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Seniors from Smithtown High School East and Smithtown High School West filled their schools’ football fields as students for the last time on Thursday, June 23.

Smithtown East’s commencement ceremony celebrated the graduation of 401 students and featured the district’s Assistant Superintendent Kevin Simmons, who was the principal at East for 3 1/2 years before moving to the district office, as the keynote speaker.

The two student speakers were Aman Mistry, who was voted by fellow seniors as the honor speaker, and Trishaulla Kanhai, who is president of the Class Council.

At Smithtown West, 358 students received their diplomas. Superintendent Mark Secaur addressed the students. National Honor Society President Tyler Nagosky was chosen by his classmates to speak at the ceremony and co-presidents Hunter Hayes and Madison Hilman also delivered speeches.

Reviewed by Jeffrey Sanzel

Australian auteur Baz Luhrmann has left his kinetic imprint on a range of cinematic works. Known for his bold visual style and thumping soundtracks, William Shakespeare’s Romeo + Juliet (1996), Moulin Rouge! (2001), and The Great Gatsby (2013) are among his most prominent projects. With Elvis, he has turned his sights on one of the most iconic performers of the twentieth century. Working from a screenplay co-written with Sam Bromell, Craig Pearce, and Jeremy Doner, Luhrmann presents an almost hagiographic portrait, smoothing out many of the rougher edges.

Elvis begins with Luhrmann’s usual frenetic assault. Slow-motion, quick cuts, aggressive music, and even a dissolve into a comic book set the tone for an original, if over-the-top, approach. However, within thirty minutes, the film settles into a traditional biography with only occasionally departing from a straight narrative. It becomes surprisingly pedestrian, given Luhrmann’s signature style. Predictable montages with cities superimposed on a map indicating travel seem a throwback to films of a previous century. Perhaps this is to put the action in its time, but it leans more towards creaky than homage.

The film tells the story from the perspective of Elvis’s agent, Colonel Tom Parker (Tom Hanks). He serves as narrator and villain, tracing the singer from his poverty-ridden childhood through Parker’s elevation of the singer and Elvis’s meteoric rise. Much is made of Elvis’s fascination with African-American music of Memphis’s Beale Street. The huckster Parker becomes guide and gatekeeper to the naive young man, with something Faustian about the story: Parker as a corpulent Mephistopheles making dreams come true.

The film covers little new ground. In two and a half hours of playing time, Elvis reveals bits and pieces but never creates a full portrait of any of its characters. Luhrmann pulls his punches, making Elvis an almost benevolent figure, eschewing many darker elements. The drugs and sex are touched upon but then relegated to the background. While Parker states that Elvis was “the taste of forbidden fruit,” these are seen only in sanitized glimpses.

The greatest star of many generations was the victim of bad choices and insidious management. There are harrowing moments—particularly when his father decides to get him on stage when he should be in a hospital. But these moments are too few and far between. Instead, the movie focuses on performances and the push-pull relationship between the manager and the managed. Nods are made to Elvis’s devastation over the assassinations of Martin Luther King, Jr., and Robert Kennedy and his desire to make bigger statements. But they are skimmed over. 

His career is played in fast-forward, his army service and movies receiving only perfunctory glances, segueing to television, and finally to Vegas. The Steve Allen debacle, with Elvis in tails singing to a hound dog, makes for a decisive moment, and the entire residency at the International Hotel receives more than a cursory treatment. 

Tom Hanks gets points for giving the least “Tom Hanks” performance of his career. His almost freakish Parker is an obese fat suit and distorting prosthetics, calling to mind Jiminy Glick or Danny DeVito as the Penguin. The shadowy “Colonel” was a fraud and a charlatan, not southern but Dutch. For some strange reason, Hanks opted for an untraceable European accent (and sounding nothing like any of the available clips of the real Parker). One expects lines like “He’s the greatest carnival attraction I’d ever seen; he was my destiny” to be followed by a maniacal laugh. He creeps around the film’s periphery, wandering in his purgatory casino.

In theory, the reason for biographical films is to explore historical figures, acknowledge their accomplishments, explore them in the context of their times, or gain insight into what made them unusual, exceptional, and memorable. However, more often, the films become a celebration of the actors’ work: Daniel Day-Lewis in Lincoln; Jennifer Hudson in Respect; Joaquin Phoenix and Reese Witherspoon in Walk the Line; Rami Malek in Bohemian Rhapsody, etc. Somewhere along the way, the portrayal subsumes the persona.

Austin Butler delivers as Elvis. He captures the King in every look, shift, and shrug. He embodies the roiling doubts and the desire for more. Whether struggling with career choices or trying to care for his dysfunctional parents, he infuses each moment with integrity and star power. His vocals are excellent, and he has found the required nuances. (Butler sings all the earlier songs and then is blended with actual Elvis recordings for the later years.)

By the film’s end, little has been revealed about the man or the myth. There are events and interactions and a bit of trivia but not much depth. Unlike Dexter Fletcher’s Rocketman, the gloriously messy look at Elton John, Elvis chooses not to reflect its subject in style or approach. There is nothing “Elvis” about Elvis. Instead, Baz Luhrmann offers a by-the-numbers biopic with a mesmerizing central performance. It is something, but perhaps not enough.

Rated PG-13, the film is now playing in local theaters.

By Cayla Rosenhagen

Since 1970, the Long Island Game Farm Wildlife Park and Children’s Zoo in Manorville has been a premier location for families and people of all ages to visit and learn about all the feathered, furred, and scaled creatures with whom we share the Earth. It’s an ideal spot to foster environmental awareness, appreciation, and respect.

I hadn’t visited the Game Farm since I was very young, so returning here was extremely nostalgic for me. The moment I entered the gates and stepped onto the boardwalk surrounded by rich green forest, memories all started coming back to me. I was greeted by a friendly parrot and soon made my way to the first interactive exhibit — Bambiland. I was in utter awe spending time with the friendly, young Fallow Deer. They pranced around happily in their paddock and eagerly approached visitors, seeking food and attention.

In a similar fashion to the deer enclosure, the goat nursery also allows guests to step into the world of these curious creatures. It’s the perfect place for human kids to encounter goat kids. I felt nothing but sheer delight playing with and bottle-feeding the affectionate babies. I certainly had a difficult time leaving the goat pen, but I was prompted by my excitement to visit with all the other animals on the farm.

Throughout the day, I learned about and met all kinds of animals, from African Spurred Tortoises and Grant’s Zebras to peafowl and wallabies. There were also alpacas, llamas, bison, sheep, donkeys, rabbits, and more. 

The kind and welcoming staff members’ immense wealth of knowledge about the animals, as well as the abundance of informational signage all around the park greatly contributed to my experience and generated quite a few “wow!” moments. 

Additionally, I was fortunate to see Bobo, the almost-two-year-old reticulated giraffe majestically grazing and interacting with zookeepers. The gentle giant recently returned to the Game Farm from an extended vacation in the South, where the warmer winter weather is more tolerable to him. You can visit him all summer long, until he heads back down south again in October. 

Although I only saw Bobo from just outside his enclosure, guests do have the opportunity to get closer and even feed him with the V.I.P. Animal Tour. This all-inclusive package also encompasses wallaby, emu, zebra, and ring-tailed lemur encounters, and bottle-feeding opportunities at the nursery. There are also several individual encounters experiences, such as those with the zebras and camels, and children’s pony rides, some for additional fees.

Aside from the remarkable array of creatures to meet, the Game Farm offers amenities such as their snack bar with kid-friendly menu items, gift shop, picnic grounds, and playground areas.

The Long Island Game Farm is located at 489 Chapman Blvd. in Manorville. Weather permitting, you can visit the Game Farm any day of the week from 10 a.m. to 5 p.m. through September. General admission tickets cost $24.95 for adults (ages 13-61), $21.95 for seniors (age 62 and older), $18.95 for kids (ages 3-12) and toddlers and babies two and under are free! For more information, please call  631-878-6644 or visit www.longislandgamefarm.com.

Cayla Rosenhagen

Author Cayla Rosenhagen is a local high school student who enjoys capturing the unique charm of the community through photography and journalism. She serves on the board of directors for the Four Harbors Audubon Society and Brookhaven’s Youth Board, is the founder and coordinator of Beach Bucket Brigade, a community outreach program dedicated to environmental awareness, engagement, and education, and pens a column for TBR News Media titled Cayla’s Column.

*This article originally appeared in TBR News Media’s 2022 Summer Times Supplement.

Proud family members and invited guests gathered at Cold Spring Harbor High School on June 12 to join in celebrating the 59th Commencement of the 145 graduating seniors of the Class of 2022. As the graduates processed into the field house for the final time, High School Principal Daniel Danbusky congratulated the class on their dedication and commitment to achieving their goal of academic success.

“We are all gathered here to recognize and celebrate your accomplishments,” he said.

—Photos from Cold Spring Harbor Central School District

CELEBRATING COMMUNITY

The Kings Park Chamber of Commerce hosted the 44th annual Kings Park Day on June 18. The community descended on Main Street for a street fair with live music, food and crafts. The event was also the perfect place to shop for Father’s Day.

All photos by Steven Zaitz

Cindy M. Smith was over many years an enthusiastic champion of Long Island artists. She and her husband Warren Strugatch shared the art collecting bug, owning landscapes and abstractions by Ty Stroudsburg, Nan Kemp, Doug Reina and many others. In nice weather, the Stony Brook couple climbed into their white Miata, put the top down, and toured art spaces between Manhattan and Montauk. Whether they bought or not, they offered words of encouragement to artists, praising what they liked and asking where the artists would be exhibiting next.

Over time they struck up many artworld friendships. The pair frequently invited painters and other creative folks to visit them in their sprawling, sun-drenched home off Stony Brook Road where the works they collected went on display.

Cindy gave special encouragement to women artists, her husband said. “I think she realized that many women must work harder to be taken seriously as artists. She was highly empathetic to that. When she bought a painting from a female artist, she felt she was not only saying the right thing, but doing the right thing, too.”

Sadly, Cindy passed away Feb. 15 after a long battle with leukemia. The Long Island Museum has dedicated its current exhibition, “Two Centuries of Women Artists,” to her memory. On June 9th the museum held a reception for “Two Centuries,” which Joshua Ruff, the museum’s deputy director, said was one “Cindy would have loved.”

“We miss her greatly,” Ruff said, “not least because she lived her passion for the arts every day. Without passion, the arts wither. Without inclusivity, the arts deflate. She and Warren helped establish connections to some of the finest artists we have added to our campus is recent years. Their boundless energy boosted our exhibition openings, energized our concerts, and bolstered our community.”

Warren, who sponsored the reception in his wife’s memory, said that he would be leaving their house in Stony Brook as it was now “too big just for me.” A writer and consultant, he is keeping their art trove intact. He plans to transport it and much of the couple’s Midcentury Modern furniture collection to his new apartment in Astoria. 

“The walls are pretty tall” in his new apartment, he said. “I’m pretty sure there will be room for all the art we collected. Seeing the art every day helps keep Cindy in mind for me. Her enthusiasm was true and contagious.”

See video footage of the reception below.

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The Huntington Arts Council has announced the return of the Huntington Summer Arts Festival at the Chapin Rainbow Stage in Heckscher Park, 2 Prime Ave., Huntington from June 24 to Aug. 7. Now in its 57th year, the Festival will once again feature an abundance of exceptional music, dance and theatre performed by regional artists as well as those from around the U.S. and the world.

“The Huntington Summer Arts Festival is a cultural mainstay of Long Island and reflects our strong sense of community as we come together to celebrate the arts in an inclusive, family friendly environment. The Huntington Arts Council is proud to be the steward, in partnership with the Town of Huntington, of this FREE summer series,” said Kieran Johnson, Executive Director of the Huntington Arts Council.

“Our lineup is composed of a wide variety of artistic genres featuring something for everyone. Whether it be Women in Jazz week, Plaza Theatricals’ presentation of “Tick, Tick … Boom!,” or “How I Became a Pirate” for family night, Huntington Community Band, or Orchestra L.I. with David Stewart Wiley, I encourage everyone to come to a show; you won’t be disappointed. I hope to see you there!” he added.

Most performances start at 8 p.m. with family shows starting at 7 p.m. Shows are rain or shine unless weather is severe. 

Opening weekend features the truly innovative and incandescent Cyrille Aimee on June 24; followed by Plaza Theatrical’s production of the iconic Lerner & Loewe musical Camelot on June 25; and wrapping up the weekend on June 26 will be the Symphonic Pops of L.I. with conductor Stephen Michael Smith.

The season continues with:

June 28 Sonia De Los Santos

June 29 Huntington Community Band.

June 30 Huntington Men’s Chorus

July 1 L.I. Dance Consortium “A Celebration of Dance I”

July 2 Anthony Nunziata

July 6 Huntington Community Band

July 7 Alsarah & The Nubatones

July 8 Sol y Sombra

July 9 Dizzy Gillespie’s Afro-Latin Experience

July 10 Nassau Pops Symphony Orchestra

July 12 Darlene Graham & The Shades of Green Band

July 13 Huntington Community Band

July 14 Oran Etkin Open Arms Project

July 15 The High Kings

July 16 Huntington Folk Festival, co-presented by Folk Music Society of Huntington: Paula Cole and Sophie B. Hawkins; (1:00 – 5:00 PM: Acoustic Music Scene Artist Showcases, Song Swaps)

July 17 Eastline Theatre Co. Shakespeare’s “Two Gentlemen Of Verona”

July 19-24 Women In Jazz Week: July 19 Lucy Kalantari & The Jazz Cats July 20 Huntington Community Band. July 21 Lakecia Benjamin – Pursuance July 22 Bria Skonberg. July 23 Kandace Springs July 24 DIVA Five Play

July 26 Plaza Theatrical “How I Became A Pirate”

July 27 Huntington Community Band

July 28 Miko Marks & The Abrams

July 29 Oyster Bay Music Fest. Rieko Tsuchida & Maximilian Morel

July 30 Plaza Theatrical “Tick, Tick…Boom!”

July 31 Swingtime Big Band

Aug. 2 Brady Rymer & The Little Band That Could

Aug. 3 Twin Shores Chorus/ Island Hills Chorus

Aug. 4 L.I. Dance Consortium “A Celebration of Dance II”

Aug. 5 American Patchwork Quartet

Aug. 6 Orchestra L.I., David Stewart Wiley

Aug. 7 Bumper Jacksons

Since 1959, The Northport Community Band has been delighting Northport residents and music lovers from all over Long Island. Thursdays from June 30 – July 28, the band performs at the Robert W. Krueger Bandstand in Northport Village Park. This year’s theme “Outdoor Overtures” will feature a blend of marches, overtures, classics and popular favorites. Concerts begin at 8:30 PM

All Huntington Summer Arts Festival Information and program updates can be found at www.huntingtonarts.org. The Chapin Rainbow Stage is in Heckscher Park, Huntington, NY 11743 at Prime Avenue/Route 25A. Performances start at 8:00 PM, Tuesday Family Shows at 7:00 PM. Shows are rain or shine unless weather is severe. Cancellations will be posted to HAC’s facebook page www.facebook.com/HuntingtonArts, or call TOH Public Safety (631)  351-3234.

 

By Barbara Anne Kirshner

Excitement abounds in Stony Brook Village!

On June 21, the Long Island Music & Entertainment Hall of Fame (LIMEHOF) and the Ward Melville Heritage Organization (WMHO) held a press conference in which they announced that they are joining forces by signing a long-term lease to house the LIMEHOF’s first physical facility at the WMHO’s Educational and Cultural Center in Stony Brook Village Center.

This perfect melding brings together two organizations built on highlighting cultural as well as educational elements. The WMHO is rooted in the contributions of Ward Melville to the educational landscape of the Three Village Area. Its Educational and Cultural Center, an impressive white colonial-style building, opened its doors in 2002, offering interactive programs and events, exhibits, and theatrical productions.

The Long Island Music & Entertainment Hall of Fame, a non-profit organization founded in 2004, recognizes, honors and preserves Long Island’s musical heritage. The organization’s educational initiatives include annual scholarships, a concert series, speaker series, and its Hall of Fame with such inductees as Billy Joel, Tony Bennett, Eddie Money, Connie Stevens, Clive Davis and Neil Sedaka. The organization recently expanded its mission to recognize all forms of the arts including, but not limited to, comedy, film, television and theater. 

Now that LIMEHOF has joined forces with WMHO, their ambitious collaboration intends to create a physical facility in the Educational and Cultural Center space that will showcase Long Island’s rich and diverse musical and entertainment history. Plans are for exhibits, a permanent “Hall of Fame,” a library, classrooms for educational programs and master classes, and a theater.

Dr. Richard Rugen, chair of board to WMHO said, “We are looking forward to a long partnership with LIMEHOF. Our trustees feel this is a perfect fit with the other not-for-profits located in Stony Brook Village, namely, The Long Island Museum, The Jazz Loft and The Reboli Center.”

“With all the other attributes in Stony Brook Village, such as restaurants, shops, parks, Discovery Boat, kayaks, historic buildings and hotel, this is a perfect addition. The multi-purpose building was constructed to hold exhibits, performances, classes and is wired for distance learning. When I heard that LIMEHOF was looking for a permanent home, I called Ernie Canadeo and the rest is history.” said Gloria D. Rocchio, President of The Ward Melville Heritage Organization.

The festivities were kicked off by the LIHOF 2022 inductees, the band Barnaby Bye, featuring the Alessi brothers, Billy and Bobby, and Mike Ricciardella, treating the audience to a rendition of their song Sea Birds.

Hosting duties went to the LIMEHOF Chairman, Ernie Canadeo, who proudly stated, “I don’t think I’m exaggerating when I say there is no place in the country and even in the world that has produced as many extraordinary musical composers or entertainers than Long Island. We have inducted over 100 from every musical genre. Today we are thrilled to announce that we have expanded our mission and our name to include major figures in comedy, film, television and the arts in addition to music. This beautiful building will become the home to honor, respect and preserve LI’s diverse musical and entertainment history and its future.” 

He continued, “In addition to a permanent Hall of Fame that will honor all our inductees, we will have 2 changing exhibitions a year. The first will be called LI’s Legendary Club Scene 1960s, 70s and 80s. It will be a tribute to clubs and bands who played on Long Island and created the unbelievable club scene that no one who lives here will ever forget. We expect to draw people from all over with nostalgia for those wonderful days. We are planning a grand opening in November 2022.”

Canadeo then introduced the world-renowned visual designer, Kevin O’Callaghan, who will oversee all things creative.

“I love this community. I am thankful for this opportunity; it is really amazing,” said O’Callaghan. “For this first exhibition, we want to focus on the people, because the people of Long Island are what made so much of this happen. The club scene, the music scene — it all started here. We want to get the stories, the stories behind the musicians and the shows and what people saw and experienced and what it felt like to be in Speaks and what it felt like to be in Hammerheads and what it felt like to see Twisted Sister. It’s amazing; Billy Joel, in his early days, just playing a piano, no band behind him. We want to hear those stories, so we’re reaching out to the public looking for stories, memorabilia. I don’t think there is anything too small that wouldn’t be important in here. We’re going to have a theater upstairs; we’re going to have a library upstairs. It’s going to be educational. I just can’t wait. I’m unbelievably excited!”

It is of special interest to note that the space where the Educational and Cultural Center is located was once the site of the famed Dogwood Hollow built by businessman and philanthropist Ward Melville. It was a 2,000+ seat outdoor amphitheater that hosted greats such as Louis Armstrong, Benny Goodman, Count Basie, Liberace and more between 1955 and 1970. 

In deference to this space, Canadeo said, “It was one of the most significant theatres on Long Island and it was right here where this building was built. So, you talk about karma and us being meant to be here; it’s really unbelievable. And if you look at the history, it was one of the first places that had no regard for racial issues. You look back and a lot of the artists here spanned everyone and it’s really a significant space. We are proud that our building is in this space.”

The crowd was treated to a tour of the upstairs space that will house the Hall of Fame, exhibits and a small theater. The official ribbon-cutting and public opening of the completed space is scheduled to take place this coming November. For more information and to see artist renderings of the exhibits, visit www.limehof.org.

After a two-year hiatus due to the pandemic, Maker Faire Long Island returned to Port Jefferson village on Saturday, June 11, at the Village Center.

Maker Faire LI is an annual festival held by the Long Island Explorium, a science and engineering museum based in Port Jeff. Its purpose is to promote STEM (science, technology, engineering and mathematics) education by way of innovations and crafts of people throughout the region and country. 

Angeline Judex, executive director of the Explorium, discussed the surprising success of the event after its two-year pause. “We’re really happy with this event,” she said. “It has turned out really well — much better than we actually expected.”

Proceeds from the event will support the Explorium’s various educational programs. The goal of these programs is to enliven STEM through activities that are engaging and fun. Judex said the Explorium hopes to inspire young people and nourish a lifelong pursuit of STEM. 

“It’s really important for children to be inspired and excited about STEM at an early age,” Judex said, adding, “We focus on enriching and inspiring children from K-6 so that they get excited about STEM because this is the future.” She added, “We want to support the next generation of leaders and scientists who are going to be inspired to solve some of the challenges in the environments we live in.”

Hundreds of makers gathered at Harborfront Park to showcase their own unique contributions to the field. Sejal Mehra, one of the presenters at the festival, displayed what she has coined “engineering art.” Her works integrate aspects of collage, engineering and sustainability studies under a common discipline.

“I create ‘engineering art,’ which is made from recycling old computer and electronic parts or plastic that would have otherwise ended up in the trash to show the beauty of STEM,” she said. “I’m on a mission to change the face of STEM through art.”

Makers such as Mehra offer the necessary guidance for young people to pursue STEM. Through their example of creativity and ingenuity, young people are challenged to change the world themselves.  

“I think it’s really important to have programs like this one to help inspire young minds into a lifelong pursuit of STEM because you never know when or how something is going to spark their love for STEM,” Mehra said. “It is also great for young minds to be inspired by young adults like myself because we were just in their shoes and can help motivate them to pursue STEM. Without programs like this, the amount of exposure to the field and its vast possibilities and intersections would not be possible.”

Mehra’s artwork is currently for sale and can be purchased through her website or by contacting her via email or Instagram.

Joining Judex was a group of public officials who offered their support for the museum in its mission to educate the next generation of scientists and engineers. New York State Assemblyman Steve Englebright (D-Setauket), a geologist by profession, spoke of the importance of Maker Faire in encouraging young minds to tackle the impending challenges of environmental degradation.

“The purpose of bringing us all together is to enhance this community, to imagine possibilities for all of the people who live here and visit here, and to use our imagination just a little bit,” he said. “One of the things that’s very important is the narrative and theme that are interwoven around protecting the environment. We’re situated here in beautiful Port Jefferson on the edge of the harbor, and it is a beautiful place to remember the importance of sustainability.”

Suffolk County Legislator Kara Hahn (D-Setauket) was also present for the event. She thanked the Explorium for providing these services and enriching the community.

“I am pleased to be here to support Maker Faire Long Island once again, to support the Explorium, and encourage children and our residents to explore, to innovate, to use their imagination and encourage ingenuity,” she said. “Thank you for all you do to encourage that in children right here in our own backyard.”

Brookhaven Town Councilmember Jonathan Kornreich (D-Stony Brook) recognized Judex for the work she put into making this annual tradition successful once again and for championing STEM and motivating young people.

“I want to thank you not only for the work you did to bring this event together, but for the work you do all year long to create a fun place for kids to do science, to teach kids, to make it accessible to everybody, to bring science to places where maybe it isn’t, and to find new places to suddenly discover science,” the councilmember said.

Kathianne Snaden, Village of Port Jefferson deputy mayor, thanked the many entities that helped make this event possible once again.

“To all of the volunteers, to all of the makers, to the attendees, to our code department, our parks department and our highway department, without all of you coming together to make an event like this happen, we just couldn’t do it,” she said. “To the Explorium for providing cutting-edge technology, programming and hands-on learning for our children, it is just unmatched in this area.”

Village trustee Rebecca Kassay and her husband volunteered as traffic guards during the event. She called it “a pleasure directing parking.”

“As my husband and I stand and direct parking, we look at the children leaving this event and I asked them, ‘What have you made today?’” the trustee said. “Their faces light up and they show me something they’ve made, whether it’s a magnet, whether it’s a whirligig, whether it’s lip balm.” She continued, “It is so important to empower these young people with the gift of demystifying what is in the world around them.”

Englebright concluded the remarks with an anecdote. When the assemblyman was just 14 years old, his science teacher at the time recommended he attend a junior curator program at the Brooklyn Children’s Museum. His decision to heed that advice would reshape the course of his life.

“I became a junior curator and it changed my life,” he said. “The Explorium, this children’s museum, I believe is going to change an awful lot of young people’s lives. Now here I am — with white hair — some years later, and I can tell you of the importance of your programs and the worthiness of everything that you do.”

Student activists and community members took to the streets of Port Jefferson Station on Saturday, June 11, to protest the recent proliferation of gun violence in schools nationwide.

Demonstrators held signs and organizers delivered impassioned speeches calling upon public officials to enact comprehensive gun reform policies. Local photojournalist Daniel Palumbo was on the ground during the event, capturing images of the demonstrators as the event unfolded.

— Photos by Daniel Palumbo