool green water. Eagle Looking Down is another example of John’s sensitivity to form and composition. The eagle’s horizontal body mimics the tree branch it stands on, while it’s head and beak point downward, just as a branch below points down. These captured repetitions of line and form create wonderful compositions and add to the sense of peace and tranquility that John strives to communicate.
There are also captured moments of humor. In Amazing Turtle Pose, one can almost hear the turtle saying “I’m ready for my close-up, Mr. DeMille!” as the turtle coyly turns it’s head and smiles! In a moment of tenderness, Swan Portrait shows the swan’s neck bent back over it’s body, which forms a soft pillow for it’s head.
We can all use a moment to escape into nature and John P. Cardone has provided us with a perfect opportunity!
Author Susan Peragallo is the Gallery Coordinator and Curator Jeanie Tengelsen Gallery, Art League of Long Island in Dix Hills
The Northport Arts Coalition presents Nature Photography by Long Island Author/Photographer John P. Cardone at Daniel Gale Sotheby’s International Realty, 77 Main St., Northport through October 5. The show is free and open to the public during office hours. All artwork is on sale. For more information, call 631-754-3400.
In John Hanc’s forward to John P. Cardone’s Chronicles of a Nature Photographer (Waterview Arts), he states the book “reminds us that, just on the other side of the highway, deep in the recesses of, say, one of our magnificent Long Island State Parks, are the streams and brooks, the marshlands and estuaries that still provide a home to birds, animals, plants, flowers.” This beautifully explains Cardone’s celebration of nature in a book that offers his passion in prose and imagery.
Author John P. Cardone
Cardone is a vibrant storyteller with a pastoral bent. He defines “chronicles” as “documenting personal experiences over time in a historical fashion.” But he offers more than just an account, infusing the fifteen chapters with wry observations, wit, and honesty. As a result, his revealing narrative is wholly personal. “Let me start by saying that everything you read here is true and with no exaggeration or embellishment.”
In the first chapter, Cardone begins with his fascination with the hummingbird. He juxtaposes his struggle with cancer and his journey with stem cell transplant with his desire to photograph these elusive birds. Eventually, with his wife’s help, Cardone builds a hummingbird garden during his recovery (which also coincided with the pandemic). He draws a subtle connection between the opportunity to capture images of these rare creatures and his eventual healing.
From the very start, Cardone offers a thorough background on his subjects. His knowledge is impressive and seems vast, but he articulates with an accessible and almost conversational tone. He gives enough explanation of his photographic process without overwhelming the reader with technical details. He has ventured out in all weather, in all conditions, capturing a host of animals and settings, fascinated by the range of species, markings, and habitats.
He makes a strong case for flowers as subjects. “… I can tell you that what photographers generally agree upon is what affects a photograph—and most will say light, color, and composition. With flowers as your subject, you have all of these and more.” Whether the focus or used as a framing border, this chapter contains incredible photographs — all vivid, rich, and colorful.
Of course, the greatest joys of the book are the color photographs, 175 in all, which are elegantly reproduced. A glorious study of an osprey landing on its nest, its wings slightly expanded, sits across from a regal American bald eagle, almost posing for its portrait.
From photographing insects with interesting angles and unusual compositions to vast landscapes and waterscapes, Cardone attains remarkable results. In Chapter 12, “A Bird in the Hand,” he shares personal pictures of his family on a visit to the Elizabeth A. Morton National Wildlife Refuge in Noyac. The final chapter has nearly two dozen glorious photos of wild horses.
‘Chronicles of a Nature Photographer’
The author’s sense of humor permeates the entire text. Whether introducing the white-tailed deer (“Love Them or Leave Them”) or expounding on his love of photographing turtles (an exchange with his four-year-old grandson, Noah, who references Raphael and Leonardo), Cardone finds whimsy and delight in his art and his life. The quests — such as his search for the snowy owl — present both small and big joys, along with surprises. (The day he photographed this particular owl as well as a harbor seal.)
While the book focuses predominantly on his Long Island experiences, Cardone ventures as far as the Rocky Mountains. He first visited the Rocky Mountain National Park during his military service (1969-70) when stationed at Fort Carson, eight miles from Colorado Springs. He then purchased his first camera and learned how to develop black-and-white film and print with an enlarger. Fifty years later, in April 2017, he returned to the Rocky Mountain National Park, photographing elk, moose, bighorn sheep, screech owls, and a range of scenic views.
There is a certain Zen to Cardone’s approach: “Sometimes, as a nature photographer, I will take a long pause and just soak up the beauty of what I’m seeing. Being in the moment is a mindfulness practice that can help calm you.” This crosses over into his pleasure in the planning of excursions. (Currently, he offers two kayaking tours of Carman’s River: one is a photography tour and the other a naturalist tour.)
Cardone is an artist, a fan, but above all, a teacher. The book reflects someone who stands in awe of nature but embraces its possibilities. He seeks deeper understanding and communicates both the encounters and the underlying zeal. His ultimate goal is to inspire the reader to “put [his] hiking boots on and get out in nature. It’s all there, just waiting for you to visit. And if you are a parent or grandparent, to nudge the children in your life toward loving nature as well.”
ABOUT THE AUTHOR:
A resident of Ronkonkoma, author John P. Cardone is the founder of the Long Island Authors Group, a nature photographer, a wildlife photography instructor, and a lecturer on nature topics. Chronicles of a Nature Photographer is his sixth book and is available online at Amazon.com and BarnesandNoble.com. To learn more about John, his books, and his nature work, visit his website at www.WaterviewsBook.com.
Cartoon by
Kyle Horne:
kylehorneart.com
@kylehorneart
Climate change presents numerous challenges that seem to multiply with each passing year.
It is an uncomfortable truth that we must make permanent changes to our own lives or face catastrophic consequences, some of which we are already seeing. Amid a brutally hot and unseasonably dry summer here on Long Island, the human race is simultaneously fighting droughts and flash floods not only in the U.S. but throughout the world.
Though many of the changes needed to counteract climate change will require government intervention, there are a number of ways that citizens can help make a difference, starting with their own backyards.
A typical American lawn consists of freshly cut grass, no weeds in sight, and pesticides covering every square foot. Unfortunately for us, this pretty picture is pretty bad for the health of our local environment. While the manicured lawn makes for the ideal suburban homescape, the environmental harms outweigh the aesthetic charms.
Gas-guzzling mowing equipment has the obvious downside of polluting the air. In addition to killing off weeds and insects, pesticides and insecticides can contaminate water in our aquifers, harm birds and kill off beneficial insects and plants that stabilize the local ecosystem.
Instead, residents should opt for electric-powered mowing equipment, which can deliver the desired outcome without polluting our air. Additionally, one can avoid adding harsh chemicals into the groundwater by introducing pest-controlling insects native to Long Island.
In the TBR News Media coverage area, one Long Island citizen has converted her home into a haven for the endangered monarch butterflies. Theresa Germaine, an 83-year-old Stony Brook resident, used her time during the COVID-19 lockdown to raise monarch butterfly eggs using milkweed, the only host for monarch caterpillars, in her garden. After raising the caterpillars into metamorphosis, she releases the beautiful monarch butterflies into nature.
Germaine teaches us that the contributions of the few can go a long way to improve the greater whole. With each monarch butterfly that leaves her garden, that population is a little more stable and our world a little more colorful. Germaine encourages everyone to join her cause: To plant milkweed so that the monarchs can thrive in the world.
Conservation practices require us to make individual sacrifices, but through these small concessions we contribute to creating a better world. It is imperative that we do not forget our personal responsibility in protecting and helping our environment.
It is important to remember that climate change is a global phenomenon affecting every organism on this planet. The decisions that we make today will impact others tomorrow.
Pamela Murphy took this photo at West Meadow Beach in her hometown of Stony Brook on Aug. 20. She writes, “I was impressed with the strength of someone I saw swimming against the current trailing a swim buoy as I’m a swimmer myself. Racing along with the swimmer was a boy on the shoreline. The seagulls overhead appeared to be calling the race! I reflected how it’s always a unique experience at our beautiful beach.”
A view of Stony Brook Harbor from Cordwood Park in Head of the Harbor. Photo by Rita J. Egan
A rally held at Head of the Harbor’s Cordwood Park Aug. 27 combined a bit of history, nature’s beauty and activism in one short hour.
Protesters at the Aug. 27 rally in Head of the Harbor. Photo by Rita J. Egan
The Rally to Block the Docks, organized by Head of the Harbor resident Lisa Davidson, attracted dozens of local residents, environmentalists and Stony Brook University students. Village residents have voiced concerns over the possible construction of a 186-foot dock on private property next to Cordwood Park and the potential of another 200-foot dock a few houses away. The footage includes a combination of permanent and floating docks. A Sept. 6 Village of Nissequogue Planning Board meeting currently has a vote scheduled regarding the 186-foot dock.
Protesters cited among their concerns the 186-foot spoiling the view of Stony Brook Harbor and restricting access to those walking along the beach or using their canoes and kayaks in the water. Many also feel it may encourage other homeowners to build similar private docks, leading to harbor pollution due to more or large boats.
“One property owner should not be allowed to ruin what is cherished and loved by an entire community,” Davidson said.
Among the speakers at the event were state Assemblyman Steve Englebright (D-Setauket); Kevin McAllister, founder and president of Defend H2O; John Turner, conservation chair of Four Harbors Audubon Society; and Head of the Harbor/Nissequogue historian Leighton Coleman.
Davidson is a member of the Joint Village Coastal Management Commission, a waterfront board of the villages of Head of the Harbor and Nissequogue. She said she recused herself from the commission on the matter of private docks.
“Because after seeing the numerous petitions we get for private docks, I realized that this beautiful bay is in grave danger if we as a community do not come together and take action now before it is too late,” she said.
She encouraged residents to reach out to the Town of Smithtown and New York State Department of Conservation, both of which approve first-phase private dock permits, to prevent future approvals. Davidson said homeowners might argue that they have riparian rights. She said those rights are satisfied when walking in the water or taking a kayak or canoe out on it, and do not include building docks.
Because the harbor is shallow, the dock must be meet DEC requirements that it stands in 3 1/2 feet of water even at low tide, hence the lengths of the proposed docks.
McAllister said, based on his experience, when one dock is built, there tends to be a push for more docks and bigger boats in the body of water, which he said leads to issues in the water such as prop dredging and salinity problems where the water is always cloudy.
Coleman said commerce once took place at the park, which had a negative impact on the harbor.
Head of the Harbor/Nissequogue historian Leighton Coleman talks about the history of the Cordwood Park location. Photo by Rita J. Egan
“We are now standing at the site of what was once an active boatbuilding yard and shipping port, where New York City’s manure was traded for cordwood to fuel the city’s numerous town houses,” the historian said.
He added, eventually, a boatyard’s use of arsenic to cure wood along with human and livestock waste runoff affected the harbor’s health. It was in the 1870s that Smith siblings, descendants of Smithtown’s founder, bought up large parcels of land. The harbor was then used for more leisurely activities, he said, until the 1920s brought to the area “commercial dredging for mining of sand and gravel, and the subdivision of the large estates into developments,” which threatened the waterway’s health once again. This led to the formation of incorporated villages, which in turn created zoning laws to protect the harbor and, in the 1940s, the Stony Brook Harbor Association was created.
“Sadly, the old guard has passed on, and we were left, apparently, with a false sense of security that our harbor’s healthy future was in safe hands, but thankfully as of today I see that we have a new generation of stewards stepping forth,” he said.
In the 1920s and ’30s, when there was dredging of the harbor as well as others on the North Shore, Englebright said, it was important that villages were formed to protect them. He called those who wanted to dredge the waters “essentially gangsters” who were “buying influence” with the towns, and “the towns were selling out the harbors.”
“That is the legacy of this village,” Englebright said. “That’s your birthright. That’s how you came into existence as a municipal jurisdiction in state law. There was no other way at the time to prevent the disposition of the permits by the towns.”
He added, “The Town of Smithtown has sold out the harbor bottom with approving the initial permit for a dock.”
Englebright said the body of water’s bottom is public property and “to give away public property is illegal.”
“It’s an echo of the outrage that led to the creation of these villages,” he said.
While waiting for the rally to begin, Turner said he saw a bald eagle, osprey, snowy egrets and more.
“Any time hiking the harbor, you know that the harbor, from an ecological and biological perspective, it’s just a really vibrant ecosystem,” he said.
Turner added there are several diamondback terrapins in the harbor, too. The DEC has listed the decrease in the animals a concern. They come ashore in June to lay their eggs, Turner said, and a dock could increase human traffic which in turn could have an adverse impact on the terrapins.
“We hope that the villages and the Town of Smithtown will not grant private access to a public trust resource that could ultimately have a really adverse impact upon the harbor,” he said.
Turner added he looked at the Suffolk County GIS viewer and counted approximately 54 properties around the harbor.
“If these are approved, what prevents those other 52 or 50 owners down the road from requesting permits to build docks — docks that are on the same scale as what these are,” he said.
To pay homage to the history of the location, rally organizers served ginger ale and root beer, and the Once Upon a Tyme Barbershop Quartet performed for the attendees at the beginning and end of the rally.
Davidson said she and others have been working on circulating a petition which they will present to the Nissequogue Planning Board on Sept. 6.
Join the Four Harbors Audubon Society for an autumn lecture via Zoom on Wednesday, September 28 from 8 to 9 p.m. Guest speaker and naturalist, artist, writer Julie Zickefoose will discuss her latest book, Saving Jemima: Life and Love With a Hard-luck Jay, the intimate story of how an orphaned bird can save a soul, which she wrote and illustrated after spending nearly a year healing, studying and raising a young blue jay for release.
Julie Zickefoose lives and works quietly on an 80-acre wildlife sanctuary in the back country of Whipple, Ohio. She is a prolific writer and painter and Advising Editor to BWD Magazine. Her heavily illustrated books include Natural Gardening for Birds, Letters from Eden, The Bluebird Effect, and Baby Birds: An Artist Looks Into the Nest. Saving Jemima: Life and Love With a Hard- Luck Jay, the intimate story of how an orphaned bird can save a soul, is her newest book.
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