Raptor volunteer Scott Bloechle with Seven the Barred Owl.
Raptor volunteer Scott Bloechle with Seven the Barred Owl.
Bitsy's Attic
Bitsy's Attic
Hayward Gourmet Popcorn for the Joey Foundation
Spiraling Hearts Kids Yoga
Askew View Art & Jewelry
Once Upon a Favor
The Bubbly Kitchen
Afragola Dolce
Peppered Fern
Sweetbriar Tote Bags
Sweetbriar's Holiday Tree
Seven the Barred Owl, pictured with raptor volunteer Scott Bloechle, was the star of Sweetbriar Nature Center’s Holiday Party for Wildlife and Craft Market in Smithtown Nov. 27 and 28. The well-attended event, which featured local handmade craft and artist vendors, food trucks, animal presentations and story time for the kids, raised well over $1,000 to help take care of the injured wildlife at the center. “We were very happy with the great turnout and thankful for the community support,” said Sweetbriar’s program coordinator Veronica Sayers.
Goldie Hawn and Kurt Russell in a scene from the film. Photo courtesy of Netflix
Reviewed by Jeffrey Sanzel
In 2018, Netflix released The Christmas Chronicles, a warm comedy with a wonderfully edgy center. It followed siblings Kate and Teddy Pierce who almost prevented Santa from making his deliveries. While it had plenty of fantasy, it was rooted in the reality of children coming to terms with the passing of their father, a fireman who died in the line of duty. Each child was struggling in his or her own way but grew from their encounter with Santa.
Darby Camp and Judah Lewis were both understated and grounded as the children, with Darby’s believing sister playing nicely off of the skeptical and borderline delinquent brother. While Kimberly Williams-Paisley, as their mother, Claire, didn’t have much screen time, she managed to impart the difficulty of being a single parent. The heart of the film was Kurt Russell’s Santa, both hilarious and extremely cool. Russell reinvented St. Nick without losing sight of the symbolic heart.
Darby Camp as Kate and Jahzir Bruno as Jack in a scene from the film. Photo courtesy of Netflix
The first film had a clever, solidly constructed screenplay by Matt Lieberman, complemented by Clay Kaytis’ smart and well-paced direction. It was produced by Chris Columbus who has now taken up the directorial reins for the sequel, The Christmas Chronicles 2, and has co-written the screenplay with Lieberman and Enrico Dante-Mann.
From the beginning, it is apparent that the sequel will take a completely different approach. It opens in a world of cold which is later to be revealed as the North Pole in all its whimsy. It establishes the villain, Belsnickel, and his plot to destroy Santa’s world.
The action then shifts to Mexico. Kate, now a frustrated teen, is unhappy with her mother’s new relationship. The Pierces —Kate, Teddy, and mom — are on vacation in Cancun with mom’s new beau, Bob, and his neurotic son, Jack. These few scenes are stiff and false. They play as the most basic exposition, stating the characters’ intentions, rather than allowing the complications to reveal themselves in context. In every way, it lacks the subtlety, finesse, and honesty of the first movie.
Very quickly, Belsnickel captures Kate (and, accidentally, Jack) and uses them to break the veil of Borealis that protects Santa’s village. Belsnickel makes bold statements about Santa falling into his trap. If he had a mustache, he most certainly would be twirling.
Santa rescues the frozen Kate and Jack, and Mrs. Claus heals them with magic hot chocolate. Santa and the Missus give them a tour of the Village, with elves making toys and candy in shades of Willy Wonka.Emphasis is placed on the Village’s power source, the Christmas Star that contains a bit of the Star of Bethlehem.
The Clauses allow the children to stay overnight. There is a strange moment when Mrs. Claus, unprompted, decides to tell them the history of Santa Claus, beginning with his origin as a bishop in Turkey, then segueing into elf lore. From there, it gives an account of Belsnickel, a talented but naughty elf who rebelled; his behavior turned him into the thing he despised the most — a human. Again, rather than showing and revealing, his saga was shoehorned into this awkward and rather dark bedtime story.
Belsnickel poisons the elves with elfbane, making them crazy and then steals the star for his own village. He wants to reverse the curse that has been placed on him and sums up his frustration with rather ineloquent “Humans suck; elves rule.” Belsnickel seems to be crafted less as a traditional Christmas antagonist and more as a lesser supervillain.
With the Village no longer powered by the Star, Santa and Kate fly off to Turkey to see the Forest Elves and magical elf elder Hakan (voiced by Malcolm McDowell) to have a new Christmas Star fashioned. Jack remains with Mrs. Claus to solve the elf problem.
Then there is the wormhole that rends the fabric of time, a “spontaneous” musical number in a snowbound airport and featuring a terribly underused Darlene Love, a Nerf crossbow, flame-shooting drones, and a yule-cat that looks like a Saber-toothed tiger … There is a lot of busyness but little focus and even less purpose. Needless to say, it all works out in the end.
Kurt Russell is still delightful in his hip take on the holiday icon but there is less of the wry perspective and surprising magic. Gone is the wonderful, quirky knowingness that was the center of his St. Nick. Goldie Hawn, who had a cameo at the end of the first film, seems uncomfortable as Mrs. Claus, trying to make her both traditional and feminist, magical and maternal. Julian Dennison’s Belsnickel plays what he is given but, of all the characters, his lines are the most wooden; there is potential in his portrayal but the screenplay truly lets him down.
Darby Camp is given the unenviable task of representing every sulky teen and the writers do nothing to help her find the transition to understanding. Jahzir Bruno’s Jack is lifted from any number of sitcoms but he’s likable enough as the nerdy, sensitive sidekick. Judah Lewis, as Teddy, is barely in the film; Kimberly Williams-Paisley (as Kate and Teddy’s mom) even less so. Sunny Suljic has some nice moments and a good reveal in the airport scene, set in 1990 Chicago.
The Christmas Chronicles cleverly shared its message, wrapped up in plot-driven action and sly humor. In The Christmas Chronicles 2, the morals are flatly stated. The comedic elements are forced jokes, and the action is adventure for adventure’s sake. In real life when people announce what they’re going to do and do it, we appreciate that. In movies, not so much.
The Christmas Chronicles 2 is strictly for children (though there is one violent moment involving an attack on one of the reindeer). There is an emphasis on the elves who are extremely cute gremlin-like creatures with their own chattery language. In the first film, they didn’t appear until the end and were a fun surprise. Here, they are wedged into every possible moment, most likely with an eye on marketing their likenesses in plush toys and Happy Meals.
The elves — like the Village, like the reindeer — are CGI. Actually, the entire film seems to be computer generated — add Santa, cute children, a rogue elf, lessons on bravery and decency — compute — and out pops a finished product. What is missing is inspiration and humanity and dimension.
At the center of both films is the idea of being a true believer. The idea is that by believing in Santa, you believe in Christmas,and by taking Christmas into your heart, you connect with the joy and opportunity in the world. Those are big concepts and good sentiments. In the first film, the idea is nicely baked in; here, the principles aren’t so much integrated as slathered on top like a moral condiment.
Last week, I offered a mixed review of Jingle Jangle: A Christmas Journey. But the difference is that Jingle Jangle’s intentions are clearer, its goals more connected, and, ultimately, provides a more rewarding experience. Jingle Jangle is problematic but there is the underlying love and wonder. The Christmas Chronicles 2 seems to be locked into the commerce of sequels — the use of a success to sell an inferior product. And perhaps some elfin merchandise.
Rated PG, The Christmas Chronicles 2 is now playing in local theaters and streaming on Netflix.
The Town of Smithtown Youth Bureau has partnered with the Smithtown Horizons Counseling and Education Center and the Town of Smithtown Youth and Community Alliance to host a free virtual screening of the anti-bullying documentary “The Upstanders.” The screening will take place on Thursday, December 3 at 6 p.m. via Zoom. “The Upstanders” is a 55 minute film, to be followed by a Q & A session featuring a panel of professionals from the film.
“Families can watch the film together and discuss their own thoughts about bullying, perhaps even bringing to light a bullying situation that a young person may be experiencing.” – Stacey Sanders, Smithtown Youth Bureau Director
Students can earn community service credit through the Town’s Youth & Community Alliance for registering and participating in this virtual community education event. Interested participants must register, watch the film and subsequent Q&A session, then email the Youth Bureau at [email protected] to request certificates be emailed to them.
“This film is a perfect way to really address many of the Youth and Community Alliance’s primary areas of focus: Substance Abuse; Healthy Relationships; and Bullying.” – Kelly Devito, Smithtown Horizons Youth Services Coordinator
About “The Upstanders”:
The Upstanders is a new documentary film by IndieFlix Foundation about resilience and the power of connection to end bullying. The film explores cyber-bullying, bullying among friends, families, co-workers and the brain science behind it all.
This film is appropriate for anyone 13 and older, and is a good conversation starter when viewed as a family. Even with less social interaction temporarily due to coronavirus limitations, cyberbullying still persists. “The Upstanders” is relevant not only for those who personally experience bullying, but also for adults and students who witness or become aware of bullying (bystanders). “The Upstanders”encourages people to stand up when they see or become aware of something wrong happening, and explains how people can be upstanders in a safe way.
The film also encourages viewers, young and old, to seek balance in their life, particularly with their use of social media. Although potentially addictive and a vehicle for bullying, social media can be a positive form of communication. “The Upstanders” is about resilience, connection and fostering healthy communication, on and off-line.
The body’s savior in its battle against disease, immune cells respond to a collection of signals which tell them to dial up or down their patrolling efforts.
Scientists and doctors are constantly trying to determine what combination of beneficial or detrimental signals can lead to different outcomes.
Recently, Assistant Professor Tobias Janowitz and Professor Douglas Fearon of Cold Spring Harbor Laboratory, working with Duncan Jodrell at the University of Cambridge Cancer Research Institute, used an inhibitor developed and tested for the treatment of the human immunodeficiency virus (HIV), the virus that causes AIDS, in patients with colorectal and pancreatic cancer for a week.
Douglas Fearon. Photo from CSHL
The study was done on 24 patients and is a phase 0 effort, in which scientists and doctors test the pharmacokinetics and pharmacodynamics of the treatment.
In the study, which was published in the prestigious journal Proceedings of the National Academy of Sciences of the United States of America, the researchers showed that the treatment got into the blood, that the patients tolerated it, and that it enabled immune treatments to reach the tumors.
While this is an encouraging step, Janowitz cautioned that any such studies are far from a potentially viable treatment for either type of cancer. Indeed, the Food and Drug Administration requires a lengthy and rigorous scientific process for any possible therapy, in part because numerous promising efforts haven’t led to viable therapies for a host of reasons.
Still, this study offers a promising beginning for a potential approach to treating various forms of cancer.
Janowitz said patients “tolerated the treatment by and large very well,” and that “no new toxicities were observed compared to the ones that were known.” Some people developed slight disturbances in their sleep, which were immediately resolved after they discontinued using the treatment.
The history of the possible treatment for HIV showed similar side effects years ago. “We anticipated it would have a favorable toxicity profile,” said Janowitz.
The link between this early candidate for HIV treatment and cancer came from an analysis of the receptor that is expressed on immune cells, called CXCR4.
This receptor is targeted by the drug plerixafor. Most of the work linking the inhibited receptor to potential cancer treatment came from Fearon’s lab, Janowitz explained.
Fearon found that blocking the receptor enabled immune cells to migrate to cancer in a mouse study. Along with Janowitz and CSHL Cancer Director David Tuveson, he published a paper on the preclinical study in a mouse model in PNAS in 2013.
This inhibitor also has been used to release stem cells from bone marrow that can be used in a hematological context for treatment and transplantation. During their cancer study, the scientists found these stem cells circulating in the blood. It’s unclear from this first study how the combination of cancer therapy and releasing stem cells from bone marrow affects patients.
“We are not able to say that that has a relevancy to the cancer patient,” Janowitz said.
While some drug treatments work for a period of time until a cancer returns, immunotherapy may have a longer term benefit than chemotherapeutics, as some studies suggest.
“By giving this drug, our hope is that we enable an influx of immune cells into the tumor and have an across the board integrated immune response,” Janowitz said.
Down the road, Janowitz said the group hopes that this treatment will be a part of a combination of treatments that treat cancer.
By enabling immune cells to access cancer where the mutation rate is lower, these treatments could provide a sustained treatment.
The researchers chose pancreatic and colorectal cancer because those cancers don’t respond to current immunotherapy. “It’s really important to uncover why that is,” said Janowitz. The scientists had evidence from pre-clinical models that the pathway and the biochemistry that this drug activates can be effective.
In his lab, Janowitz performed some of the mechanistic work to understand why this drug might function. A medical doctor who is awaiting his license to practice in New York, Janowitz was also involved in the trial management group and in analyzing the multiplicity of data that came together.
The researchers in this study came from fields including bioinformatics, clinical medicine, pharmacology, and immunology. Fearon explained in an email that Jodrell wrote the grant to Stand Up to Cancer, or SU2C, in 2014 to obtain funding for the trial. Jodrell oversaw the clinical trial and Fearon directed the evaluation of the immunology findings.
Janowitz had a “major role in putting together the clinical data for the write-up,” and Daniele Biasci, a computational biologist at Cambridge, developed the analysis of the transcriptional data of the tumor biopsies, said Fearon.
As for the next stages in this work, physicians at Johns Hopkins Medicine International and Dana Farber Cancer Institute will soon start a phase 2 trial that is already registered and that combines this inhibitor with anti-PD-1.
Fearon said his continued pre-clinical research has shown that this immune suppressive pathway may be relevant to multiple human carcinomas, and has identified new potential targets for more effective immunotherapy.
Janowitz, meanwhile, will explore the systemic immune competence of the body as he continues to take a top down, broad-based approach to cancer.
He would like to know the degree to which the body can mount an effective immune response, while also exploring the factors that diminish that ability.
Separately, with three young children at home, Janowitz and his wife Clary, who is a radiation oncologist, have been balancing between their busy careers and the demands of parenting during the pandemic. Their extended families are both in Europe.
“We can’t visit them and they can’t visit us,” he said adding that he appreciated the way CSHL has offered day care to young children on campus.
As for this study, Janowitz said he’s encouraged by the early results.
There are some compelling studies that show exercise’s powerful effects in altering our genes. Recent studies show its impact on specific diseases. Exercise has effects on diabetes and a host of other chronic diseases, including kidney stones, osteoarthritis, cardiovascular disease and breast, colorectal and endometrial cancers (1).
There are also studies on simple ways to motivate yourself during exercise. One showed that those who repeat positive mantras like “feels good” while exercising were able to persist in their exercise routines for longer periods (2).
Why is this so important and why am I harping on exercise during the holidays? Because we are too sedentary, and this is the time of the year when we are inclined to overeat. According to data from the 2015-2016 National Health & Nutrition Examination Survey, we spend 6.4 hours a day sedentary (3). And this percentage is trending up.
Exercise and your genes
While you may be waiting for gene therapy to cure our chronic illnesses, it turns out that exercise may have a significant impact on our genes.
No waiting required; this is here and now.
Photo from Pixabay
In a study, results showed that thousands upon thousands of genes in fat cells were affected when participants exercised (4). The study involved sedentary men and asked them to exercise twice a week at a one-hour spin class. According to the researchers, the genes impacted were those involved most likely in storing fat and in risk for subsequent diabetes and obesity development. Participants’ gene expression was altered by DNA methylation, the addition of a methyl group made up of a carbon and hydrogens. These participants also improved their biometrics, reducing fat and subsequently shrinking their waist circumferences, and improved their cholesterol and blood-pressure indices.
The effect is referred to as epigenetics, where lifestyle modifications can ultimately lead to changes in gene expression, turning them on and off. This has been shown with dietary changes, but this is one of the first studies to show that exercise also has significant impacts on our genes. It took only six months to see these numerous gene changes with modest amounts of cardiovascular exercise.
If this was not enough, another study showed substantial gene changes in muscle cells after one workout on a stationary bike (5).
Exercise versus drug therapy
We don’t think of exercise as being a drug, but what if it had similar benefits to certain drugs in cardiovascular diseases and mortality risk? A meta-analysis — a group of 57 studies that involved drugs and exercise — showed that exercise potentially has equivalent effects to statins in terms of mortality with secondary prevention of coronary heart disease (6).
This means that, in patients who already have heart disease, both statins and exercise reduce the risk of mortality by similar amounts. The same was true with prediabetes and the use of metformin vs. exercise. It didn’t matter which one was used, the drug or the lifestyle change.
Don’t change your medication without consulting your physician.
Kidney stones and exercise
Anyone who has tried to pass a kidney stone knows it can be an excruciating experience. Most of the treatment revolves around pain medication, fluids and waiting for the stone to pass. However, the best way to treat kidney stones is to prevent them. In the Women’s Health Initiative Observational Study, exercise reduced the risk of kidney stones by as much as 31 percent (7).
Even better, the intensity of the exercise was irrelevant to its beneficial effect. What mattered more was exercise quantity. One hour of jogging or three hours of walking got the top results. But lesser amounts of exercise also saw substantial reductions. This study involved 84,000 postmenopausal women, the population most likely to suffer from kidney stones.
Sex as exercise
We have heard that sex may be thought of as exercise, but is this myth or is there actual evidence? Try to keep a straight face. Well, it turns out this may be true. In a study published in the PLoS One journal, researchers found that young healthy couples exert 6 METs — metabolic energy, or the amount of oxygen consumed per kilogram per minute — during sexual activity (8).
How does this compare to other activities? Well, we exert about 1 MET while sitting and 8.5 METs while jogging. Sexual activity falls between walking and jogging, in terms of the energy utilized, and thus may be qualified as moderate activity. Men and women burned slightly less than half as many calories with sex as with jogging, burning a mean of 85 calories over about 25 minutes. Who says exercise can’t be fun?
I can’t stress the importance of exercise enough. It not only influences the way you feel, but also may influence gene expression and, ultimately, affects the development and prevention of disease. In certain circumstances, it may be as powerful as drugs and, in combination, may pack a powerful punch. Therefore, make exercise a priority — part of the fabric of your life. It may already be impacting the fabric of your body: your genes.
Dr. David Dunaief is a speaker, author and local lifestyle medicine physician focusing on the integration of medicine, nutrition, fitness and stress management. For further information, visit www.medicalcompassmd.com.
'Fair Exchange, No Robbery', 1865, by William Sidney Mount
By Tara Ebrahimian
William Sidney Mount was an artist whose Long Island heritage was integral to his identity and his art. Most famous for his portrayals of local and natural life, Mount’s initial interest in historical paintings and his commissions for death portraiture led him to create the work that would become his legacy. What Mount witnessed and experienced determined how he rendered the realm he could control: his art.
He was born in Setauket on November 26, 1807. His parents, Julia Ann Hawkins and Thomas Shephard Mount, had a farm and also ran a store and tavern on the edge of the village green. Interested in artistic endeavors from a young age, with his family’s support, he set out to pursue that goal.
Following his father’s death in 1814, his mother returned to his grandfather’s farm in Stony Brook and Mount lived for a time with his maternal aunt and uncle, Letty and Micah Hawkins, in New York City. Micah was a playwright, composer, and musician, who encouraged Mount’s interest in music. In 1815, Mount returned to Long Island, living in his grandfather’s home until returning to Manhattan where he apprenticed to his brother Henry as a sign maker. It was during this period that Mount really began to develop his interest in painting.
‘Returning from the Orchard’, 1862, by William Sidney Mount
With Henry’s encouragement, Mount attended the American Academy of the Fine Arts exhibition at City Hall Park in 1825. This event introduced Mount to a genre of art he had not yet enjoyed: history painting. Rather than pursue a formal art education or seek tutelage from a master, Mount continued to work for his brother while teaching himself. Henry was now business partners with a painter named William Inslee, who owned a collection of prints by British artist William Hogarth, who specialized in history painting. Moved by his art as well as that of another British artist, Benjamin West, Mount copied Hogarth’s prints in order to practice his craft.
History painting is characterized by its content instead of its artistic method. This form generally depicts an instance in a narrative story rather than a specific, fixed subject such as a portrait. Until the 19th century, history painting was considered the most prestigious type of Western painting. Then, as artists pushed back against the rigid parameters of academic art standards, it became a medium mainly regarded in that milieu. This genre encompassed works that portrayed religious scenes, and Mount’s most popular history painting is of this nature.
Upon the recommendation of family friend Martin E. Thompson, Mount enrolled in the National Academy of Design, which Thompson had cofounded. At the institution Mount was able to explore his appreciation for the Grand Manner, an idealized aestheticism that drew from classicism and the art of the high Renaissance. Initially it specifically referred to history painting, but came to include portraiture. The term Grand Manner was also used by British artists and critics to describe art that incorporated visual metaphors to represent noble characteristics.
In this manner, Mount created historical paintings that were very well received. He selected scenes from classical texts that focused on topics like near-death experiences, death, and resurrection. Mount’s first notable oil painting, Christ Raising the Daughter of Jairus (1828) caused a stir when it was exhibited at the National Academy of Design; the council was stunned that a young artist with little formal instruction could produce such a work. Mount, who was one of the school’s first students, was elected an associate member in 1831.
‘Bargaining for a Horse’, 1835 by William Sidney Mount
He returned to Setauket the next year, but continued to send work to be exhibited in New York City. Mount’s history paintings were admired and respected, but they were not, apparently, particularly profitable. Perhaps impacted by the shifting opinions about historical paintings, Mount suffered a setback all too familiar to artists: his work did not sell well enough for him to make a living. So, he shifted his focus to portraiture. His first portrait subjects were easily persuaded: he painted himself and close relatives.
Portraits provided a somewhat steadier income. Among his early patrons were the Weeks, Mils, Wells, and Strong families. Mount continued to improve his technique and was happy to be back on Long Island. “I found that portraits improved my colouring, and for pleasurable practice in that department I retired into the country to paint the mugs of Long Island Yeomanry.” Mount was less enamored with the other aspect of his business: death portraiture.
Mourning portraits were paintings of the recently deceased. Frequently the subjects were shown as though they were alive, and symbolic details, like bodies of water and flowers, were used to indicate that they were not. Arguably a bit morbid, their existence was emotional: they were usually commissioned by the departed’s loved ones. It could be among the only renderings/images that existed of the recently dead.
Mount worked on commission and he did not enjoy the work, which was fraught and could be gruesome. He could be summoned to someone’s wake or deathbed to make sketches or take notes for the upcoming portrait. Once he was called to the scene of an accident to paint the likeness of a man who had been run over by a wagon. The final product did not reflect the cause and nature of the subject’s death.
The art Mount created enveloped aspects of genres he had explored earlier in his career. These experiences helped him establish the style for which he would become best known. He combined the narrative elements of the history paintings with the human interest element of the death portraiture. Without this background, he may not have been inspired to create the art that became his job and his joy.
Genre paintings, art that illustrates scenes of everyday life, became the most renowned selections of his oeuvre. Unlike his previous work, this type of art is distinguished from history paintings and portraits in that the subjects have no distinctive identities. His first foray into this type of painting, The Rustic Dance, was immediately successful and encouraged him to further explore the medium. As Mount noted in his journal, “Ideas can be found in everything if the poet, sculptor and painter can pick them out.” He captured snippets of everyday life and frequently imbued them with subtle or more overt themes of social commentary.
‘Bar-Room Scene’, 1835, by William Sidney Mount
Motivated by the natural environment and his neighbors, Mount addressed moral issues, including economic standing and disparities as well as the implied status of Black people in the area. For example, in Bar-Room Scene (1835), Mount portrays patrons in a tavern. In the foreground a presumably inebriated man in tattered clothing is encouraged to dance by threeseated men who are clearly of a higher economic class. A boy, who is standing, gazes upon him in apparent wonderment.
In the back corner, there is a young Black man standing. He is also entertained by the dancer’s antics, but he is alone, separate from the group of other men. As a free Black man, he is allowed to visit the tavern, but he remains apart from the other visitors. Through this isolation, Mount indicates that the man is not fully able to participate in the community. The topics represented in this painting were recurring in his art.
Mount’s return to the Three Villages marked a shift in the nature of his work. His exploration of slavery, racial dynamics, and rustic vignettes offer indelible insight into 19th century life on Long Island. His creative expression was a culmination of previous artistic enterprises, driven by both his own passion and financial necessity. Mount continued to paint, integrating other interests, such as music, into his art. He never married or had children and died of pneumonia on November 18,1868, at his brother Robert’s house in Setauket.
Author Tara Ebrahimian is the Education Coordinator at the Three Village Historical Society in Setauket. This article originally appeared on the historical society’s website and is reprinted with permission.
While it was more than 50 years ago I remember the details sharply, as if the event had happened a few days ago. The oak I carefully but rapidly climbed was a young tree about 30 feet tall with a full canopy of branches, growing in a small patch of woods between the elementary school I had attended and a residential street (It was in these woods I first saw Pink Lady’s Slipper, a wonderful native orchid). And there in a nook where two branches emerged from the main trunk was the object of my scamper — the nest of a grey squirrel that I wanted to inspect.
My interest in squirrels and their nests came about from a book I had looked at in the junior high school library; I think it was entitled “Animal Homes”— although this factoid I don’t remember quite so clearly! But what I do remember in the book was the account which explained that grey squirrels make two types of nests — those in tree cavities, often used in winter, and the one I was going to inspect consisting of a globe-shaped leafy ball, known as a “drey,” wedged amidst branches, also used in winter but more often during the warmer months. The account mentioned that most dreys consisted of a single chamber although occasionally they make two chambers — the equivalent of a foyer leading into the living room.
Working my way up the tree I reached the destination and with a little bit of anxiety bordering on trepidation stuck my hand into the nest and felt around. Fortunately no one was home, which is what I expected since several bangs on the main trunk next to the drey had elicited no response. I quickly realized I had a two chamber nest.
The entrance chamber was the smaller of the two and I could feel a partial wall separating the two. The back chamber was about 50% bigger than the size of a curled squirrel (say that tens time fast!) I was surprised by how solid the nest felt and how thick the walls were (they can contain more than 20 layers of leaves; one researcher tickled apart the wall of a drey and found 26 leafy layers).
The thick wall of a squirrel nest serves two vital functions — helping to keep rain out and body warmth in and the leafy layered wall exceeds in doing both. The leaves act like shingles on a roof and their overlapping positioning helps to prevent water from infiltrating the nest. Similarly, the leaves help to retain heat and many experiments have documented their thermal benefits, by keeping internal nest temperatures high when occupied by the squirrel. In one study in Finland researchers found that once a red squirrel entered a drey it quickly warmed up, making the temperature inside the nest 60 to 80 degrees warmer than the surrounding air.
The latin or scientific name for the grey squirrel is Sciurus carolinensis; the genus name means “shadow tail,” a reference to the shadow the tail makes when its arched over the back of the squirrel, a common position when the animal is eating. The species name relates to Carolina, where the first squirrel was presumably first discovered and described to science.
Grey squirrels live up to their name, being grey in coloration, but if you get a chance to view a squirrel up close you’ll see the pelage is a bit more colorful. Occasionally while birding I’ll train my binoculars on a nearby squirrel and I am always taken by their subtle beauty, enrobed as they are in muted earth tone colors. The squirrel’s underside is white and it’s face, tail, and armpit is diffused with brown. There’s a flecking of black, white, and brown or tan peppered throughout the grey fur. Melanistic (all black) and albinistic (all white) squirrels occur with melanistic being the more common of the two rare pelages, but even these blacks squirrels make up less than one percent of the population. I remember, as a child,when visiting my aunt who lived in Rye, New York seeing a population of black squirrels that lived in the forest next to a golf course.
When it comes to managing their food supply rodents generally display two types of behaviors: scatter hoarding or centralized or “larder” hoarding, with grey squirrels practicing the former (chipmunks employ the latter). If you watch grey squirrels in the fall you’ll see them carrying acorns and other nuts burying them (or caching them) in dozens of locations. This behavior suggests they possess very good memories, which they indeed do, since 95 to 99% of the cached nuts are recovered and eaten.
I recently watched acorn caching involving a squirrel on my front lawn. The squirrel walked slowly and then stopped to paw the earth, followed by some sniffing, the way a squirrel assesses the suitability of the site in the grass in which to hide the acorn. It did this three or four times apparently unhappy with something about each of the sites until it finally met the right set of squirrelly conditions at a site near a tall holly tree. Scratching quickly with its front paws the squirrel quickly buried the acorn. Its scattered larder was now one acorn larger.
Grey squirrels are quite adept at differentiating acorns from different oak species; they “know” that acorns from white oaks germinate in the fall while those of red oaks do so in the following spring and, not surprisingly, eat the white oak acorns first while storing acorns from red oaks. Another advantage to this strategy, besides eating acorns that would be lost to germination if they tried to store them, comes from the fact that tannin levels in red oak acorns (tannin is the ingredient that makes your lips pucker when drinking red wine) lessens over time, making the acorns less bitter and more palatable.
We’re not sure if squirrel lips pucker when eating tannic acorns but I do know they develop a large stained moustache while and after eating black walnuts. Despite the impending facial smudge they’ll develop, they look like the definition of contentment as they hold the prized walnut in their paws and proceed to gnaw through the green husk to get to the walnut shell and meat that lays within.
We have another squirrel species that roams the forest of Long Island: the Southern Flying Squirrel. Strictly nocturnal, this little living fabric of “flying” carpet can be seen at bird feeding stations where it’s especially fond of suet. Of course, they don’t fly but rather glide from one tree to another, using an extended fold of skin on each side of its body connecting front and back legs. Their flattened tail helps to serve as a rudder and brake.
Many years ago I worked in a nature preserve and one day went to look at some white baneberry growing along a trail I knew was developing fruits (also known as doll’s eyes due to the resemblance of the fruits to the eyes once used in old fashioned porcelain dolls, white baneberry is in the buttercup family). As I neared the plants I noticed, at the base of a large chestnut oak on the other side of the trail, a small brownish object. Inspecting it I realized it was a freshly dead flying squirrel. I sadly wondered if the squirrel had misjudged the location of the tree or got carried by the wind and collided with the tree with such force that it caused its demise.
While I’ll never know what killed that flying squirrel so many years ago, I do know the cause of many squirrel deaths today— roadkill. Grey Squirrels routinely cross roads that are within their territory; unfortunately, they have no awareness of cars as lethal objects. In one study a state wildlife biologist counted 390 dead squirrels along a fifty mile stretch of highway in New Hampshire.
As I drive Long Island roads I’m constantly alert for squirrels bounding out from the road shoulder (and other wildlife like box turtles); so far so good — while I’ve had a number of close calls with darting squirrels I haven’t hit one.
I’m very grateful I haven’t hit a squirrel with my car and even more grateful of the experience I had, climbing an oak tree half a century ago, since it was the catalyst for developing a lifelong fondness of squirrels.
A resident of Setauket, John Turner is conservation chair of the Four Harbors Audubon Society, author of “Exploring the Other Island: A Seasonal Nature Guide to Long Island” and president of Alula Birding & Natural History Tours.
Children may not be able to sit on Santa’s lap this holiday season, but they will have a chance to chat with him.
The Ward Melville Heritage Organization has announced a Holiday Program for the Stony Brook Village Center to be held December 6, 2020. WMHO will be bringing Santa Claus direct from the North Pole live over Zoom. 45-minute free sessions will run at2, 3 and 4 p.m.
Santa will speak to 100 children during each hour. Residents can sign up to share their holiday wish list through Eventbrite, which will have a description of how each session will run.
A special mailbox just for letters to Santa will be at the Stony Brook Post Office, 111 Main Street in Stony Brook starting on Dec. 6.
Parents and their children eager to connect with Santa can go to www.stonybrookvillage.com, which will have a link to the Eventbrite registration. Each child will have between one and two minutes with the bearded wonder.
“Our organization does distance learning for schools and we are excited to use our technology pieces to bring Santa Claus to the children,” said Gloria Rocchio, President of the Ward Melville Heritage Organization. “With this approach, we can make children happy and the families safe.”
Eventbrite is also providing a link for the public to make a suggested donation to the 25th annual Santa Fund, which provides people in need with clothing, food, essential items and gifts.
Guests can also place their holiday present requests with Santa in the Chat Box during their zoom session or mail it physically at the Santa Mail Box in front of the Stony Brook Post Office, which will also start receiving wish lists on Dec. 6.
After the Santa interactions on Zoom, residents can watch the Stony Brook Village Center Facebook Page which features a tree lighting on the Village Green at 5:30 pm.
To reserve a virtual spot to visit with Santa in the North Pole on Sunday, December 6th 2020 visit the WMHO’s Eventbrite page at http://wardmelvilleheritageorg.eventbrite.com
For further information, please call 631-751-2244.
Charlee H. of Sound Beach is one of our winners! Photo by Heidi Sutton
By Charlee H., age 5, Sound Beach
Emily C. of Port Jefferson Station is one of our winners! Photo by Heidi Sutton
By Emily C., age 7, Port Jefferson Station
By Lillian S., age 4, Port Jefferson Station
By Madison T., age 7, Wading River
By Nina M., age 5, Port Jefferson Station
By Oliver B., age 5, Miller Place
By Riley Z., age 7, East Setauket
By James D., age 7, Miller Place
By Isabelle T., age 5, East Setauket
By Giavonna C., age 6, Selden
By Elena C., age 6, East Setauket
By Donna E., age 6, Northport
By Caleb D., age 7, Miller Place
By Ava R., age 8, East Northport
By Adelaide L., age 5, Mount Sinai
Thanks to all the children who entered Times Beacon Record News Media’s Thanksgiving Coloring Contest! The second annual event had creative kids across our coverage area sharpening their colored pencils and breaking out the markers. Congratulations to 7-year-old Emily C. of Port Jefferson Station and 5-year-old Charlee H. of Sound Beach for being this year’s winners. They both received a $25 gift certificate to Chocolate Works in Stony Brook. Special thanks to Chocolate Works for sponsoring our contest! Happy Thanksgiving!
Fountaingate Gardens Founders Club members (from left) Bonnie Soman and Michele Leone were also on hand to cheer the progress, along with Brodsky, Supervisor Lupinacci, Wolf, Fountaingate Gardens Director of Sales Michele Biggart, and Almer. Photo from Gurwin
Huntington Town Supervisor Chad Lupinacci (second from left) joined (from left) Fountaingate Gardens Board Chairman Cary Wolf, Gurwin Healthcare System Boad Chairman Bert E. Brodsky, and Gurwin Healthcare System President and CEO Stuart B. Almer to review features of the soon‐to‐be‐built Life Plan Community. Photo from Gurwin
The Gurwin Healthcare System has begun site clearing work for the construction of its new Independent Living Community, Fountaingate Gardens. Several key stakeholders were on hand recently to commemorate the first step toward groundbreaking for the 129-luxury apartment independent living complex, creating only the fourth Life Plan Community on Long Island.
“We are thrilled to be taking this milestone step, as we move closer to groundbreaking within the next couple of months,” said Stuart B. Almer, Gurwin Healthcare System President and CEO. Joined by members of the Gurwin board, Huntington Town Supervisor Chad Lupinacci, and Fountaingate Gardens Founders Club members, Almer spoke about the progress toward construction, and the community’s impact on Long Island seniors.
“Fountaingate Gardens will provide an amenity-rich, resort-fashioned lifestyle with a wide array of services on one campus, enabling seniors to remain on Long Island, close to the things and people they love,” he said. “Offering an active lifestyle and both financial and healthcare security for the future, the community will be the final piece to Gurwin’s full continuum of care. We are grateful for the support of Supervisor Lupinacci and the Town of Huntington for this project which is vital to enabling our area’s seniors age in place.”
“I’m so excited to see my future home coming to fruition!” said Bonnie Soman, a Founders Club member, who stopped by to see the progress. Accompanied by future neighbor Michelle Leone and wearing Fountaingate Gardens hardhats, the two Founders watched as heavy equipment moved dirt and trees to prepare for the community’s groundbreaking.
Located on Gurwin’s 34-acre Commack campus, Fountaingate Gardens will have a charming, village-like ambience offering a dynamic lifestyle for active adults. Dining venues, a fitness center, an indoor salt water pool, social gathering areas, and numerous other amenities will be conveniently located just a few steps from each residence.
Fountaingate Gardens will offer active adults the freedom and lifestyle of a Life Plan Community while ensuring access to the acclaimed Gurwin continuum of care should health needs change in the future. The project is already almost 65% sold, with some of the most popular floor plans nearly or completely unavailable.