Gallery North, 90 North Country Road, Setauket will present its annual Wet Paint Festival from June 5 to June 13.
Now in its 17th year, this annual, outdoor event is a celebration of plein air painting. The Wet Paint Festival provides the community with the unique opportunity to observe some of Long Island’s top plein air painters as they capture the area’s historic and natural beauty. Like last year, Gallery North will slightly modify plans for the festival. In an effort to maintain both the goals of the event and continued social distancing guidelines, the Gallery invites participating artists to create works in public or in solitude during the week of the festival.
Gallery staff will also visit featured locations to arrange a few, optional recorded “virtual visits.” Participating artists will have the option (not required) to work with staff to record a discussion of their process or an informal interview. These “virtual visits” will then be posted on social media and on Gallery North’s website to both promote the event and to allow the public to understand and experience the process of plein air painting.
All participating artists will be featured in a pop-up exhibition at the Studio at Gallery North on June 18 from 3 to 7 p.m. The public is invited to attend the exhibition in person in small groups. Artists will be on hand from 5 to 7 p.m outside the Studio in Gallery North’s courtyard, to discuss their work, their experiences, and their approach, answering questions from the public.
Registration is required for the artists participating in the festival. The exhibition will be free and open to the public. For more information visit www.gallerynorth.org.
Runners tackle the lung-bursting grade on Port Jefferson’s Main Street during the Cross-Island Marathon. Photo from the Swenk Collection
The Cross-Island Marathon was a former Port Jefferson to Patchogue road race. Attracting a record 1,175 runners in 1979, the annual event originated a decade earlier with a field of only 18 competitors.
In 1969, the Patchogue Jaycees and the Cavalier Athletic Club co-sponsored a “Marathon Run” from Broadway Avenue in Holbrook to the ferry dock at the Patchogue Sandspit. Not a true marathon of 26 miles and 385 yards, the June 21 race was to cover slightly over seven miles but was shortened to a 5.5-mile event to avoid major thoroughfares.
The co-sponsors extended the 1970 “Marathon Run” to 14 miles, starting the June 20 race at Nesconset Highway (Route 347) in Port Jefferson Station and finishing at the Rider Avenue entrance to Shorefront Park in Patchogue.
The 14-mile distance remained the same in June 1971 and 1972, but the race was renamed the “Cross-Island Marathon.” In addition, the Village of Patchogue’s Recreation and Parks Department joined in sponsoring the event, later becoming the key organizer of the run.
In June 1973 and 1974, the marathon’s course was stretched to 15.5 miles. The race still finished at Shorefront Park in Patchogue but began near the waterfront at the intersection of Broadway and Main in lower Port Jefferson. With this change, the run lived up to its name, became a true “Cross-Island” event, increased in popularity and drew more competitors.
Sandra Swenk was Port Jefferson’s mayor when the marathon was brought to the village’s downtown. As she fired the starter pistol signaling the beginning of the race, the runners charged up Port Jefferson’s Main Street passing a number of businesses that have been lost to the passage of time — the Elk Hotel and Restaurant, Grammas Sweets, Woodfield’s Men’s Wear, Cooper’s Office Supplies, Mac Snyder’s Army and Navy Store, Gristedes Supermarket, Cappy’s Carpets, Ringen’s Luncheonette and many more.
Runners set out from Port Jefferson’s Main Street at the start of the marathon. Photo from the Swenk Collection
Seasoned runners easily handled the climb from the village’s waterfront up the hill to the LIRR crossing where the course finally leveled off, but the lung-bursting grade often proved quite challenging for first-timers unfamiliar with the terrain.
Over the years, the run’s start in Port Jefferson and end in Patchogue was a constant, but the length of the race was not: 15.6 miles, 1975-1977; 20.8 miles, 1978; 19.6 miles, 1979; and 20 miles, 1980.
In 1981, the Cross-Island Marathon was scrapped and replaced with the 13.1-mile Patchogue Half Marathon, prompted in part by a desire among some in greater Patchogue to have a strictly South Shore event and growing concerns about the race’s impact on road traffic.
Although the Cross-Island Marathon underwent frequent changes throughout its history, one outstanding athlete dominated the run despite the disruptions. From 1969-1980, Justin Gubbins won each race, often with blistering times, except for 1972 when he was away for Olympic Trials and in 1977 when he ran second to Louis Calvano.
Local residents also performed well in the Cross-Island Marathon. Steve Heinbockel of Belle Terre placed third in 1976 and 1977. His father, William, a math teacher zat Port Jefferson High School, won the age 41-50 division in 1978, a year with 924 finishers.
Among Long Island’s original road races, the bygone Cross Island Marathon was a unique run, linking Port Jefferson Harbor on the North Shore with Patchogue Bay on the South.
Kenneth Brady has served as the Port Jefferson Village Historian and president of the Port Jefferson Conservancy, as well as on the boards of the Suffolk County Historical Society, Greater Port Jefferson Arts Council and Port Jefferson Historical Society. He is a longtime resident of Port Jefferson.
This week’s shelter pet is Betty, an 11-year old pitbull mix currently at the Smithtown Animal Shelter.
Betty is loving, friendly couch potato who needs a breed savvy, adult only home where she can enjoy being the only pet. She loves to be surrounded by people, and will cry out for them to come see her and for them to return to her if they leave. She is housebroken, has good manners and knows her commands.
Betty needs a home that can help her manage and navigate her significant arthritis. She is spayed, microchipped and is up to date on her vaccines.
If you are interested in meeting Betty, please call ahead to schedule an hour to properly interact with her in a domestic setting, which includes a Meet and Greet Room and a Dog Walk trail.
The Smithtown Animal & Adoption Shelter is located at 410 Middle Country Road, Smithtown. Shelter operating hours are currently Monday to Saturday 10 a.m. to 3 p.m. (Sundays and Wednesday evenings by appointment only). Call 631-360-7575 or visit www.smithtownanimalshelter.com
If you’re like us, I’ll bet thatwhile you’ve been out there doing your spring cleanup. You’ve also uncovered the grill and spruced that up, too. Maybe you’ve been trudging out there all winter; if so, you’re braver than we are. We’re fed up (pun intended) with soups and stews and hearty fare simmering on the stove. Time for drafting that old grill into service and charring our way into spring fare … seafood, veggies, chops, chicken, burgers, baby back ribs and of course, steaks. Beyond the regular old faithfuls, here are a few recipes that are perfect for sliding scrumptiously into spring and the great outdoors.
Grilled Scallop Kabobs with Asparagus
YIELD: Makes 3 to 4 servings
INGREDIENTS:
36 sea scallops, washed and patted dry
24 thick asparagus spears, cleaned and cut into 3” pieces
24 large cherry tomatoes
1/3 cup extra virgin olive oil
Salt and freshly ground black pepper to taste
2 garlic cloves, smashed
1/4 cup freshly squeezed lemon juice
DIRECTIONS:
Preheat grill to medium-high (350 to 400F). On barbecue skewers, alternately thread the scallops, asparagus and tomatoes. In a small bowl, vigorously whisk together the oil, salt and pepper, garlic and lemon juice, then discard garlic. Brush the scallops, asparagus and tomatoes with mixture, place on grill, close lid and grill for 2 to 3 minutes per side, just until scallops turn opaque and everything starts to brown. Serve with mashed potatoes.
Grilled Pork Tenderloin with Apricot Glaze
YIELD: Makes 8 servings
INGREDIENTS:
Two 1-pound pork tenderloins
1 generous tablespoon coarse salt
1 1/2 teaspoons freshly ground black pepper
Oil for grill
3/4 cup heated apricot jam
DIRECTIONS:
Rub tenderloins all over with salt and pepper, then let sit for an hour to come to room temperature. Brush pork with half the preserves, then grill and turn every 4 minutes and brush with remaining preserves until dark brown on all sides and meat thermometer inserted in thickest part reads 130F, about 11 minutes. Let rest 5 to 10 minutes, then cut into half-inch slices. Serve with a mixed salad.
Grilled Potato Salad with Arugula
YIELD: Makes 5 to 6 servings
INGREDIENTS:
1 1/2 pounds baby new potatoes, scrubbed
Salt and freshly ground pepper to taste
1/3 cup extra virgin olive oil plus more for brushing
2 tablespoons white wine vinegar
2 teaspoons freshly squeezed lemon juice
1 bunch arugula, washed and torn into bite-size pieces
1 small red onion, finely diced
DIRECTIONS:
Halve potatoes or leave whole, depending on size; place in pot and bring to a boil. Cook until barely tender, 5 to 8 minutes. Drain and let cool slightly. Prepare grill on high heat. Brush potatoes with oil and sprinkle with salt and pepper; place on grill and cook, tossing occasionally, until tender and slightly charred, about 5 to 7 minutes.
In a small bowl, whisk together salt and pepper, oil, vinegar and lemon juice. In a large bowl, toss together the grilled potatoes, arugula, onion and oil mixture. Serve warm or at room temperature with meat, fish or poultry.
The longest offseason in the 31-year history of Splish Splash Waterpark in Calverton will come to an end on Saturday, May 29, as the park reopens its gates to guests for the first time since Labor Day 2019, a 627-day closure caused by the COVID-19 pandemic.
Splish Splash’s 30th season may begin a year later than initially planned, but with no shortage of excitement for the return of summer fun to Long Island. The first step in this comeback campaign: hiring roughly 1,000 seasonal staffers to provide a clean, safe and fun experience for Splish Splash visitors.
“We’re so excited to get back to the business of fun here at Splish Splash,” said General Manager Mike Bengtson. “Creating opportunities for people to get back to work is an important step in the recovery process, and we will keep safety as our top priority for staff and applicants throughout the recruitment, orientation and training process.”
Safety will be at the forefront of all activity during the current recruiting period and as the water park prepares to open and welcomes guests back this summer. SplishSplashWaterpark will follow recommendations and rulings from the Center for Disease Control and Prevention, New York Department of Health, and best practices within the amusement and attractions industries. Recruiters will conduct interviews virtually, and orientation and training will also be virtual for most positions. Any in person trainings will require facial coverings, strict adherence to state capacity limitations, and social distancing.
SplishSplash recruiters are looking to fill roughly 1,000 openings in departments including Lifeguards, Food & Beverage, Facilities, Retail and Sales. The flexible positions offer part-time and full-time opportunities to high school and college students, professionals looking for a change of pace, and retirees interested in supplementing their income and staying active. Most seasonal positions are available to applicants age 16 and older, with job perks including free admission, team-building celebrations, discounts on park food and merchandise, flexible scheduling, and more. For more information and to apply online, visit the Employment page of SplishSplash Waterpark<https://www.splishsplash.com/employment>.
As a special thank you to its customers, Splish Splash has extended 2020 Season Passes to include the 2021 Season. For more information, call 631-727-3600.
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SplishSplash Waterpark has 96 acres of family fun slides and attractions. SplishSplash is owned and operated by Palace Entertainment, one of the leading leisure park operators in the United States. Palace Entertainment operates 25 entertainment and educational venues across 10 different states, offering a wide range of family-friendly rides, attractions and educational experiences. Palace Entertainment is part of Parques Reunidos, one of the leading global operators, with more than 60 different assets (theme parks, zoos and marine parks, water parks and other attractions), spread out over various countries across Europe, North America, the Middle East, and Australia.
Stony Brook, NY; Stony Brook University: School of Medicine 2018 Convocation Photo by Arthur Fredericks
Stony Brook, NY; Stony Brook University Medical Center: The White Coat Ceremony in the Student Activities Center. (8/14/2016)
Stony Brook, NY; Stony Brook University MART & Children's Hospital Pavilion: MART ribbon cutting, November 1, 2018. Left to right: New York State Assemblyman Steve Englebright; SUNY Trustee and Stony Brook Foundation board member Cary Staller; Stony Brook University President Samuel L. Stanley Jr., MD; New York State Senator Kenneth P. LaValle; SUNY Chancellor Kristina Johnson; Jim and Marilyn Simons; New York State Senate Majority Leader John Flanagan; Kevin Law, President of the Long Island Association and Chair of the Stony Brook Council; Kenneth Kaushansky, MD, Senior Vice President for Health Sciences and Dean of the School of Medicine; Director of the Stony Brook University Cancer Center Yusuf Hannun, MD; representing Governor Andrew Cuomo, Marta Santiago-Jones, Consultant Nurse Hospital Services Administrator at the New York State Department of Health.
Stony Brook, NY; Stony Brook University Medical Center: Donors David and Cynthia Lippe and Dean, School of Medicine and Senior Vice President of Health Sciences Ken Kaushansky outside of the garden area of the MART/Hospital Pavilion
Stony Brook, NY; Stony Brook University Hospital: Stony Brook Medicine rolled out new Mobile Stroke Units on March 18, 2019, to treat people who are having a stroke.
Left to right: Kimberly Noel, MD, Director, Telehealth, Stony Brook Medicine, Michael Guido III, MD, Neurologist, Director, Stony Brook Neurology Stroke Program, Ken Kaushansky, MD, Dean, Renaissance School of Medicine at Stony Brook University, David Fiorella, MD, PhD, Neurointerventionalist, Director, Stony Brook Cerebrovascular Center, Trevor Marshall, MD and Eric Niegelberg, Associate Director, Operations, Emergency Services and Internal Medicine
Stony Brook, NY; Stony Brook University: Chancellor Jim Malatras and Stony Brook University President McInnis Announce Partnership with SUNY Upstate Medical University to Launch Pooled Surveillance Testing for COVID-19.
Stony Brook to Test 5200 Students Each Week. Testing Expansion Follows FDA Approval of Groundbreaking Saliva Swab Test Developed at Upstate Medical University
By Daniel Dunaief
Like so many others, Ken Kaushansky had to alter his plans when the pandemic hit last March. Kaushansky had expected to retire after over 10 years as Dean of the Renaissance School of Medicine at Stony Brook University and the Senior Vice President of Health Sciences, but the public health needs of the moment, particularly on Long Island which became an early epicenter for the disease, demanded his attention.
“Now that COVID hopefully is coming under control, it seems more logical” to retire this year, Kaushansky said in a wide-ranging interview about the pandemic, his career, and the medical school. In January, he stepped down as the dean, while he plans to retire as Senior Vice President of Health Sciences at the end of June.
Views on the Pandemic
Dr. Kenneth Kaushansky
Looking back at the immediate challenges in the first few months, Kaushansky said SBU did “extremely well” in caring for patients who were battling COVID-19 and was gratified by the school’s effort to catalog and understand the disease. “I’m very proud that we’ve been able to study this infection on all sorts of levels and make a real impact that has helped others,” he said.
Early on, as the medical team at Stony Brook met, Kaushansky urged the hospital to study COVID “to the hilt” and to “extract every little bit of data we can. We must keep all that data on all these patients.”
Indeed, Stony Brook has created a database that continues to grow of close to 10,000 people, which includes 3,000 inpatients, 4,000 who weren’t sick enough for hospital admission, and around 3,000 who thought they had the disease, but had other illnesses. “We’ve learned a ton from that, and it’s not just learning for learning’s sake,” Kaushansky said. The demand for the use of the database is so high that a steering committee is reviewing proposals.
Stony Brook had heard from doctors in Italy that COVID patients were having problems with blood clotting. This symptom was particularly meaningful to Kaushansky, who is a hematologist.
SBU studied the symptoms and “did a trial to see if aggressive anticoagulants would produce better outcomes” than the standard of care at the time, he said. “Our [intensive care unit] patients who were on this more aggressive anticoagulation protocols had half the mortality” of other patients, so the hospital “quickly adopted all of our care” to the more effective approach.
The hospital preemptively used biomarkers to determine who should and should not get aggressive anticoagulation. A subsequent study using the database confirmed the school’s early conclusion. Stony Brook published over 150 papers on the structure of the virus, clinical observations, sociological interventions, and a host of other areas, according to Kaushansky.
Carol Gomes, Chief Executive Officer of Stony Brook University Hospital, appreciated Kaushansky’s hands on approach, which included participating in daily calls as part of the hospital incident command center.
She likened Kaushansky to an orchestra leader, coordinating the research and patient care, making sure there was “no duplication of effort.”
Kaushansky believes federal research funding agencies and policy makers will recognize the importance of gathering information about this pandemic to treat future patients who might battle against variants and to provide a playbook for other health threats. “We really do need to prepare for the next one” as this is the third and deadliest of three coronaviruses, including SARS and MERS, he said.
Vaccines
As for vaccines, Kaushansky said Stony Brook was making it as “convenient as we can” to get a vaccination for health care workers. As of about a month ago, over 80 percent of Stony Brook’s health care workers had been vaccinated.
The black and brown communities have benefited from seeing leaders and role models receiving the vaccine. “This is beginning to erode the mistrust,” said Kaushansky, which developed as a byproduct of the infamous Tuskegee experiment, in which black men with syphilis did not receive penicillin despite its availability as an effective treatment.
Kaushansky added that a concern he’s heard from a range of people is that the vaccine was developed too quickly and that the side effects could be problematic. He cited the simultaneous steps doctors, pharmaceutical companies and others took to accelerate a process that didn’t leave out any of those steps.
Kaushansky participates in a group email interaction with prominent European hematologists. Looking at the data for the Astrazeneca vaccine, these researchers have calculated that anywhere from one in 500,000 to one in a million have developed blood clots.
“Not a single person on this mass email believes that they should stop the Astrazeneca vaccines for that kind of incident,” he said.
What He Helped Build
Kaushansky has been such a supporter of expanding the facilities and expertise at Stony Brook that he said the campus developed a joke about him.
“What’s the dean’s favorite bird?” he asked. “A crane.”
Fixtures on the campus for years, those cranes — the construction vehicles, not the birds — have changed the university, adding new teaching, research and clinical space on the campus.
That includes the Medical and Research Translational building and Bed Tower, which started in 2013 and opened in 2018, and the Hospital Pavilion, which has an additional 150 beds. Those extra beds were especially important a year after the pavilion opened, providing much-needed space for patients battling against COVID.
Gomes appreciated what Kaushansky built physically, as well as the interactive collaborations among different parts of the university. “An active collaboration and communication between researchers, clinicians and academics is a very different model” from the typical separation among those groups, she said. The work “reaped great rewards on the front end with the ability to collaborate to bring new ideas forward.”
As for the type of care patients received at Stony Brook, Kaushansky recalled a discussion over six years ago about central line infections. The data came from a 12 month period, starting six months prior to the meeting and going back to 18 months earlier.
“How are we going to know why all those central line infections occurred by looking at data” from so much earlier, Kaushansky recalled asking. The hospital created real time dashboards, which is an effort that has “paid huge dividends.”
Kaushansky cited the hospitals’ top 100 health grade for three years running. These grades assess whether patients survive a procedure, have complications or need to be readmitted.
“You’re going to get the best care possible when you come to Stony Brook,” Kaushansky said, as the top 100 rating puts Stony Brook in the top 2 percent of hospitals in the country.
Apart from the buildings Kaushansky helped develop, he’s proud of the program he helped build for medical school students.
About six years ago, Stony Brook instituted a new medical school curriculum that had translational pillars. The school starts students in the clinical realm considerably earlier than the classic program that involves two years of basic studies, followed by two years of clinical work.
Stony Brook provides basic science, followed by earlier exposure to the clinic, with a return to basic science after that
“It’s much more effective if you teach the basic science after the student has witnessed the clinical manifestation,” Kaushansky said. These approaches are part of translational pillars in areas such as cancer, physiology and infectious diseases.
As for what he’ll miss after he leaves, Kaushansky particularly appreciated the opportunity to speak with students. He used to hold a monthly breakfast with four or five students, where he learned about each student, their career goals and their medical journey.
A former colleague at the University of California at San Diego, John Carethers, who is the Chair in the Department of Internal Medicine at the University of Michigan, visited Kaushansky as a speaker twice at Stony Brook.
Carethers saw “first hand the wonderful impact he had on students — knowing their names, and providing wonderful advice,” he wrote in an email.
The Next Steps
For a decade, Kaushansky said he wanted to create a course about the future of medicine.
“There are a lot of great innovations in medicine that are fascinating from a scientific and clinical perspective,” Kaushansky said.
He will work on a course for use at Stony Brook in the main campus, the medical campus and for whichever program is interested in sharing these innovative medical and scientific steps in medicine.
He also plans to continue to be the lead editor of the primary textbook in hematology, called Williams Hematology. The textbook has gone through 10 editions.
Kaushansky and his wife Lauren, who is an author and education professor at Stony Brook, aren’t likely to remain on Long Island in the longer term. The couple has a getaway home in Santa Fe and may go there.
Kaushansky’s hobbies include wood working and running. He made a sofa when he was an undergraduate at UCLA, while his second significant work was a 16-foot sailboat he made as a second-year resident. He estimates he has made 40 pieces of furniture.
Kaushansky runs four miles a day four to six times a week. In 1990, he ran the Seattle Marathon which was the Goodwill Games Marathon, finishing in a time of around three hours and twenty-five minutes.
Culturally, Kaushansky hopes the school continues to embrace his focus on generosity.
“You’ve got to be generous with your time,” he said.
“No more can you say that you are too busy to talk. You have to be of a personality that takes pride and that gets the endorphins going from seeing the people you have brought, the people you have entrusted in leadership roles, succeed.”
Comsewogue Public Library’s 2021-2022 operating budget passed April 6, and Chris McCrary was re-elected as trustee.
Director Debbie Engelhardt expressed a message of thanks to the community for their support both on the library’s website and in an upcoming Letter from the Director to be featured in the library’s next newsletter.
According to Engelhardt’s update, “The Library is now fine-free, with wonderful spring happenings underway and a delightful summer in store.”
While masks and physical distancing are still enforced for everyone’s safety at the library, there are no longer time limits for in-person visits and places to sit and read, study, work or chat have been restored.
“We’re thrilled to welcome everyone back to the Library to relax, learn and grow in a comfortable and safe community setting,” she added.
In addition to the many online services and programs offered for adults, teens and children throughout the pandemic, including “Take and Make” programs, Comsewogue Pubic Library is beginning to offer outdoor programs and some indoor programs as part of its new hybrid service program.
“I’m so pleased with the staff’s latest community-centered initiatives — The Little Free Pantry and The Seed Library are examples — each of which can help ensure folks get enough to eat,” Engelhardt said.
The library is also offering low and no-cost resources to help people find what they need to solve problems and achieve their personal and professional goals, including LinkedIn Learning where visitors can find video courses in business, technology and creative skills.
For children and teens, a new installation of CPL StoryWalk has been announced, which allows patrons to stroll the library lawn, while following along with posted pages of children’s books. Stories will be changed regularly.
CPL also now offers free notary services by appointment.
For more information about the library’s approved operating budget, visit cplib.org/about/documents, and to learn more about Comsewogue Public Library’s programs and services for community members of all ages, visit cplib.org, or call 631-928-1212.
Michael Boren snapped this photo of a red-eared slider sunning itself on a log at Frank Melville Memorial Park in his hometown of Setauket on April 7. He writes, ‘ The turtle was enjoying the good weather along with the rest of us.
The Village Boutique saw an opportunity a few storefronts away and decided to move in.
The former Thomas Kinkade art gallery located at 128 Main Street in the village has stayed vacant for more than 13 months, said Abby Buller, The Village Boutique’s owner.
So she talked to her landlord — who owns her former spot at 216A Main as well as the Kinkade space — and decided to move down the street.
“I think the location is a little bit better and because of the way this store is configured, it allowed me to expand more into shoes and accessories the other store didn’t allow me to do,” Buller said.
And the new store is a better fit.
Since originally opening up in May 2019, Buller said her store carries a variety of women’s apparel for ages 16 and up. The new, much larger, space allowed her to begin selling footwear and more accessories.
“I’ve always wanted to have shoes in my store, but the back storage area was just too small,” she said. “This gave me two storage areas, and the space to display shoes of the other store didn’t have — so the configuration is what’s different.”
Buller said after things opened back up, she wanted to use the opportunity and start fresh. In January, she and her landlord came to an agreement, closing down her former location on Feb. 23.
It took her and her business partner about two weeks to move everything over, steam it all, barcode it and of course do some construction and cleaning up. The new Village Boutique opened on March 15.
“I’m getting people into the store who said, ‘Are you new?’ and when I said no, they would say they never saw me up the block,” she said. “So, I think the new location will pay itself off in the end.”
Owner Abby Buller inside her new space. Photo by Julianne Mosher
The Village Boutique, Buller said, is the type of place where a shopper won’t have to step foot inside a big-box store, or shop online, ever again. She personally shops for her inventory in the city and brings in designers from all over the world.
“If I can’t touch the clothes, I can’t buy them,” she said. “Because we first look for style, then when we look with touch. If you don’t like the way it feels, you’re not going to buy something.”
She also said she has a price point for everyone’s budget.
“We have a little bit of Manhattan in Suffolk County,” she said.
Buller said the last couple of years she has grown her shop in the village has even led her to now make the jump to move out here, herself.
Born and raised in Queens, since 2019 she has been commuting the almost two-hour drive to Port Jeff every day.
She said she just sold her place in Bayside, and is looking to find a new place in the Port Jefferson, Rocky Point or Mount Sinai areas to call home.
“I remember being a child and a day trip for us would be coming out to Port Jeff,” she said. “So, when I decided to own a business, my concept was that I didn’t want to be in a strip mall. I wanted to be in a town. And I had such fond memories of this village so I took the jump.”
The Village Boutique is open Monday through Thursday 11 a.m. until 5 p.m., 11 a.m. until 7 p.m. Friday and Saturday, and 11 a.m. until 5 p.m. Sunday’s.
Olivia Colman and Anthony Hopkins in a scene from the film. Photo courtesy of SONY Pictures
Reviewed by Jeffrey Sanzel
The first question Anne asks: “What happened?” The Father’s inciting conflict centers on the exit of a home healthcare worker who has quit after being threatened by the man in her charge. When Anne confronts her father, he falsely deflects: “She was stealing.”
So begins the powerful, twisting course of The Father, as much a suspense thriller as it is a study of dementia. That question of “What happened?” becomes both thesis and driving force for all that follows.
French playwright Florian Zeller makes a sure-handed, sensitive directorial debut with an adaptation of his award-winning play. The Father garnered accolades for its 2014 Paris premiere; international stagings followed in forty-five countries. The Manhattan Theatre Club production received a Tony nomination for Best Play. Its star Frank Langella won the Tony Award for Best Actor.
Imogen Poots, Olivia Colman and Anthony Hopkins in a scene from the film. Photo courtesy of SONY Pictures
Zeller has co-written the screenplay with Christopher Hampton; Hampton is responsible for the English translation used in the London, Australian, and New York stage productions. Occasionally, the dialogue sounds like elevated text. The screenplay carries a tone found in the works of many language-centric playwrights (Harold Pinter, Tom Stoppard, Simon Gray, etc.). Whether this reflects Zeller’s writing or Hampton’s adaptation is hard to judge. For the most part, the style works in this dream/nightmare world.
Anthony Hopkins plays eighty-year-old retired engineer Anthony (André in the play but renamed here for its star). He lives in his London flat, looked after by his daughter, Anne. But is it his flat or hers? Is she married or has she met someone and is moving to Paris? These are the ever-shifting questions as his reality is never fully grounded.
Layered onto this is that two different actors of similar appearance play Anne —predominantly Olivia Colman, but also Olivia Williams. Also, two actors appear as her husband Paul: Rufus Sewell and Mark Gatiss. Laura, a new home healthcare provider who reminds Anthony of his other daughter, Laura, is played by Imogen Poots. Until she isn’t. The apartment itself is never quite the same, changing in the placement of a lamp or a new chair’s appearance. Morning and evening don’t so much blend as occur simultaneously.
Anthony obsesses his watch’s whereabouts; if a bit on the nose, the point is his loss of time. Sometimes the action suggests several days; other times, it feels that a single day is playing over. The same uncomfortable dinner seems to recur, but always with slightly different details. The plot is simple; the execution is complex as it goes deeper into Anthony’s ever-shifting sense of his world.
Hopkins’ work has bridged the twentieth and twenty-first centuries, including stage, screen, and television. He has had an unmatched body of work. Performances include the Academy Awarding-winning turn as The Silence of the Lambs’ insidious Hannibal Lecter, the rigidly oblivious butler Stevens in Remains of the Day, the deeply felt C.S. Lewis in Shadowlands, and his monumental King Lear in 2018 (a good parallel reference to The Father). He has delivered indelible performances for over six decades.
His work in The Father is no less than brilliant. He brings raw depth to Anthony’s frustration and growing paranoia. Flashes of anger followed by clumsy recovery present with a frail honesty: “Everything is fine … the world is turning.” Moments of childlike abandonment — “What’s going to become of me?” — are followed by accusations and berating tirades. Hopkins makes Anthony’s loneliness and desolation palpable. Whether listening to opera or struggling to identify his son-in-law, Hopkins’ eyes are a window to Anthony’s pain.
In a heartbreaking moment, he cannot figure out how to put on a sweater, and then allows Anne to put him in it. In an oasis of clarity, he says, “Thank you for everything.” It offers a glimpse of who he might have been. But what always bubbles below the surface is the question of which is the real Anthony. Is it this kind, appreciative man or the vitriolic and hyper-articulate charmer who wins over Laura with an improvised tap dance? Hopkins, the actor, seamlessly navigates these shifts.
Olivia Colman’s conflicted daughter Anne swallows the constant slights, usually putting his needs before her own. In the threads in which she is married, Anthony’s presence in her home has caused her shaky relationship to crumble. Whether her father’s cruelty is something new or behavior she has endured her whole life is never revealed. But Colman’s repressed hurt and roiling guilt is achingly realized with every glance, hesitation, and sigh. Her breezy avoidance of directly answering his repetitive questions with cheery distraction belies the brittleness underneath. The performance is subtle, and the wounds are real.
While Hopkins dominates, the film’s title is The Father. It is not just about Anthony’s downward spiral, but about the effect on his relationship with his daughter, about her loss in this poignant, relevant story. Hopkins and Colman are equally matched.
Unlike the more meditative Still Alice, The Father’s tension is constant and relentless. The shifting of cast/characters highlights Anthony’s existential dread. Whether this reflects the experience of dementia, we can never know.
In the end, Anthony asks, “What about me? Who … exactly am I?” While the film arrives at a conclusion that answers this question, there remains a shadow of ambivalence. However, in the doubt and pain, there resonates a breath of love, hope, and care.
Rated PG-13, The Father is now streaming on Amazon Video.