Arts & Entertainment

By Barbara Anne Kirshner

Pulsating percussion, blazing guitar riffs, vocal gymnastics all set against a gold mine of 80’s hit anthems; that’s intoxicating Rock of Ages now playing at the Engeman Theater in Northport.

This five time Tony Award nominated musical with book by Chris D’Arienzo and arrangements/orchestration by Ethan Popp is an exuberant romp back to the 80’s brimming with defining hits including those of Journey, Bon Jovi, Pat Benatar, Poison, Styx and Steve Perry. The show premiered on Broadway April 7, 2009, at the Brooks Atkinson Theatre and later moved to the Helen Hayes Theatre where it closed on January 18, 2015. The 2012 film featured Tom Cruise, Julianne Hough and Diego Boneta.

The Engeman is professionalism at its very best making for a completely enjoyable evening at the theatre. Attention to detail is key here from its plush stadium style seating to its sophisticated lounge to productions of the highest quality, and with Rock of Ages, the audience is taken on an exhilarating ride.

Director Igor Goldin has assembled an outstanding cast that blasts off right from the start and never quits until the final curtain. Goldin keeps the energy high with clever electric moments including a smoke screen that parts introducing Lonny Barnett (Matt DaSilva), who takes on the role of narrator. He’s a dead ringer for Queen’s Freddie Mercury with handlebar mustache and puffed out chest. DaSilva struts around the stage like he owns it, smashing the fourth wall, connecting to the audience.

Lonny is flamboyant and so much fun as he chronicles the tale of starry-eyed dreamers who hit the Sunset Strip in search of stardom only to find fame is illusive at best. Drew, a wannabe rock star working as a busboy at Dennis Dupree’s club, The Bourbon Room, craves the lead singer spot in rock group, Arsenal, when their front man, Stacee Jaxx, announces he is leaving the band.

A love triangle happens between Drew, Jaxx and Sherrie Christian, who just arrived from the Midwest with aspirations of being an actress. She is innocence personified with her squeaky clean Olivia Newton John looks and blonde flippy hair. Drew, who has fallen instantly, gets her a waitress job at the club. But when he says they are “friends,” she rushes into the arms of Jaxx who later insists Dupree fire her. Dupree reluctantly agrees since he is counting on Jaxx’s final performance with Arsenal to bring in the money he desperately needs to keep his club from demolition.

Dan Hoy delivers so much heart as Drew with eyes that embrace the audience and an incredible voice punctuated by sustained notes. Bailee Endebrock’s performance is compelling and her lilting soprano sails through songs like “I Wanna Know What Love Is.” Nick Bernardi’s Jaxx, dripping with sexuality, grinds his way in “Wanted Dead or Alive” causing the girls to swoon at his feet. Erik Schark as Dupree is a gruff, bigger than life presence, but allows glimmers of feeling to appear like in his comical duet with Lonny on “Can’t Fight This Feeling.”

Further conflict ensues when Hertz Flyingmann (Ryan M. Hunt) and his son Franz (Sean Widener), German real estate developers, convince the city’s mayor (Kenneth D. Washington) to rid the Strip of “sex, drugs and rock-n-roll” for wholesome developments. He commands, “Bring in the wrecking ball!” and erupts in outstanding vocals on “The Final Count Down” making Hertz a villain you love to hate.

Hertz and his son face direct opposition from Regina (Daria Pilar Redus), the City Planner, but when she wins Franz over, the two burst into a show stopping rendition of “Hit Me With Your Best Shot.”

The ensemble sparkles through each scene with brilliant voices and they seem to defy gravity through Natalie Malotke’s titillatingly effervescent choreography. Of special note is Renee Titus as Justice Charlier, the owner of the Venus Club, a “gentleman’s club,” who hires Sherrie after she’s fired by Dupree. Her belting mezzo soprano in “Every Rose Has It’s Thorn” sends shivers.

The five piece band conducted by Jeff Cox is onstage for the entire show igniting each scene with intensity that drives on the plot. Dueling guitars at the close of Act II are spectacular. Laura Shubert’s sound design is well-balanced and dynamic.

Kurt Alger’s costume and wig design is a party of colors and revels in the retro 80’s sequins animal prints, net stockings, thigh high suede boots, tight jeans, plunging necklines and long, lustrous hair, oh, and that’s on the boys.

Kyle Dixon’s scenic design impresses even before the show begins with its giant guitar stage right and a well-placed spiral staircase left used later to create emotional tableaus. Dixon’s choice of industrial elements adds grit with scaffolding outlined in pipes and black palm trees stenciled onto a white brick backdrop. Jose Santiago’s lighting design is kinetic ranging from brilliant to subtle. Of note is a flash of red illuminating actors that adds sensuality in one pivotal scene.

Engeman’s Rock of Ages is a high powered trip into 80’s counterculture that grasps the audience and when it lets go, all you want is a repeat performance.

The John W. Engeman Theater, 250 Main St., Northport presents Rock of Ages through March 13. Tickets range from $75 to $80 with free valet parking. For more information or to order, call 631-261-2900 or visit www.engemantheater.com.

Vanderbilt weathervane. Vanderbilt Museum Archives photo

The Suffolk County Vanderbilt Museum has received a grant of $86,489 from the Robert David Lion Gardiner Foundation that will finance the restoration of two weathervanes that once adorned the Vanderbilt Mansion and the Learning Center.

The mansion weathervane, once atop the Bell Tower, depicts a ship with wind-filled sails plowing through waves, followed by sea serpents, and includes dolphin forms sitting on top of a globe of stars. The sculptural work was created by Samuel Yellin, considered the foremost iron artisan of the twentieth century and known as the “Tiffany of ironwork.”

The large weathervane signifies William K. Vanderbilt II’s love of the seas, his years of circumnavigating the globe, exploring the oceans, and collecting specimens for his marine museum, The Hall of Fishes. The smaller weathervane is simpler — a rotating arrow with scrollwork and embellishments. Deterioration and public safety concerns led the museum to remove both weathervanes 30 years ago.

Restoration will be performed by Spirit Ironworks of Bayport, operated by siblings Rachel and Timothy Miller. For their restoration work at the Henry Street Settlement in New York City, they received the 2020 Stanford White Award for Craftmanship and Artisanship through the Institute of Classical Architecture and Art.

“We are thrilled that the Gardiner Foundation believes in the timeless significance of Samuel Yellin’s magnificent iron artistry — and in the Vanderbilt as stewards of an extensive repository of his unique art. We’re excited that the gifted, award-winning artisans at Spirit Ironworks will be restoring our Yellin collection,” said Vanderbilt Museum Executive Director Elizabeth Wayland-Morgan.

“Willliam Vanderbilt’s Eagle’s Nest is one of the few remaining North Shore estates open to the public. There were more than 1,200 built in the late nineteenth and early twentieth centuries. The Vanderbilt is one of the jewels of our Suffolk County parks system. These weathervanes, initially utilitarian objects, showcase the mastery of Yellin’s artistic interpretation and craftsmanship. Their restoration and re-installation will offer the visitor a new insight into how their Long Island Gold Coast neighbors curated and celebrated even the smallest details of their homes,” said Kathryn M. Curran, executive director of the Robert David Lion Gardiner Foundation. 

“This commitment to preserve the two weathervanes produced by Samuel Yellin for William K. Vanderbilt II represents an incredible gift from the Robert D.L. Gardiner Foundation to Long Island’s rich heritage in the decorative arts. As the foremost artisan in wrought iron, Samuel Yellin fabricated architectural and ornamental fixtures for some of the more culturally significant constructions of the early twentieth century,” said Paul Rubery, director of curatorial affairs.

“In the past year, the weathervane — a unique alchemy of sculpture, scientific instrument, and public artwork — has specifically enjoyed renewed appreciation among art lovers and historians who seek to understand the full breadth of American craft. We look forward to the day when these historically significant works can greet our visitors from their proper positions on the Learning Center and Bell Tower rooftops,” he added. 

“Master blacksmith Samuel Yellin has an incredible body of work at the Vanderbilt Museum. By restoring two of his weathervanes, we gain respect for the elevated level of skill and design he used to create these works of art. Starting with a three-masted ship followed by sea serpents atop a star-filled globe, Yellin transformed a simple weathervane into a sculpture that honored his patron’s love of the sea, adventure, and exploration,” said Rachel Miller of Spirit Ironworks. 

“As fellow artist-blacksmiths here at Spirit Ironworks, we are honored to preserve a small part of his legacy by staying faithful to many of his means and methods used in these lovingly crafted weathervanes.”

Photo from Harbormen Chorus

Love always finds a way! Even in the midst of uncertain times singers can express affection over the internet. This year again the Harbormen Chorus has prepared a “Virtual Singing Valentine” to be delivered to those Special Sweethearts out there. 

By digitally combining individual vocal renditions, their Director Rob Ozman was able to create a combined quartet effect to delight the viewer. For $35 they will email you a link which opens up to a classic, endearing Love Song for your Valentine, with your name attached. Please call Mr. Cupid soon (by Feb. 7 in time for Valentine’s Day delivery) to reserve your virtual presentation at 631-644-1029.

The Asian American Association of Greater Stony Brook and the Town of Broohaven AANHPI Advisory Board will host an art exhibit celebrating the Year of the Tiger and the Lunar New Year at the Setauket Neighborhood House, 95 Main Street, Setauket on Saturday, Feb. 5 from 10 a.m. to 6 p.m.  Over 50 pieces will be displayed in drawing, painting, printmaking, sculpture and mixed media and will touch on the theme of the Lunar New Year and/or the Year of the Tiger.

Awards will be given in three groups: pre-k to 6th grade, 7th to 12th grad and adult. The top three winners will be awarded a $50 Amazon gift card and award certificates.

All are welcome to attend this free event. For more information, email [email protected].

Photo by Art Billadello

THE DAY AFTER

Art Billadello of Setauket snapped this photo of icicles outside the bedroom window of his 1735 house on Jan. 30, the day after Long Island’s first blizzard of the year. 

He writes, “This photo was taken from one of the windows in the bed chamber (bedroom) that President George Washington stayed in on April 22nd, 1790. Of that visit, he wrote in his journal: ‘.. .to the house of a Captn. Roe, which is tolerably decent with obliging people in it.’ I take that as a compliment.

Send your Photo of the Week to [email protected]

Pixabay photo

By Matthew Kearns, DVM

Dr. Matthew Kearns

I just returned from a veterinary conference and I thought it wise to attend some lectures on periodontal disease in dogs and cats just to update myself with the latest information. One of the lectures focused on home care to prevent periodontal disease. Studies have shown that 85% of pets have some degree of periodontal disease by age three. 

Periodontal disease refers to pathology of the structures around the tooth: gingiva (gums), the periodontal ligament, perialveolar bone. Periodontal disease begins with plaque. It has been proven that even within 24 hours of a professional cleaning, a thin film of bacteria, saliva, and food (also known as plaque) accumulates on the enamel of the tooth. Plaque that is not removed mineralizes within 10 days into tartar or a calculus. 

Once tartar takes hold a shift develops from aerobic bacteria (bacteria that need oxygen to survive) to nasty anaerobic bacteria (those that need little or no oxygen to survive). Anaerobic bacteria secrete toxins that inflame the gums and lead to small abscesses or pockets under the gums. Bacteria start to destroy the support structures around the tooth which is very painful. If not treated then the tooth will need to be removed. 

Brushing is still the most effective way to prevent the development of plaque and tartar. There are a variety of toothbrushes available for pets. Make sure the toothpaste is veterinary approved. Swallowing human toothpaste is harmful because it has too much sodium, fluoride, and sweetened with saccharin. 

Pet safe toothpaste comes variety of flavors that pets will like (chicken, beef, fish, etc). When you first begin just to put a little toothpaste on the end of the brush and let your pet investigate. Hopefully they sniff, lick, or even just chew on the brush. Start by gently just brushing the front teeth. Once they tolerate that, start to work towards the back teeth. 

If this makes you groan, you are not alone. I myself do not have time to brush my own pet’s teeth every 24 hours and, even if I did, they would not let me. There are other options. Certain prescription diets (Hill’s t/d®, and Purina Pro Plan DH®) literally clean the teeth as your pet eats. There are also treats that do the same. Look for the Veterinary Oral Health Council (VOHC) seal on the packaging. These insure the product is safe and effective. If you can’t find a VOHC approved treat, remember this slogan: “if you wouldn’t want to get hit in the knee with this dental treat/chew, don’t let your pet chew on it.” That means if it is too hard your pet runs the risk of damaging their teeth. 

Rinses are the least effective because there is no abrasive component to remove plaque. Look for the VOHC seal of approval. The safest and most effective rinses contain chlorhexidine. Chlorhexidine is most effective against the development of plaque and chlorhexidine-based rinses are considered the gold standard of veterinary oral rinses. Rinses containing xylitol, or fluoride should be avoided in my opinion because of their potential for toxicity.

This is not a complete list of dental home care products so, as always, please consult with your own veterinarian for a more in-depth conversation. In addition, I can’t guarantee that even if you follow through with all these recommendations that your dog or cat will not need professional dental care (including extractions), but it certainly helps.  

Dr. Kearns practices veterinary medicine from his Port Jefferson office and is pictured with his son Matthew and his dog Jasmine. 

Pixabay photo
The focus is on absorption and blood levels

By David Dunaief, M.D.

Dr. David Dunaief

With the recent storms, the cold temperatures and the not-quite-so-short, but still short days, it’s likely you’re not spending a lot of time outside in the sunshine with your skin exposed these days.

Here in the Northeast, this is the time of year when many reach for vitamin D supplements to compensate for a lack of vitamin D from the sun. Let’s explore what we know about vitamin D supplementation.

There is no question that, if you have low levels of vitamin D, replacing it is important. Previous studies have shown that it may be effective in a wide swath of chronic diseases, both in prevention and as part of a treatment paradigm. However, many questions remain.

At the 70th annual American Academy of Dermatology meeting in 2012, Dr. Richard Gallo, who was involved with the Institute of Medicine recommendations, shook things up by noting that, in most geographic locations, sun exposure will not correct vitamin D deficiencies. Interestingly, he emphasized getting more vitamin D from nutrition. Dietary sources include cold-water fatty fish, beef liver, and egg yolks. Most of us receive food-sourced vitamin D from fortified packaged foods, where vitamin D has been added.

We know its importance for bone health, but as of yet, we only have encouraging — but not yet definitive — data for other diseases. These include cardiovascular, autoimmune and skin diseases and cancer.

There is no consensus on the ideal blood level for vitamin D. For adults, the Institute of Medicine recommends between 20 and 50 ng/ml, and The Endocrine Society recommends at least 30 ng/ml.

Cardiovascular mixed results

Stock photo

Several observational studies have shown benefits of vitamin D supplements with cardiovascular disease. For example, the Framingham Offspring Study showed that those patients with deficient levels were at increased risk of cardiovascular disease (1).

However, a small randomized controlled trial (RCT) called the cardioprotective effects of vitamin D into question (2). This study of postmenopausal women, using biomarkers such as endothelial function, inflammation or vascular stiffness, showed no difference between vitamin D treatment and placebo. The authors concluded there is no reason to give vitamin D for prevention of cardiovascular disease.

The vitamin D dose given to the treatment group was 2,500 IUs. Thus, one couldn’t argue that this dose was too low. Some of the weaknesses of the study were a very short duration of four months, its size — 114 participants — and the fact that cardiovascular events or deaths were not used as study end points.

Most trials relating to vitamin D are observational, which provides associations, but not links. However, the VITAL study was a large, five-year RCT looking at the effects of vitamin D and omega-3s on cardiovascular disease and cancer (3). Study results were disappointing, finding that daily vitamin D3 supplementation at 2000 IUs did not reduce the incidence of cancers (prostate, breast or colorectal) or of major cardiovascular events.

Mortality decreased

In a meta-analysis of a group of eight studies, vitamin D with calcium reduced the mortality rate in the elderly, whereas vitamin D alone did not (5). The difference between the groups was statistically important, but clinically small: nine percent reduction with vitamin D plus calcium and seven percent with vitamin D alone.

One of the weaknesses of this analysis was that vitamin D in two of the studies was given in large amounts of 300,000 to 500,000 IUs once a year, rather than taken daily. This has different effects.

Weight benefit

There is good news, but not great news, on the weight front. It appears that vitamin D plays a role in reducing the amount of weight gain in women 65 years and older whose blood levels are more than 30 ng/ml, compared to those below this level, in the Study of Osteoporotic Fractures (4).

This association held true at baseline and after 4.5 years of observation. If the women dropped below 30 ng/ml in this time period, they were more likely to gain more weight, and they gained less if they kept levels above the target. There were 4,659 participants in the study. Unfortunately, vitamin D did not show statistical significance with weight loss.

USPSTF recommendations

The U.S. Preventive Services Task Force recommends against giving “healthy” postmenopausal women vitamin D, calcium or the combination of vitamin D 400 IUs plus calcium 1,000 mg to prevent fractures, and it found inadequate evidence of fracture prevention at higher levels (6). The supplement combination does not seem to reduce fractures, but does increase the risk of kidney stones. There is also not enough data to recommend for or against vitamin D with or without calcium for cancer prevention.

When to supplement?

It is important to supplement to optimal levels, especially since most of us living in the Northeast have insufficient to deficient levels. While vitamin D may not be a cure-all, it might play an integral role with many disorders. But it is also important not to raise the levels too high. The range that I tell my patients is between 32 and 50 ng/ml, depending on their health circumstances.

References: 

(1) Circulation. 2008 Jan 29;117(4):503-511. (2) PLoS One. 2012;7(5):e36617. (3) NEJM. 2018 published online Nov. 10, 2018. (4) J Women’s Health (Larchmt). 2012 Jun 25. (5) J Clin Endocrinol Metabol. online May 17, 2012. (6) JAMA. 2018;319(15):1592-1599.

Dr. David Dunaief is a speaker, author and local lifestyle medicine physician focusing on the integration of medicine, nutrition, fitness and stress management. For further information, visit www.medicalcompassmd.com. 

Following the blizzard that battered Brookhaven Town this past weekend, Holtsville Hal’s 2022 prognostication was welcome news for many. After awaking from his slumber, Hal brushed the snow aside to emerge from his burrow and did not see his shadow, predicting an early spring for the Town of Brookhaven. The virtual event was livestreamed on the Holtsville Ecology Site’s Facebook page on Groundhog Day, Feb. 2.

According to tradition, if a groundhog sees its shadow on Groundhog Day, there will be six more weeks of winter weather; if not, spring should arrive early.

“After this weekend’s blizzard, I’m sure we are all looking forward to spring arriving on time and keeping our fingers crossed that our resident weatherman maintains his accuracy,” said Superintendent of Highways Daniel Losquadro. 

“Regardless, the Brookhaven Highway Department remains ready to handle whatever else Mother Nature sends our way during these remaining few weeks of winter.”

Above, Town of Brookhaven Highway Superintendent Dan Losquadro with Holtsville Hal’s handler, Greg Drossel, revealing Hal’s 2022 prognostication.

Photos courtesy of Town of Brookhaven

Kevin A. Reed. Photo from Stony Brook University
As climate events continue to cause substantial widespread loss, damage, and financial costs that fall heavier on developing nations, a new commentary in the inaugural issue of PLOS Climate by two researchers, including Stony Brook University’s Professor Kevin A. Reed, calls for developed nations to direct resources toward operationalizing extreme weather events and impact attribution. While this kind of attribution technology is commonplace in the research community, if used by governments it could play a vital role in improving the global response to climate change by making that response more equitable and effective.

Authors Reed and Michael F. Wehner at Lawrence Berkeley National Laboratory, point out the costs of extreme weather over the past 50 years are unevenly distributed across the world. Generally, the most financially expensive weather events have been hurricanes in the U.S., but the deadliest events are droughts and floods in developing nations.

“Our idea is to help guide and push operational centers and governments to use attribution technology to better quantify losses and damage due to climate change, so that the developed world can be better responsive to losses and damages in the developing world,” says Reed, Associate Professor and Associate Dean of Research at the School of Marine and Atmospheric Sciences (SoMAS).

The authors urge that extreme weather event attribution – science that quantifies the influence of anthropogenic climate change on specific individual events – can indeed play a significant role in quantifying loss and damage. They cite two examples in Hurricane Harvey in 2017 and a series of global heat waves over more than 25 years.

“While there has been much discussion about operationalizing extreme weather event attribution, none such exists today,” they write. “Rather attribution statements are performed by a myriad of academic-minded groups, mostly as research projects.”

They add that the credibility of extreme weather event attribution statements has been demonstrated for a wide variety of impactful events, and that observational, computational and statistical tools are readily available.

“Thus, we call on the funding agencies of developed nations to direct resources to their weather forecast services to begin to operationalize extreme weather event and impact attribution.”

During February, The Reboli Center for Art & History in Stony Brook is proud to display the stunning botanical and cast glass jewelry created by Michael Michaud Design, as well as by his son Michael Vincent Michaud. According to Four Seasons Design Group, which represents the two companies, “The cast glass processes very much like the lost wax process of casting metal into jewelry. The glass is melted into a mold and then cooled and cleaned reproducing the shapes and colors to be placed into the metal bezels. During the process some air may be trapped in with the solidifying of the glass. It is those bubbles inside that make each piece unique and one of a kind.”

The Michael Michaud Design collection reflects his exceptional knowledge of jewelry making and his love of nature. He started as an apprentice mold cutter in 1973 and worked his way towards being a master precious metal caster and moldmaker. While a student at the Rochester Institute of Technology’s School for American Craftsmen, he learned many of the techniques that he still uses today to create his designs of nature in metal. Michaud worked for some of American’s leading jewelry designers before starting his own company.

Michael Vincent Michaud, the son of renowned jewelry designer Michael Michaud, studied with some of the finest glass artists at various institutions including the prestigious Corning and Urban glass programs. He was inspired by his father’s high craftsmanship and love of “art glass.” He was fortunate to begin his career at his father’s studio and collaborated with him to create glass elements for jewelry collections licensed by The Metropolitan Museum of Art in New York, The National Gallery of Art in Washington, DC and The Victoria and Albert Museum in London. This experience enabled him and his brother Shane, who handles the business side, to create their own company, Michael Vincent Michaud, in 2011.

Their jewelry collection consists of pendants, necklaces, rings, bracelets, earrings, brooches and table art such as serving pieces, utensils, trivets and napkin rings.

“For the first time, The Reboli Center is delighted to showcase artisans who are a father and son.  Our Design Shop features some of the jewelry created by Michael Michaud Design, as well as by his son, Michael Vincent Michaud. Their jewelry is exquisitely detailed and so luminous when it catches the light,” said Lois Reboli, a founder and president of the Reboli Center.

The Reboli Center is located at 64 Main Street in Stony Brook, and is open Tuesday to Saturday from 11 a.m. to 5 p.m. and on Sunday from 1 to 5 p.m. Admission is free and for more information, please call 631-751-7707.