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The Smithtown Center for the Performing Arts

By Barbara Anne Kirshner

In this COVID era where outdoor activities are preferred, the Carriage House Players, in partnership with the Smithtown Center for the Performing Arts and the Smithtown Historical Society, has extended the usual summer open air entertainment by heralding autumn with an under the stars production of Shakespeare’s romantic comedy Twelfth Night.

East Main Street in Smithtown is well lit at night by passing car headlights but once you turn off the main road and head up a narrow country lane, you are instantly immersed in a blanket of serene darkness save for an illuminated structure standing tall in the distance. 

A string of white twinkling lights guides the way through a meadow that ends at this grandiose structure decorated as a red barn framed by natural towering trees. You have just entered the world that is Twelfth Night.

This tale of unrequited love, believed to have been written around 1601–1602, has a whirlwind of twists and turns bursting with intrigue and mistaken identities that one remains riveted throughout.

The pre-show antics make it worth getting to the grounds early. Actors in Victorian garb circulate, hob knob with the audience, one strums a guitar and even reads tarot cards.

High-test energy explodes right from the start and maintains momentum through to a rollicking ending. This exceptionally well-rehearsed cast, thanks to director, Christine Boehm, appears comfortable with Elizabethan English and flings Shakespeare’s words in an easy, conversational manner just as the Bard intended. 

The opening springs to life with the song I Put a Spell on You and the stage rocks with a captain at the helm trying to stay the course of his ship veering off through a turbulent storm. Black sheers fiercely whip up and down, an abstract representation of violent waves which ends with a catastrophic shipwreck. 

Enter Anna Stacy, dynamic as Viola, in a role that shifts genders from female to male and back again. Viola was rescued by the sea captain, the adept Patrick Campbell, while Dan Schindlar, charismatic as her brother Sebastian, is rescued by Antonia, played by the expressive Zöe Katsaros. Neither are aware that the other has survived which adds another layer of intrigue to the plot. 

Viola disguises as a young man, ‘Cesario’, to go into the service of Michael Mandato’s evocative Count Orsino. Orsino is tortured by unrequited love for Countess Olivia a damsel in mourning for seven years over the death of her brother. Mary Caulfield captivates as the grieving countess shrouded in black and spurning all suitors. ‘Cesario,’ in doing the bidding of Orsino, professes his master’s love for Olivia, but it backfires when the countess falls in love with ‘Cesario’ instead. 

Upon seeing Sebastian, Olivia assumes he is ‘Cesario’ and implores him to marry her which he does willingly. In a final twist, ‘Cesario’ and Sebastian appear before Olivia and Orsino causing more confusion. But Viola reveals her true identity, declares her love for the count and is reunited with her twin brother. 

Sub-plots abound with Olivia’s uncle, Sir Toby, a drunkard performed with gusto by Evan Donnellan and his comrade, Sir Andrew, (Jae Hughes), a delightful fop who also pines for Olivia. This duo adds much madcap humor into the mix! 

Another comical twist happens when Maria, Olivia’s maid, played with relish by Katie Murano, pulls a prank on the pompous steward, Malvolio, making him think Olivia is in love with him. Kevin Callaghan’s Malvolio falls into hilarious raptures as the lovesick steward and nearly stops the show. 

Another participant in the plot against Malvolio is Feste, Olivia’s jester, played by the multi-talented Ana McCasland who displays all of her talents from singing to playing the guitar to acting.

For an electric celebration of wits, intrigue and an enthusiastic ensemble thoroughly committed to Shakespeare’s raucous comedy, catch a performance Twelfth Night, now playing through Oct. 31.

The Carriage House Players presents Twelfth Night on the grounds of the Smithtown Historical Society, 239 East Main Street, Smithtown on the evenings of Oct. 15, 17, 22, 24, 29 and 31. Tickets are $20, $15 seniors and children 12 and under. To purchase, call 631-724-3700 or visit www.smithtownpac.org.

Pixabay photo

It’s been a difficult 18 months, especially when we think back to the early days of the pandemic as we watched businesses across our communities adjust to state mandates after COVID-19 raged through our area. From limiting capacity to some businesses not being able to operate at all, many owners had difficulty adjusting.

Despite the lifting of state mandates a few months ago, many are still suffering.

As we look around more and more, places are closing or are in jeopardy of shutting down. In the last two weeks, we have heard the news of the Book Revue in Huntington set to close by Sept. 30. After 44 years of business, the village staple is in a financial hole.

The store had been shut down for three months during the pandemic. Once it was reopen, the business struggled to get back on its feet, and the owner fell behind on the rent.

To the east, Smithtown Performing Arts Center is having trouble holding on to its lease of the old theater. The nonprofit is also behind in its rent and has been unable to make a deal with the landlord, which led him to put the theater up for sale two weeks ago.

Both businesses received assistance during the pandemic. The Book Revue, like many others, was fortunate to receive loans through the federal Paycheck Protection Program to pay employees’ salaries and keep the lights on. For SPAC, the nonprofit received a Shuttered Venue Operators Grant but needs to have a full account of debts to be able to reconcile grant monies.

With the pandemic lingering, what many people are discovering is that the assistance just artificially propped them up for a short while. Now more than ever, local businesses and nonprofits need the help of community members to enter their storefronts and buy their products. When a consumer chooses between shopping or eating locally instead of online or going to a big chain, it makes a difference.

If one looks for a silver lining in all this, it may be that many business owners have come up with innovative ways to stay open, while others have embraced curbside pickup and created websites and social media accounts that will be an asset in the future.

And while it’s sad to see so many favorite businesses closing their doors, it also paves the way for new stores with fresh ideas to come in with items such as different types of ice cream or creative giftware or clothing.

Many of our main streets need revitalization and the arrival of new businesses or current ones reinventing themselves can be just what our communities need to reimagine themselves — and not only survive but thrive in the future.

We can all help small local businesses stay afloat, whether it’s an old staple or a new place. Because at the end of the day, if a store or restaurant has been empty and the cash register reflects that, we’ll see more and more empty storefronts in our future.

Spend your money wisely — shop and eat locally.

The talented cast, from left, Gabrielle Arroyo, Alexa Oliveto, Ari Spiegel, Lorelai Mucciolo, Max Lamberg and Derek Hough. Photo by Heidi Sutton

By Heidi Sutton

For too short a time, Mo Willem’s Don’t Let the Pigeon Drive the Bus! flies off its pages and takes roost on the grounds of the Smithtown Historical Society in a children’s musical production by the Smithtown Center for the Performing Arts that is too cute for words!

Written in 2003, it was Willems’ first book for children, and received the Caldecott Honor the following year. The book’s appeal was that it spoke to the reader throughout the story as a bus driver asks the audience to not let the pigeon drive the bus while he has to step away for a moment. The remainder of the story is the pigeon pleading with the reader to let him drive the bus … until he sees a semi-trailer truck.

While Willems went on to write many more Pigeon books, his debut novella was turned into a musical in 2019 and now comes to life in Smithtown through Sept. 17.

Directed by Evan Donnellan, with musical direction by Robbie Torres, the 6-member cast embrace this clever script and jazzy score and run with it.

The pigeon has a complaint. He never gets to do anything. When the park gets a new bus stop, he gets his first glimpse at the beautiful shiny bus and … he wants to drive it! As passengers board the bus, the pigeon begs and pleads but the bus driver won’t give in. When the bus suddenly won’t start and all the passengers begin to panic, the pigeon realizes he just might get a chance to do something after all.

Uber talented Derek Hough is perfectly cast as the pigeon. Every line, song and dance number is executed perfectly and he quickly becomes an audience favorite who complains about the lack of adventure in his life. When the pigeon is tasked with flying to all the other bus stops on the route to tell them the bus is running late, Hough runs through the audience and relays the message to all of the young children, a highlight of the show.

Gabrielle Arroyo shines as the enthusiastic bus driver who boasts that her bus, like all public transportation, must always be on time. (LOL) Her three passengers are terrific as well. Lorelai Mucciolo’s transformation into a little old lady who has a purse full of bird seed (and likes to throw it at the pigeon) is hilarious; Ari Spiegel as the high strung business man late for his first day at a new job is spot on; and Max Lamberg as a superhero-obsessed teenager who wants to catch the premiere of a new movie is excellent. Alexa Oliveto, as the “voice” of the bus engine, is tasked with delivering the silliest and hardest lines and does so with ease.

The songs, written by Mo Willems and Deborah Wicks La Puma, are catchy and fun with special mention to the fast-paced “Panic at the Bus Stop” and “Let Me Drive the Bus” and the melodramatic “What Could Have Been.” The set, painted in the same shades as the book, and the creative costumes by Ronald R. Green III tie the production together nicely. Catch a performance before it flies the coop.

The Smithtown Center for the Performing Arts presents Don’t Let the Pigeon Drive the Bus! The Musical! on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown on various dates and times through Sept. 17. Running time is 50 minutes with no intermission. While folding chairs are available, theatergoers are welcome to bring blankets or chairs for seating and bathrooms are available on the premises. Tickets are $18 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

 

The Cast of Beatlemania

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown welcomes The Cast of Beatlemania in concert on Saturday, Sept, 4 at 8 p.m. The first and best tribute to the Fab Four,  members are from the 1985 Broadway premier and subsequent touring production of Beatlemania. Enjoy Labor Day weekend with John, Paul, George and Ringo as they sing all the classics. Tickets are $50 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

From left, Lorelai Mucciolo, Evan Donnellan and Jae Hughes rejoin the cast of 'Twas the Night Before Christmas at the Smithtown Historical Society for the holidays. Photo from SPAC

The Smithtown Center for the Performing Arts presents an outdoor performance of Ken Ludwig’s ’Twas the Night Before Christmas at the Smithtown Historical Society’s Roseneath Cottage, 239 E. Main St., Smithtown on Nov. 27 to 29, Dec. 12, 13, 19, 20 and 24 at 11 a.m. Join a mouse, an elf, and a spunky little girl on a quest to find out why Santa missed their house last year. A joyful tribute to the holiday season! Tickets are $18 per person. Masks are mandatory. Stay after for photo opportunities with Santa at his workshop (5 person maximum) for an extra fee. For more information or to order, visit www.smithtownpac.org.

By Rita J. Egan

From now through Oct. 27, the Smithtown Center for the Performing Arts is celebrating a change that has nothing to do with the seasons but more with hot flashes, weight gain, hot flashes, restlessness, mood swings, hot flashes, memory loss, night sweats and did I mention hot flashes? The theater closes out its 17th season with the hilarious  “Menopause The Musical.”

Amy Burgmaier

With book and lyrics by Jeanie Linders, the story follows four strangers who get acquainted during a lingerie sale at New York City’s Bloomingdale’s. Despite different personalities and backgrounds, they find out they have something in common — the change of life. Bonding over the symptoms of menopause, the play has appealed to women in their 40s, 50s and beyond since it first debuted in Orlando in 2001. With clever remakes of classic songs from the ’60s, ’70s and ’80s, the show can be an entertaining production for men but is probably best enjoyed as a ladies’ night out.

Seth Greenleaf skillfully directs a talented cast of four women, Monica Palmer, Nancy Slusser, Jenny McGlinchey and Amy Baugmaier, who display immense comedic ability and singing voices to match.

Monica J. Palmer

Palmer approaches her role as the businesswoman with the right amount of confidence and attitude, while Slusser is a sassy Soap Star. McGlinchey is the perfect choice for Earth Mother as she easily and hysterically transforms from zen hippie trying to manage her symptoms to an imperfect woman just waiting for a symptom to pass. Baugmaier, as the housewife, is sweet and endearing. All four also show enough vulnerability for the audience to believe that their characters would befriend three strangers in the middle of the Big Apple.

The audience will quickly identify with songs such as “Change, Change, Change,” a hilarious take on Aretha Franklin’s “Chain of Fools,” and “Stayin’ Awake/Night Sweatin,” a twist on the hits “Stayin’ Alive” and “Night Fever” from the movie “Saturday Night Fever.” Like most songs in the musical, they detail the changes women go through with a healthy dose of humor.

Jenny McGlinchey

As the show progresses, each scene and number garners more laughter, whether it’s  Earth Mother singing “My Husband Sleeps Tonight” to the tune of “The Lion Sleeps Tonight” to share her woes about insomnia, or all the actresses performing “Sane and Normal Girls”/“Thank You Doctor” (“California Girls”/“Help Me Rhonda”) as each of the women professes her gratefulness for the prescriptions prescribed by her doctor.

During the reprise of “I’m Flashing,” a spin on the song “I’m Sorry,” Palmer’s character apologizes for her hot flashes. Slusser also has some fun flirting with the audience during the reprise of “Hot Flash” (“Hot Stuff”) where her singing talent is front and center.

One of the funniest scenes takes place when Baugmaier tries on lingerie in the store’s dressing room and Palmer suddenly appears dressed like Tina Turner singing “What’s Love Got to Do With It.” The laughs kept coming as Baugmaier sings a beautiful version of “Only You” to her newfound friend — a vibrator. From beginning to end, the cast keeps the audience in stitches.

Nancy Slusser

Set designer Bud Clark and costume designer Sue Hill also deserve a round of applause. Clark has built a set that is simple yet incorporates pieces that easily create the feel of a department store, while Hill’s costumes fit the characters perfectly (Palmer’s Tina Turner outfit is sensational). Musical director Melissa Coyle and her orchestra as always navigate the hits seamlessly the entire show.

By the end of the night, it’s impossible not to have a new attitude about this season of life as the audience is invited to join the actors on stage for a celebratory dance.

The theater is now in the midst of a fundraising campaign to restore its light bulb marquee, and it’s no surprise that they want to highlight their offerings with quality productions such as “Menopause The Musical.”

The Smithtown Center for the Performing Arts, 2 East Main St. Smithtown, will present “Menopause The Musical” through Oct. 27. Running time is 90 minutes with no intermission. Performances are 8 p.m. Thursdays, Fridays and Saturdays and 3 p.m. on Sundays. Tickets range from $36 to $40. For more information, visit www.smithtownpac.org or call 631-724-3700.

By Heidi Sutton

The holiday season has arrived at the Smithtown Center for the Performing Arts, and while adults can enjoy a performance of “White Christmas,” younger audiences can go see Ken Ludwig’s “Twas the Night Before Christmas.” The adorable show runs through Dec. 30.

Directed by Christine Boehm, the play opens on a snowy Christmas Eve with Uncle Brierly (Tom Catt) reading Clement C. Moore’s classic poem, “Twas the Night Before Christmas” to the audience. He gets as far as, “Not a creature was stirring, not even a mouse” only to be interrupted by Amos the mouse (Jae Hughes) who is in fact stirring, cookie dough that is, to make cookies for Santa in hopes that he’ll show up this year.

Turns out that Amos and his best human friend Emily (Lorelai Mucciolo) were left off the Naughty or Nice list last year by Santa and didn’t receive any presents.

As they lament over their misfortune, an elf named Calliope (Lisa Naso) arrives to investigate. Seems a lot of children were left off the list last year, and Calliope enlists the help of Emily and Amos to prevent this from happening again. With only a few hours left until Christmas Day, the three set off on an airplane to the North Pole on a quest to find this year’s Naughty and Nice list and to save Christmas. When they arrive at Santa’s workshop, they discover that a former elf, Sir Guy of Gisbourne (Catt), with the help of his sidekick Mulch (Anthony Panarello), sold the children’s Christmas list to retailers last year and plans to do it again this year. Can they be stopped in time?

Hilarity ensues with a chase scene through the audience, a surprise appearance from Amos’ brother (the incredible Hughes in a dual role), an exciting sword fight, a special visit by Santa and even a little snow in the theater at the end with the underlying message to make life an adventure.

With a running time of approximately one hour with a 15-minute intermission, this action-packed family-friendly show is the perfect first introduction to live theater. Booster seats are available. Meet the cast in the lobby after the show for a holiday photo.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present Ken Ludwig’s “Twas the Night Before Christmas” through Dec. 30 followed by Disney’s “Aladdin Jr.” from Jan. 12 to Feb. 24. All seats are $15. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org

By Rita J. Egan

It was a dream come true at the Smithtown Center for the Performing Arts. “Dreamgirls” opened on the Main Stage last Saturday, and with a talented cast, showstopping numbers and sparkling costumes, it had everything one would expect from a musical.

A scene from ‘Dreamgirls’

Set in the 1960s and ’70s, the story follows three female singers from Chicago, Effie, Deena and Lorell, as they evolve from the Dreamettes — singing backup for a popular rhythm and blues singer named Jimmy Early — to the Dreams headlining shows on their own. Through song and a bit of dialogue, the audience gets a glimpse into the girls’ relationship, and watches as the three young women fall in love with the men in their lives: Jimmy, songwriter C.C. and Curtis, the group’s manager. 

The show also touches on the struggles of black singers to find a place on the pop charts in the ‘60s, while facing segregation in the South and watching as white pop music stars rerecorded their music.

“Dreamgirls” premiered on Broadway in December 1981 and ran for nearly four years, winning six Tony Awards. In 2006, a movie based on the musical was released starring Beyoncé, Jennifer Hudson, Eddie Murphy and Jamie Foxx. 

With book and lyrics by Tom Eyen and music by Henry Krieger, Ronald Green III masterfully directs a talented cast of 22 actors in SPAC’s latest production. The local presentation originated at The Noel S. Ruiz Theatre at the CM Performing Arts Center in Oakdale in September last year under the direction of Patrick Grossman, and many of the original cast members, sets and costumes remain the same.

A scene from ‘Dreamgirls’

Crystal Fauntleroy (Effie), Aisha Phillip (Deena) and Amanda Camille (Lorell) blend beautifully together as the Dreamettes/Dreams, and when Effie is fired from the group, Steffy Jolin (Michelle) effortlessly replaces her. The actors are excellent in the musical numbers “Move (You’re Steppin’ on My Heart),” “Dreamgirls” and “One Night Only.”

Fauntleroy is dynamic as Effie, portraying her with just the right amount of attitude and strength, and shines in every number. During the emotional “And I Am Telling You I’m Not Going,” she delivers the song with all the passion audience members expect from this number. For anyone who has ever suffered a broken heart, be warned, tissues will be needed.

As the musical progresses, Phillip transitions from timid backup singer, to confident front woman with ease. After Curtis decides he wants a singer with a softer voice leading the group, believing the sound will be more acceptable to pop audiences, he moves Deena to the lead spot and Effie to the back. Phillip has a melodic singing voice that is fit for this role. This is especially apparent during the tender duo with Curtis, “When I First Saw You.”

A scene from ‘Dreamgirls’

Camille is sassy as Lorell, and she has the opportunity to show off her powerful voice during “Ain’t No Party.” Jolin as Michelle embodies the spirit of a girl group singer. Her stunning smile and the way she carries herself seems to say, “I don’t care if I’m not the lead singer, I’m a star.”

The ladies are not the only ones who are front and center in this show as the male actors have exceptional stage presence. Dondi Rollins is on fire as he plays a James Brown-inspired Jimmy. Rollins sings and dances his way into the hearts of the audience, especially with the high energy “Fake Your Way to the Top.”

David William Hughes is convincing as the slick Curtis, and his smooth vocals help to deliver a swoon-worthy performance. It’s no surprise that both Effie and Deena fall for their manager. 

Londell Collier is a sweet and endearing C.C., and his vocals are just as sweet, especially when he starts off the ensemble number “Family.”

Hughes, Rollins, Collier and Kevin Knight as Marty, Jimmy’s manager, sound fantastic together during “Cadillac Car.” Seneca Bell plays the masters of ceremony with flair, Justin Steele as Tiny Joe Dixon adds to the sensational vocals, and the whole ensemble rounds out the cast perfectly.

The musical has its comedic moments, too. After Jimmy and friends think they have a hit with “Cadillac Car,” Hans Paul Hendrickson appears on stage as a Pat Boone-inspired character singing the song and looking as wholesome as a ‘50s sitcom character. During the number “I Want You Baby,” Rollins is hysterical as he portrays a restrained Jimmy during a show in a whites-only club in Miami.

Once again, SPAC has produced a musical worthy of Broadway, and those behind the scenes also deserve to be applauded. The fast-paced musical is filled with fun dance moves choreographed by Milan McGouldrick, and conductor Melissa Coyle and the theater musicians magnificently accompany the singers on each number. Green, doubling as costume designer, also ensures all the bright colors and sparkling attire of the era are represented beautifully.

The Smithtown Center for the Performing Arts, located at 2 E. Main St., Smithtown will present “Dreamgirls” through June 17. Running time is 2 1/2 hours with one 15-minute intermission. Tickets are $38 adults, $34 seniors, $25 students. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.

Andrew Murano as Will Shakespeare in a scene from ‘Shakespeare in Love’. Photo by Danielle Nigro

By Heidi Sutton

In perfect timing with Valentine’s Day, the Smithtown Center for the Performing Arts continues its 2017-18 season with the romantic comedy, “Shakespeare in Love.” The play, based on the 1998 award-winning film about William Shakespeare written by Marc Norman and Tom Stoppard and starring Gwyneth Paltrow and Joseph Fiennes, was adapted for the stage by Lee Hall in 2014 and has been making the rounds in playhouses ever since. Last weekend it opened on the Mainstage complete with mistaken identities, disguises, a sword fight and a dog.

Regarded by many as the greatest writer in the English language and the foremost dramatist of his time, Shakespeare was thought to have written more than 30 plays and more than 100 sonnets. Or did he? That is the question. Rumors and conspiracy theories have circulated for years. Now the Bard himself is in the spotlight as the story follows his journey and inspiration in writing one of his greatest masterpieces, ultimately proving that sometimes it does take a village.

Kenneth Washington directs a large cast of 22 plus Baby Jack as Spot the dog in this love letter to Shakespeare.

Andrew Murano and Katie Ferretti in a scene from ‘Shakespeare in Love’. Photo by Danielle Nigro

 

Andrew Murano tackles the role of Will Shakespeare, a young playwright who is suffering from writer’s block. Deep in debt and constantly being upstaged by his rival Kit Marlowe (Evan Donnellan) he struggles to complete his latest play, a comedy titled “Romeo and Ethel, the Pirate’s Daughter,” which he has promised to two theater owners, Henslowe (Michael Newman) and Burbage (Doug Vandewinckel).

When Shakespeare meets Viola de Lesseps (Katie Ferretti), the daughter of a rich merchant betrothed to another, their forbidden love affair becomes the inspiration for much of the dialogue written for the play, which slowly evolves to become the romantic tragedy of “Romeo and Juliet.” His greatest admirer (she can recite every one of his plays by heart), Viola disguises herself as a man and lands the lead role of Romeo, further inspiring the playwright to begin work on “Twelfth Night” at the end of the second act. “Are you my actor or my muse?” Shakespeare asks her. “I am both but I should be neither,” she replies. Will someone discover her secret? Will Shakespeare steal her heart?

The talented group of actors, many of whom are regulars at the Smithtown venue, seem quite at ease blending a play within a play with backstage antics and onstage dramas. Murano and Ferretti are perfectly cast as the show’s forbidden lovers, reciting Shakespeare with skill and passion. The production is also enhanced by its supporting cast including Christine Boehm as the dog-loving Queen Elizabeth and Camile Arnone as Viola’s nurse. Special mention should be made of Evan Donnellan who, although he is only in a few scenes, leaves the audience wanting more.

A scene from ‘Shakespeare in Love’. Photo by Danielle Nigro

Set in the 1500s, the play’s Renaissance-era world is beautifully enhanced with period costumes by Chakira Doherty and the simple but functional set by Timothy Golebiewski serves as both castle with a balcony and an Elizabethean theater. The musical score, directed by Melissa Coyle, further elevates the show, especially during a dance in the castle where Shakespeare firsts lays eyes on his muse Viola.

Throughout the play, Shakespeare is told that all an audience wants is comedy along with love … and a bit with a dog and in that aspect “Shakespeare in Love” delivers. Recommended for mature audiences, running time is approximately two hours and 30 minutes, including one 15-minute intermission.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown will present “Shakespeare in Love” through March 4. The season continues with “Mamma Mia” from March 24 to April 29 and “Dreamgirls” from May 12 to June 17. Tickets are $35 adults, $32 seniors and $20 students. To order, call 631-724-3700 or visit www.smithtownpac.org.

The cast of "Elephant & Piggie's 'We Are in Play'" at the SCPA. Photo by Samantha Cuomo

Currently in production at the Smithtown Center for the Performing Arts, “Elephant & Piggie’s ‘We Are in a Play!'” is based on the popular “Elephant & Piggie” book series by award-winning children’s author Mo Willems, with script and lyrics by Willems and music by Deborah Wicks La Puma.

Directed and choreographed by Melissa Rapelje, with musical direction by Melissa Cowell, the first part of the show follows Gerald (the elephant) and Piggie as they embark on a musical adventure solving problems and learning friendship etiquette with the help of the dancing trio, the Squirelles.

Eventually, the characters realize that they are in a play and engage the audience, having them join in by shouting out funny words like “banana,” clapping and doing the “Flippy Floppy Floory dance.” A nice touch is the conversational bubbles between Gerald and Piggie projected on a large screen on stage.

Bobby Montaniz is perfectly cast as Gerald. With the boundless energy of a young child, he jumps, skips and rolls on the floor, eliciting much laughter from the young audience. His rendition of “Ice Cream Hero” was very entertaining. Montaniz is always wonderful to watch, especially in children’s theater, and this performance is no exception. Piggie is played wonderfully by the talented Courtney Braun whose subtle wit and humor is spot on. The spunky Squirrelles, played by Allie Brault, Hayley Phaneuf and Samantha Foti, and the Ice Cream Penguin, played by Bella Lardaro, are a great supporting cast and do a terrific job.

Costumes by Ronald R. Green III are simple but effective. Montaniz’s gray jacket and pants, Braun’s pink outfit with striped tights and dark brown dresses for the Squirrelles reflect the characters’ animal traits and personalities.

For many young children in the audience, this was their first exposure to live theater, and the cast left quite an impression. Cooper Alberti, 2, of Babyon sat in the balcony with his father after deciding his original seat was a little too close to the stage. Grinning from ear to ear the entire time, he rocked back and forth to the music and clapped enthusiastically. His favorite characters were the Squirrelles and, according to his dad, Cooper loved all the singing and dancing.

Parents, a warning — the play is approximately an hour long with no intermission — so try to hit the bathrooms before the show. Stay after the show for autographs and photos with the cast.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown, will present “Elephant & Piggie’s ‘We Are in a Play!'” on weekends through April 11 (no show on Easter) with special Spring Break performances from April 6 to April 9 at 10:30 a.m. All tickets are $15. For more information, call 631-724-3700 or visit www.smithtownpac.org.